CAM SAMC & ASSIGMENT3PART A : CAMERA SHOTSPARTB: CAMERA ANGLES

PARTC: CAMERA MOVEMENT PARTD: COMPOSITIONBY KELLY MORALES

An establishing shot of usually the first shot of a new sense, it can be a range of distance from very wide shot, extreme wide shot or a long shot

PART A : CAMERA SHOTS

WIDE SHOT In a wide shot it shows a Variety of information, wide shots allows the audience to clearly see the subject , the environment and areas around them.

Long shotIt usually contains a character or an object that shows their whole body

Mid/medium shot This shot shows some

parts of the subject not the whole body or object, showing the right detailed

PART A : CAMERA SHOTS

Close- Up Shot Bring the camera close to an object or a part of body to focus only on what's interested

Extreme close up shot This shot takes the camera even closer and we are able to focus in detail

Point of view shotThis shot shows the

view from a person or objects perspective

Over the shoulder shot This shot is framed

from behind a person who is looking at another person or object, it helps to establish the position of each person

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Two shot This shot has two

people and it shows the relationship between them, often used in interviews or when two presenters are hosting a show

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Aerial shot A shot usually taken from aplane or a helicopter,

sometimesfrom an overhead position to show a city

Over the head shot A shot taken above a

persons or objects head

LOW HIGH CANTED/OBLIQUE

PART B: CAMERA ANGLES

LOW ANGLE This angle shows the

subjectfrom below giving them Seem as more powerful

PART B: CAMERA ANGLES

HIGH ANGLE this angle shows the

subject from above, taken from a high place looking down to the subject

PART B: CAMERA ANGLES

CANTED OR OBLIQUE ANGLE

Sometimes the camera is tilted or placed horizontal to floor level to show imbalance

PART B: CAMERA ANGLES

PAN TILT TRACK ZOON/REVERSE ZOOM DOLLY CRANE STEDICAM VERTIGO

PART C: CAMERA MOVEMENT

PAN A pan is a horizontal

camera movement in which the camera moves left and right, its used to show scenes that can not fit on to one shot

PART C: CAMERA MOVEMENT

TILT In which the camera

points up or down from a location a movement which scans a scene vertically its also opposite to pan

PART C: CAMERA MOVEMENT

TRACK A shot in which the

camera moves from side to side along tracks or rails to follow a character or an object, usually used to follow actions

PART C: CAMERA MOVEMENT

ZOOM this means

that the shot gets a close up while still being in the same distance from the subject

PART C: CAMERA MOVEMENT

REVERSE ZOOM This shot which moves

away from a subject it zooms away from a character or object

PART C: CAMERA MOVEMENT

DOLLY A platform of wheels

on which a camera can be placed in order to allow freedom of movement during filming

PART C: CAMERA MOVEMENT

CRANE the camera is placed on

an arm and allows it to be lifted into the air often for high-angle shots

PART C: CAMERA MOVEMENT

VERTIGO This is a movement

that is using both zooming and dolling

PART C: CAMERA MOVEMENT

BALANCE Each element in the

picture is correctly like the colour, size or texture is shown to a correct balance

COMPOSITION

SYMMETRY This shot is when

balanced on both sides of the picture

COMPOSITION

ASYMMETRY This is a shot that is

not balanced on both sides of the shot or frame

COMPOSITION

RULE OF THIRDS This is a balancing

technique that is used when taking a image, using grids tool in the camera

COMPOSITION

DEPTH OF FIELD This shot is the

distance in front and beyond the subject that appears to be in focus

COMPOSITION

SHALLOW FOCUS In shallow focus

one part of the image is in focus while the rest is out of focus

COMPOSITION

DEEP FOCUS This is where the whole

image is in focus

COMPOSITION

PULL FOCUS If two people or

objects are in one image then one is in focus and the other is not to attract attention.

COMPOSITION