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  • TITLE72 MELA RAGAMALIKA - (I CAKRA) SONG NOTATION OF NERUR SRINIVASACHARIYARA CHOWKA VARNA FOR BHARATA NATYA BY TANJORE VADIVEL SIVANANDAM AND SVATI TIRUNALA COMMENTARY ON THE MAHESVARA SUTRAA COMPARISON OF CONCERT PATTERNS IN CARNATIC AND HINDUSTANI MUSICA COMPARISON OF VISUAL AND AUDITORY PERCEPTION IN MUSICAL EXPERIENCEA COMPARITIVE STUDY OF MUTHUSVAMI DIKSHITAR AND OTHER COMPOSERS PURANDARADASA,KSHETRAJNAA COMPARITIVE STUDY OF SRI TYAGARAJA AND OTHER VAGGEYAKARASA COMPARITIVE STUDY OF THE MUSIC TRINITY (TAMIZ)A COMPARITIVE STUDY OF THE RAGA FORMS PORTRAYED IN THE KRITIS OF DIKSHITAR AND TYAGARAJAA COMPARITIVE STUDY OF THE RAGATATTVA VIBODHA AND THE SANGITA PARIJATAA COMPUTERISED CATALOGUE OF KARNATIC MUSICA FELICITATION SONGA FEW UNPUBLISHED KIRTANAS OF SRI TYAGARAJA (TEXT ONLY)A FURTHER NOTE ON THE DATE OF SUBHANKARA KAVIA JAVALI AND SVARAJATI OF SRI TIRUPATI NARAYANASVAMI NAIDUA KRITI OF TYAGARAJAA KRTI OF SRI MUTTUSVAMI DIKSHITARA KRTI OF VINA KUPPIER IN HAMSADHVANIA MUSICOMETRICAL VIEW OF INDIAN MUSIC WITH PARTICULAR REFERENCE TO MURCHANA CAKRASA NEW KIRTANA OF PATNAM SUBRAMANYA IYER AND A NEW VARNA OF RAMNAD SRINIVASA IYENGARA NEW KRITI OF SRI MUTHUSVAMI DIKSHITARA NEW KRITI OF SRI MUTHUSVAMI DIKSHITARA NEW KRITI OF SRI MUTTUSVAMI DIKSHITARA NEW VISUAL NOTATION FOR INDIAN CLASSICAL MUSICA NOTE ON A MUSICAL REFERENCE IN THE LANKAVANA SUTRA - A MAHAYANA TEXT OF THE FIRST CENTURYA NOTE ON APPLAUSE IN ANCIENT INDIAA NOTE ON HINDOLA AND ALLIED RAGASA NOTE ON NADA SRUTI AND SVARAA NOTE ON TANAA NOTE ON THE RAGA PANTUVARALI (TAMIZ)A NOTE ON THE RAGA TALA CINTAMANI-AN UN PUBLISHED TELUGU WORK WRITTEN NEARLY 250 YEARS BACKA NOTE ON THE SRINGARA RASA MANJARIA NOTE ON THE TAMIL COMPOSITION ASCRIBED TO MAHARAJA SVATI TIRUNALA PADA OF KSHETRAYYA IN GHANTA, JHAMPAA PECULIAR PRAYER SERVICE OF ASSAMESE VAISHNAVASA PILOT PROJECT IN MUSIC THERAPYA PLEA FOR A RATIONAL INTERPRETATION OF SANGITA SASTRAA PLEA FOR A RATIONAL SYSTEM OF SIMPLIFIED MUSICAL NOTATIONA POEM ON THE VINAA RARE AND UNPUBLISHED KRITI OF MAHA VAIDYANATHA IYERA RARE AND UNPUBLISHED KRTI OF MYSORE SADASIVA RAOA RARE AND UNPUBLISHED KRTI OF MYSORE SADASIVA RAOA RARE AND UNPUBLISHED KRTI OF MYSORE SADASIVA RAO ON SRI SANKARACHARYA MAHADEVEDRA SARASVATIA RARE AND UNPUBLISHED SVARAJATI OF SVATI TIRUNALA RARE CHOWKA VARNA BY KARVETI NAGARAM GOVINDASAMIAHA RARE COMPOSITION OF MUTHU TANDAVARA RARE KRITI IN DVIJAVANTI FROM GOPALA KRISHNA BHARATI'S NANDAN CARITRAMA RARE RAGAMALIKA BY Karur Dakshinamurti and Chinna devuduA RARE TANA VARNA

  • A RARE TANA VARNA OF VEENAI KUPPAIYAR AND WALAJAPET VENKATARAMANA BHAGAVATHARA RARE TILLANA OF MAHA VAIDYANATHA IYERA RARE VARNA OF PATNAM SUBRAHMANYA IYERA REVIEW OF SRI THYAGARAJA SWAMI'S PANCHARATNA KRITIS WITH SPECIFIC REFERENCE TO NOTATION IN SANA STUDY OF MAYURBHANJ CHHAU IN RELATION TO OTHER DANCE FORMS OF ORISSAA STUDY OF SRI TYAGARAJAA STUDY OF THE MICROTONAL VARIATIONS IN FREQUENCIES IN CARNATIC MUSIC WITH AN OSCILLOGRAPHA SULADI IN MOHANAA TALE OF TWO CITIES - musical culture in modern Tehran and MadrasA TAMIL COMPOSITION OF RAMASVAMI IYER OF TIRUVAYYARUA TAMIZ KRTI OF SRI SUBBARAYA SASTRIA TAMIZ SONG OF MAZAVAI CIDAMBARABHARATIA TANA VARNA OF KOTTAVASAL VENKATARAMA IYERA UNPUBLISHED KRTI OF PATNAM SUBRAHMANYA IYERA WESTERN MUSICOLOGIST ON SRI TYAGARAJAABHINAVAGUPTA ON CHANDA VRITTA AND DHRUVAABHINAYAABHINAYA AND ABHINAVAGUPTAABHINAYA SARA SAMPUTAABHINAYA SARA SAMPUTAABHINAYA SARA SAMPUTA (TAMIZ) (contd.)ABHINAYA SARA SAMPUTA (TEXT) Contd.ABHINAYA SARA SAMPUTA SUBJECT INDEXACADEMY CONCERTSACOUSTICS OF THE AUDITORIUM OF THE MUSIC ACADEMY,MADRASACTIVITIES AND VALUES ASSOCIATED WITH THE TRUE BHAKTA IN TYAGARJA'S VIEWADAPTING THE RECORDER TO PLAY INDIAN CLASSICAL MUSICADAPTING TRADITIONAL THEMES IN DANCE-THEATREAESTHETIC LAWS OF KHYALAGAMA NOOLGALUM SANGITAMUM (TAMIZ)AHOBALA AND HIS TWELVE NOTESAKKAMAHADEVI AS A SAINT SINGER OF VIRASAIVA CULTALAP IN HINDUSTANI MUSICAN ANLYTICAL STUDY OF TYAGARAJA'S COMPOSITIONSAN ELECTRONIC TALA (BEAT) GENERATORAN OLD ASSAMESE WORK ON TIMING IN MUSICAN OUTLINE LITERARY HISTORY OF INDIAN MUSICAN UNPUBLISHED KRITI IN THE RARE RAGA SANKARIANAI AYYA KRITISANALYSIS OF DESADI MADHYADI TALASANALYSIS OF MUSIC IN MARKANDEYA PURANAANANDA DASA'S COMPOSITIONSANCIENT MUSIC:THE MUSIC OF THE SAMA VEDA AND THE SONGS OF THE SAIVITE AND VAISHNAVITE SAINTSANCIENT SACRED MONODY THE WESTERN PARALLELANNAMACHARYA'S COMPOSITIONS (TAMIZ)ANOTHER RARE COMPOSITION OF MERATTUR VIR ABHADRAYYAANTAHPURAGEETE OF Dr.D V GUNDAPPAAPPRECIATION OF MUSICAPURVA RAGAS OF TYAGARAJA'S SONGSAROHANA AND AVAROHANA KALA SVARAS OF 94 CARNATIC RAGAS TAKEN

  • ASPECTS OF APPRECIATION AND APPEAL OF MUSIC WITH REFERENCE TO HINDUSTANI AND CARNATIC MUSICATTITUDES TOWARDS GENDER IN BHARATANATYAMAUTOMATIC MUSICAL INSTRUMENTSBALASARASVATI'S ABHINAYA STYLEBANARES SCHOOL OF TABLA PLAYINGBANSURI, THE LONG FLUTE IN HINDUSTANI MUSICBARGITAS AND THEIR VARIOUS MODES OF PRESENTATIONBASIC RELATIONSHIPS BETWEEN MUSIC AND DANCEBHAJAN SINGING STYLE IN HINDUSTANI MUSICBHAKTI, AS EXPRESSED BY SRI THYAGARAJA AND MAHARAJA SVATI TIRUNAL THROUGH THEIR COMPOSITIONSBHARATA NATYABHARATA NATYABHARATA NATYAMBHARATA'S RASA THEORY AND HANDLSICK'S CONCEPTION OF THE BEAUTIFUL IN MUSICBHARATI AND THE FINE ARTSBHATKHANDE AND PALUSKARBLENDING OF MELAKARTA RAGASBOBBILI KESAVIAHBOOK NOTICES: LECTURES ON INDIAN (HINDUSTANI) MUSIC BY U SHANTIBOOK NOTICES: SANGITARATNAKARA OF SARANGADEVA, PART-1, ED. S SUBRAHMANYA SASTRIBOOK NOTICES: THE RAGAVIBODHA OF SOMANATHA, ED. S SUBRAHMANYA SASTRIBOOK REVIEW: A CRITICAL STUDY OF SANGITAMAKARANDA BY M VIJAYALAKSHMIBOOK REVIEW: A DICTIONARY OF BHARATA NATYA BY V S KRISHNA RAOBOOK REVIEW: A GARLAND BY N RAJAGOPALANBOOK REVIEW: A HISTORICAL STUDY OF INDIAN MUSIC BY SWAMI PRAJNANANANDABOOK REVIEW: A MISCELLANY IN INDIAN MUSIC BY ALAMELU GOVINDARAJANBOOK REVIEW: A STUDY OF THE COMPOSITIONS OF PURANDARA DASA AND TYAGARAJA BY T SEETHARAMA LAKSHBOOK REVIEW: A STUDY OF THE TECHNIQUE OF ABHINAYA IN RELATION TO SANSKRIT DRAMA BY SHVENI PANDYABOOK REVIEW: ABHINAVABHARATA SARA SANGRAHA OF MUMMADI CIKKABHUPALA ED. R SATHYANARAYANABOOK REVIEW: ADHUNIKA SANGITAMU, PART-I BY MANCHALA JAGANNATHA RAOBOOK REVIEW: ADHYATMA RAMAYANA KIRTANAS OF MUNIPALLE SUBRAHMANYA KAVI, ED. M JAGANNATHA RAOBOOK REVIEW: ADI SANGITA RATNAVALI BY K V SRINIVASA IYENGARBOOK REVIEW: AGRA GHARANA BY RAMANLAL MEHTABOOK REVIEW: AN ANTHOLOGY ON MUSIC "THE HINDU"BOOK REVIEW: ANOTHER GARLAND BY N RAJAGOPALANBOOK REVIEW: ARTISTIC VALUES IN TRADITIONAL MUSICBOOK REVIEW: ARULISAIYAMUDAM BY HYMAVATI TYAGARAJANBOOK REVIEW: ARUNAGIRINATHAR'S TIRUPPUGAZH NOORU BY T A SAMBANDHAMURTIBOOK REVIEW: ASHTAPADI ATTAPRAKARAM ED. K RAGHAVAN PILLAIBOOK REVIEW: BALARAMABHARATAM BY BALARAM VARMA, ED. EASWARN NAMPOTHIRYBOOK REVIEW: BALARAMABHARATAM OF BALARAMA VARMA, ED. V S SHARMABOOK REVIEW: BARGIT-A MUSICOLOGICAL EXPLORATION BY PABITRAPRAN GOSWAMIBOOK REVIEW: BETWEEN THE TWO TANPURAS BY VAMANRAO DESHPANDEBOOK REVIEW: BHAGAVATA MELA KUCIPUDI, KUCIPUDIVARI BHAMAKALAPAMU BY V PARVATISAMBOOK REVIEW: BHAJANOTSAVA MANJARI (11TH EDN.)BOOK REVIEW: BHARATA ISAI MARABU (TAMIZ) BY JNANA KULENDRANBOOK REVIEW: BHARATABHASHYA OF NANYADEVA ED. C P DESAIBOOK REVIEW: BHARATAKALAI (KOTPADU) (TAMIZ) OF PADMA SUBRAHMANYAMBOOK REVIEW: BHARATAKKALAI KOTPADU BY PADMA SUBRAHMANYAMBOOK REVIEW: BHARATANATYA IN INDIAN MUSIC BY GOWRI KUPPUSWAMY & M HARIHARAN

