Cakebread Decorative Arts & Design

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Cakebread Decorative Arts & Design January 24-26 2014

description

Cakebread Decorative Arts & Design, an auction series presented by New Orleans Auction Galleries, offers an eclectic selection of antique to contemporary furniture, lighting, jewelry, silver and fine and decorative arts.

Transcript of Cakebread Decorative Arts & Design

Page 1: Cakebread Decorative Arts & Design

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I n M e m o r i a mG e o r g e R o d r i g u e

( 1 9 4 4 - 2 0 1 3 )

A nat ive of Ne w Ib er ia , L ouis iana , G e orge Ro dr igue was not on ly an accompl i she d ar t i s t , he was a l s o a s av v y bus inessman and phi lant hropis t . A s tudent of t he Univers i ty of L ouis iana and t he Ar t C enter C ol lege of D es ig n in L os Angeles , Ro dr igue b egan h is care er in i l lus t rat ion , b e fore tur ning to p aint ing f u l l t ime. His e ar l i e s t works , s te ep e d in t he Acadian lore and C ajun h is tor y of h i s ancestors and s ty l i s t i ca l ly reminis cent of t he French pr imit ive ar t i s t s , caug ht t he at tent ion of t he Europ e an ar t community : in 1974 he was awarde d t he pres t ig ious Tommass o C amp anel l a G old Me da l f rom t he Academia Inter naz iona le d i L e t tere – Ar t i—S cienze in Rome; in 1975 he re ce ive d an Honorar y Ment ion f rom L e Sa lon des Ar t i s tes , Par i s . Wit h t hes e at mospher ic p aint ings of t he L ouis iana l ands cap e and i t s p e ople , Ro dr igue employe d a color p a le t te of r i ch g re ens and blues , emphas iz ing t he dramat ic inter play of l ig ht and shadow. Ro dr igue’s most famous cre at ion , t he Blue D og , was a s erendipitous acc ident . C ommiss ione d wit h cre at ing t he i l lus t rat ions for a b o ok of lo ca l g host s tor ies , t he ar t i s t us e d a vers ion of h i s own de ce as e d dog Ti f fany as a mo der n vers ion of t he C ajun g host dog , t he “ loup-garou”. This image res onate d wit h t he publ ic in a ne ar ly unpre ce dente d manner, and t he Blue D og s o on at t a ine d t he s t atus of an Amer ican Pop icon . Wit h t he p opu lar i ty of t he Blue D og , Ro dr igue s o on found h ims e l f a h ig h ly s oug ht a f ter ar t i s t . He re ce ive d numerous commiss ions for e ver y t h ing f rom t he Ne w Orle ans Jazz and Her it age Foundat ion , t he i conic Abs olut Vo d ka ad camp aig n , and p or t ra i t s of lo ca l luminar ies . D ur ing t hes e ye ars , Ro dr igue b e came incre as ing ly ac t ive in t he non-prof i t community ; t h i s c u lminate d in t he for mat ion in 2009 of t he G e orge Ro dr igue Foundat ion of t he Ar ts , a non-prof i t organizat ion w hich advo cates t he imp or t ance of t he v i sua l ar t s in t he e ducat ion of young p e ople . In t he ye ars s ince i t s incept ion , t he Foundat ion has cre ate d s cholarsh ips , ra i s e d mone y for ar t suppl ies in lo ca l s cho ols , and has sp ons ore d ar t c l ass es . The re c ipient of numerous awards and accolades , G e orge Ro dr igue most re cent ly re ce ive d t he O pus Award f rom t he Ogden Mus eum of S out her n Ar t . Ne w Orle ans Auc t ion Ga l ler ies was s addene d to he ar of G e orge Ro dr igue’s p ass ing on D e cemb er 14 , 2013 . We were honore d to have had t he opp or tunity to work wit h t he ar t i s t and h is Foundat ion . He wi l l b e g re at ly miss e d by t he ar t community.

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C a k e b r e a d D e c o r a t i v e A r t s & D e s i g nCakebreadauction.com / [email protected] / 510 Julia Street, New Orleans, Louisiana 70130 / 1-800-501-0277 / 504-566-1849 / (FAX) 504-566-1851

LA Auction License AB-363, Steinkamp #1265, Thomas #1833/23% Buyer’s Premium (3% Discount for Payments Made by Cash, Check, or Wire)

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S e s s i o n I L O T S 1 - 4 6 0

1Chinese Bronze Vessel, 20th century, the bulbous tripodal bronze vessel with two handles, h. 3”, dia. 4”. [200/400]

2Five-Piece Collection of Chinese Cloisonne, including a pen tray, w. 3-1/4”, l. 8-3/4”; a roller blotter, h. 2”, w. 2-1/2”, l. 5”; a letter opener, l. 7-3/4”; and a pair of pounce pots, h. 1-1/2”. [100/200]

3Large and Impressive Chinese Cloisonne Covered Bowl, of flattened globular shape with conforming cover, enameled in polychrome enamels with shaded peony flowers and foliage on a cloud ground and edged in a border of ruyi heads, carved wooden stand, dia. 15”. [150/300]

4Two Chinese Cloisonne Vases, late 19th/early 20th century, now mounted as lamps, the tallest, h. 18-3/4”. [300/500] Illustrated

5Chinese-Style Blanc-de-Chine Foo Dog Lamp, base, h. 27-1/2”. [500/800] Illustrated

6Chinese Blanc-de-Chine Porcelain Figure of Quan Yin, 20th century, h. 15”. [150/300]

7Two Pieces of Cloisonne, including a 19th-century Japanese bowl, h. 8”, dia. 12”; and a 20th-century Chinese cylindrical vase, h. 11-1/2”. [300/500]

8Pair of Jade Trees, in hardstone pots with stone flowers and leaves, h. 8-1/4”, w. 7-3/4”. [500/800]

9Pair of Chinese Cloisonne Vases, ca. 1930, now mounted as lamps, decorated with foo dog handles and enameled banks of lotus flowers and scrollwork, vase, h. 11”, overall, h. 22-3/4”, dia. 6-1/2”. [300/500]

10Pair of Chinese Famille Noire Vases, late 19th/early 20th century, the baluster-form vases depicting birds amidst prunus branches, bamboo, rocks and lingzhi fungi, the underside bearing a blue and white encircled Kangxi (1662-1722) period mark, h. 14-1/4”. [150/300]

11Pair of Chinese Porcelain Covered Jars, 20th century, with famille jaune decoration of birds and flowers on a floral scroll ground, h. 18”. [300/500] Illustrated

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12Chinese Square Vase, now mounted as a lamp, h. 19”. [250/400]

13Chinese Porcelain Baluster Vase, the large vase depicting scenes of immortals, h. 23”. [250/400] Illustrated

14Chinese Bulbous Vase, decorated with figures in landscapes, h. 16”. [300/500]

15Fifty-Seven Piece Chinese Tea Service, composed of lidded dishes and tea pots, h. 7”, w. 6”, largest. [200/400] Illustrated

16Chinese Export Porcelain Ginger Jar, ca. 1900, now mounted as a lamp on an ebonized base, and fitted with a carved and pierced cover and a shade, h. 24-1/2”. [100/200]

17Two Chinese Export Flask-Form Vessels, 20th century, the tallest, h. 16”. [150/250]

18Chinese Porcelain Baluster Vase, 20th century, h. 15”. [100/200]

19Pair of Chinese Famille Verte Covered Jars, 20th century, decorated with historical scenes, h. 12-1/2”. [300/500]

20Pair of Transfer-Printed Double Gourd Vases, first quarter 20th century, in the “Chung” pattern by Wood & Sons, Berslem, England, marked “Chung, Rd No 531664, L & Co.”, h. 11-1/4”, dia. 4-1/2”. [300/500] Illustrated

21Pair of Chinese Pastel Floral Vases, the colorful vases decorated with a motif of peonies, vines and birds, h. 9”, w. 5-1/2”. [300/500]

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22Monumental Pair of Chinese Famille Rose “Palace” Vases, decorated with reserve panels of court figures and royalty at leisure, h. 42”. [100/200] Illustrated

23Unusual Faience Vase Mounted as a Lamp, probably Italian, the black lacquer base supporting the garniture vase, decorated with green vines and flowers, applied flowers decorate the root-form handles, mounted with a shade, vase, h. 17”, w. 14-1/4”, d. 10-1/2”, overall, h. 30”. [200/400]

24Two Famille Rose Vases, 20th century, the first vase with famille rose reserves of flowers on a black ground, h. 6”, and the

second baluster-shaped vase with flowering peonies and a calligraphic poem, h. 11-7/8”. [80/120]

25Two Chinese Vases, 20th century, both with a “Qianlong” reign mark and drilled to be mounted as lamps, the tallest, h. 16-1/2”. [200/400]

26Chinese-Style Yellow Balustrade Vase, 20th century, now mounted as a lamp, h. 34”. [100/200]

27Chinese Porcelain Charger, with a Qianlong reign mark on the underside, dia. 15-1/4”. [200/400] Illustrated

28Three Pieces of Chinese Export Porcelain, comprising a charger in the Rose Canton pattern, decorated with ho ho birds and butterflies, dia. 13-1/2”, a plate in the same pattern, dia. 10-3/4”, and another plate in the butterfly pattern, dia. 9-7/8”. [300/500]

29Chinese Export Porcelain Charger in the Rose Canton Pattern, ca. 1900, the field decorated with peonies and butterflies, the yellow border decorated with green scrollwork and pink lotus blossoms, dia. 15”. [300/500] Illustrated

30Chinese Export Punch Bowl, 20th century, decorated with rocks, flowers, birds and butterflies, h. 6-1/2”, dia. 14-1/4”. [200/400]

31Chinese Porcelain Rice Cup, the rim with Greek-key enameled decor, the bowl sides depicting a dragon amongst the clouds, the underfoot signed, together with a turned wooden stand, h. 2-1/2”, dia. 4”, without stand. [150/300]

32Chinese Porcelain Jardiniere on Stand, with reserves depicting images of sages, birds and boys, h. 25-1/12”. [200/400]

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33Chinese Double-Gourd Vase, 20th century, with a sang-de-boeuf glaze, h. 6-1/4”. [350/500] Illustrated

33AChinese Four-Panel Folding Table Screen, early 20th century, the panels of Kesi tapestry with scenes of warriors, framed in rosewood, carved and pierced with flowers, h. 29”, l. 40”. [300/500]

34Large Chinese Red-Glazed Vase, 20th century, the vessel with “sang de boeuf” glaze and two elephant head faux handles, the underside unglazed and unmarked, h. 11-1/2”, dia. 10”. [200/400]

35Five-Piece Group of Porcelain, 19th/20th century, consisting of a crackled celadon brush washer, h. 3”, w. 7”, d. 2”; three crackled vases in white, green and blue, h. 2-3/4” to 5”; and a soft paste ware miniature jar with underglaze blue decoration of foo dogs, h. 2-3/4”. [100/200]

36Chinese Blue-and-White “Apple” Jar, decorated with orange accents, h. 3”, w. 4”. [100/200]

37Three Small Chinese Pottery Pieces, 20th century, composed of a blue and white glazed piece, a brown piece with four handles in the Northern Song style and a two-handled tiny jug, tallest, h. 3”. [100/200]

38Sixteen-Piece Lot of Asian Trade Pieces, 19th century and earlier, trade pieces and potteries from Southeast Asia, particularly Thailand and Vietnam, h. 5-1/2”, largest. [250/400]

39Chinese Blue and White Porcelain Charger, 19th/20th century, dia. 18”. [75/125]

40Pair of Chinese Blue and White Planters, 20th century, the octagonal footed planters with a floral pattern and drilled on the underside, h. 9-1/2”, dia. 14”. [300/500]

41Chinese Porcelain Jardiniere, 20th century, the gilded vase with reserves depicting flowers and imperial scenes, with a reign mark stamped below and a painted goldfish within, h. 14-1/2”, dia. 16”. [100/200]

42Chinese Porcelain White Teapot, 19th/20th century, with metal handle, h. 6-3/4”. [40/70]

43Chinese Wooden Stool, 20th century, the stool with a painted porcelain top, h. 18-1/2”, dia. 13-1/2”. [100/200]

44Chinese Cabinet on Stand, the carved wooden cabinet concealing six drawers, and two ceramic bead pulls, h. 32”. [800/1200]

45Pair of Chinese Huali Chairs, ca. 1950, the back, sides and aprons carved with dragons, pearls and clouds, with animal paw feet, h. 41”, w. 27”, d. 23”. [700/1000] Illustrated

46Pair of Chinese Red-Lacquered Elmwood Chairs, 20th century, each with a straight crest rail supported by four turned spindles, h. 38”, w. 20-1/2”, d. 16”. [250/400]

47Pair of Chinese Hardwood Chairs, the chairs pierced and carved with tasseled cushions, h. 46”. [500/800] Illustrated

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57Chinese Lacquered Low Table, 20th century, the rectangular top with floral and avian patterns, h. 16”, w. 39”, d. 20”. [200/400]

58Chinese Black-Lacquered and Decorated Coffee Table, mid-20th century, the rectangular top mounted to cabriole legs, h. 16-1/2”, w. 41”, d. 21”. [100/200]

59Chinese Ebonized and Hardstone Cabinet, 20th century, inlaid in hardstone with a scene of ladies in a garden setting, h. 38”, w. 26”, d. 12”. [200/400]

60Pair of Chinese Rosewood Tambour-Fronted Cabinets, 20th century, h. 30-1/2”, w. 17”, d. 16”. [500/800]

61Chinese Black-Lacquered Apothecary Cabinet, 19th century, having forty-two brass-mounted drawers, h. 70”, w. 40-1/4”, d. 19-3/4”. [400/700]

62Chinese Red-Lacquered Bamboo Tall Cabinet, 20th century, the sides and front with open bamboo grille panels, h. 71-1/2”, w. 32-1/2”, d. 14-1/2”. [300/500] Illustrated

48Chinese Black-Lacquered Low Table, late 19th century, h. 15”, w. 23”, d. 14”. [400/700]

49Chinese Sweetmeat Box/Table, 19th century, the hexagonal-form top with gold decoration on a black lacquer ground, opening to reveal an interior with shaped enamel dishes, h. 30”, dia. 27”. [300/500]

50Chinese Elmwood Altar Table, 20th century, the rectangular top having a wide framed and molded edge, h. 35”, w. 47”, d. 15-1/2”. [350/500]

51Suite of Four Chinese Ebonized Nesting Tables, early 20th century, each with a shaped rectangular top featuring a gilt and polychrome oriental landscape, raised on bulbous turned legs to runner feet ending in gilt dragon’s heads, h. 28-1/2”, w. 24”, d. 14-3/4”. [700/1000]

52Pair of Chinese Rosewood Stands, the stands with marble tops, h. 36-1/2”, dia. 13”. [200/400]

53Pair of Chinese Hardwood and Marble-Top Tabourets, each with a circular top with an inset marble surface, above a bamboo-carved frieze and pierced apron, h. 33”, dia. 13-1/2”. [200/400]

54Chinese Wooden Stand, 20th century, with a carved decorative motif, h. 36”, w. 11”, d. 11”. [100/200]

55Chinese Stained Hardwood Pedestal Table, early 20th century, the banded square top raised on circular legs, h. 31-1/2”, w. 15-1/2”, d. 15-1/2”. [150/300]

56Three-Piece Suite of Chinese Rosewood Furniture, first half 20th century, comprised of a pair of chairs and a matching table, the yoke-backed chairs finely carved and pierced with foliation, chair, h. 39-3/4”, table, h. 30-1/2”, w. 15-3/4”, l. 22-1/2”. [800/1200] Illustrated

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63Chinese-Style Mahogany Narrow Bookshelf, h. 52”, w. 26”, d. 15”. [150/300]

64Chinese-Style Mahogany Bookshelf, h. 48”, w. 54”, d. 15”. [200/400]

65Chinese Bamboo Root Display Shelf, late 19th/early 20th century, having nine shelves within an ornately shaped section of root, h. 67”, w. 42-1/2”, d. 24”. [300/500]

66Chinese Framed Embroidered Panel, depicting two cranes standing on a pine branch and two cranes flying in the distance, h. 20-1/2”, w. 28-1/2”. [150/300]

67Chinese School (20th Century), group of three woven silks depicting dragons, immortals and foo dogs, sizes range from 23” x 21” to 46” x 44”. All glazed and framed alike. [200/400] Illustrated

68Chinese Embroidered Silk Purse, late 19th/early 20th century, depicting two roosters, with a drawstring tassel and the character “Fu” or “blessing”, 11-1/4" x 8-1/2". [125/250]

69Vintage Red and White Embroidered Light Coat, after 1960, this lightweight coat with white bands with red ornamentation at the neck, l. 40-3/4”. [100/200]

70Vintage Chinese Red Silk Coat, ca. 1961, the coat covered with black rondels, l. 43-1/2”. [100/200]

71Embroidered Chinese Silver Silk Coat, ca. 1960’s, the coat lined with a thin white silk, l. 45”. [100/200]

72Pair of Chinese Lotus Shoes, 19th century, each silk and cotton slipper, colorfully and elaborately embroidered with a floral motif and a design of beautiful women on the ankles, a Buddhist symbol on the back, h. 3”, l. 5-3/4”. [125/250] Illustrated

73Japanese Tosa School Painting, 17th/18th century, color and ink on silk, overall, h. 25-3/4”, w. 28”. [150/300] Illustrated

74Keiko Minami (Japanese, 1911-2004), “Untitled”, etching and aquatint, artist proof, pencil signed, sight 16-1/2” x 12”. Glazed, matted and framed. [300/500]

75Three Chinese and Japanese Metal Work Items, late 19th/early 20th century, including an ivory-handled clothing iron, l. 10-1/2”; a bronze censer, h. 6-1/2”, w. 7”; and a hand mirror, l. 12”. [100/200]

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76Japanese Bronze Vase, Meiji period (1868-1912), decorated in relief with birds and flowering plants, h. 10”. [100/200] Illustrated

77Japanese Champleve Enameled Bronze Vase, ca. 1920, decorated with archaic masks and flowers, h. 11-3/4”. [300/500]

78Two Embossed Metal Works, comprising a 19th-century Japanese lobated bronze planter and a French patinated ring tray with a pair of birds, h. 4”, w. 9”. [100/200]

79Japanese Bronze Samurai Figure, modeled balancing a candle holder, mounted on a wood base, h. 22”. [1000/1500]

80Japanese Porcelain Lazy Susan Set, the porcelain with gilding and a mauve landscape, in a wooden box, h. 4”, w. 11-1/2”. [100/200]

81Japanese Arita-Type Blue-and-White Porcelain Charger, ca. 1900, decorated with ho-ho birds in plum branches over lotus flowers, dia. 17-3/4”. [150/300]

82Pair of Blue and White Plates, possibly Japanese, dia. 10-1/4”. [75/125]

83Japanese Tea and Coffee Pot Set, 20th century, the two pots with winding dragon decoration on the lids and spouts, on a painted terracotta-colored ground, marked “Kuiani China” on the underside, the largest, h. 8”. [200/400]

84Japanese Nippon Vase, 20th century, the large green footed vase with two dragons and white birds, h. 18-1/4”. [100/200]

85Five-Piece Collection of Japanese Nippon Ware, 20th century, the tallest, h. 18-1/2”. [100/200]

86Six Pieces of Japanese Nippon Ware, 20th century, including a large pitcher, h. 13-3/4”, a small pitcher, h. 8-1/2”, and four mugs adorned with winged dragons, h. 5-1/2”. [100/200]

87Eight-Piece Group of Japanese Ivory Carvings, depicting Chinese immortals and other assorted figures, all on wood bases, the largest, h. 8”. [250/400]

88Small Carved Figures with Stand, one carved from wood depicting a lady, and the other on a wooden stand, h. 3-1/2”, tallest. [150/300]

89Group of Three Japanese Ivory Carvings, depicting a fisherman, the god of longevity, and Okame, the goddess of mirth, the largest, h. 6”. [400/700]

90Japanese Carved Ivory Pine Tree, h. 10-3/4”, w. 2-1/2”. [200/400]

91Japanese Carved Ivory “Monkey Boat”, l. 6-1/4”. [150/300] Illustrated

92Large Chinese Celadon Vase, 20th century, the blue-green celadon-glazed porcelain palace vase with a crackled glaze throughout, with an unglazed and unmarked underside, h. 34-1/2”, dia. 13-1/2”. [200/400]

93Chinese Export Lacquered Box, 19th century, shaped in the form of a ruyi, the interior fitted with two layers of boxes, w. 14-3/4”, l. 12”. [400/700]

94Three-Piece Group of Carved Cinnabar Lacquer, early 20th century, including a pair of blue enamel-lined vases, h. 6”, and a lidded box, h. 1-3/4”, w. 5-1/2”, d. 3-3/4”. [300/500]

95Pair of Chinese Carved Cinnabar Vases, early 20th century, with floral relief details, the body depicting mountainous landscape reserves, h. 8-1/2”. [400/700] Illustrated

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96Chinese Porcelain Bottle Vase, 19th century, with famille rose decoration of actors and poems, h. 8-3/4”. [300/500]

97Two Chinese Hardwood Boxes, one a tiered box and the other a small chest, the tallest, h. 12”, w. 6-1/2”, l. 15”. [300/500]

98Chinese Carved Boxwood Brush Pot, 19th century, surface-carved in relief with a pine and magnolia tree, h. 4-3/4”. [200/400]

99Chinese Bamboo Brush Pot, 20th century, the surface carved in relief with figures in a palace garden, signed and with a cyclical date, h. 7”, dia. 4-3/4”. [300/500] Illustrated

100Chinese Ink Stone, in a fitted wooden box, both box and stone inscribed, w. 7”, l. 10-1/2”. [300/500]

101Chinese Ink Stone, in a fitted box, both the box and stone with inscription, l. 8”. [300/500]

102Chinese Boxed Set of Four Volumes of Calligraphy, 20th century, including photo reproductions of a famous calligrapher, w. 4-1/2”, l. 12-1/2”. [200/400]

103Two Asian Tusks, 18th/19th century, including a hippopotamus tusk, l. 11-1/2”, and an elephant tusk, l. 20-1/4”. [400/700]

104Thirteen-Piece Group of Ivory Pendants and Charms, the tallest, h. 2”. [100/200]

105Large Group of Chinese and European Ivory, the longest, l. 10-3/4”. [150/300]

106Eight-Piece Collection of Ivory Pipes and Pistol Handles, late 19th/early 20th century, the longest, l. 7”. [200/400]

107Indian Miniature on Ivory, late 19th/early 20th century, depicting Krishna and Radha seated on a terrace, both dressed in ornate garments and jewels, surrounded by an ornate floral border, h. 6”, w. 4-1/4”. [200/400]

108Pair of Indian Miniature Paintings, 19th century, depicting scenes of mendicants, in European costume, in ink and slight color on heavy paper, framed and glazed, h. 7-3/4”, w. 5”. [100/200]

109Suite of Four Indian Gouache on Paper Paintings, second quarter 20th century, depicting various figures in a landscape, sight 8” x 3-1/2”. All glazed, handsomely matted and framed. [250/400]

110Early Stone Temple Carving, 5th century, India, the shard depicting a goddess with a boar’s head, carved in deep relief, h. 9”, w. 6”, d. 2”. [200/400]

111Nepalese Patinated Bronze Buddha on Stand, 18th century, depicting the jeweled figure of a Buddhist divinity, h. 18”. [400/700]

112Large Purbha Ceremonial Dagger in the Himalayan Style, the three-sided blade adorned with dragons, and the hilt decorated with deity heads, dragons and horses, l. 21”. [100/200] Illustrated

113Ten Wooden Containers with Lids, possibly Middle Eastern, some with ivory and metal finials, h. 9”, w. 8-1/2”, largest. [200/400]

114Middle Eastern Short Sword, with a hardwood handle and hilt, and incised decoration on the brass scabbard, l. 19-1/2”. [50/80]

115Middle Eastern Calligraphic Sheet, decorated with gold leaf and hand-painted arabesque decoration, mounted in a contemporary silver-gilt frame, h. 17”, w. 15”. [300/500]

116Pair of Chinese Shadowbox-Framed Jades, the two round jade medallions in black fabric-lined shadowboxes, h. 18”, w. 17-1/2”, d. 2”. [300/500]

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117Pair of Chinese Plaques, 20th century, inset with stone depicting flowers and plants in archaic vessels, h. 34”. [150/300]

118Chinese Gouache on Paper, fourth quarter 19th century, sight 55-3/4” x 33-1/2”. Glazed and framed. [200/400]

119Two Chinese Paintings on Silk, 20th century, the largest, h. 20-1/2”, w. 17-1/4”. [200/400]

120Pair of Chinese Paintings on Glass, early 20th century, in wood frames, h. 21-3/4”, w. 15-1/2”. [200/400] Illustrated

121Four Chinese Paintings of Beauties, 20th century, watercolor on silk, h. 20-1/2”, w. 17-1/2”. [300/500]

122Japanese Watercolor Group on Rice Paper, early 20th century, the three images of archaistic vessels with plants and flowers, h. 21-1/2”, w. 12-1/2”. [100/200]

123Jiang Tie-Feng (Chinese, b. 1938), “Green Horse”, serigraph, 1986, signed and numbered “72/260” lower right, printed by Fingerhut Group Publishers, original plate destroyed after printing, verso with a “Dyansen Gallery, New York, N.Y.” label, sight 25-3/4” x 25-3/4”. Glazed, matted and framed. [500/800]

124Chinese Four-Panel Screen, 20th century, each panel of shadowbox form, and having carved hardstone inlaid scenes of birds and flowers, h. 72”, w. 72”. [300/500]

125Chinese-Style Lacquered and Polychromed Four-Panel Screen, incise-carved and painted to depict exotic birds amidst flowers and vines, h. 72”, w. 16”, each panel. [300/500]

126Egypto-Revival Bronze Clock by Achille Brocot (French, 1817-1878), third quarter 19th century, the base of the case decorated with a winged scarab, symbol of Khepera, the clock works marked “AB” flanking a star, for Achille Brocot, h. 15-1/4”, w. 12-3/4”, d. 5-1/4”. [500/800] Illustrated

127Victorian Bronze Cobra-Form Watch Holder, fourth quarter 19th century, English, holding an Elgin 17 jewel Incabloc “crystal ball” pocket watch, h. 7”, w. 4”, d. 3-3/4”. [100/200]

128French Belle Epoque Gilt-Bronze and Porcelain Clock Set, ca. 1900, in the Louis XIV style, marked “France” on the works, clock, h. 16-3/4”, w. 10-1/2”, d. 3-1/4”, urns, h. 16-3/4”, w. 6”, d. 3-1/4”. [1000/1500] Illustrated

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129Louis XV-Style Carved Giltwood Cartel Clock, first quarter 20th century, Swedish, the dial signed “Emil N. Skalin, Stockholm,”, h. 21-1/2”, w. 12-1/4”. [300/500]

130French Rococo Revival Mantel Clock, third quarter 19th century, decorated with a couple in 18th-century costume, h. 16”, w. 12”, d. 4-1/4”. [150/300]

131French Marble and Gilt-Metal Three-Piece Clock Set, including a figural clock mounted with “Vendage”, after Henry K. Kossowski II (Polish, 1855-1921), signed on the rear of the figure, clock, h. 25-1/4”, w. 12”, d. 5-1/4”, candelabra, h. 24”, w. 8-1/2”, d. 8-1/2”. [800/1200]

132Ansonia Crystal Regulator, first quarter 20th century, New York, h. 15-1/4”, w. 8-1/2”, d. 6-3/4”. [800/1200]

133French Belle Epoque Gilt-Metal and Porcelain Mantel Clock, fourth quarter 19th century, the case with a scroll-molded base and sides molded with dolphins and a masque, the works marked “CJCC”, h. 20-1/2”, w. 11-1/2”, d. 4-1/2”. [500/800]

134Seth Thomas Gilt-Metal Louis XV-Style Mantel Clock, first quarter 20th century, Thomaston, Connecticut, h. 13-1/2”, w. 8-1/2”, d. 5-1/2”. [300/500]

135Paris Porcelain Rococo Revival Mantel Clock, Attributed to Jacob Petit, mid-19th century, the enamel dial signed by Henri Marq, Paris, h. 14-1/2”, w. 9”, d. 5”. [500/800]

136Napoleon III Mantel Clock, third quarter 19th century, with a pendulum in the form of a girl on a swing, the works signed “Chappemat Brevette”, overall dome h. 12”, w. 9-1/2”, d. 5-1/2”. [600/900] Illustrated

137Impressive French Inlaid Marble Clock Set, third quarter 19th century, retailed by John and James Tosen, London Bridge Station, the Marti works fitted with an exposed escapement, clock, h. 16-1/4”, w. 19-3/4”, d. 6-3/4”, tazzas, h. 10-1/2”, w. 8”, d. 10-1/2”. [2000/4000] Illustrated

138American Colonial Revival Walter H. Durfee Mahogany Tubular Chiming Tall Case Clock, late 19th century, the movement featuring Westminster and Whittington Chimes, h. 97”, w. 26”, d. 19”. [15000/25000] Illustrated

139American Colonial Revival Waltham Clock Company, Mahogany Single Tube Tall Case Clock, ca. 1900, having an eight-day movement with time and strike on a single long tube, h. 95”, w. 24”, d. 15”. [1000/1500] Illustrated

140George III Line-Strung Mahogany Tall Case Clock, ca. 1800, signed “John Hutchinson”, time and strike movement, h. 83-1/2”, w. 18”, d. 9”. [1000/1500]

141American Federal-Style Banjo Clock, early 20th century, the central eglomise panel depicting the American Eagle, fitted with an electric movement, h. 41”, w. 10-1/2”. [200/400]

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142Brass-Mounted Walnut Vienna Regulator, fourth quarter 19th century, produced in the Alt Deutsch style, h. 35”, w. 13”, d. 8”. [1500/2500] Illustrated

143E. Ingraham Rosewood-Veneered “Grecian” Mantel Clock, fourth quarter 19th century, Bristol, Connecticut, h. 15-1/2”, w. 11-1/2”, d. 4-3/4”. [200/400]

144Waterbury Regency-Style Mahogany Mantel Clock, first quarter 20th century, Waterbury, Connecticut, signed “Waterbury Clocks, Pat’d Sept 13, 1898”, h. 11”, w. 18”, d. 4-3/4”. [150/300]

145Ansonia Boudoir Clock, ca. 1900, Brooklyn, New York, in a copper Arts and Crafts case, h. 5-1/2”, w. 4”, d. 2-3/4”. [150/300]

146Napoleon III Spelter, Black Marble and Gilt-Metal Figural Mantel Clock, third quarter 19th century, decorated with allegorical figures, h. 21”, w. 28-1/2”, d. 7”. [1200/1800] Illustrated

147Unusual Moorish Revival Boulle-Work Portico Clock, mid-19th century, French, works signed by Marti, h. 19-3/4”, w. 9-3/4”, d. 4-3/4”. [600/900]

148German Neoclassical Wood and Brass Mantel Clock, first quarter 20th century, with works and dial signed by Junghans, h. 14”, w. 9-1/2”, d. 4-1/2”. [200/400]

149French Restauration Tole-Peinte Wall Clock, first quarter 19th century, signed “Japy Freres”, h. 17”, w. 15”, d. 5-1/4”. [300/500]

150Six-Piece Collection of Assorted Watches and a Pedometer Under Domes, comprised of two English sterling key wind pocket watches, one retailed by H. Samuel, Manchester, ca. 1890’s, a watch in a silvered case with an “Appleton Tracy” movement from the American Watch Co., ca. 1874, an “Illinois, Bunn Special 21 Jewels” movement watch, ca. 1907, a Swiss travel alarm watch in a gunmetal case, ca. 1900, and a sterling “New Haven” pedometer, the belt loop marked “Tiffany and Co., Maker, Sterling”, dia. 1-3/4” to 2-3/4”. [150/300] Illustrated

151Two Nautical Clock/Barometers, including a Waterbury bronze cased clock/barometer, pre 1932, Waterbury, Connecticut, h. 20”, and a Schatz clock/barometer, 20th century, German, h. 9”. [100/200]

152American Mahogany Double Decker Weight Driven Mantel Clock, second quarter 19th century, probably Connecticut, h. 31-1/2”, w. 18”, d. 6”. [150/300]

153Schatz Bronze Cased Nautical Clock and Barometer, 20th century, German, on a mahogany mount, h. 24”, w. 12”. [200/400]

154Sessions Oak-Cased Arts and Crafts Mantel Clock, first quarter 20th century, Forestville, Connecticut, h. 17-3/4”, w. 12-1/2”, d. 5”. [100/200]

155Waterbury Pressed Oak Two-Dial Calendar Clock, fourth quarter 19th century, Waterbury, Connecticut, h. 28-3/4”, w. 16-1/2”, d. 5-1/4”. [150/300]

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156American Pressed Oak Kitchen Clock, ca. 1900, h. 25-1/4”, w. 15”, d. 4-3/4”. [100/200]

157European Art Deco Oak Mantel Clock, second quarter 20th century, the lozenge-form steel dial in an oak case trimmed with carved leaves, h. 11”, w. 10-1/4”, d. 5”. [75/125]

158French Art Deco Stone Clock Set, first quarter 20th century, the black-enameled metal chapter ring set on an alabaster facade, clock, h. 9-1/4”, w. 16-1/4”, d. 9-1/4”, ornaments, h. 7”, w. 6”, d. 3-1/4”. [200/400] Illustrated

159Parcel-Gilt and Painted Gallery Clock Face of Industrial Design, the elements distressed to simulate patina, dia. 47-1/2”. [200/400]

160Napoleon III-Style Ebonized Composition Wall Clock, with battery-operated works, h. 29”, w. 24”, d. 3-3/4”. [100/200]

161Chinese Aubusson-Style Carpet, 8’ 8” x 11’ 11”. [100/200]

162Peshawar Zeiglar Mahal Carpet, 8’ x 10’ 1”. [1400/1800] Illustrated

163Patchwork Kilim Carpet, 5’ 3” x 6’ 7”. [350/500]

164Mashad Carpet, 6’ 6” x 9’ 8”. [200/400]

165Heriz Carpet, 3’ 4” x 12’. [300/500]

166Kashan Carpet, 7’ 3” x 10’ 4”. [300/500]

167Sultanabad Carpet, 8’ 3” x 11’ 11”. [500/800]

168Chinese Modern Carpet, 6’ x 9’. [75/125]

169Jaipur Carpet, 6’ x 9’ 2”. [200/400]

170Hamadan Carpet, 7’ 1” x 10’. [200/400]

171Agra Serapi Carpet, 10’ x 13’ 4”. [500/800]

172Patchwork Kilim Carpet, 5’ x 6’ 10”. [350/500]

173Collection of Oriental Carpet Pillow Cases, primarily Caucasian, comprised of two 16-1/2” x 16-1/2” cases, five 13-1/2” x 18” cases, four 13-3/4” x 13-3/4” cases and two 17” x 24” cases. [200/400]

174Pair of Baccarat-Style Crystal Candlestick Holders, prism-hung and trimmed with gilt, now fitted for electricity, h. 15-1/2”, dia. 5-3/4”. [100/200]

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175English Bronze and Cut Glass Banquet Lamp, ca. 1900, the stepped bronze base holding a strawberry-cut glass standard with a bronze Corinthian capital, now electrified, h. 30”, dia. 7”. [400/700]

176American Brilliant Period Cut Glass Lamp, with mushroom shade, h. 16-1/2”, dia. 8-1/4”. [500/800]

177American Brilliant Period Cut Glass Lamp, first quarter 20th century, with mushroom shade, h. 20”, dia. 8-1/2”. [800/1200] Illustrated

178Two American Brilliant Period Boudoir Lamps, first quarter 20th century, h. 13-3/4”, dia. 5” and h. 14-3/4”, dia. 5”. [300/500]

179Three American Brilliant Period Cut-Glass Pitchers, fourth quarter 19th century, h. 11-1/2”, dia. 5-1/2”, largest. [200/400]

180Victorian Cut Glass Pitcher, fourth quarter 19th century, h. 10-1/4”, dia. 5-1/2”. [200/400] Illustrated

181Three American Brilliant Period Cut-Glass Pitchers, first quarter 20th century, h. 77”, dia. 5-3/4”, tallest. [200/400]

Large CoLLeCtion of Cut gLass

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182Three American Brilliant Period Cut-Glass Pitchers, first quarter 20th century, h. 11-1/4”, dia. 5-1/2”, largest. [200/400]

183Three American Cut-Glass Pitchers, including a brilliant period pitcher, ca. 1900, h. 9-1/2”, dia. 5-1/4”, and two brilliant-style pitchers, h. 8-1/2”, dia. 6-1/2” and h. 9-1/4”, dia. 4-1/2”. [200/400]

184Signed Hoare American Brilliant Period Cut Glass Dish, ca. 1900, Corning, New York, cut with hobstars and Russian panels, signed “J. Hoare & Co Corning 1853” in center rondel, dia. 9-1/2”. [200/400]

185Four Pieces of American Brilliant Period Cut-Glass, comprised of a celery dish, h. 3”, l. 12-1/4”, and three bowls, h. 4”, dia. 9”, largest. [200/400]

186Brilliant-Style Cut Glass Tray and Compote, decorated with intaglio-cut birds and flowers, tray, dia. 12”, compote, h. 9-1/2”, dia. 7-1/2”. [200/400] Illustrated

187Four American Cut Glass Vases, comprised of an American Brilliant Period trumpet vase, ca. 1900, h. 12”, dia. 5”, a cylindrical vase, h. 14”, dia. 4-1/2”, and two Brilliant-style trumpet vases, h. 12-1/2”, dia. 4” and h. 12”, dia. 5-1/4”. [200/400]

188Czechoslovakian Brilliant-Style Cut-Glass Footed Punch Bowl and Cups, including a footed punch bowl, h. 10-1/2”, dia. 13”, and eleven matching molded cut-glass cups, h. 4”. [1500/2500]

189American Brilliant-Cut Glass Berry Bowl, ca. 1900, Corning, New York, cut with hobstars alternating with palmettes, the bottom signed “J. Hoare & Co., 1853”, h. 3-1/2”, dia. 8”. [125/250]

190Two Pieces of Impressive American Brilliant Period Cut Glass, fourth quarter 19th century, including a trumpet vase, h. 15”, dia. 6”, and a rare, heavy, two-handled vase, h. 10”, dia. 8”. [200/400]

191Pair of English Cast Stone and Painted Recumbent Garden Lions, early 20th century, h. 15”, w. 24”, d. 9”. [400/700] Illustrated

192Three Rococo Revival Style Cast-Aluminum Garden Benches, with pierced seats, h. 16-3/4”, d. 15”, l. 50-1/4”. [300/500]

193Pair of Cast Iron Mask Plaques in the Chinese Taste, h. 24”, w. 22”. [600/900]

194French Baker’s-Style Iron and Brass Plant Stand, with three pot holders, h. 39-1/2”, dia. 23-1/4”. [300/500] Illustrated

195Pair of Seated Cast Iron Mermaids, h. 15-1/2”, w. 7-1/2”, l. 45-1/2”. [600/900] Illustrated

191

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196Figural Cast Iron “Jumping Frog” Fountain, first quarter 20th century, h. 27-1/2”, w. 19-1/2”, d. 20”. [500/800]

197Pair of Art Nouveau-Style Cast Iron Occasional Tables, h. 25-1/2”, w. 18-1/2”, d. 14”. [400/700]

198Pair of Cast Metal Herons, h. 30-1/4”, w. 8-1/2”, d. 14-1/4”. [400/700] Illustrated

198APair of Cast-Iron Drive Gates, with fleur-de-lis pickets and cone finials on posts, h. 75-3/4”, w. 140”. [1200/1800]

199Continental Wrought Iron and Marble-Top Conservatory Table, early 20th century, h. 28-1/2”, w. 37”, l. 67”. [500/800]

200Chinese-Style Wood and Brass Planter on Stand, h. 24”, w. 16”, d. 16”. [400/700]

201Large French Painted Zinc Reeded Urn-Form Finial, ca. 1900, h. 41”, w. 21”, d. 11”. [250/400]

202Cast Aluminum “Lattice” Pattern Outdoor Table and Four Chairs, table, h. 29-1/2”, dia. 42”, chairs, h. 32-1/2”. [100/200]

203Pair of Patinated Metal Detailed Duck-Form Fountains, h. 15-1/4”, w. 17”, d. 5-1/4”. [500/800]

204Impressive Molded Composition Crocodile, the very large reptile painted in a realistic fashion, h. 10-1/2”, w. 44-1/2”, l. 78-1/2”. [800/1200] Illustrated

205Regence-Style Plaster Covered Urn, h. 27-1/2”, dia. 12-1/4”. [200/400]

206Pair of Lattice-Pattern Aluminum Swivel Stools, h. 48”, w. 21”, d. 19. [40/70]

207Three Lattice-Pattern Aluminum Outdoor Lounge Chairs and Two Matching Occasional Tables,tables h. 17-1/2”, dia. 20-1/2”, lounges h. 37”, l. 60”, w. 22”. [75/125]

208Suite of Four American Cast Iron Garden Armchairs, Together with a Circular Table, all in like paint, chair, h. 32”, table, h. 26”, dia. 39”. [1000/1500]

209French Painted Terracotta “Barent” Garden Fountain, second quarter 20th century, depicting a putto supporting a shell, signed “Made in France” and initials over “Barent”, together with a cast iron shell-form catch basin, figure, h. 43”, w. 15”, d. 14-1/4”, basin, h. 3-3/4”, w. 20-3/4”, d. 13”. [300/500]

210Pair of Continental-Style Iron Strapwork Chairs, with lattice seats, h. 41”, w. 24-1/4”, d. 17”. [300/500]

211Bronze Figure of the Sphinx of Thebes, after the antique, h. 14-1/2”, w. 6-3/4”, d. 18-1/2”. [300/500]

212French Art Deco Cast-Iron and Marble-Top Work Table, early 20th century, h. 31”, w. 26-1/2”, d. 18”. [200/400]

213South American School (19th Century), “Madonna and Child”, oil on canvas, 17” x 9”. In a glass inlaid floral motif wood frame. [200/400]

214Spanish Colonial School (19th Century), “Holy Family”, oil on canvas, 16” x 13”. Unframed. [75/125]

215Spanish Colonial School (19th Century), pair of oils on canvas of saints, each 9-1/2” x 8”. In matching carved wood frames with mirror inlay. [200/400]

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216South American School (19th Century), “Madonna”, oil on wood panel, 9-1/2” x 9-1/2”. In an exuberantly carved wood frame with mirror inlay. [150/300]

217Spanish Colonial School (19th Century), “Holy Family”, oil on panel, 16-3/4” x 13”. Framed. [200/400]

218South American School (20th Century), “Madonna and Child”, oil on wood panel, 10-1/4” x 7-1/4”. Framed. [150/300]

