Chapter 10, Part 8: Jennifer Lopez, Alicia Keys and Bruce

Springsteen

They don’t come any more successful, famous and glamorous in the music

component of the U.S. entertainment industry than Jennifer. And because of

that status she was recruited to join the coalition. The following compilation

of archive entries that document her contributions create the geo-context to

appreciate her latest initiative – adding tracks to her new album that

condemn the R&D, deployment and global proliferation of stealth cognition

technologies.

In May 2006 an ad for her new perfume ‘Live’ aired and included the color

combination for Canadian prison certainty, justice and quantum (video).

Five months later, this to draw attention to the my two decades being an

enslaved and tortured human experimentation victim:

Jennifer Lopez Contributes More to Coalition Interests and Objectives

During an interview segment broadcast twice on ‘Extra’ on Monday, October 2, 2006 – superstar Jennifer Lopez responded to false rumors

concerning her becoming pregnant with “I must have had twenty babies by now. … It’s part of being a celebrity”. She then executed an aggressive quasi-Clooney M..

Thereafter interviews were turned into geo-platforms as were photo shoots,

which evolved into what became Photographic Diplomacy; a category of

back-channel communication she contributed to throughout 2007.

[coalition identifier, quantum, condemnation, isolation-deprivation (intimacy)]

[prison certainty]

[Canada, Powell-Richie-Santelli M.]

[prison certainty, condemnation]

[coalition identifier, prison certainty]

[coalition identifier, prison certainty, justice]

[prison certainty (+chain link fence)]

[prison certainty, quantum]

[coercive diplomacy]

[prison certainty, uber-fashion theme]

[prison certainty, uber-fashion theme]

[prison certainty, isolation-deprivation (intimacy)]

[Oprah-Taylor M., Taylor Identifier, coalition identifier]

[Chinada, prison certainty, quantum, justice, house of cards theme]

[Chinada, quantum, condemnation, Fiefdom treatise]

A precursor of her becoming a geo-politically active judge on ‘American Idol’

is observed in:

‘American Idol’: Tag-Teaming with Jennifer Lopez to Maintain

Condemnation Ubiquity

The April 12, 2007 live broadcast of ‘AI’ was again full of geo-content. The show began with a close-up of an audience member in strong prison certainty attire, followed by Paula in two shades of quantum. The first three performances were in coalition colors. The first two were Canadian punishment certainty and the third, Haley, wore justice principally to advance the isolation-deprivation issue.

Ryan executed a Curry M. when he indicated ‘AI’ received five thousand entries in their song-writing contest. And he indicated there were 35 million votes cast for that week’s performances. Ryan and Simon engaged in a bit of scripted humor. The former asked the latter if he would get on stage and sing for twenty million dollars. “No”, was the latter’s reply.

And Haley, who was voted off at the end of the show, did a farewell performance that included a fascinating and very clever coalition–arranged Article 7 jab. As she sang and strutted in front of the front row audience, she stopped at a woman attired in punishment certainty and substituted a portion of Gloria Estefan’s lyrics to ‘Turn the Beat Around’ with “scratch, scratch, scratch”.

The highlight of the evening was Jennifer’s performance. She wore an in-you-face punishment certainty outfit and her dancers were in the Presidential color of quantum.

Adding a New Element to the Coalition Language: The Lopez Maneuver

The circumstances were there and the intention was detectable when uber-celebrity Jennifer Lopez reached down and rubbed her legs during her interview on ‘Live with Regis & Kelly’ on July 26, 2007, timed to Regis’ remark “you have opened the door for everyone”. The genesis of the Lopez or J Lo M., like others, provides the symbolism that is to be attached to the gesture. The Spielberg M. is

representative of coalition partners opening doors for the Canadian lawyer. The J Lo M. is slightly different, representing how through his efforts those with the most to lose from the spread of the authoritarian paradigm of governance, including their children and grandchildren,

are able to enter a zone of safety from such abuses of power and nefarious applications of new technology.

“If It’s Too Good to be True, Then it Probably Is” – Except in this

Circumstance

The adage cited in the chapter title would be said by those not fully apprised of the Canadian lawyes and coalition partners’ respective and mutual situations. Those looking at the former without all the facts would say ‘nah, he couldn’t be a double Deputy and Canada’s Head of State who’s become an supra-celebrity and about to become one of the wealthiest people in the world. ‘That’s too good to be true’. And

pessimistic coalition partners would say ‘nah, there’s no way I’m going to be living a billionaire lifestyle’ – that’s much too good to be true’.

The ‘pinch me, I’m dreaming’ feeling still echoes in the Canadian lawyer’s mind when he directs his thoughts at his situation and future. Having the

ear of the President of the United States on a daily basis; being afforded the privilege of having the attention and trust of Her Majesty Queen Elizabeth II to the point of being delegated Her Sovereign authority; on the minds and in the hearts of the super wealthy and the most high profile; ensured at least 1,200 times he’s going to be in possession of the wealth that he was tortiously deprived of and then a whole lot more for being tortured incessantly – that circumstance definitely falls in the category of “if it’s too

good to be true, it probably is”.