  • BOOK REVIEW: BHARATANATYAM (IN TAMIL) BY T BALASARASVATIBOOK REVIEW: BHARATANATYAM (THE TAMIL HERITAGE) BY LAKSHMI VISVANATHANBOOK REVIEW: BHARATA'S ART - THEN AND NOW BY PADMA SUBRAHMANYAMBOOK REVIEW: BHARATIYA SANGITA MEM TALA AUR RUPA VIDHANA LAKSHYA-LAKSHANA MULAK ADHYAYAN BY SBOOK REVIEW: BHARATIYIN ISAIPPULAMAI (TAMIZ) BY K R RAJAGOPALANBOOK REVIEW: BHARTA NATTIYA KALAI BY KALAIMAMANI SARASWATHIBOOK REVIEW: CHACHAPUTA VENBA ED. S DANDAPANI DESIKARBOOK REVIEW: CLASSICAL MUSICAL INSTRUMENTS BY SUNEERA KASLIWALBOOK REVIEW: COMPOSITIONS OF MUTTHUSVAMI DIKSHITAR - AN ANALYSIS BY K R RAJAGOPALANBOOK REVIEW: COMPOSITIONS OF SRI SADASIVA BRHAMENDRABOOK REVIEW: COMPOSITIONS OFCALCUTTA K S KRISHNAMURTHY PUL. BY CARNATICA ARCHIVAL CENTREBOOK REVIEW: CREATING A WIDER INTEREST IN TRADITIONAL MUSICBOOK REVIEW: DANCE TERMINOLOGIES- THEIR EPIGRAPHICAL ONTERPRETATIONS BY HEMA GOVINDARAJANBOOK REVIEW: DATTILAM - A COMPENDIUM OF ANCIENT INDIAN MUSIC BY E TE. NIJENHUISBOOK REVIEW: DHRUPADA -A STUDY OF ITS ORIGIN, HISTORICAL DEVELOPMENT, STRUCTURE ANA PRESENT STATEBOOK REVIEW: DIVYANAMA KIRTANAS OF TYAGARAJA PARTS-I,II ED. BY S RAMANATHANBOOK REVIEW: DR. VEMPATTI- MAESTRO WITH A MISSION BY ANDAVALLI SATHYANARAYANA AND PEMMARAJU SURBOOK REVIEW: DRAMATIC CONCEPTS - GREEK AND INDIAN BY BHARAT GUPTBOOK REVIEW: ELIYA MURAI ISAIPPAYIRCHI NOOL BY S VIJAYARUPIBOOK REVIEW: ESSAYS AND STATEMENTS COLLECTED BY UNESCOBOOK REVIEW: ETHNOMUSICOLOGY AND INDIA BY SUDHIBHUSHAN BHATTACHARYABOOK REVIEW: ETHNOMUSICOLOGY BY JAAP KUNSTBOOK REVIEW: EUPHONY - INDIAN CLASSICAL MUSIC BY L SUBRAHMANYAM AND VIJI SUBRAHMANYAMBOOK REVIEW: FACETS OF INDIAN CULTURE BY R SRINIVASANBOOK REVIEW: FOLK DANCES OF YUGOSLAVIABOOK REVIEW: FOLK THEATER OF INDIA BY BALWANT GARGIBOOK REVIEW: GHANAM KRISHNA AIYAR, GOPALAKRISHNA BHARATI, MAHA VAIDYANATHA SIVAM BY U V SWAMINATBOOK REVIEW: GITA KUSUMANJALI- COMPOSITIONS OF H YOGANARASIMHAMBOOK REVIEW: GITA PRABANDHAMALAIBOOK REVIEW: GITA SUDHAKARAM, SIVAKSHETRA KRITIMALAI, SRIRAMAKEERTANAMANJARI OF T S SUNDARESA BOOK REVIEW: GITAMALA (PART-3) BY AMBHUJAM KRISHNABOOK REVIEW: GITAMALA BY AMBUJAM KRISHNA & V V SATAGOPANBOOK REVIEW: GREAT MUSICIANS OF INDIA BY DOLLY RIZVIBOOK REVIEW: GURU GOPINATH AND KERALA NATANAMBOOK REVIEW: HINDUSTANI MUSIC IN THE 20TH CENTURY BY WIN VANDER MEERBOOK REVIEW: HINDUSTANI MUSIC, AN OUTLINE OF ITS PHYSICS AND AESTHETICS BY G H RANADEBOOK REVIEW: HINDUSTANI MUSIC, AN OUTLINE OF ITS PHYSICS AND AESTHETICS BY G H RANADEBOOK REVIEW: INDEX OF SONGS IN SOUTH INDIAN MUSIC, COMPILED & EDITED BY GOWRI KUPPUSWAMY, M HARIBOOK REVIEW: INDIAN CLASSICAL DANCE- THE THERAPEUTIC ADVANTAGES BY KANAKA SUDHAKARBOOK REVIEW: INDIAN CLASSICAL MUSIC AND GHARANA TRADITION BY R C MEHTABOOK REVIEW: INDIAN FOLK MUSICAL INSTRUMENTS BY K S KOTHARIBOOK REVIEW: INDIAN MUSIC - THAKUR JAIDEV SINGH, ed. PREMLATA SHARMA.BOOK REVIEW: INDIAN MUSIC BY B C DEVABOOK REVIEW: INDIAN MUSIC BY B C DEVABOOK REVIEW: INDIAN MUSIC: IN THE CONTEXT OF INDEPENDENCE BY S A K DURGABOOK REVIEW: INDIAN MUSICAL TRADITIONS BY VAMANRAO H DESHPANDEBOOK REVIEW: INTONATION IN NORTH INDIAN MUSIC BY MARK LEVYBOOK REVIEW: INVITATION TO INDIAN MUSIC BY SAKUNTALA NARASIMHANBOOK REVIEW: ISAI MARABU BY K SANKARANARBOOK REVIEW: ISAI MEDHAIHAL BY T SANKARAN

  • BOOK REVIEW: ISAIPPANBU BY K C TYAGARAJANBOOK REVIEW: JANARANJAKAM PRESENTED BY D K J FOUNDATIONBOOK REVIEW: JAVALIS - ed. T BRINDABOOK REVIEW: JOURNAL OF THE ENGLISH FOLK DANCE AND SONG SOCEITYBOOK REVIEW: KALAICHELVAR BY ELLARVIBOOK REVIEW: KALAKSHETRA - RUKMINI DEVI - REMINISCENCES BY S SARADABOOK REVIEW: KANDAN PUGAZMALAI BY NEELA RAMAMURTIBOOK REVIEW: KARANAS MUDRASBOOK REVIEW: KARNATAKA GANAVIDYA PRADIPIKA ED. CHAMMAMMABOOK REVIEW: KATHAK BY SUNIL KOTHARIBOOK REVIEW: KATHAK NRTYA BY LAKSHMI NARAYAN GARGBOOK REVIEW: KATHAKALAKSHEPA- A STUDY BY PREMEELA GURUMURTHYBOOK REVIEW: KAVADI CHINDU, COMPILED BY S RAMANATHANBOOK REVIEW: KAVIKUNJARA BHARATI'S ALAGAR KURAVANJI ED. S RAMANATHANBOOK REVIEW: KIRTANA DARPANA VOL-1, COMPILED & EDITED V RAMARATNAM, M V RATNA & R L ANANTHARAMAIABOOK REVIEW: KIRTANA RATNAKARAM, VOL-1 BY N RAJAGOPALANBOOK REVIEW: KRISHNANATTAM OF MANAVEDA KAVI (MALAYALAM TRANSL.) BY P C VASUDEVAN ELAYATHBOOK REVIEW: KUDIMIYANMALAI INSCRIPTION ON MUSIC BY R SATHYANARAYANABOOK REVIEW: KUMMI KOLATTA ISAI NOOL BY V ANDALAMMAL & K REVATI AMMALBOOK REVIEW: LAKSHANA GRANTHAS IN MUSIC BY S BHAGYA LEKSHMYBOOK REVIEW: LEGENDS OF CARANATIC MUSIC BY V SRIRAMBOOK REVIEW: LIFE OF SWAMI VENKATADRI/TIRUVENGADA RAMANUJA JEEYAR AND HIS DEVOTIONAL SONGS BY BOOK REVIEW: LLIBRE PER A PIANO BY HANDEL MANUELBOOK REVIEW: MAHAKAVI SUBRAHMANYA BHARATIYARIN PADALGAL ED. S SITABOOK REVIEW: MAHARASHTRA'S CONTRIBUTION TO MUSIC BY VAMANRAO DESHPANDEBOOK REVIEW: MALLIKARJUN MANSUR BY SADANAND KANWALLIBOOK REVIEW: MANDOLIN VASIKKA KATRUKKOLLUNGAL BY S BALACHANDRA RAJUBOOK REVIEW: MANGALA ISAI MANNARGAL BY B M SUNDARAMBOOK REVIEW: MANODHARMA SANGEETHAM BY SRIPADA PINAKAPANIBOOK REVIEW: MARABU THANDHA MANICKANGAL BY B M SUNDARAMBOOK REVIEW: MATHEMATICAL BASES OF THE TALA SYSTEM BY K RAMACHANDRANBOOK REVIEW: MELODY MUSIC OF INDIA BY N M ADYANTHAYABOOK REVIEW: MERI DAKSHINABHARAT KI SANGIT YATRA BY V N BHATKHANDEBOOK REVIEW: MOHINIATTAM - THE LYRICAL DANCE BY KANAK RELEBOOK REVIEW: MONOGRAPH ON LANGAS BY KOMAL KOTHARIBOOK REVIEW: MRDANGA PATAMURAI BY MYLATTOOR V SWAMY IYERBOOK REVIEW: MRIDANGA TATTVAMU BY DHARMAL RAMAMURTHIBOOK REVIEW: MUSIC AND MYTHOLOGY, ED. R C MEHTABOOK REVIEW: MUSIC EDUCATION AND OTHER ESSAYS BY R C MEHTABOOK REVIEW: MUSIC EDUCATION IN THE COUNTRIES OF THE ORIENTBOOK REVIEW: MUSIC IN CILAPPATIKAARAM BY S RAMANATHANBOOK REVIEW: MUSIC IN MAHARASHTRA BY G H RANADEBOOK REVIEW: MUSIC IN MAHARASTRA STAGE BY ASHOK D RANADEBOOK REVIEW: MUSIC IN VALMIKI RAMAYANA BY SUBHADRA DESAIBOOK REVIEW: MUSIC INDIA, PUBLISHED BY VIVEKANANDA KENDRABOOK REVIEW: MUSIC MEMORY BY RAVI SHANKAR & ESTABROOKBOOK REVIEW: MUSIC OF THE NATIONS (A COMPARATIVE STUDY) BY S WAMI PRAJNANANANDABOOK REVIEW: MUSIC THRIUGH THE AGES BY V PREMALATHABOOK REVIEW: MUSICAL FORMS IN SANGITA RATNAKARA BY N RAMANATHANBOOK REVIEW: MUSICAL INSTRUMENTS IN INDIAN SCULPTURES BY G H TARLEKAR & NALINI TARLEKAR