219Cuzco School (20th Century), “Archangel”, mixed media on canvas, 24” x 15-1/2”. Presented in a carved and pierced giltwood frame. [250/400]

220Cuzco School-Style (Early 20th Century), “Holy Family on Flight from Egypt”, oil on canvas, inscription on banner lower left, 38” x 51”. Framed. [500/800]

221Contemporary Icon on Wood by Paul Spheeris, ca. 1965, Indianapolis, Indiana, executed in paint, gold leaf and beads on a wooden panel, and depicting St. Sebastian spearing Buddha, h. 13-1/4”, w. 9-1/4”. Spheeris was a conservator at the Indianapolis Museum of Art, and an exhibition tag remains on the back of the piece. [100/200]

222Spanish Colonial School (19th Century), “Holy Family”, oil on canvas, 12-1/2” x 10-1/2”. Framed. [100/200]

223South American School (20th Century), “Madonna and Child”, oil on canvas, unsigned, 25” x 18”. In a carved wood frame. [100/200]

224Polychrome and Parcel-Gilt Fireplace Surround, with a foliate-carved frieze centered by a masque and flanked by freestanding classical maidens, w. 76”, h. 49-1/4”. [1500/2500] Illustrated

225Latin American Giltwood Mirror, decorated with segmented glass, h. 20”, w. 19”. [100/200]

226Napoleon III-Style Brass-Inlaid Ebonized Corner Vitrine, mid-20th century, the bowed front with a glazed door over a paneled door, h. 67-1/4”, w. 22-1/2”, d. 17”. [150/300]

227Empire-Style Carved Pedestal of Latin American Origin, fourth quarter 19th century, the fluted standard raised on paw feet, h. 42-1/2”, dia. 22”. [100/200]

228Baroque-Inspired Stand and Giltwood Pier Mirror, with a projecting cornice over an arched and beveled mirror plate, with a demi-lune shelf over a single drawer, h. 83”, w. 29”, d. 12”. [75/125]

229Latin American Baroque-Style Giltwood and Marble-Top Pedestal, ca. 1900, h. 46-/4”, dia. 11-1/4”. [150/300] Illustrated

230Latin American Baroque-Style Carved Pedestal, ca. 1900, composed of Spanish cedar, the grape-carved spiral standard with a scrolled capital, h. 38-3/4”, dia. 13-1/2”. [100/200]

231Spanish Colonial Polychrome Architectural Element, 19th century, in the form of a barley twist column intertwined with a flowering vine, raised on a concave square base, h. 33”, dia. 17”. [100/200]

232Provincial Spanish Walnut Side Table, late 18th century, the overhanging rectangular top above a frieze fitted with a single drawer, h. 32”, w. 42”, d. 22-1/2”. [30/50]

233Unusual Peruvian Giltwood Mirror, employing a pair of cockerels and an inset mirror plate, h. 18-1/2”, w. 12-1/2”. [150/300]

234Latin American Carved and Painted Blanket Chest, ca. 1900, in the Baroque taste, composed of cidrella and lined with red cedar, h. 14-1/2”, w. 38”, d. 19”. [300/500]

235Molded and Painted Figure of Santo Nino de Cebu, depicting Jesus, the face and hands molded to resemble ivory, h. 14-1/4”, w. 5”, d. 4-3/4”. [300/500]

236Baroque-Inspired Parcel-Gilt Mahogany Vitrine, ca. 1900, the foliate-carved crest over a door with a beveled glazed panel, the interior back and sides fitted with beveled mirror plates, h. 69”, w. 24”, d. 17-1/2”. [200/400]

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237Pair of Wrought Iron Three-Light Candle Torcheres, early 20th century, h. 62” to 64”. [100/200] Illustrated

238Pair of Latin American Masque-Carved and Painted Architectural Brackets, fourth quarter 19th century, h. 23-1/2”, w. 9-1/2”, d. 27-1/2”. [100/200]

239Baroque-Style Giltwood and Mirrored Torchere, the circular top on a standard modeled with applied mirror glass, h. 68”, dia. 26”. [150/300]

240Spanish Colonial Carved and Polychromed Blanket Chest, 19th century, h. 22”, w. 36”, d. 21-3/4”. [100/200] Illustrated

241Suite of Four Classical-Style Hand-Carved Spanish Cedar Architectural Brackets, fourth quarter 19th century, h. 13-1/4”, w. 6”, d. 19”. [100/200]

242Spanish Leather-Covered and Tack-Decorated Dome-Top Trunk, late 19th century, h. 23”, w. 33”, d. 19”. [400/700] Illustrated

243Spanish-Style Iron King-Size Headboard, with brass finials, h. 63”, w. 76”. [200/400]

244Latin American Giltwood Oval Sunburst Mirror, h. 23”, w. 20-3/4”. [200/400]

245Latin American Giltwood Sunburst Mirror, with leaf-form “rays”, dia. 22-3/4”. [150/300]

246Two Carved Wooden Boxes, first quarter 20th century, including a tramp art polychrome miniature trunk, carved for “Grace”, h. 8-3/4”, w. 15-1/2”, d. 7-3/4”, and a chip-carved cigar humidor, h. 3”, w. 8”, l. 11”. [150/300]

247Peruvian Leather-Clad Steamer Trunk by Abel de Silva e Hijo, with line incising, metal strapwork and tacks, the interior retaining its striped cotton lining, h. 13-1/2”, w. 39-1/2”, d. 22”. [100/200]

248Empire-Style Carved Mahogany Two-Pedestal Dining Table of Latin American Origin, 20th century, h. 31-1/2”, w. 47”, l. 86”. [300/500] Illustrated

249Two Pieces of Pre-Columbian-Style Pottery, including an effigy, h. 8-3/4”, w. 4-3/4”, and an oval bowl, h. 5-1/4”, w. 8”. [450/700]

250Italian School (Fourth Quarter 19th Century), “Shepherd and Shepherdess in a Roman Campagna”, oil on canvas, unsigned, 34” x 27”. Presented in a handsome, period giltwood and gesso frame. [800/1200] Illustrated

248237

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251Continental School (Third Quarter 19th Century), “The Crusaders”, oil on canvas, unsigned, 31” x 25-1/4”. Presented in a giltwood and gesso frame. [600/900] Illustrated

252Continental School (19th Century), pair of equestrian portraits in the 16th-century style, oils on board, 11” x 8-1/2”. Both framed. [700/1000]

253Continental School (19th Century), “Portrait of the 16th Century Emperor Maximilanus”, 26” x 19”. Framed. [450/700]

254Continental School (19th Century), “Portrait of a Bearded Man with a Pipe and a Cane”, oil on canvas, 18” x 14”. Presented in a pierced and carved frame. [100/200]

255South American Giltwood and Mirrored Starburst Decorative Wall Panel, centered by a Renaissance-style portrait of a man, h. 35”, w. 32”. [150/300]

256Spanish Colonial School (19th Century), “Portrait of a Dignitary”, oil on wood panel, 9-1/2” x 7-3/4”. In a shell and foliate motif giltwood frame. [150/300]

257South American School (20th Century), “Portrait of a Dignitary”, oil on canvas, unsigned, 11-1/2” x 9-1/2”. Framed. [100/200]

258Continental School (19th Century), “Portrait of a Military Officer”, oil on canvas, 12-1/2” x 10”. Framed. [100/200]

259South American School (19th Century), “The Angel”, oil on canvas, 23-3/4” x 14-3/4”. Framed. [100/200]

260Continental School (19th Century), “The Confrontation”, oil on canvas, unsigned, 9-1/4” x 6-3/4”. Framed. [100/200]

261Carved, Painted and Parcel-Gilt Altar Figure, first quarter 20th century, depicting Our Lady of Guadalupe, h. 51-1/2”, w. 20”, d. 8-1/2”. [200/400] Illustrated

262Italian Carved and Polychrome Mahogany Tall Headboard, flanked by ball-topped columns and ending in disc feet, h. 79-1/2”, w. 52”. [250/400]

263Latin American Carved Giltwood Floor Lamp, first quarter 20th century, inset with mirror glass, h. 51”, dia. 11”. [150/300]

264Spanish Colonial-Style Carved and Polychromed Religious Plaque, 20th century, h. 22”, w. 21”, d. 4”. [200/400]

265Pair of Spanish-Style Carved Giltwood Mirrors, 20th century, h. 31-1/2”, w. 21”, d. 4-1/4”. [300/500]

266Latin American Carved, Painted and Parcel-Gilt Altar Figure, 20th century, h. 41”. [250/400] Illustrated

267Pair of Spanish Carved Mahogany Pedestals, 20th century, h. 25”, dia. 11”. [100/200]

268Four Brass-Inlaid and Painted Faux Boulle Panels, fourth quarter 19th century, h. 31”, w. 58” and h. 4”, w. 18-1/2”. [100/200]

269Peruvian Baroque-Style Eglomise Mirror with Heraldic Crest, h. 29”, w. 13-1/2”. [100/200]

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270Baroque-Style Giltwood Lamp Base, of Latin American origin, h. 22-1/2”, dia. 9” . [70/125]

271Collection of Eleven Jewelry and Lifestyle-Related Books, featuring Hollywood and Continental royalty. [100/200] Illustrated

272American School (20th Century), “Still Life with Books, a Pipe and a Blue Vase”, watercolor on paper, unsigned, sight 12” x 11-1/2”. Glazed and framed. [100/200]

273Twenty-Three Books on Art, Antiques and Interiors, [50/80]

274Fifteen Books on French Art, [100/200]

275Collection of Six Garden-Related Books. [100/200]

276Harper’s Pictorial History of the Great Rebellion, in two volumes, published 1866 and 1868, each 16” x 12”. [200/400]

277Collection of Twenty-Four Cooking-Related Books. [100/200]

278Collection of Ten New Orleans Cuisine-Related Books, including The Dooky Chase Cookbook signed with an inscription by Leah Chase in 1999. [100/200]

279Toni Kamp (American, 20th Century), pair of pastels on paper of “Dogs”, each signed and dated, sights 15” x 12” and 22” x 17-1/4”. Glazed, matted, and framed. [200/400] Illustrated

280Leon Danchin (French, 1887-1939), “Portrait of a Spaniel”, limited edition print, signed in pencil lower right, numbered lower left, sight 15-1/2” x 12”. Glazed, matted and framed. [200/400]

281Leon Danchin (French, 1887-1939), “Bird Dog”, color etching, 1938, pencil signed and numbered, sight 21” x 27-1/2”. Glazed and framed. [100/200]

282Fritz. Diller (German, 1876-1946), “Two Hunting Dogs”, 1930, patinated brass, cast signature, titled and dates, sight 6” x 8-3/4”. Framed. [200/400] Illustrated

283American School (Second Quarter 20th Century), “Pair of Maltese Dogs with Bows”, oil on wood panel, illegibly signed, 12’ x 16’. Framed. [150/300]

284British School (1st Quarter 20th Century), “Sitting on the Pier”, oil on board, unsigned, 12-3/4” x 16-1/2’. Framed. [200/400]

285American School (20th Century), “Green-Eyed Cat”, pastel on paper, signed “Stilton”, sight 18-1/4” x 8-1/2”. Glazed, matted and framed. [50/100]

286British School (Contemporary), “Cows by Stream” and “The Herd”, pair of oils on wood panel, each illegibly signed, each 8” x 10”. Framed alike. [150/300]

287British School (Contemporary), “Landscapes with Cattle”, pair of oils on canvas, unsigned, 8” x 10”. Framed alike. [150/300]

271

279 one of two

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288British School (Contemporary), “Haying”, oil on wood panel, unsigned, 24” x 20”. Framed. [250/400]

289British School (Contemporary), “Saddled Horse”, oil on wood panel, unsigned, 8” x 10”. Framed. [75/125]

290Continental School (Contemporary), “Barn Scenes with Poultry”, two oils on wood panel, unsigned, 8” x 10”. Framed. [150/300]

291Continental School (Contemporary), “Wooded Interior with Flock of Sheep”, oil on wood panel, unsigned, 12” x 16”. Framed. [150/300]

292Collection of Two Currier and Ives Prints, including a “A Dash For The Pole” and “A Race For Blood!”, sight each 19” x 28”. Both glazed, matted and framed. [150/300]

293Pair of Directoire-Style Eglomise Panels, composed in the style of Percier et Fontaine, in black and white with gilt highlights, exhibiting a whole panoply of classical design, in contemporary giltwood frames, h. 44-1/2”, w. 7”. [300/500]

294Pair of Faux-Marble Composition Pedestals, of tapering form, h. 44”, w. 12-1/2”, d. 10”. [500/800]

295Pair of Directoire-Style Painted and Parcel-Gilt Pedestal-Form Jardinieres, each circular lift-top exposing a brass liner, the pedestal adorned with crossed arrows and brass leonine mounts, h. 37-1/2”, dia. 12-1/4”. [600/900] Illustrated

296Northern European Giltwood and Polychrome Looking Glass, second quarter 20th century, in the neoclassical taste, the rectangular beveled plate surmounted by a swag-and-urn crest flanked to either side by griffins, within a molded and annulated frame with a pendant foliate finial, h. 74”, w. 26”. [150/300]

297Gilt-Metal and Pressed Glass Eight-Light Chandelier, in the French Empire style, h. 40-1/2”, dia. 31-1/2”. [100/200]

298Pair of Directoire-Style Polychrome Sidechairs, 19th century, the rectangular back centered by an urn-carved medallion splat, the padded seat raised on turned tapering circular legs ending in toupie feet, h. 35-1/2”. [800/1200]

299Suite of Four Neoclassical-Style Polychrome Chairs, early 20th century, comprised of two side and two arm chairs, each with a scrolled crest above a padded back and seat, raised on carved, tapering legs, h. 35”, w. 18”, d. 16”. [700/1000]

300Directoire-Style Mahogany Fauteuil, with fluted open arms on molded supports, fluted seat rail and turned legs, upholstered in black and gold medallion-pattern brocade, h. 41”. [200/400]

301Contemporary Empire-Style Ebonized and Parcel-Gilt Side Table, h. 30-1/2”, dia. 18”. [30/50]

302Brass Bouillotte Lamp, with a red tole shade, electrified, h. 24”, dia. 11”. [150/300]

303Directoire-Style Gilt-Bronze and Marble-Top Occasional Table, h. 28”, dia. 21-1/2”. [600/900]

304Continental-Style Gilt-Metal Floor Lamp, the scrolled feet decorated with applied leaves and holding a standard set with raised leaves, h. 57-1/2”, dia. 20”. Provenance: Tara Shaw, New Orleans, Louisiana. [400/700]

305Empire-Style Mahogany Firescreen, 19th century, the raised crest with an ormolu gadroon frieze and foliate end finials above a fabric screen, h. 46”, w. 24-1/2”. [200/400]

306Empire-Style Mahogany Settee, late 19th century, the padded rectangular back surmounted by a shell and foliate gilt crest, joined by downswept arms headed by gilt swan’s heads and ending in scrolled uprights at the padded seat, raised on sabre legs, h. 39”, w. 54-1/2”, d. 24”. [700/1000]

307Pair of French Gilt-Brass-Mounted Mahogany Sidechairs, h. 38”, w. 17”, d. 16-1/2”. [150/300]

308French Miniature Portrait on Ivory of Josephine Bonaparte, ca. 1900, signed “Stark”, in a brass filigree frame with faux seed pearls, on an easel support, h. 4-1/2”, w. 3-3/4”. [200/400]

309Empire-Style Fruitwood and Marble-Top Credenza, the rectangular inset grand antique marble top above a conforming case fitted with three frieze drawers over three central drawers, h. 26-1/4”, w. 55-1/2”, d. 15-1/2”. [400/700]

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310Pair of Faux Sienna Marble and Faux Bronze Urns, in the Louis XIV taste, h. 26”, w. 13”, dia. 11”. [30/50]

311Pair of French Empire Revival Two-Light Bronze Figural Candelabra, first quarter 20th century, cylindrical brown marble plinths support bronze caryatids with a scrolled candle branch in each hand, h. 13-1/4”, w. 8”, d. 5”. [200/400]

312Signed Darte Freres Bateau-Form Corbeille, first quarter 19th century, Paris, with raised relief decoration in white biscuit, stenciled “Darte Freres a Paris” in rouge de fer, h. 9-1/4”, w. 13”, d. 7-1/2”. [400/700] Illustrated

313Pair of Brass and Faux Malachite Obelisks, the square bases with faux malachite sides and trimmed in brass, supporting the spears, resting on brass ball feet, h. 21-3/4”, w. 5-3/4”, d. 5-3/4”. [400/700]

314Pair of Empire-Style Carved, Painted and Parcel-Gilt Urns, mounted as lamps, the tripartite bases supporting monopods with classical masque terminals, h. 34-1/4”, dia. 11-1/4”. [700/1000]

315Pair of Vintage French Tole Planters, 20th century, with trellis supports, h. 18-3/4”, w. 9-3/4”, d. 5-1/4”. [300/500]

316Pair of French Empire-Style Bronze and Verde Antico Marble Lamps, second quarter 20th century, the marble urn-form standards trimmed in engine-turned bronze and fitted with bronze handles terminating in leopard’s heads, base, h. 16”, overall, h. 29-3/4”, dia. 5”. [1000/1500]

317Neoclassical Parian Rondel, 19th century, in a contemporary giltwood shadowbox, h. 9-3/4”, w. 9-3/4”. [150/300]

318Pair of Neoclassical-Style Parian Urns, mid-20th century, now mounted as lamps, urn, h. 20”, overall, h. 44”. [300/500]

319Empire-Style Mahogany-Veneered and Gilt-Brass-Mounted Secretaire a Abattant, the arched pediment above a paneled fall-front door, opening to a desk interior, over two drawers and a concealed plinth, h. 63”, w. 43”, d. 23”. [800/1200] Illustrated

320Suite of Nine Empire-Style Mahogany Dining Chairs, comprised of two armchairs and seven sidechairs, each with a backswept scroll-carved crest above a padded panel, h. 35”. [1200/1800] Illustrated

321Two Horn Vases, mounted on molded brass neoclassical stands, h. 9-1/2”, to 10-1/2”. [300/500] Illustrated

322Classical-Style Black Marble Spiral Pedestal, 20th century, h. 40”, w. 12”, d. 12”. [300/500]

323Two Pieces of American Colonial-Style Sterling Silver Small Tableware, mid-20th century, including a Frank M. Whiting brandy pan with turned wooden handle, l. 8-1/4”, w. 4-5/8”, and a Webster porringer with openwork handle, l. 6”, w. 4-1/4”, 5.65 total t. oz. (including wooden handle). [100/200]

320

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324Collection of Thirteen American Sterling Silver Christening Mugs, mid-20th century, various manufacturers, five with monogram or inscription, h. 1-1/2” to 2-1/2”, 16.13 total t. oz. [250/400]

325Three Pieces of American Sterling Silver Hollowware, 20th century, including a Fisher baluster-form coffeepot, a Webster paneled coffeepot monogrammed “M”, and a Mauser loving cup inscribed and dated 1912, h. 6-1/4” to 10-1/2”, 28.23 total t. oz. [400/700]

326Twenty-Two Pieces of Small Sterling Silver and Silverplate Tableware, 20th century, various manufacturers, 8.93 total t. oz., l. 1” to 4”. [200/400] Illustrated

327Ten Pieces of Small Sterling Silver Table and Dresser Ware, 20th century, h. 1-1/4” to 4-1/2”, 1.02 total t. oz. (weighable silver). [100/200]

328Ten American Sterling and Silverplate Creamers and Sugar Bowls, mid-20th century, h. 2-1/4” to 4”, 5.85 total t. oz. (excluding silverplate and weighted pieces). [150/300]

329Six Assorted American Sterling Silver Trumpet Vases, 20th century, one pierced and lacking its liner, all variously monogrammed/inscribed, h. 8-1/4” to 11”, weighted. [200/400] Illustrated

330Five Pairs of American Sterling Silver Candlestands, 20th century, various manufacturers, h. 3” to 4-1/2”, weighted (ten total pieces). [125/250]

331Eleven Assorted American Sterling Silver Candlesticks and Stands, mid-20th century, h. 1-1/2” to 9-1/4”, weighted. [150/300]

332Pair of American Sterling Silver Candelabra, third quarter 20th century, by the Raimond Silver Mfg. Co., Chelsea, Massachusetts, of baluster form, convertible to candlestands or candlesticks, h. 12”, w. 11-1/4”, weighted. [200/400]

333Nineteen Pieces of American Sterling Silver Stemware, 20th century, h. 5-1/8”, 21.99 total t. oz. (excluding the weighted Hi-Grade sherbets). [500/800] Illustrated

334Eight Sterling Silver Cordial Cups, third quarter 20th century, including a Web Silver Co. set of six and a National Silver Co. pair, all of inverted bell form, h. 3”, weighted. [100/200]

335Cased Set of Four Sterling Silver Cordials, third quarter 20th century, by Gorham Corp., Providence, Rhode Island, of inverted bell form, h. 2-3/4”, dia. 1-1/4”, 2.12 total t. oz., in the original

harvest gold and avocado green velvet case. [50/80]

336Eight Pieces of Small Sterling Silver Tableware, 20th century, h. 1” to 5-1/2”, 9.96 total t. oz. (weighable silver). [200/400] Illustrated

326

329

333

336

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337Three Pairs of American Sterling Silver Candlesticks, 20th century, various manufacturers, h. 6-1/2” to 10”, weighted (six total pieces). [150/300] Illustrated

338Five Pairs of Sterling Silver Salt and Pepper Shakers, mid-20th century, all of baluster form, h. 5-1/4” to 6-1/4”, weighted (ten total pieces). [125/250]

339Nine Pairs of Sterling Silver Salt and Pepper Shakers, mid-20th century, all of baluster form, h. 4-1/2” to 6”, weighted (eighteen total pieces). [150/300]

340Twelve Pieces of Silver and Silverplate Small Tableware, dia. 1-1/2” to 2-3/4”, 2.70 total t. oz. (excluding silverplate pieces). [75/125]

341Five Pairs of American Sterling Silver Candlestands, 20th century, various manufacturers, h. 3” to 4-1/4”, weighted (ten total pieces). [125/250]

342Pair of American Sterling Silver Candelabra, second quarter 20th century, by the Mueck-Carey Co., New York, New York, of baluster form, convertible to candlesticks, h. 3-3/4”, w. 12-1/2”, weighted. [100/200] Illustrated

343Eleven Pieces of Reed & Barton “French Renaissance” Sterling Silver Flatware, the pattern designed in 1941 by George L. Turner, Taunton, Massachusetts, including eight dinner knives, l. 9”, a two-piece carving set, l. 8-1/2” and 10-1/2”, and a cake/pie server, l. 10”, all with stainless steel fittings, no monograms. [100/200]

344Twenty-Nine Assorted Sterling Silver Serving Pieces with Steel Fittings, 20th century, l. 6” to 14-1/8”. [200/400]

345Eighteen Pieces of Reed & Barton “Marlborough” Sterling Silver Flatware, the pattern designed in 1906 by Charles A. Bennett, Taunton, Massachusetts, 19.29 total t. oz. (excluding knives). [300/500] Illustrated

346Thirteen Pieces of Frank M. Whiting “Victoria/Florence” Sterling Silver Flatware, the pattern introduced ca. 1910, including five cream soup spoons, l. 6”, two luncheon forks, l. 6-3/4”, five iced tea spoons, l. 8-1/8”, and one teaspoon, l. 6”, no monograms, 16.65 total t. oz. [300/500]

337

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347Ten Pieces of Whiting “Louis XV” Sterling Silver Flatware, the pattern designed in 1891 by Charles Osborne, Providence, Rhode Island, 14.79 total t. oz. [250/400]

348Assembled Set of Seventeen Sterling Silver Corn Cob Picks, 20th century, with steel fittings, l. 2-3/4”. [60/90]

349Five Pieces of American Silverplate Hollowware, [100/200]

350Three American Sterling Silver Serving Bowls, mid-20th century, all with gadrooned rim, including examples by Gorham, dia. 9”, Watrous, dia. 10”, and Watson, dia. 9-1/2”, 21.73 total t. oz. [300/500]

351Six Pieces of American Sterling Silver Tableware, first half 20th century, l. 6-1/4” to 11-3/4”, 24.24 total t. oz. [350/500]

352Four Pieces of American Sterling and Silverplate Tableware, 20th century, all with gadrooned rim, including sterling pieces. [100/200]

353Five Sterling and One Silverplate Compotes, 20th century, the silverplate example by Gorham, the sterling examples including a pair and three singletons, h. 5” to 6-1/4”, weighted. [125/250]

354Shreve & Co. Sterling Silver Loving Cup, dated 1920, San Francisco, California, with an Ancient Arabic Order of the Nobles of the Mystic Shrine presentation inscription to Alex Hancock, h. 14”, w. 11”, weighted. Alexander Hancock (1882-1958) was Potentate of the Abba Temple in Mobile, Alabama, and the inscription on this trophy coincides with the 1920 Shrine convention in Portland, Oregon. Hancock is better known in Mobile, however, as the longtime President of the Alabama Road Builders’ Association and as the ill-fated Mobile mayoral candidate whose successful 1919 bid to restructure the Mobile three-man city commission and oust Mayor Harry Pillans (1847-1940) was ruled unconstitutional by the Alabama State Supreme Court. The 1921 Masonic Year makes note of Hancock’s political ordeal, which suggests that this trophy may have served as a token of the fraternal organization’s support for Hancock’s civic endeavors. [300/500] Illustrated

355Four American Silverplate Trays and Platters, mid-20th century. [150/300]

356Forty-Two Sterling Silver and Plated Souvenir Spoons, all from the famous 1913 pierced design by George Emmett Nerney (1885-1971), manufactured by Charles M. Robbins, Attleboro, Massacusetts. [250/400]

357Nineteen American Midwest Sterling Silver Souvenir Spoons, including a pierced “Milwaukee” example, an enameled “Chicago” example, an unusual Norwegian “Minnesota” example and sixteen others, l. 3-3/4” to 6”, 10.03 total t. oz. [150/300]

358Eleven American New England Sterling Silver Souvenir Spoons, 20th century, including a Knights Templar Boston baked beans example, a Longfellow’s home example and nine others, l. 3-3/4” to 5-3/4”, 5.79 total t. oz. [75/125]

359Four Asian Trade Silver Souvenir Spoons, first half 20th century, including a bamboo “Shanghai / Luck” example, a dragon “Luck” example, a bamboo “Long Life” example, and a dragon example retailed by Gurney & Moore, Durban, l. 3-5/8” to 4-3/8”, 1.67 total t. oz. [50/80] Illustrated

360Eleven American South Sterling Silver Souvenir Spoons, 20th century, including a Jacksonville, Florida palm tree example, a Brookhaven, Mississippi example, a Shreveport, Louisiana example and eight others, l. 3-3/4” to 5-3/4”, 4.89 total t. oz. [75/125]

361English Brass Butcher Shop Shelf Frame, ca. 1900, with bell-shaped supports, h. 14”, d. 8-3/4”, l. 49-1/2”. [100/200]

362Pair of English Brass Butcher Shop Shelf Supports, fourth quarter 19th century, designed to be suspended and hold three shelves, h. 63”, w. 10-1/2”. [100/200]

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363Victorian Tubular Brass and Plate Glass Suspended Butcher Shop Shelves, fourth quarter 19th century, h. 52”, w. 10”, l. 44”. [100/200]

364Continental-Style Silver Gilt Metal Floor Lamp, the “hammered” standard decorated with applied leaves and raised on scrolled feet, h. 60”, dia. 13-1/2”. Provenance: Tara Shaw, New Orleans, Louisiana. [300/500]

365Pair of Metal Dancing Putti, raised on octagonal black stone bases, overall, h. 41”, w. 17-1/2”, d. 23-1/4”. [75/125]

366Three Bronze Candleholders, 19th century, the tallest, h. 17”. [100/200]

367Pair of Patinated Metal Pricket-Form Altar Sticks, h. 28”, dia. 7-3/4”. [150/300]

368Silvered Bronze Crucifix, fourth quarter 19th century, h. 22-1/2”, w. 8-1/2”. [50/80]

369Molded Composition Shield-Shaped Cartouche, with gilded highlights, h. 50-1/2”, w. 28-3/4”. [40/70]

370Pair of Latin American Parcel-Gilt Baroque-Style Mirrors, h. 30”, w. 20-3/4”. [400/700]

371Two Carved, Painted and Parcel-Gilt Figures of Our Lady of Guadalupe, second quarter 20th century, the tallest, h. 21”, w. 8”. [200/400]

372Carved and Painted Hanging Figure of Baby Jesus, ca. 1900, with glass eyes, h. 16”, w. 13-1/2”, d. 9-1/4”. [100/200]

373Santos Figure of Christ, fourth quarter 18th century, now painted black, h. 9-1/4”, w. 4”, d. 2”. [200/400]

374Continental Carved Wooden Altar Figure of a Female Saint, fourth quarter 18th century, depicted in a red gown and a long carved black veil, h. 10-1/4”, w. 5”, d. 3-1/4”. [125/250]

375Carved Santos Figure of the Christ Child, 19th century, possibly Mexican, h. 13-1/4”, w. 3”, d. 3-1/2”. [200/400]

376Two Pairs of Continental Figural Oak Bookends, each set depicting the figure of a seated monk in hooded robes, h. 9-1/2”, w. 5”, d. 6”. [75/125]

377Latin American Spanish Cedar Wall Bracket, fourth quarter 19th century, in the neoclassical taste, having openwork acanthus leaves supporting a skirt with inset panels, h. 15-1/2”. [30/50]

378Scandinavian Dome Top Painted Trunk, fourth quarter 19th century, h. 11-3/4”, d. 12-1/4”, l. 19-3/4”. [200/400]

379Two Graduated Dome-Top Pine Boxes, reminiscent of designs from the Middle Ages, each mounted with incised strapwork hinges and escutcheons, h. 8-1/4” and 10-1/4”, w. 9-3/4”, d. 7-1/4”. [300/500]

380Louis XV-Style Carved Oak Window Bench, with a storage chest under the seat, h. 24-1/4”, w. 36”, d. 15”. [300/500]

381Louis XVI-Style Fruitwood Fauteuil, 20th century, with open arms, scalloped apron and molded H-form stretcher, h. 41”. [450/700]

382Louis XVI-Style Mahogany and Marble-Top Commode, mid-19th century, the rectangular variegated gray, h. 35”, w. 47”, d. 26”. [50/80] Illustrated

383

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383French Provincial Fruitwood Buffet, late 19th century, the rounded rectangular top above a conforming case fitted with a central drawer over an open shelved compartment, flanked to either side by a shaped cupboard door, raised on shaped legs, h. 40”, w. 69-1/2”, d. 21-1/2”. [400/700] Illustrated

384French Provincial Fruitwood Bookcase, mid-19th century, the molded rounded rectangular cornice above a case fitted with two doors, h. 70”, w. 48”, d. 16”. [1000/1500] Illustrated

385French Provincial Figured Walnut Armoire, mid-19th century, the molded cornice with canted corners above a conforming case fitted with two long doors, h. 99”, w. 67”, d. 29”. Provenance: Made in France, Houston, Texas. [2500/4000] Illustrated

386French Sarraguemines Creamware Partial Dinner Service, ca. 1960-1982, made in the rococo-style with burgundy trimmed and molded borders, decorated with bunches of polychrome flowers. [300/500]

387Pair of French Brass Five-Light Candelabra, fourth quarter, 19th century, set with mercury glass lilies, h. 20-1/4”, w. 12-1/2”, d. 4-3/4”. [200/400]

388Unusual Provincial Elm and Fruitwood Wine Tasting Table, partially composed of antique elements, the tilting circular top covered in a polychrome canvas featuring a starburst inlay, h. 31”, dia. 59-1/2”. [400/700]

389Continental Provincial Polychrome Armoire, 19th century, the molded cornice above a case fitted with a single door, inset with a shaped floral-decorated panel, raised on a plinth base, h. 72-1/4”, w. 56-1/2”, d. 22”. [300/500]

390Painted Pine Hanging Corner Cupboard, the front door mounted on “moustache” hinges, painted with a crowned Mary and Baby Jesus, and the motto “Ora Pro Nobis”, or pray for us, h. 21-1/2”, w. 16”, d. 12-1/2”. [200/400]

391Rococo-Style Carved Mahogany Jardiniere, the short scrolled feet support the sleigh-form body, with serpentine ends, h. 10-1/2”, w. 22-3/4”, d. 14”. [300/500]

392Large Pair of Turned and Polychromed Poplar Balustrades, 20th century, h. 30”, w. 11”, d. 11”. [100/200]

393Trio of Decorative Pottery Barnyard Animals, both the bull and horse depicted in the Chinese style, the bull depicted pawing the earth, as if to charge, h. 10-3/4”, w. 3-1/2”, l. 14-3/4”, the horse depicted with a saddle, h. 15”, w. 5-1/2”, l. 12-1/4”, and the nesting hen in the country French style, h. 12-1/2”, w. 6”, l. 10-1/4”. [300/500] Illustrated

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394Cast Bronze Boar, depicted with his head down, in the modern style, h. 7-3/4”, w. 3-3/4”, l. 10-1/2”. [350/500]

395Bronze Wild Boar Sculpture, supported on a trapezoidal wooden plinth, h. 6-1/4”, w. 5-3/4”, d. 3-1/2”. [300/500]

396Collection of Pewter and Tin Ice Cream and Chocolate Molds, first quarter 20th century. [100/200]

397French Copper Kugelhopf Mold, first quarter 20th century, h. 4-1/4”, dia. 11-1/2”. [100/200]

398Assembled Collection of Seven French Graduated Pewter Measures, 19th century, h. 1-3/4” to 7-1/4”. [300/500]

399Pair of Pewter Chalices, in the 19th-century style, h. 8-3/4”. [100/200]

400Three Pieces of Pewter, including a pair of English bread and butter plates, fourth quarter 18th century, dia. 6-3/4”; and a neoclassical-style bread tray, first quarter 20th century, w. 8-1/2”, l. 12”. [50/80]

401English Pewter Cheese/Cake Plate, 18th century, dia. 10”. [50/80]

402Seven-Piece Collection of Polished Pewter. [300/500] Illustrated

403Pierced Copper and Iron Bed Warmer, dia. 10”, l. 33”. [100/200]

404Pair of Conical Blown Glass Compotes, h. 28”, dia. 10-1/2”. [150/300]

405Large Variety of Painted Stone Fruit, of life-sized proportions, including forty-three stone pieces and two cast plaster pieces. [300/500]

406Large French Terracotta Bowl, first quarter 20th century, with a yellow glazed interior, h. 10”, dia. 19-1/2”. [150/300]

407Mediterranean-Style Forged and Tooled Iron Wall Shelf, 20th century, h. 10”, w. 80”, d. 8”. [250/400]

408Collection of Continental and English Framed Wooden Plaques, 19th century and later, h. 17-1/2”, w. 14-1/2”, largest. [450/700]

409Continental Painted Tole Firescreen, ca. 1900, h. 46-1/2”, w. 24”. [200/400]

410Painted Metal Tripartite Firescreen, with pierced scrollwork set over a mesh back, h. 35-3/4”, w. 54”. [40/70]

411Group of Two English Stools, 19th century, composed of a hand-hewn stool, h. 11”, w. 7”, d. 9”; and an oak step-stool, h. 9-1/4”, w. 14”, d. 7”. [50/80]

412Pair of Tasseled, Velvet-Backed and Metallic Ribbon-Trimmed Tapestry Pillows, 18th century and later, h. 12”, w. 18” and h. 10”, w. 16”. [250/400]

413Pair of Elaborately Trimmed and Velvet-Backed Tapestry Pillows Depicting Saint Nicholas, h. 18”, w. 20”. [250/400]

414Continental Upholstered Ottoman on Casters, 19th century, with peg construction and retaining the original casters, now upholstered in crewel work, h. 17”, dia. 23”. [75/125]

415Metal and Enamel Five-Light Chandelier with a Matching Pair of Four-Light Wall Sconces, mid-20th century, decorated with porcelain flowers, chandelier, h. 34”, dia. 15”, sconce, h. 17-1/2”, w. 14-3/4”, d. 8-1/2”. [400/700]

416Pair of Victorian Copper Washed Metal Figures of Knights, fourth quarter 19th century, English, now mounted as lamps, h. 20-1/2”, w. 6-3/4”. [300/500]

417Contemporary Gilt-Metal Serving Trolley, h. 26-1/2”, w. 33”, d. 19-1/2”. [300/500]

418Contemporary Chrome and Glass Dining Table, in the mid-century style, with a beveled glass top, h. 30”, dia. 48”. [300/500] Illustrated

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419Napoleon III Mahogany and Gilt-Bronze Oval Center Table, third quarter 19th century and later, now with a pierced brass mirrored tray top, h. 30”, w. 36-1/2”, d. 23”. [600/900]

420Continental Onyx, Brass and Gilt-Metal Ink Stand, ca. 1900, h. 4-3/4”, w. 20”, d. 6-1/4”. [100/200]

421Napoleon III Gilt-Bronze and Alabaster Gueridon, third quarter 19th century, the cast base with hoof feet decorated with cast leaves and scrolls, h. 29-1/2”, dia. 21-1/4”. [800/1200]422Stained Wood and Wrought and Cast Iron Stand, with a circular top on wrought legs, joined with cast-metal foliate brackets and a caned low shelf, h. 30”, dia. 13-3/4”. [20/40]

423Pair of Continental Giltwood Finials, now mounted as lamps, including shades, finials, h. 14”, overall, h. 22”. [200/400]

424Pair of French Gilt-Metal and Glass Table Lamps, the strawberry pattern molded glass bases supporting gilt-metal sheaves of wheat concealing lamp standards, overall, h. 31”, dia. 10-1/2”. [200/400]

425Pair of Painted Spanish Cedar Table Lamps, first quarter 20th century, in the neoclassical style, with reeded and fluted urn-form bodies, trimmed in carved acanthus leaves, h. 22”, dia. 7-1/2”. [50/80]

426Suite of Six Contemporary Silver Gilt Armchairs of Neoclassical Inspiration, each with a shaped back, low foliate-carved scroll arm supports and tapering paneled legs, h. 45”. [300/500] Illustrated

427Group of Post Modern-Style Curtain Valances and Hardware. [100/200]

428Pair of Chinoiserie Polychrome Wood Lamps, early 20th century, the figural covers retain the original chinoiserie decoration, fitted with custom pleated paper shades, h. to top of finial, 34”. Provenance: Gracie, New York, New York. [600/900]

429Carved Rosewood Bust of an African Warrior, h. 25-1/2”. [200/400]

430Fine Carved and Polychromed African Guru Tribal Mask, h. 30”, w. 9”. [250/400]

431Bronze Figure of a South African Female, depicted wearing neck rings in the style of the Ndebele people, decorated with polychrome enamels, h. 38-1/2”, w. 11-3/4”, d. 10”. [50/80]

432Three American Pressed Glass Pitchers, second quarter 20th century, two marked “Heisey”, h. 9”, dia. 8-1/2” and h. 6-3/4”, dia. 5-1/2”, the other with a metal swing handle, h. 9-1/2”, dia. 5-1/2”. [200/400]

433Italian Mid-Century Modern Ribbed Murano Glass Floor Lamp, h. 56-1/4”, dia. 13”. [400/700]

434Italian Mid-Century Modern Ribbed Murano Glass Floor Lamp, h. 59”, dia. 13-1/2”. [500/800]

435Set of Ten Minton Porcelain Dinner Plates, ca. 1902-1912, English, retailed by Tiffany & Co., New York, the transfer printed puce mark with a crowned globe reading “Mintons” over “Tiffany & Co., New York, Made in England”, dia. 10”. [350/500] Illustrated

418

435

426

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436Set of Eight Bavarian Porcelain Service Plates, 1909-1929, decorated with gilt rocaille borders framed in raised gilt, and gilt center medallions, dia. 11”. [200/400]

437Set of Six Hutschenreuther Raised Gilt Service Plates, probably 1931-1946, decorated with baskets and flowers, dia. 10-3/4”. [100/200]

438Set of Eleven Continental Transfer-Decorated Service Plates, marked “Warranted Cara”, dia. 9-3/4”. [100/200]

439Set of Eight German Service Plates, decorated with transfer-printed flowers, marked “Black Knight Hohenberg Studios Bavaria, Germany, 1925-41”, dia. 10-1/2”. [100/200]

440Twenty-Seven-Piece Partial Set of Stemware, second quarter 20th century, including ten wine goblets, h 7-1/2", ten champagne coupes, h. 5-5/8", and seven liquor glasses, h. 3-7/8". [300/500]

441Chinese Cloisonne Beaker-Form Vase, 20th century, decorated with dragons and lotus leaves, marked with a raised Chinese character, h. 12”, dia. 7-1/2”. [300/500]

442Chinese Cloisonne Vase, 20th century, decorated with polychrome panels of foo dog heads, h. 12-1/2”, dia. 6-3/4”. [300/500]

443Two Miniature Watercolors of Children, mid-20th century, h. 5”, w. 5”. [200/400]

444Gold-Tone Metal and Enamel Picture Frame, of rectangular form, decorated with scrolled crest and corner blocks, h. 8-1/2”, w. 5-1/2”. [200/400]

445Continental Bronze and “Jeweled” Photograph Frame, the oval frame with a surround of topaz “jewels”, h. 4-3/4”, w. 3-3/4”. [50/80]

446Contemporary Regency-Style Composition and Parcel-Gilt Table, with a circular marble top, h. 30-1/2”, dia. 39”. [250/400]

447Continental Bronze of a Nude Woman, 20th Century, h. 24”, w. 15”, d. 8”. [200/400]

448Robert James “Bob” Evans (American/Chicago, b. 1944), “Bird in Flight”, 1971, patinated bronze, signed and dated at edge of self-base, h. 13-1/2”, w. 7”, d. 5”. [150/300]

449Pair of Taxidermic Pheasants, the male and female birds depicted perched on tree limbs, mounted on a pine base, h. 19-3/4”, w. 36”, d. 16-1/4”. [75/125]

450Finely-Detailed Porcelain Sculpture of Two Flying Ducks, post 1969, signed “Hutchenreuther, Germany”, h. 14-3/4”, w. 9-1/2”, d. 7”. [600/900] Illustrated

451Boehm Limited Edition Figure of an Owl on a Stump, made in England, with a horsehead mark, h. 10-1/2”, w. 6-3/4”, d. 5”. [200/400]

452Boehm “Owl” Covered Box, composed of Belleek-type porcelain, marked and numbered “700-2”, h. 3”, w. 5-1/4”, d. 4-1/2”. [100/200]

441 450

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453Otto Bachmann (Swiss, 1915-1996), “At The Theater”, sanguine on paper, signed and dated “1963”, verso with “Le Monde Galleries” label and “Hammer Galleries” stamp, sight 25” x 19”. Glazed, matted and framed. [400/700] Illustrated

