Chapter 21 – The Roaring Life of the 1920’s. Section One – Changing Ways of Life I.Urban and...

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Chapter 21 – The Roaring Life of the 1920’s

Transcript of Chapter 21 – The Roaring Life of the 1920’s. Section One – Changing Ways of Life I.Urban and...

Page 1: Chapter 21 – The Roaring Life of the 1920’s. Section One – Changing Ways of Life I.Urban and Rural Differences a. The New Urban Scene i. 1920 census:

Chapter 21 – The Roaring Life of the 1920’s

Page 2: Chapter 21 – The Roaring Life of the 1920’s. Section One – Changing Ways of Life I.Urban and Rural Differences a. The New Urban Scene i. 1920 census:

Section One – Changing Ways of LifeI. Urban and Rural Differences

a. The New Urban Scenei. 1920 census: 51.2% of Americans in communities of 2,500 or moreii. 1922–1929, nearly 2 million people leave farms, towns each yeariii. Largest cities are New York, Chicago, Philadelphia

- 65 other cities with 100,000 people or moreiv. In 1920s, people caught between rural, urban cultures- close ties, hard work, strict morals of small towns- anonymous crowds, moneymaking, pleasure seeking of cities

Page 3: Chapter 21 – The Roaring Life of the 1920’s. Section One – Changing Ways of Life I.Urban and Rural Differences a. The New Urban Scene i. 1920 census:

b. The Prohibition Experimenti. 18th Amendment launches Prohibition era - supported by religious groups, rural South, Westii. Prohibition—production, sale, transportation of alcohol illegaliii. Government does not budget enough money to enforce the law

c. Speakeasies and Bootleggersi. Speakeasies (hidden saloons, nightclubs) become fashionableii. People distill liquor, buy prescription alcohol, sacramental wineiii. Bootleggers smuggle alcohol from surrounding countries

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d. Organized Crimei. Prohibition contributes to organized crime in major citiesii. Al Capone controls Chicago liquor business by killing competitors iii. By mid-1920s, only 19% support Prohibitioniv. 18th Amendment in force until 1933; repealed by 21st Amendment

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II. Science and Religion Clasha. American Fundamentalism

i. Fundamentalism—movement based on literal interpretation of Bible ii. Fundamentalists skeptical of some scientific discoveries, theories

- reject theory of evolutioniii. Believe all important knowledge can be found in Bibleiv. Fundamentalist preachers lead religious revivals in South, West

- Billy Sunday holds emotional meetings- Aimee Semple McPherson uses showmanship while preaching on radio

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b. The Scopes Triali. 1925, Tennessee passes law making it a crime to teach evolutionii. American Civil Liberties Union backs John T. Scopes challenge of lawiii. Clarence Darrow, most famous trial lawyer of day, defends Scopesiv. Fundamentalist William Jennings Bryan is special prosecutorv. Scopes trial—debates evolution, role of science, religion in school

- national sensation; thousands attendvi. Bryan admits Bible open to interpretation; Scopes found guilty

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Section Two – The Twenties WomenI. Young Women Change the Rules

a. The Flapperi. Flapper—emancipated young woman, adopts new fashions, attitudesii. Many young women want equal status with men, become assertiveiii. Middle-class men, women begin to see marriage as equal partnership

- housework, child-rearing still woman’s jobb. The Double Standard

i. Elders disapprove new behavior and its promotion by periodicals, adsii. Casual dating begins to replace formal courtshipiii. Women subject to double standard (less sexual freedom than men)

- must observe stricter standards of behavior

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II. Women Shed Old Roles at Home and at Worka. New Work Opportunities

i. After war, employers replace female workers with menii. Female college graduates become teachers, nurses, librariansiii. Many women become clerical workers as demand risesiv. Some become sales clerks, factory workersv. Few become managers; always paid less than men

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b. The Changing Familyi. Birthrate drops partly due to more birth-control informationii. Manufactured products, public services give homemakers freedomiii. Housewives can focus more on families, pastimes, not houseworkiv. Marriages increasingly based on romantic love, companionshipv. Children spend most of day at school, organized activities