But the reality is it is ‘too good’ and it is ‘true’. As CNN’s Carol Costello

summed it up so accurately on July 27, 2007 “This doesn’t happen very often [3 Erin M.]”. In Commonwealth history it’s only happened twice before: Gandhi and Mandela – when the world’s diplomatic core, the politically powerful and celebrities combine their clout and admiration to elevate a single individual to supra-celebrity status. It’s as much an acknowledgement of an innocent suffering incalculably and sacrificing everything including life to challenge abuse of power, extraordinary personal skills and being representative of and adhering to a shared set of principles, values and

beliefs as it is there being a necessity and utility in creating a gargantuan personality for society’s benefit. Like his two legal profession predecessors, the Canadian lawyer encapsulates both.

The fourth week of July 2007, like so many weeks before it going back to early 2006, proves the foregoing.

On July 26th Jennifer Lopez was interviewed by Regis and Kelly. There was a time when the Fiefdom treatise author walked on egg shells – back in early 2006, not wanting to attribute Triple “E’ membership to her inaccurately. Now over a year later she was as involved in advancing coalition interests

and objectives as any other staunch democracy, human rights, pluralism and free market capitalism advocate.

Regis said “you were terrific this year” to which Jennifer executed a Diaz M. to direct that compliment towards the Canadian. Kelly asked “who was your favorite?”. “Hm-m-m, my favorite…”, she replied with a protracted Russell M. confirmed who she was referring to.

And it didn’t stop there. After Regis rolled up his notes to create a Blitzer M., the uber-talented superstar executed an Erin M. to “I think he likes me the

best”.

When Jennifer comments how her husband, Marc Anthony, loves her just as

much when she’s trotting around the house in jeans and a Tee shirt, Regis executes a Clooney M. to “[what] you look like when you were in high school”, generating a critique of the infantile mentality of Canada’s three sub-factions.

When Regis comments on how Jennifer has provided opportunities for those who were trying to make it – “you have opened the door for everyone else”, she executed a J Lo M..

When Regis comments about her having collaborated with Marc on the movie she was on the circuit promoting – “working with your husband” – Jennifer executed a double Halle M..

To show how read up she is, when she stated It’s a very tumultuous relationship”, she executed a Clash of Civilizations M..

When Regis brought up her incredible performance in ‘Selena’, and the audience applauded her for it, she said “thank-you” and executed another J

Lo M. – seeking to show her gratitude to the Canadian lawyer and other coalition partners for their tireless effort to protect and defend against the encroachment of an evil governance structure.

When Regis identified the murdered Latino performer as “the greatest salsa singer of all time”, Jennifer executed a Maria M..

At the end of a clip of her new movie there was a line she reacted to after it ended. She was scripted to state in a scene “I’m not being mean; I’m being honest”. She is then observed executing another Maria M.; and Kelly adds a Russell M. to corroborate the view that the criticism and condemnation leveled at Canada’s three sub-factions and the Beijing government is not motivated by malice. The allegations were bona fide; as was the reaction to

proof of what’s contained in the Fiefdom indictment.

Jennifer Lopez: Turning Her ‘Leno’ Interview into One Big Seduction Session to Remind Canada’s Three Sub-Factions What’s in the

Canadian Lawyer’s Future While They Languish in Prison

From beginning to end Jennifer was on a mission for the coalition. Her objective was to show how ultra-desirable the Canadian is to underscore not only how attractive he is to single coalition members, but also what the malfeasant will be thinking about while in prison.

As soon as the interview started, Jennifer executed a triple Clooney M. to “I didn’t get anything this year [for my birthday]”. She was describing the lack of anything of substance in the Canadian’s life relating to interpersonal

relations or other things of value before the coalition arrived. Jay pressed on about her husband not buying her a birthday gift, suggesting a sexual encounter was forthcoming – and she picked up the football and ran for a touchdown on behalf of the sexually deprived Canadian:

Jay: But you wouldn’t mind a little gift later?

Jennifer: [CBS M.] No.

Jay then jokes about wedding anniversaries and that culturally the third anniversary is one in which leather plays a big part in the choice of gift – again referring to a sexual theme.

Jennifer: Is that right? Jay: Someone told me third is leather, so actually you did

okay. Jennifer: [Cl.M. X2] I got good; I got good.

And again Jennifer spins it into a make up for lost time communiqué.

The topic turns to her early life with Jay probing her for answers to how with so many celebrities having succumb to drugs she never did:

Jennifer: It’s not an easy business in the sense that you have a lot of people looking at you and nobody ever wants to talk [dbl-h Diaz M.] about that stuff. […] I was lucky. I had a

great mom and a great dad – you know we had a very solid upbringing. And I was able to take that with me; and when things got crazy – and I have to say when I first did the movie ‘Selena’ and everybody started to know who I was [gesture] it was very, very scary.

The Diaz M. was her acknowledging the diplomatic seal of confidentiality on the Fiefdom indictment and the geo-political conflict between Chinada and the U.S.-led coalition. And the as yet unnamed gesture – pushing a finger of one hand into the center of the palm of the other – was to confirm the

Canadian lawyer’s international status and to articulate the kind of emotion a mobilized coalition military is going to generate amongst the guilty. Jay continued with questions about her growing up; wanting to know who was the disciplinarian and who was the softee:

Jay: Did you ever sneak out and get caught or do any of those

things?