454Adolphe Pierre Leleux (French, 1812-1891), “Portrait of Mrs. Leleux” and “Harvest”, 1870 and 1858, two graphites on paper, both dated, sights 5-1/8” x 3-5/8” to 3” x 5-1/2”. Both glazed, matted and framed. [300/500]

455Continental School (Fourth Quarter 18th Century), “St. Anthony the Abbot”, graphite and gray wash on paper, sight dia. 5-1/4”. Glazed, in an eglomise-style mat, and framed. [250/400]

456Italian School (18th Century), “Multiple Caricatures”, pen, ink, and wash on paper, signed in pencil, sight 5” x 7”. Glazed, matted and framed. [300/500]

457Attributed to Benjamin Robert Haydon (British, 1786-1846), “Figural Study - Mrs. T. Hamilton”, ink on paper, pencil inscription , sight 8-3/4” x 6-1/4”. Glazed, matted and framed. [250/400]

458Attributed to Benjamin Robert Haydon (British, 1786-1846), “Figural Study of a Woman Holding a Dove”, ink on paper, inscribed “DOVE” , 7-3/4” x 5-1/4”. Glazed, matted and framed. [250/400]

459Andree Ruellan (American, 1905-2006), “Flambeau”, sanguine on paper, signed, sight 20” x 13”. Matted and framed. Provenance: Artist to West School of Art benefit; Private collection, Connecticut. [300/500]

460German School (18th Century), “Portrait of a Walking Man Holding a Vial”, graphite, ink and wash on paper, sight 8” x 6”. Glazed, matted and framed. [200/400]

453

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S e s s i o n I IL o t s 4 6 1 - 1 0 9 7

461Pair of Chinese Carved Pearl Shells, early 20th century, carved and pierced with birds and flowers, with carved fitted stands, h. 7”, overall. [50/80]

462Chinese Jade Covered Jar, 20th century, with archaic-style decoration of flanges and Kui dragons, with dragon mask jump rings and a kylin finial, with a fitted stand, h. 24”. [2000/4000] Illustrated

463Elaborate Chinese Carved Dark Green Jade Covered Vase, 20th century, the even spinach-colored stone carved in high relief as the figure of Shou Lao holding his staff, with a wooden stand, h. 9-1/8”, including stand. [700/1000]

464Pair of Chinese Jade Trees, the blue enameled pots decorated with raised brass scrollwork, and set with twig “trees” decorated with plum blossoms of stone and wire flowers, h. 25-1/2”, w. 22”, d. 7-1/2”. [150/300] Illustrated

465Set of Four Chinese Carved Soapstone Figures, 20th century, the tallest, h. 8-1/4”. [100/200]

466Chinese Soapstone Pig on a Wooden Stand, 20th century, the sow with five piglets in brown soapstone on a painted and carved wood base with a pine and rock motif, h. 5”, l. 8-1/2”. [125/250]

467Chinese Carved Ivory Figure of an Immortal, early 20th century, the figure modeled on the back of a tiger, with a wooden stand, h. 4”, without stand. [75/125]

468Two Chinese Ivory Lidded Canisters, 19th/20th century, both with intricate lattice carving, h. 5-1/2”. [150/300]

469Chinese Ivory Carving, first half 20th century, depicting a standing figure of a fisherman, h. 8-3/4”. [300/500]

470Pair of Decorative Covered Jars, each with a wood frame inset with bone plaques and polychrome decoration, h. 37”. [500/800] Illustrated

471Chinese Red and White Peking Glass Figure, 20th century, now mounted as a lamp, h. 28-1/2”, w. 5-1/2”. [200/400]

472Italian Empire-Inspired Faux Travertine Armchair, of generous proportions, in beige brocade, h. 46”. [100/200]

473Large Contemporary Composition, Cast Iron and Glass-Top Coffee Table, of Tuscan inspiration, h. 21-1/2”, w. 50”, d. 50”. [40/70]

474Pair of Whimsical Mahogany-Stained Armchairs, each with a backswept, carved crest above a padded back, joined to the like seat by bamboo-carved arms and monkey-formed supports, raised on tapering circular legs, h. 43”, w. 27”, d. 25”. [300/500]

475Pair of Neo-Renaissance-Style Parcel-Gilt and Fruitwood Stands, each with a circular top supported by a segmented fluted and foliate-carved column, h. 48-1/4”, w. 22”, d. 22”. [70/125]

476Contemporary Faux Mahogany and Simulated Marble-Top Sofa Table, h. 30”, w. 48”, d. 28”. [75/125]

462

470

464

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477Contemporary Faux Mahogany and Simulated Marble-Top Occasional Table, h. 24-1/2”, w. 25-1/2”, d. 25-1/2”. [30/50]

478Tuscan-Inspired Faux Travertine, and Cast and Wrought Metal Low Table, with an inset glass top, h. 22”, w. 50”, d. 50”. [40/70]

479Neoclassical-Style Cocktail Table, with a brass, copper and nickel clad Corinthian capital base and an intarsia inlaid marble top, h. 26-3/4”, dia. 37”. [450/700] Illustrated

480Contemporary Glass and Argente-Painted Breakfast Table of Neoclassical Inspiration, on a plinth base, h. 29”, dia. 60”. [150/300]

481Spanish-Style Glass-Top Cocktail Table, on metal feet and trimmed in inlaid stone, h. 29”, dia. 39-3/4”. [100/200]

482Italian-Style Cocktail Table, with a pierced and patinated-brass base and inlaid marble serpentine top, h. 28”, w. 46”, d. 46”. [300/500]

483Rococo-Style Carved and Distressed Painted Mirror, late 19th century, h. 52", w. 48". [400/700]

484Composition Molded and Polychromed Wall Panel with Mirror, in the Louis XV taste, h. 67", w. 32". [200/400]

485Bacchanalian-Themed Patinated Metal Wine Casket, depicting a putto astride a wine barrel, a bottle and cup in his hand, h. 28-3/4”, w. 25-1/2”, d. 28”. [40/70]

486Decorative Composition Compote with Silver-Leafed Bowl, fitted with gilded glass balls, h. 22”, dia. 23”. [20/40]

487Large Contemporary Mahogany Stained and Diamond-Tufted Ottoman, h. 29”, w. 36”, d. 36”. [100/200]

488Tufted Circular Hassock, upholstered in white velvet, h. 28”, dia. 34-1/2”. [250/400]

489Contemporary Overstuffed Settee with Five Pillows, h. 31”, w. 72”, d. 48”. [75/125]

490Contemporary Overstuffed Settee with Matching Ottoman and Five Pillows, settee, h. 31”, w. 62”, d. 48”, ottoman, h. 28”, w. 43”, d. 23”. [100/200]

491OPEN

492Neoclassically Inspired Mahoganized Bench, with a leatherette cushion, h. 23-1/2”, w. 52”, d. 29-1/2”. [50/80]

493Italian Neoclassical-Inspired Bowfront Occasional Chest, with a pair of drawers over a door, in a faux distressed burlwood finish, h. 29-3/4”, w. 28-1/2”, d. 23”. [50/80]

494Pair of Neoclassical-Style Fruitwood Demi-lune Commodes, h. 35”, w. 34-1/2”, d. 28-1/2”. [75/125]

495Continental Inlaid Mixed Woods Oval Side Table, with pull-out sides, h. 30”, w. 26”, l. 33-1/2”, extended l. 52”. [400/700]

496Tuscan-Inspired Giltwood and Mahogany Cupboard, the pair of doors opening to reveal an interior fitted with linen drawers, h. 43”, w. 45”, d. 23”. [200/400]

497George III Style Mahogany Breakfront Bookcase, by Drexel, h. 82”, w. 64”, d. 26”. [800/1200]

479

497

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498Art Deco-Style Gilt-Metal Circular Occasional Table, with ram’s head legs and a beveled glass top, h. 28”, dia. 32”. [300/500] Illustrated

499Pair of Italian Polychrome and Marble-Top Occasional Tables, 19th century and later, each with an inset quatrefoil Breche d’Alep marble top above a conforming paneled frieze, h. 24”, w. 20”, d. 24”. [900/1200]

500French Art Deco Cast Iron and Marble-Top Coffee Table, second quarter 20th century, h. 29-1/4”, w. 34-3/4”, d. 29”. [250/400]

501Faux-Marbre-Painted Composite Obelisk, supported on brass recumbent lions, h. 39-1/2”, w. 20”, d. 20”. [250/400]

502American Gilt-Metal Floor Lamp on a Stone Base, first quarter 20th century, mounted with a shade, h. 68-1/4”, dia. 24-1/4”. [100/200]

503Framed Collection of Jack Nicholson Movie Memorabilia, including reproductions of movie posters and a signed copy of an Oscar award, all in a shadowbox frame, h. 26-1/2”, w. 27”. [75/125]

504Framed Collection of “Dances with Wolves” Memorabilia, including an autographed poster, photographs and a uniform buckle, h. 34”, w. 42”. [50/80]

505English Bleached Oak Vitrine Cabinet, ca. 2900, the top and all four sides glazed, fitted with two adjustable shelves, h. 67”, w. 27”, d. 27”. [300/500]

506British School (Fourth Quarter 19th Century), “Landscape With Fishermen and a Mill”, oil on canvas, unsigned, 16” x 12”. Framed. [500/800]

507Continental School (Third Quarter 19th Century), “Landscape with Cattle Crossing a Bridge”, oil on canvas, unsigned, 10” x 12-3/4”. Framed. [200/400]

508British School (Second Quarter 19th Century), “Country Gossip”, oil on panel, unsigned, 13-3/4” x 17-3/4”. In a period giltwood and gesso frame. [400/700]

509Continental School (Fourth Quarter 19th Century), “Interior Church Scene”, oil on canvas laid on board, 11” x 9”. Framed. [75/125]

510Continental School (First Quarter 20th Century), “Bad Game of Chess”, oil on panel, unsigned, 9” x 12”. In a period frame. [300/500]

511Italian School (Fourth Quarter 17th Century), “Birth of the Virgin”, oil on canvas, unsigned, 20” x 42”. Unframed. [2000/4000] Illustrated

512British School (First Quarter 20th Century), “The Older Suitor”, watercolor and graphite on paper, signed “KPLeigh”, sight 8” x 10”. Glazed, matted and framed. [1000/1500]

513Continental School (19th Century), “Harvest”, oil on canvas, unsigned, 5” x 13-3/4”. Framed. [300/500]

498

511

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514Continental School (Fourth Quarter 19th Century), “Figure in a Wooded Landscape” and “Landscape with a Man Fishing”, two oils on canvas, each signed “S. Henry”, each 17” x 21-1/2”. Both framed. [400/700]

515French School (Third Quarter 19th Century), “Barbizon Landscape with Figures”, oil on canvas, unsigned, 12-1/2” x 16-1/2”. Framed. [200/400]

516Continental School (Second Quarter 20th Century),”Landscape with Cottage”. oil on canvas, signed “Major”, 12" x 24". Framed. [300/500]

517Carlo Polidori (Italian, 19th Century), pair of watercolors on paper, each signed, each sight 9-1/4” x 13-3/4”. Glazed, matted and framed. [400/700]

518Continental School (20th Century), “Girl on Swing”, oil on wood panel, unsigned, 17” x 30”. Framed. [100/200]

519Continental Decorative Painted Panel of “The Water Carrier”, oil on canvas, 32” x 20”. Framed. [100/200]

520Andrew Weissman (American, Contemporary), “Woman Gathering Grapes”, oil on canvas, initialed, 28” x 23”. In a giltwood frame. [1000/1500]

521Italian Neoclassical-Style Center Table, the circular figured bonded marble top on a laminated apron with ormolu mounts, supported by a trio of faux stone caryatids, h. 33-1/2”, dia. 36”. [50/80]

522Italian Turned Marble Columnar Pedestal, ca. 2900, h. 42”, dia. 22”. [200/400]

523Italian Neoclassical-Style Brass and Alabaster Urn-Form Ornament, h. 22”, w. 21”, d. 6-1/2”. [30/50]

524Carved, Painted and Parcel-Gilt Putto on Shell, first quarter 20th century, h. 22-1/4”, w. 8-1/4”, d. 2-1/2”. [100/200]

525OPEN

526Pair of Shell-Encrusted Tin Obelisks, in the Italian grotto style, h. 30-3/4”, w. 7-3/4”, d. 7-3/4”. [300/500]

527Two Similar Latin American Carved Wooden Shields, first quarter 20th century, now mounted as lamps, h. 21”, w. 8”, d. 6” and h. 29”, w. 8-3/4”, d. 3-1/4”. [50/80]

528

529

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532Italian Polychrome and Parcel-Gilt Chest, mid-20th century, probably Florentine, h. 27-1/2”, w. 24-1/2”, d. 23”. [150/300]

533Polychromed Occasional Table in the Northern Italian Rococo Taste, with scalloped apron, raised on turned legs joined by serpentine stretchers, h. 24”, w. 36”, d. 24”. [800/1200] Illustrated

534Italian Neoclassical-Style Alabaster Table Lamp, first quarter 20th century, the urn-form lamp trimmed in acanthus leaves, h. 22”, dia. 3-3/4”, overall, h. 33-1/2”. [100/200]

535French Hand-Painted Vase, ca. 2900, signed “C. Rochette”, now mounted as a lamp, vase, h. 21-1/2”, w. 6-1/4”, overall, h. 21-1/2”. [70/125]

536Italian Walnut Bureau, late 18th century, the rectangular top above a slant front opening to drawers and cubbyholes flanking a central cupboard, h. 41”, w. 41-1/2”, d. 20”. [600/900]

528Italian-Style Pierced Giltwood Mirror, h. 40”, w. 28”. [500/800] Illustrated on previous page

529Italian Giltwood Looking Glass, early 20th century, the scrolling and pierced carved crest over the rectangular mirror plate, h. 51”, w. 36”. [800/1200] Illustrated on previous page

530Carved, Painted and Parcel-Gilt Chandelier, mid-20th century, decorated with a monkey, h. 34-1/4”, dia. 27”. [800/1200] Illustrated

531Louis XV-Style Polychrome and Parcel-Gilt Table, second quarter 20th century, h. 28”, w. 55”, d. 32”. [1200/1800] Illustrated

530

531

533

537

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537Napoleon III-Style Marble-Top Mahogany Commode, the serpentine top over a conforming case fitted with two short over three long drawers, h. 37”, w. 40”, d. 28”. [200/400] Illustrated

538Pair of Louis XV-Style Mahogany Bombe Cabinets, early 20th century, h. 34-3/4”, w. 41”, d. 20”. [700/1000]

539Louis XV-Style Giltwood Console Table, first quarter 20th century, h. 35-1/2”, w. 36”, d. 24”. [100/200]

540Belle Epoque Giltwood Console Table, ca. 2900, in the Louis XV style, h. 34-1/2”, w. 31”, d. 21-1/2”. [100/200]

541Venetian Beveled and Engraved Glass Mirror, with engraved scrolls and flowers, h. 39-1/2”, w. 31-1/4”. [400/700]

542Venetian-Style Lyre-Form Mirror, the lyre-shaped body with a crown-shaped crest, decorated with beveled edges and cut and engraved flowers, h. 56-1/2”, w. 29”. [500/800]

543Louis XVI-Inspired Brass and Prism-Hung Six-Light Chandelier, the arms with electric candles, h. 28-1/2”, dia. 28”. [150/300]

544French Belle Epoque Gilt-Metal Four-Light Basket Chandelier, with elk heads supporting the lights, h. 27”, dia. 23-1/4”. [600/900]

545Venetian-Style Beveled, Etched and Cut Glass Octagonal Mirror, the central beveled plate framed by cut foliate scroll and banded plates, h. 52”, w. 42-1/4”. [700/1000] Illustrated

546Venetian-Style Beveled, Etched and Cut Glass Octagonal Mirror, the central beveled plate framed by cut foliate scroll and banded plates, h. 52”, w. 42-1/4”. [700/1000]

547Pair of Murano Blown Glass Two-Light Sconces, mid-20th century, decorated with flowers, h. 26”, w. 23”, d. 9”. [800/1200]

548Six-Light Gold Threaded Blown Glass Murano Chandelier, mid-20th century, decorated with blown flowers, h. 35”, dia. 24-1/2”. [1500/2500]

549Murano Colorless and Polychromed Glass Eight-Light Chandelier, with two tiers of stems terminating in polychromed molded glass flowers, h. 30-1/4”, dia. 36”. [1800/2500] Illustrated

550Italian Gilt-Metal and Porcelain Twelve-Light Chandelier and Matching Three-Light Sconces, chandelier, 34”, dia. 42-1/2”, en suite with a pair of matching sconces ,h. 21”, w. 26-1/2”, d. 23”, the porcelain marked “Capodimonte”. [2500/4000]

551Baroque-Style Carved, Painted and Parcel-Gilt Twelve-Light Chandelier, h. 50-1/2”, dia. 33-1/2”. [1200/1800]

552Art Deco Looking Glass, in the Venetian Taste, the elongated plate surrounded by a cushion-form mirrored paneled frieze, h. 54-1/2”, w. 42”. [400/700]

553Venetian-Style Beveled, Cut and Engraved Mirror, the raised mirrored frame decorated with engraved flowers and scalloped cutting, h. 32-1/2”, w. 39-1/2”. [200/400]

545549

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554After Pierre-Paul Prud’hon (French, 1758-1823), “Fair Phyllis”, hand-colored stipple engraving, sight 10” x 7”. Glazed, matted and framed. [50/100]

555French School (19th Century), “Portrait of an 18th-Century Young Woman”, pastel on paper laid on canvas, sight 17-1/2” x 14”. Glazed and framed. [300/500]

556French School (First Quarter 18th Century), “Portrait of a Courtier and His Wife”, pair of oval oils on canvas, both unsigned, 39-1/2” x 30”. Framed. [1500/2500] Illustrated

557Two Pairs of Tasseled Velvet-Backed Tapestry Decorative Pillows, 19th century and later, in terracotta tones, one pair h. 23”, w. 27”, the other pair h. 23”, w. 23”. [150/300]

558Alabaster Figure of a Cupid, ca. 2900, probably Italian, h. 21”, w. 24”, d. 20”. [300/500] Illustrated

559Fox’s Book of Martyrs, London, published by Alex Hogg & Co., 1778-1824, leather bound, h. 25-1/2”, w. 20”. [200/400]

560Forty-Volume Set of Shakespeare’s Works, New York and London: G. P. Putnam’s Sons, Ariel Edition, with illustrations, retaining the part-leather and marbleized paper bindings, h. 5”, w. 3-1/2”. [100/200]

561Louisiana School (20th Century), “Spanish Style House”, oil on board, illegibly signed, 9-1/4” x 12-1/4”. Framed. [300/500]

562Johnson’s Dictionary of the English Language, ca. 2810, London, in two volumes, with gilt stamped leather bindings, h. 21”, w. 9”. [200/400]

563George III-Style Mahogany Tea Table, fourth quarter 19th century, the rectangular top with shaped corners and a dished edge, h. 29”, w. 31”, d. 20”. [200/400] Illustrated

564Queen Anne Walnut Side Table, 18th century, the banded and quarter-veneered top above a frieze fitted with a single drawer, h, 29-1/2”, w. 33”, d. 22”. [300/500]

565George III-Style Mahogany Secretary Bookcase, with a swan’s-neck pediment over a pair of glazed doors, h. 97”, w. 42”, d. 21”. [700/1000] Illustrated

566Queen Anne-Style Mahogany Wing Chair, 19th century, the padded and domed back joined by shaped sides and outscrolled arms to the cushioned seat, h. 46”. [300/500]

567Queen Anne-Style Mahogany Wingback Day Bed, fitted with a custom slipcover, h. 34”, w. 28”, l. 73”. [300/500]

8

556 one of a pair

563558

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568George III-Style Oak Tilt-Top Breakfast Table, 20th century, h. 30”, dia. 48”. [150/300]

569George III-Style Mahogany Demi-lune Side Table, 19th century, h. 29”, w. 45-1/2”, d. 21-1/2”. [500/800]

570Queen Anne-Style Mahogany Lowboy, 19th century, the rectangular top above a frieze fitted with a central drawer and two deeper side drawers, h. 28-1/2”, w. 40-3/4”, d. 20-3/4”. [600/900]

571George I Walnut Lowboy, early 18th century, the rectangular top banded and quarter-veneered above a frieze fitted with a single drawer, h. 27”, w. 30”, d. 28-1/2”. [800/1200] Illustrated

572Pair of Painted Colonial Revival Chippendale-Style Mirror, 20th century, h. 43-3/4”, w. 25-1/2”. [200/400]

573Queen Anne Walnut Drop-Leaf Low Table, partially composed of antique elements, h. 20”, w. 45-1/2”, l. 20”, extended l. 37”. [150/300]

574Queen Anne-Style Mahogany and Needlework Kneeler, early 20th century, h. 20”, w. 20”, l. 43”. [150/300]

575Pair of Georgian-Style Patinated Metal Wall-Mount Carriage Lamps, h. 39”, w. 28”, d. 25”. [400/700]

576Georgian-Style Brass-Trimmed Mahogany Octagonal Tea Caddy, h. 5”, w. 7-1/4”, d. 5-1/2”. [150/300]

577George V Sterling Silver-Mounted Tortoiseshell Page Turner, hallmarked London, 1910-1911, by Edmond Bennett, monogrammed “IL”, l. 24”. [200/400]

578English Tortoiseshell Box, first quarter 20th century, the rectangular box with a slightly domed cover, h. 2”, w. 5”, d. 3”. [300/500] Illustrated

579Two English Snuff Boxes and an Edwardian Tortoiseshell Spectacles Case, 19th/20th century, one black lacquer snuff box with a faux tortoise lid, w. 2-1/4”, l. 2”, the other lacquered treen in the form of a shoe, h. 2-1/4”, w. 2”, l. 3”, together with a tortoiseshell spectacles case, the top with a silver plaque stamped: “Ann. Grinrod.”, w. 2-1/2”, l. 5-3/4”. [150/300]

565

578

571

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40

580Georgian Miniature Portrait of a Gentleman, British school, mid-18th century, framed in a later cove-molded ebonized wood frame, h. 4-1/2”, w. 3-3/4”. [200/400]

581Chippendale-Style Mahogany Veneered and Parcel-Gilt Pierced Mirror, fourth quarter 19th century, h. 35-1/2”, w. 29-1/4”. [100/200]

582George III-Style Mahogany Tripod Table, late 19th century, the tilting pie crust dished top raised on a turned and spiral ribbed vasiform standard to three splayed legs headed by foliate carving, h. 27-1/2”, dia. 22-1/2”. [300/500]

583Edwardian Mahogany Settee, early 20th century, in the Georgian taste, h. 36”, w. 62”, d. 21”. [300/500] Illustrated

584Georgian Mahogany and Brass Wine Cooler, ca. 2800, the mahogany sides bound with brass dovetailed bands and set with handles, fitted with a lead liner, h.30”, w. 24”, d. 25”. [900/1200]

585Set of Six Mahogany Dining Chairs, 20th century, in the Philadelphia Chippendale style, h. 39-3/4”. [400/700]

586Monumental George III-Style Mahogany Dining Table, 20th century, the rounded rectangular top banded and raised on three pedestals, h. 29-1/2”, w. 54”, l. 266”. [1200/1800] Illustrated

587Pair of Chippendale-Style Mahogany Sidechairs, early 20th century, each with a molded and shaped crest rail, and tapering legs with double-knuckled paw feet, h. 41-3/4”. [40/70]

588English Chippendale-Style Mahogany Dining Table, late 19th century, with one 16-1/2” leaf, h. 29”, w. 40”, l. 53”, extended l. 69-1/2”. [500/800]

589Pair of George III-Style Mahogany Sidechairs, mid-19th century, in the Chippendale taste, h. 39”. [250/400]

590George III-Style Mahogany Sidechair, late 19th century, the earred crest above a pierced and interlacing splat, the padded seat raised on cabriole legs ending in pad feet, h. 33”. [75/125]

591Extensive Spode “Fitzhugh Red” Partial Dinner Service, ca. 2954-1990, [500/800] Illustrated

592George III-Style Mahogany Dumbwaiter, late 19th century, h. 36-1/2”, dia. 24-1/2”. [500/800]

593Victorian-Style Mahogany Occasional Table, early 20th century, h. 27-3/4”, dia. 24-1/2”. [150/300]

594George III-Style Mahogany Dumbwaiter, mid-19th century, h. 44-1/2”, dia. 23-1/2”. [200/400]

595George III-Style Mahogany Tilt-Top Side Table, early 20th century, h. 26-1/2”, w. 29”, d. 24”. [100/200]

596Victorian Fruitwood Piano Stool, third quarter 19th century, h. 29”, dia. 23”. [150/300]

597Suite of Eight Irish Georgian-Style Mahogany Dining Chairs, early 20th century, the padded seat raised on cabriole legs headed by carving and ending in ball-and-claw feet, h. 42”. [1800/2500] Illustrated

598George III-Style Mahogany Triple-Pedestal Dining Table, early 20th century, the oval top, in three sections, includes two 14” leaves, h. 29-1/4”, w. 45”, l. 208”, extended l. 236”. [1800/2500]

583

591

586

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599George III-Style Mahogany Highboy, early 20th century, in two parts, the upper section with a broken-arch pediment over a pair of blind doors, the base with four drawers , h. 80-1/2”, w. 37-1/2”, d. 20-1/2”. [800/1000] Illustrated

600George III-Style Mahogany Cupboard, the rounded square top with a full shaped gallery, above a case fitted with a single cupboard facade as leather-bound volumes, h. 30-1/4”, w. 20”, d. 28”. [300/500]

601George III-Style Mahogany Tripod Table, the tilting rounded square top raised on a bulbous standard to three shaped legs, h. 27-1/2”, w. 25”, d. 24”. [200/400]

602Chinese Chippendale-Style Mahogany Tea Table, the rectangular top with a full pierced gallery, raised on cluster-column legs headed by blind fret carving and ending in block feet, h. 28”, w. 34”, d. 22”. [900/1200]

603George III-Style Ebonized, Polychromed and Gilt-Decorated Looking Glass, third quarter 19th century, of tall narrow form in the chinoiserie taste, h. 72”, w. 28”. [700/1000]

604Country English Mahogany Cabinet, mid-19th century, the molded cornice above two glazed doors, opening to a divided shelved interior, h. 84-1/2”, w. 51”, d. 27”. [400/700]

605George III-Style Mahogany Bachelor’s Chest, mid-19th century, with two short drawers over two long drawers, each with a beaded edge, raised on bracket feet, h, 34”, w. 37”, d. 29”. [300/500]

606George III-Style Mahogany Desk/Server, late 19th century, the rectangular top with molded edge above a conforming case fitted with two drawers over a single long drawer, h. 46”, w. 53”, d. 24-1/2”. [1500/2500] Illustrated

607George III-Style Giltwood Looking Glass, 19th century, the rectangular plate surmounted by an eagle crest issuing a ball garland and foliate garlands, surmounted by mirrored panels and an annulated and molded frame, h. 52”, w. 28”. [400/700]

597

599

606

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608Set of Six George III-Style Mahogany Sidechairs, mid-19th century, each with a domed crest above a stylized pierced wheat sheaf splat, the padded seat raised on tapering square legs joined by an H-form stretcher, h. 36”. [800/1200]

609Suite of Six George III Mahogany Dining Chairs in the Hepplewhite Taste, ca. 2800, each with an arched crest rail, shaped splat and tapering legs joined by an H-form stretcher, now in burgundy and gold patterned cut velvet, h. 36-1/2”. [800/1200]

610Suite of Eight George III-Style Mahogany Dining Chairs, early 20th century, in the Adam taste, h. 38”. [500/800] Illustrated

611Hepplewhite-Style Inlaid Mahogany Sideboard, 20th century, h. 37”, w. 72”, d. 24”. [200/400]

612George III Mahogany Dining Table, late 18th century, in the Hepplewhite taste, the double-banded rounded rectangular top raised on tapering square legs ending in brass caps and casters, with two 22” leaves, h. 30”, w. 48”, l. 66”, extended l. 210”. [1500/2500] Illustrated

613Classical-Style White Marble Spiral Pedestal, 20th century, h. 40”, w. 22”, d. 22”. [300/500]

614Group of Two Japanese Imari Vessels, early 20th century, consisting of a bowl with a flared lip over a large and elaborate floral vase, dia. 20-3/4”, and a vase of tapering cylindrical form with reserve panels of flowering branches against a ground of geometric bands, h. 22”. [150/300]

615Chinese Export Porcelain Mug, fourth quarter 18th century, decorated with blue-trimmed panels on an iron-red ground, h. 6”, dia. 4-3/4”. [200/400]

616Chinese Porcelain Jar, 19th century, the oviform jar in underglaze blue decoration of peonies and a phoenix on a celadon ground, h. 21”. [100/200]

617Five-Piece Collection of English Ceramics in the Imari Palette, comprised of a Spode oval platter, w. 7-1/2”, l. 20-3/4”; a Spode plate, dia. 8”; a pair of Clews oval dishes, l. 7-1/2”; and a Ridgway tureen stand, mid-19th century, w. 25-1/2”, dia. 21”. [100/200]

618Group of Japanese Meiji Imari Plates, late 19th century, consisting of a pair and three smaller examples, all in the traditional palette with scalloped edges, dia. 7-1/2” to 8-1/4”. [125/250]

619Two Chinese Export Imari Chargers, dia. 21-1/2”. [100/200]

620Two Pieces of Japanese Imari, late 19th century, consisting of an octagonal charger with ribbed sides, dia. 22-1/4”, and a bowl with a scalloped edge, dia. 9-1/4”. [250/400]

621Two Pieces of Japanese Imari Porcelain, fourth quarter 19th century, including an oval fluted dish, w. 8-1/2”, l. 20-1/2”; and a circular fluted plate, dia. 8-3/4”. [75/125] Illustrated

622Japanese Imari Porcelain Vase, fourth quarter 19th century, h. 6”, dia. 5-1/2”. [75/125]

610

612

621

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623Japanese Imari Cylindrical Vase, fourth quarter 19th century, mounted as a banquet lamp, signed “Duplex”, not electrified, h. 26-3/4”, dia. 4-2/4”. [200/400]

624Thirteen-Piece Group of English Davenport Dinnerware, ca. 2805-1820, in the Imari palette, marked “Davenport Stone China”, including five dinner plates, dia. 20”, five soup plates, dia. 20”, and three luncheon plates, dia. 9”. [400/700]

625Three Imari Plates, comprised of a Japanese plate with a reticulated border, ca. 2900, dia. 8-3/4”; and two Chinese plates, fourth quarter 18th century, dia. 9” and 9-1/2”. [75/125]

626Japanese Imari Charger, first quarter 20th century, with a scalloped border and decorated in the Imari palette, dia. 24-1/2”. [200/400]

627Three Pieces of English Pottery, second quarter 19th century, in the Imari palette, comprised of a coffee cup and saucer, h. 6”, dia. 2-3/4”; and an oval fluted dish, d. 7-1/4”, l. 9-3/4”. [50/80]

628Large English Ironstone Oval Platter in the “Chinese Pattern”, late 19th century, the rim having a gold lustre border with floral decor, the center field featuring an Asian scene, w. 25”, l. 29”. [75/125]

629Samson-Style Punch Bowl in the Chinese Taste, the exterior decorated with armorial devices and sprigs of flora separated by raised white scrolls and flourishes, h. 6”, dia. 24”. [150/300]

630George III-Style Mahogany Center Table, 19th century, the circular top with an inset leather surface above a conforming frieze fitted with four small drawers, h. 29-1/2”, dia. 43”. [1000/1500] Illustrated

631Unusual Hepplewhite String-Inlaid Mahogany Double Washstand, early 19th century, fitted with a pair of blue and white Canton-style basins, h. 38”, w. 30”, d. 28”. [400/700]

632Georgian-Style Oak Dressing Table, 19th century, the bowed front fitted with a single drawer, raised on tapering legs, h. 29-1/4”, w. 30”, d. 20”. [100/200]

633Bilbao-Style Gilded and Ebonized Composition Neoclassical Mirror, h. 60”, w. 36”. [300/500]

634Pair of Georgian-Style Parcel-Gilt Carved Wooden Two-Light Sconces, h. 28”, w. 21-3/4”. [500/800]

635Pair of English Giltwood Shield-Form Girandole Mirrors, ca. 2900, in the Adam style, h. 44”, w. 21”, d. 6-3/4”. [1200/1800] Illustrated

636Pair of George III-Style Polychrome Looking Glasses, in the Adam taste, each with a beveled ovoid plate surmounted by a crest of an urn issuing a foliate garland, h. 33-1/2”, w. 27”. [400/700]

637George III-Style Line-Strung, Banded and Inlaid Mahogany Corner Table, 20th century, h. 27-1/4”, w. 47-1/2”, d. 35-3/4”. [150/300]

638Victorian Mahogany Bedside Commode, third quarter 19th century, the shaped backpiece above a hinged upper section, the lower section hinged and lifting to an opening for a pot cupboard, raised on square legs, h. 32-1/2”, w. 22”, d. 28-3/4”. [200/400]

639George III Mahogany Bedside Commode, first quarter 19th century, h. 31-1/2”, w. 22-1/2”, d. 29”. [300/500]

635

630

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640Canadian Five-Piece Silverplate Coffee and Tea Set, mid-20th century, by Henry Birks & Son, in the Regency taste, including a coffeepot, h. 9”, teapot, h. 6”, open sugar bowl, w. 8”, creamer, l. 6”, and tray, l. 28-1/2”, w. 26”, decorated with gadroons and rocaille banding. [600/900] Illustrated

641Three Silverplate Serving Trays, 20th century, all with rococo scroll decoration, including an English circular waiter, dia. 25”; a Towle oval tea tray, l. 30-1/4”; and a Continental rectangular tea tray, l. 31”. [100/200]

642Seven American Silverplate Trays and Platters, 20th century, including a Poole footed oval tray with rocaille rim, l. 25”, an unidentified oval tray with “Chippendale” rim, monogrammed “B”, l. 25-3/4”, a Wilcox circular platter with gadrooned rim, dia. 24”, a New Amsterdam oval tray with integral handles, monogrammed “H”, l. 29-1/2”, a William Rogers circular platter with presentation inscription dated 1973, dia. 27”, a William Rogers oval tray with pierced rim and wave edge, l. 24”, and a Rogers Brothers rectangular “Daffodil” pattern tray, l. 27-1/2”. [400/700] Illustrated

643Twenty-Six-Piece Set of Illinois Silver Co. “Sulgrave Manor” Silverplate Flatware, the pattern designed in 1926 by Thomas Benton Lashar (1869-1930), Chicago, Illinois, with four six-piece place settings (one teaspoon lacking) and three serving pieces, monogrammed “B”, l. 5-7/8” to 9”, presented in the original case. [75/125]

644Continental Silverplate Monteith, 20th century, of hemispherical form, with applied rococo and mascaron rim, and chased rococo scroll decoration, h. 7-3/4”, dia. 22-1/2”. [300/500]

645Six Pieces of American Sterling and Silverplate-Mounted Glass Table and Dresserware, 20th century, including silverplate-mounted pieces: a footed caster, a paneled caster and a pressed glass pickle jar monogrammed “L”, with sterling-mounted pieces: a footed cut glass dresser jar, a pair of pear-shaped salt and pepper shakers, and a single pepper shaker, h. 3-3/4” to 9-1/4”, 2.12 total t. oz. (weighable silver). [125/250]

646Five-Piece Reed and Barton “Victorian” Silverplate Coffee and Tea Service, 1954-1955, Taunton, Massachusetts, including a coffeepot, h. 9-3/4”, a teapot, h. 7-1/2”, a covered sugar bowl, h. 6-1/4”, a cream jug, h. 5-5/8”, and a tray, l. 28”, w. 28-1/4”. [200/400] Illustrated

647Three American Silverplate Platters, mid-20th century, Wallace salver w. 24-1/2”,International Silver tray designed in 1939 by Jean G. Theobald (1873-1952), l. 28-1/2”, and a rectangular well-and-tree platter with rococo scroll rim, l. 23-3/4”. [150/300]

648Pair of Silverplate Chambersticks, 20th century, in the William IV taste, with rocaille rim, detachable bobeche and conical snuffer, h. 4-1/4”, dia. 6”. [250/400]

649Silverplate Bouillotte Lamp, contemporary, by Royal Castle, Sheffield, in the Second Empire taste, with acanthus scroll decoration and conical shade, h. 25”, dia. 21”. [600/900] Illustrated

650Large American Silverplate Vase, first quarter 20th century, by the Barbour Silver Co., Hartford, Connecticut, of tapering hexagonal section with “Vintage” banding, h. 28”, dia. 7-7/8”. [600/900]

651Pair of Large Silverplate Casters, 20th century, one Barker-Ellis, the other unmarked, of baluster form with engraved decoration, h. 8-1/2” and 8-3/4”. [60/90]

640

642

646

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652American Silverplate Waiter, third quarter 20th century, by F. B. Rogers Silver Co., Taunton, Massachusetts, of lobed rectangular form with rococo decoration, raised on four acanthus crested paw feet, l. 24”, w. 21-1/4”. [100/200] Illustrated

653American Silverplate Lazy Susan, mid-20th century, by the Continental Silver Co., Brooklyn, New York, of circular form with rococo rim, dia. 26-1/2”. [100/200]

654Continental Silverplate Cafe au Lait Set, 20th century, in the Louis XVI taste with turned wooden handle, h. 7-1/4”, l. 6-1/4”. [75/125]

655American Silverplate Chafing Dish, contemporary, by Sheridan Silversmiths, Taunton, Massachusetts, in the “Baroque” pattern, h. 22”, dia. 20”, in the original packaging. [100/200]

656Pair of Silverplate Relish Trays, contemporary, by the Sheffield Silver Co., Brooklyn, New York, of oval form with pierced gallery and segmented glass tray, l. 24”, w. 20”, both in the original packaging. [100/200]

657English Six-Piece Silverplate Coffee and Tea Service with American Silverplate Tray, second half 20th century, the service by Kentshire of Sheffield, the tray by Thome Mfg. Co., New York, including a kettle on stand, h. 22”, l. 9”, a coffeepot, h. 9”, l. 20-1/4”, a teapot, h. 5-3/4”, l. 21-3/4”, an open sugar bowl, h. 4”, l. 7-5/8”, a cream jug, h. 3-1/2”, l. 5-3/4”, and a waste bowl, h. 3-1/2”, l. 5”, all with a bulbous rounded rectangular body and narrow gadrooned rim, the tray en suite with pseudo-armorial, 27” x 15-1/2” (seven total pieces). [600/900]

658English Silverplate Hot Water Urn, 20th century, in the neoclassical taste, with arched handles, lion’s paw feet and ebony key finial, h. 25-1/4”, w. 21”. [300/500] Illustrated

652

649

658

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659Pair of English Silverplate Wine Coolers, Royal Castle, Sheffield, each of tapering cylindrical form, with opposing stag’s-head handles and decorated with Greek-key banding, with detachable conforming liner, h. 20-3/4”, dia. 8-1/4”, w. 21-3/4”. [1500/2500]

660English Silverplate Meat Dome and Platter, contemporary, by Royal Castle, Sheffield, of oval form with gadrooned banding, floral acanthus scroll handles and feet, and recumbent lion finial, the well-and-tree platter above a hot-water reservoir, h. 24-1/4”, l. 26”, w. 27”. [1500/2500] Illustrated

661Pair of English Silverplate Wine Trolleys, contemporary, by Royal Castle, Sheffield, of chariot form with neoclassical decoration, h. 8-1/4”, l. 21-1/2”. [1000/1500] Illustrated

662Large Pair of English Silverplate Wine Coasters, contemporary, by Royal Castle, Sheffield, each of waisted cylindrical form, the everted rim with applied floral rococo rim, with turned wooden base, h. 5-1/2”, w. 8-5/8”. [300/500]

663English Silverplate Double Champagne Cooler, by Royal Castle, Sheffield, of oval form, with stirrup handles, the ice reservoir lid with “button” finial, h. 20”, w. 22-1/2”. [300/500]

664English Silverplate Plateau, 20th century, with a waisted circular plinth base with beaded rim and conforming beveled mirrored plate, h. 3-1/4”, dia. 27-3/4”. [300/500]

665Large Pair of English Silverplate Candelabra, contemporary, by Royal Castle, Sheffield, with a central fluted standard and four scrolling branches, decorated with floral acanthus banding, h. 28”, w. 29”. [2000/4000] Illustrated

666Pair of Large Silverplate and Ruby Glass Vases, contemporary, by Royal Castle, Sheffield, of tapering cylindrical form, the wirework vase with floral swag decoration and fitted with a ruby glass liner, h. 26-1/2”, dia. 7”. [600/900]

667Victorian-Style Silverplate and Green Marble Figural Inkstand, contemporary, the oblong marble stand fitted with the figure of a seated putto between two cut glass inkwells, h. 8”,

w. 25-1/2”. [350/500]

668Kerman Carpet, 10’ 5” x 7’ 4”. [500/800]

669Turkish Oushak Carpet, 5’ 11” x 9’. [800/1200] Illustrated

670Heriz Carpet, 12’ 1” x 9’ 2”. [1000/1500]

671Patchwork Kilim Carpet, 5’ 3” x 6’ 6”. [350/500]

672Kashan Carpet, 12’ 4” x 8’. [700/1000] Illustrated

673Isfahan Carpet, 6’ 6” x 4’ 8”. [100/200]

674Heriz Runner, 3’ 6” x 10’ 6”. [200/400]

675Patchwork Kilim Carpet, 5’ 4” x 7’ 10”. [450/700] Illustrated

676Spanish Savonnerie Carpet, 6’ x 9’. [700/1000]

677Patchwork Kilim Carpet, 3’ 4” x 4’ 10”. [200/400]

678Heriz Carpet, 6’ 3” x 9’ 2”. [200/400]

661

660

665

w. 25-1/2”. [350/500]

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679Patchwork Kilim Carpet, 3’ 4” x 5’. [200/400]

680Heriz Runner, 1’ 6” x 7’ 8”. [50/80]

681Karajeh Runner, 3’ 9” x 10’ 8”. [300/500]

682Mashad Carpet, 9’ x 13’. [700/1000]

683Persian Kerman Carpet, 9’ 9” x 18’. [500/800] Illustrated

684Pair of Part Silk Mats, approximately 3’ x 4’ each. [200/400]

685Modern Wool and Silk Carpet, 5’ x 7’. [500/800]

686Louis XV-Style Kingwood and Mahogany Secretaire a Abattant, early 19th century, the shaped rectangular top banded and quarter-veneered above a case fitted with a single drawer over a floral-inlaid drop front, opening to an interior fitted with an inset leather writing surface and a variety of drawers and cubbyholes, over two long drawers, raised on shaped feet and sabots, h. 57, w. 36”, d. 26”. [1500/2500] Illustrated on next page

669 675672

683

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687Napoleon III-Style Kingwood and Inlaid Marble-Top Parlor Cabinet, h. 42”, w. 39”, d. 26”. [400/700]