  • BOOK REVIEW: MUSICAL INSTRUMENTS OF INDIA BY S KRISHNASWAMIBOOK REVIEW: MUSICAL TRADITION OF TAMILNADU BY M ARUNACHALAMBOOK REVIEW: MUVVA GOPALA PADAVALI-AMOURS OF THE DIVINE COWHERD WITH JINGLING BELLS BY B RAJANIBOOK REVIEW: NADOPASANA BY S K TYAGARAJANBOOK REVIEW: NARADIYASIKSHA ED.SURESH CHANDRA BANERJIBOOK REVIEW: NATANA MANIGALIN KAIYEDUBOOK REVIEW: NATANA MANIGALIN KAIYEDU BY S BALACHANDRA RAJUBOOK REVIEW: NATYAMANORAMA OF RAGHUNATHA RATHBOOK REVIEW: NAUKA CHARITRAMU OF TYAGARAJA ed. N VISVANATHANBOOK REVIEW: NAVAMELA CHAKRAM BY DATHTHAREYA (THE THEORY & PRACTICE OF 120 MELAKARTA RAGAS)BOOK REVIEW: NEW MANSIONS FOR MUSIC PERFORMANACE, PEDAGOGY AND CRITICISM BY LAKSHMI SUBRAMANBOOK REVIEW: NORTHERN INDIAN MUSIC, VOL-II BY ALAIN DANIELOUBOOK REVIEW: NRTTARATNAVALI OF JAYASENAPATI, ED. V RAGHAVANBOOK REVIEW: ODISSI- INDIAN CLASSICAL DANCE BY SUNIL KOTHARIBOOK REVIEW: ORIENTAL MUSIC IN EUROPEAN NOTATION BY A M CHINNASWAMI MUDHALIARBOOK REVIEW: PALLAVIRATNAMALA BY TINNIYAM VENKATARAMA IYERBOOK REVIEW: PARAMETERS OF MUSIC BY G N GOSWAMIBOOK REVIEW: PAZHANTAMILAR ADALIL (TAMIZ) BY JNANA KULENDRANBOOK REVIEW: PHILOSOPHY IN INDIAN MUSIC BY HIREN BOSEBOOK REVIEW: PILLARS OF HINDUSTANI MUSIC BY B R DEODHARBOOK REVIEW: PSHYCHOACOUSTICS OF MUSIC ADN SPEECH BY B C DEVABOOK REVIEW: PSHYCHOMUSICOLOGY - A NEW THEORY OF MUSIC BY OTTO E LASKEBOOK REVIEW: PSHYCOLOGY OF MUSICBOOK REVIEW: PUPPETRY AND LESSER KNOWN DANCE TRADITIONS OF KERALA BY G VENUBOOK REVIEW: PURANDARADASA KRTIRATNAMALA VOL-1, COMPILED BY R K SRIKANTHANBOOK REVIEW: RAGA KOSH (HINDI), ED. K N GARGBOOK REVIEW: RAGA:THE INDIAN PERFORMING ARTS IN THE LAST TWENTY FIVE YEARS, VOL-1, ed. BIMAL MUKHERBOOK REVIEW: RAGADHANA (WEALTH OF RAGAS) AN ALPHA NUMERICAL DIRECTORY OF RAGAS BY LUDWIG PESCBOOK REVIEW: RAGANIDHI (FOUR VOLUMES) BY SUBBA RAOBOOK REVIEW: RAGAS IN CARNATIC MUSIC BY S BHAGYALEKSHMYBOOK REVIEW: RAGAS IN INDIAN CLASSICAL MUSIC BY ANUPAM MAHAJANBOOK REVIEW: RAGAVIBODHAM IN TAMIL BY V RAMACHANDRA SHARMABOOK REVIEW: RAG-O-RUP BY SWAMI PRAJNANANANDABOOK REVIEW: RARE COMPOSITIONS OF PATNAM SUBRAHMANYAYYAR, MAHA VAIDYANATHAYYAR'S MELARAGAMALBOOK REVIEW: RENAISSANCE OF BHARATANATYAM KARANAS IN DANCEBOOK REVIEW: RHYTHM IN HISTORICAL COGNITION BY T V KUPPUSVAMI & T K VENKATA SUBRAHMANIAMBOOK REVIEW: RHYTHM IN THE VAISHNAVA MUSIC OF ASSAM BY MAHESWAR NEOG & KESHAV CHANGKAKATIBOOK REVIEW: ROYAL PATRONAGE TO INDIAN MUSIC BY GOWRI KUPPUSWAMI & M HARIHARANBOOK REVIEW: SAINATHA ASHTOTTARASATA NAMAVALI KEERTANAS BY SUBBA RAOBOOK REVIEW: SAMSKRTA NATYA MANJARIBOOK REVIEW: SAMSKRTA SANGITA MANJARIBOOK REVIEW: SANGEET ASHTACHAP (HINDI)BOOK REVIEW: SANGEET NATAK, NO:1, 2 & 3BOOK REVIEW: SANGEETHA VAHINI (VOL-1) BY VINJAMURI VARADARAJA IYENGARBOOK REVIEW: SANGEETHARATNA T CHOWDIAH BY S K RAMACHANDRA RAOBOOK REVIEW: SANGITA LALITYA LAHARI BY BANGALORE MUKUNDBOOK REVIEW: SANGITA RATNAKARA OF SARNGADEVA VOL-1, TRANSLATION BY R K SHRINGYBOOK REVIEW: SANGITA SARAM (TAMIZ) PARTS 1,2 &3 BY R V KRISHNANBOOK REVIEW: SANGITA SASTRA PRAVESIKA (MALAYALAM) BY S VENKITASUBRAMONIA IYERBOOK REVIEW: SANGITA SASTRASARAMU (VOL-2) BY S R JANAKIRAMAN