Jennifer: When I got older – when I was a teenager… Jay: …like your mom doesn’t know, right? Jennifer: No, she knows. She knows [Erin M.] She caught me. I

was very good at [hiding] it.

When the show was about to go to commercial, the director instructed a cameraman to pan in close of Jennifer’s stunningly gorgeous face and then slowly pan out. As the field increased to capture her and Jay, she didn’t just execute, she embellished an Attkisson M. – rubbing like an erect penis to send the message that the Canadian lawyer can expect what he’s been so deprived of for so long.

When the show returned from commercial Jay asked her about the movie she was on the circuit promoting. And to “Let’s tell people what the movie is

about”, she executed two Diaz M.s to convey the fact that the information loop about the Canadian lawyer’s predicament, the Fiefdom indictment and the war against Chinada is getting larger and larger. She described a scene she was shooting with her husband in which they were scripted to have a fight. The emotional dynamic got so real he blurted out her real name instead that of her character. When she said about the blooper “We have it on tape somewhere” she executed a double Clooney M. because she knows from the intelligence file on Canada that the coalition has

an extensive library of video evidence. This was a reminder of what was articulated in late 2006 by coalition partners: David Letterman et al.: Reminding the China-Canada Alliance the Coalition Has Electronic and Videotape Evidence of Its Malfeasance and Stephen Colbert et al.” Confirming the Coalition Has Hard Evidence to Put Away Leaders and Followers of the Last Democratic Fiefdom. And it goes to the issue of how much Canada’s three sub-factions have never appreciated the existence of

accumulation of malfeasance evidence – a failure that is going to come back to haunt them big time. * President Obama & Iraq General Ordinero: Confirmation of the Use of Spy

Satellites to Collect Intel on Chinada Malfeasant and The Coalition and U.S. President: Confirmation of Microscopic Surveillance of the Last Democratic Fiefdom

Jay comedicly bootstraps her second comment about what happened on set in which she is scripted to throw her husband’s character out of the house, seeking to draw a connection with the fact in real life he didn’t get her a

birthday present.

Jay: [You threw him out] because you were mad you didn’t get a gift – that’s why you were doin’ that.

Jennifer: I know he was gonna do that [Cl.M.] – I let him have it, I did.

Jennifer turns that off-the-cuff joke into a powerful reminder what the coalition is going to do to those who not only broke the law and continued to break the law but also proceeded to thumb their nose at those who had the power to hold them to account.

The conversation going into the movie clip was as follows:

Jay: The music – the music scenes… Jennifer: …amazing… Jay: The concert scenes were really good. It really looks like

you’re almost actually there. [Jennifer: Cl.M.]

She proves just how knowledgeable she is about the dynamics between the Canadian lawyer and the coalition in terms of achieving their respective and mutual goals. Finally, as the interview comes to a conclusion the uber-celebrity sends one last communiqué that added to the isolation-deprivation contributions she made earlier. Jay states “your husband will be here tomorrow” to which she executes one Staul M. followed by a succession of them seeking to underscore the marriage bond the Canadian can have if and when he

decides to go that route. Jennifer performed like a seasoned coalition partner. She knew what topics had coalition relevance and he employed the diplomatic lexicon effortlessly:

the sign of a true genius and for which he is eternally grateful.

Jennifer Lopez: Getting Downright Coercive on Behalf of the Coalition Partnership

On August 22, 2007, JLo got surprisingly assertive about her geo-role and aggressive with respect to how she’d like to deal with those who are tormenting her Canadian family member. During an ‘Extra’ interview and attired in presidential quantum, she stated the following for the Fiefdom record:

Basically, me coming into the situation where people are kinda like oppressed in a way and being a liberator – like setting everybody free but beating everybody up [laughs]. […] I wanna see you dance [Cl.M.]. I think people wanna see you dance.

Several days later she did a photoshoot that could not but be

perceived as how she viewed the Canadian lawyer’s post-emancipation opportunities isolation-deprivation make up for lost time category of life:

Jennifer Lopez on ‘Letterman’: High Profiling the Isolation- Deprivation Issue and Redefining “Tough Love” as it

Relates to Canada’s Malfeasant

Several hours later Jennifer again appeared in the East-West theatre of war. This time it was on ‘Letterman’ and she again used her uber-star power on behalf of the coalition to keep hammerin’ away at those who continue to prove they’re impenetrably stupid.

Jennifer: You know I can’t even remember [what I did this summer]. What was the summer [Cl.M.; CBS M.]?

Dave: Your mom was helpful – a lot of advice for while you’re on the road and stuff?

Jennifer: [protracted Erin M.] M-m-m, you know she was but

always tough love. […]

Dave: I think [computers are] changing the fabric of our

culture [Erin M.]. Jennifer: I agree.

Dave: And I don’t know if whether it’s good or bad; but I

know that it is changing [protracted Erin M.]. So we’ll just have to wait and see.

Jennifer: Yes we will.

Dave: So the [Erin M.] idea of having a family is daunting, isn’t it?

