29th Season 2012 - 2013

Season Premiere: Fanfare for a New SeasonOctober 13 & 14, 2012

For the Love of Music

Thomas Wilson, Music Director

Chamber Orchestraof the Springs

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Chamber Orchestra Of The SpringsThe Chamber Orchestra of the Springs provides a unique opportunity for people in the Pikes Peak region to hear and appreciate the wealth of orchestral music for small orchestras. Through discovery, detailed rehearsal and exceptional performances, the Chamber Orchestra of the Springs presents great classical repertoire, uncovers forgotten gems of the past, and brings new music to our community.

We wish to express our sincere appreciation to the following organizations:

J. H. Edmondson Foundation

H. CHasE stonE trust

Chamber Orchestra Of The SpringsP.O. Box 7911

Colorado Springs, CO 80933–7911(719) 633–3649

www.chamberorchestraofthesprings.org“For the Love of Music”

Board Of TrusteesNasit Ari, PresidentCharlease Bobo, Past PresidentMichael Grace, Vice PresidentNicole de Naray, TreasurerHelene Knapp, Volunteer CoordinatorSusan Loring, Dir. of Educational Outreach

Roslyn BlockChuck CabellPam MarshChristina Soper-SchwartzGlen WhiteheadSylvia Hutson, Administrative Manager

John G. Duncan Charitable Trust

The Hester & EdwinGiddings

Foundation

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Thomas WilsonMusic Director

Thomas Wilson is currently Music Director of the Chamber Orchestra of Colorado Springs (known locally as “Chamber Orchestra of the Springs”), Associate Conductor of the Colorado Springs Philharmonic, and serves on the music faculties at Colorado College and the Colorado Springs Conservatory. He maintains an active schedule of guest conducting and composing, and is an arranger and orchestrator for several studios and prominent solo artists.

Thomas began studying piano at the age of four. Later studies included trumpet, percussion, string bass, voice, conducting and composition. He holds degrees from the University of Northern Colorado, where he graduated summa cum laude and received the School of Music’s highest honor—the Departmental Scholar Award—and from Colorado State University.

A strong advocate of collaboration and crossover in the arts, which he views as essential to strengthening arts organizations and music education, Thomas has been a tireless advocate for new music, blending of styles and artistic genres, and creating new and meaningful opportunities for young musicians. His performances and recordings reflect this diversity.

Thomas has been called “someone to watch” and “a very exciting conductor” by Michael Tilson Thomas, one of the foremost conductors of our time.

The Chamber Orchestra of the SpringsAcknowledges With Great Thanks Music Donations Made For This Concert:

Johann Baptist Georg Neruda: Trumpet Concerto in E-flat MajorDonated by Charlease Bobo In Memory of Gary and Mary Eiber,

former COS board member and active supporter of the Colorado Springs Musical Community

Ludwig van Beethoven: Symphony No. 5 in C Minor, op. 67A gift from John Carter and Virginia Snow

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Listener Supported Public Radio1921 North Weber Street, Colorado Springs, CO 80907

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Chamber Orchestra Of The SpringsThomas Wilson, Music Director

Season Premiere:Fanfare for a New Season

October 13 & 14, 2012

Karen Peace Dawn and the Phoenix(b. 1962)

Johann Baptist Georg Neruda Trumpet Concerto in E-flat Major(c. 1707 – 1780) I. Allegro II. Largo III. Vivace Manuel Laureano, trumpet

INTERMISSION

Ludwig van Beethoven Symphony No. 5 in C Minor, op. 67(1770 – 1827) I. Allegro con brio II. Andante con moto III. Allegro— IV. Allegro The final two movements are played without pause

Please help us save paper and money

by recycling your program back to the COS concert staff at the end

of the Saturday evening concert. You are welcome to take your program with you if you

like, but if you don’t have a particular reason to hang onto it,

please consider leaving it with us for the use of a Sunday afternoon patron!

