Camera distances and angles summer 14

39
Camera Camera Distances and Distances and Angles Angles

Transcript of Camera distances and angles summer 14

Page 1: Camera distances and angles summer 14

Camera Camera Distances and Distances and AnglesAngles

Page 2: Camera distances and angles summer 14

Camera Distance

Page 3: Camera distances and angles summer 14

The human body is the measure of subject-camera distance.

What matters: The expressive results of (apparent) camera distance on screen.

Page 4: Camera distances and angles summer 14

Extreme Long Shot (environment dominates)

Page 5: Camera distances and angles summer 14

Extreme Long Shot

Page 6: Camera distances and angles summer 14

Long Shot (figure can be seen in context)

Page 7: Camera distances and angles summer 14

Long shot

Page 8: Camera distances and angles summer 14

Medium Long Shot (knees to head)

Page 9: Camera distances and angles summer 14

Medium long shot / Three shot

Page 10: Camera distances and angles summer 14

Medium Shot (waist to head)

Page 11: Camera distances and angles summer 14

Medium shot / Two shot

Page 12: Camera distances and angles summer 14

Medium shot / Single

Page 13: Camera distances and angles summer 14

Medium Close-up (shoulders and head)

Page 14: Camera distances and angles summer 14

Medium close-up

Page 15: Camera distances and angles summer 14

Close-up

Page 16: Camera distances and angles summer 14

Close-up

Page 17: Camera distances and angles summer 14

Extreme Close-up (isolates a small detail)

Page 18: Camera distances and angles summer 14

18

Camera Angle and Height

Page 19: Camera distances and angles summer 14

The Great Train Robbery, 1903

Eye-level shot = normal

Page 20: Camera distances and angles summer 14

Sherlock Jr., 1924

Page 21: Camera distances and angles summer 14

Sherlock Jr., 1924

The camera angle remains at eye-level when the characters are sitting.

Page 22: Camera distances and angles summer 14

The Shawshank Redemption, 1994

Angled shots = abnormal way of seeing?

Page 23: Camera distances and angles summer 14

Viewers identify with the point of view of the camera.

Page 24: Camera distances and angles summer 14

Force of Evil, 1948

Page 25: Camera distances and angles summer 14

Eye Level

Page 26: Camera distances and angles summer 14

A camera placed at a low angleforces us to look up at the subject.

Page 27: Camera distances and angles summer 14

Low-Angle

Page 28: Camera distances and angles summer 14

Low-Angle

Page 29: Camera distances and angles summer 14
Page 30: Camera distances and angles summer 14

A high angleforces us to look down at the subject.

Page 31: Camera distances and angles summer 14

High-Angle

Page 32: Camera distances and angles summer 14

A Dutch tiltor canted angle presents the world off-balance.

Page 33: Camera distances and angles summer 14
Page 34: Camera distances and angles summer 14

Aerial View / Bird’s-Eye View

Page 35: Camera distances and angles summer 14

Aerial View / Bird’s-Eye View

Page 36: Camera distances and angles summer 14

Low camera height / normal angle

Page 37: Camera distances and angles summer 14

37

FRAMINGAND POINTOF VIEW

Page 38: Camera distances and angles summer 14
Page 39: Camera distances and angles summer 14