Jennifer: [Cl.M. Xthree] Yea, absolutely; yea. Dave: But in all a good thing [Gutierrez M.] and I’m enjoying

it.

[quantum, Erin M.]

On April 22nd, Jennifer appeared on ABC’s morning television talk show ‘Live

with Regis & Kelly’ and employed the lexicon to geo-politicize some of her

comments.

Her first communiqué is about the size of the coalition – that it is huge – and

confirming her membership in the coalition by using its lexiconic identifier:

Kelly: I'm trying to picture [Marc] changing a diaper. Jennifer: [3:59: protracted George W. M.] He's actually been --

You have to realize Marc came from a family of ten [Diaz M. X2]. And there's about forty to fifty nieces and

nephews. Kelly: Oh my Gosh. Jennifer: So he's very good with kids. He also has [4:08: Cl.M.]

three other children. So he was an expert by the time I came along.

Next is her indicating how appreciative she is of my contributions –

mimicking a hypno-itch to underscore condemnation by coalition partners for

using stealth cognition technologies to torture victims:

Regis: You know what I've been watching now; ah... Kelly: Dancing with the Stars....

Regis: Dancing with the Stars. You know who I like? Jennifer: Who? Regis: Lil Kim. Jennifer: [quasi-JLo M.] You like Lil Kim? That's your favorite?

That’s followed by the subject of Jennifer's philanthropic contributions to

whooping cough. Coercive diplomacy enters the picture because the word

“shot” is used, publicly referring to vaccines. Geo-politically it was turned

into a reference about lethal military force being used to effect covert regime

change since capitulation wasn’t forthcoming:

Kelly: That would be amazing if you would give me a shot. Jennifer: Right, yea. That would be bad [6:35: Cl.M. X2]

Regis: I remember whooping cough when I was a kid -- how they got the word 'whooping' in front of the 'cough', you know.

Jennifer: What do you mean like why? Regis: Yea.

Jennifer: Because it actually makes [6:45: O-S M.] an awful sound.

In 2011 Jennifer released an album that like Ashlee Simpson, Sheryl Crow,

Sean Combs, Piles and others drew attention to the R&D, deployment and

global proliferation of stealth cognition technologies.

The most geo-relevant track (co-written by Akon who was featured in Gwen

Stefani’s ‘The Sweet Escape’) is in the coalition identifying 12th slot of the

album - ‘Hypnotico’ (video). The ninth - ‘Invading My Mind’ (listen) - is

conceptually parallel.

It's invading my mind

And breaking the ice Whoa I can't fight it This feeling is invading my, my mind I'm infected tonight I can't fight it It's invaded my mind

Can't decide Can't define What I feel inside It's so bad, it's still good Prefer and love? It's a rush, it's so rough This is out of line

It's a storm and it rock, rock, rocks my mind Destiny, misery This energy, It's invading my mind And breaking the ice Whoa I can't fight it

This feeling is invading my, my mind I'm infected tonight Whoa I can't take it It's invaded my mind

Alicia Keys

Alicia has been a coalition partner when formal back-channel diplomacy

began in January 2006; appearing that month on ‘Letterman’ attired in the

colors of Canada to serenade me. The song she wrote spoke to what she

knew was coming and I would only comprehend as the following months

unfolded. This archive entry was authored in 2007:

Officially Welcoming the Musically Genius and Potently Gorgeous Alicia Keys to the Coalition

The Canadian lawyer will never forget the song Alicia sang on ‘Letterman’ in January 2006. This was at the beginning of what became an incredible year for him, Canada, the coalition partnership, the United States and civilization generally. It’s worth recalling her

prophetic words:

One of these days I’m gonna wake up The sky’s goin’ to be blue; One of these days I’m gonna wake up To the sun shinin’ through.

One of these days this song is going to be true And the world… the world is goin’ to be brand new. (That’s what I think; check it out) One of these days I’m gonna wake up And I’m gonna feel fine;

One of these days I’m gonna wake up And my dreams are gonna be mine;

One of these days this song is gonna be true And the world… the world is gonna be brand new. It’s gonna sound like music, oh sweet music; Everybody’s gonna want to sing along; It’s gonna sound like music, on sweet music; And everybody in the world is gonna sing my song,

my song, your song. One of these days.. one of these days I know the world, the world is gonna be brand new.

View Video

In retrospect, Alicia’s performance was to the genesis of formal diplomacy as

Aaron Sorkin’s ‘The West Wing’ and HRH Prince Harry’s Nazi outfit was to the

commencement of the informal back-channel in early January 2004.

A year after her remarkable and coalition-relevant performance, on January

22, 2007, she appeared on ‘Letterman’ again to help liberate Canada. This

time and with the lexicon almost a year old, she used her interview as the

means by which to communicate to me, the coalition and our ideological

adversaries.

Dave: Boy you look tremendous. Look at how great you look. Alicia: Thank-you very much. Dave: Are you dressed this way because you’re doing something after the

show?

Alicia: Yes. Dave: Oh, darn. Alicia: [aggressive quasi-Clooney M.] Were you gonna ask me out?

[…]

Dave: Birthday recently? Alicia: It’s coming up. Dave: Oh, happy birthday. Alicia: Thank-you. On Thursday.