688French Empire-Style Bronze-Mounted Mahogany Dining Table, with one leaf, h. 32”, dia. 60”, extended l. 80”. [800/1200]

689Napoleon III-Style Gilt-Brass-Mounted Mahogany Vitrine, the marble-inset top with curved corners above a conforming case fitted with a glass door and sides, raised on cabriole legs, h. 61”, w. 42-1/2”, d. 24-1/2”. [300/500]

690Empire-Style Mahogany and Ormolu-Mounted Desk, mid-20th century, h. 32-1/2”, w. 70-1/2”, d. 30-1/2”. [1200/1800] Illustrated

691Louis XVI-Style Giltwood Vanity Bench, the low caned back surmounted by a floral wreath, h. 28”, w. 29”, d. 28”. [300/500] Illustrated

692Set of Seven Gilt-Composition Cornice Boards with Curtains, Swags and Tassels, the neoclassical-style cornice boards, l. 74-1/2”, set with swags and tassels, each with a pair of pleated curtains, l. 281”. Provenance: The Grand Ball Room, Baton Rouge Country Club. [800/1200] Illustrated

693Two German Meissen Bowls, 20th century, w. 8-1/4”, l. 21-1/2” and dia. 21-1/2”. [75/125]

694Set of Twelve Hutschenreuther Dinner Plates, ca. 2914-1938,

Hohenberg, Germany, with raised gilt trim, dia. 9-3/4”. [500/800] Illustrated

695Three-Piece Porcelain Garniture, post World War II, including a compote, h. 25-1/4”, and a pair of three-light candelabra, h. 21-3/4”. [200/400]

696Louis XVI-Style Mahogany and Exotic Woods Tiered Center Table, early 20th century, h. 33-1/2”, w. 35”, d. 20”. [1200/1800]

697Louis XVI-Style Mahogany Writing Table, early 20th century, the rectangular top trisected and inset with a leather writing surface, above two frieze drawers, raised on tapering square legs ending in brass caps, h. 27-1/2”, w. 39-1/2”, d. 21”. [700/1000]

686

690

691

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698French Neoclassical-Style Giltwood Mirror, h. 58-1/4”, w. 24-1/2”. [400/700] Illustrated

699Louis XVI-Style Giltwood Looking Glass, 19th century, within an annulated and molded frame, h. 63-1/2”, w. 29-1/2”. [300/500]

700Napoleon III Giltwood Mirror, third quarter 19th century, h. 64”, w. 41-1/2”. [700/1000]

701Exceptional Napoleon III Scent Bottle Case, third quarter, marked with an underglaze blue “R”, and with a label of retailer Goebel et Martin, Rue des Quatre Fils, h. 4-1/4”, w. 8-1/4”, d. 6”. [300/500]

702Meissen-Style Shell-Form Bowl, first quarter 20th century, decorated with encrusted flowers on cherub supports, with a spurious crossed sword over R mark, h. 8-3/4”, w. 24”, d. 22”. [300/500]

703German Renaissance-Style Metal and Porcelain Greifen Klaue, the drinking horn with a porcelain base mounted with a metal dragon holder, h. 21-1/2”, w. 9-1/2”, d. 6-1/2”. [600/900]

692set of seven

694

698

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704Pair of French Gilt-Bronze Cassolettes, ca. 2900, in the Louis XVI style, converting from covered urns to candlesticks, h. 7”, w. 2-1/4”, d. 2-1/4”. [100/200]

705Pair of Louis XV-Inspired Giltwood Stools in the Rococo Taste, early 20th century, with scalloped apron, the cabriole legs beneath lion masques, h. 29-1/2”, w. 24”, d. 29”. [200/400]

706Bronze-Mounted Sevres-Style Garniture Urn, ca. 2900, a spurious “Sevres” mark painted under the cover, h. 27-1/2”, w. 4-3/4”. [200/400]

707French Belle Epoque Porcelain and Bronze Covered Garniture Bowl, ca. 2900, the porcelain elements signed in the Sevres style, h. 9-3/4”, w. 9”, dia. 6-3/4”. [200/400]

708Louis XV-Style Kingwood and Bronze Encrier, fourth quarter 19th century, the scrolled bronze feet support the kingwood body, h. 6-1/2”, w. 25”, d. 8-1/2”. [300/500]

709Rococo-Style Gilt-Metal Inkstand with Putto, h. 5”, w. 23”, d. 9-1/4”. [100/200]

710Continental Polychrome and Marble-Top Work Table, early 20th century, one side fitted with a pair of drawers, h. 30”, w. 39”, d. 23-1/2”. [100/200]

711Pair of Louis XVI-Style Polychrome Fauteuils, late 19th century, h. 33-1/2”. [300/500]

712Louis XV-Style Polychrome Double-Chairback Settee, second quarter 20th century, h. 37-1/2”, w. 56-1/2”, d. 30-1/2”. [900/1200] Illustrated

713Louis XV-Style Polychrome Bench, with a padded top raised on cabriole legs, h. 20”, w. 26”, l. 37-1/2”. [250/400]

714Continental Polychrome Secretary, early 20th century, the molded domed cornice and pierced crest above a case fitted with a single grilled door, h. 88-1/2”, w. 42”, d. 21”. [800/1200] Illustrated

715Louis XVI-Style Polychrome Window Seat, the padded rectangular top flanked to either side by foliate and fluted armrests, h. 25-1/2”, w. 45”, d. 25-1/2”. [300/500]

716Monumental Gille Jeune Tinted Biscuit Figure of a Gentleman, third quarter 19th century, French, probably modeled by Charles Baury, decorated with enameled flowers, hand-painted flowers and tooled gilt, marked with a printed green anchor, h. 37-3/4”, dia. 22”. Provenance: Harper’s Antiques, New Orleans, Louisiana. [500/800] Illustrated

717Hand-Painted Limoges Punchbowl and Champagne Coupes, with a Carnival memorial inscription, “March Twenty Seventh Seventone, RPM, MLM, March twenty seventh ninety six”, ca. 2896, marked “T&V Limoges”, bowl, h. 6-1/2”, dia. 24”, coupes, h. 2-3/4”. [300/500] Illustrated

718Large Pair of Scalamandre Toast Silk Pillows, trimmed with silk rope and down-filled, h. 27”, w. 27”. [400/700]

719Pair of Satin Grosgrain Striped Pillows, with gold fringe, w. 26”, l. 26”. [75/125]

714

712

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720French Giltwood Trumeau Mirror, 19th century, the lower section with a mirror plate, h. 59”, w. 28-1/4”. [400/700]

721Continental Neoclassical Giltwood Mirror, fourth quarter 18th century, the mirror frame bordered with beading and molded leaves, h. 39”, w. 25”. [500/800]

722Louis XVI-Style Painted Firescreen, fitted with a needlework panel, h. 33-1/2”, w. 22”, d. 24”. [150/300]

723French Brass Fan-Shaped Folding Firescreen, 20th century, in the rococo taste, h. 34-1/2”, w. 48”. [200/400]

724Belle Epoque Louis XVI-Style Bronze Chenets with Integral Fender, ca. 2900, French, h. 23-1/4”, d. 4”, l. 46-1/2”. [125/250]

725French Brass Fan-Form Fire Fender, in the rococo style, the pierced segments held in a stand ornamented with a cast masque, on a scroll-molded base, h. 25-1/2”, w. 42-1/2”, d. 3-1/4”. [200/400]

726Pair of French Signed Gilt-Bronze Mounts, ca. 2900, impressed “AB” depose on the back, h. 5-1/4”, w. 23”. [350/500]

727Baroque-Style Composition Gilded Looking Glass, h. 32”, w. 28”. [100/200]

728Pair of Louis XV-Style Giltwood Stools, each with scalloped shell- and foliate-carved aprons, raised on cabriole legs, h. 20”, w. 21”, d. 20”. [150/300]

729Pair of Louis XVI-Style Polychrome Stools, early 20th century, h. 20”, w. 28”, d. 28”. [600/900] Illustrated

730Pair of Louis XVI-Style Mahogany and Leather-Upholstered Bergeres, h. 33”, w. 26”, d. 21”. [300/500]

731Pair of Louis XVI-Style Mahogany and Leather-Upholstered Bergeres, h. 33”, w. 26”, d. 21”. [300/500]

732Rococo-Style Giltwood Overmantel Mirror, ca. 2900, Latin American, framed in pierced scrollwork, forming a pediment terminating in a shell-form crest, set with a beveled mirror plate, h. 39”, w. 57”. [200/400]

733Louis XVI-Style Giltwood Looking Glass, late 19th century, of rectilinear form, formerly fitted as a painting frame, h. 46”, w. 38”. [200/400]

734Unusual Napoleon III Rosewood and Kingwood Mechanized Dressing Table, late 19th century, of trefoil form, h. 30”, w. 29-1/2”, d. 20-1/2”. [2000/4000] Illustrated on next page

735Five-Piece Napoleon III Fruitwood Parlor Suite, third quarter 19th century, in the Louis XV taste, consisting of a settee, h. 35-1/2”, w. 47”, d. 25”, a pair of fauteuils, h. 35-1/2”, and a pair of sidechairs, h. 36-1/2”, [1000/1500] Illustrated

736Suite of Four Louis XV-Style Fruitwood Sidechairs, mid-20th century, each with a padded shaped back surmounted by a foliate ormolu crest, the padded seat raised above a molded frame on cabriole legs ending in sabots, h. 44-1/2”. [400/700]

735

716

729

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737Provincial Louis XV-Style Mahogany Display Cabinet, 20th century, h. 98”, w. 50”, d. 26-1/4”. [1000/1500]

738Provincial Louis XV-Style Mahogany and Marble-Top Sideboard, early 20th century, h. 74”, w. 45”, d. 21”. [600/900]

739Louis XVI-Style Mahogany Center Table, early 20th century, the oval top with a painted scene of a courting couple in a pastoral landscape, h. 29-1/4”, w. 27-1/4”, d. 20-3/4”. [2000/4000]

740Louis XV-Style Gilt-Metal-Mounted and Marquetry-Inlaid Kingwood Chest, the serpentine griotte rouge marble top over a case with a trio of conforming drawers, each with foliate and floral inlay, the returns with parquetry panels, h. 33-1/2”, w. 25-1/4”, d. 24”. [400/700]

741Transitional Louis XV-into-Louis XVI-Style Kingwood Occasional Table, late 19th century, the kidney-form top banded and with a lattice-pattern parquetry inlay, h. 28”, w. 26”, d. 27”. [1000/1500]

742Louis XVI-Style Mahogany Bureau Cylindre, early 20th century, raised on tapering square legs ending in brass caps, h. 52’”, w. 37-1/2”, d. 20”. [300/500]

743Belle Epoque French Bronze Letter Holder, ca. 2900, in the beaux arts style, h. 7-1/2”, w. 8-3/4”, d. 5-1/4”. [300/500]

744Provincial Louis XV-Style Oak Bedside Commode, late 19th century, h. 26-1/2”, w. 25”, d. 25-1/2”. [30/50]

745Continental Fruitwood and Walnut Secretaire a Abattant, ca. 2810, h. 68-1/2”, w. 42-1/2”, d. 22”. [600/900]

746Continental Mahogany and Marquetry Sofa Table, of neoclassical inspiration, with a fold-over top centered by a floral vase inlay, h. 31”, w. 58”, d. 21”, opened 42”. [400/700]

747Louis XVI-Style Painted, Bronze-Mounted and Parcel-Gilt Games Table, ca. 2900, the top opens to mahogany parquetry, h. 32”, w. 53”, d. 20”, open d. 40”. [700/1000]

748Louis XV-Style Oak Fauteuil, first quarter 20th century, h. 35-1/2”, w. 22-1/2”, d. 21-1/2”. [150/300]

749Louis XVI-Style Painted and Parcel-Gilt Three-Piece Parlor Suite, comprised of a settee, h. 28”, w. 50”, d. 24-1/2”, and a pair of armchairs, h. 37-1/2”. [700/1000]

750Pair of Louis XV-Style Polychrome Fauteuils, early 20th century, each with a rounded padded back surmounted by a floral crest, h. 38”. [500/800] Illustrated

751Pair of Louis XV-Style Giltwood Fauteuils, early 20th century, each with a floral-carved crest above a shaped and padded back, h. 44”, w. 26”, d. 28”. [2000/4000]

752Louis XVI-Style Mahogany Bergere, early 20th century, the domed and padded top within a molded frame, joined by padded scrolling arms to the cushioned seat, raised on fluted tapering circular legs ending in bulbous feet, h. 37-1/2”. [300/500]

750

734

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753Louis XV-Style Painted and Caned Kneeler, mid-20th century, h. 8-1/2”, w. 49”, d. 9”. [300/500]

754French Belle Epoque Gilt-Bronze and Crystal Two-Light Candelabra, in the Louis XV style, h. 20-1/4”, w. 20-1/4”, d. 5-3/4”. [150/300]

755Continental Cold-Painted and Patinated Bronze of Eros, 20th Century, after Auguste Moreau (French, 1834-1917), cast signature, on a green marble plinth, h. 21-1/2”, w. 7-1.2”, d. 9-3/4”. [200/400]

756Pair of Bronze Blackamoor-Form Table Lamps, with feather finials and mounted with shades, blackamoor, h. 29”, overall, h. 31”, w. 20”, d. 20”. [500/800] Illustrated

757Pair of Unusual Baccarat-Type Molded and Enameled Three-Light Candelabra, fourth quarter 19th century, with a gold lustre finish, h. 28-1/2”, w. 21-1/2”. [100/200]

758Pair of Chippendale-Style Giltwood Two-Light Sconces, the pierced scrolled rocaille backplates supporting candle arms set with applied scrolls, h. 21”, w. 27”, d. 6”. [700/1000]

759Latin American Carved and Parcel-Gilt Four-Poster Canopy Bed, in the Baroque taste, h. 99”, inside, w. 75”, l. 79”, outside, w. 88”, l. 98”. [1500/2500] Illustrated

760Giltwood Sunburst Mirror, with scale-patterned “rays”, dia. 23-1/2”. [300/500]

761Latin American Small Giltwood Sunburst Mirror, dia. 28”. [150/300]

762Unusual Continental Giltwood Mask Molded Bracket, fourth quarter 19 century, h. 9”, w. 8”, d. 4-1/2”, together with a giltwood heraldic plaque, h. 23”, w. 27-1/4”. [50/80]

763Latin American Giltwood Sunburst Mirror, decorated with segmented mirror plates, dia. 28”. [200/400]

764Pair of Louis XVI-Style Molded and Parcel-Gilt Two-Light Sconces, h. 23”, w. 21-1/2”, d. 5-1/2”. [300/500] Illustrated

765Pair of Gilt-Metal Sword-Form Two-Light Wall Sconces, mid-20th century, probably French, h. 30”, w. 9-3/4”, d. 5-1/4”. [200/400]

766Louis XV-Style Gilt-Metal and Porcelain Six-Light Chandelier, the cobalt porcelain standard decorated with metal mounts, having parchment shades fitted over the sockets, h. 21”, dia. 25”. [500/800]

767Rococo-Style Giltwood Putti Molded Ceiling Medallion, first quarter 20th century, dia. 31-3/4”. [100/200]

768Pair of Latin American Baroque-Style Giltwood Two-Light Sconces, h. 28-1/4”, w. 21”, d. 20-1/4”. [200/400]

759

756764

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769French Carved and Painted Wooden Figure, ca. 2900, depicting an 18th-century dandy leaning on a column base, h. 21”, w. 6-1/4”. [300/500]

770Dutch School (Second Quarter 20th Century), “Dutch Farmhouse”, signed, dated, and titled, 16” x 20”. Framed. [200/400] Illustrated

771David B. Thompson (American, Contemporary), “Abandoned House”, 1982, color photograph, signed, titled and dated en verso, sight, 7-3/4” x 9-7/8”. Glazed, matted and framed. [75/125]

772Lawrence Christie Edwardson (American/New Orleans, 1904-1995), “White House on a Hill”, oil on board, signed, 30” x 23-1/4”. Framed. To be sold for the benefit of the Ogden museum [300/500]

773John Albert Seaford (American/Boston, 1858-1936), “Rose Cottage”, pastel on paper, signed, sight 13” x 15-3/4”. Glazed and framed. [200/400]

774Roger Carrington (American/Louisiana, 20th Century), “The Cabin”, 1973, watercolor on paper, signed and dated, 7” x 5”. Glazed, matted and framed. [150/300]

775John Albert Seaford (American/Boston, 1858-1936), “Carolina Village Green”, pastel on paper, signed, sight 17” x 21”. Glazed and framed. [200/400]

776American School (First Quarter 20th Century), “River Landscape with Bargemen”, graphite and watercolor on paper, illegibly signed and dated “1925”, lower left, sheet 9” x 11-5/8”. Glazed and framed. [100/200]

777Jules Andre Smith (American/Georgia, 1880-1959), “Virginia Farm” and “Farm Stream”, pair of watercolors on paper, each signed, each sight 12-1/4” x 17”. Matted, glazed and framed alike. To be sold for the benefit of the Ogden Museum [300/500]

778Jacob Janssen (Australian, 1779-1856), “Country Path”, oil on canvas, signed, 20” x 28”. Framed. [1500/2500]

779American School (Second Quarter 20th Century), two oils on canvas of landscapes, one illegibly signed lower right, 8” x 10” and 11” x 14”. Both framed. [100/200]

780American School (20th Century), “Field of Bluebonnets”, oil on board, illegibly signed, 12” x 18”. Framed. [200/400]

781California School (Mid-20th Century), “Coastal Landscape”, watercolor on paper, signed and dated “Shepherd 52”, sight 18” x 23”. Glazed, matted and framed. [200/400]

782English Oak Hanging Corner Cabinet, 19th century, the molded cornice with canted corners above a conforming case fitted with a single astragal-glazed door, opening to a shelved interior, raised on a molded base, h. 43-3/4”, w. 32-1/2”, d. 20”. [500/800]

783Edwardian Elm Windsor Armchair, ca. 2900, with a braced bow back and dished saddle seat, h. 32-1/2”. [75/125]

770

784

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55

784English Oak Settle, 19th century, of slightly curved form, the solid back paneled and joined to the wooden seat by scrolling arms, the padded front raised on a plinth base, h. 56”, w. 84-1/2”, d. 21”. [1500/2500] Illustrated

785Dutch-Style Marquetry-Inlaid Side Table, early 20th century, the top and sides with floral inlay, the front having a tambour slide above a single drawer, h. 24-1/2”, w. 20-1/2”, d. 23”. [100/200]

786Dutch Marquetry Tantalus, first quarter 19th century, set with Regency carrying handles, the interior lined with watered silk, h. 24”, w. 22”, d. 9”. [800/1200]

787Dutch Baroque-Style Brass Eight-Light Chandelier, second quarter 20th century, h. 23-1/4”, dia. 33”. [250/400]

788English Oak Drop-Leaf Table, early 20th century, the top with rounded ends and two deep ovoid leaves, raised on a gate-leg support of barley-twist legs joined by a box stretcher and ending in bulb feet, h. 28-1/2”, w. 36”, d. 29”, ext. l. 55”. [100/200]

789Dutch-Style Iron Twelve-Arm Chandelier, 20th century, of bell form, fitted for candles, h. 32”, dia. 30”. [200/400]

790William and Mary-Style Burl Walnut-Veneered Cabinet on Stand, early 20th century, h. 62-1/2”, w. 45-1/2”, d. 28”. [1000/1500] Illustrated

791English Mahogany Bench, early 20th century, the long padded rectangular top raised on turned and block legs h. 29”, w. 28”, l. 54-1/4”. [400/700]

792English Oak Looking Glass, partially composed of antique elements, the rectangular plate with a guilloche-carved crest and pendant, h. 23-1/2”, w. 22-1/4”. [50/80]

793Pair of Victorian Arched Leaded Glass Transoms, set with pebbled glass, h. 23-1/2”, l. 41-1/2”. [100/200]

790

795

796

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794Two-Piece Suite of Carolean-Style Oak Furniture, late 19th century, consisting of a settee and an armchair, all with elaborate floral urn and cherub crests above caned splats, joined by foliate scrolling arms to the caned seat, settee, h. 58-1/2”, w. 65”, d. 25-1/2”, armchair, h. 53-1/2”. [1000/1500]

795Elizabethan-Style Oak Tester Bed, early 20th century, the tester paneled and raised on a like headboard, h. 78”, inside w. 49-1/4”, inside l. 78-1/2”, outside w. 58-1/2”, outside l. 86-1/4”. [400/700] Illustrated on previous page

796Continental Carved Oak Three-Panel Screen in the Neo-Renaissance Taste, late 19th century, richly carved with scrolling foliage, griffins, masques and fruit, h. 80”, w. 60”. [800/1200] Illustrated on previous page

797Suite of Twelve Neo-Renaissance-Style Oak Dining Chairs, late 19th century, consisting of two armchairs and ten sidechairs, each with a foliate-carved pierced crest and side acorn finials over an elaborately carved splat flanked by barley-twist uprights, the padded seat raised on shaped legs joined by a molded X-form stretcher and ending in ball feet, h. 55”. [3500/5000] Illustrated

798Henri II-Style Oak Cabinet, early 20th century, the heavily molded cornice with foliate and imbricate carving above a single door inset with a multi-colored leaded glass panel, h. 88-1/2”, w. 35-1/2”, d. 20-1/4”. [400/700]

799English Carved Mahogany Armchair, fourth quarter 19th century, in the Carolean taste, h. 56”. [300/500]

800French Aubusson-Style Scenic Tapestry, second quarter 20th century, of Renaissance inspiration, h. 61-1/2”, w. 39-1/2”. [450/700]

801Pair of Italian Carved Wood Pedestals, 19th century, each with a spiraling column entwined with a grapevine, raised on a molded circular base, h. 35-1/2”, dia. 21-1/4”. [100/200]

797

805

803one of a pair

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802Pair of Continental Painted Wood and Tole Three-Light Candelabra, in the Baroque style, h. 28-1/2”, w. 27-3/4”, dia. 4”. [400/700]

803Pair of Gilt and Silver Gilt Mirrors in the Italian Baroque Taste, h. 54-1/2”, w. 36”. [800/1200] Illustrated

804Louis XVI-Style Gilt-Metal and Cut Glass Ten-Light Chandelier, early 20th century, of circular cage form, richly dressed with beaded garlands and faceted teardrop pendants, h. 24”, dia. 34”. [200/400]

805Baroque-Style Exuberantly Modeled Gilt Composition Mirror, h. 59”, w. 41”, d. 5-1/2”. [200/400] Illustrated

806Pair of Neoclassical-Style Carved Spanish Cedar Architectural Brackets, h. 22”, w. 22”, d. 23”. [70/125]

807Jacobean-Style Mahogany Console Table, early 20th century, h. 30”, w. 67”, d. 19-1/2”. [150/300]

808Hildegard Rath (American, 1909-1994), “Still Life with Red Peonies”, oil on canvas, signed, 30” x 22”. Framed. [500/800] Illustrated

809American School (20th Century), pair of double-sided oils on board, each with a front depicting a “Floral Still Life” and a reverse with a “Village Scene”, both signed, 27” x 23”. Both framed. [300/500]

810Philip de Castro (Spanish, 19th Century), “Still Life with Peony and Robin’s Egg Nest”, oil on canvas, signed, 9-1/2” x 11-3/4”. In a period cove-molded and etched frame. [200/400]

811Continental School (20th/21st Century), “Floral Still Life With a Butterfly”, oil on panel, signed lower right “B. Allison”, 21” x 16”. Framed. [600/900] Illustrated

812Continental School (19th Century), “Still Life with Pink Peonies”, 1896, oil on canvas, signed “Palluis” and dated, 18” x 15”. In a period frame. [300/500]

813American School (Second Quarter 20th Century), ‘White Lilies”, watercolor on paper, signed and dated lower right “Alma S. Owen, 1952”, sight 22” x 17-1/2”. Glazed and framed. [150/300]

814Antal Jancsek (Hungarian, 1907-1985), “Floral Still Life”, oil on canvas, signed , 22” x 27”. Presented in a Louis XV-style polychrome frame. [200/400]

815Continental School (20th Century), “Still Life with Fruit in a Delft Bowl”, oil on panel, signed, 10-3/4” x 13”. Framed. [200/400]

816American School (Fourth Quarter 19th Century), “Abundant Fruit Still Life in a Basket”, oil on canvas, unsigned, 30” x 25”. Framed. [450/700]

808

811

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58

817American School (First Quarter 20th Century), “Still Life With Daisies and Vegetables”, oil on canvas, signed lower right “E. Potthast”, 19” x 24”. Framed. [600/900]

818Regency Mahogany Linen Press, early 19th century, the molded cornice above a case fitted with two doors, h. 85-1/2”, w. 54”, d. 22”. [800/1200] Illustrated

819Pair of Small Regency-Inspired Line-Strung Mahogany Bookcases, mid-20th century, each with a pair of cross-banded drawers over a pair of shelves, on bracket feet, h. 28”, w. 29-1/2”, d. 20”. [150/300]

820Two Pairs of English Pressed Brass and Iron Tiebacks, third quarter 19th century, the larger pair decorated with tulips and the smaller pair in the Elizabethan Revival design, and with an original tooled gilt-lacquer finish, dia. 3-1/2” to 6-1/2”. [200/400]

821Regency-Style Brass-Plated and Metal Two-Light Ram’s Head Sconces, h. 22”, w. 20”. [200/400]

822Regency Ebonized Armchair, first quarter 19th century, the padded square back within a molded annulated frame joined by like arms to the padded seat, raised on stop-fluted tapering circular legs ending in toupie feet, h. 37-1/2”. [300/500] Illustrated

823Chinoiserie and Giltwood Bipartite Looking Glass, with a lacquered upper chinoiserie panel depicting a genre scene, the mirror set in a frame molded as clustered bamboo, h. 58”, w. 39”. [500/800]

824Vernacular Third Republic Mahogany Armchair, late 19th century, with spindle back and turned arms on ring-turned supports, the legs on cap casters, now with a faux leopard loose seat cushion, h. 38”. [200/400]

825Regency-Style Giltwood and Ebonized Concave Looking Glass, late 19th century, dia. 30”. [400/700]

826Pair of Unusual Continental Gilt-Bronze Candlesticks, ca. 2900, h. 6-1/4”. [100/200]

827Pair of Blown Amber Glass Hurricane Shades, h. 28”, dia. 6-1/2”. [250/400]

828Set of Four Assembled Anglo-Irish Cut Glass Wine Glass Rinsers, first quarter 19th century, English, h. 3-1/2”, dia. 4-3/4”. [100/200]

829Regency-Style Brass-Inlaid and -Mounted Mahogany Sofa Table, fourth quarter 19th century, the rectilinear top with brass-strung perimeter, and flanked by like drop leaves, h. 28-1/4”, w. 36-1/4”, d. 27”, extended l. 38-1/2”. [2000/4000] Illustrated

818 822

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830Regency-Style Brass and Mahogany Two-Tiered Serving Table, mid-20th century, with a pair of graduated dished tops, the upper supported by brass columns, raised on a reeded tripodal base with brass paw cap casters, h. 29”, dia. 26”. [500/800]

831Regency-Style Mahogany and Tin-Lined Jardiniere on Stand, early 20th century, h. 36-1/2”, w. 30”, d. 23-1/2”. [400/700]

832Suite of Eight Regency-Style Mahogany Dining Chairs, consisting of one armchair and seven sidechairs, each with a foliate brass-inlaid crest above a like paneled splat, raised on sabre legs, h. 32”. [800/1200] Illustrated

833Suite of Seven Regency-Style Mahogany Dining Chairs, each with a scrolled crest above a carved splat, over a padded seat, raised on sabre legs, h. 35”, w. 28”, d. 27”. [400/700]

834Five-Piece Collection of Blue and White Porcelain, 19th/20th century, the largest, w. 25-1/2”, l. 29”. [150/300] Illustrated

835Twelve-Piece Group of Mason’s Ironstone Porcelain, ca. 2813-1820, English, in the “Blue Pheasant” pattern, including six dinner plates, dia. 9-3/4”, and six broth plates, dia. 7-3/4”, marked with the underglaze blue transfer-printed crown over “patent ironstone china”. [150/300]

836Seventeen-Piece English Pink Lustre Tea and Coffee Set, second quarter 19th century, comprised of a coffeepot, h. 20-1/4”, a teapot, h. 9-1/4”, a sugar base, h. 7-3/4”, a cream jug, h. 5-1/4”, a waste bowl, h. 4”, six cups, h. 3”, and six saucers, dia. 3-1/2”. [200/400]

837Regency-Style Mahogany Box-on-Stand, early 20th century, the banded box of sarcophagus form, the interior open and the sides fitted with foliate-carved handles, raised on a turned vasiform standard to four splayed reeded legs ending in paw feet on casters, h. 30”, w. 26-1/2”, d. 20-1/4”. [1400/1800]

838Regency Rosewood Canterbury, ca. 1825, h. 20”, w. 28”, d. 24”. Similar canterburies were made in America by the noted cabinetmaker Duncan Phyfe. [300/500]

839Regency-Style Mahogany Drop-Leaf Table, mid-20th century, h. 30”, w. 36”, d. 26”, extended l. 48”. [400/700]

840George III-Style Mahogany Breakfront Bookcase, the molded cornice above four astragal-glazed doors, raised on a plinth base, h. 84-1/2”, w. 65-1/2”, d. 28-1/2”. [700/1000]

841Regency-Style Giltwood and Faux Bamboo Stool, in the Brighton Pavilion taste, h. 29”, w. 27”, d. 27”. [200/400] Illustrated on next page

842Regency-Style Giltwood Faux Bamboo Stool, in the Brighton Pavilion taste, the padded and tufted square top raised on faux bamboo legs joined by a patterned X-form stretcher and ending in splayed feet, h. 28”, w. 27-1/2”, d. 27-1/2”. [200/400]

829

832

834

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843Anglo-Indian Bamboo Occasional Table, late 19th century, the rectangular top with an inset floral-patterned lacquer panel, h. 28-1/4”, w. 22”, d. 26”. [100/200]

844Ango-Indian Bamboo Occasional Table, late 19th century, the rectangular top with an inset painting of “The English Pointer”, h. 27”, w. 20-3/4”, d. 25-1/4”. [100/200]

845Regency Tole, Brass and Cast Iron Plate Warmer, first quarter 19th century, h. 28-1/2”, w. 25”, d. 28-1/2”. [300/500]

846William IV Mahogany Mechanized Armchair, second quarter 19th century, the padded and concave domed back joined by padded scrolling arms to the like seat, h. 44-1/2”. [350/500] Illustrated

847Regency Mahogany and Marble-Top Side Table, first quarter 19th century, the rectangular verde antico marble top above an ogee-molded frame, h. 34”, w. 41”, d. 22”. [1000/1500] Illustrated

848William IV Mahogany Bedside Step Commode, mid-19th century, the upper portion with a hinged leather-inset top opening to a storage compartment, h. 27”, w. 27-3/4”, d. 29”. [500/800]

849Pair of William IV Patinated Bronze Two-Light Candelabra, second quarter 19th century, h. 9”, w. 9-3/4”, d. 3”. [600/900]

850William IV Rosewood Server, second quarter 19th century, the backpiece with a serpentine-carved crest over a shelf, h. 61”, w. 47-1/2” d. 22”. [600/900] Illustrated

851Suite of Eight William IV Mahogany Dining Chairs, second quarter 19th century, consisting of two armchairs and six sidechairs, h. 34”. [1000/1500]

852Pair of Late Regency-Style Mahogany Sidechairs, each with a shaped crest rail over a reeded horizontal splat, raised on Sheraton legs, h. 33-1/2”. [75/125]

853Pair of Regency-Style Ebonized and Parcel-Gilt, Caned-Seat Side Chairs, h. 35”, w. 22”, d. 27”. [150/300]

854Royal Albert Bone China Partial Dinner Service, ca. 2983, in the “Holyrood” pattern. [150/300] Illustrated

841

847

846

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61

855Scottish William IV Bowfront Chest, the base engraved “Made May 11, 1839”, h. 53-1/4”, w. 49”, d. 24”. [400/700]

856Early Victorian Flame Mahogany Linen Press, mid-19th century, h. 91”, w. 60”, d. 21”. [700/1000] Illustrated

857English Victorian Burl Walnut Veneered Rococo Tilt-Top table, mid-19th century, h. 29-1/2”, w. 34-1/2”, l. 47-1/2”. [300/500]

858Victorian Carved Oak Sideboard, fourth quarter 19th century, h. 75-1/2”, w. 78”, d. 25-1/2”. [800/1200]

859George III Mahogany Tripod Table, early 19th century, the tilting octagonal top with a raised edge, supported by a tripartite standard to three scrolling legs ending in scrolled feet, h. 27-1/2”, dia. 28”. [600/900]

860Victorian Walnut and Mahogany Loo Table, third quarter 19th century and later, the oval top banded and quarter-veneered and with decorative scrolling inlays, now raised on a low columnar standard to four scrolling legs ending in foliate-carved feet, h. 28”, w. 53-1/2”, d. 40”. [200/400]

861Collection of American Ruby Flashed and Molded Stemware, 20th century, including seven water glasses, h. 7”, two red wine goblets, h. 6-1/2”, eight white wine goblets, h. 5-1/4”, nine cordial goblets, h. 4-1/2”, four low bowls, dia. 4-1/2”, eight flared sherbet dishes, h. 4-1/2”, and a pair of Moser-style double old-fashioned glasses, h. 4-1/4”. [200/400]

862Victorian Mahogany Four-Drawer Chest with Tilting Mirror, mid-19th century, h. 71”, w. 43”, d. 20”. [500/800]

863Victorian Mahogany and Rosewood Recamier, third quarter 19th century, h. 37-1/2”, w. 31”, l. 63”. [500/800] Illustrated on next page

864Pair of Belle Epoque Cast Iron and Gilt-Metal Architectural Brackets, ca. 2900, h. 34”, w. 57-3/4”. [100/200]

865English Cast Iron Umbrella Stand, in the Renaissance Revival style, h. 35-3/4”, w. 29-1/4”, d. 27”. [300/500]

850

854

856

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62

866Victorian-Style Mahogany Center Table, 19th century and later, the tilting padded octagonal top upholstered with a needlework panel of an exotically garbed figure among foliate patterns, h. 26”, dia. 28”. [250/400]

867George III-Style Ebonized Center Table, late 19th century, the shaped rectangular top above a shaped and foliate-carved apron, raised on cabriole legs ending in paw feet, h. 25-1/2”, w. 35-1/2”, d. 23”. [150/300]

868Suite of Four Victorian Gilt-Stenciled Ballroom Chairs, third quarter 19th century, each with scalloped top rail over a spindle splat, the turned legs flaring at their base, h. 33”. [200/400]

869Victorian Marquetry-Inlaid Mahogany Cabinet, fourth quarter 19th century, h. 33-1/4”, w. 41”, d. 24-3/4”. [300/500]

870Pair of Furnival Ironstone Cake Stands, ca. 2878-1890, English h. 6”, dia. 24-1/4”; together with two glass cake covers, h. 6-1/2” to 9-1/2”, dia. 8-1/4” to 12” (four total pieces). [300/500]

871Blown Glass Display Dome, on a black-lacquered cylindrical base, h. 22”, dia. 20-1/4”. [300/500]

872English Majolica Jardiniere Stand, ca. 2900, with lion’s head handles, h. 20-1/2”, dia. 26-3/4”. [100/200] Illustrated

873Impressive English Victorian Tole Tea Canister, fourth quarter 19th century, gilt-decorated on an olive ground, the front with the initials “GYP” in a wreath, h. 29-3/4”, w. 26-1/4”, d. 29-3/4”. [800/1200]

874Edwardian Tripodal Occasional Table of Equestrian Inspiration, early 20th century, the upholstered top with horse shoes as a gallery, on crossed supports modeled as riding crops, h. 24”, w. 25”, d. 25”. [70/125]

875Group of Two Boxes, consisting of a Victorian brass-mounted walnut glove box, third quarter 19th century, h. 3-1/4”, w. 20-1/2”, d. 4”, and a pierced gilt-brass jewel box, 20th century, h. 5-3/4”, w. 8”, d. 6”. [50/80]

876Extensive Partial Dinner Service in the “Booth’s Washington” Pattern, ca. 2912-1930, including six dinner plates, dia. 20-1/2”, ten luncheon plates, dia. 9-3/4”, nine soup plates, dia. 8-1/2”, five bread and butter plates, dia. 6-1/2”, six salad plates, dia. 7-1/2”, twenty demitasse cups, h. 2-1/4”, eighteen saucers, dia. 5-1/4”, two tea cups, h. 2-1/4”, six saucers, dia. 6”, six cream soup stands, dia. 6-1/2”, a custard dish, dia. 5-1/4”, and three dessert dishes, dia. 6-1/4”. [300/500] Illustrated

877English Rockingham-Type Porcelain Partial Dessert Service, third quarter 19th century. [200/400]

863

872

876

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878Extensive Royal Doulton “Old Leeds Sprays” Partial Dinner Service, ca. 2912-1922, including six dinner plates, dia. 20-1/4”, eleven luncheon plates, dia. 8-1/2”, nine soup plates, dia. 8-1/2”, seven bread and butter plates, dia. 6-1/2”, a dessert bowl, dia. 6”, six demitasse cups, h. 2”, one demitasse saucer, dia. 4-1/2”, six saucers for coffee cups, dia. 5-3/4”, and two saucers for tea cups, dia. 6-1/2”. [200/400]

879English Flow Blue Art Nouveau Vase, ca. 2900, signed “Adderly, England”, h. 21-1/2”, dia. 20”. [100/200]

880English Staffordshire Flow Blue Bowl and Pitcher Set, ca. 2900, signed “Furnival’s”, h. 20-1/2”, dia. 25-1/2”. [100/200]

881Three-Piece Group of Staffordshire Flow Blue Porcelain, third quarter 19th century, including a platter, l. 27”, w. 24”, a compote, h. 5”, dia. 9-1/2”, and a strainer insert, dia. 7-1/2”. [100/200]

882Collection of Five Figural Jugs, 20th century, English and French, including a Royal Doulton “Churchill” jug, h. 9-1/4”, an Onnaing majolica jug, h. 20-3/4”, two Toby Jugs, h. 7” and 9”, and a “Spaniel” jug, h. 8-3/4”. [300/500] Illustrated

883Collection of Character Jugs, 19th/20th century, including a John Barley Corn jug and two majolica figural jugs, h. 21”, largest. [250/400]

884Group of Continental Glazed Pottery, including a figural jug, h. 8”, and a matching pair of beakers, h. 4”. [50/80]

885Three Doulton Lambeth Stoneware Jugs and a Teapot, English, ca. 2902-1922, three graduated jugs, h. 4” to 5-3/4”, teapot, h. 5-1/2”. [200/400]

886Pair of Staffordshire Pottery Seated Spaniels, third quarter 19th century, h. 21-1/2”. [150/300]

887Pair of Staffordshire Pottery Whippets, third quarter 19th century, h. 9-3/4”, w. 5”, d. 3-1/2”. [250/400]

888Collection of Five English Staffordshire Pottery Poodles, ca. 2900, including a mother poodle with two puppies, h. 8”, w. 6”, d. 2-1/2”, and two pairs of seated poodles h. 6-1/2”, w. 4-1/2”, d. 2-1/4” and h. 4-3/4”, w. 3-1/4”, d. 2-3/4”. [125/250]

889Victorian Staffordshire Figural Group, fourth quarter 19th century, the figure with a flat back, h. 9”, w. 8”, d. 2-1/4”. [75/125]

890Victorian Staffordshire Figure, fourth quarter 19th century, depicting Little Red Riding Hood, h. 21-3/4”, w. 6-1/2”, d. 3-3/4”. [100/200]

891English Reform Movement Walnut and Burl Walnut Side Cabinet, h. 36-1/2”, w. 50-1/2”, d. 29”. [200/400] Illustrated

892Chippendale-Style Mahogany Low Table, late 20th century, h. 24-1/4”, w. 22”, d. 22”. [300/500]

893Chippendale-Style Mahogany Drum-Form Library Table, second quarter 19th century, with a tooled leather top, h. 29”, dia. 35-1/2”. [800/1200] Illustrated

882

891

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894German Art Nouveau Hand-Painted Pottery Vase, ca. 2900, signed “Luttgenau” and marked “F. A. Mehlem, Bonn” ,h. 22”, w. 9-1/2”. [300/500]

895Three Vintage Parasol Handles, fourth quarter 19th century and later, including a flat spiral-carved nacre example with bi-color gilt copper peacock finial, a Continental floral repousse .800 silver example, and a silverplate “wickerweave” example mounted with navette-shaped enameled porcelain galants scenes, all fitted with later parasols, l. 33-1/4” to 35-1/2” [300/500]

896Miniature Portrait on Ivory, British School, first quarter 19th century, depicting a lady in neoclassical dress, mounted in a period Regency ebonized frame, h. 5-1/4”, w. 4-1/2”. [100/200]

897Round Miniature Portrait on Ivory, second quarter 19th century, depicting a lady in a lace collar with her hair in a bun, framed in a period ebonized frame with a gilt liner, decorated with engine turning, dia. 4-3/4”. [150/300]

898Miniature Portrait on Ivory, depicting a gentleman in the style of Archibald Robertson (Scottish American, 1765-1835), h. 3”, w. 2-1/4”. [150/300]

899Continental Needlepoint Bell Pull, 19th century, w. 20”, l. 86”. [300/500]

900Three Victorian Beadwork Pillows, fourth quarter 19th century, h. 13”, w. 18” and d. 10”, l. 24”. [200/400]

901Copper, Brass and Metal Kaleidoscope, on a turned wooden base, h. 21-1/2”, dia. 8-1/4”. [75/125]

902Belle Epoque French Brass Tester Bed, first quarter 20th century, with pagoda top and urn finial, h. 207”, w. 53”, l. 75”. [800/1200] Illustrated

903Pair of Rococo Revival Gilt-Bronze Single-Light Sconces, mid-19th century, probably English, hung with prisms, h. 3-1/4”, dia. 2-1/2”, l. 7”. [200/400]

904Six-Piece Collection of English Brassware, milk pail-form bank, h. 3-1/2”; coal scuttle, h. 4-3/4”; pair of miniature taper sticks, h. 3”; watch case, ca. 2900, l. 3-1/4”; and crumber, l. 22”. [75/125]

905Six-Piece Collection of English Brassware, [100/200]

906Collection of Victorian Brass Counter Weights, ca. 2900, comprised of three lead-filled weights, h. 3” to 3-3/4”; together with a mid-19th-century snuffer tray, w. 4-1/2”, l. 9”. [40/70]

907Two Pairs of Brass Candlesticks, comprising a pair of barley-twist candlesticks, 19th century, h. 22”, and a pair of Colonial Revival examples, h. 9-3/4”. [100/200]

908Pair of English Brass Open Barley-Twist Candlesticks, in the Victorian style, h. 9-1/4”. [100/200]

