Ch5 Perceptual Set

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Chapter 5 Sensation and Perception

Transcript of Ch5 Perceptual Set

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Chapter 5

Sensation and Perception

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Sensation

Sensation a process by which our sensory

receptors and nervous system receive and represent stimulus energy

Perception a process of organizing and

interpreting sensory information, enabling us to recognize meaningful objects and events

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Sensation Our

sensory and perceptual processes work together to help us sort out complex processes

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Sensation

Bottom-Up Processing analysis that begins with the sense

receptors and works up to the brain’s integration of sensory information

Top-Down Processing information processing guided by

higher-level mental processes as when we construct perceptions

drawing on our experience and expectations

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Sensation

Top-Down Processing

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Sensation

Top-Down Processing

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Sensation

Top-Down Processing

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Sensation

Top-Down Processing

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Sensation

Top-Down Processing

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Sensation

Top-Down Processing

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Sensation - Basic Principles

Psychophysics study of the relationship between

physical characteristics of stimuli and our psychological experience of them

Light- brightness Sound- volume Pressure- weight Taste- sweetness

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Sensation - Basic Principles

Psychophysics Spatial Frequency-

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Sensation - Thresholds

Absolute Threshold minimum stimulation needed to detect

a particular stimulus 50% of the time Difference Threshold

minimum difference between two stimuli required for detection 50% of the time

just noticeable difference (JND)

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Sensation - Thresholds

Subliminal When stimuli

are below one’s absolute threshold for conscious awareness

0

25

50

75

100

Low Absolutethreshold

Medium

Intensity of stimulus

Percentageof correctdetections

Subliminal stimuli

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Sensation - Thresholds

Weber’s Law- to perceive as different, two stimuli must differ by a constant minimum percentage light intensity- 8% weight- 2% tone frequency- 0.3%

Sensory adaptation- diminished sensitivity as a consequence of constant stimulation

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Vision - Stabilized Images on the Retina

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Vision Wavelength

the distance from the peak of one wave to the peak of the next

Hue dimension of color determined by wavelength of light

Intensity amount of energy in a wave

determined by amplitude

brightness loudness

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The spectrum of electromagnetic energy

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Vision - Physical Properties of Waves

Short wavelength=high frequency(bluish colors, high-pitched sounds)

Long wavelength=low frequency(reddish colors, low-pitched sounds)

Great amplitude(bright colors, loud sounds)

Small amplitude(dull colors, soft sounds)

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Vision

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Vision

Accommodation- the process by which the eye’s lens changes shape to help focus near or far objects on the retina

Retina- the light-sensitive inner surface of the eye, containing receptor rods and cones plus layers of neurons that begin the processing of visual information

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Retina’s Reaction to Light - Receptors

Rods peripheral retina detect black, white and gray twilight or low light

Cones near center of retina fine detail and color vision daylight or well-lit conditions

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Retina’s Reaction to Light

Optic nerve carries neural impulses from the eye

to the brain Blind Spot

point at which the optic nerve leaves the eye, creating a “blind spot” because there are no receptor cells located there

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Retina’s Reaction to Light

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Vision - Receptors

Receptors in the Human Eye

Cones Rods

Number

Location in retina

Sensitivity in dim light

Color sensitive? Yes

Low

Center

6 million

No

High

Periphery

120 million

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Pathways from the Eyes to the Visual Cortex

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Visual Information Processing

Feature Detectors nerve cells in the

brain that respond to specific features

shape angle movement

Stimulus

Cell’s responses

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Visual Information Processing

Parallel Processing simultaneous processing of several

aspects of a problem simultaneously

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Visual Information Processing

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Visual Information Processing

Trichromatic (three color) Theory Young and Helmholtz three different retinal color receptors

red green blue

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Color-Deficient Vision

People who suffer red-green blindness have trouble perceiving the number within the design

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Visual Information Processing

Opponent-Process Theory - opposing retinal processes enable color vision

“ON” “OFF”red greengreen red blue yellow yellow blue black whitewhite black

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Opponent Process - Afterimage Effect

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Visual Information Processing

Color Constancy Perceiving familiar objects as

having consistent color, even if changing illumination alters the wavelengths reflected by the object

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Audition

Visual Capture tendency for vision to dominate the other

senses

Audition the sense of hearing

Frequency the number of complete wavelengths that

pass a point in a given time

Pitch a tone’s highness or lowness depends on frequency

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The Intensity of Some Common Sounds