Dave: Good for you. Alicia: [quasi-Clooney M.] I’m actually gonna have a really nice party with

friends and family. You’re not invited!

[topic: her trip to Egypt]

Dave: [Blair M.] When you say you went by yourself [Alicia: quasi-Clooney

M.] you mean you went with five or six other people, right?

[…]

When you went to dinner, would you go to dinner by yourself?

[Alicia: Maria M.] Did you find that awkward? Alicia: No I loved it.

[…]

And then I went to Greece and I ran in a marathon.

Dave: Ran a marathon? Alicia: Can you believe it? [audience applause] [Blair M.] Thank-you.

Thank-you. Thank-you. […] But there were two things my trainer didn’t tell me. The first thing [quasi-Clooney M.] was that, and I read it in the newspaper and I got kinda nervous – the first thing was it was one of the toughest courses. […] But [#2] my trainer didn’t

tell me the messenger [who used the route in ancient times to warn of approaching armies] died [Dayna M.].

Dave: That’s right. That’s right, he dropped dead. Alicia: After he ran the…

Dave: …I bet he wasn’t in shape.

[…] Alicia: I woke up one morning and I said… Dave: …Give it a shot?

Alicia: I’m gonna do it. Dave: Yea. Alicia: And I did it. Dave: Wow, congratulations.

Alicia: Thank-you.

[…] Dave: Now let me ask you the crucial question. At any time during the race

did you stop and walk?

Alicia: Definitely. Dave: Oh well then, you see you’re breaking my heart.

Alicia: [laughs] Dave: [quasi-Clooney M.]

Alicia Keys: Condemnation Leads to Prison Leads to Justice Served

Gorgeous, super-talented Alicia stepped into the East-West Corridor of Diplomacy on November 8, 2007, delivering a formula for

democratization, decolonization and demilitarization and a smile that let some sunshine into a hell-dark Dogville torture chamber.

[prison certainty, justice, condemnation]

Alicia Keys’ birthday present was delivered on April 22, 2008. That’s when

her music video ‘Teenage Love Affair’ was released.

She also wanted to contribute to the evolution of the lexicon – choosing a

gesture that certainty got the Canadian lawyer’s attention for what it

represented on a most personal level:

Adding a New Element to the Lexicon: The Alicia Maneuver

Not only is Alicia super gorgeous and extraordinarily talented, she’s also been a very staunch coalition partner since she joined – one of the first; in January 2006. Proving her membership again was her inserting a new gesture during her Russ Mitchell hosted CBS ‘Sunday Morning’ interview on November 11, 2007.

The recording studio was the set for the sit-down segment of the multipart interview – where, in a smart and flirtatious red dress, she grabbed its hem and gave it a slight flip upwards – to the public imperceptible; to the Canadian lawyer the sexiest of communiqués. She generated one more geo-message worthy of historical and

personal documentation.

Russ: What kind of music did you like to listen to [growing up]?

Alicia: I have to say it was definitely soul music

that really [Faith M.] knocked me over – that emotion was captured in those songs.

Alicia: Another Way to Express What’s On All Coalition Partners’ Minds

On December 14, 2007 Alicia again found another way to express what’s dominating the thoughts and intentions of the coalition partnership: justice and prison for all the malfeasant and the Canadian

lawyer’s quantum:

[prison certainty, justice, quantum]

Alicia: Co-Hosts on ‘The View’ and Uses the Coalition Platform to Describe What Canada’s Three Sub-Factions Created in the Country as “Crazy”

The early morning of December 19, 2007 was pure heaven for the

Canadian Lawyer, for when he awoke he discovered Alicia was on ‘The View’ co-hosting for the entire hour. This was the first time they were in the East-West Corridor together; since she was broadcasting live from the ABC studios in New York.

When the opportunity arose the dreamy internationally acclaimed super-talented singer-songwriter used her celebrity to fire a salvo of condemnation at Canada’s malfeasant; employing a Blair M. to “It’s a crazy situation” to describe the torturous conditions he has been living

in for years and the human laboratory for decades. Alicia: Uber-Clever Fashion Generated Geo-Political Statement

Incredible music, incredible beauty, incredible empathy and incredible geo-politically motivated fashion sense (the gloves) = incredible coalition commitment: Alicia proved ‘em all in 2007.

[prison certainty]

Alicia Keys: Her Love is in the Details

On November 14, 2007, Alicia appeared on ‘Live with Regis & Kelly’, sang her new hit single and sat down with the two long-term coalition partners for a few minutes. As the interview wrapped up the she not only executed a namesake gesture oh so subtly, she said the following executing an Olmert-Spielberg M. – referring to her commitment to the coalition and doing what she can to protect its interests and pursue its objectives.

[Devoting myself to the piano] gave me a strong focus; and you know you can get pulled and swayed – it’s natural, it happens – but it really [O-S M.] gave me something to have to do.

Following a pattern of about a year where coalition members in the music industry chose album covers that embed the diplomatic lexicon,

Alicia released her latest in mid-November 2007, ‘As I Am’, conveying her love for the coalition and the Canadian in the details (prison certainty – Canadian punishment certainty).