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First Violin*1Jacob KlockDagmar MockRyan StaufferSara MillerTerri MoonIngri Fowler

Gregory Gershtyn

Second Violin*Kristen Kunkel

**Kelly Dean PilarczykDeborah Youngerman

Kadin KostelicAndrea BullockCharlease Bobo

Jesse Mauer

Viola*†Matthew Canty

Alexander MagalongRebecca Harrison

Michael Hart

Cello*†Pamela Chaddon**Emma Patterson

Veselka KuzmaTimothy Ogilvie

Dylan Tyler

String Bass*Jay McGuffin

Jan-Erik Hagglund

Flute*Phyllis WhiteKaren Morsch

Piccolo:Karen Morsch

Oboe*Angie BurtzCarla Scott

Bassoon*John Lawson

Paul Ruff

Thomas WilsonConductor

The Players Of The Chamber Orchestra Of The Springs

*1 Concert Master*2 Asst. Concertmaster* Principal** Asst. Principal*† Acting Principal

Percussion *Carl Cook

Chris Lundberg

Trumpet*Glen Whitehead

Dan BellFrench Horn*Stephenie OsmanChristina Schwartz-

Soper

Clarinet*Jay Norman

Pam Diaz

Trombone*David Quintanar

Sondra BellDan Epperson

ContrabassoonAlex VieraHarpsichord

Carol Wilson

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Featured Artists Manny Laureano joined the Minnesota Orchestra in 1981, and has performed solos in all the Orchestra’s concert series and served as an assistant conductor during the 2005-06 season. In 2003 he premiered Stephen Paulus’ Concerto for Two Trumpets and Orchestra, which was written for him and Doc Severinsen, who was then the Orchestra’s principal pops conductor. His other solos with the Orchestra have included Haydn’s Trumpet Concerto, Copland’s Quiet City, Clarke’s Southern Cross, Vizzutti’s Compadre, Hertel’s Concerto a cinque in D major, Bach’s Second Brandenburg Concerto, and concertos by Arutiunian and Tomasi.

Laureano is also in demand as a conductor. With his wife, Claudette, he serves as co-artistic director of the Minnesota Youth Symphonies. In 2006 he led a series of Minnesota Orchestra Young People’s Concerts, ¡Viva Latino!Laureano, a native New Yorker, began playing trumpet in the public school system and later studied with James Smith while at the Fiorello H. LaGuardia High School of Music and Arts and with William Vacchiano of the New York Philharmonic. After graduating from the Juilliard School of Music, Laureano served as principal trumpet of the Seattle Symphony Orchestra

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We invite you to personalize your donation by underwritings one of our Principal Chairs. This is a unique opportunity to honor a loved one or friends.

Your supporting donation will be acknowledged during the concert season with a notation on our Orchestra Roster page indicating your support.

This affordable opportunity is available at three levels: $2000 - Concertmaster$1400 - String principals

$750 - Wind/Brass/Percussion principalsPlease contact 633-3649 or chamorch@gmail.com to take advantage of this underwriting opportunity.

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Program NotesFanfare for a New Season

Out of the dying embers arises the stunning and terrible Phoenix and Rules the Air; Out of Death arises Life; Out of Denouement will come a New Story; Out of Final

Cadences, New Music will arise.—Karen Peace, about Forest Scenes

Notes from the composer: The phoenix is a mythical bird, sacred in ancient Egypt. Said to live for 500 or for 1461 years, the phoenix was a solitary male bird with beautiful gold and red plumage. At the end of its life-cycle the phoenix built itself a nest of fragrant wood which it then ignited; both nest and bird burned fiercely and were reduced to ashes, from which a new phoenix would arise. The new phoenix would embalm the ashes in an egg made of myrrh and deposit it in Heliopolis (“the city of the sun” in Greek).

About Karen Peace: Karen Peace holds an MS in Computer Information Systems, but music was her first love. She began composing seriously around 2006. Since that time, she has composed numerous works for orchestra, chorus, and small ensemble, many of which can be heard on her website at www.soundclick.com/kepeaceusa. She is also active in the Springs poetry community and has set a number of

poems by local poets to music. This past October the world premiere her Requiem was performed by the Chamber Orchestra of the Springs and Colorado Vocal Arts Ensemble, under the baton of Maestro Thomas Wilson. She also has a special interest in the collaboration between the arts and in encouraging young artists.