  • BOOK REVIEW: SANGITAMUKTAVALI OF HARICANDANABOOK REVIEW: SANGITARAJ OF MAHARANA KUMBHA, VOL-1, ED. PREMLATA SHARMABOOK REVIEW: SANGITARATNAKARA - CHAPTER ON DANCING, PUBLISHED IN BRAHMAVIDYABOOK REVIEW: SANGITARATNAKARA ENGLISH TRANSLATION BY C KUNHAN RAJA, VOL-1BOOK REVIEW: SANGITOPANISHAD SARODHARAH ED. ALLYN MINERBOOK REVIEW: SANGIT-O-SAMSKRITI BY SWAMI PRAJNANANANDABOOK REVIEW: SANTAL MUSIC BY ONKAR PRASADBOOK REVIEW: SATARAGARATNAMALIKA- JATI BHEDA SAPTATALASAHITA BY T N C VENKATANARAYANACHARYULUBOOK REVIEW: SAUBHADRA (ENGLISH TRANSLATION OF KIRLOSKAR'S SANGITA SAUBHADRA) BY S B TARLEKARBOOK REVIEW: SCIENCE OF SREE CHAKRA -APPENDED WITH DIKSHITAR'S KAMALAMBA NAVAVARNA KRITI-S BY PBOOK REVIEW: SEMIOSIS IN HINDUSTHANI MUSIC BY JOSE LUIZ MARTINEZBOOK REVIEW: SENIA GHARANA - ITS CONTRIBUTION TO INDIAN CLASSICAL MUSIC------BOOK REVIEW: SHADRAGA MANJARI BY LINGAPPABOOK REVIEW: SHYAMA SASTRY BY VIDYA SHANKARBOOK REVIEW: SIKH SACRED MUSICBOOK REVIEW: SILAPPADIKARA ISAI NUNUKKA VILAKKAM BY S RAMANATHANBOOK REVIEW: SINGER SAINTS OF INDIA- A STUDY AND AN ANTHOLOGY BY RAJINDER SINGH VERMABOOK REVIEW: SINHALA NATUM BY M D RAGHAVANBOOK REVIEW: SITA KALYANAMU (BHAGAVATA MELA DANCE DRAMA) BY MELATTUR VENKATARAMA SASTRI, ed. N VBOOK REVIEW: SITAR AND ITS TECHNIQUES BY DEBU CHAUDHURIBOOK REVIEW: SITAR TECHNIQUE IN NIBADDHA FORMS BY STEPHEN M SLAWEKBOOK REVIEW: SIVA IN DANCE, MYTH AND ICONOGRAPHY BY ANNIE MARIE GASTONBOOK REVIEW: SIVAKAMASUNDARI PARINAYA OF TULAJA ED. S SITABOOK REVIEW: SOBHILLU SAPTASVARA COMPILED & EDITED BY SAVITHRI RAJAN, MICHAEL NIXONBOOK REVIEW: SOME DANCERS OF INDIA BY SUSHEELA MISHRA HARMANBOOK REVIEW: SONGS OF T LAKSHMANA PILLAIBOOK REVIEW: SONGS OF TYAGARAJA TRANSLATED INTO ENGLISH BY C NARAYANA RAOBOOK REVIEW: SONGS OF TYAGARAJA TRANSLATED INTO ENGLISH BY C NARAYANA RAOBOOK REVIEW: SONIC THEOLOGY - HINDUSTANI AND SACRED SOUND BY GUY, BECKBOOK REVIEW: SOUTH INDIAN MUSIC SERIES BOOK-III (2ND EDN.)BY P SAMBAMURTHIBOOK REVIEW: SRI DEVI GANA SUDHA VOL-II BY OGIRALA VEERARAGHAVA SHARMABOOK REVIEW: SRI GOPALAKRISHNA BHARATI, SRI NILAKANTA SIVAN PADALGAL (PART-1) TUNED BY T M THYAGARBOOK REVIEW: SRI KOTEESWARA IYER'S KEERTANAIGAL ED. S RAJAMBOOK REVIEW: SRI KRISHNA LEELA TARANGINI (VOL-2) ED. B NATARAJANBOOK REVIEW: SRI KRISHNA LEELA TARANGINI ED.NORI NARASIMHA SASTRIBOOK REVIEW: SRI KRISHNA LEELA TARANGINI OF NARAYANA TIRTHA, (VOL-1) ED. B NATARAJANBOOK REVIEW: SRI MUTHUSWAMY DIKSHITA CHARITAM MAHAKAVYAM BY V RAGHAVANBOOK REVIEW: SRI MUTTHUSWAMI DIKSHITAR KIRTANAIGALBOOK REVIEW: SRI RAMA KIRTANA MANJARI BY T S SUNDARESA SHARMABOOK REVIEW: SRI TYAGARAJA CARITA BY T S SUNDARESA SARMABOOK REVIEW: SRI TYAGARAJA'S PANCARATNA KIRTANAS, NAVAGRAHA KRITIS OF SRI MUTTUSVAMI DISHITAR BYBOOK REVIEW: SRI VASUDEVA KIRTANA MANJARI (SECOND PART) BY K VASUDEVACHARYABOOK REVIEW: SRI YOGANANDA GITANJALI BY E R NAYANARBOOK REVIEW: SRIDEVI MAHATMIYA KEERTANAS BY K C TYAGARAJANBOOK REVIEW: SRIRAMA NAMAVALI MALAI COMPILED BY SRIRANGAM SUNDARAM IYERBOOK REVIEW: SRIRAMARPANA GITA POOJA KIRTANAS BY T R VAIDEESWARANBOOK REVIEW: SRIVIDYAMRITAM BY PARAMAHAMSA BHUVANESVARI SVAMIGALBOOK REVIEW: SVABODHA BHARATA NAVANITAM BY MANGUDI DURAI RAJA IYERBOOK REVIEW: SVARA AUR RAGON KE VIKASA MEN VADYON KA YOGADANA (HINDI) BY INDRANI CHAKRAVARTIBOOK REVIEW: SVATI TIRUNAL: JIVITAMUM KRITIGALUM (MALAYALAM) BY V S SHARMA

  • BOOK REVIEW: SWARAKUSUMANJALI BY T N C VENKATANARAYANACHARYULUBOOK REVIEW: SWATI TIRUNAL AND HIS MUSIC BY S VENKITASUBRAMONIA IYERBOOK REVIEW: SWATI TIRUNAL COMPOSITIONS BY GOWRI KUPPUSWAMI & M HARIHARANBOOK REVIEW: SYAMA SASTRI'S REARE COMPOSITIONS (TAMIZ) BY S RAMANATHANBOOK REVIEW: TALADIPIKAI VOL-II (TAMIL) BY K RAMACHANDRANBOOK REVIEW: TALPAGIRI RANGANATHA KEERTHANAM BY T N C VENKATANARAYANACHARYULUBOOK REVIEW: TAMIL PADANGAL COMPILED BY GOWRI KUPPUSVAMI & M HARIHARANBOOK REVIEW: TAMIZH MARAI ISAIMALAI - PARTS I, II BY V ANANTARAMANBOOK REVIEW: TANJAVUR NRITYA PRABANDHA (MARATHI) BY ACHARYA PARVATI KUMARBOOK REVIEW: TANJORE AS A SEAT OF MUSIC BY S SEETHABOOK REVIEW: TECHNIQUES OF SITAR BY S BANDOPADHYAYABOOK REVIEW: TEVARAP PANN ISAI, AYCHIYAR KURAVAI SONGS FROM THE SILAPPADHIKARAM ED. S RAMANATHANBOOK REVIEW: THE ALLAHABAD UNIVERSITY JOURNAL OF MUSICBOOK REVIEW: THE APPEAL IN INDIAN MUSIC BY MANI SAHUKARBOOK REVIEW: THE CLASSICAL INDIAN DANCE IN LITERATURE AND THE ARTS BY KAPILA VATSYAYANBOOK REVIEW: THE DANCE COMPOSITIONS OF THE TANJORE QUARTETTE ED. K P KITTAPPA, K P SIVANANDAMBOOK REVIEW: THE DANCES OF INDIA BY REGINALD, JAMILA MASSEYBOOK REVIEW: THE DICTIONARY OF HINDUSTANI CLASICAL MUSIC BY BMALAKANTA ROY CHOUDHARYBOOK REVIEW: THE GITAGOVINDAM OF MAHAKAVI JAYADEVA, PUBL. BY S JAGANNARAYANANBOOK REVIEW: THE GRAMMAR OF SOUTH INDIAN MUSIC BY C S AYYARBOOK REVIEW: THE GREAT INTEGRATION : THE SAINT SINGERS OF INDIA BY V RAGHAVANBOOK REVIEW: THE ILLUSTRATED COMPANION TO SOUTH INDIAN CLASSICAL MUSIC BY LUDWIG PESCHBOOK REVIEW: THE JEEVA CHARITRAM OF SRI TEERTHA NARAYANA SWAMIGAL BY KRISHNASWAMIBOOK REVIEW: THE LAUD RAGAMALA MINIATURES BY H J STROOKE & K KHANDALAVALABOOK REVIEW: THE MRDANGA SVABODHINI BY MANGUDI RAMANATHA DURAIRAJA AIYARBOOK REVIEW: THE MUSIC OF INDIA - A SCIENTIFIC STUDY BY B C DEVABOOK REVIEW: THE NATYASASTRA AND BHARATANATYA BY HEMA GOVINDARAJANBOOK REVIEW: THE ORIGIN OF RAGA BY SHRIPADA BANDYOPADHYAYABOOK REVIEW: THE PHYSICS OF MUSIC BY R K VISVANATHANBOOK REVIEW: THE QUEST FOR MUSIC DIVINE BY SURESH CHANDRA DEYBOOK REVIEW: THE RAGATATTVAVIBODHA OF SRINIVASABOOK REVIEW: THE SAMAN CHANTS- A REVIEW OF RESEARCH BY G H TARLEKHARBOOK REVIEW: THE SANGITARAJA OF KING KUMBHAKARNA, PART-1, ED. KUNHAN RAJABOOK REVIEW: THE SARVA DEVA VILASA, ED. V RAGHAVANBOOK REVIEW: THE SPIRITUAL HERITAGE OF TYAGARAJA BY C R & V RAGHAVANBOOK REVIEW: THE SPIRITUAL HERITAGE OF TYAGARAJA BY C RAMANUJACHARI & V RAGHAVANBOOK REVIEW: THE STORY OF INDIAN MUSIC BY O GOSWAMIBOOK REVIEW: THE SWEETEST LOVE SONGS OF VIDYAPATI RENDERED INTO ENGLISH BY NARAYAN JHABOOK REVIEW: THE VARNAM BY LALITHA RAMAKRISHNABOOK REVIEW: THE WINGED FORM (AESTHETICAL ESSAYS ON HINDUSTANI RHYTHM) BY SUSHIL KUMAR SAXENABOOK REVIEW: THINKING ABOUT MUSIC (AN INTRODUCTION TO THE PHILOSOPHY OF MUSIC) BY LEWIS ROWELLBOOK REVIEW: THREE MONOGRAPHS ON MUSIC BY ANTSHER LOBO & HIRALAL KARPADIABOOK REVIEW: THYAGARAJA VAIBHAVAM BY E N PURUSHOTTAMANBOOK REVIEW: TIRUARUTPA ISAI MALAI COMPOSED BY TM TYAGARAJAN, ED. N MAHALINGAMBOOK REVIEW: TIRUVEMPAVAI TIRUPPALLI YEZGUCHI, TUNED & NOTATED BY SEMMANGUDI SRINIVASA IYERBOOK REVIEW: TRADITION AND TRENDS, ED. R C MEHTABOOK REVIEW: TRAYISVARE BHARATIYA SANGIT BY SUDHANSU KUMAR BANERJEEBOOK REVIEW: TYAGARAJA KAVITVAMU BY S SAMANTAKAMANIBOOK REVIEW: TYAGARAJA KEERTANEGALU -1BOOK REVIEW: TYAGARAJA KRTI SANGRAHA