[Canadian prison certainty]

Alicia: On-Stage Reminder of What’s Geo-Politically Important Alicia’s stage contains a constant reminder of what her contributions to the coalition have done and will continue to do to advance the cause of

democracy, human rights, pluralism and free market capitalism around the world and to beat back into the dust bin of history all that was common in Europe centuries ago.

[prison certainty, justice]

Alicia: Embeds Quantum Ratifier, Coalition Identifier

and Isolation-Deprivation Issue in Lyrics

Alicia performed during the ‘April 29, 2008 broadcast of Letterman’ her hit song “Teenage Love Affair”, in which the Canadian lawyer heard

the diplomatic lexicon. She also demonstrated again her commitment to a final resolution to both the Chinada problem and the Canadian lawyer’s twenty-year predicament; executing a Diaz and a namesake gesture upon her arrival at the Ed Sullivan Theatre.

[Diaz M., Alicia M.]

Four months later, on September 5, 2008, she attended the Toronto Film

Festival – and again chose an outfit for the red carpet that had massive geo-

political ramifications for those who think they’re invincible, insulated and

immune. This was another instance of operating ‘behind enemy lines’:

Before and after there were many more instances of contributing to the

Photographic Diplomacy category.

November 1, ‘08 [prison certainty (chain link fence), condemnation, Colbert M.]

December 2, ‘08 [prison certainty, quantum, isolation-deprivation (intimacy)]

June 26, ‘09

[prison certainty, quantum]

December 11, ‘09 [prison certainty, justice, emancipation theme]

May 19, ‘10

[prison certainty, chain gang]

June 10, ‘10

[prison certainty, uber-fashion theme]

Bruce Springsteen

‘The Boss’ joined the coalition in the summer of 2006 after President Bush’s

declaration of war and when more and more of America’s most high profile,

successful and wealthy in entertainment industries were helping to generate

an encircling ubiquity of embarrassment, condemnation and pressure aimed

at the Chinada High Command.

He announced his coalition membership on June 26, 2006 with the

assistance of CNN’s Soledad O’Brien and Stephen Colbert:

Stephen: I’ve been a huge fan of Bruce Springsteen ever since ‘Born in the U.S.A.’. What a celebration of the Reagan years that was. [audience laughter] So I was excited naturally when I heard he was being interviewed by my

favorite omni-racial news anchor-esse Soledad O’Brien. [audience laughter]. But um, [quasi-Clooney M.]… Look what actually happened here.

[Interview clip] Soledad: People give you a lot of flack [quasi-Clooney M.] for being

a musician who took a political stand. There’s a whole

school of thought, as you well know, that says that musicians,… I mean, you see it with the Dixie Chicks,… you know, go play your music and stop…

The Boss: If you turn on to,.. present company included,.. it’s

[idiots] rambling on on cable television on any given night of the week and you say that musicians [aggressive

Clooney M.] shouldn’t speak up, you know it’s insane.

Not being in the media spotlight often meant his next contribution to

coalition interests and objectives wouldn’t be for another year and a quarter:

There sure was a lot of communiqués generated during Scott’s Bruce

Springsteen interview. June 26, 2006 is the day the coalition introduced the iconic American singer-songwriter-performer to the Canadian lawyer and on October 7, 2007 – sixteen months later ‘The Boss’ comes through in a way

that couldn’t but shake the unshakable in Canada’s hardened criminals. He pounded them with his membership and used his powerful persona to put it to them that belligerence, recalcitrance and arrogance are only going to get them severely hurt.

View video 1, 2, 3, 4

Scott began the barrage of communiqués during the intro: “Even now [60

Minutes] Springsteen is an artist in progress” – referring to the evolution of the Canadian lawyer from lab monkey to one of the most respected and powerful movers and shakers in the early 21st century. The next head-knocking message was: “He’s returned to full throated rock n’ roll and a message that is sharper than ever – questioning whether America has lost its way at home [Staul M.]”; reminding Canada’s malfeasant that

they’ve wandered off the path of law and order, morality and respect in the international sphere of comity, influence and hard hitting reality.

Scott: It’s good to be a rock star? Bruce: I would say that, you know, yes it is. But the star thing I can

[Scott: clip: Kernan M.] live with; the music I can’t live without.

[…]

I’m interested in the kind of country we live in and leave to our kids. I’m interested in trying to define what that country is. I get the chutzpa [Steve: clip: Erin M.] or whatever you want to say to believe that if I write a really good song about

it, it’s gonna make a difference. It’s gonna matter to somebody.

[…]

Everybody had different feelings [about the breakup of the ‘E’ Street Band]. Some people were made or angry; some

people said ‘okay’; but at the time [Scott: clip: quasi-Greenspan Federer Ms.] I wasn’t going to be any good to them at the moment. I think sometimes you’ve got to break your own narrative. We all have stories we’re living [Damon

M.] and telling [Cl.M.] ourselves. [laughs] And there’s a time when that narrative has to be broken because you’ve run out of freedom in it.

[Backstage interview]

Bruce: You try to work your new things in. You’re trying to get

people to rock. [laughs] You know they go crazy [Cl.M.] and

have fun. Scott: Pretty good for 58.