- adolescents resist parental controlvi. Working-class, college-educated women juggle family, work

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Section Three – Education and Popular CultureI. Schools and the Mass Media Shape Culture

a. School Enrollmentsi. High school population increases dramatically in 1920s due to:

- prosperity- higher standards for industry jobs

ii. Pre-1920s, high school for college-bound studentsiii. In 1920s, high schools also offer vocational trainingiv. Public schools prepare immigrant children who speak no Englishv. School taxes increase as school costs rise sharply

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b. Expanding News Coveragei. Mass media shapes mass culture; takes advantage of greater literacyii. By 1914, hundreds of local newspapers replaced by national chainsiii. 1920s, mass-market magazines thrive; Reader’s Digest, Time founded

c. Radio Comes of Agei. Radio is most powerful communications medium of 1920sii. Networks provide shared national experience

- can hear news as it happens

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II. America Chases New Heroes and Old Dreamsa. New Found Leisure Time

i. In 1920s, many people have extra money, leisure time to enjoy itii. Crowds attend sports events; athletes glorified by mass media

b. Lindbergh’s Flighti. Charles A. Lindbergh makes first solo nonstop flight across Atlanticii. Small-town Minnesotan symbolizes honesty, bravery in age of excessiii. Lindbergh paves the way for other pilots

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c. Entertainment and the Artsi. Silent movies already a national pastimeii. Introduction of sound leads millions to attend every weekiii. Playwrights, composers break away from European traditionsiv. George Gershwin uses jazz to create American musicv. Painters portray American realities, dreamsvi. Georgia O’Keeffe paints intensely colored canvases of New York

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d. Writers of the 1920’si. Sinclair Lewis is first American to win Nobel Prize for literature

- criticizes conformity, materialismii. F. Scott Fitzgerald reveals negative side of era’s gaiety, freedomiii. Edna St. Vincent Millay celebrates youth, independence in her poemsiv. Writers soured by American culture, war settle in Europe

- called Lost Generation v. Expatriate Ernest Hemingway introduces simple, tough, American style

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Section Four – The Harlem RenaissanceI. African-American Voices of the 1920’s

a. The Move Northi. 1910–1920, Great Migration of thousands of African Americans

- move from South to Northern cities ii. By 1920, over 40% of African Americans live in citiesIii. Racial tensions escalate in North; about 25 urban race riots in 1919iv. African-Americans continue to migrate in large numbers in 1920s

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b. African-American Goalsi. National Association for the Advancement of Colored People (NAACP)

- protests racial violenceii. NAACP leader James Weldon Johnson fights for civil rights legislationiii. NAACP antilynching campaign leads to drop in number of lynchings

c. Marcus Garvey and the UNIAi. Marcus Garvey founds Universal Negro Improvement Association (UNIA)

- believes African Americans should build separate society ii. Garvey promotes black pride, black businesses, return to Africa

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II. The Harlem Renaissance Flowers in New Yorka. African-American Writers

i. Harlem world’s largest black urban area; people from U.S., Caribbeanii. Harlem Renaissance—African-American literary, artistic movement

- express pride in African-American experienceiii. Claude McKay’s poems urge blacks to resist prejudice, discriminationiv. Langston Hughes’s poems describe difficult lives of working class

- many written in jazz, blues tempo v. Zora Neale Hurston shows folkways, values of poor, Southern blacks

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b. African-American Performersi. Influence, popularity of Harlem Renaissance go beyond black audienceii. Musical comedy Shuffle Along launches movement

- is popular with white audiencesiii. African-American performers win large followingsiv. Paul Robeson—major dramatic actor in London, New York

c. African-Americans and Jazzi. Jazz born in early 20th century New Orleans, spreads across U.S.ii. Trumpeter Louis Armstrong makes personal expression key part of jazz

- most influential musician in jazz history iii. Edward Kennedy “Duke” Ellington—jazz pianist, orchestra leader

- one of America’s greatest composersiv. Cab Calloway, Armstrong popularize scat (improvised jazz singing)v. Bessie Smith—blues singer, perhaps best vocalist of decade