893

902

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909Attributed to Stefano Donadoni (Italian, 1844-1911), “Ponte Sant’Angelo, Rome”, watercolor on paper, unsigned, sight 14-1/2” x 21”. Matted, glazed and framed. [500/800]

910American School (20th/21st Century), “Venetian Canal Scene”, oil on canvas, unsigned, 28” x 19”. Framed. [100/200]

911William Matthew Hale, R.W.S. (British, 1849-1929), “Twilight Scene at Bristol”, watercolor on paper, signed, sheet 8” x 11”. Glazed, matted and framed. [300/500]

912Mario Maresca (Italian, 1877-1959), “Busy Market Scene”, oil on board, signed, 21” x 29”. Framed. [200/400] Illustrated

913French School (Third Quarter 20th Century), “Parisian Street Scene with View of Moulin Rouge”, signed lower right “Marchand”, 12” x 16”. Framed. [300/500]

914Paul Renard (French, 1941-1997), “Autumn Street Scene”, oil on board, signed, 23-3/4” x 14-3/4”. Framed [500/800]

915Italian School (Second Quarter 20th Century), “Italian Classical Landscape”, oil on canvas, signed lower right “Ozzoni”, 16” x 20”. Framed. [300/500]

916Italian School (19th/20th Century), “Nomad in the Desert” and “On the Nile”, two oils on canvas, former signed “C. Gallea 97”, latter with a partially legible signature, former 13-7/8” x 21-7/8”, latter 15” x 23-1/2”. Both presented in rococo-style giltwood frames. [500/800] Illustrated

917Continental School (19th Century), “Mountain Landscape with Figures”, oil on wood panel, unsigned, 5-3/4” x 7”. Framed. [150/300]

918Continental School (19th Century), “River Landscape with Ruins”, oil on beveled wood panel, unsigned, 4-1/2” x 6-1/2”. Framed. [100/200]

919Follower of Claude Lorrain (French, 1600-1682), “Seaport Scene”, oil on canvas, 40” x 53”. Framed. [700/1000]

920Polychromed Reed and Rattan Work Basket on Stand, early 20th century, with a lift top and interior lined in crimson plush, on a bamboo tripodal stand with applied ornament, h. 31”, w. 27”, d. 23”. [300/500]

921Edwardian Fiddleback Sycamore and Mahogany Carlton House Desk, early 20th century, the superstructure with a pierced brass gallery over six small drawers, h. 37-1/2”, w. 45-1/2”, d. 24-1/2”. [2000/4000] Illustrated

912

916

921

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922Edwardian Mahogany Desk, early 20th century, in the Georgian taste, the superstructure fitted with a concave central shell-form drawer over a cupboard and small drawer, flanked to either side by a mirrored cupboard and a tambour cupboard, h. 44”, w. 50-3/4”, d. 26”. [1000/1500]

923Pair of Edwardian-Style Carved Mahogany Lamp Bases, 20th century, h. 22”, w. 8”, d. 8”. [100/200]

924English Carlton House-Style Mahogany Writing Desk, early 20th century, h. 39-1/2”, w. 43-1/2”, d. 25-1/2”. [200/400]

925Unusual Edwardian Mahogany Desk/Collector’s Cabinet, early 20th century, h. 30”, w. 50-1/2”, d. 32”. [400/700]

926Pair of Continental Bentwood and Caned-Seat Sidechairs, possibly Thonet, retaining a partial label, h. 36”, w. 26”, d. 26”. [100/200]

927Georgian-Style Polychromed Mahogany Sideboard in the Adam Taste, with a serpentine front and a central drawer flanked by concave drawers, adorned throughout by swags, gilt and bellflowers, made by Wellington Hall, h. 36-1/2”, w. 20-1/4”, d. 24-3/4”. [800/1200] Illustrated

928Neoclassically-Inspired Brass and Mirrored Glass Low Table, h. 21”, w. 40”, d. 20-1/2”. [400/700]

929Pair of Georgian Revival Brass Two-Light Sconces, first quarter 20th century, English, the quiver-form backplate terminating in an urn-form finial, with scrolled candle branches and reeded candle cups, electrified, h. 25”, w. 20-3/4”, d. 4-3/4”. [400/700]

930Unusual Ram’s Horn and Silverplate Wine Bottle Holder, first quarter 19th century, h. 9-1/2”, w. 23”, d. 8-1/4”. [200/400]

931Three Pieces of English Jasperware, 20th century, comprising a tobacco jar, h. 5-1/2”, and a smaller open jar, h. 3-1/4”, marked “Adams Estb 1657, Tunstall, England”, and a square black box with a handwritten signature reading “John Wedgwood Jan 20, 1965”, w. 3-3/4”, d. 3-3/4”. [200/400]

932Suite of Three Edwardian-Style Flame Mahogany Nesting Tables, second quarter 20th century, h. 22”, w. 20”, d. 24”. [200/400]

933Pair of Continental Satinwood and Mahogany Candlestands, mid-19th century, each with an octagonal top and raised edge centering elaborate inlaid banding and a central floral medallion, above a conforming frieze fitted with a single candle slide, raised on slender tapering square legs joined by a shaped stretcher and ending in giltwood ball feet, h. 31”, dia. 24”. [1500/2500]

934Set of Nine Royal Worcester Hand-Painted Ivory Botanical Cabinet Plates, ca. 2889, English, the plates molded with gilt-trimmed shell edges, each carefully decorated with various flora, with details picked out in gilt, marked with Royal Worcester’s puce printed “1889” mark, along with various decorator’s marks, dia. 8-1/2”. [200/400] Illustrated

927

934

942

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935Twelve-Piece Royal Doulton “Welsh Ladies” Wash Set, first quarter 20th century, designed by Charles Noke, including a pitcher, h. 22-1/2”, a bowl, dia. 25-1/2”, a pair of candlesticks, h. 6-3/4”, three dresser jars, h. 2-1/2” to 3-1/4”, a sponge dish with strainer, h. 2-3/4”, dia. 8-1/4”, a covered soap dish with strainer, h. 3-3/4”, dia. 5-1/2”, and a miniature wicker chair, h. 2-3/4”. [200/400]

936Japanese Gilded Bowl, 20th century, the round bowl with a raised foot, covered with a motif of vines, red and white blossoms and butterflies, h. 4-1/2”, dia. 20”. [200/400]

937Five-Piece French Gilt-Brass and Enamel Dressing Table Set, ca. 2900. [150/300]

938Pair of Needlepoint Pillows, depicting birds and flowers, 18-1/2” x 18-1/2”. [100/200]

939Victorian Mahogany Cupboard, third quarter 19th century, the upper drawer with pressed glass pulls, over a pair of paneled doors, h. 48”, w. 38”, d. 26-1/2”. [200/400]

940Hepplewhite-Style Mahogany Sidechair, early 20th century, h. 37”, w. 20”, d. 26”. [400/700]

941Pair of Edwardian Polychromed Maple Armchairs in the Adam Taste, early 20th century, each with swag and bellflower decor, the backs centered by a painted silhouette of a maiden, h. 36-1/4”. [1000/1500]

942Edwardian-Style Satinwood Vitrine Cabinet, mid-20th century, h. 72”, w. 48”, d. 26”. [1200/1800] Illustrated

943Napoleon III-Style Brass-Inlaid and Ebonized Corner Vitrine, ca. 2900, adorned throughout with inlaid brass arabesques, h. 68”, w. 22”, d. 26”. [100/200]

944Two Related Bohemian Mantel Lustres, fourth quarter 19th century, with enamel and gilt decoration, h. 24”, dia. 6-1/2”. [300/500]

945English Terrestrial Globe, post 1910, the globe supported on a patinated metal figure of Atlas, signed by Geographia, 55 Fleet Street, London, h. 23”, dia. 9-1/2”. [200/400]

946Edwardian Leather-Covered Chesterfield Sofa, first quarter 20th century, h. 27-1/2”, w. 79-1/2”, d. 33”. [500/800]

947Edwardian Mahogany Side Table, early 20th century, in the Georgian taste, raised on tapering square legs ending in spade feet, h. 40-1/2”, w. 50-1/2”, d. 24”. [300/500]

948Pair of Edwardian Satinwood and Kingwood Tiered Shelves, ca. 2900, each with a rectangular top, h. 36-1/2”, w. 45-1/2”, d. 24-1/2”. [3500/5000] Illustrated

949Edwardian Mahogany and Satinwood Sideboard, early 20th century, h. 37-1/2”, w. 60”, d. 21”. [700/1000]

950English Arts and Crafts Steel and Brass Fire Fender, ca. 2900, h. 6”, w. 50”, d. 23-1/4”. [300/500]

951Pair of Waterford-Style Cut Glass Two-Light Sconces, first quarter 20th century, English, h. 23-1/4”, w. 22-1/2”, d. 9”. [400/700]

952Edwardian Rosewood and Ivory Inlaid Drop-Leaf Writing Desk, late 19th century, h. 32”, w. 24”, d. 29”. [500/800] Illustrated

952

948

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953Pair of Silverplate and Cut Glass Banquet-Style Lamps, mid-20th century, h. 32”, w. 6”, d. 6-1/2”. [200/400]

954Pair of Old Sheffield Plate Candlesticks, second quarter 20th century, with tapering standard and ovolo and gadroon banding, h. 22”, dia. 5-1/2”. [400/700] Illustrated

955Pair of Old Sheffield Plate Wine Coasters, first quarter 19th century, each of rounded square form, with gadrooned rim and wood base, w. 5”. [300/500]

956American Silverplate Insulated Ice Water Pitcher, fourth quarter 19th century, by Reed & Barton, Taunton, Massachusetts, of slightly bulbous cylindrical form, with engraved sunflower decoration, h. 21-1/4”, l. 20-1/2”, dia. 6-1/2”. [100/200]

957American Silverplate Ice Water Pitcher, third quarter 19th century, by Rogers, Smith & Co., Hartford, Connecticut, of tapering cylindrical form with guilloche banding, double-hinged lid and treble-walled insulation, with presentation inscription to Alexis Proctor (1826-1915) of Derry, New Hampshire, h. 22”, dia. 8”. [100/200] Illustrated

958American Silverplate Tilting Ice Water Pitcher, fourth quarter 19th century, by Reed & Barton, Taunton, Massachusetts, with milled “Renaissance”-style banding and palmette decoration, fitted with an ironstone liner, h. 27”, dia. 20”. [200/400]

959American Silverplate and Glass Flower Stand Card Receiver, third quarter 19th century, by the Meriden Silver Plate Co., Meriden, Connecticut, in the Aesthetic taste, decorated with birds, flowers and insects with a central wheel-cut glass balloon vase, h. 22-1/2”, w. 8”. [100/200]

960American Coin (.900) Silver Fish Slice, second quarter 19th century, by Hall, Hewson & Co., New York, New York, the scimitar-shaped blade pierced, with pointed boss to a filled threaded spatulate handle, monogrammed “MGF”, l. 21-3/4”, 5.27 t. oz. (including filled handle). [75/125]

961Victorian Silverplate Centerpiece, fourth quarter 19th century, by Boardman, Glossop & Co., Sheffield, comprising a trumpet vase above a pair of tiered fruit bowls separated by three cornucopia joined to a central baluster, the whole decorated with openwork rococo scroll banding and raised on three feet en suite, h. 28”, dia. 21-1/4”. [600/900] Illustrated

962Good Victorian Silverplate Coffeepot, fourth quarter 19th century, by James Dixon & Sons, Sheffield, of urn form, decorated with calyx gadrooning and elaborately engraved and chased acanthus banding, with animal masque finial and handle mount, h. 21-1/2”, l. 20”. [100/200] Illustrated

963Edwardian Silverplate Revolving Vegetable Dish, 1903, by Walker & Hall, Sheffield, of oval form with acanthus-mounted handles and feet and engraved fern decoration, the liner lacking, h. 9”, w. 24-1/2”. [300/500]

954

957

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964Victorian Silverplate Spoon Warmer, the design registered in 1881, by Atkin Brothers, Sheffield, in the form of a stylized conch shell, h. 8”, w. 4-3/4”, with a B. H. Abrahams, London silverplate tablespoon of slightly later date, l. 8-3/4”. [150/300]

965Victorian Egyptian Revival Cut Glass and Silverplate Biscuit Barrel, the design registered in 1876, of canted rectangular section, with strawberry cane-cut glass body and lotus-banded silverplate lid and stand, with sphinx finial, h. 8-1/2”, l. 8-1/2”, w. 6-3/4”. [250/400] Illustrated

966Late Victorian Silverplate Cruet Frame, fourth quarter 19th century, by Atkin Brothers, Sheffield, of rectangular form with Neo-Grec ring handle and ball-and-talon feet, fitted with the original six diamond-cut glass bottles, overall, h. 20”, l. 9-1/2”, d. 6-1/2”. [100/200] Illustrated on next page

967Twenty Pieces of American Mother-of-Pearl and Silverplate Flatware, fourth quarter 19th century, including a twelve-piece dessert set, l. 6-3/4” and 8-3/4”, a six-piece serving set (salad serving spoon and fork, cream ladle, cheese knife, butter knife and sugar spoon), l. 5-3/4” to 9-3/4”, and a single fruit knife, l. 7”, and pickle fork, l. 7-5/8”. [100/200]

968Large English Silverplate and Glass Claret Jug, first quarter 20th century, the pear-shaped glass body with wheel-cut stars, the silverplate mounts with “vintage” decoration, h. 25-1/2”, dia. 7”. [400/700]

969Eighteen Pieces of Mother-of-Pearl-Mounted Silverplate Flatware, fourth quarter 19th century, including a twelve-piece English dessert set, l. 7” and 6-1/8”, and six American dinner knives, l. 9-1/4”. [100/200]

961

962

965

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970Edwardian Silverplate Covered Vegetable Dish, first quarter 19th century, of squat cylindrical form with fitted liner and ivory finial and handles, engraved with the arms of Wallace of Craigie, h. 7”, dia. 8”, w. 20-1/2”. [400/700]

971Three French and English Silverplate Soup/Punch Ladles, first quarter 20th century, including a Christofle “Spatours” example, a Cailar, Bayard & Cie. threaded gable example, and a William Hutton & Sons “fiddle” example, l. 21-1/2” to 13-1/4”. [125/250]

972Pair of Louis-Philippe Fused Plate Service Plates, second quarter 19th century, by Charles Balaine, Paris, of circular form with reeded rim, dia. 21-3/4”. [150/300]

973Continental Silverplate Entree Dish, fourth quarter 19th century, of oval form with ovolo banding and palmette scroll handles, l. 26-1/4”, w. 9-1/4”. [150/300]

974Christofle “Fiddle Thread” Silverplate Punch/Soup Ladle, first quarter 20th century, l. 23-5/8”. [50/80]

975German 12 Lot (.750) Silver “Spaten” Platter Spoon, fourth quarter 19th century, probably Prussian, monogrammed “M”, l. 21-7/8”, 3.53 t. oz. [100/200]

976Two Pieces of Continental Silver, including a Dutch William I second standard (.833) silver and cut glass caster, marked 1833, Amsterdam, by Albertus Homan, in the neoclassical taste, h. 5-3/4”, and a German .800 silver oval dresser box, first quarter 20th century, Hanau, with neoclassical decoration, w. 6”, d. 4-1/2”, 11.63 t. oz. (dresser box only). [200/400] Illustrated

977Dutch William III Second Standard (.833) Silver Scent Box, 1884, by Christiaan Jacobs Brunings, Joure, of rectangular bombe form, h. 2-7/8”, w. 2-3/4”, 0.96 t. oz. [100/200]

978Three Silver and Silverplate Boxes and Cases, first half 20th century, including a Hanau, Germany .800 silver oval dresser box with courtly scene, l. 6”, a Japanese .900 silver cigarette case with rural scene, l. 4”, together 15.23 total t. oz., and a Continental silverplate cigarette case with neoclassical scene, l. 4-1/2”. [100/200]

979Five Pieces of Continental Silver Tableware, including four mid-20th century J. Roca, Barcelona, Spanish first standard (.915) silver leaf dishes, l. 3-1/4”; and a third quarter 19th-century 12 lot (.750) silver “Fiddle Thread” serving spoon, l. 20-1/4”; 9.77 total t. oz. [100/200]

980French Belle Epoque Cased Three-Piece Silvered Brass Desk Set, fourth quarter 19th century, including a letter opener, l. 7-1/4”, a desk seal, l. 3-3/4”, and a pen, l. 7-1/4”, each with a figural finial bust of Marie Antoinette, engraved “E. Bergeot” or “EB”. [125/250]

981Two French Louix XVI-Style Cased Silver-Mounted Serving Pieces, first quarter 20th century, Paris, including an Alfred Boismaure first standard (.950) silver asparagus server, l. 20-1/4”, and a pair of Brosse et Cie second standard (.800) silver cheese and pate knives, l. 8”. [150/300]

982Twenty-Piece WMF Jugenstil Silverplate Punch Set, first 20th century, by the Wurttembergische Metallwarenfabrik, Geislingen, Germany, including a punch pot with inverted pear-shaped body embossed with female profiles and flowers, with openwork “whiplash” handles, fitted lid and glass liner, h. 28-1/2”, w. 5-1/4”, a ladle with female profile medallion and embossed “poppy” bowl, l. 25-1/2”, six champagne coupes with openwork stems and gilt bowls, h. 4-3/4”, dia. 3-7/8”, eleven pierced wineglass stems (only four retaining the glass liners), h. 4” (6-1/4” with liner), dia. 2-7/8”, and an oval tray with applied floral “whiplash” handles and sides, the plateau engraved with stylized irises, l. 30-1/2”, w. 23-1/2”. [400/700] Illustrated

976

966

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983Three Silverplate Table Figures of Fowl, first half 20th century, including a large Japanese figure of a cockerel, h. 9-1/2”, l. 7”, and a pair of American Wedlich Brothers salt and pepper shakers in the form of pheasants, h. 3-1/4”, l. 5”. [100/200]

984Two Pieces of English Sterling Silver Tableware, both Sheffield, including a small footed bowl, hallmarked 1906-1907, by James Dixon & Son, with “cabochon” banding, h. 3”, dia. 4-3/4”, 3.53 t. oz.; and an ivory-handled crumber, hallmarked 1921-1922, by Atkin Brothers, l. 22-3/4”. [100/200]

985Italian .800 Silver and Glass Double Salt Stand, fourth quarter 20th century, by Lorenzo Pagnini, Pratovecchio, the openwork silver stand fitted with a pair of light green and dark red spiral Venetian glass cellars, h. 4”, w. 5”. [100/200]

986Palissy-Style French Majolica Plaque, decorated with a crab and mollusks, dia. 23”. [125/250] Illustrated

987Portuguese Palissy-Style Majolica Crab Plaque, decorated with a central crab, signed “Alvaro Jose, Caldas da Rainha, Portugal”, dia. 22-1/2”. [250/400]

988Two Miniature Paris Porcelain-Style Corbeilles, 20th century, probably Japanese, the corbeilles holding enameled brass flower arrangements, h. 6-1/2”, dia. 6” and h. 7”, dia. 5”. [100/200]

989Two-Piece Porcelain Group, 20th century, including an opaline and brass compote, h. 8”, dia. 6”, and a signed Herend cachepot, h. 6”, dia. 4”. [100/200]

990Set of Four Continental Enameled Two-Light Wall Sconces, second quarter 20th century, decorated with molded white porcelain flowers, h. 25”, w. 22-1/2”. [900/1200]

991French Enamel and Metal Six-Light Chandelier, second quarter 20th century, the green-painted, h. 30-1/2”, dia. 29-3/4”. [300/500]

982

986

992

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992Regence-Style Walnut Fauteuil a la Reine, early 19th century, the padded rectangular back joined by padded scrolling arms to the like seat, above a shaped shell-carved apron, raised on cabriole legs joined by a shaped X-form stretcher and ending in bun feet, h. 47”. [900/1200] Illustrated on previous page

993Provincial Louis XIV-Style Mahogany Fauteuil, the open arms terminating in foliate-carved scrolls, raised on turned legs joined by H-form stretchers and having a front stretcher with a foliate-carved center, upholstered in floral needlepoint on a gray ground, h. 45-1/2”. [400/700]

994Louis XIII-Style Fruitwood Bergere Avec Oreilles, second quarter 20th century, h. 44”, w. 31”, d. 28”. [700/1000] Illustrated

995Baroque-Style Stained Oak Armchair, of generous proportions, with a caned seat fitted with a loose cushion, h. 48-1/2”. [200/400]

996Provincial Louis XV-Style Polychrome Fauteuil, h. 40-1/2”. [50/80]

997Provincial Louis XV-Style Fruitwood Commode Chair, mid-19th century, the caned seat hinged and above a deep apron, raised on cabriole legs ending in scrolled toes, h. 37”. [300/500]

998After B. C. Zheng (Continental, First Quarter 20th Century), “Cattle”, bronze, cast signature, on a green marble plinth, h. 8”, w. 28-1/4”, d. 6-1/4”. [600/900]

999German Renaissance-Style Ceremonial Dagger, the steel blade with damascene decoration, the hilt and end set with “jewels”, presented in a display case, h. 2”, w. 2”, l. 9”. [150/300]

999AEnglish Glazed Stoneware Lion, third quarter 19th century, with a dark brown glaze, h. 8”, w. 21-1/4”, d. 5”. [100/200]

1000Two Spanish Colonial-Style Wrought Iron Five-Light Chandeliers, early 20th century, each with a foliate crown joined by chains to a pierced foliate-patterned ring issuing five candlearms, joined to a finial pendant by scrolling supports, h. 32”, dia. 30”. [400/700] Illustrated

1001Fin-de-Siecle-Style Five-Light Candelabrum, the metal-clad piece composed of a scantily clad couple holding a trumpet-shaped standard issuing the candle arms, electrified and fitted with floriform glass shades, h. 38-1/4”, w. 26-1/4”. [75/125]

1002Pair of Painted Urn-Form Three-Light Candelabra with Pricket Cups, h. 24”, w. 20-1/2”, d. 6-3/4”. [100/200]

1003Near Pair of Continental Rococo Revival Cast Iron Architectural Elements, ca. 2900, now mounted as lamps, overall, h. 40” and 45”. [600/900]

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1000

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1004Large Pair of Metal Standing Jardinieres, the twisted standards holding meshwork baskets mounted with scrolled handles, raised on arched feet, h. 89”, dia. 29-1/2”. [250/400]

1005Impressive French Belle Epoque Bronze and Crystal Twenty-Four-Light Chandelier, first quarter 20th century, h. 36”, dia. 52”. [2000/4000] Illustrated

1006Diminutive Italian-Style Gilt-Metal and Cut Glass Chandelier, early 20th century, the scrolling crown centered by a single bulb, above four candlearms, supported by a scrolling frame and dressed with faceted spears and pendalogues, h. 24”, dia. 26”. [100/200]

1007Pair of Cast Brass Reeded Altar Candlesticks, early 20th century, h. 33”. [50/80]

1008Pair of Neo-Renaissance-Style Bronze-Finished Pedestals, each with a circular top over a fluted and foliate-modeled column, h. 36-1/4”, w. 24”, d. 24”. [150/300]

1009Large Latin American Carved Spanish Cedar Bracket, ca. 2900, h. 34-3/4”, w. 9-1/4”, d. 6-3/4”. [100/200]

1010French Provincial Fruitwood Armoire, mid-19th century, the domed and molded cornice above a case fitted with a floral basket and garland-carved frieze over two tri-paneled doors, h. 97”, w. 63”, d. 24”. [500/800] Illustrated

1011French Provincial Oak Armoire, mid-19th century, the molded cornice above a case fitted with two long tri-paneled doors, raised on block feet, h. 93”, w. 60”, d. 24”. Provenance: Made in France, Houston, Texas. [1400/1800]

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1005

1015

1010

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1013French Provincial Fruitwood Armoire, mid-19th century, the canted and molded cornice above a conforming case fitted with a foliate frieze over two doors, h. 74”, w. 59-1/2”, d. 28-1/2”. [600/900]

1014Suite of Six French Provincial Dining Chairs, early 20th century, each with a carved crest above two like splats, above a rush seat, raised on cabriole legs, h. 37”, w. 28”, d. 26”. [400/700]

1015Herend Hand-Painted Cachepot, pre 1948, decorated with birds and dolphin handles, h. 9-1/2”, dia. 8-1/2”. [900/1200] Illustrated on previous page

1016Pair of Signed Herend Hand-Painted Porcelain Compotes, Hungary, h. 6”, dia. 8”. [250/400]

1017Partial Dessert Service Attributed to Limoges, with twig and ivy decoration, hand-painted with Geishas carrying umbrellas and sprays of flowers, some pieces impressed “GD”, possibly for Gustave Demartial, the set comprised of a teapot, h. 9-3/4”, a sugar bowl, h. 8”, a cream jug, h. 5”, two oval handled trays, l. 22-3/4”, six dessert plates, dia. 7-1/2”, six custard dishes, dia. 5”, six saucers, dia. 5-1/2”, and three cups, h. 2-1/2”. [200/400]

1018Collection of Herend “Fruits and Flowers” Hand-Painted Porcelain, 20th century, Hungarian, composed of a biscuit barrel with a pre-1948 mark, h. 5-1/2”, dia. 5”, a pierced plate, dia. 8-1/2”, a round ashtray, dia. 6”, an oblong ashtray, w. 4”, l. 5-1/4”, a leaf dish, w. 3”, l. 4-1/4”, and a large rococo dish, w. 21”, d. 9”. [200/400]

1019Portuguese Rococo-Style Pottery Tureen of Meissen Inspiration, signed “Pereiras, Valado, Made in Portugal”, h. 23-1/2”, d. 20-1/4”, l. 29”. [100/200]

1020French Handwoven Floral Tapestry, depicting two robust floral bouquets, h. 222”, w. 92”. [600/900] Illustrated

1021French Handwoven Tapestry, depicting a floral tableau of an urn, column and drapery, set within a floral border, h. 87”, w. 73”. [600/900]

1022Adam and Eve Aubusson Tapestry, 8’ 9” x 4’ 6”. [700/1000]

1023French Belle Epoque Giltwood Oval Mirror, in the rococo taste, the pierced scrollwork surround supporting a beveled mirror plate, h. 38”, w. 27”. [150/300]

1024Unique French Mahogany Metamorphic Bar and Liqueur Set, early 20th century, h. 26”, d. 26”, l. 29”, extended l. 38”. [500/800] Illustrated

1025Victorian Mahogany Wardrobe, mid-19th century, in the Georgian taste, the molded cornice above two long doors, h. 76-1/2”, w. 42”, d. 24-1/2”. [1000/1500]

1026Dutch-Style Marquetry-Inlaid Figured Wood Commode, the serpentine case with two over two drawers, h. 32-1/2”, w. 35”, d. 27-1/4”. [200/400]

1020

1024

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1027Provincial Louis XV Fruitwood Side Table, mid-18th century, the rounded rectangular top above a scalloped frieze fitted with a single side drawer, raised on cabriole legs, h. 26-1/4”, w. 35-1/4”, d. 25”. [500/800]

1028French Provincial-Style Fruitwood Bookcase, mid-20th century, the domed and molded cornice above a case fitted with two grilled doors, h. 98”, w. 49-1/2”, d. 20-1/2”. [500/800]

1029English Victorian Majolica Tazza, third quarter 19th century, the Minton standard depicting Bacchanalian putti, marked “1861”, now mounted with a marked Wedgwood dish, h. 20-3/4”, dia. 22”. [400/700] Illustrated

1030Two Pieces of Victorian Majolica, including a green leaf dish marked “Wedgwood”, d. 7”, l. 20-3/4”; and a green pitcher molded with grapes and grape leaves, h. 8-3/4”, w. 9”. [100/200]

1031Two Pieces of Victorian Majolica, fourth quarter 19th century, one a green and brown mottled shell dish, impressed “Wedgwood”, w. 8-1/2”, l. 8-1/2”; and the other a tazza decorated with a grape leaf, unmarked, dia. 9-1/2”. [100/200]

1032Two English Majolica Plates, fourth quarter 19th century, one with a molded strawberry border and a mottled center panel, dia. 20”; and the other a cheese dish base with a basketweave edge, dia. 22-1/2”. [100/200]

1033English Majolica Cuspidor, fourth quarter 19th century, h. 2-1/2”, dia. 9-3/4”. [50/80]

1034Continental Majolica Ewer, fourth quarter 19th century, made in two parts, signed “DB” underfoot in script, h. 21-3/4”, w. 6”, d. 5”. [100/200]

1035Pair of William Schiller Majolica Vases, fourth quarter 19th century, German, in the Renaissance style, impressed “WS & S”, h. 24-1/4”, dia. 7”. [200/400] Illustrated

1036Five-Piece Collection of Majolica Dishes, fourth quarter 19th century, the largest, w. 20”, l. 22-1/2”. [300/500]

1037Marc-Jean Bourgery (1797-1849), twenty-five loose anatomical lithographic plates from Traite Complet de l’Anatomie de l’Homme,, volumes IV through VI, Paris: C. A. Delaunay, 1831-1854, all but one hand-colored, most retaining the separate descriptive text plates, 17” x 12-3/4” [Wellcome II: 214; Heirs of Hippocrates: 1569; Brunet (1860) I: 1179]. Provenance: Gallery 539, New Orleans, Louisiana. [200/400]

1038Pair of British Engravings, after Claude Lorrain (French, 1600-1682), “Landscape with Aeneas at Delos” and “The Expulsion of Hagar”, engraved by Richard Earlom (1743-1822), originally published by John Boydell, Cheapside, each sight 9-1/4” x 11-1/4”. Both glazed, matted and framed. [200/400]

1039Italian Etching of a Cherub, 19th century, sight 3” x 3-1/2”. Glazed, with a hand-painted mat, and framed. [150/300]

1040Early 19th-Century Engraving of Centaur and Lapith, sight 8-1/4” x 10”. Glazed, with a hand-painted mat, and framed. [200/400]

1041Continental School (Third Quarter 20th Century), “Floral Still Life in a Neoclassical Urn”, hand-colored engraving, sight 16” x 15-3/4”. Glazed and framed. [50/100]1029

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1042Classical Frieze-Style Decorative Panel, sight 19-1/2” x 48-1/2”. Framed. Provenance: Bremermann Designs, New Orleans, Louisiana. [400/700]

1043Auguste Renoir (French, 1841-1919), “Claude Renoir, Tourne a Gauche”, lithograph, signed in stone, sight 7-3/4” x 5-1/8”. Glazed, double-matted and framed. [400/700]

1044Charles Paul Renouard (French, 1845-1924), “A L’Opera”, suite of six etchings,pencil signed, sights 7-1/2” x 9-1/2” to 12-3/4” x 9-3/4”. Framed. [300/500]

1045John French Sloan (British, 1871-1951), “Jewelry Store, Bovary”, engraving, pencil signed, numbered and titled, sight 10” x 7”. Glazed, matted and framed. [50/80]

1046Pierre Menager (American/French, 1894-1973), “The Peddler, Vieux Carre”, woodblock print, unsigned, sheet 3” x 4-3/4”. Glazed and framed. [50/100]

1047Jessiejo Eckford (American/Texas, 1895-1941), “The Linesman”, woodblock print, signed and dated “’32”, sight 8-5/8” x 6-1/8”. Glazed, matted and framed. [100/200]

1048American School (20th Century), “Tree at Mammoth, Wyoming”, graphite on paper, signed “Krasny” and titled en verso, sight 3-1/2” x 5-1/2”. Glazed, matted and framed. [50/80]

1049Charles Richards (American/New Orleans, 1906-1992), “Portrait of Mr. Snyder”, etching, sight 8-3/4” x 6-3/4”. Glazed, matted and framed. [200/400]

1050Pair of French Hand-Colored Engravings, first quarter 20th century, after 17th-century designs by Charles Le Brun, sight 12” x 17”. Each glazed, matted and framed. [250/400]

1051Jose Perez (American, b. 2929), pair of satirical sketches, graphite on paper, each signed, 12” x 14”. Each glazed, matted and framed. [400/700]

1052After Albert Genta (French, 1901-1989), pair of sanguine prints of nudes, each signed in plate, sights 9” x 10” and 10” x 9”. Unframed. [50/80]

1053After Suzanne Meunier (French, 1888-1974),pair of sanguine prints of nudes, each pencil signed, published by Camille Lucas, NYC, sights 10” x 8-1/2” and 8-1/2” x 9-3/4”. Unframed [50/80]

1054Pair of American Etchings of Nudes, 20th Century, unsigned, images 5” x 6-3/4”. Glazed, matted, and framed. [150/300]

1055Albert Watson (Scottish, b. 2942), “Alfred Hitchcock with Goose”, 1973, chromogenic print, signed, titled, inscribed “Los Angeles Christmas 1973”, and numbered “15/25” in pencil en verso, 24” x 20”. Matted and framed. [7000/10000] Illustrated

1056Jerry L. Thompson (American/New York, 20th Century), “Brooklyn 5-8-85”, photograph, signed, marked “A/P”, and titled, sight 18” x 14-1/2”. Glazed, matted and framed. [200/400]

1057Pair of Empire-Style Mahogany and Polychrome Bergeres, early 20th century, each with a padded rectangular back, on foliate supports to the cushioned seats, raised on sabre legs, h. 36-1/2”. [700/1000] Illustrated

1055

1057

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1058Pair of Restauration Mahogany Fauteuils, second quarter 19th century, each with a slightly domed and padded back and back-scrolled crest, joined to the padded seat by scrolling arms, raised on shaped legs ending in upturned toes, h. 35-3/4”. [300/500]

1059Restauration Mahogany Bergere, mid-19th century, h. 36-1/2”. [300/500]

1060Suite of Four Restauration Mahogany Fauteuils, mid-19th century, raised on turned bulbous legs, h. 36-1/2”. [1000/1500]

1061Pair of Empire-Style Mahogany Floor Lamps, each with a fluted standard with foliate-carved vasiform capital and bottom, on a tripodal base with carved paw feet, h.70”. [1200/1800]

1062Pair of Louis-Philippe-Style Mahogany Fauteuils, early 20th century, upholstered in claret and gold brocade, h. 35-3/4”. [700/1000]

1063Empire-Style Brass and Tole Painted Six-Arm Chandelier, 20th century, h. 30”, dia. 29”. [1200/1800] Illustrated

1064French Restauration Bronze-Mounted Fruitwood Veneered Lit du Jour, second quarter 19th century, h. 42-1/2”, d. 45”, l. 78”. [700/1000] Illustrated

1065Restauration Mahogany Looking Glass in the Gothic Taste, mid-19th century, the rectangular bisected plate surmounted by a recessed arched panel and trefoil carving, flanked to either side by freestanding Corinthian columns, h. 75-1/2”, w. 37-1/2”. [500/800]

1066Restauration-Style Mahogany Recamier, late 19th century, the padded and outscrolled end with swan’s neck uprights, raised on splayed foliate-carved feet, h. 32-1/2”, w. 26-1/2”, l. 68”. [600/900]

1067Louis-Philippe Giltwood Oval Mirror, mid-19th century, h. 22-3/4”, w. 28”. [400/700]

1068Louis-Philippe-Style Gilded Mirror, in a coved and fluted frame, set with a beveled mirror plate, h. 45”, w. 32”. [75/125]

1069Biedermeier Mahogany Dressing Table, mid-19th century, the superstructure with an oval mirror over a molded plinth above two short drawers, h. 57”, w. 31”, d. 29-1/2”. [800/1200] Illustrated

1069

1064

1063

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1070Louis-Philippe Mahogany Dressing Table, second quarter 19th century, the circular mirror on a conforming wishbone frame, with a dished marble top, h. 51-3/4”, w. 26”, d. 25-3/8”. [300/500]

1071French Petite Gilt-Bronze Seven-Light Chandelier, ca. 2900, in the Empire taste, with a pink opaline finial, h. 27-1/4”, dia. 21”. [450/700]

1072Extensive Collection of French Limoges and Anneau d’Or Paris Porcelain, mid-19th century, comprised of cups and saucers, a milk jug and various serving pieces. [300/500]

1073Large Pair of Classical-Style Cast Plaster and Polychromed Pedestals, 20th century, h. 34-1/2”, dia. 20”. [400/700]

1074Restauration Paris Porcelain Garniture Urn, second quarter 19th century, depicting St. Christopher on the obverse and a carefully detailed topographical view of the fortified entrance to a bay on the reverse, the enameled panels framed in tooled gilt on a bleu royale ground, h. 27”, w. 21-1/2”. [500/800] Illustrated

1075Louis XVI Mahogany Poudreuse, late 18th century, the rectangular top trisected, the center section opening to a mirrored marble-lined compartment, h. 29”, w. 37-1/2”, d. 21-1/4”. [900/1200]

1076Empire Walnut Commode, early 19th century, h. 33-1/4”, w. 23-3/4”, d. 26”. [200/400]

1077Neoclassical-Style Marble Console Table, the Carrara marble top shaped and bowed, and with a rouge marble band, raised on two fluted scrolling supports ending in block feet, h. 33-1/2”, w. 63”, d. 28”. [800/1200]

1078French Provincial Elm Buffet, ca. 2840, in the Louis-Philippe taste, the planked top with canted corners above a conforming case fitted with two drawers over two cupboard doors, each inset with shaped figured panels, h. 39-1/2”, w. 51”, d. 22”. [400/700] Illustrated

1079Burl Elmwood and Ebonized Columnar Pedestal, h. 48-1/2”, dia. 21-3/4”. [200/400]

1080Continental Mahogany Secretaire a Abattant, late 19th century, with a projecting cornice over a cove-molded drawer, the paneled fall-front opening to reveal a fitted interior with drawers, shelves, twist-turned columns and a mirror plate, over a pair of lower doors and scalloped apron, the corners fitted with twist-turned pilasters, h. 62”, w. 43”, d. 28-1/2”. [700/1000]

1081French Provincial Walnut Armoire, mid-19th century, h. 95”, w. 69”, d. 29”. [1000/1500] Illustrated

1082Pair of Louis-Philippe Fruitwood and Burl Bedside Cupboards, mid-19th century, each with a canted square top above a conforming case fitted with a single drawer over a single cupboard, raised on a plinth base, h. 28-1/2”, w. 26”, d. 22-3/4”. [600/900]

1074

1078

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1083Frederick Owen (American, 1869-1959), group of three nautical engravings, each pencil signed and titledt, two with inscriptions, sights 11-1/2” x 14-3/4” to 10-3/4” x 12”. Glazed, matted and framed alike. [150/300]

1084Continental School (20th Century), collection of three nautical scenes, each oil on canvas, each 24-1/4” x 36”. Unframed. [100/200]

1085Captain B. F. Foulke (American, Second Quarter 20th Century), “Flying Cloud” and “Lightning”, pair of oils on canvas, both signed lower right and titled en verso, 15” x 17-3/4”. Both framed. [500/800]

1086Dutch School (Fourth Quarter 19th Century), “The Sinking Schooner”, oil on panel, unsigned, 4-1/2” x 7”. Framed. [200/400]

1087H. J. Alkins (British, 18th/19th Century), “HMS Powerful”, watercolor on paper, initialed, sight 9-1/2” x 13-1/2”. Matted and unframed. [150/300]

1088American School (Second or Third Quarter 20th Century), “At Anchor”, oil on linen, unsigned, 24” x 32”. In a carved wood frame. To be sold for the benefit of the Ogden Museum of Southern Art, New Orleans. [300/500]

1081

1089John Edwin Jackson (American, 1876-1950), 1924, graphite on paper, signed and dated, sight 13-1/2” x 23-1/2”. Matted and framed. [100/200]

1090Xavier Gonzalez (American/Spanish, 1898-1993), “Marinescape”, watercolor on paper, initialed, sight 18” x 23-1/2”. Glazed and framed. To be sold for the benefit of the Ogden museum [800/1200]

1091Hugh Brandon-Cox (British, 1917-2003), “Duck Rise From the Estuary After Storm”, watercolor on paper, signed and titled, sight 7-5/8” x 14-3/4”. Glazed, matted and framed. [150/300]

1092English School (20th Century), “View from Leonard’s Room, Brobury, Herefordshire”, oil on panel, signed “E. Rendall”, 36” x 47”. Framed. [300/500]

1093British School (Fourth Quarter 19th Century), “River Landscape With a Cottage”, oil on panel, signed illegibly lower left, 5-3/8” x 7-1/4’. Framed. [200/400]

1094British School (19th Century), “Landscape with Sheep and Figure”, oil on canvas, unsigned, 10” x 12”. Framed. [300/500]

1095English School (19th Century), “River Scene with Village in Distance”, watercolor on paper, unsigned, 6-1/2” x 8-1/4”. Glazed, matted and framed. [200/400]

1096William Thomas Wood, R.W.S., R.O.I. (British, 1877-1958), 1940, “The River Appledore-Sea and Light House”, watercolor on paper, signed and dated, sight 10-1/2” x 14-1/2”. Glazed, matted and framed. [200/400]

1097L. Lewis (British, 19th Century), “The Shore at Whitby”, watercolor on paper, signed, sight 9-1/2” x 20-1/2”. Matted, glazed and framed. [200/400]

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1098Platinum and Diamond Ring, the heavy platinum mounting set with three round brilliant-cut diamonds, three baguette diamond melee and three tapered baguette diamond melee, with an approximate total weight of 1.00 carat, size 7-3/4, 5.9 grams total weight. [300/500]

1099Platinum and Diamond Ring, the hand-fabricated platinum mounting set with a mine-cut diamond and twelve rose-cut diamond melee, with a total approximate weight of .35 carats, size 8-1/4, 3.3 grams total weight. [300/500] Illustrated

1100Fourteen-Karat Yellow and White Gold, and Pave Diamond Necklace and Earring Suite, composed of a yellow gold heart pendant pave-set with approximately 177 irregular round single-cut diamond melee on a white gold chain, with matching heart earrings set with approximately 93 irregular round single-cut diamond melee, with an approximate total weight of 3.00 carats, l. 15”, 19.6 grams total weight. [300/500] Illustrated

1101Fourteen-Karat Yellow Gold and Diamond Bracelet, the double-strand rope bracelet set with sixty-six round brilliant-cut diamond melee, with an approximate total weight of 1.50 carats, l. 7”, 7.4 grams total weight. [200/400]

1102Pair of Fourteen-Karat White and Yellow Gold, and Pave Diamond Hoop Earrings, each hoop set with approximately 195 single-cut diamond melee, with an approximate total weight of 2.00 carats for the pair, 10.0 grams total weight. [200/400] Illustrated

1103Fourteen-Karat White Gold, Yellow Cubic Zirconia and Diamond Ring, the ring basket-set with a 20.0 mm x 11.0 mm yellow cubic zirconia, surrounded by twenty-three round-cut diamonds, with an approximate total weight of 1.75 carats, size 7-1/2, 9.33 grams total weight. [250/400]

1104Fourteen-Karat White Gold, Yellow Cubic Zirconia and Diamond Ring, set with a 10.0 mm round-cut yellow cubic zirconia, surrounded by seventy-eight round-cut diamonds with an approximate total weight of 0.92 carats, size 7, 9.33 grams total weight. [200/400]