[… more of the sit-down interview] Bruce: Every good writer or filmmaker has something eating at

them, right? That they just can’t get off their back [Scott: clip: quasi-Erin M.] And so your job is to make your audience care about your obsessions.

[…]

We’re so intent on protecting ourselves that we’re willing to destroy

[Damon M.] the best part of ourselves to do so. Scott: What [Greenspan M.] do you mean?

The points ‘60 Minutes’ producers and ‘The Boss’ made were:

the Canadian lawyer’s persona has hit ‘rock star’ status;

the Fiefdom treatise is going to make a huge difference just like a song or poem or movie in the lives of people and in the course of a country’s history;

Canada’s leadership has exhausted its usefulness to Canada and the

international community and must be done away with;

acknowledgment of the ‘story’ the Canadian lawyer’s been living – two decades of a nightmare that is finally coming to an end;

the coalition again describing Canada’s three sub-factions as

ideologically “crazy” – in other words sociopaths seeking to bring the

greatest amount of harm, death and destruction on the United States they so hate;

a reminder of the Fiefdom lexiconic invention that proved to have such

potency since the spring of 2006 – 3, 5 and 8;

a description of the state and oppression, human experimentation and schadenfreude and propaganda stalking and injuring process that’s dogged the Canadian lawyer for twenty years and Bruce’s feeling that he has to do his part to help rid him of that criminality and immorality; and

Bruce makes the critically insightful and valuable point that Canada’s three sub-factions, trying to protect their authoritarian way of life, are on a road to self-destruction instead of saving what’s left and working to build on that which can be salvaged.

The Boss wouldn’t return to the diplomatic corridor for fifteen months.

During the 2009 Super Bowl, he created the Springsteen Maneuver as

documented in The Geo-Politicization of the 2009 Super Bowl:

The half-time show was where a new constituent of the Maneuver category of lexicon was added. Throughout January ’09 David Letterman’s made his appearance at the start of virtually every show by walking part way to his spot on stage, only to change direction and head for the left corner momentarily; acting as if he’s tapping his watch several times at someone off-stage for some unknown reason. This is the “time’s up” communiqué from coalition partners to Chinada

principals, financers, operatives and supporters – who are now so thoroughly frustrated with the lack of diplomatic efficacy they are going to take more pre-emptive and pro-active steps to achieving stated objectives. Bruce Springsteen embellished it four times in a row during the last portion of his half-time concert [@ 7:38] – ending only when a prison certainty uniformed referee rushes on stage to toss a penalty flag; the purpose of which was to articulate that freedom is

about to end for those who flaunted their political and economic power in the coalition’s face thinking they would never be held to account.

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Seven weeks later he reappeared, choosing the most symbolic of times: the

eve of the fifth anniversary of President Bush’s foreign policy statement on

human experimentation. His message was as hard hitting aggressive as

other coalition partners who fear a world in which Chinada’s political ideology

and corporate culture prevails. The multi-decade music superstar premiered

the title track from his new album. The cover was conceptualized like other

coalition partners in the music industry did theirs: embedding the lexicon.

Our band was built from the beginning for hard times. It was the music we wrote, it was the way that we played. And, I think, trying to sort of -- I think people out there are trying to -- the country's lost its moral center. It's something you've joked about and talked about

[3:53: Cl.M.]. [...] During the Bush administration there are a variety of times at night people boo. They're sayin' they don't like what your ideas are. But that happens. There was a situation when [5:35: Preston M. X14] you

know, we played in New York shortly after the Don Diablo shooting. We began the song and someone rushed the stage and flipped us the New Jersey State bird as we were going into the song.

[Chinada]

Brad Paisley

Like so many country artists and singer-songwriter-performers in most all

other genres of music, Brad joined the coalition in early summer ’07 as

documented in:

Brad Paisley: Dedicating His New Album Cover to Quantum Ratification and Punishment Certainty and Multi-Tasking His

Hour-Long Grand Ole Opry Show

The June 16, 2007 Grand Ole Opry was all Brad Paisley. He appeared on stage with his band for the entire hour, playing songs from his new quantum ratification titled album ‘5th Gear’.

For the show he chose as his geo-theme Canadian punishment certainty. He wore white, his bass player black and the drummer behind him red.

There were a couple more uses of the lexicon. Brad said “I want to [Cl.M.] dedicate this [next song] to every computer nerd in the building” – referring to the constantly computer employing Fiefdom treatise author. His last song was premised on the desire to “save the best for last” – at which his bass player executed a full face quasi-Clooney M.; and then introduced his “[Bl.M.] hero”, Little Jimmy Dickens, to add a supra-celebrity initiative.

Carrie Underwood and Brad Paisley: Fill CBS Interview With

Torture-Intended Hypno-Itching Condemnation It was quite the sight during the early hours of March 4, 2008 when Carrie and Brad were interviewed on CBS’ ‘The Early Show’ live from Nashville and live in the East-West diplomatic corridor.

Right from the get-go, both country music superstars began itchin’ and scratchin’ and geo-gesturin’ to signal their anger at what their Canadian country colleague has had to put up with for decades and more recently helping the coalition protect its members’ interests and achieve their objectives.