  • BOOK REVIEW: TYAGARAJA'S NAUKA CARITRAMU BY Y BHAGAVATIBOOK REVIEW: UDAY SHANKAR ED. SUNIL KOTHARI & MOHAN KHOKARBOOK REVIEW: UNPUBLISHED RARE COMPOSITIONS OF TANJORE QUARTETTE (TAMIL) PUBL. BY MUSIC ACADEMYBOOK REVIEW: USTAD FAIYAAZ KHAN BY DIPALI NAGBOOK REVIEW: UTSAVA SAMPRADAYA KIRTANAS OF SRI TYAGARAJA ED. S RAMANATHANBOOK REVIEW: UTTUKKADU VENKATA SUBBAYYAR'S NAVAVARNA KIRTANAS BY NIDAMANGALAM KRISHNAMURTHI BOOK REVIEW: VARNAM- SELECTED CONCERT STUDIES FOR THE SOUTH INDIAN UTE BY EMMIE TE NIJENHUISBOOK REVIEW: VEENACHARYA JEEVITA CHARITRA BY U V V V NARASIMHACHARYULUBOOK REVIEW: VOICES WITHIN BY BOMBAY JAYASHRI, T M KRISHNA & MYTHILI CHANDRASEKHARBOOK REVIEW: WHO IS WHO OF INDIAN MUSICIANSBOOK REVIEW: WIND OF FIRE: THE MUSIC AND MUSICIANS OF GOA BY MARIO CABRAL ESABOOK REVIEW:THE DEVADASI AND THE SAINT-THE LIFE AND TIMES OF BANGALORE NAGARATHNAMMA BY V SRIRACARE OF VIOLIN AND BOW DURING THE SUMMERCARNATIC MUSIC - A HISTORICAL STUDYCARNATIC RAGAS AND THE TEXTUAL TRADITIONCARNATIC RAGAS FROM A NEW ANGLE - SANKARABHARANACASSETTE REVIEW: 72 MELARAGAMALIKA BY M S SUBBALAKSHMICASSETTE REVIEW: ABHYASAGANAM- VARNAMS BY R VEDAVALLICASSETTE REVIEW: KOTEESWARA IYER'S GEETHA AMUDHAM - AN ANJALI BY S RAJAM AND RASIKASCASSETTE REVIEW: SANGITA KALANIDHI MUSIRI SUBRAHMANIA IYER BIRTH CENTENARY (1899-1975)CATURDANDI IN KARNATAKA MUSICCHACCHAPPUTA VENBACHAKRA TANAM (TAMIZ)CHANGE OF TONE SYSTEM IN INDIAN MUSICCHANTS IN MEDIEVAL EUROPEAN MUSICCHITTA SVARAS IN MUSICAL COMPOSITIONSCHRISTIAN RELIGIOUS MUSIC IN KARNATIC CLASSICAL FORM IN KERALACLASSICAL CARNATIC VAGGEYAKARAS AND COMPOSITIONS OF THE PRI-TRINITY PERIOD FROM SSP OF SUBARAMACLASSICAL INDIAN DANCE LITERATURE - HASTAMUKTAVALI INTRODUCTION (suppl.)CLASSICISM AND ROMANTICISM IN HINDUSTANI MUSICCOMPARITIVE MUSICCOMPARITIVE MUSIC EUROPEAN AND INDIANCOMPARITIVE STUDY OF TALA SYSTEMS OF HINDUSTANI AND KARNATAK MUSICCOMPOSITIONS AND THE SIX FUNDAMENTAL RAGAS OF HINDUSTANI MUSICCOMPOSITIONS OF BALASVAMI DIKSHITARCOMPOSITIONS OF DASASCOMPOSITIONS OF ETTAYAPURAM RULERSCOMPOSITIONS OF KSHETRAGNACOMPOSITIONS OF MUTHUSVAMI DIKSHITAR IN THE SIX RAGANGA RAGAS OF THE ADITYA CHAKRACOMPOSITIONS OF NEELAKANTA SIVANCOMPOSITIONS OF NERUR SRINIVASACHARIYARCOMPOSITIONS OF PALLAVI DORAISVAMI IYER OF TANJORECOMPOSITIONS OF PALLAVI DORAISVAMI IYER OF TANJORE (PART II)COMPOSITIONS OF RUKMANI RAMANICOMPOSITIONS OF SRI TYAGARAJA AND THEIR TRADITION AND VOGUE IN ANDHRA DESACOMPOSITIONS OF THE TANJORE QUARTETTECOMPOSITIONS OF VASUDEVA KAVICOMPOSITIONS WITH NOTATIONCONFERENCE CONCERTSCONFUSED TRADITIONS IN INDIAN MUSICOLOGY

  • CONNOISSEUR'S DELIGHT - CD ALBUMCONNOTATION OF KRTI AND PADAMCONTINUITY IN INDIAN RAGA TRADITIONCONTRIBUTION OF KANNADA TO CLASSICISM OF KARNATAKA MUSICCONTRIBUTION OF KERALA TO KARNATIC MUSICCONTRIBUTION OF SAHAJI MAHARAJA OF TANJORE TO MUSIC AND DANCECONTRIBUTION OF TACHUR SINGARACHARYULUCONTRIBUTION OF TAMIL TO CLASSICISM OF KARNATIC MUSICCONTRIBUTION OF THE TELUGU REGION TO THE DANCE ARTCONTRIBUTIONS OF LATE PANDIT VISHNU DIGAMBAR PALUSKAR TO MUSIC AND HIS MUSICAL COMPOSITIONSCORRESPONDENCEDANCE AND DRAMADANCE AND DRAMA IN CEYLONDANCE MUSIC AND THE CONTRIBUTION OF NATTYACHARYAS TO KARNATIC MUSICDARUS IN KARNATIC MUSICDASAVATARA RAGAMALIKA OF SRI MUTHUSVAMI DIKSHITARDATE OF BHARATA & THE YUGA PUZZLEDATTILAM THE EARLIEST TREATISE ON INDIAN MUSIC - A STUDY OF ITS CONTENTSDEIVA TAMIZHISAYIN THAI KARAIKKAL AMMAYYAR (TAMIZ)DE-MYSTIFYING SVATI TIRUNALDESADI AND MADHYADI TALASDETERMINATION OF THE RELATIVE FREQUENCIES AND FUNDAMENTAL PROPERTIES OF SWARAS USING MODAL SHIDEVARNAMA OF ANANDADASA OF SURAPURAMDEVELOPMENT OF BHAVA AND RASA IN BHARATANATYAMDEVELOPMENT OF THE REPERTOIRE IN MODERN BHARATA NATYAMDEVELOPMENT OF THE SITAR IN INDIADEVI PRABHAVA KIRTANAS OF SRI TYAGARAJA (TAMIZ)DHRUVA -A TYPE OF OLD INDIAN STAGE SONGSDIKSHITAR AND KARNATAKA AND HINDUSTANI PADDHATISDIKSHITAR'S KIRTANAS IN KARNATAKADISCOVERY OF A NEW COMMENTARY ON THE SANGITA MAKARANDA IN MARATHI OVI VERSE BY MUSLIM WRITER MUDRONE IN INDIAN MUSIC - A PSYCHOLOGICAL APPROACHDRUMS OF INDIA THROUGH THE AGESELECTRONIC SRUTI INSTRUMENTSELOQUENT EYES-NETRA ABHINAYA IN KOODIYATTAMENTROPHY OR INFORMATION AS A METHOD OF RAGA CLASSIFICATIONETHNOMUSICOLOGYEVOLUTION AND STRUCTURAL ANALYSIS OF VARNA FORMSEXCHANGE OF IDEAS & PRACTICES BETWEEN NORTH INDIAN AND SOUTH INDIAN MUSICEXTRACTS FROM PERIODICALSEXTRACTS FROM PERIODICALSFOLK BASE OF THE RHYTHMIC STRUCTURES OF RAGA MUSICFOLK MUSICFOLK MUSIC OF TAMILNADFOLK SONGS IN KARNATAKAFOLK SONGS IN THE USSR (MOSCOW)FOLK SONGS OF CENTRAL INDIAFOUR RARE PIECESFOUR RARE VARNASFRETTED VINA IN INDIAN SCULPTURE

  • FRETTING OF THE VINA BASED ON SCIENTIFIC PRINCIPLESFROM SARNGADEVA TO GOVINDAFURTHER NOTES OF THE ILLUSTRATED TALK ON FOLK MUSIC OF THE WESTG.N.B. THE CREATIVE GENIUS AND HIS COMPOSITIONSGAMAKA SIGNS IN MUSICAL NOTATIONGAMAKASGAMAKAS (TAMIZ)GAMAKAS IN HINDUSTANI MUSICGAMAKA-S IN SANGEETHA SAMPRADAYA PRADARSINIGAMAKAS NOTATION IN SANGEETHA SAMPRADAYA PADARSHINIGAMAKAS OF HINDUSTANI MUSICGANDHARVA AND DESIGANDHARVA VEDA (TAMIZ)GARBHAPURI KIRTANASGAVI RANGAPPA'S KRITISGAYAKI IN HINDUSTANI MUSICGEETA GOPALAGHANAM KRISHNA IYERGHATA VADYAGHATA VADYAM PAZANI KRISHNAYYARIN CARITRAM (TAMIZ)GHUNGURU - A RARE MUSICAL INSTRUMENTGIRIPAI OF TYAGARAJAGITA ALAPA THAYA (TAMIZ)GITA GOVINDA AND THE ARTISTIC TRADITIONS OF INDIAGOPAL NAYAKAGOPALA KRISHNA BHARATI KRTIGOPALA KRISHNA BHARATIYAR KRTIGOPALA NAYAKAGOPALAKRISHNA BHARATHIYAR KRTIGOTTUVADYAM AND ITS AFFINITY WITH VIOLIN VINA AND VOICE IN KARNATIC MUSICGOVINDA DEEKSHITA -SAVANT & MUSICOLOGISTGRAMAS AND MUSICAL INTERVALSGUSTAV HOLST'S SAVITRIHARI KATHAYIL SANGITA VADIVANGAL (TAMIZ)HARI KIRTANA VIMARSA (TAMIZ)HARIKATHA AS MUSICAL DISCOURSE (TAMIZ)HARIKATHA BHAGAVATARSHARIKATHA VIMARSAMHASTAMUKTAVALIHASTAMUKTAVALIHASTAMUKTAVALIHASTAMUKTAVALIHASTAMUKTAVALIHASTAMUKTAVALI OF SUBHANKARAHER INFINITE VARIETYHISTORICAL GLIMPSES OF PURANDARADASAHISTORY OF INDIAN MUSIC AS GLEANED THROUGH TECHNICAL TERMS,IDIOMS AND USAGESHISTORY OF KARNATIC MUSICHISTORY OF THE MUSIC TRADITION OF MAHARASTRA WITH SPECIAL REFERENCE TO DASOPANT'S PADASHOW MANY JANYA RAGAS ARE THERE ?