Overview: Karen PeaceBorn: April 26, 1962, in Boston, MassachusettsWork Composed: 2011 – 2012Why It Matters: With the premiere of her Requiem in October of 2011 by the Chamber Orchestra of the Springs and Colorado Vocal Arts Ensemble,

Karen Peace established herself as a creative force in the Colorado Springs arts scene.

Karen PeaceDawn and the Phoenix

Overview: Johann Baptist Georg NerudaBorn: c. 1707, in BohemiaDied: c. 1780, in DresdenWhy It Matters: Neruda’s lyrical and inspired trumpet concerto is an exceptional example of early concerti for brass instruments. Though overshadowed by the

Haydn and Hummel concerti, it matches and even exceeds them in many aspects. This concerto is an underperformed gem.

Neruda’s Trumpet Concerto in E-flat Major has occupied an unusual place in the trumpet

repertoire. For several decades one of the favorite trumpet concerti, the piece has been compared to the more popular Haydn and Hummel concerti for its similar keys, structure, and even melodies, but Neruda could not have written the piece for trumpet. It would be another sixteen years after Neruda’s death that Anton Weidinger would invent the keyed trumpet used for Haydn’s concerto. Given the range, tessitura, and character of the piece, early scholars assumed that it was a trumpet

Johann Baptist Georg NerudaTrumpet Concerto in

E-flat Major

Program notes continue on page 12

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Program Notes, continuedconcerto, but it was actually written for hunting horn, which had a small enough mouthpiece and enough notes to play it. Despite Neruda’s refined lyricism, horn players never took to the piece, so it is still performed primarily by trumpeters.

About Johann Baptist Georg Neruda: Born Jan Křtitel Jiří Neruda in Bohemia around 1707, Neruda played violin for the Prague theatre orchestra for several years, but little else is known about this period of his life. The circumstances under which he left Prague are a mystery, but he moved to Dresden and eventually became Konzertmeister there. Adopting a German version of his name (most likely as a prudent career move), Neruda composed the vast majority of the music that has survived from his output in Dresden. Although his music has not been thoroughly catalogued or definitively published, there are over thirty symphonies, multiple violin concerti, an opera, and several admirable examples of chamber music that may have influenced other composers, including Mozart. Despite his Konzertmeister title, the circumstances of Neruda’s death are also unknown, though he appears to have died in Dresden around 1780.

Overview: Ludwig van BeethovenBorn: December 16, 1770, in Bonn, GermanyDied: March 26, 1827, in ViennaWork Composed: 1800 – 1808 Why It Matters: One of the most powerful and recognizable works in all the repertoire, Beethoven’s

Fifth Symphony is a marvel of motivic development, yet challenged long-established traditions of symphonic form and orchestration.

Ludwig van BeethovenSymphony No. 5

in C Minor, op. 67

Keep your eye on him; he will make the world talk about him some day.—Mozart, after

meeting Beethoven, in a letter to Beethoven’s father dated 1787.

Beethoven was the pillar of smoke that led to the Promised Land.—Franz Liszt.

Beethoven’s Symphony No. 5 in C Minor, op. 67, is unquestionably one of the most recognized works in the orchestral repertoire, and for good reason. It is a masterwork of orchestration and a treasure trove of themes so recognizable that they are instantly etched in the listener’s mind. But far more important is the symbolic or “Romantic” context, in which the darker C Minor stands in conflict with the brighter C Major throughout the work, with C Major scoring the final victory. Also significant is Beethoven’s rejection of traditional symphonic form, cutting the scherzo movement short and connecting it to the last movement, only to revisit the scherzo near end of the symphony. Beethoven allowed the fundamental ideas of the C Minor Symphony to simmer for a long time in his mind. Motives for three of

Thanks for listening! Now we’d like to hear from you! Contact us at

chamorch@gmail.com with your questions and comments.

We’re all ears!