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Audition - The Ear

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Audition - The Ear

Middle Ear chamber between eardrum and cochlea

containing three tiny bones (hammer, anvil, stirrup) that concentrate the vibrations of the eardrum on the cochlea’s oval window

Inner Ear innermost part of the ear, containing

the cochlea, semicircular canals, and vestibular sacs

Cochlea coiled, bony, fluid-filled tube in the inner

ear through which

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How We Locate Sounds

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Pain

Gate-Control Theory theory that the spinal cord contains a

neurological “gate” that blocks pain signals or allows them to pass on to the brain

“gate” opened by the activity of pain signals traveling up small nerve fibers

“gate” closed by activity in larger fibers or by information coming from the brain

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Taste

Taste Sensations sweet sour salty bitter

Sensory Interaction the principle that one sense may

influence another as when the smell of food influences its

taste

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Smell

Receptor cells inolfactory membrane

Nasal passage

Olfactorybulb

Olfactorynerve

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Body Position and Movement

Kinesthesis the system for sensing the position

and movement of individual body parts

Vestibular Sense the sense of body movement and

position including the sense of balance

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Perceptual Organization

Gestalt organized whole tendency to integrate pieces of

information into meaningful wholes

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Perceptual Organization

Figure and Ground--organization of the visual field into objects (figures) that stand out from their surroundings (ground)

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Perceptual Organization- Gestalt

Grouping the perceptual tendency to organize

stimuli into coherent groups Grouping Principles

proximity--group nearby figures together

similarity--group figures that are similar continuity--perceive continuous patterns closure--fill in gaps connectedness--spots, lines, and areas

are seen as unit when connected

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Perceptual Organization- Grouping Principles

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Perceptual Organization- Closure

Gestalt grouping principles are at work here.

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Perceptual Organization- Grouping Principles

Gestalt grouping principles are at work here.

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Perceptual Organization- Depth Perception

Visual Cliff

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Perceptual Organization- Depth Perception

Depth Perception ability to see objects in three dimensions allows us to judge distance

Binocular cues retinal disparity

images from the two eyes differ closer the object, the larger the disparity

convergence neuromuscular cue two eyes move inward for near objects

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Perceptual Organization- Depth Perception

Monocular Cues relative size

smaller image is more distant interposition

closer object blocks distant object relative clarity

hazy object seen as more distant texture coarse --> close

fine --> distant

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Perceptual Organization- Depth Perception

Monocular Cues (cont.)

relative height higher objects seen as more distant

relative motion closer objects seem to move faster

linear perspective parallel lines converge with distance

relative brightness closer objects appear brighter

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Perceptual Organization- Depth Perception

Relative Size

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Perceptual Organization- Depth Perception

Interposition

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Perceptual Organization- Depth Perception

Relative Height

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Perceptual Organization- Depth Perception

Light and Shadow

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Perceptual Organization- Depth Perception

Perspective Techniques

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Perceptual Constancy

Perceptual Constancy perceiving objects as unchanging even

as illumination and retinal image change color shape size

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Perceptual Organization

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Perceptual Illusions

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Perceptual Illusions

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Perceptual Organization- Size-Distance Relationship

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Perceptual Organization-Brightness Contrast

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Perceptual Organization- Grouping Principles

Impossible doghouse

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Perceptual Interpretation

Perceptual Adaptation (vision) ability to adjust to an artificially displaced visual fieldprism glasses

Perceptual Seta mental predisposition to perceive one thing and not another

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Perceptual Set- Schemas

A little demonstration

Will half the class close their eyes?

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Perceptual Set- Schemas

What kinds of horn are used in jazz?

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Perceptual Set- Schemas

What kinds of horn are used in jazz?

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Perceptual Set- Schemas

A little demonstration, part B

Will the other half of the class close their eyes?

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Perceptual Set- Schemas

Can you name a famous movie actress from Black and White movies?

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Perceptual Set- Schemas

Can you name a famous movie actress from Black and White movies?

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Perceptual Set- Schemas

A little demonstration, part C

As soon as you recognize something raise your hand….

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Perceptual Set- Schemas

What do you see?

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Perceptual Set- Schemas

What do you see?

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Perceptual Set- Schemas

What you see in the center is influenced

byperceptual set

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Perceptual Set- Schemas

What you see in the center is influenced

byperceptual set

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Perceptual Set- Schemas

Flying Saucers or Clouds?

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Extrasensory Perception

Extrasensory Perception controversial claim that perception can

occur apart from sensory input telepathy clairvoyance precognition

Parapsychology the study of paranormal phenomena

ESP psychokinesis