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1100

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1105Pair of Fourteen-Karat Yellow Gold, Diamond and Peridot Ear Clips, each clip set with an oval faceted peridot, with an approximate weight of 2.00 carats, and twelve faceted pear-shaped peridots, weighing approximately .10 carats each, and twelve round single-cut diamonds, total approximate diamond weight is .12 carats for the pair, 8.6 grams total weight. [125/250]

1106Pair of Fourteen-Karat Yellow Gold, Emerald and Enamel Earrings, the nomadic-designed earrings highlighted with black enamel, each set with an emerald-cut emerald, with an approximate weight of 1.00 carat, 7.5 grams total weight. [150/300]

1107Fourteen-Karat Yellow Gold, Emerald and Diamond Ring, the large emerald-cut emerald, with an approximate total weight of 7.75 carats, set on each side with ten round brilliant-cut diamond melee, with an approximate total weight of .40 carats, size 7-1/4, 7.8 grams total weight. [500/800] Illustrated

1108Lady’s Emerald Necklace, the triple-strand necklace composed of emerald beads, graduating from 2.0 mm to 6.0 mm, with an approximate total weight of 115.0 carats, l. 15”. [200/400] Illustrated

1109Sterling Silver and Blue Topaz Necklace, composed of 13.0 mm round faceted blue topaz beads, finished with a sterling silver clasp, l. 17”. [100/200]

1110Fourteen-Karat White Gold, Diamond, Aquamarine and Freshwater Pearl Necklace, the flower pendant comprised of approximately seventy single-cut diamonds with an approximate total weight of .33 carats, necklace, l. 17”, pendant, l. 1”. [150/300]

1111Sterling Silver, Rainbow Fluorite and Chalcedony Necklace, with a faceted chalcedony pendant accenting the flat faceted rainbow fluorite bead necklace, necklace, l. 16”, pendant, l. 1-1/8”. [75/125]

1112Opera-Length Turquoise Necklace, composed of natural turquoise in various shapes and sizes, finished with a toggle clasp, l. 43”. [125/250] Illustrated

1113Opera-Length Red Coral and Green Jasper Necklace, composed of red coral chips accented by flat round green jasper beads, l. 53”. [75/125]

1107

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1112

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1114Fourteen-Karat Yellow Gold and Jade Necklace, the large shaped brown, green, lavender and white jade pendant carved with swimming ducks on one side and a songbird on the other, the necklace with eight green and six brown 8.0 mm jade beads and two off-white 14.7 mm egg-shaped jade beads, l. 27-1/2”. [300/500]

1115Chinese Beaded Necklace with Ornate Pendant, 20th century, the necklace with glass beads and a paktong pendant with inlaid stones in the Tibetan style, l. 16-3/4”. [100/200] Illustrated

1116Fourteen-Karat Yellow Gold and Rhodochrosite Ring, the twisted wire filigree mounting set with a large circular rhodochrosite cabochon, measuring approximately 20.0 mm, size 7-3/4, 19.6 grams total weight. [250/400]

1117Eighteen-Karat Yellow Gold and Pink Tourmaline Pendant, the hollow pendant set with an oval cabochon-cut pink tourmaline, h. 2-1/2”, 11 grams total weight. [200/400]

1118Pair of Fourteen-Karat Yellow Gold and Ruby Chandelier Earrings, each rococo-designed earring set with thirteen square faceted foil-back rubies, with an approximate total weight of 1.25 carats, 12.2 grams total weight. [200/400]

1119Pair of Fourteen-Karat White and Yellow Gold, Diamond and Ruby Earrings, each heart-shaped earring composed of twenty-eight round faceted rubies, with an approximate total weight of 1.50 carats, and approximately forty-seven single-cut pave-set diamond melee, with an approximate total weight of .95 carats, 7.2 grams total weight. [100/200] Illustrated

1120Eighteen-Karat Yellow Gold and Ruby Ring, the heavy modern design mounting with an oval faceted ruby, with an approximate total weight of 1.80 carats, size 7-1/2, 9.9 grams total weight. [300/500]

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1119

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1121Fourteen-Karat Yellow Gold and Garnet Ring, the gold filigree band set with five oval faceted garnets, with an approximate total weight of 3.00 carats, size 6-1/4, 8.8 grams total weight. [100/200] Illustrated

1122Ruby Necklace, Bracelet and Earring Set, the three-piece suite composed of polished ruby nuggets with gold vermeil sterling findings, with an approximate total weight of 500.0 carats, necklace, l. 20”, bracelet, l. 8”. [50/80]1123Pair of Sterling Silver and Garnet “Mignon Faget” Earrings and Matching Brooch, each heart-shaped earring set with a teardrop garnet cabochon, together with a matching heart-shaped brooch. [100/200] Illustrated

1124Bold Amethyst Necklace, composed of polished, faceted amethysts accented with rough-cut teardrop-shaped amethysts, l. 16-1/2”. [75/125]

1125Fourteen-Karat Yellow Gold, Amethyst and Demantoid Garnet Bracelet, composed of eight oblong faceted amethysts, each with an approximate weight of 1.00 carat, and eight demantoids weighing approximately .05 carats each, l. 7”, 6.3 grams total weight. [125/250]

1126Fourteen-Karat Yellow Gold, Amethyst and Diamond Pendant, the hinged pendant with ten round brilliant-cut diamond melee, with an approximate total weight of .05 carats, and set with an oval faceted amethyst, with an approximate total weight of 13.0 carats, and a tapered amethyst, with an approximate total weight of 1.25 carats, 5.5 grams total weight. [100/200] Illustrated

1127Lady’s “Ciner” Fourteen-Strand Simulated Pearl Necklace, the gold-tone clasp pave-set with rhinestones surrounding a blue sapphire colored glass oval cabochon, l. 17”. [75/125] Illustrated

1128Two Pairs of Fourteen-Karat Yellow Gold and Pearl Dangle Earrings, the first pair each composed of a single baroque freshwater pearl, the second pair each composed of a 6.5 mm and a 7.5 mm cultured pearl. [100/200]

1129Fourteen-Karat Yellow Gold, Diamond and Mabe Pearl Ring and Pendant, the 12.2 mm x 20.7 mm teardrop silver-white colored mabe pearl with a good luster, and mounted in a ring set with five round brilliant-cut diamonds, with an approximate total weight of .05 carats, the pendant set with a 14.0 mm x 22.5 mm teardrop rose-colored mabe pearl with a good luster, and mounted with six round brilliant-cut diamonds, with an approximate total weight of .05 carats, ring size 7-1/2, 10.8 grams total weight. [150/300]

1130Lady’s Cultured Pearl Necklace, the hand-knotted necklace composed of 8.0 mm golden-colored pearls with a good luster, l. 32”. [300/500]

1131Fourteen-Karat Yellow Gold and Baroque Freshwater Pearl Brooch, in a three flower design with a gray-colored pearl set in each flower, l. 2-1/4”, 14.8 grams total weight. [300/500]

1132Opera-Length Pearl Necklace, the hand-knotted 7.5 mm golden cultured pearl necklace with a good luster, l. 37”. [100/200]

1133Pair of Fourteen-Karat Yellow Gold and Pearl Earrings, and a Ten-Karat Yellow Gold and Pearl Ring, the gold ring set with six silver gray-colored cultured pearls, measuring 5.0 mm to 6.0 mm, and the earrings composed of yellow gold and rose-colored cultured pearl studs, measuring 9.0 mm, ring size: 9-1/2, 7.7 grams total weight. [100/200]

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1141Collection of Three Vintage Handbags, comprised of a William B. Kerr and Company, Newark, New Jersey, engraved and monogrammed sterling silver coin purse with a chain strap, first quarter 20th century, h. 2-3/4”, w. 3-7/8”, d. 3/8”, chain drop: 9”, a Continental handbag with a cast sterling silver pierced frame and floriform link chain, the gathered body of black moire damask, first quarter 20th century, h. 8-1/2”, w. 11-1/2”, d. 4-1/2”, chain drop: 5-1/2”, and an Ansico mother-of-pearl and gilt-brass vanity/cigarette purse with snake link wrist chain and separate lighter, mid-20th century, purse, h. 3-1/4”, w. 5-1/2”, d. 1-7/8”, chain drop: 4-1/4”, lighter, h. 1-1/2” (four total pieces). [200/400] Illustrated

1142Three Baroque Freshwater Pearl Bracelets, the hand-knotted white baroque pearl bracelets finished with sterling silver clasps, l. 7-1/4” to 7-1/2”. [75/125]

1143Lady’s Baroque Pearl Necklace, the white-colored freshwater baroque pearls hand-knotted and finished with a sterling silver clasp, l. 18”. [100/200]

1144La Tour Eiffel 1887 Tan and White Grained Leather Handbag, includes a removable tan leather shoulder strap, bag, h. 6-1/2”, w. 10”, d. 3”, handle drop: 2-1/2”, strap drop: 24”. [150/300]

1145Hermes, Paris, Turquoise “Grand Fons” Silk Scarf, designed by Annie Faivre and issued in 1992, 35” x 35”. [100/200]

1145AGentleman’s Girard-Perregaux Stainless Steel Vintage 1945 Automatic Watch with Rainbow Dial, reference # 25830, 34 mm x 48 mm, without crown. [700/1000]

1146Alina Multi-Colored Patchwork Alligator “Vicenza” Handbag, h. 10-1/2”, w. 14-1/4”, d. 6”, handle drop: 3”, strap drop: 17-3/4”. [2500/4000]

1134Lady’s Cultured Pearl Necklace, the hand-knotted necklace composed of 6.5 mm creamy white-colored pearls with a good luster, l. 35”. [100/200]

1135Fourteen-Karat Yellow Gold and Mabe Pearl Pendant, the large 16.0 mm x 25.0 mm teardrop light rose-colored pearl set in a stylized Greek-key designed pendant, 5.3 grams total weight. [75/125]

1136Cultured Pearl Necklace, the hand-knotted 7.5 mm silver-colored pearls with an excellent luster, l. 33”. [300/500]

1137Pair of Fourteen-Karat Yellow Gold Ear Clips, the domed ear clips with a bright finish, 16 grams total weight. [150/300]

1138Pair of Fourteen-Karat Yellow Gold, Mabe Pearl and Diamond Ear Clips, the teardrop rose-colored pearls, measuring 15.0 mm x 24.0 mm, bordered by a twisted gold rope, each clip accented with three round brilliant-cut diamonds, with an approximate total weight of .10 carats for the pair, 9.6 grams total weight. [100/200] Illustrated

1139Lady’s Opera-Length Baroque Freshwater Pearls, the hand-knotted dark gray-colored pearls with a good luster, l. 66”. [200/400]

1140Fourteen-Karat Rose and White Gold Chain, the 2.0 mm rope chain divided into segments of alternating rose and white gold, l. 20-1/2”, 12.8 grams total weight. [200/400]

1138

1141

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1147Collection of Three Vintage Hats, comprised of two Susan Frank Originals and a Madcaps orange example, includes a hat box. [50/80] Illustrated

1148Three Pairs of Lady’s Fashion Clip Earrings, [40/70]

1149Alina Caribbean-Green Ostrich Skin “Tremezzo” Handbag, with two logo-stamped-buckle handles attached to silver rings, the body with a front slip pocket with magnetized closure, with two deep open bone nappa leather-lined pockets, one containing a slip pocket, the other containing a zippered pocket below the silver metal label stamped: “the logo / ALINA / MADE IN ITALY”, with a large zippered, bone nappa leather-lined central pocket, the body resting on four circular silver logo-stamped feet, a red dust bag included, h. 9-1/2”, w. 15-1/2”, d. 5”, handle drop: 9”. [2500/4000]

1150Vintage Emilio Pucci Velvet Clutch/Shoulder Bag, in green and violet tones, includes the original patterned velvet snap-on strap, h. 5-3/4”, w. 8-1/2”, d. 2”, strap drop: 12-1/2”. [200/400]

1151Three Pairs of Lady’s Fashion Clip Earrings, [40/70]

1152Faceted Smoky Topaz and Tiger Eye Necklace and Earring Set, the necklace and earrings accented with gold beads, necklace, l. 16”, earring, l. 1-1/2”. [100/200]

1153Chocolate Brown Mink and Taffeta Full-Length Swing Coat, size 6, with a broad mink notched collar and front trim, three hook closures, welt pockets and mink-trimmed set-in sleeves, the interior lined with sheared mink paws, labeled “Koslow’s”, l. 50”. [300/500] Illustrated

.

1154Two Vintage Hats, including a taupe example labeled “Helen Richards” and “Trenwith’s/Santa Barbara”, and a sand example, includes a hat box. [40/70]

1155Bold Rutilated Quartz Necklace, composed of slab cut, polished and faceted rutilated quartz beads, finished with a gold toggle, l. 19”. [75/125]

1156Blonde Fitch Coat, size 6, with a broad shawl collar, three-hook front closure and two on-seam velvet-lined pockets, the set-in sleeves with rolled cuffs, labeled “David Goodman”, l. 38”. [300/500]

1157Collection of Three Vintage Alligator Handbags, two Lucille de Paris bags, the gray frame bag h. 10-1/2”, w. 13-1/4”, d. 3”, handle drop: 5-1/4”, the peach bag h. 5-1/2”, w. 9”, d. 2-1/2”, handle drop: 4”, and a large chocolate brown tote,h. 15-1/4”, w. 13”, d. 6”, handle drop: 6-1/2”. [50/80]

1158Ivory and Black Onyx Necklace, composed of 14.0 mm ivory beads and 9.0 mm black onyx beads, l. 34”. [75/125]

1159Two Judith Leiber Snake Convertible Gate Frame Handbags, the first example in pleated chocolate brown karung with a shaped frame and drop-in self strap, bag, h. 7-1/2”, w. 11-1/2”, d. 2-1/2”, strap drop: 19-1/4”, and the second example in shirred ivory snake with a V-frame and drop-in self strap, includes a tasseled comb, swing mirror and coin purse, bag, h. 6-1/4”, w. 12-1/4”, d. 2-1/2”, strap drop: 19-1/2”, both handbags fully labeled. [250/400] Illustrated

1160Herringbone-Patterned Fur Jacket, size 6, with stand-up lapels, three front hook closures, two on-seam pockets and laced with a brown leather tie, labeled “Godchaux’s / Maison Blanche”, l. 25”. [200/400]

1147

1153

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1161Chanel, Paris, “Chains” Silk Scarf, on a black ground, 35” x 34”. [100/200] Illustrated

1162Faceted Amber Necklace, composed of oblong faceted honey-colored beads, l. 29”. [75/125]

1163Collection of Four Vintage Hats, comprising a natural straw example labeled “Halston”, a black and white example, and two black examples, includes a hat box. [100/200]

1164Two Vintage Black-Beaded Frame Handbags, comprising a large Soure, New York, black velvet bag with floral beading on one side, includes the original small mirror, bag, h. 11-1/4”, w. 12-1/2”, d. 3-3/4”, handle drop: 5-1/4”, and an allover caviar-beaded example with a scalloped roll top, h. 6-1/2”, w. 10”, d. 1-3/4”, strap drop: 5-1/2”. [100/200]

1165Slab Rock Crystal Necklace, composed of slab-cut rock crystal beads in various sizes, l. 17-1/2”. [100/200] Illustrated

1166Lustrous Black Mink Coat, size 6, with shawl collar, on-seam pockets, a single crocheted button and loop at the collar and two lower hook closures, the set-in sleeves self-banded at the wrist, l. 44”. [400/700]

116731 Fevrier, Paris, Faceted Crystal-Encrusted Egg Evening Bag, in a gilt-brass frame topped with a rolled black satin loop handle, the interior lined with black satin,egg h. 5-1/4”, handle drop: 3”. [400/700] Illustrated

1168Delicate Freshwater Stick Pearl and Rock Crystal Necklace, finished with a sterling silver clasp, l. 17”. [75/125]

1169Fourteen-Karat Yellow Gold and Baroque Pearl Necklace, the gray-colored freshwater baroque pearls separated by small ribbed yellow gold beads, l. 20”. [100/200]

1170Collection of Three Vintage Hats, in hot pink, ecru and black, includes a hatbox. [30/50]

1171Collection of Eight Vintage French Scarves, in assorted sizes. [100/200]

1172Chocolate Brown Mink Swing Coat, size 8-10, with rolled lapels, two front hook closures and on-seam velvet-lined pockets, the set-in full sleeves self-banded at the wrist, lined with chocolate brown silk and labeled “Szor-Diener”, l. 48”. [400/700] Illustrated

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1161

1165

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1173Collection of Three Vintage Hats, in charcoal, winter white and red. [75/125]

1174Five-Strand Rose Coral Necklace, the large, round 37.0 mm clasp set with a 20.0 mm round mother-of-pearl cabochon surrounded by twelve bouton cultured pearls, finished with a sterling gold vermeil clasp set with mother-of-pearl and pearls, l. 17”. [75/125]

1175Collection of Three Vintage Frame Handbags, comprised of an Elan rhinestone-covered pouch, h. 4-1/4”, w. 5-1/2”, d. 3-1/2”, chain drop: 23-1/4”, a Roberta Di Camerino velvet shoulder bag with self strap, h. 10”, w. 15”, d. 5”, strap drop: 13”, and a French petit point shoulder bag, h. 7”, w. 9-1/4”, d. 1”, chain drop: 14-1/4”. [50/80]

1176Freshwater Pearl Butterfly Choker, the freshwater pearl necklace accented with two butterflies set with rhinestones, finished with an antique-style rhinestone clasp, l. 12-1/2” to 14-1/2”. [50/80]

1177Lady’s Cultured Pearl Necklace, the hand-knotted necklace composed of 7.5 mm white and dark gray-colored pearls with a good luster, l. 32”. [300/500] Illustrated

1178Large and Bold Pearl Choker, set with an antique buckle woven with freshwater pearls accented with rhinestones, finished with a rhinestone-encrusted screw clasp, l. 18”. [50/80]

1179Two Vintage Frame Handbags, the first example with floral metallic beading and pearlized handle, h. 7-1/2”, w. 10-1/4”, d. 3-1/4”, handle drop: 4-1/4”, and the second example a white enamel and gilt-brass Glomesh, Australia, bag with a white snake link chain, includes the original vinyl ID wallet with small mirror, bag, h. 6-3/4”, w. 9-3/4”, d. 2-3/4”, chain drop: 6”. [125/250]

1180Fourteen-Karat Yellow Gold and Freshwater Pearl Choker with Matching Earrings, the choker and earrings composed of black and white baroque pearls separated by yellow gold beads, necklace, l. 16”, 32.8 grams total weight. [75/125]

1181Three-Piece Suite of Native American Sterling Silver, Abalone, Coral, Black Onyx and Turquoise Jewelry, comprised of a silver beaded necklace with a silver pendant set with a polished turquoise nugget and coral on one side, and a mosaic of a Hopi dancer composed of abalone, coral, onyx and turquoise on the other, l. 18”, a matching cuff bracelet and ring set with Hopi dancer mosaics, ring size: 12, total weight 5.7 t. oz. [100/200]

1182Three Pieces of American and English Sterling Silver Smallware, first half 20th century, including a Gorham circular compact, dia. 3”, an unmarked rectangular stamp box, l. 1-1/2”, and an Edwardian circular pillbox, hallmarked London, 1903-1905, by C. A. Faraday, monogrammed MNB”, dia. 1-3/8”, 0.59 total t. oz. (excluding compact). [60/90]

1183Collection of Three Vintage Sterling Silver and Gold Thimbles, first quarter 20th century, including a Simons Brothers example, sterling silver with gold guilloche band, size 9, a Stern Brothers sterling silver example with paneled rose gold band, size 10, and an unidentified fourteen-karat gold example, the band inscribed and dated “Elizabeth 12/25/14”, size 11, 14.3 gr. total weight. [60/90]

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1184Three Pieces of Sterling Silver Smallware, first half 20th century, including a pair of American Frank May Art Nouveau stamp boxes, l. 1-1/4”, and a Mexican perfume funnel, l. 2”, 0.80 total t. oz. [75/125]

1185Two Lisham Art Sterling Silver Cornucopia Paperweights, contemporary, Tel Aviv, Israel, weighted, l. 6-1/4” and 4”. [150/300]

1186Lisham Art Sterling Silver Frog Paperweight, contemporary, Tel Aviv, Israel, weighted, l. 3-3/4”. [75/125] Illustrated

1187Assembled Twelve-Piece American Art Nouveau Sterling Silver Dresser Set, ca. 1900, including a matched set of twelve dresser articles depicting Venus and Cupid (hand mirror, cuticle knife, cuticle pusher, nail file, buttonhook, shoe horn, nail buffer, brush, glove stretcher and loose handle), l. 4” to 9-1/2”, all monogrammed “ESBF”, a similar silver-top paneled glass dresser jar, dia. 1-1/2”, and a shield-shaped rococo-style dresser mirror of later date, h. 17-1/2”. [300/500] Illustrated

1188Three American Sterling Silver Dresser Articles, first quarter 20th century, with embossed rinceaux decoration, including a W. B. Kerr matching handled brush, l. 10-3/4”, and mirror, l. 14-1/2”, neither monogrammed, and a similar Nussbaum & Hunold clothes brush, monogrammed “HOB”, l. 6-1/2”. [100/200]

1189Gorham Sterling Silver Trumpet Vase, 1926, Providence, Rhode Island, with wavy rim, monogrammed “LF”, h. 16”, dia. 6”, weighted. [100/200]

1190Three American Sterling Silver Trumpet Vases, 20th century, various manufacturers, the tallest monogrammed “VMP” and 5.01 t. oz., the others with no monograms and weighted, h. 6-1/2” to 12”. [100/200] Illustrated

1191Three Pieces of American Silverplate, first half 20th century, including a Barbour glass-lined cylindrical dresser jar with rococo decoration, h. 6-1/2”, dia. 4-3/4”, an unmarked platter stand with repousse fruit decoration, h. 4-1/2”, dia. 14”, and an E. G. Webster oval tray with rocaille rim, l. 29, w. 19”. [250/400]

1192Samuel Kirk & Son Sterling Silver Dish, second quarter 20th century, Baltimore, Maryland, of circular form with molded rim, monogrammed “GCMcE”, dia. 8-1/4”, 9.96 t. oz. [150/300]

1190

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1193Twelve Pieces of Wallace “Litchfield” Sterling Silver Flatware, the pattern designed in 1898 by Samuel Stohr, Meriden, Connecticut, including six cream soup spoons, l. 5-3/8”, and six coffee spoons, l. 4-5/8”, no monograms, 7.39 total t. oz. [125/250]

1194Four American Floral-Motif Sterling Silver Spoons, ca. 1900, including a Durgin “Chrysanthemum” tablespoon, l. 7”, and cream soup spoon, l. 5-1/2”, an Alvin “Bridal Rose” teaspoon, l. 5-3/4”, and a Shiebler “Flora (Violet)” teaspoon (disposal damage), l. 5-5/8”, all but the Shiebler example variously monogrammed, 5.65 total t. oz. [100/200]

1195Five Gorham “Virginiana” Sterling Silver Egg Spoons, the pattern designed in 1904 by William C. Codman, Providence, Rhode Island, no monograms, l. 4-3/4”, 2.77 total t. oz. [50/80]

1196Eight American Sterling Silver Sugar Spoons, first quarter 20th century, including patterns: Reed & Barton “La Reine”, l. 5-3/4”, International “Diana”, l. 5-1/2”, Towle “Rustic”, l. 5-3/4”, Towle “Albany”, l. 5-1/2”, International “Warwick”, l. 5-7/8”, Dominick & Haff “Pointed Antique Engraved #9”, l. 6-1/4”, Towle “Mary Chilton”, l. 5-3/4”, and an unidentified Baker-Manchester beaded rococo pattern, l. 5-1/4”, five pieces variously monogrammed, 5.72 total t. oz. [75/125] Illustrated

1197Twelve American Small Sterling Silver Serving Forks, 20th century, including a Manchester “Pierced Handle” sardine fork, l. 5-1/2”, an Alvin “Virginia” sardine fork, l. 4-1/4”, a Reed & Barton “La Parisienne” vegetable serving fork, l. 7-1/4”, a Towle “Madeira” pickle fork, l. 5-3/4”, a Whiting “Lady Baltimore” pickle fork, l. 5-7/8”, a Frank M. Whiting “Lily” lemon fork, l. 4-5/8”, a Lunt “Mignonette” lemon fork, l. 4-3/4”, and a Webster pierced colonial revival lemon fork, l. 4-3/4, three pieces monogrammed, 4.88 total t. oz. [100/200] Illustrated

1198Four American Sterling Silver Bonbon and Jelly Spoons, 20th century, including a Dominick & Haff “Rococo” bonbon spoon, the gilt bowl monogrammed “F”, l. 4-1/4”, a Towle “Madeira”, bonbon spoon, l. 5-3/4”, an unidentified Webster Danish Modern bonbon server, l. 5-1/4”, and a Franklin/Lunt “Enid/Chatelaine” jelly spoon, l. 5-1/4”, 2.70 total t. oz. [100/200]

1199Eleven Towle “Dover” Sterling Silver Teaspoons, the pattern introduced in 1880, Newburyport, Massachusetts, monogrammed “B”, l. 5-1/4”, 5.66 total t. oz. [100/200]

1200Two American Sterling Silver Cheese Scoops, first quarter 20th century, including a Wallace “Eton” example, l. 7-3/4”, monogrammed “P”, and a Durgin “Madame Royale” example, inscribed “Bet”, l. 7-1/8”, 3.53 total t. oz. [75/125]

1201Five Assorted American Sterling Silver Dishes, mid-20th century, including an Alvin and an International service plate, dia. 9”, a Reed & Barton 1932 sandwich plate, dia. 10-1/2”, a Barbour footed cake plate, dia. 10-1/2”, and an International “Lord Robert” presentation waiter inscribed to James Gillespie Blaine III (1888-1969) and dated 1957, dia. 14”, 67.65 total t. oz. [1200/1800]

1202Twenty-Two Sterling Silver Bread and Butter Plates, 20th century, including a Manchester set of eight, dia. 6”, an unmarked set of eight, dia. 5”, a Wallace set of three, dia. 6”, an M. F. Hirsch pair, dia. 6”, and an A. G. Schultz singleton, dia. 6-5/8”, all but the unmarked set variously monogrammed/inscribed, 40.12 total t. oz. [600/900]

1203Seven Pieces of Lunt “Pynchon” Sterling Silver Flatware, the pattern introduced ca. 1910, Greenfield, Massachusetts, including six iced tea spoons, l. 7-1/4”, and one sugar spoon, l. 5-3/4”, variously monogrammed, 4.43 total t. oz. [75/125]

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1204Twenty Pieces of Manchester “Manchester” Sterling Silver Flatware, the pattern designed in 1910 by Frank S. Trumbull, Providence, Rhode Island, including two dinner forks, l. 7-1/4”, four teaspoons, l. 5-5/8”, five dinner knives with steel blades, l. 9-5/8”, eight butter spreaders with steel blades, l. 4-3/4”, and a master butter knife, l. 6-7/8”, monogrammed “OCK”, 6.82 total t. oz. (excluding items with steel blades). [125/250]

1205Six Gorham “Lansdowne” Sterling Silver Luncheon Forks, introduced in 1917, Providence, Rhode Island, three monogrammed “MFS”, l. 7”, 7.84 total t. oz. [150/300] Illustrated

1206Eight International “Trianon” Sterling Silver Spoons, the pattern designed in 1921 by Alfred G. Kintz, Meriden, Connecticut, including three demitasse spoons, l. 4”, and five teaspoons, l. 5-7/8”, variously monogrammed, 4.44 total t. oz. [75/125]

1207Six Wallace “Princess Mary” Sterling Silver Ice Cream Spoons, the pattern designed in 1922 by Mary B. Leete, Wallingford, Connecticut, monogrammed “LJH”, l. 5-3/8”, 4.12 total t. oz. [75/125]

1208Two American Sterling Silver Cake Knives, 20th century, both with filled handle and “scimitar” blade, including a Gorham “Old London” example with sterling blade, monogrammed “C”, l. 10-1/4”, and an unidentified Colonial Revival example with silverplate blade, monogrammed “FDR”, l. 10-3/4”. [50/80]

1209Two American Sterling Silver Pierced Serving Pieces, 20th century, including a Reed & Barton “French Antique” fish server, monogrammed “AWB”, l. 12”, and a National Silver “Margaret Rose” pie server, l. 10”, 5.59 total t. oz. [100/200]

1210Three American Sterling Silver Serving Pieces, 20th century, including a Watson “John Alden” soup/punch ladle, monogrammed “D”, l. 12-5/8”, a Stieff “Williamsburg” cold meat fork, l. 8-1/2”, and an Old Newbury Crafters “Newburyport” serving spoon, monogrammed “C”, l. 12-5/8”, 11.31 total t. oz. [200/400]

1211Two Pairs of Sterling Silver Candlesticks, second quarter 20th century, the taller by M. Fred Hirsch, h. 10-1/4”, the shorter by Elgin Silver Co., h. 7-1/4”, each with tapering fluted standard and thistle nozzle, weighted (four total pieces). [100/200] Illustrated

1212Eight Sterling Silver Bonbon Dishes, first half 20th century, including a British colonial example set with an Edwardian 1908 Straits Settlement dollar coin, a Wallace “Betsy Ross” example, a mid-century modernist example, a Watrous example with pierced rim monogrammed “H”, and three others with floral or gadrooned rim, dia. 4-1/8” to 6”, 22.44 total t. oz. [400/700] Illustrated

1213Collection of Eleven Sterling Silver Napkin Rings, first half 20th century, by various manufacturers, some monograms, h. 1/2” to 1-3/4”, 8.68 total t. oz. [150/300]

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1214Fifty Assorted Sterling Silver and Porcelain Demitasse Fittings, mid-20th century, including sterling pieces: twelve solid cup holders and two sets of six saucers by Webster, eight reticulated cups and two saucers by Gorham, and one reticulated cup and six saucers by G. H. French, with nine porcelain gold-rimmed liners, probably Lenox, approximate h. 2”, dia. 3-1/4”. [200/400]

1215Eight American Silverplate Footed Bowls, first half 20th century, various manufacturers, with gadrooned, beaded or pierced decoration, dia. 4-1/4” to -3/4”, six weighted, the other two 6.82 total t. oz. [200/400]

1216Six American Sterling Silver Reticulated Sandwich Plates, first half 20th century, various manufacturers, two monogrammed, dia. 8” to 10-1/4”, 41.48 total t. oz. [700/1000] Illustrated

1217Two American Sterling Silver Bowls, first quarter 20th century, including a Towle “Louis XV” condiment bowl, dia, 7-1/2” and a similar Randahl Shop vegetable bowl, dia. 9-1/2”, the latter monogrammed “K.D.O’N”, 12.02 total t. oz. [200/400]

1218Two American Silverplate Trays, including a Friedman oval example with pierced gallery, l. 23”, and a Poole rectangular example, l. 26”, both with rococo rim. [125/250]

1219Set of Twelve Samuel Kirk & Son Sterling Silver and Glass “Repousse” Drinks Coasters, mid-20th century, Baltimore, Maryland, dia. 4”. [125/250]

1220Collection of Thirty-Nine Sterling Silver, Silverplate and Glass Coasters and Trivets, 20th century, various manufacturers, including sixteen sterling and glass drinks coasters, a racked set of seven sterling and glass drinks coasters, a set of eight silverplate “vintage” drinks coasters, four sterling and glass bottle coasters, one sterling and glass trivet, and a set of three silverplate and glass trivets, some monograms, dia. 3-1/8” to 6-3/4” (forty pieces including rack). [200/400]

1221Colonial Revival Painted Chest with Dressing Flap, h. 26-1/2”, w. 26”, d. 15”. [100/200]

1222Early American-Style Surrey and Rider Copper Weather Vane, h. 59-3/4”, d. 16-1/2”, l. 32-1/4”. [500/800] Illustrated

1223American Cast Metal Horse and Buggy Weathervane, h. 10-1/2”, l. 30-1/2”. [200/400]

1224Boston Queen Anne-Style Mahogany Wing Chair, 20th century, h. 45-1/4”, w. 30-1/2”, d. 26-1/2”. [200/400]

1225American Federal-Style Mahogany Cabinet, second quarter 20th century, with a brass plaque reading “W. & J. Sloane Saw-Kill Furniture”, h. 83”, w. 39”, d. 18-1/2”. [200/400] Illustrated

1226Vernacular American Stained Poplar Corner Cabinet, ca. 1800, in two parts, on a base with a drawer over a paneled door, on bracket feet, h. 85”, w. 38”, d. 20-1/4”. [300/500]

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1222

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1227Pair of American Colonial Revival Brass Steeple-Top Andirons, ca. 1900, h. 24-1/2”, w. 11”, d. 18-1/4”. [200/400]

1228American Sheraton Maple Bench, first quarter 19th century, New England, h. 33”, w. 72”, d. 20”. [300/500]

1229Anglo-American Banded and Inlaid Mahogany Camel-Back Sofa in the Chippendale Taste, fourth quarter 19th century, probably New England, upholstered in peach damask, h. 36”, w. 85”, d. 26”. [1500/2500] Illustrated

1230American Sheraton Mahogany Sideboard, 19th century, probably Baltimore, the rectangular top above a case fitted with two drawers over two paneled side cupboards, h. 36”, w. 33”, d. 19-1/2”. [800/1200]

1231Vernacular American Cypress Hutch Table, ca. 1800, mid-Atlantic states, the rectilinear tilt-top on a bench of single board construction, h. 30-1/2”, raised h. 51”, w. 58”, d. 34”, [200/400]

1232Southern Vernacular Hickory Wood Yarn Winder, early 19th century, h. 26”, w. 21-1/2”, d. 18”. [200/400]

1233Southern Vernacular Cypress Slant-Lid Desk, late 19th century, h. 35”, w. 31”, d. 32”. [300/500]

1234Thirteen-Piece Collection of Vintage Painted Wooden Fishing Lures and a Lead and Tin Weight, l. 6” to 8-1/4”. [450/700]

1235Empire-Style Cypress Bookcase, with adjustable shelves and glass doors, h. 89”, w. 43-3/4”, d. 18-1/2”. [800/1200]

1236American Folk Art Carved and Painted Dog Figure, the reclining hound dog resting on a sponge-painted wooden plinth, h. 22-1/4”, w. 32-1/2”, d. 15-1/4”. [500/800] Illustrated

1237Almarie Little (American, 1923-2002), “Antoine’s Restaurant”, acrylic on canvasboard, signed and titled, 12” x 16”. Framed. [100/200]

1238Group of Three Cityscapes, 20th century, including an oil on paper of Venice by Giovanni Casadei (Italian/Philadelphia, b. 1956) and two oils on canvas of New Orleans, signed Battas Alla, sights 12” x 9” to 18” x 6”. All framed. [500/800]

1239Louisiana School (20th/21st Century), “Rainy Day in the French Quarter” and “Cafe du Monde”, two oil on board, both illegibly signed, 14” x 11” and 12” x 16”. Both framed. [600/900] Illustrated

1240Rex Robinson (American/Louisiana, 20th/21st Century), “Old Town Villa” and “Green Shutters”, two watercolors on paper, both signed and dated “81”, sights 16” x 12” and 20” x 14”. Both glazed, matted and framed. [300/500]

1241Collection of Five American Works on paper, including a watercolor, etchings, and lithographs, all signed, some titled and numbered, sights 6-1/2” x 4-1/4” to 7” x 6”. All glazed, matted, and framed. [300/500]

1229

1236

1239 one of two

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1242Rolland Golden ( American/New Orleans, b. 1931), “The Red Cabin”, 1961, watercolor on paper, signed and dated, sight 18” x 24”. Glazed, matted and framed. [700/1000] Illustrated

1243Rolland Golden (American/New Orleans, b. 1931), pair of graphites on paper, signed and dated, sights 10” x 13 and 10-3/4” x 7-1/2”. Both glazed, matted, and framed. [300/500]

1244Collection of Two Louisiana Watercolors, 20th century, “French Quarter Courtyard” and “French Quarter Street Scene”, sights 14-3/8” x 21-3/8” and 29-1/2” x 21”. Both glazed, matted and framed. [300/500]

1245Nan Simmons (American/Louisiana, 20th/21st Century), “Pepper Pickers-Avery Island”, oil on masonite, signed and titled en verso, 24” x 24”. Framed. [200/400] Illustrated

1246Southern School (20th/21st Century), “Portrait of a Cotton Picker”, oil on canvas, signed lower right “P. Morris”, 16” x 12”. Framed. [500/800]

1247Collection of Three Confederate States of America Bonds, sights 14” x 12”, 16-3/4” x 13-1/2” and 17-1/2” x 15”. All glazed and framed. [200/400]

1248Robert de Vaugundy (French, 1688-1766), “Map of the Mouth of the Mississippi”, 1763, sight 9” x 7-1/4”, together with a hand-colored engraving of “The Royal or African Company of Merchants”, sight 13” x 17-3/4”. Both glazed, matted and framed. [200/400]

1249Pair of Currier and Ives Hand-Colored Engravings of Battle Scenes, 19th Century, each signt 9-3/4” x 13”. Glazed, matted, and framed. [100/200]

1250“Battle of New Orleans” Black and White Engraving, printed by Y. Saurman, published by McCarty and Davis Booksellers, Printers and Stationers, Philadelphia, July 1817, sheet 15” x 19”. Glazed, matted and framed. [250/400]

1251Collection of Two McKenney and Hall Portrait Gallery of the American Indians, hand colored lithographs of “Julcee-Mathla” and “Pah-She-Pah-How”, second quarter 19th century, sheet size 19-1/2” x 14-3/8”. Both unframed. [250/400] Illustrated

1242

1245

1251 one of two

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1252Kolene E. Spicher (American/Nantucket, 20th Century), f three watercolors on paper, including: “Portrait of Absalom Boston”, “Phoebe Ann Boston” and “African Meeting House”, each signed and titled, sights 8-3/4” x 10-1/2” - 18-1/2” x 13-3/4”. All glazed and framed. To be sold for the benefit of the Ogden Museum of Southern Art, New Orleans. [800/1200]

1253Pair of French Napoleonic Engravings of Battle Scenes, 19th century, each sight 19” x 25”. Glazed and framed. [150/300]

1254French Engraving of Napoleon and Josephine, ca. 1804, from Ceremonies du Sacre et du Couronnement de la Majeste Imperiale Napoleon-Le-Grand, sight 19” x 14-3/4”. Glazed, matted and framed. [200/400]

1255Pair of British Lithographed Portraits, of George I and George II, 9th century, each in a cartouche surround with figural supporters and a secondary historical tondo, overall 25” x 20”. Glazed, matted and framed. [200/400]

1256Suite of Six Heraldic Engravings, first quarter 19th century, engraved by G. Aikman, Edinburgh, sight 10-1/2” x 8”. All glazed, matted and framed. [200/400]

1257J. Gould and H. C. Richter, J. Wolf and W. Hart (British, 19th Century), “Grus Cinerea” and “Ardea Purpurea”, two hand colored lithographs, sight 14-3/8” x 20” and 13-5/8” x 19-5/8”. Both glazed, matted and framed. [150/300]

1258John Gould and H. C. Richter (British, 19th Century), two hand-colored lithographs, sight 18-3/4” x 11-3/4”. Both glazed, matted and framed. [200/400]

1259J. Gould and H. C. Richter (British, 19th Century), “Platalea Leucordia” and “Botarus Stellaris”, pair of hand-colored lithographs, sight 14” x 20”. Glazed, matted and framed. [200/400]

1260J. Gould and H. C. Richter (British, 19th Century), collection of four hand-colored lithographs, each sight 13-1/2” x 20”. All glazed, matted and framed. [400/600] Illustrated

1261After Prideaux John Selby (British, 1788-1867), collection of three hand colored engravings from Illustrations of British Ornitolog y, sight each 29” x 23-1/2”. All glazed, matted and framed. [300/500] Illustrated

1262After John James Audubon (American, 1785-1851), collection of six lithographs of birds, printed by J. T. Bowen, each sight 6” x 9-1/2”. Each glazed, matted and framed. [300/500]

1263After John James Audubon (American, 1785-1851), collection of three hand-colored lithographs, printed by J. T. Bowen, each sight 5-3/4” x 8-3/4”. All glazed, matted and framed. [200/400]

1264After John James Audubon (American, 1785-1851), “Brown Pelican”, offset chromolithograph, 20th century, sight 18” x 14”. Glazed, matted and framed. [100/200]

1265After John James Audubon (American, 1785-1851), collection of six lithographs of birds, printed by J. T. Bowen, each sight 5” x 8-1/2”. Each glazed, matted and framed. [300/500]

1266After John James Audubon (American, 1785-1851), collection of four hand colored lithographs, printed by J. T. Bowen, sight each 5-3/4” x 8-3/4” and 6-1/2” x 9”. All glazed, matted and framed. [200/400]

1267After John James Audubon (American, 1785-1851), “Spermophilus Spilosoma”, Plate CIX, hand colored lithograph, printed by J. T. Bowen, 1847, sight18-3/4” x 24-3/4”.Glazed, matted and framed. [200/400]

1260 one of four

1261 one of three

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1268After John James Audubon (American, 1785-1851), “Hooded Mergauser”, offset lithograph, 20th century, sight 24” x 30”. Glazed, matted and framed. [200/400]

1269Set of Four British Hand-Colored Botanical Engravings, late 19th Century, published by W. Curtis, each sight 8-1/2” x 5”. Glazed, matted, and framed alike. [200/400]

1270Collection of Four Decorative Botanical Prints, each sight 14-1/2” x 11”. Each glazed, matted and presented in a polychrome frame. [400/700]

1271Edward Joseph Lowe (British, 1825-1900), “Ferns”, suite of eight chromolithographs, London, 1880, sight 9-1/2” x 6”. Glazed, matted, and in green-stained burlwood frames. [350/500]

1272Suite of Eighteen Hand-Colored Engravings, from George Shaw (British, 1751-1813) and Frederick Polydore Nodder (British, 1770-ca. 1801) The Naturalist’s Miscellany, published London: Nodder & Co., 1790-1813, sheet 9” x 5”. All unframed. [200/400]

1273Pair of American Lithographs of Grasshoppers, pencil-numbered and titled, each sight 4” x 5-1/4”. Attractively matted, glazed and framed alike. [100/200]

1274Jay Kemp (American, Contemporary), “Looking for Trouble”, limited edition print, signed in pencil lower right, numbered lower left, sight 18” x 24”. Glazed, matted and framed. [100/200]

1275After Richard Sloan (American, 1935-2007), “Bald Eagle”, color lithograph, signed, 22” x 28”. Glazed and framed. [200/400]

1276Terry Redlin (American, b. 1936), “Night Flight”, limited edition print, from the Ducks Unlimited 1983 Artist of the Year Painting, pencil signed lower right, numbered lower left, sight 18” x 27”. Glazed, matted and framed. [500/800] Illustrated