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Program Notes, continued

Program notes continue on page 15

the movements were sketched as early as 1800, though the work wasn’t finished until 1808. The ideas underwent extensive revisions, typical of Beethoven. One can guess that Beethoven’s progressive hearing loss, as well as bitter memories of his failed romances with Giulietta Guicciardi and Therese von Brunswick may whisper in the C Minor’s confessional, but there is also a sense of destiny and victory (revolution, perhaps?) in the triumph of C Major. The C Minor Symphony was premiered on December 22, 1808, at the Theater an der Wien, Vienna, on an all-Beethoven program that also premiered the Pastoral Symphony. It was first performed in the United States by the New York Philharmonic on December 7, 1842.

About Ludwig Van Beethoven: Beethoven’s time was one of revolutions and wars, terror and reform, poverty and extravagance and in many ways his music reflects the turbulence of the age in which he lived. Austria was at war with Ottoman Turkey, the French were in dispute with Austria, and England with France. The fall of the Bastille in 1789 was a sign of the end of the old order, extinguished forever. The period brought wide cultural changes, changes in political philosophy and society, and in the arts. Beethoven is seen as the bridge from the restraint and preoccupation with form of the Classical era, to the wildly personalized and emotional Romantic era. Beethoven had a remarkable musical output. Just to name a few: 32 piano sonatas, 16 string quartets, 6 piano concerti plus a fragment (of which only 5 remain in the repertoire), 10 violin sonatas, 4 cello sonatas, 172 folk song arrangements, 60 canons and “musical jokes,” at least 2 ballets, an opera (“Fidelio”), and a large number of other works for chamber ensembles, choir, voice … and 9 great symphonies that still represent the highest consistent level of symphonic output by any composer in history.

Ludwig van Beethoven was born in the provincial court city of Bonn, Germany, probably on December 16, 1770. Beethoven’s talent was such that, at the age of 12, he was already assistant to the organist Christian Gottlob Neefe, with whom he studied. Attempts to establish him as a prodigy in the mold of Mozart had little success, however. In 1787, Beethoven was sent to Vienna, but his mother fell ill, and he had to return to Bonn almost immediately. She died a few months later, and in 1789 Beethoven himself requested that his alcoholic father be retired, a move that left him responsible for his two younger brothers. Beethoven left Bonn for Vienna a second time in November of 1792, in order to study with Haydn. In 1794, French forces occupied the Rhineland; consequently, Beethoven’s ties with and support from the Bonn court came to an end. His father had died a month after his departure from Bonn, and his brothers joined him in Vienna. He remained there the rest of his life, leaving only for holidays and concerts in nearby cities. His only extended journey was to Prague, Dresden, and Berlin in 1796. Beethoven never held an official position in Vienna. He supported himself by giving concerts, teaching piano, and through the sale of his compositions. Members of the Viennese aristocracy were his steady patrons, and in 1809 three of them—Prince Kinsky, Prince Lobkowitz, and the Archduke Rudolph—even guaranteed him a yearly income with the sole condition that he remain in Vienna. The last 30 years of Beethoven’s life were shaped by a series of personal crises, the first of which was the onset of deafness. The early symptoms, noticeable to the composer already before 1800, affected him socially more than musically. His reaction was despair, resignation, and defiance. Resolving finally to “seize fate by the throat,” he emerged from the crisis with a series of

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Program Notes, continuedtriumphant works that mark the beginning of a new period in his stylistic development. A second crisis a decade later was the breaking off of a relationship with an unnamed lady (probably Antonie Brentano, the wife of a friend) known to us as the “Immortal Beloved,” as Beethoven addressed her in a series of letters in July, 1812. This was apparently the most serious of several such relationships with women who were in some way out of his reach, and its traumatic conclusion was followed by a lengthy period of resignation and reduced musical activity. During this time Beethoven’s deafness

The Chamber Orchestra Volunteer Corps

“For the Love of Music”