  • IDAKKAIDEALS IN VIOLIN TECHNIQUE IN RELATION TO KARNATIC MUSICIMPROVED FLUTE (TAMIZ)IMPROVISATION IN INDIAN(KARNATAK)MUSIC WITH A SPECIAL REFERENCE TO ITS RHYTHMIC ASPECTSIMPROVISATION IN WESTERN CLASSICAL MUSICIN MEMORIAMIN MEMORIAMIN MEMORIAMIN MEMORIAMIN MEMORIAMIN MEMORIAMIN MEMORIAMIN MEMORIUMIN MEMORIUMINDEX OF ARTICLES IN JMAINDEX TO ARTICLESINDEX TO THE ARTICLES IN THE JOURNAL OF MUSIC ACADEMY, VOL.21-30INDIAN CLASSICAL DANCEINDIAN CLASSICAL MUSIC-A BIRD'S EYEVIEWINDIAN DANCEINDIAN MUSICINDIAN MUSICINDIAN MUSIC AND AESTHETICSINDIAN MUSIC AND CHANDASINDIAN MUSIC ON THE MARCHINFLUENCE OF TRADITIONAL MUSIC ON TYAGARAJAINFLUENCE OF WESTERN MUSIC AND HINDUSTANI MUSIC ON CARNATIC MUSICINSCRIPTIONS IN TAMILNADU RELATING TO DANCEINTERNATIONAL MUSICINTRODUCTION TO THE KHYALINTRODUCTION TO THE STUDY OF BHARATIYA SANGITA SASTRA part- 1INTRODUCTION TO THE STUDY OF BHARATIYA SANGITA SASTRA part- 2IRAVI VARMAN TAMPIIRAYIMMAN TAMPI'S CONTRIBUTION TO MUSIC AND DANCEJANYA RAGAS - THEIR NUMBERJATISVARA SAHITYAS OF SRI MUTHUSVAMI DIKSHITARJATISVARAM / SVARAJATIJATISVARAM AND SVARAJATIJAVALIJAVALIS IN KANNADA-RAMANNA A KANNADA JAVALI COMPOSERJAVALIS OF PATTABHIRAMAYYAJUST INTONATION IN HINDUSTANI RAGA SINGINGK V SRINIVASA IYENGAR, COMPOSER HIS LIFE AND TIMESKALIDASA HRIDAYAM : MUSIC AND DANCEKAMALAMBA NAVAVARANA KRITIS OF MUTHUSVAMI DIKSHITAKANAKADASKANNADA JAVALISKARNATAKA COMPOSERSKARNATAKA COMPOSERSKARNATAKA COMPOSERS

  • KARNATAKA ISAIMEDAI PUNDARIKA VITTHALAR (TAMIZ)KARNATAKA ISAIMEDAI VENKATAMAKHI (TAMIZ)KARNATIC RAGAS FROM A NEW ANGLE-APURVA RAGAS OF TYAGARAJA'S SONGSKATHAKKATHAKALIKAVADI CINDU (TAMIZ)KOMBU VADYA OF KERALAKRISHNALILA PRASANGA IN THE KIRTANAS OF PURANDARADASA AND TYAGARAJAKRITIS OF JEYACAMARAJA WODEYAR (IN NOTATION)KRITIS OF TYAGARAJA-AN ANALYSISKRSHNATTAMKSHETRAJNAKSHETRAYYA AND HIS PADAMSKUCHIPUDI DANCELALITA AND MANJI RAGASLATER SANGITA LITERATURELAYAM IN MUSICOLOGICAL PERSPECTIVELECTURES DELIVERED ON THE AUSPISCES OF THE UNIVERSITY OF MADRAS (TAMIZ TRNSL.)LESSER KNOWN COMPOSERS OF ANDRAPRADESHLESSER KNOWN COMPOSERS POST-TYAGARAJA PERIODLETTERS TO EDITORLIGHT CLASSICAL KARNATIC MUSICLITERARY AND PROSODICAL BEAUTIES IN MUSICAL COMPOSITIONSLITERATURE AND THE ARTS IN MARATHALOCHANA'S RAGATARANGINIMA JANAKI OF SRI TYAGARAJAMADURAI GOPALA BHAGAVATHAR'S FAMILY MANUSCRIPTMAHA VAIDYANATHA SIVANMAHABHARATA IN TIRUPPUGAZH (TAMIZ)MAHARAJA SVATI TIRUNAL AND HIS CHAUKA VARNA COMPOSITIONSMAHARAJA SVATI TIRUNAL AND HIS TIMESMAHARASTRA INFLUENCE ON SOUTH INDIAN MUSICMAHARASTRIAN MUSICIANS OF KARNATIC MUSIC (SOUTH INDIAN MAHARASTRIANS 1937)MARGADARSI SESHA IYENGARMARGADARSI WHOM SVATI TIRUNAL FOLLOWEDMAZAVAI CHIDAMBARA BHARATI (TAMIZ)MAZAVAI SUBBARAMA IYER'S NOTEBOOKMELAMELA PADDHATIMELA RAGA MALIKA OF MAHA VAIDYANATHA SIVANMELADHIKARA LAKSHANA - A CRITICAL REVIEWMELAKARTA RAGAS IN PRACTICEMELATTUR VIRABHADRAYYA'S COMPOSITIONS (TAMIZ)MELODIC PERCEPTIONMELODIC TENSIONS AND MUSICAL AESTHETICSMELODIC TYPES OF HINDUSTANMERATTUR KASINATHA, COMPOSER OF SABDAS OF THE 18th CENTURY A.DMICRO TONAL VARIATIONSMODERN MELA SIDDANTHAMODERNITY OF TYAGARAJA

  • MORE LIGHT ON SVATI TIRUNALMr A M CHINNASWAMI MUDALIAR AND SRI SUBBARAMA DIKSHITAR: THEIR CONTRIBUTIONS TO THE STUDY OF TYAGMUISCAL INSTRUMENTS DEPICTED IN THE SCULPTURES OF NAGARJUNA KONDA ANDHRA PRADESHMUKHARI RAGAMULTILINGUAL KRITI OF K C KESAVA PILLAIMUSIC AN UPASANAMUSIC AN UPASANA (contd.)MUSIC AND DANCE DURING THE TIME OF VIJAYARAGHAVA NAYAK OF TANJOREMUSIC AND DANCE IN KALIDASAMUSIC AND DANCE MSS IN SARASVATI MAHAL, TANJOREMUSIC AND LANGUAGE AS INNATE SYSTEMSMUSIC AT THE TIME OF KING SAHAJI OF TANJORE- A.D. 1710: DISCOVERY OF NEW MANUSCRIPT MATERIALMUSIC CONTRIBUTIONS IN OTHER JOURNALSMUSIC CONTRIBUTIONS IN OTHER JOURNALSMUSIC ELABORATION IN OTHER MUSIC CULTURESMUSIC IN BRAHADDARMAPURANAMUSIC IN KUCHIPUDI OPERASMUSIC IN LIFE... LIFE IN MUSICMUSIC IN MANASOLLASAMUSIC IN PALKURIKI SOMANATHA'S WORKSMUSIC IN SOME JAIN WORKSMUSIC IN THE ADBHUTA RAMAYANAMUSIC IN THE HAMSA VILASAMUSIC IN THE LINGAPURANAMUSIC IN THE NATYA SASTRAMUSIC IN THE NATYA SASTRAMUSIC IN THE NATYA SASTRAMUSIC IN THE NATYA SASTRA contd.MUSIC IN THE RAMAYANAMUSIC IN THE SAMA VEDAMUSIC IN TRAINING SCHOOLSMUSIC IN TRAVANCOREMUSIC INSTRUMENTS IN A NEPALESE BUDDHIST TANTRA MANUSCRIPTMUSIC MATERIALS AND MUSICMUSIC OF LAOSMUSIC OF THE SOPANAMMUSIC PHONOGRAPHYMUSIC TEACHING-UNDER GURUKULA SYSTEM & IN RECOGNISED INSTITUTIONSMUSIC THEORY SPECTRUMMUSIC THERAPYMUSICAL INSTRUMENTS DEPICTED IN THE SCULPTURES OF NAGARJUNA KONDA ANDHRA PRADESHMUSICAL REFERENCE IN TIRUVISAIPPA AND TIRUPPALLANDU - THE 9TH TIRUMURAIMUSICAL REFERENCES IN SANGAM LITERATUREMUSICAL RESEARCH AND FREQUENCY RATIOSMUSICAL STYLES IN NEAR EASTERN JEWISH LITURGYMUSICIANS AND THE SETHUPATIS OF RAMANATHAPURAM (TAMIZ)MUTHUSWAMI DIKSHITAR AND VENKATAMAKHIN'S TRADITIONMUTHUSWAMY DIKSHITAR AND KERALAMUTTUSVAMI DIKSHITAR'S COMPOSITIONS FOM THE MANUSCRIPTS OF THE TANJAVUR QUARTETMY MUSICAL REMINISCENCES

  • MY MUSICAL REMINISCENCESMY MUSICAL REMINISCENCESMY YEARS WITH ALL INDIA RADIONAGASVARANAGASVARAMNAGASVARAM - ISAIKKARUVI (TAMIZ)NANNU BROVA LALITA BY SYAMA SASTRINANTUNINARAYANA TIRTHANATI'S SONGS IN THE ABHIJNANA SAKUNTALANATYA SASTRA TRADITION IN TAMILAKAM DURING CHOLA RULENATYASASTRA - MUSIC CHAPTERSNEW ARRIVALSNEW FRONTIERS OF MUSICNEW KRITIS OF SIVARAMAKRISHNA BHAGAVATAR OF SIRUGAMANINEW TRENDS IN AMERICAN DANCINGNEWS & NOTESNIJAGUNA SIVAYOGINILAKANTHA SIVAN AND HIS CONTRIBUTION TO MUSICNORTH INDIAN RAGAS AND MELASNORTH INDIAN RAGAS AND MELASNOTATION - RAGAMALIKA - MUTTHUSWAMI DIKSHITAR FROM T K GOVINDA RAO'S BOOK ON DIKSHITARNOTATION AND TEACHING OF GAMAKASNOTESNOTES & COMMENTSNOTES & COMMENTSNOTES & COMMENTSNOTES & COMMENTSNOTES & COMMENTSNOTES & COMMENTSNOTES & COMMENTSNOTES & COMMENTSNOTES & EXTRACTSNOTES & EXTRACTSNOTES & EXTRACTSNOTES & EXTRACTSNOTES ON THE SANGITA DAMODARANOTES-MUSIC OF JAVANOTEWORTHY CONTENTS IN OTHER JOURNALSNUANCES OF BHARATANATYAMOBITUARYOBITUARYOBITUARYOBITUARYOBITUARYOBITUARYOBITUARYOBITUARYOBITUARYODISSI MUSIC