1277Pair of American Sheraton Polychrome Fancy Chairs, second quarter 19th century, each with a gilt-stenciled crest rail and splat, rush seat and turned legs with box stretcher, h. 32-1/2”. [150/300]

1278Group of Eight Framed Colonial Revival Silhouettes, the tallest, h. 6-3/4”. [300/500]

1279Pair of Early American-Style Silhouettes, 20th century, after William Doyle of Boston, signed “Doyle”, h. 6-1/4”, w. 6-1/2”. [300/500]

1280American Classical Parcel-Gilt, Brass-Mounted and Stenciled Mahogany Parlor Cabinet, ca. 1825, the projecting cornice over a stenciled frieze and a sliding glazed door, the lower portion with a projecting drawer with stenciled face on turned, carved legs, formerly fitted as a piano, h. 74-3/4”, w. 51”, d. 23-1/4”. [500/800] Illustrated

1281Small Classical Ebonized and Giltwood Looking Glass, second quarter 19th century, English or American, h. 29”, w. 13-1/2”. [100/200]

1282Late Classical Giltwood Bipartite Looking Glass, late 19th century, h. 38-1/2”, w. 24-1/2”. [300/500]

1283American Gilt-Brass and Marble Solar Lamp, mid-19th century, probably New York, the marble base supports a fluted, tapered standard and a leaf-molded font, set with a blown, cut and frosted glass shade in the period fashion, h. 23”, dia. 9-1/4”. [150/300]

1276

1280

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1284American Empire Mahogany Tabernacle Mirror, second quarter 19th century, h. 39”, w. 22-1/2”. [150/300]

1285Pair of Canary Glass Candlesticks, 20th century, the dolphin-form candlesticks in the style of Boston and Sandwich, retailed by the Metropolitan Museum of Art, h. 10-3/4”. [100/200]

1286American Sheraton Tall-Post Bedstead, early 20th century, in the style of a New England field bed, h. 77”, inside w. 50-3/4”, inside l. 77-1/2”, outside w. 55”, outside l. 82-1/2”. [200/400]

1287American Classical Giltwood and Stenciled Mahogany Pier Table, ca. 1825, New York, h. 36-3/4”, w. 42”, d. 17-1/2”. [2500/4000] Illustrated

1288Pair of American Empire Revival Carved Mahogany Twin Poster Beds, ca. 1900, on ball-and-claw feet, h. 70-1/2”, w. 45”, l. 82”. [700/1000] Illustrated

1289American Sheraton Cherry Tall Post Bed, second quarter 19th century, the head posts supporting a headboard with a scrolling broken-arch crest, h. 76”, inside w. 51”, inside l. 75”, outside w. 59”, outside l. 85”. [300/500]

1290American Empire Revival Mahogany Shaving Mirror, ca. 1900, h. 25”, w. 27”, d. 11”. [300/500]

1291American Late Classical Mahogany Work Table, second quarter 19th century, New England, the top flanked by deep leaves, h. 28-1/2”, w. 18”, d. 17”, extended w. 35”. [300/500]

1292American Late Classical Mahogany Drop-Leaf Work Table, mid-19th century, with a pair of molded doors, graduated pedestal and bun feet, h. 28-1/2”, w. 17-1/4”, d. 17”, extended l. 34”. [200/400]

1293American Late Classical Mahogany Drop-Leaf Work Table, second quarter 19th century, with a pair of molded drawers on a shaped pedestal, h. 28-3/4”, w. 19”, l. 20”, extended l. 35-1/2”. [300/500]

1294American Late Classical Mahogany Wash Stand, second quarter 19th century, with a cyma-molded drawer over a pair of doors, h. 28-3/4”, w. 32”, d. 20”. [200/400]

1295Classical Revival Mahogany-Veneered Box Sofa, ca. 1900, h. 38-3/4”, w. 76-1/2”, d. 33-1/4”. [700/1000] Illustrated

1296Pair of American Late Classical Mahogany Console Tables, second quarter 19th century and later, h. 28”, w. 35”, d. 17”. [300/500]

1297American Empire Revival Mahogany Split-Pedestal Dining Table, first quarter 20th century, h. 29-1/4”, dia. 53”. [800/1200]

12871288

one of a pair

1295

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1298American Late Classical Mahogany and Marble-Top Center Table, second quarter 19th century, the serpentine white marble top over a conforming frieze, raised on scroll legs joined by a central cylindrical rondel, h. 31”, w. 37”, d. 31”. [400/700] Illustrated

1299American Classical Mahogany Center Table, mid-19th century, h. 29-1/2”, dia. 24-1/2”. [200/400]

1300Pair of American Late Classical Revival Mahogany Sidechairs, ca. 1900, each with a scrolling rail and splat, saber front legs and slip seat in deep blue and gray brocade, h. 33-1/8”. [50/80]

1301American Empire Revival Mahogany Pedestal Base Dressing Table and Mirror, h. 65-1/2”, w. 41”, d. 20”. [400/700]

1302American Classical Mahogany-Veneered Center Table, second quarter 19th century, with a later green marble top, h. 28”, w. 35-1/4”, d. 21-1/4”. [400/700] Illustrated

1303American Empire Revival Mahogany Split-Pedestal Banquet Table, fourth quarter 19th century, in the Philadelphia style, the gadrooned top with eight matching leaves with carved edges, includes a wooden storage rack fitted for eight leaves h. 28”, w. 54”, l. 52-1/2”, extended l.166”. [800/1200]

1304

American Classical Mahogany and Cherry Work Table, second quarter 19th century, in the Sheraton taste, with a pair of figured drawers, on turned legs with ball feet, h. 29”, w. 21”, d. 17-1/2”. [250/400]

1305American Late Classical Mahogany Work Table, second quarter 19th century and later, with a single frieze drawer, and scroll feet, height reduced, h. 29”, w. 20”, d. 18-1/2”. [50/80]

1306OPEN

1307

American Late Classical Mahogany Bookcase/Armoire, mid-19th century, with a projecting cyma-molded cornice over a pair of doors, h. 91”, w. 69”, d. 29-1/2”. [800/1200] Illustrated

1308Pair of Late Classical-Style Mahogany Gondola-Form Sidechairs early 20th century, of the type traditionally dubbed “Signoret chairs” in New Orleans, h. 34”. [200/400]

1301

1307

1298

1302

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1309Suite of Six American Late Classical Revival Mahogany Dining Chairs, ca. 1900, now upholstered in faux leopard print, h. 34”. [200/400]

1310Alexander John Drysdale (American/Louisiana, 1870-1934), “Bayou Landscape with a Live Oak”, oil wash on board, signed and dated “1921”, sight 9-1/2” x 29”. Glazed, matted and framed. [2000/4000] Illustrated

1311Robert Clements (American/Louisiana, b. 1937), “Swamp Idyll”, oil on canvas, signed and dated “1959”, 39-1/2” x 59”. Framed. [300/500] Illustrated

1312Southern School (Second Quarter 20th Century), “River Landscape”, watercolor on paper, initialed, sheet 12” x 8-3/4”. Glazed and framed. [200/400]

1313Louisiana School (Second Quarter 20th Century), “Grand Isle Beach Cottages”, oil on canvas, signed “Bessie Voisin”, 23-3/4” x 36”. Framed. [400/700]

1314George Dunbar (American/Louisiana, b. 1927), “Abstract Venice”, lithograph, signed in pencil lower right, pencil numbered lower left “10/30”, sheet 12-1/2” x 19-5/8”. Unframed [150/300]

1315Harrel Gray (American/Louisiana, 1911-1979), “The Merle G”, ink and wash on paper, signed, sight 8” x 12”. Glazed, matted and framed. [300/500]

1316Knute Heldner (Swedish/New Orleans, 1877-1952), “On the Levee”, oil on masonite, signed, 10-3/4” x 12-1/4”. Framed. [6000/9000] Illustrated

1317Harrel Gray (American/Louisiana, 1911-1979), “Cleanliness is Next to Godliness”, oil on canvasboard, signed and titled, 16” x 20”. Framed. [500/800] Illustrated

1318Franco Minei (Italian, b. 1922), “Last Summer Evening”, acrylic on panel, signed, labels en verso, 19-1/2” x 21-3/4”. Framed. [400/700]

1319Pair of Boston and Sandwich-Style Glass, Marble and Brass Electrified Lamps, first quarter 20th century, American, mounted with shades, h. 8-1/2”, overall, h. 15”. [200/400]

1320Harper’s Pictorial History of the Great Rebellion, ca. 1868, New York, a two-volume set in leatherette bindings, h. 16-1/2”, w. 12”. [200/400]

1310

1311

1316

1317

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100

1321Victorian-Style Lamp, with a butterfly-decorated pink opaline stem, electrified, h. 18-3/4”, dia. 6-1/2”. [100/200]

1322Gilt-Brass, Marble and Glass Kerosene Table Lamp, third quarter 19th century, probably New England, the double-stepped marble base supports a tapered and fluted standard, retaining its original gilt-lacquer finish, h. 19”, dia. 6-1/2”. [150/300]

1323Two American Astral Lamps, third quarter 19th century, one a labeled Cornelius and Baker gilt-lacquered example with a marble base and “back-cut Albert” spear prisms, h. 15”, together with a white overlay cut-to-clear example with a milk glass vase, h. 23-1/4”. [300/500]

1324Good American Cut White Overlay and Milk Glass Astral Lamp, third quarter 19th century, fitted with a vasiform “Vintage”-cut and partially frosted glass shade and a period narrow blown glass chimney, not electrified, h. 23-1/4”, dia.7-1/4”. [200/400]

1325Rare Pair of American Bench-Made Mahogany Twin Beds, in the manner of C. Lee, early 20th century, h. 72”, inside w. 39”, inside l. 78”, outside w. 48”, outside l. 84”. [2000/4000] Illustrated

1326American Rococo Revival Walnut Bed, third quarter 19th century, the arched headboard with applied fruit and foliate carving over shaped panels, with a wrap footboard, h. 81”, inside, w. 58”, l. 78”, outside, w. 61”, l. 84”. [300/500]

1327Pair of “Romeo and Juliet” Model Single-Light Girandoles, mid-19th century, New York, attributed to Dietz, h. 13-3/4”, w. 6”, d. 4”. [200/400]

1328Three-Piece Girandole Set, mid-19th century, the set in “squirrel” and “bird” patterns, retaining most of its original gilt, the largest, h. 16-3/4”, w. 15-1/2”, d. 3-3/4”. [150/300]

1329Three-Piece “Joan of Arc” Girandole Set, mid-19th century, New York or Philadelphia, comprised of a three-light center, h. 19”, w. 14-1/2”, and a pair of single-light flankers, h. 15-1/2”, retaining an original gilt-lacquer surface. [75/125]

1330Melodeon in Classical Rosewood Case, labeled “Ira Rose, Akron, OH, 1856-61”, h. 32-1/2”, w. 66-1/2”, d. 26”. [500/800] Illustrated

1331American Empire Mahogany Games Table, second quarter 19th century, New York, h. 28-1/2”, w. 35-1/2”, d. 18-1/2”. [200/400]

1332American Rococo Revival Faux Rosewood Marble-Top Dresser, third quarter 19th century, probably Cincinnati, Ohio, h. 86-1/2”, w. 41-1/2”, d. 20”. [800/1200] Illustrated

1325 one of a pair

1330

1332

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1333Exceptional Pair of Rococo Revival Carved Walnut Picture Frames, mid-19th century, probably American, h. 24”, w. 24-1/2”. [600/900]

1334Baroque Carved Walnut Looking Glass, 18th century and later, h. 58”, w. 41”. [4000/7000] Illustrated

1335American Rococo Revival Mahogany Dresser, mid-19th century, with a pierced mirror support, h. 62-1/2”, w. 40-1/2”, d. 19-3/4”. [400/700]

1336American Rococo Revival Walnut Looking Glass, second half 19th century, with an arched mirror plate and a crest carved in “vintage” decor, h. 42-1/2”, w. 23-1/2”. [125/250]

1337Jacques Guillaume Lucien Amans (French, 1801-1888; Active New Orleans, 1836-1856), “Portrait of a Creole Girl in White”, 1843, oil on canvas, signed and dated lower right, 16” x 13-1/2”. Framed. Provenance: Collection of Phyllis Hudson, New Orleans, Louisiana. [5000/8000] Illustrated

1338American Rococo Revival Walnut Bedstead, third quarter 19th century, the arched head- and footboard each with applied foliate, floral and scroll carving, the rails with scroll brackets and the footboard with wrap ends, h. 84”, inside, w. 58”, l. 74”, outside, w. 62-1/4”, l. 82”. [1000/1500]

1339American Rococo Revival Rosewood Center Table, third quarter 19th century, h. 30”, w. 40”, d. 27”. [200/400]

1340American Renaissance Revival Marble-Top Side Table, third quarter 19th century, the oval marble top over a molded apron, above a molded base with center column and four legs, h. 30”, w. 21”, d. 16-1/2”. [100/200]

1341American Walnut-Stained Child’s Lincoln Rocker, fourth quarter 19th century, h. 24”, w. 15”, d. 21”. [100/200]

1342American Rococo Revival Walnut Two-Piece Parlor Group, ca. 1900, comprised of an armchair and a rocking chair, each with a floral-carved crest, corseted back and serpentine seat rail, armchair, h. 38”, rocker, h. 37-1/2”. [125/250]

1343American School (Third Quarter 19th Century), “Portrait of a Young Widow with a Gold Chain”, oil on canvas, unsigned, 26” x 21”. Framed. [300/500]

1344American School (Third Quarter 19th Century), “Portrait of an Elderly Lady”, oil on canvas, unsigned, 26” x 21”. In a period giltwood and gesso frame. [300/500]

1345American School (Second Quarter 19th Century), “Portrait of Two Young Women, One Playing a Lute”, oil on canvas, unsigned, 27” x 27”. In a giltwood and gesso frame with a circular window. [4000/7000] Illustrated

1346Southern School (Third Quarter 19th Century), “Portrait of a Creole Lady”, oil on canvas, unsigned, 30-1/4” x 25-1/4”. Framed. [300/500]

1334

1345

1337

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102

1347Arthur Bowen Davies (American, 1863-1928), “Portrait of a Red-Haired Woman in Profile”, pastel on paper, signed , sight 9” x 7”. Glazed and framed. [300/500]

1348Follower of John Hoppner (British, 1758-1810), “Portrait of a Child in White, in a Landscape, Holding a Rake”, oil on canvas, unsigned, 44” x 34”. In a giltwood and gesso frame. [300/500] Illustrated

1349Ernest Moore (British, 1865-1940), “Portrait of Col. C. H. Nevill”, oil on canvas, signed lower left, 37” x 28”. In a giltwood and gesso frame. [400/700]

1350American School (Fourth Quarter 19th Century), “Portrait of a Man”, oil on canvas, unsigned, 34” x 27”. In a period giltwood and gesso frame. [400/700]

1351American School (19th Century), “Portrait of a Woman” , pastel on paper, unsigned, period carte-de-visite portrait inset lower right, sight 21” x 17-1/2”. Framed. [200/400]

1352*British School (Second Quarter 19th Century), “Portrait of a Girl in Blue”, oil and pastel on canvas, unsigned, 26-1/2” x 22-1/2”. Glazed and framed. [125/250]

1353Two Miniature Portraits of Gentlemen, 19th century, both watercolors on ivory, the largest, h. 5-3/4”, w. 4-3/4”. [150/300]

1354Swiss Single-Cylinder Music Box, fourth quarter 19th century, in a marquetry-inlaid case with a carved ivory escutcheon, playing twelve airs, h. 7-3/4”, w. 27-1/2”, d. 10-1/4”. [2000/4000] Illustrated

1355Single Cylinder Swiss Music Box, fourth quarter 19th century, line-inlaid faux rosewood case, playing ten aires, h. 6-1/2”, w. 18-3/4”, d. 8-3/4”. [800/1200]

1356Swiss Inlaid Walnut Single-Cylinder Music Box with Jacot Safety Check, fourth quarter 19th century, playing ten airs, h. 7”, w. 19-3/4”, d. 9-3/4”. [1200/1800]

1357American Blown Cranberry Art Glass Epergne, fourth quarter 19th century, with clear appliques, h. 21”, dia. 10-1/4”. [200/400]

1358Continental Iris-Form Brass Sconce, ca. 1900, with a pink art glass shade, h. 19-1/2”, w. 4-1/4”, d. 8”. [100/200]

1359American Walnut Tall-Post Bedstead, mid-19th century, of the type crafted for the Antebellum Southern market, the octagonal posts capped by conical turnings and supporting a paneled headboard with a scroll top rail, h. 94”, inside w. 77”, inside l. 56-1/4”, outside w. 82”, outside l. 63”. [1000/1500]

1360American Rococo Revival Oak Sideboard, third quarter 19th century, the period marble top on a case with a pair of drawers over a pair of doors with fruit- and foliate-carved panels, h. 42-1/2”, w. 53-1/2”, d. 19-1/2”. [300/500]

1361American Rococo Revival Carved Walnut Armoire, third quarter 19th century, now glazed and fitted as a bookcase, h. 104-3/4”, w. 60”, d. 18”. [700/1000]

1362American Rococo Revival Walnut Double-Door Bookcase, third quarter 19th century, h. 99”, w. 54-1/2”, d. 12-1/2”. [700/1000]

1348

1354

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1363Classical Revival Carved Marble Floor Lamp Standard, ca. 1927, probably Italian, the bold paw feet support the cove-molded base, carved with swags, the tapered leaf-carved standard supports four interlocking carved putti, under the upper acanthus leaf-carved standard, h. 71”, dia. 17-1/2”. Provenance: Saenger Theatre, New Orleans, Louisiana. [1500/2500] Illustrated

1364Carved Mahogany Bed in the Rococo Taste, with a carved head and footboard, manufactured to accommodate a contemporary king-size mattress, h. 60”, inside, w. 78-1/4”, l. 81-1/2”, outside, w. 81”, l. 92”. [300/500]

1365American Rococo Revival Giltwood Looking Glass, third quarter 19th century, of oval form with a pierced foliate crest with a central shield in the cartouche, h. 61”, w. 29”. [300/500]

1366American Renaissance Revival Gilt-Incised Walnut Looking Glass, third quarter 19th century, h. 56-1/2”, w. 28”. [50/80]

1367American Gothic Revival Mahogany-Veneered Mirror, third quarter 19th century, h. 41-1/4”, w. 24-1/4”. [100/200]

1368Unusual American Gothic Revival Walnut and Cast Iron Work Table, third quarter 19th century, h. 31”, w. 27”, d. 18”. [500/800]

1369American Renaissance Revival Burled Walnut and Walnut Cylinder Secretary, third quarter 19th century, in two parts, h. 87”, w. 43”, d. 25”. [600/900] Illustrated

1370American Allegorical Bronze of “Commerce and Industry”, 19th century, the female figure with caduceus and anchor, h. 18-1/4”, w. 7”, d. 4-1/2”. [200/400]

1371American Walnut Aesthetic Pier Mirror, fourth quarter 19th century, with a marble-top bracket and incised decoration, h. 97-1/2”, w. 24-3/4”, d. 10”. [400/700]

1372Two Oval Mirrors in American Walnut Frames, third quarter 19th century, h. 29”, w. 25” and h. 25-1/2”, w. 21-1/2”. [150/300]

1373Chromolithograph Printed Masonic Record, dated 1876, by Carson and Barnard, New York and Chicago, in a period walnut frame, h. 30-3/4”, w. 24-3/4”. [100/200]

1374Pair of Enameled Metal Candlesticks, in the Egypto-Revival style, h. 15-3/4”, dia. 4-3/4”. [200/400]

1375George Bauer Dunbar (American/Louisiana, b. 1927), “Coin du Lestin”, gold and palladium leaf over red clay, signed lower right, 24” x 36”. Framed. [9000/12000] Illustrated

1376George Rodrigue (American/Louisiana, 1944-2013), “Blue Dog”, mixed media on board, including silkscreen, signed lower left, 18” x 14”. Framed. [4000/7000] Illustrated

1377George Rodrigue (American/Louisiana, 1944-2013), “Home On the Moon”, offset lithograph, signed lower right, sight 12-1/2” x 24”. Glazed, matted and framed. [800/1200] Illustrated

1378American School (Fourth Quarter 20th Century), “Walking Figures in Blue”, oil on canvas, signed “T. Harris”, 38” x 38”. Framed. [400/700] Illustrated

1363

1369

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1375

1376

1378

1377

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1379J. van Leeuwen (Dutch, 20th Century), “Repose”, oil on wood panel, signed lower right, 20” x 16”. Framed. [400/700]

1380Emmanuel Lamotte (American, 1916-1998), “Woman in Teal”, 1962, oil on canvas, signed, 20” x 14”. Framed. [200/400]

1381Marcel Vertes (Hungarian/American, 1895-1961), “Girl with Purple Flowers”, oil on canvas, signed, verso “Arthur Lenars & Cie, Paris” label, 24” x 18”. Framed. [1500/2500]

1382Igor Pantuhoff (Russian, 1911-1972), “Portrait of a Young Girl”, oil on canvas, signed lower right, 34-1/2” x 16”. Unframed. [200/400]

1383American School (Fourth Quarter 20th Century), “Study of Dancers”, pastel and chalk on paper, illegibly signed lower right, sight 14-3/4” x 9-1/2”. Glazed, matted and framed. [75/125]

1384Jean-Marie Carzou (French, 1907-2000), “Femme au Partique”, etching in colors, 1963, pencil signed, dated, and numbered, verso with “London Grafica Arts” label, sight 17-1/4” x 21-3/4”. Glazed, matted and framed. [300/500]

1385David Outhwaite (American, Contemporary), “Study for Los Cerrillos #2”, acrylic on canvas, 1977, signed and dated verso canvas, 45” x 66”. Framed. [700/1000]

1386Marie Atkinson Hull (American/Mississippi, 1890-1980), “Still Life with Red Roses”, oil on canvasboard, signed, 12” x 16-3/4”. Framed. [1500/2500] Illustrated

1387Seven-Piece Brunt Art Ware Pottery Ale Set, fourth quarter 19th century, comprising a jug and six matching tankards, each marked “Brunt Art Ware”, the jug also marked “Warranted WPB Co.”, jug, h. 12”, dia. 6-1/4”, tankards, h. 4-1/2”, dia. 4”. [200/400]

1388American Metal-Bound Wooden Camelback Trunk, first quarter 20th century, h. 24”, w. 30”, d. 19-1/4”. [150/300]

1389Stained Pine Steamer Trunk, ca. 1900, with slightly domed top and metal strapwork, h. 23-1/2”, w. 34”, d. 21”. [150/300]

1390American Empire Revival Mahogany Pedestal, h. 35”, w. 14”, d. 14”. [100/200]

1391American Incised Walnut and Marble-Top Center Table, fourth quarter 19th century, h. 28-1/4”, w. 27”, d. 19-1/2”. [100/200]

1392American Aesthetic Movement Mother-of-Pearl, Mixed Metal and Marquetry Inlaid Mahogany Occasional Table, fourth quarter 19th century, attributed to Herts Brothers, New York, h. 34”, w. 15-1/4”, d. 15-1/4”. [900/1200] Illustrated

1392

1386

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1393American Aesthetic Movement Ormolu-Mounted Mahogany Single-Drawer Stand, fourth quarter 19th century, attributed to Herts Brothers, New York, h. 30-1/2”, w. 12”, d. 12”. [400/700]

1394American Parcel-Gilt and Ebonized Aesthetic Mirror, third quarter 19th century, with gilt incising, h. 44-1/2”, w. 41”. [900/1200] Illustrated

1395Renaissance Revival Walnut Hall Chair, third quarter 19th century, carved with an owl with glass eyes, h. 39-3/4”, w. 18-1/2”, d. 17-1/2”. [300/500]

1396Carved and Painted Octagonal Tabouret, probably Indian, with a hinged base, h. 19-1/2”, dia. 17-3/4”. [200/400]

1397American Renaissance Revival Brass Eight-Light Gasolier/Electrolier, fourth quarter 19th century, h. 56”, dia. 41”. [1800/2500] Illustrated

1398Pair of French Bronze Two-Light Mirrored Sconces, first quarter 19th century, with aesthetic details, h. 17-3/4”, w. 10-1/2”, d. 4”. [200/400]

1399Hand-Painted Willets Belleek Vase, Trenton, New Jersey, decorated with egrets, signed “AMJ 09” and transfer-printed with the brown Willets mark, h. 10-1/4”, dia. 5-1/2”. [250/300]

1400American Aesthetic Movement Ebonized and Gilt-Incised Drop-Leaf Games Table, fourth quarter 19th century, bearing a stamped label inside the drawer “Manufactured by A. Cutler & Son, Buffalo, N.Y. Patented June 29, 1875”, h. 29”, dia. 36”. [400/700]

1401American Aesthetic Movement Ebonized Occasional Table, fourth quarter 19th century, with a rectilinear inset leather top, and a molded and scalloped support, the legs joined by box stretchers, each with a gilt-incised panel, h. 29”, w. 33”, d. 24”. [200/400]

1402American Brass Two-Light Desk Lamp with Steuben-Style Shades, first quarter 20th century, the shades bearing spurious signatures, h. 23-3/4”, w. 16-1/2”, d. 5-1/4”. [300/500]

1403

American Hand-Enameled Rubina Verde Blown Glass Bride’s Basket, fourth quarter 19th century, in a silverplate frame by E. G. Webster and Sons, Brooklyn, New York, h. 11-3/4”, w. 13-3/4”, dia. 10-3/4”. [200/400]

1404Three Continental Automatons, 20th century, one with a single bird and faux enamel trim, h. 11-1/2”, one with two birds in a gilded cage encrusted with “rubies”, h. 10”, and one with a single bird on a matte-finished base, h. 10-1/4”. [800/1200] Illustrated

1397

1394

1404

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1405Gilt-Brass Enameled Music Box, second quarter 20th century, German or Swiss, h. 2”, w. 4”, d. 2-3/4”. [100/200]

1406Chelsea Bronze-Cased Marine Clock, 20th century, Boston, mounted on a mahogany back, the circular ship’s clock with a silvered dial marked “Chelsea Clock Co., Boston, U.S.A. Ship’s Bell”, h. 10-1/2”, w. 10-1/2”, d. 4-1/2”. [150/300]

1407Vintage United States Navy Sextant, in an oak case, marked “US Navy no 777”, h. 5”, w. 9-1/2”, d. 9-1/2”. [200/400]

1408Vintage Bausch and Lomb Microscope, in a fitted oak case with a nickel-plated handle, h. 13-1/2”, w. 6-3/4”, d. 8”. [100/200]

1409French Signed Seismograph, first quarter 20th century, in a bronze and beveled glass case, signed “Naudet et Cie”, h. 5-1/2”, w. 5-1/4”, l. 8-1/2”. [100/200]

1410Enterprise Coffee Grinder, fourth quarter 19th century, Philadelphia, the side wheels signed “Enterprise Mfg Co, Philadelphia U.S.A., Pat’d Dec. 9, 1873”, h. 12-1/4”, w. 10”, d. 8-3/4”. [300/500]

1411Collection of Four Folk Art Carved Walking Sticks, 20th century, l. 36” to 81”. [200/400]

1412Patinated Metal Figure of an Owl, on a domed base, h. 17”. [250/400]

1413Antique Cast Iron “Nipper”, the RCA Victor Dog, h. 18”, w. 4-3/4”, d. 14-1/2”. [200/400]

1414Unusual Reverse-Painted and Decoupage Hurricane-Form Lamp, 20th century, the base lushly decorated with decoupaged flowers and birds on a reverse-painted ground, base, h. 17”, overall, h. 31-1/4”, dia. 6-1/4”. [300/500]

1415Daum Nancy Art Deco Glass Lamp Base, French, second quarter 20th century, the molded and acid-frosted Art Deco base signed “Daum Nancy, France”, along with the cross of Lorraine, h. 10-3/4”, dia. 7-3/4”. [100/200]

1416Baronial-Style Brass, Patinated Brass and Opalescent Glass Five-Light Chandelier, early 20th century, in the Gothic taste, h. 34”, dia. 25”. [1000/1500] Illustrated

1417Contemporary Feathered Art Glass Vase, by Orient & Flume, Chico, California, marked on the base, h. 7-1/2”, dia. 6-1/4”. [100/200]

1418Seven-Piece Collection of American Cranberry Opalescent Glass, 20th century, including a daisy fern pitcher, h. 6-1/2”, and a pitcher, h. 9-3/4”, and five tumblers in a related pattern, h. 4”. [200/400]

1419Set of Moser-Style Gilt and Enamel-Decorated Stemware, first quarter 20th century, including six goblets, h. 6”, two liqueur glasses, h. 3-1/2”, two vodka cups, h. 4”, and a punch cup, h. 2”. [250/400]

1420American Late Victorian Mahogany Banquet Table, late 19th century, the circular top mounted to a split pedestal base with four outstretched legs ending in ball-and-claw feet, accompanied by five 12” leaves, h. 29”, dia. 48”, extended l. 108”. [600/900]

1421Robert Gordy (American/New Orleans, 1933-1986), “Fourth of July”, ca. 1950’s, oil on board, unsigned, 24” x 18”. Framed. Together with a letter from the original owner. Provenance: Gift of the artist; private collection, New Orleans, Louisiana. [800/1200] Illustrated

1421

1416

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1422Louise Guidry (American/Louisiana, b. 1930), “Rie’s Dream II”, acrylic on canvas, signed, 30” x 24”. Unframed. [900/1200] Illustrated

1423Johnny Friedlander (German, 1912-1992), “Untitled”, etching with aquatint, signed and inscribed, sight 29” x 21”. Glazed, matted and framed. [400/700]

1424Ann Moise (American/Contemporary), “Heart ‘N Hand”, watercolor on paper, signed and titled, 22-3/4” x 17”. Glazed, matted and framed. [200/400]

1425Michael David (American/Nevada, b. 1954), “Untitled #204”, 1991,mixed media on paper, initialed and dated, 26” x 20”. Glazed and framed. [400/700]

1426Lee White (American/Atlanta, 20th Century), “Untitled”, mixed media on paper, signed, sheet 30-1/4” x 22”. Float mounted. [300/500]

1427Tony Evans (American/Contemporary), group of three abstract mixed media on glass, each sight 4” x 4”. Mounted, matted and framed. [100/200]

1428John Morris (American, b. 1965), “Balloon Ride”, oil on canvasboard, signed, 12” x 16”. Framed. [450/700]

1429Maria Scotti (American, 1942-2012), “Florence Flood of 1966”, four oils on wood panels, 1989, all signed and dated, sizes 5” x 6-1/8” to 6-1/8” x 9-1/2”. [700/1000] Illustrated

1430American Victorian Oak Pedestal, ca. 1900, h. 40-1/2”, w. 14”, d. 14”. [150/300]

1431American Quarter-Sawn Oak Center Table, ca. 1900, the rectilinear top on turned and ring-turned canted legs with brass paw and glass ball feet, h. 29”, w. 42”, d. 27-1/2”. [200/400]

1432Oak Cased Columbia Graphophone, ca. 1900, Bridgeport, Connecticut, the gramophone with a wax cylinder, case, h. 12-1/4”, w. 14-1/4”, d. 8-1/2”. [200/400]

1433American Late Victorian Oak Recamier, mid-19th century, h. 23”, w. 29”, l. 78”. [200/400]

1434American Oak Dining Table in the Arts and Colonial Revival Inspiration, early 20th century, with a circular top, an octagonal central pedestal and turned legs, h. 31-1/2”, dia. 49”. [100/200]

1435American Late Victorian Quarter-Sawn Oak Dining Table, fourth quarter 19th century, in the manner of R. J. Horner, New York, having four winged griffins surrounding the central turned pedestal, the apron deeply carved and accompanied by three 12” leaves, all with matching carved aprons, h. 30”, dia. 52”, extended l. 88”. [5000/8000] Illustrated

1422

1429 one of four

1435

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1436Suite of Nine Neo-Renaissance Walnut Dining Chairs, late 19th century, comprised of an armchair, h. 44-1/2”, and eight sidechairs, h. 42”. [800/1200] Illustrated

1437Fine American Cast Brass Eight-Arm Chandelier, early 20th century, h. 24”, dia. 20”. [800/1200] Illustrated

1438Hand-Painted Vase, first quarter 20th century, probably Nippon, h. 12-1/4”, dia. 6-1/2”. [100/200]

1439American Late Victorian Mahogany Sideboard/Buffet, ca. 1900, attributed to R.J. Horner, New York, the top with a beaded and beveled mirror plate within foliate-carved S-scroll brackets, the case with a pair of drawers over a trio of drawers and with a full-width drawer below, all adorned with foliate carving, raised on carved paw feet, h. 59”, w. 72”, d. 28”. [1500/2500] Illustrated

1440American Late Victorian Slag Glass Panel Lamp, ca. 1900, h. 24”, dia. 18”. [200/400] Illustrated

1441American Victorian Cast Iron and Nickel-Plated Brass Telescopic Floor Lamp, fourth quarter 19th century, the tripartite base with trefoil feet, supporting a central standard with spiral wrapping, h. 75”, dia. 18”. [300/500]

1442Rare American Quarter-Sawn Oak Examination Table, ca. 1900, bearing the label “Frank S. Betz, Co. Chicago”, h. 31”, w. 43”, d. 22”. [500/800]

1443Arts and Crafts-Style Metal and Slag Glass Lamp, mounted with an antique font, electrified, h. 24-1/2”, w. 11”, d. 11”. [150/300]

1444Niloak Pottery Mission Ware Vase, first quarter 20th century, Eagle Pottery Co., Benton, Arkansas, with impressed mark and a partial original label, h. 9-1/2”, dia. 4-1/2”. [100/200]

1436

1437

1439

1440

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1445Five-Piece Collection of Roseville, Ohio, “Donatello” Art Pottery, decorated in green and brown with classical figures in bas-relief, comprising a vase marked “Donatello, RPCo”, in a circle, h. 8-1/2”, dia. 4-3/4”, a jardiniere, marked, h. 6-1/4”, dia. 7-3/4”, a footed flowerpot, unsigned, h. 6”, dia. 7-1/4”, a smaller footed flowerpot, h. 5-1/4”, dia. 6-3/4”, and a wall pocket, signed, h. 11-1/2”, w. 5-1/2”. [125/250]

1446Shearwater, Ocean Springs, Mississippi, Pottery Seagull, ca. 1978, with an antique green glaze and marked with Shearwater’s fiftieth anniversary mark “Shearwater, 1928-78”, h. 5-1/2”, w. 9-3/4”, d. 4-1/4”. [125/250]

1447Five-Piece Collection of Signed Roycroft Copper Accessories, first quarter 20th century, East Aurora, New York, including a trumpet vase, h. 4-1/2”, a letter holder, h. 3”, w. 5-1/2”, a letter opener, l. 7-1/2”, and a pair of Roycroft bookends, h. 8-1/2”. [300/500] Illustrated

1448Arts and Crafts Copper Desk Blotter by Frederick E. Fifield, marked “The Art Shop, Hancock, NY, FEF”, w. 26”, d. 17-3/4”. [300/500]

1449Arts and Crafts Wrought Iron and Brass Log Holder, first quarter 20th century, h. 15”, d. 22-1/2”, l. 25”. [200/400]

1450Arts and Crafts-Style Brass Jardiniere on Stand, of shaped octagonal form, on a graduated pedestal, adorned with “hand-hammered” panels, h. 31”, w. 16-1/2”, d. 16-1/2”. [300/500]

1451Tiffany Studios Gilt-Bronze “Abalone” Inkwell, first quarter 20th century, set with a conforming pressed glass ink pot, marked “Tiffany Studios, New York, 1157”, h. 3”, w. 3-1/2”, d. 3-1/2”. [250/400]

1452Tiffany Studios Gilt-Bronze “Abalone” Pen Tray, first quarter 20th century, signed “Tiffany Studios, New York, 1159”, w. 2-1/2”, l. 8”. [250/400]

1453Pair of Continental Art Nouveau Molded Bronze Iris-Form Candlesticks, ca. 1900, h. 11-1/2”, w. 6”. [200/400]

1454Jugendstil Mauve Art Glass Vase, first quarter 20th century, decorated with pewter overlay of grapes and grape leaves, h. 12-1/4”. [300/500]

1455Unusual Patinated Bronze Plaque, ca. 1900, depicting a young woman sitting on a draped ring of flowers, h. 27-3/4”, dia. 19-1/2”. [600/900] Illustrated

1456Giltwood Mirror with Back-Cut Plate, first quarter 20th century, h. 30-1/4”, w. 18”. [100/200]

1457Miguel Fernando Lopez (Milo) (Portuguese, b. 1955), “Figure of a Woman”, patinated and cold-painted bronze, cast signature, h. 22-1/2”, w. 9”, d. 8”. [800/1200] Illustrated

1458Marc Chagall (Russian/French, 1887-1985), “Le Cirque”, color lithograph, unsigned, Mourlot, 1960, 12-1/2” x 9-1/2”. Glazed and framed. [350/500]

1447

1455

1457

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1459After Salvador Dali (Spanish, 1904-1989), “La Colosita” from Divine Comedy, woodcut in colors, 12” x 9-1/4”. Glazed, matted and framed. [350/500]

1460After Salvador Dali (Spanish, 1904-1989), “Visions of Venice (Gondola)”, etching, sight 7-5/8” x 16”. Glazed, matted and framed. [200/400]

1461After Salvador Dali (Spanish, 1904-1989), “El Cid”, etching, numbered, sheet 22” x 15”. Glazed and framed. [200/400]

1462Joan Miro (Spanish, 1893-1983), “The Lady Bugs” and “Joan Miro”, two color lithographs, both unsigned, originally front and back cover designs for Joan Miro, published by Maeght, Paris, 1956 and printed by Mourlot, sight 9” x 7-1/4”. Both glazed, matted and framed. [300/500]

1463Joan Miro (Spanish/French, 1893-1983), “Composition”, lithograph on Arches paper, sight 15-1/8” x 28”. Glazed, matted and framed. [300/500]

1464Victor Vasarely (Hungarian/French, 1906-1997), “Op Art”, silkscreen, pencil signed and numbered, with a “Denise Rene Editeur” blindstamp, sight 32-1/2” x 23-3/4”. Glazed and framed. [400/700] Illustrated

1465Victor Vasarely (Hungarian/French, 1906-1997), “OP Composition”, serigraph in colors, signed lower right “Vasarely”, numbered lower left “57/250”, sight 21” x 13”. Glazed, matted and framed. [300/500]

1466Yaacov Agam (Israeli/French, b. 1928), “Abstract Composition”, serigraph in colors, signed lower right, numbered lower left “110/180”, sheet 15” x 12-1/2”. Glazed and framed. [250/400]

1467After Henri Matisse (French, 1869-1954), “La Danse”, color lithograph, unsigned, printed by Mourlot, 1938, published by Verve, Paris, sight 11-3/4” x 15-3/4”. Glazed, matted and framed. [400/700]

1468Albert Earl Gilbert (American, b. 1939), “artist proof, 1978-79 Federal Duck Stamp, together with a 20th Century mixed media on paper of a bird, sight 12” x 14” and 9-3/4” x 12”. Both glazed, matted and framed. [200/400]

1469Alexander Calder (American, 1898-1976), pair of lithographs, unsigned, each sheet 15” x 10-1/2”. Each glazed and framed. [200/400]

1470Peter Green (American, 20th/21st Century), “Marine Form No. 1”, limited edition woodblock, signed and dated lower right, titled and numbered lower left, sight 29-1/2” x 19-1/2”. Glazed, matted and framed. [150/300]

1471After Georges Braque (French, 1882-1963), “Eros and Eurybia”, etching, sight 18” x 12”. Glazed, double matted and presented in a silver-painted frame. [250/400]

1472After Jules Cheret (French, 1836-1932), “Madame B Assise”, offset lithograph, blind stamped lower right “Princeton Art & Gallery”, signed in plate, sight 13-3/4” x 10”. Glazed, matted and framed. [200/400]

1473Jules Cheret (French, 1836-1932), “Carnival”, color lithograph, trial proof, signed in plate, publisher’s stamp lower right margin, blind stamped lower left margin, sight 12-3/4” x 9-3/4”. Glazed, matted and framed. [300/500]

14641476

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1474Guillaume A. Azoulay (Moroccan, b. 1949), “O’Salto”, serigraph with gold leaf, signed, titled, numbered “2/3”, and dated “1988”, sight 29” x 39”. Glazed, matted and framed. [500/800]

1475Umberto Faini Abstract Poster, 1984, sight 28-3/4” x 38-3/4”. Framed. [75/125]

1476Collection of American Engravings Relating to the Civil War and the Southern Region, 19th century, including selections from Harper’s Weekly and Illustrated News among other publications, some titles included are “Emancipated Slaves, White and Colored”, “Scene on a Mississippi River Steamer - The Parting Song” and “The Riot in New Orleans - Siege and Assault of the Convention by the Police and Citizens”, various sizes, most matted. All unframed and accompanied by a document box. Provenance: From the collection of the late historian and collector Ray Samuel and being sold to benefit The Ogden Museum of Southern Art. [150/300] Illustrated

1477Collection of American Engravings Relating to Steamships and the Mississippi River Region, 19th century, including selections from Harper’s Weekly and Illustrated News among other publications, various sizes, most matted. All unframed and accompanied by a document box. Provenance: From the collection of the late historian and collector Ray Samuel and being sold to benefit The Ogden Museum of Southern Art. [150/300]

1478Collection of Five American Etchings, depicting New Orleans scenes, including one by Leo Bautista (b. 1952), one by Jo Pennell (1857-1926), two by Horace Dewitt Welsh (1888-1942) and one by Art Werger (b. 1955), sights 6-1/2” x 9-1/4” to 11-1/2” x 14-3/4”. All glazed, matted and framed. [400/700]

1479Collection of Six Louisiana Works on Paper, 20th century, inlcuding a black and white photograph by C. Bennette Moore, titled “Shadows of Old New Orleans” and five etchings of various New Orleans scenes, all illegibly signed, sights 6-3/8” x 4-1/2” to 13-3/4” x 22-3/4”. All glazed, matted and framed. [500/800]

1480Collection of Three Louisiana Works on Paper, including an etching by Eugene Loving (1908-1971), “Sunlight and Shadows”, and two graphite sketches by Arnold Turtle (1892-1954), “On Bourbon St.” and “Bienville and Bourbon”, sights 8” x 6” and 9-1/2” x 6-1/2”. All glazed, matted and framed. [200/400]

1481Collection of Two American Early 20th Century Etchings, sights 6-1/2” x 8-3/4” and 12” x 8-1/2”. Both glazed, matted and framed. [250/400]

1482Collection of Four Louisiana Works on Paper, depicting New Orleans scenes, including an etching by George F. Castleden (1861-1945), two etchings by Eugene Loving (1908-1971), and an offset print after William Woodward (1859-1939), sights4-1/2” x 5-5/8” to 10-5/8” x 7-1/2”. All glazed, matted and framed. [200/400]