The COS board applauds the many patrons who volunteered at our last season concerts. They greeted at the Previews, ushered and passed out programs at the concerts, helped with the orchestra set-ups at both venues, hosted at our June Garden Party and receptions, and helped with bulk mailings. We invite you all back this year, and ask you to check your name on the list below. We hope you have all purchased your season tickets and encourage you to invite friends and neighbors to join in our fabulous 2012-13 season. New members of the Volunteer corps are also most welcome and will be pleased to know there are no formal meetings, dues, or requirements- just a willingness to be called before the concerts and to answer the need if you are free to do so. Please sign up at the volunteer table at the concerts, or call the chairpersons. We welcome one and all and look forward to getting to know you. Helene Knapp, 576-1814 chair, Pam Marsh 634-6171, co-chair.

advanced to the stage that he could no longer perform publicly, and he required a slate or little notebooks (now known as “conversation books”) to communicate with visitors. The death of his brother Caspar Carl in 1815 led to a 5-year legal struggle for custody of Caspar’s son Karl, then 9 years old, in whom Beethoven saw a last chance for the domestic life that had otherwise eluded him. His possessiveness of Karl provoked a final crisis in the summer of 1826, when the young man attempted suicide. Shortly thereafter, Beethoven’s health began to fail, and he died on March 26, 1827, in Vienna.

Carlota AndersonPhyllis BakerNorton BainLarry BarrettJudy BiondiniMarti BoothFred BoswellVictoria BoswellChuck CabellHallie CabellInge Cordova

Nanette Demaree Nicole DeNarayEsther HarderCarole HarperJerianne HeimendingerMelanie HeltonGinny HollomanPat HudsonAmy Klingerman Mary KoeppSharon LaMothe

Nancy Langstaff Dick Langstaff Betty Lathrop Eric Leeper Susan Loring Scott Loring Mary Jean Nelson Gerda Nickels Oliver Nickels Beverly Pirio Denis Pirio

Nancy Pittman Betty Rickel Libby Rittenberg Charles Schnetzer Peggy Shivers Marta Wallin Alan Wendt Gloria Wendt Julie West Mary Wieger

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Chamber Orchestra of the Springs SupportersThe following members of our audience are as passionate about the activities of the Chamber Orchestra of the Springs

as are its players and Board of Directors. We offer them our heartfelt gratitude.

Season Underwriter $5,000 & upInasmuch FoundationBee Vradenburg FoundationChamber Orchestra Audience 25th Anniversary FundH. Chase StoneTrust

Concert Sponsor $2,500 to $4,999Libby Rittenberg and Nasit AriNorton Bain, Bain Family FoundationColorado Creative IndustriesJohn G. Duncan Charitable TrustThe Hester and Edwin Giddings FoundationGay & Lesbian Fund for ColoradoJP MorganPikes Peak Community Foundation-Fund for the ArtsHerman Tiemens II & Charlotte Maier

Conductors Circle $1,000 to $2,499Virginia Snow and John CarterJoseph Henry Edmondson FoundationEl Pomar FoundationMichael and Susan GraceDusty and Kathy Loo Fund of the Pikes Peak Community FoundationTerry and Darryl Thatcher

Benefactor: $500 to $999Charlease BoboCharles and Annie Ruth BoboRaymond and Barbara BrownNicole and Andrew De NaraySam HallWalter & Esther HarderRichard and Sandra HiltHelene KnappTerry & Elizabeth LillyDr. Stephen & Pamela MarshBob and Lisa RennickJames RynningVerizon Foundation on behalf of John LawsonAllan and Gloria Wendt

Sustainer: $250 to $499Judy BiondiniCharles and Hallie CabellJane Dillon & David BredemeierJeff Marshall & Shawn FinneganDorothy D. KautzmanShirley KircherDoris KneuerOliver and Gerda NickelsWebb Family Fund of the Pikes Peak Community FoundationSusan ShermanPeggy Houston ShiversDr. Susan R. Jensen and Mr. Tom TrainerJeanna WearingPhyllis V. White

Harry and Louise WilsonThomas G. WilsonAnonymous(1)