The public theme of his mid-August ’08 released video ‘Welcome to the

Future' is a combination of the advancement of technology and children

having opportunities to become what they want. The geo-theme is that

Chinada’s ideology not be allowed to expand across the world; because if it

does a future in which children will have an unfettered chance to achieve

their dreams will not be possible. He embeds the following lexiconic

constituents:

The colors of China [@ 0:01; 1:01] Quantum [@ 0:01; 0:36; 0:48; 4:50] Quantum ratifier [@1:51; 2:56; 3:25] Presidential quantum [@ 0:31; 0:36; 0:43; 0:48; 4:50; 4:57; 5:27] Prison certainty attire [@ 0:23; 0:28 0:31; 0:36; 0:43; 0:48; 4:27; 4:41;

4:48 (chain link fence); 4:50; 4:57; 5:27] Child protection theme [@ 0:28; 0:31; 0:36; 0:43; 0:48; 4:48; 4:57;

5:27] China identifier & reference [@ 0:35; 4:57; 5:27] Coalition identifier [@ 1:12; 1:49; 2:56; 3:25;] Dogville punishment theme [@ 3:27] Condemnation [@ 3:33; 4:15; 5:37] Institutionalized racism [@ 3:33; 4:15; 4:27].

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He accentuates the fact there’s a ‘war’ against the China-Canada alliance by

immediately preceding the first clip of it with footage of an elderly woman

looking through photos and letters she received from her husband near the

end of World War II. One of the pictures contains a coalition identifying

three GIs. It’s immediately followed by the lyric “I wish they could see this

now” – a sarcastic remark since Chinada principals are watching in real time

their lives deteriorate towards an existential nihilism of their own making.

Brad demonstrates his sensitivity to living a life devoid of objects that have

significance to one’s standard of living. Knowing the Canadian lawyer was

deprived of a job as part of the enslaving human experimentation program

and thus didn't have the ability to buy such necessities as transportation, he

inserts a clip of himself performing in front of a coalition identifying three

sports cars [@ 1:12]. It's also symbolic of what his massive wealth will

permit him to purchase.

To “every day’s a revolution” is a clip of a child attired in condemnation;

followed by another child holding a toy that contains the colors of China. [@

2:24 – 2:27].

Several scenes are filmed in downtown New York. A streaming stock market

ticker is added [@ 2:38] and a company’s stock price is indicated to be

$1.46. Above it is another streaming market ticker. The only portion the

audience can see is the number ‘47’ – another assassination reminder.

That turns 1.46 into a coalition identifier and double quantum ratifier.

To “wherever we were going we, well, we’re here” [@ 2:56] is a clip of

three oriental children and two young adults – another China reference,

coalition identifier and quantum ratifier. Then @ 3:25 a clip of a boy

standing in a fire hall is added. He’s in front of a fire truck labeled number

'54' twice; and he’s holding a fireman’s hat with the same number. That

creates a coalition identifying quantum ratifier (3X5) and the number 12

(3X4), a coalition identifier. The next clip is of a girl petting a dog – adding

Kidmanesque coercive diplomacy to the video; in other words lethal military

force. To “hey wake up Martin Luther” [@ 4:27] is a clip of a group of

people, one of which is attired in prison certainty; another high profiling of

the institutionalized racism theme. A clip of a female child is added @ 4:48.

She’s positioned right next to the chain link fence pattern with the Statue of

Liberty in the background - a child protection theme that underscores the

value of democracy and freedom and ensuring it exists for the next

generation.

And @ 4:57 there’s a young Chinese girl attired in yellow and black stripes;

a compilation of four lexiconic constituents – a China reference, prison

certainty, Presidential quantum and the child protection theme. She’s added

again @ 5:27.

Aerosmith’s Steven Tyler

Veteran lead singer for the legendary Aerosmith, who reinvented himself by

becoming an ‘American Idol’ judge for the 2011 season and where he

announced his coalition membership produced a lab monkey themed music

video.

Steven’s production begins with scenes incorporating various kinds of circus

animals, including a chimpanzee. During the first few moments he

juxtaposes the simian with a weightlifter to articulate the strength the

Canadian lawyer had to have to endure two decades of MK-Ultra

experimentation and repel all the threats and harassment he suffered.

Then he effects a most embellished in-your-face protracted Clooney

Maneuver, at one point looking to camera to make the point even more

pronounced.

When it ends he gets up out of the make-up chair and the audience sees the

image of a pirate skull, which is his contribution to coercive diplomacy.

He walks out of his black and white trailer into a color saturated world of the

circus, swiftly inserting an Asian woman filming what she sees -- the chimp

driving an electric cart.

Another music success Nicole Scherzinger, formally of the Pussycat Dolls,

makes a cameo appearance. She’s attired in prison certainty and when the

pattern is first observed it’s followed by a coalition identifier to remind the

Chinada High Command where they’re going to end up for defying a livid

and united international community.

Steven's love interest is wardrobed in prison certainty while producers have

created a coalition identifying triple split screen. In the top right corner

window she’s wearing a ring that creates a ‘we’re gonna f _ _ k you up real

good’ Powell Maneuver.

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