1483James Carl Hancock (American/New Orleans, 1890-1966), pair of engravings of New Orleans, each pencil signed and titled, each sight 6-3/4” x 5-1/4”. Glazed, matted and framed. [250/400]

1484Conrad Albrizio (American/Louisiana, 1894-1973), “Cathedral”, etching on paper, sight 25” x 18-1/2”. Glazed, matted and framed. [300/500]

1485Xavier de Callatay (American/Louisiana, 1932-1999), “La Parade”, woodblock print, signed and titled, sight 13” x 9-3/4”. Glazed and framed. [50/80]

1486Morris Henry Hobbs (American/Louisiana, 1892-1967), “Seated Nude”, etching, pencil signed, sight 2” x 1-1/2”. Glazed, matted and framed. [50/80]

1487Morris Henry Hobbs (American/Louisiana, 1892-1967), “Patio at the Bosque House”, etching, signed, titled and numbered, sight 10” x 6-5/8”. Glazed, matted and framed. [100/200]

1488Robert Bledsoe Mayfield (American/Louisiana, 1869-1934), collection of four etchings of New Orleans scenes, all titled and numbered, sights 5” x 8” to 8-5/8” x 5-1/2”. [400/700]

1489Robert Bledsoe Mayfield (American/Louisiana, 1869-1934), collection of seven etchings of French Quarter scenes, all titled in pencil, sights 6-3/4” x 5-3/4” to 7” x 9”. All glazed, matted and framed. [400/700] Illustrated

1489 one of seven

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1490Robert Bledsoe Mayfield (American/Louisiana, 1869-1934), four etchings of French Quarter Scenes, each numbered and titled, sights 5-3/4” x 4-1/2” to 8-1/2” x 5-1/5”. Each glazed, matted and framed. [400/700]

1491Eugene E. Loving (American/New Orleans, 1907-1971), “The Claiborne Court”, etching, pencil signed and titled, sight 10-1/4” x 7-1/4”. Matted, glazed and framed. [200/400]

1492Eugene E. Loving (American/New Orleans, 1907-1971), “Cabildo Alley”, etching, pencil signed and titled, edition of 200, sight 10-1/4” x 7-1/4”. Matted, glazed and framed. [200/400]

1493Eugene Loving (American/New Orleans, 1907-1971), group of six engravings of New Orleans, each pencil signed, numbered, and titled, sights 6” x 5” - 10”x 7”. Glazed, matted, and framed. [500/800]

1494Eugene E. Loving (American/New Orleans, 1907-1971), a group of four etchings of New Orleans, each pencil signed and titled, sights 3” x 3-1/2” to 8-1/2” x 7”. Glazed, matted and framed. [400/700]

1495Phillip Sage (American/Louisiana, 20th Century), “Steamboat Delta Queen” and “The Olympia Brass Band”, pair of etchings, each pencil signed, titled, and numbered, each sight 18-3/4” x 24-1/2”. Both glazed, matted and framed. [500/800] Illustrated

1496Philip Sage (American/Louisiana, b. 1942), collection of eight etchings of Louisiana scenes, all signed, titled and numbered, sights 5-1/4” x 6-5/8” to 8” x 10”. Framed. [600/900]

1497Philip Sage (American/Louisiana, b. 1942), collection of eight etchings of New Orleans scenes, all signed, titled and dated, sights 5” x 6-1/2” to 16” x 6-3/4”. All glazed, matted and framed. [600/900]

1498Eugene Delcroix (New Orleans, 1891-1967), tinted photograph, signed, h. 9-1/2”, w. 7-1/2”. In the original frame. [200/400]

1499Philip Sage (American/Louisiana, b. 1942), collection of four etchings of New Orleans scenes, all signed, numbered, titled and dated, sights 5-1/4” x 6-1/4” to 9-3/4” x 12-3/8”. All glazed, matted and framed. [400/700]

1500Steven G. Rutledge (New Orleans/Contemporary), pair of photographic prints from the “Scenes of Mississippi”; “Edge of a Barbwire Fence”, image 8” x 11”, and “Old Barn Left Behind, MS”, image 7” x 7”, each pencil signed and titled, inscribed en verso. Glazed, matted and framed. [300/500] Illustrated

1501Steven G. Rutledge (New Orleans/Contemporary), pair of photographic prints from the “Scenes of Mississippi” : “Gully, Outskirts”, image 7” x 7”, and “Property Line, MS”, image 8” x 11”, each pencil signed and titled, inscribed en verso. Glazed, matted and framed. [300/500]

1502George Valentine Dureau (American/New Orleans, b. 1930), “Battiste”, silver gelatin print, signed in ink. titled and marked artist’s proof, sheet 18-1/2” x 16”. Unframed. [200/400]

1495 one of a pair

1500 one of a pair

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1503Phillip Sage (American/Louisiana, 20th Century), “Watermelon Man, Exhibition Poster”, lithograph, signed upper left, sight 24” x 17”. Glazed, matted and framed. [200/400]

1504Napoleon III Ormolu- and “Sevres” Porcelain-Mounted Ebonized Occasional Table, late 19th century, the top fitted with a porcelain charger depicting Louis XVI and his court, h. 27”, dia. 20”. [1800/2500] Illustrated

1505Two Borghese Intaglio Profiles of Napoleon III and Empress Eugenie de Montijo, first quarter 20th century, Italian, h. 9”, w. 7-1/2”. [100/200]

1506Continental Ebonized Marble-Top Center Table, in the Renaissance Taste, third quarter 19th century, the circular specimen marble top mounted to a base supported by four outstretched legs ending in carved paw feet, h. 29”, dia. 29”. [1500/2500] Illustrated

1507Napoleon III Walnut Prie-Dieu, mid-19th century, h. 36”, w. 22”, d. 18-1/2”. [300/500]

1508French Faux Bamboo Twin Bed, with pedimented headboard, h. 47-1/2”, w. 44”, l. 77-1/2”. [300/500]

1509French Bamboo, Rattan and Marble-Top Wash Stand, fourth quarter 19th century, with tile backsplash, h. 43”, w. 30-1/4”, d. 17-1/2”. [300/500]

1510Louis XV-Style Mahogany-Inlaid and Ormolu-Mounted Center Table, ca. 1900, h. 30”, w. 38”, d. 26”. [300/500]

1511Pair of French Sevres-Style Bronze-Mounted Porcelain Garniture Vases, decorated with raised gilt rocaille panels depicting couples in an Arcadian landscape, on a bleu celeste ground, h. 18-1/2”, w. 9-1/2”, d. 8-1/2”. [400/700] Illustrated

1511ADoulton Burslem Transfer-Printed Umbrella Stand, fourth quarter 19th century, England, the base impressed “Doulton” and marked “Doulton’s Magnolia” h. 40-1/2”, dia. 12”. [200/400]

1512Large Paris Porcelain Vase, h. 17”. [100/200]

1513Large Paris Porcelain Handled Vase, fourth quarter 19th century, h. 16-3/4”. [100/200]

1504

1506

1511

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1514Hand-Painted Floral Cheese Dish and Cover, bearing a spurious “RS Prussia” mark, h. 5”, dia. 8-1/2”. [100/200]

1515Three Paris Porcelain Claret-Ground Vases, third quarter 19th century, the smaller vase drilled for a lamp, h. 10-3/4” to 12-1/2”. [100/200]

1516Pair of French Cobalt-Ground Fan Vases, third quarter 20th century, with traces of gilt, h. 14”, w. 7”, d. 4-1/4”. [100/200]

1517Electrotype Copper Plaque, fourth quarter 19th century, depicting Demeter and a putto, signed “L Oudry Pre Editeur”, h. 16”, w. 12”. [200/400] Illustrated

1518Pair of Bronze Putti, Now Mounted as Lamps, ca. 1900, on later stands, the figures depicted playfully holding wheat over their faces, mounted with fringed watered silk shades, h. 50-1/2”, dia. 18”. [1200/1800] Illustrated

1519Napoleon III Champleve Enamel Cross, third quarter 19th century, h. 11-3/4”, w. 7-3/4”. [200/400]

1520Three Unusual Blown Art Glass Vases, ca. 1900, two mounted on bronze stands, the tallest, h. 25-1/2”. [150/300]

1521Marble Figure of a Water Nymph, modeled reclining on an upturned shell and holding a water ewer, on a marble-clad pedestal, h. 41-1/2”, w. 43-1/2”, d. 24-1/2”. [500/800] Illustrated

1522Tinted Biscuit Bust of a Jeune Fille, mid-19th century, attributed to Gille Jeune, Paris, unsigned, h. 18-1/4”. [300/500]

1523Bing & Grondahl Porcelain Figure of Two Jesters, ca. 1915-1947, Danish, after Axel Locher (Danish, 1879-1941), and inscribed “Axel Locher 1910”, h. 15-1/4”, w. 8”, d. 4-3/4”. [250/400]

1524Plaster Bust of a Jeune Fille, first quarter 20th century, after Albert-Ernest Carrier-Belleuse (French 1824-1887), marked “A Carrier-Belleuse” on the back, h. 29”, w. 15”, d. 9-1/2”. [200/400]

1518

1521

1517

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1525Baccarat “Beluga” Decanter and Pair of Double Old-Fashioned Glasses, signed in two places, decanter, h. 8-1/4”, dia. 5”, glasses, h. 3-3/4”, dia. 4-1/4”. [250/400]

1526Nine-Piece Collection of Pressed and Cut Glass Articles, first quarter 20th century, American and English, the tallest, h. 4-3/4”. [100/200]

1527Pair of French Gilt-Bronze and Cut Glass Three-Light Sconces, first quarter 20th century, in the neoclassical taste, h. 12”, w. 15-1/4”, d. 8-1/4”. [200/400]

1528Three Pieces of Hand-Painted Old Limoges, including a waste bowl, dia. 8”, a cream jug, h. 7”, and a sugar base without the lid, dia. 5-1/2”. [75/125]

1529Schneeballen Covered Bottle Vase, in the Meissen manner, marked “23/257”, h. 12-3/4”, dia. 4-1/2”. [100/200]

1530Pair of Paris Anneau d’or Porcelain Corbeilles, mid-19th century, on paw feet, h. 4-1/2”, dia. 9-1/4”. [200/400] Illustrated

1531Thirty-Five-Piece Paris Porcelain Partial Dessert Service, mid-19th century, French, decorated with gilt scrollwork, the set comprised of a teapot, h. 7”, a cream jug, h. 6-1/2”, a sugar basin, h. 6”, a waste bowl, dia. 6-3/4”, two plates, dia. 9-1/4”, eight dessert plates, dia. 7-1/4”, nine cups, h. 2-1/2”, and twelve saucers, dia. 5-1/2”. [200/400]

1532Fine Paris Porcelain Black-Ground Veilleuse with Chinoiserie Decoration, second quarter 19th century, possibly by Darte, of oval form in three parts, h. 9-1/2”, w. 5”, d. 4”. [200/400]

1533Jacob Petit Spill Vase and Platform, mid-19th century, French, the vase depicting a jeune fille gathering flowers, signed “J.P.” in underglaze blue, h. 9”, w. 5-1/2”; together with a platform, signed “Jacob Petit”, h. 2”, w. 6-3/4”. [300/500]

1534Pair of Paris-Style Cobalt-Ground Campana-Form Garniture Urns, with topographical-style decoration and Sevres-style marks, h. 18-1/2”, dia. 15-1/2”. [1200/1800] Illustrated

1535Limoges Porcelain Bateau-Form Basin and Jug, 20th century, hand-painted en grisaille in the 18th-century style, marked “Decore’ main, France, Rx”, jug, h. 10-1/4”, basin w. 8-1/4”, l. 16-1/4”. [500/800] Illustrated

1536Hand-Painted Bleu Celeste-Ground Tray, mounted in a cast bronze stand, with a spurious shield mark, w. 25-1/4”, d. 13-1/4”. [500/800]

1537Pair of Paris Porcelain-Style Cachepots, decorated with portraits of the Empress Josephine, h. 13”, dia. 12-1/4”. [600/900]

1538Set of Eleven Rosenthal Service Plates, third quarter 20th century, German, the plates decorated with transfer-printed flowers on an apple-green ground, dia. 10-1/2”. [100/200] Illustrated

1530

1534

1535

1538

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1539Set of Twelve Bavarian Raised Gilt Service Plates, first quarter 20th century, signed “Hemrich & Co.”, dia. 11”. [300/500]

1540Pair of Rare French Paris Porcelain Hot Water Dishes, second quarter 19th century, decorated with buff-colored borders, each with a fan-shaped gilt and white handle, and a corresponding gilt and white water aperture, h. 2-1/4”, w. 11-3/4”, d. 9-3/4”. [150/300]

1541Seven-Piece Limoges Cake Set, including a serving tray, dia. 12-1/2”, and six dessert plates, dia. 8-3/4”, marked “Elite, L. France”. [150/300]

1542Napoleon III-Style Giltwood Mirror, 58-1/4” x 47-1/4”. [300/500]

1543Christopher High Shearer (American/Pennsylvania, 1846-1926), “Bonfire On the Lake”, oil on canvas, signed lower right, 8” x 16”. Framed. [200/400]

1544Sylvia L. Charlock (American/Hawaiian, 20th Century) “Expansive Hilo, Hawaii Coastal Landscape with Volcano Visible in the Distance”, 1927, house paint on wood panel, 51” x 96”, signed, dated and inscribed lower right “Sylvia L. Charlock 1927 Hilo”. Framed. [1000/1500] Illustrated

1545American School (First Quarter 20th Century), “Western Landscape with Snow-Capped Mountains”, oil on canvas, unsigned, 16-1/2” x 28-1/2”. In a period giltwood frame. [400/700]

1546M. S. Young (American, 19th Century), “Pudding Pond, New Hampshire”, 1866, oil on canvas, signed, dated and titled, 12” x 18”. Framed. [200/400]

1547American School (20th Century), “Harvest”, oil on canvas, unsigned, 16-1/4” x 20-1/4”. Framed. [400/800]

1548American School (19th Century), pair of landscape paintings, one oil on canvas, unsigned, 4” x 6”, the other oil on board, monogrammed “CA”, 3-1/4” x 6”. Each framed. [100/200]

1549Collection of Four American Oils on Board of Landscape Scenes, 20th century, sizes 8” x 10” to 14-1/2” x 17-1/4. All framed. [700/1000]

1550American School (Third Quarter 19th Century), “Moonlight Fishing Scene”, oil on canvas, unsigned, 6” x 9”. Framed. [200/400]

1551American School (Second Quarter 20th Century), “Coastal Landscape”, oil on board, signed lower right “Michael Lynch”, 12” x 16”. Framed. [75/125]

1552Charles Killgore (American/California, 1889-1979), “California Landscape”, oil on canvas, signed, 25-1/2” x 31-1/2”. Framed. [500/800]

1553American School (Third Quarter 20th Century), “Autumnal River Landscape”, oil on canvas, signed “Reynolds”, 40” x 50”. Framed. [40/70]

1554Edith Varian Cockcroft (American, 1881-1962), “Autumnal Mountain Landscape”, pastel on paper, signed, sight 21” x 14”. Matted, glazed and framed. To be sold for the benefit of the Ogden Museum of Southern Art, New Orleans. [400/700]

1555Edith Varian Cockcroft (American, 1881-1962), “Harvest Moon”, pastel on paper, signed, sight 18-1/2” x 23-1/2”. Matted, glazed and framed. To be sold for the benefit of the Ogden Museum of Southern Art, New Orleans. [400/700]

1556Ace (Asa Lynn) Powell (American/Taos, 1912-1978), “The Lookout”, oil on canvas, signed with artist’s mark, 12” x 18”. Framed. [1800/2400] Illustrated

1544

1556

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1557American School (Fourth Quarter 19th Century), “Wooded Autumnal Landscape”, signed lower left “A. B. Daniel”, 12” x 8”. Framed. [300/500]

1558Charles H. Walther (American, 1879-1937), “Autumnal Landscape”, oil on board, signed , sight 12” x 15-1/2”. Glazed and framed. [400/700]

1559American School (Fourth Quarter 19th Century), “Autumnal Landscape with Hay Stacks”, oil on canvas, signed lower left “A. B. Davis”, 10” x 16”. Framed. [200/400]

1560Attributed to Ralph Albert Blakelock (American, 1847-1919), “Wooded Landscape at Sunset”, oil on canvas, unsigned, 9” x 12”. In a giltwood frame. [1200/1800] Illustrated

1561American School (Second Quarter 19th Century), “Hudson River Landscape with Sailboats”, oil on canvas, unsigned, 12” x 16”. Framed. [200/400]

1562American School (First Quarter 20th Century), “Mountainous Western Landscape with a Cabin”, oil on canvas, unsigned, 36” x 60”. In a period giltwood and gesso frame. [300/500]

1563Charles Eames Laminated Walnut and Leather Lounge Chair and Ottoman, fourth quarter 20th century, manufactured by Herman Miller Co., Zeeland, Michigan, each retaining a Herman Miller sticker, chair, h. 33-1/2”, ottoman, h. 17”, w. 26”, d. 22”. [500/800] Illustrated

1563AFaux Leather and Burlwood Bombe Occasional Table, on a wrought iron base, the case with a bank of three drawers, h. 32”, w. 23-1/2”, d. 19”. [30/50]

1564John Perry (British/California/Contemporary), bas-relief dolphin, carved slate on a black wooden base, h. 15-1/4”, w. 13”, d. 5-1/4”. [200/400]

1565Pair of Contemporary Parcel-Gilt and Ivory-Painted Recamiers, each of S-scroll form, with shell-form rear legs and black and gold cut velvet upholstery, h. 31”, w. 32”, l. 68”. [400/700]

1566Contemporary Gilt-Metal and Mirrored Tray-on-Stand, the handled tray with a mirrored surface, on a faux-branch, X-form stand, h. 28”, w. 23-1/2”, d. 15”. [400/700]

1567Pair of Unusual Brass and Aluminum Nautical-Style Hanging Lamps, with porthole covers, h. 22”, dia. 17-3/4”. [450/700] Illustrated

1568Contemporary Tapering Fluted Pottery Lamp, with gilt finish, h. 25”, dia. 7-3/4”. [20/40]

1563

1560

1567

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1569Contemporary Gilded Pottery Table Lamp, with a black sgraffito-decorated central panel, mounted with a matching shade, base, h. 18”, overall, h. 30”, w. 12-1/2”. [20/40]

1570Post-Modern “S” Scroll Metal and Lucite Floor Lamp, h. 73”, dia. 20-1/4”. [50/80]

1571Fossilized Fish on Stand, the rectangular-cut fossil mounted on a contemporary chrome-plated stand, h. 10-1/4”, w. 6”, d. 2-2/4”. [200/400]

1572Pair of Ebonized Armchairs, early 20th century, in the manner of Charles Rennie Mackintosh, each with a pierced block back joined by shaped arms to the cushioned seat, raised on square legs joined by a box stretcher, h. 38”. [900/1200] Illustrated

1572AMid-Century Modern Steel, Leather and Cowhide Reclining Armchair and Ottoman, second half 20th century, chair, h. 33-1/4", w. 41", d. 34", extended l. 54", ottoman, h. 16", w. 30", d. 26". Illustrated

1573Faux Zebra Rug, made by Minuano, Brazil, and labeled on the back, w. 74”, l. 76”. [150/300]

1574Contemporary Decorative Print of a Woman in Black, sight 25” x 36”. Glazed, matted and framed. [20/40]

1575Contemporary Metal Skull, the hollow skull in a single piece, h. 6”, l. 8”. [100/200]

1576Post Modern Looking Glass, with three graduated beveled mirror plates in a colorless glass and chrome frame, h. 32”, w. 31-3/4”, d. 1”. [400/700]

1577Contemporary Lucite and Circular Plate Glass Center Table, h. 29”, dia. 48”. [500/800]

1578Mid-Century Modern Chrome and Glass Eight-Light Chandelier, of traditional inspiration, the basket-form base concealing four candle sockets lighting the base, and four directed to the upper fringe of prisms, h. 24”, dia. 20”. [300/500]

1579Pair of Chinese Silver Lustre Ginger Jars, the pottery jars with domed covers and a silver lustre glaze, h. 21-3/4”, dia. 10-1/2”. [200/400]

1580Two Beautiful Silver-Leafed Nautilus Shells on Stands, h. 12” and 20-1/2”. [75/125]

1581Unusual Pair of Boudoir Lamps, employing bronze painted star-form bases, the sinuous standards supporting Medusa-inspired decorative elements, with matching shades, overall, h. 37-1/4”, dia. 10”. [40/70]

1582Lalique Molded Crystal “Auriac” Double Candle Holder, signed “Lalique France” in etched script, h. 3-1/4”, w. 1-1/2”, l. 9”. [125/250]

1583Bennett Bean (American, b. 1941), probably 1980s, large earthenware bowl, pit-fired, painted and gilded, with the impressed “bean” signature and marked “112” in white, h. 10”, dia. 14”. [1800/2500] Illustrated

1583

1572

1572a

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1584Contemporary Blown Glass Bowl of Mottled Green Glass, probably Murano, with a pillar molded base, h. 4”, dia. 17-1/4”. [100/200]

1585Two Swirled Blown Glass Contemporary Sculptures, of organic form in mauve in blue, h. 5”, dia. 18”, largest. [300/500]

1586Molded and Frosted Floral Glass Vase, attributed to Consolidated Glass Co., Coraopolis, Pennsylvania, possibly from their Martele line, h. 11”, dia. 6-1/2”. [100/200]

1587Two Pieces of Mount Washington Art Glass, including a biscuit barrel with a silverplate cover, h. 7”, and a signed Crown Milano vase, h. 7-1/2”. [250/400]

1588Czechoslovakian Enameled Art Glass Bowl, Attributed to Loetz, ca. 1927-1928, in the “Etrusk” pattern, h. 6-3/4”, dia. 5-3/4”. [100/200]

1589Pair of Contemporary Mahogany Armchairs, of neoclassical inspiration, both with open arms and leatherette upholstery, h. 33”. [30/50]

1590Contemporary Lacquered Gold Leaf Coffee Table, in the style of New Orleans, Louisiana designer, Christopher Maier, h. 14-1/2”, w. 47-1/4”, d. 25-1/2”. [500/800]

1591Two Blown Glass Contemporary Sculptures, of organic form in blue and mauve, h. 6”, dia. 16-1/2”, largest. [300/500]

1592Two Blown Glass Contemporary Sculptures, of organic form in blue and mauve, h. 5”, dia. 19”, largest. [300/500] Illustrated

1593Group of Four Vintage Blown Glass Sculpture Bowls, mid-20th century, h. 6-3/4” to 12-3/4”, w. 9-3/4” to 17”. [150/300]

1594Roberta Eichenberg (American, b. 1957), dusty blue blown glass vase depicting a female torso in a dress, pontil signed “R. Eichenberg, 1998”, h. 13-1/4”, dia. 4-1/2”. Provenance: LeMieux Galleries, New Orleans, Louisiana. [150/300]

1595Group of Three Green-Over-White Plated Pillar-Molded Blown Glass Vases, mid-20th century, h. 10-1/2” to 15-1/2”, dia. 7” to 9-1/2”. [30/50]

1596Two-Piece Group of Art Glass, comprised of a pillar-molded bowl, mid-20th century, signed “Baccarat”, h. 7-1/2”, dia. 13”, and an organic-form blown vase, h. 7-1/4”, dia. 5-1/4”. [50/80]

1597Signed Baccarat Brilliant Period Cut Glass Decanter and Glass Set, ca. 1900, French, comprising a decanter, h. 11-1/2”, and two glasses, h. 5-1/2”. [200/400]

1598Contemporary Polychrome and Mirrored Bedside Commode, fitted with a drawer over a pair of doors, h. 27”, w. 25”, d. 18”. [200/400]

1599Contemporary Polychrome and Mirrored Dresser, fitted with three graduated drawers, h. 35”, w. 42”, d. 19-1/2”. [300/500]

1600Contemporary Polychrome and Mirrored Dresser, fitted with three graduated drawers, h. 35”, w. 42”, d. 19-1/2”. [300/500]

1601Vintage Stendig Chrome and Glass Dining Table, 1960’s, the feet adjustable to accommodate uneven floors, overall, h. 29-1/2”, w. 44”, l. 78”. [500/800] Illustrated

1602Contemporary Silvered Metal and Mirrored Occasional Table, h. 26”, w. 12”, d. 12”. [200/400]

1603Art Deco-Inspired Four-Shelf Baker’s Rack/Etagere, the shelves with glass insets and supported by serpentine front legs, h. 73-1/4”, w. 40-1/4”, d. 15-1/4”. [150/300]

1604Contemporary Patinated Metal and Glass-Top Occasional Table, the rectangular top raised on circular legs joined by an X-form stretcher adorned with a bird amongst leafy branches, h. 23”, w. 16”, d. 24”. [200/400]

1592

1601

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1605Suite of Four Empire-Inspired Brass and Wrought-Iron Folding Chairs and Table, each chair with a lyre-form back capped with swan’s heads, curule base and brass paw feet, h. 36”, the table with circular inset glass top, wrought base and swan’s head ornament, h. 30”, dia. 42”. [900/1200]

1606Mid-Century Modern Brass Six-Light Chandelier, of Directoire Inspiration, the clustered J-form arms supporting tubular columns with electric candles, h. 31-3/4”, dia. 26”. [200/400]

1607Four Continental Ivory Spheres, 19th century, dia. 1” to 2”. [100/200]

1608Pair of Gorham Art Deco Sterling Silver Condiment Dishes, 1928, Providence, Rhode Island, each of elongated octagonal form, the upswept ends stepped and embossed with “skyscraper” reeding, the rim en suite, monogrammed “K.E.O’N”, l. 6-3/4”, w. 4”, 7.33 total t. oz. [125/250]

1609Four French Art Deco Silverplate Tablespoons, second quarter 20th century, by Apollo, Societe Generale de Coutellerie et d’Orfevrerie, Paris, of canted spaten form with stepped geometric threading, l. 8-1/2”. [100/200]

1610Seventeen Pieces of Continental Luxury Railway Silver Plate, ca. 1910-1930, including Christofle, Paris pieces: two cream jugs, a covered sugar bowl, and six breakfast bowls, a set of five Felix Freres, Toulouse, graduated serving bowls with shell handles, an Ercuis, Paris coffeepot, a B. Bohrman, Frankfurt teapot, and an unmarked cream jug, all but the Felix set and unmarked cream jug engraved with the “WL” logo of Wagon-Lits, h. 2-1/4” to 6-1/2”, dia. 3-1/2” to 9-1/4”. La Compagnie Internationale des Wagons-Lits (The International Sleeping Car Company), founded in 1874 by Belgian Georges Nagelmackers, is the premier European purveyor of on-train catering and sleeping car services, best known as the historical operators of the renowned Orient Express, Nord Express and Le Train Bleu. [250/400] Illustrated

1611Collection of Four Silver Cigar and Cigarette Boxes, mid-20th century, all rectangular and cedar-lined, including an English sterling example, hallmarked London, 1947-1948 by Padgett & Braham, w. 4”, a Belgian .835 silver example by Wolfers Freres, Brussels, w. 6-3/4”, both the preceding with a presentation inscription dated 1949, a Mexican sterling example, w. 8”, and an unidentified Continental .900 silver example, w. 8”. [100/200]

1612Two Good Pairs of Sterling Silver Salt and Pepper Shakers, including an Edwardian pair, hallmarked London, 1909-1910, by Stewart Dawson & Co., of paneled urn form, and a Modernist pair, ca. 1925, by A. M. Soffel, Newark, New Jersey, of stylized baluster form, monogrammed “W”, h. 4-1/4”, 8.16 total t. oz. [150/300] Illustrated

1613German Cased .800 Silver and Steel Twelve-Piece Dessert Set, third quarter 20th century, by Karl Kaltenbach/Auerhahn, Altensteig, including six dessert forks with three gilt-steel tines, l. 6”, and six dessert knives with stainless steel “New French”-shaped blades and sterling silver “Chippendale”-style handles, l. 7”, presented in the original blue jersey and white linen-lined fitted faux alligator case, 10-3/4” x 7-3/4”. [100/200]

1610

1612

1615

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1614Two American Sterling Silver Leaf Dishes, mid-20th century, including an International Silver naturalistic example, l. 7”, and an unmarked stylized example, l. 6-3/8”, 7.84 total t. oz. [125/250]

1615Silverplate Cocktail Shaker and Flask, mid-20th century, the cocktail shaker American and of baluster form, h. 10-1/2”, dia. 4-1/2”, the flask German and with a hammered finish, h. 7-1/2”, w. 3-3/4”, the latter monogrammed “GRL”. [75/125] Illustrated

1616American Silverplate “Town Crier” Cocktail Shaker, mid-20th century, the novelty shaker in the form of a large handbell, h. 11”, dia. 5-1/4”. [75/125] Illustrated

1617Two Sets of Six Norwegian Sterling Silver Guilloche Enamel Demitasse Spoons, second quarter 20th century, one set by David-Andersen, Oslo, l. 3-3/4”, the other by Aksel Holmsen, Sandefjord, l. 3-5/8”, 3.79 total t. oz. (twelve total spoons). [75/125]

1618American Modernist Sterling Silver Covered Sugar Bowl, mid-20th century, by the International Silver Co., Meriden Connecticut, of squat ovoid form with threaded rim, the shallow-domed, fitted lid with stylized leaf ring finial, h. 2-3/4”, dia. 5-1/4”, 7.78 t. oz. [125/250]

1619Two Pieces of American Mid-Century Modern Silverplate, including a Leonard lotus-form three-piece flower frog, h. 3-1/2”, dia. 6-1/2”, and an unmarked fruit bowl with marbleized green and yellow bakelite foot, h. 3-1/2”, dia. 9”. [75/125] Illustrated

1620Four-Piece Gorham “Paul Revere” Silverplate Tea Set, fourth quarter 20th century, including a teapot, h. 10-1/2”, a covered sugar bowl, h. 4”, a cream jug, h. 3-3/4”, and a waste bowl, h. 2-1/4”. Astute viewers might recognize the sugar bowl here as identical to that used by Kathy Bates in the current season of American Horror Story: Coven as the special “cosmetics” jar of her character, New Orleans’ notorious Madame LaLaurie. [75/125]

1621Eighteen Pieces of Gorham “Camellia” Sterling Silver Flatware, the pattern designed in 1942 by James Russell Price, Providence, Rhode Island, including four cream soup spoons, l. 6-3/4”, four teaspoons, l. 5-3/4”, six dinner forks, l. 7-1/4”, and four salad forks, l. 6-1/2”, no monograms, 22.12 total t. oz. [300/500]

1622Pair of Pairpoint Silverplate and Glass Candelabra, 20th century, the cobalt glass base and clear bubble ball knop supporting three candle arms of varying heights, h. 13”, w. 9”. [100/200] Illustrated

1616

1619

1622

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123

1623Salvador Dali 1972 Lincoln Mint Sterling Silver Plate, “Dionysus and Pallus Athena”, #2340 of 10,000, dia. 8”, 9.25 t. oz. [150/300] Illustrated

1624Pair of Mexican “Metalles Castillo” Mixed Metal Dishes, mid-20th century, Los Castillo, Taxco, of circular form, divided into asymmetrical wedges of copper, brass, silver and nickel, dia. 6-1/2”. [100/200]

1625Two Mexican Silverplate and Hardstone-Mounted “Dragonfly” Pieces, 20th century, probably Los Castillo, Taxco, including a lobed pitcher, h. 6-1/4”, and a footed dish, dia. 5-1/4”. [250/400]

1626Two Mexican Silverplate and Hardstone-Mounted “Parrot” Pieces, 20th century, including a Los Castillo, Taxco, nacre “cockatoo” double jigger, h. 4”, and an unmarked malachite “parrot” pitcher, h. 9-1/4”. [300/500] Illustrated

1627Mexican Silverplate and Hardstone-Mounted Vase, 20th century, probably Los Castillo, Taxco, spiral-lobed with green hardstone collar, h. 8”, dia. 6-1/4”. [250/400] Illustrated

1628Mexican Sterling Silver Dish, mid-20th century, in the form of a stylized ivy leaf, l. 6”, w. 5-1/2”, 3.98 t. oz. [60/90]

1629Peruvian .900 Silver Platter and Bowl, 20th century, including a circular vegetable bowl, dia. 11-1/2”, and an oval meat platter, l. 20”, w. 12-1/2”, both with shaped acanthus rim, 51.95 total t. oz. [800/1200] Illustrated

1630American School (Second Quarter 20th Century), “Blue Still Life”, oil on canvas, signed and dated “Summer 1934” verso, 25” x 28”. Framed. [100/200]

1623

1626

1627

1629

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124

1631Italian Print on Canvas of “Two Oranges”, unsigned, 24” x 28”. Framed. [300/500]

1632American School (20th Century), “Still Life with Oranges”, oil on canvas, illegibly signed, sight 22” x 27-1/2”. Framed. [250/400]

1633Max Standley (American/Kansas, b. 1942), 1969, “Composition in Green”, oil on board, signed, dated, and titled, 11” x 22”. Framed. [250/400]

1634Paul A. J. Spheeris (American, 20th Century), “Japanese Dream”, oil on panel, signed, overall 13-1/2” x 12”. Framed. [100/200]

1635Fred Marcellino (American, 1939-2001), “The Toy Closet”, watercolor on paper, signed and dated “84” lower right, sheet 22” x 26”. Glazed, matted and framed. [700/1000] Illustrated

1636American School (Mid-20th Century), “Tea Party”, oil on canvas, signed and dated lower right “Judith Small 1957”, 14” x 36”. Framed. [450/700]

1637Will Barnett (American, 1918-1992), “Reflections”, serigraph, signed, titled, and numbered, 23” x 15”. Matted, glazed and framed. [500/800]

1638Antique Mahal Carpet, 9’ 2” x 12’ 3”. [1800/2500] Illustrated

1639Peshawar Zeiglar Mahal Runner, 4’ x 14’ 10”. [800/1200]

1640Tabriz Carpet, 12’ 8” x 9’ 8”. [500/800]

1641Turkish Angora Oushak Carpet, 9’ 3” x 12’ 3”. [1400/1800]

1635

1638

Illustrated

1641

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125

1642Turkish Angora Oushak Carpet, 9’ 2” x 12’. [1200/1800]

1643Semi-Antique Aubusson Carpet, 10’ 11” x 17’ 3”. [2000/4000]

1644Patchwork Kilim Carpet, 5’ 10” x 7’ 9”. [500/800] Illustrated

1645Isfahan Carpet, 17’ x 10’ 4”. [600/900] Illustrated

1646Kashmir Carpet, 7’ x 10’ 8”. [600/900]

1647Patchwork Kilim Carpet, 5’ 10” x 7’ 9”. [500/800]

1648Agra Carpet, 9’ 4” x 12’ 6”. [800/1200] Illustrated

1649Kazak Carpet, 10’ 8” x 7’ 2”. [400/700]

1650Sarouk Carpet, 9’ 1” x 12’ 11”. [300/500]

1644

1645

1648

Page 127: Cakebread Decorative Arts & Design

Agam, Yaacov 1466

Albrizio, Conrad 1484

Alkins, H. J. 1087

Amans, Jacques Guillaume Lucien 1337

American School 272, 283, 285, 776, 779, 780, 781, 809, 813, 816, 817, 910, 1048, 1088, 1092, 1241, 1343, 1344, 1345, 1350, 1351, 1378, 1383, 1481, 1545, 1547, 1548, 1549, 1550, 1551, 1553, 1557, 1561, 1562, 1574, 1630, 1632, 1636

Audubon, John James (after) 1262, 1263, 1264, 1265, 1266, 1267, 1268

Azoulay, Guillaume 1474

Bachmann, Otto 453

Barnett, Will 1637

Bautista, Leo 1478

Bean, Bennett 1583

Blakelock, Ralph Albert (attributed) 1560

Brandon-Cox, Hugh 1091

British School 284, 286, 287, 288, 289, 506, 508, 512, 1038, 1040, 1093, 1094, 1255, 1256, 1269, 1352

Calder, Alexander 1469

Carrington, Roger 774

Carzou, Jean-Marie 1384

Casedei, Giovanni 1238

Castleden, George 1482

Chagall, Marc 1458

Charlock, Sylvia L. 1544

Cheret, Jules 1473

Cheret, Jules (after) 1472

Chinese School 67

Clements, Robert 1311

Cockcroft, Edith Varian 1554, 1555

Continental School 251, 252, 253, 258, 260, 290, 291, 455, 507, 509, 510, 513, 514, 516, 518, 811, 812, 815, 917, 918, 1041, 1084, 1270

Currier and Ives 292, 1249

Cuzco School 219

Cuzco School-Style 220

Dali, Salvador (after) 1459, 1460, 1461

Danchin, Leon 280, 281

David, Michael 1425

Davies, Arthur Bowen 1347

De Callatay, Xavier 1485

De Castro, Philip 810

De Vaugundy, Robert 1248

Delcroix, Eugene 1498

Diller, Fritz 282

Donadoni, Stefano (attributed) 909

Drysdale, Alexander John 1310

Dunbar, George 1314, 1375

Dureau, George Valentine 1502

Dutch School 770, 1086

Eckford, Jessiejo 1047

Edwardson, Lawrence Christie 772

English School 1095

Evans, Robert James (Bob) 448

Evans, Tony 1427

Faini, Umberto 1475

Foulke, B. F. 1085

French School 515, 555, 556, 913, 1050, 1254

Friedlander, Johnny 1423

Genta, Albert 1052

German School 460

Gilbert, Albert Earl 1468

Golden, Rolland 1242, 1243

Gonzalez, Xavier 1090

Gordy, Robert 1421

Gould & Richter 1257, 1258, 1259, 1260

Gray, Harrel 1315, 1317

Green, Peter 1470

Guidry, Louise 1422

Hale, William Matthew 911

Hancock, James Carl 1483

Index of Artists and Printmakers January 24-26 , 2014

Page 128: Cakebread Decorative Arts & Design

Haydon, Benjamin Robert (attributed) 457, 458

Heldner, Knute 1316

Hobbs, Morris Henry 1486, 1487

Hoppner, John (follower) 1348

Hull, Marie Atkinson 1386

Indian School 109

Italian School 250, 456, 511, 915, 916, 1039, 1631

Jackson, John Edwin 1089

Jancsek, Antal 814

Janssen, Jacob 778

Kamp, Toni 279

Kemp, Jay 1274

Killgore, Charles 1552

LaMotte, Bernard 1380

Leeuwen, J. van 1379

Leleux, Adolphe Pierre 454

Lewis, L. 1097

Little, Almarie 1237

Lorrain, Claude (follower) 919

Louisiana School 561, 1239, 1244, 1313, 1479

Loving, Eugene 1480, 1482, 1491, 1492, 1493, 1494

Lowe, Edward Joseph 1271

Marcellino, Fred 1635

Maresca, Mario 912

Matisse, Henri (after) 1467

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McKenney & Hall 1251

Menager, Pierre 1046

Meunier, Suzanne (after) 1053

Minami, Keiko 74

Minei, Franco 1318

Miro, Joan 1462, 1463

Moise, Ann 1424

Moore, Ernest 1349

Moreau, Auguste (after) 755

Morris, John 1428

Nodder, Frederick Polydore 1272

Outhwaite, David 1385

Owen, Frederick 1083

Pantuhoff, Igor 1382

Pennell, Jo 1478

Perez, Jose 1051

Perry, John 1564

Polidori, Carlo 517

Powell, Ace (Asa Lynn) 1556

Prud’hon, Pierre-Paul 554

Rath, Hildegard 808

Redlin, Terry 1276

Renard, Paul 914

Renoir, Auguste 1043

Renouard, Charles Paul 1044

Richards, Charles 1049

Robinson, Rex 1240

Rouault, Georges (after) 1471

Ruellan, Andree 459

Rutledge, Steven 1500

Sage, Philip 1495, 1496, 1497, 1499, 1503

Scotti, Maria 1429

Seaford, John Albert 773, 775

Selby, Prideaux John (after) 1261

Shaw, George 1272

Shearer, Christopher High 1543

Simmons, Nan 1245

Sloan, John French 1045

Sloan, Richard (after) 1275

Smith, Jules Andre 777

South American School 213, 218, 223, 257

Southern School 1246, 1312, 1346

Index of Artists and Printmakers January 24-26 , 2014

Page 129: Cakebread Decorative Arts & Design

Spanish American School 216, 259

Spanish Colonial School 214, 215, 217, 222, 256

Spheeris, Paul J. 1634

Spicher, Kolene E. 1252

Standley, Max 1633

Thompson, David B. 771

Thompson, Jerry L. 1056

Tie-Feng, Jiang 123

Turtle, Arnold 1480

Vasarely, Victor 1464, 1465

Vertes, Marcel 1381

Walther, Charles H. 1558

Watson, Albert 1055

Weissman, Andrew 520

Welsh, Horace Dewitt 1478

Werger, Art 1478

White, Lee 1426

Wolf & Hart 1257

Wood, William Thomas 1096

Woodward, William (after) 1482

Young, M. S. 1546

Zheng, B. C. 998

Glossary

New Orleans Auction Galleries does not make any express or implied warranty as to the

authorship of works of art and !ne art. Please note that all of the terms and descriptions used in this catalogue are intended as our

quali!ed opinions only and are subject to the Conditions of Sale set forth elsewhere.

"e Artist’s Name: In our quali!ed opinion, a work by the artist.

Attributed to: In our quali!ed opinion, a work of the period of the artist that may be in

whole or in part the work of the artist.

School of: In our quali!ed opinion, a work by a follower of the artist.

Circle of: In our quali!ed opinion, a work of the period of the artist and showing his/her

in#uence.

Manner of: In our quali!ed opinion, a work in the style of the artist, possibly of a later

period.

A$er: In our quali!ed opinion, a copy of a known work by the artist.

Signed: In our quali!ed opinion, has the signature which is that of the artist.

Bears Signature: In our quali!ed opinion, has a signature which may be the signature of the

artist.

Dated: In our quali!ed opinion, is so dated and was executed on or around that date.

Bears Date: In our quali!ed opinion, is so dated and may have been executed at about

that date.

Index of Artists and Printmakers January 24-26 , 2014

Page 130: Cakebread Decorative Arts & Design

New Orleans Auction Galleries

Susan KrohnCEO

Tessa SteinkampDirector of Auctions

Ashton ThomasPresident

FINE ART:

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Kim LemonCustomer Service Manager

Charles C. CageO"ce Manager

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Taylor EichenwaldMarketing & Public Relations

c o n s u l t a n t s

a d m i n i s t r a t i o n

Tessa SteinkampAshton !omas

Robin RuizMichael DeGeorgeC. Davin Boldissar

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o p e r a t i o n sa u c t i o n e e r s

Page 131: Cakebread Decorative Arts & Design

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