Supporter: $100 to $249Larry and Eve BarrettKaren BatesWilliam S. BeckerElizabeth BockstahlerAnn BroshMary Margaret BrummelerJudy and Duncan BurdickDr. and Mrs. Robert CarltonEve Tilley ChavezKathleen Fox CollinsThomas & Tania CroninJudy CunninghamPaul and Janet DavidsonDr. and Mrs. Donald D. DickensonMary J. EiberJudy Fair-SpauldingJoanna & Lindsay FischerDonald and Barbara GazibaraDunning & Mary IdleGlenn & Helen KnightCW4 Mary KoeppBonnie and Dave LinderDonald and Marie LoganRichard and Jean McChesneyPatricia McGlothin & James TillmanMary Elizabeth McKinleyDion F. MercierLynne MillerFred and Mary Jean Nelson

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Denis and Beverley PirioBetty Jane RickelCharles RittenbergRalph and Miriam SchinnererEdward & Monica ScottJohn F. SlatteryMargaret SmithJoan StratingRobert TaylorCharles Guy TheriotFrederica ThrashMr. and Mrs Van HornCharles & Judith WarrenDon and Marylin WerschkyMary WiegerJacqueline WilliamsMs. Miwako WilsonAnonymous(1)

Friend: $1 to $99Tuck & Liz Aikin, Jr.Susanne AnselmiBarbara ArnestAnn AxelrodDirk BaayPhyllis E. BakerJudith BentonMartha BoothMr. and Mrs. Dwight S. BrothersDale & Gundi Brunson

Inga ChampionMary E. ClaytorInge CordovaPhyllis DeHartDiana DiMaraMr. Kor ElzengaJohn F. LeFevreDorothy FarthingCarlton Gamers & Elaine FreedTimothy & Kalah FullerSusanna and Fred GnadingerAdam & Alicia GoldCarla and Jim GreenhalghJudith GreistSherry L. HallIngrid HartWalter and Ann HecoxKarin HenriksenCarolyn & Ronald HenriksonBill & Nancy HochmanSylvia HutsonDonald & Gwendolyn JenkinsRonald and Sandra JohnsonW.R. JohnsonSusan JohnsonGaylia JonesMarilyn KastelHarriet KiddCharles KingCherry and Jack KinneySharon La Mothe

John & Linda LeFevrePatricia LiptonBarbara LoganScott and Susan LoringDr. Suzanne MacAulayKay G. MacEnultyHelmut & Joyce MaileMarianna Mc JimseyLinnea McDonaldMr. and Mrs. Michael McGrathJ. Terry and Judith McIntireJon & Becky MedvedCarol and Jim MontgomeryKate MyersJay NormanWanda OelrichCarol & John PattenMarie and Ron PfisterPatricia PlankJohn and Elaine SartorisLynda Ward SchedlerElizabeth and Mark ScottColonel & Mrs. Charles ShayMurl SickbertDavid and Barbara St. AndreJoyce and Steve StiversWilliam TunstillKaren WagnerB. June WilliamsNicholas WilsonAnonymous(1)

Chamber Orchestra of the Springs Supporters, continued

The Chamber Orchestra of the Springs makes every attempt to list our donors accurately. If your name was inadvertently omitted or listed incorrectly, please accept our apologies,

and contact us at (719)633-3649 or chamorch@gmail.com so that we can correct our records.

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RecitalHall and CafeNOWOPEN4460 Barnes Road719.574.2001

Southern ColoradoÕs Largest Full Line Music StoreBand and Orchestra Instruments • Sheet Music • Private Lessons

Instrument Repairs • Pianos and KeyboardsPROUDLY SUPPORTING LIVE MUSIC IN COLORADO SPRINGS

Thank You!The members of the Chamber Orchestra play “for the love of music” and for you, our audience. Our music is brought to you by the support of generous individuals, foundations and corporations who share the vision of the Chamber Orchestra of the Springs being a vital part of the artistic life of our community. We are very grateful for their contributions.

The Chamber Orchestra of the Springs welcomes corporate sponsorships for its programs and activities. Please contact the Chamber Orchestra at 633-3649, for information on sponsorships and benefits.

Special Appreciation to...• Colorado College for the use of their beautiful Cornerstone Arts Center

• UCCS and Glen Whitehead for arrangements for Manny Laureano’s events there• Area music teachers for helping to promote Manny’s lecture

& Master Class to their students• First Christian Church for the use of their wonderful sanctuary

• Broadmoor Community Church for the use of their beautiful facilities• Graner Music for distribution of sheet music

• KCME-FM 88.7, A Voice for the Arts, for concert publicity• Ruth Hjelmstad for professional assistance with accounting

• Grace Episcopal Church for use of their rehearsal space

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Two Sunday Services9:00 and 11:00 a.m.

315 Lake Avenue • 473-1807www.broadmoorchurch.org

No matter who you are or where you

are on life’s journey, you are welcome here.

a season of 1sts

2012-2013 season

A Season of 1stsCelebrating Musical Firsts!

Luciano Silvestri, Jr., Conductor

October 21, 2012Dvorak: Carnival Overture

Grieg: Peer Gynt Suite No. 1Mussorgsky: Night on Bald Mountain

Elgar: Enigma Variations

$10 adult $8 senior/student

Sand Creek High School Auditorium7005 North Carefree Circle • 3 p.m.

www.pikespeakphil.org

Upcoming Concerts at BCCSaturday, November 3, 7:30 p.m.

**Gatsby Theater Art Song Festival ConcertPre-concert Lecture at 6:45 in the Otto Hall

Sunday, November 11, 3:00 p.m.**Pikes Peak Flute Choir

Saturday, November 17, 7:00 p.m.Chamber Orchestra of the Springs: Voyage on the Winds

Pre-concert Lecture at 6:15 in the Otto HallTickets: Call 633-3649

Sunday, November 18, 3:00 p.m.**Abendmusik: Folk Songs Across the Centuries

Saturday, Sunday and MondayDecember 1, 2 & 3, 7:00 p.m.

Bending Towards the Light… a Jazz NativityTickets: Call the FAC Box Office (634-5583)after Nov 1

Also available at the door if not sold out

**Indicates a free (freewill offering) concert

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Chamber Orchestra of the Springs 2012 - 2013 • 29th Season

Season tickets still available at the ticket table in the lobby, through our website at www.chamberorchestraofthesprings.org, or call 633-3649. New buyers will get full credit for your single

ticket purchase for this concert toward the season price!

Saturday Concerts 7:00 p.m.Pre-concert lecture at 6:15 p.m.

Broadmoor Community Church, 315 Lake Ave.

Concert Locations*Sunday Concerts 2:30 p.m.

Pre-concert lecture at 1:45 p.m.First Christian Church, 16 E. Platte Ave.

The Season ContinuesNovember 17-18, 2012: Voyage on the Winds Ludwig van Beethoven Egmont Overture, op. 84 John Corigliano Voyage for Flute and Strings Paul Nagem, flute W.A. Mozart Clarinet Concerto in A Major, K.622 Ian Buckspan, clarinet Max Reger Hermit Playing the Violin (from Four Böcklin Poems) Jacob Klock, violin Johannes Brahms Variations on a Theme of Haydn, op. 56a

February 2-3, 2013: Shall We Dance? Aaron Copland Three Latin American Sketches Samuel Barber Capricorn Concerto for Flute, Oboe, Trumpet & StringsClaude Debussy Danses sacrée et profane (Sacred and Profane Dances) Matthew Tutsky, harp Ney Rosauro Marimba Concerto Carl Cook, marimba Igor Stravinsky Danses Concertantes

February 23-24, 2013: Fortunes Michael Daugherty Tell My Fortune Ernst Bloch Concerto Grosso No. 2 Hausmusik W.A. Mozart Symphony No. 36 in C Major, K.425 “Linz”

April 27 - 28: Season Finale: The Promise of Spring Frédéric Chopin Piano Concerto No. 1 in in E Minor, op. 11 Michael Cheung, piano; Amateur Pianists International Winner Gustav Mahler Blumine Jean Sibelius Symphony No. 3 in C, op. 52