  • ODISSI NRITYAON TEACHING AND LEARNING IN MUSICON THE NOMENCLATURE OF THE 72 MELA RAGASON THE RETRIEVAL OF ANNAMACHARYA'S MUSICON TRANSFORMATION OF STHAYAS BY ALTERATION OF SRUTI AND CONSEQUENT IMPORTANCE OF 32 MELAKARTAS AORCHESTRA AND CHORUS IN ANCIENT INDIAORIENTAL INFLUENCE ON WESTERN MUSICORNAMENTATION IN OKINAWAN CLASSICAL SINGINGOUR RESEARCH OF THE RAGA SYSTEM OF KARNATIC MUSICPADACCHEDA IN KRITISPADAMS AND SHORT LYRICS IN DANCEPALLAVI DORAISVAMI IYER OF TANJOREPALLAVI SESHAYYAR (1846-1908)PANCHA MURCHANA MELASPANDIT VISHNU DIGAMBAR- LIFE SKETCHPERCEPTION OF RHYTHMPERIYATIRUKKUNRAM SUBBARAMAYYAR KIRTANAIGAL (TAMIZ)PERIYATIRUKKUNRAM SUBBARAMIERPERRARASIN ISAI INBAM (TAMIZ)PHILOSOPHY OF THE ARTS IN AN EMERGING SOCEITYPHILOSOPHY OF MUSICPHILOSOPHY OF MUSICPHILOSOPHY OF MUSICPHILOSOPHY OF MUSIC (contd.) DURATION AS MEASURE OF SENSATIONSPHILOSOPHY OF MUSIC (contd.)- RHYTHMIC ASPECT OF PHYSIOLOGY AND PSYCHOLOGYPHYSICS AND AESTHETICS OF HINDUSTANI MUSICPIANOS IN STONEPLEA FOR AN ALL INDIA SYSTEM OF NOTATION AND CLASSIFICATION FOR INDIAN MUSICPOETRY IN THE KRITIS OF TYAGARAJAPOINTS OF AFFINITY BETWEEN HINDUSTANI AND CARNATIC MUSICPOWADA A FOLK MUSIC FORM OF MAHARASTRAPRABANDHASPRAHALADA BHAKTHA VIJAYAPRAHLADA BHAKTI VIJAYAM OF SRI TYAGARAJAPRAHLADA BHAKTI VIJAYAM OF SRI TYAGARAJA SWAMIGAL (TAMIZ)PRINCESS RUKMINI BAI- WOMAN COMPOSER OF THE ROYAL HOUSE OF TRAVANCOREPRINCIPLES AND NUMBER OF RAGAS OF COMPLEX REPETITION IN KARNATIC MUSICPROBLEMS IN EDITING THE KRTI-S OF MUDDUSVAMI DIKSHITAPROPERTY OF DIVIDING AN OCTAVE INTO TWENTY-TWO SRUTISPROSODY AND METRE IN MUSICAL COMPOSITIONSPURANDARADAS (TAMIZ)PURANDARADASAPURANDARADASA SISHYA PARAMPARAPUSHPANJALIQUARTER TONES IN SOUTH INDIAN (CARNATIC) MUSICRAGA ALAPA AND RASA BHAVA (TAMIZ)RAGA CLASSIFICATION IN INDIAN MUSICRAGA DHANYASIRAGA EXPRESSION IN HINDUSTANI MUSICRAGA LAKSHANA (TAMIZ)

  • RAGA MALA PAINTINGSRAGA MUDRAS IN DIKSHITAR'S COMPOSITIONSRAGA PUSHTI IN TYAGARAJA KRITISRAGA RUPARAGAM TANAM PALLAVIRAGAMALIKARAGAMALIKAS IN SAMSKRITRAGAMALIKA-S OF MUTHUSWAMI DIKSHITARRAGANIDHI OF B SUBBA RAORAGAPRAKARANA IN CATURDANDI PRAKASIKARAGAS IN SOUTH INDIAN MUSIC-THEIR ORIGIN AND EVOLUTIONRAGAS IN SYAMA SASTRI'S COMPOSITIONS (TAMIZ)RAGAS OF HINDUSTANI MUSICRAGA-S: RUDRAPRIYA, KARNATAKA-KAPI, DARBAR AND KANADA - A COMPARATIVE ANALYSISRAGHUNATHA MELA VINARAJA SERFOJI OF TANJORE AND MUSICRAMASVAMI SIVAN'S PERIYA PURANA KIRTANAIRARE AND UNIQUE CONTRIBUTION OF SINGARACHARYA BROTHERSRARE COMPOSITION OF PALLAVI SESHA IYERRARE COMPOSITION OF VEENA PADMANABIAHRARE COMPOSITION OF VEENA SUBBHANNARARE COMPOSITIONS IN SARASVATI MAHAL MANUSCRIPTSRARE COMPOSITIONS OF CIKKARAMA RAORARE COMPOSITIONS OF KING SHAHAJI(TAMIZ)RARE COMPOSITIONS OF TIGER VARADACHARIYARARE FORMS IN BHARATA NATYAMRARE KRTI BY MARGADARSI SESHAYYANGARRECENTLY DISCOVERED COMPOSITIONS OF TYAGARAJARELEASE OF TTK CENTENARY COMMEMORATIVE STAMPRESEARCH IN INDIAN MUSICRESEARCH ON MUSICAL INSTRUMENTS OF INDIAREVIEWSREVIEWSREVIEWS,NOTICES,NOTES: ETHNOMUSICOLOGY BY JAAP KUNSTREVIEWS,NOTICES,NOTES: FONTES, ARTIS MUSICAL 1955/1REVIEWS,NOTICES,NOTES: INSTITUTIONS, REPORTS AND SOUVENIRSREVIEWS,NOTICES,NOTES: LAKSHYA SANGEETREVIEWS,NOTICES,NOTES: SANGITA CANDRIKA OF ATTOOR KRISHNA PISHARATIREVIEWS,NOTICES,NOTES: SANKARADEVA AND HIS PREDECESSORS BY MAHESWAR NEOGREVIEWS,NOTICES,NOTES: SYSTEMATIC MUSICOLOGY, VIEWPOINTS, ORIENTATIONS AND METHODSREVIEWS,NOTICES,NOTES: THE BIHAR THEATRE PUBL.BIHAR ACADEMY OF DANCE, DRAMA AND MUSICREVIEWS: A BIBLIOGRAPHY OF PERIODICAL LITERATURE IN MUSICOLOGY AND ALLIED FIELDSREVIEWS: A BIBLIOGRAPHY OF PERIODICAL LITERATURE IN MUSICOLOGY AND ALLIED FIELDS AND A RECORD OFREVIEWS: A PRACTICAL COURSE IN KARNATIC MUSIC FOR BEGINNERS AND FOR USE IN SCHOOLS, BK-1 IN TAMIL BY P SAMBAMURTHIREVIEWS: A REPORT ON PUBLICATION AND RESEARCH IN MUSICOLOGY AND ALLIED FIELDS IN THE U S 1932-1938REVIEWS: ART OF KATHAKALI BY A C PANDEYAREVIEWS: COMPOSITIONS WITH NOTATIONREVIEWS: HINDUSTANI MUSIC BY T RAMACHANDERREVIEWS: HISTORY OF TANJORE NAYAK RULERS BY K SITARAMAYYAREVIEWS: KEERTANAMALA (TAMIZ) BY PAPANASAM SIVAN

  • REVIEWS: MARATHA RANGA BHUMICA ITIHASA VOL-1, PART-1 BY Y G LELEREVIEWS: NAD VOL-1REVIEWS: SANGITABHAVA VOL-II BY MAHARANA VIJAYDEVJI OF DHARAMPURREVIEWS: SRI RANGA GANA SUDHODAYAM OF NERUR SRINIVASACARIARREVIEWS: SRI TYAGARAJA VIDVAT SAMAJAM, MYLAPORE -REPORT, 1929-1931REVIEWS: SRIMAT TYAGARAJAVIJAYA KAVYA IN SANSKRIT BY MUTTHAYYA BHAGAVATARREVIEWS: THE ACADEMY OF MUSIC, TRIVANDRUM -REPORTREVIEWS: THE ANNUAL REPORT OF THE MUSIC ACADEMY, MADRAS FOR THE YEAR 1929REVIEWS: THE ANNUAL REPORT OF THE MUSIC ACADEMY, MADRAS FOR THE YEAR 1930REVIEWS: THE HINDU THEOLOGICAL HIGH SCHOOL MAGAZINEREVIEWS: THE MADRAS BROADCASTING SERVICE, ANNUAL REPORT 1931-32REVIEWS: THE MUSIC ACADEMY, MADRAS - ANNUAL REPORT, 1931REVIEWS: UTTARAMANDRA JOURNAL OF INDIAN MUSIC AND ALLIED ARTSREVIEWS: VASANTHAN FOLK DANCE SONGS OF BALTICALOA BY J T SADASIVAIYERRHYTHMIC ANALYSIS OF SOME SELECTED TIRUPPUGAZH SONGSRHYTHMS AND TALAS SUITABLE FOR DIFFERENT MUSICAL COMPOSITIONSROMANCE AND RAGA OF JAVALISROMANCE AND RAGA OF PADAMSRUMANIAN FOLK DANCESSABDASSAHITYA BHAVA IN SVATI TIRUNAL'S COMPOSITIONSSAHITYA BHAVA IN SYAMA SASTRI'S COMPOSITIONS (TAMIZ)SAHITYA BHAVA IN TYAGARAJA'S COMPOSITIONSSAINT TYAGARAJA - A SPIRITUAL GUIDESAINT TYAGARAJA, A GREAT ADEPT IN MANTRA YOGASAMA VEDA AND MUSICSAMA VEDA AND SANGITASAMAGANASAMARITAN CHANTSAMPLES OF DEVARNAMAS OF HARIDASASSAMSKRTA AND SANGITASANCHARI BHAVA IN BHARATA NATYAMSANGITA AND SRINGARA RACHANAS (TAMIZ)SANGITA GANGADHARA OF KAKALE NANJARAJASANGITA IN SANGITARATNAKARA AND KARNATAKA SANGITASANGITA KALANIDHI M S SUBBALAKSHMISANGITA KALANIDHI SRI RALLAPALLI ANANTHAKRISHNA SARMA ON TALLAPAKA ANNAMACHARYA SANGITA KAMALAKARA, AN UNKNOWN WORK ON MUSICSANGITA LAKSHANA PRACHINA PADDHATI (cont d.)SANGITA LAKSHANA PRACHINA PADDHATI (FROM Vol.1 OF SSP)SANGITA RAGHAVAMSANGITA RAGHAVAM OF RAMA KAVISANGITA SARVARTHA SARA SANGRAHAMUSANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHA

  • SANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHASANGITASUDHA (contd)SANGITASUDHA (TEXT) Contd.SANKARADAS SWAMIGALIN NATAKANKALIN ISAI (TAMIZ)SANSKRIT LYRICS IN SWATI TIRUNAL'S MUSICAL COMPOSITIONS - A STUDYSANSKRIT MUSIC MANUSCRIPTS IN THE BORI,POONASAPTATANTRI-VINA IN THE SCULPUTRES OF THE BUDDHIST CAVES OF PITALKHORASASTRA AND TRADITION(TAMIZ)SASTRA ARAICI (TAMIZ)SECRETS OF KRITI RACHANA (TAMIZ)SELECT VARNAMS OF THE PRESENT CENTURYSEVENTY TWO MELA TALASSHINGLI TUNES OF THE COCHIN JEWSSIGNIFICANCE OF RAGANGA IN HINDUSTANISIGNIFICANT USE OF SRUTIS IN NORTH INDIAN RAGASSIMHABHUPALA: HIS CONTRIBUTION TO MUSICSINGING OF KALPANA SVARASSIVAGITI OF RAMAPANIVADASOMA RAGASOME ANOMALIES OF SOUTH INDIAN MUSICSOME APOORVA RAGASSOME ASPECTS OF BATAK MUSICSOME ASPECTS OF DIKSHITAR'S COMPOSITIONS AND TREATMENT OF RAGASSOME ASPECTS OF KATHAK DANCINGSOME ASPECTS OF RAGASOME ASPECTS OF THE RHYTHMIC BEAUTIES OF TIRUPPUGAZHSOME COMPOSERS OF MALAYALAM MUSICSOME EARLY REFERENCES TO MUSICAL RAGAS AND INSTRUMENTSSOME EARLY REFERENCES TO MUSICAL RAGAS AND INSTRUMENTSSOME EKA-KRTI RAGA-S OF TYAGARAJASOME GLIMPSES INTO THE MUSIC OF YUGOSLAVIASOME IMPORTANT LANDMARKS IN KARNATAK MUSIC (TAMIZ)SOME KRITIS OF SRI PONNAYYA PILLAI (TAMIZ)SOME LEADING MUSIC SYSTEMSSOME LEADING MUSIC SYSTEMS - PART- IISOME LESS KNOWN COMPOSERS OF KERALASOME LESS KNOWN FACTS RELATING TO MAHARAJA SVATI TIRUNALSOME MORE NAMES IN EARLY SANGITA LITERAT URESOME MORE NAMES IN EARLY SANGITA LITERAT URE (contd.)SOME MORE SONGS OF MYSORE SADASIVA RAOSOME MUSICIANS AND THEIR PATRONS ABOUT 1800 AD IN MADRAS CITY

  • SOME NAMES IN EARLY SANGITA LITERATURESOME NOTABLE VAINIKAS OF TANJORE SAMASTHANAMSOME NOTES ON KANDYAN DANCINGSOME PADAS IN NOTATIONSOME PROBLEMS FACING RESEARCH ON INDIAN LITERATURE ON MUSICSOME RAGA PATTERNS OF THE 15th CENTURY AND THEIR SETTING IN ANNAMACHARYA'S LYRICSSOME RARE COMPOSITIONS OF MAHARAJA OF MYSORE (TAMIZ)SOME RELATED RAGASSOME VACANAS OF SIVA SARANASSONGS OF SRI PAPANASA MUDHALIARSOPANA MUSICSOUTH INDIAN AND NORTH INDIAN MUSIC- TOWARDS MUTUAL UNDERSTANDING AND APPRECIATIONSOUTH INDIAN MUSIC PAST AND PRESENTSRI ADIBHATLA NARAYANA DAS AND HIS WORKSSRI ANANDA DASA OF SURAPURAM AND HIS COMPOSITIONSSRI ANNASWAMISASTRI AND HIS COMPOSITIONSSRI ARUNAGIRINATHAR'S TIRUPPUGAZH(TAMIZ)SRI JAYACHAMARAJA WODEYAR AND HIS KRITISSRI LINGAPPA'S COMPOSITIONSSRI MUTHIAH BHAGAVATHARSRI MUTHUSVAMI DIKSHITAR'S KRITISSRI MUTHUSVAMI DIKSHITAR'S KRITISSRI MUTHUSVAMI DIKSHITAR'S KRTISSRI MUTHUSWAMI DIKSHITA AND HIS CONTRIBUTION TO CARNATIC MUSICSRI MUTHUSWAMI DIKSHITA CHARITA BY V.RAGHAVANSRI MUTHUSWAMI DIKSHITAR AND OTHER SANSKRIT COMPOSERS(TAMIZ)SRI MUTTAYYA BHAGAVATHARSRI MUTTHUSVAMI DIKSHITARSRI MUTTHUSVAMI DIKSHITAR KRTISRI MUTTUSVAMI DIKSHITARSRI MUTTUSVAMI DIKSHITAR'S KRTISSRI MUTTUSVAMI DIKSHITAR'S KRTISSRI MUTTUSVAMI DIKSHITAR'S KRTISSRI PURANDARA DASSRI PURANDARA DASA AND THE GENERAL CHARACTERISTICS OF HIS SULADIS AND UGABHOGASSRI PURANDARA DASAR (TAMIZ)SRI PURANDARA DASARAVARGLADU KIRTANA SARAMSAM (TAMIZ)SRI PURANDARADASAR CARITRAM (TAMIZ)SRI PURANDARADASAR CARITRAM (TAMIZ)SRI SUBBARAMA DIKSHITAR AND HIS CONTRIBUTIONSSRI SVATI TIRUNAL AND HIS LITERARY EMINENCESRI SYAMA SASTRISRI SYAMA SASTRI'S KRITISSRI TYAGARAJASRI TYAGARAJASRI TYAGARAJA (TAMIZ)SRI TYAGARAJA (TAMIZ)SRI TYAGARAJA AND HIS SATVIKA TYAGA (TAMIZ)SRI TYAGARAJA SWAMIGAL IN SANSKRIT KRITIS (TAMIZ)SRI TYAGARAJA SWAMI'S KRITIS

  • SRI TYAGARAJA THE MYSTICSRI TYAGARAJA-HIS GENIUS AND PERSONALITYSRI TYAGARAJA'S DIVYANAMA SONGSSRI TYAGARAJA'S HOROSCOPESRI TYAGARAJA'S INFLUENCE ON MODERN MUSICSRI TYAGARAJA'S KRITIS FOR BEGINNERSSRI TYAGARAJA'S KSHETRA KRITIS (TAMIZ)SRI TYAGARAJA'S MOODS-SONGS OF SELF- DEPRECATION AND SONGS OF CONFIDENCE AND GRATITUDESRI VANCINATA KEERTANAIGALSRINGARA AND BHAKTI IN DANCESRUTI NIRNAYA (TAMIZ)SRUTIS AND SUDDHA SVARA MELASRUTIS IN KARNATIC MUSIC AND THE TECHNIQUE OF VIOLIN PLAYSTUDY OF PANCAMA VARJA AND MADHYAMA VARJA RAGASSUBANDHU'S OVER TONESSUBBARAMA DIKSHITAR'S NAVARAGAMALIKA In honour of Bhaskara SetupatiSUDDHA AND VIKRUTA SWARAS OF THE PAST AND THE PRESENTSUDDHA SCALE OF NORTH AND SOUTHSUMERIAN AND SAMSKRTA MUSICAL TERMSSUMMARY OF THE RAGA LAKSHANASURVIVAL OF THE USEFUL AND THE BEAUTIFUL IN THE REALM OF MUSICSVARA PALLAVI-JAKKINI DARUVULUSVARAGATA ADHYAYA OF SANGITA RATNAKARASVARAKALANIDHI NARAYANASVAMI AYYAR AVL. (TIRUVISAINALLUR)SVARAKALANIDHI TIRUVISAINALLUR NARAYANASVAMI AYYAR VARNAMSVARAKSHARA BEAUTIES IN MUSICAL COMPOSITIONSSVARAMELAKALANIDHISVARAMELAKALANIDHI -introductionSVARAMELAKALANIDHI -introductionSVARASTANAS AND THEIR NOMENCLATURESVATI TIRUNAL'S CONTRIBUTION TO DANCESVATI TIRUNAL'S TREATISE ON SABDALANKARAS IN COMPOSITIONSSWARA DECORATIONS IN KARNATIC MUSICSYAMA SASTRISYAMA SASTRI- A SHORT SKETCH (1763-1827)SYAMA SASTRI BIBLIOGRAPHYSYAMA SASTRIGAL (TAMIZ)SYAMA SASTRY'S INNOVATIONS IN ANANDABHAIRAVI WITH SPECIAL REFERENCE TO ATA TAALA VARNAMTAALANUBHAVA OF THE MUSIC TRINITYTACCHUR SINGARACHARYULU BROTHERS (TAMIZ)TAGORE'S DANCE CONCEPTTAGORE'S DANCE CONCEPTTALA PRASTARATALA SET-UP IN DIKSHITAR'S KRITISTALADASAPRANAS AND THE MUSICOLOGICAL PROBLEMS IN PRESENT DAY TALA SYSTEMTALAKALABDHI OF ACYUTARAYA: DISCOVERY OF A NEW WORK ON TALATALAMTAMIZHAGATTIL ISAI VALARTHA PENMANIGAL (TAMIZ)TANA VARNAM - ITS IDENTITY AND SIGNIFICANCETANDAVA AND LASYA

  • TANSEN SCHOOL OF MUSICTEACHER'S COLLEGETEACHER'S COLLEGE OF MUSICTEACHING GAMAKAS TO STUDENTSTEACHING OF MUSICTEACHING OF MUSIC THEORYTEACHING OF THE VIOLIN AND ITS SCIENCETENMADAM NARASIMHACHARYULU'S SAHITYATEXT OF A NEW MANGALAM OF SYAMA SASTRITEXT OF A TAMIL SONG OF PAPAVINASA MUDALIARTEXT OF A TAMIL SONG OF PAPAVINASA MUDALIAR ?THAI CLASSICAL DANCETHAYAMBAKATHE "KUTTU" OF THE KERALA THEATRETHE 72 MELA RAGAMALIKA OF MAHA VAIDYANATHA SIVANTHE ABHINAYA SARA SAMPUTATHE ANCIENT GRAMA SYSTEM AND ITS DISTORTION IN THE MEDIEVAL TIMESTHE ANCIENT TALA SYSTEM: A COMPARATIVE APPROACHTHE ART OF SRI TYAGARAJA SVAMITHE AUTHENTICITY OF SOME OF THE SVATI TIRUNAL KRITISTHE AUTHORSHIP OF THE SVARAJATI PAHIMAM BRIHANNAYIKETHE BHAKTA AND EXTERNAL WORSHIP (SRI TYAGARAJA'S UTSAVA SAMPRADAYA SONGS)THE BIRTHPLACE OF PUNDARIKA VITTHALATHE CART BEFORE THE HORSETHE CATEGORIES OF INTERVALS OR SRUTI - JATISTHE CHALLENGING TECHNIQUE OF VEENA PLAYTHE CHANGING PHASE OF INDIAN MUSICTHE CHIEF OF ICHALKARANJITHE CHORAL MUSIC OF YUGOSLAVIATHE CHRONOLOGY OF THE WORKS OF PUNDARIKA VITTHALA OF KARNATAKTHE CLARINET AND CLASSICAL CARNATIC MUSICTHE CLOSED FORMS OF HINDUSTANI MUSICTHE COMPOSITIONS OF PALLAVI DORAISVAMI IYERTHE COMPOSITIONS OF PALLAVI DORAISVAMI IYER - PART-IIITHE COMPOSITIONS OF SANGEETA RATNA VIDWAN S RAMA RAO (CHIKKA RAMA RAO) OF MYSORETHE CONCEPT OF ALAPA ACCORDING TO LAKSHANA GRANTHAS,WITH REFERENCE TO KARNATAKA MUSICTHE CONCEPT OF SRUTI AS RELATED TO SVARA -A TEXTUAL AND CRITICAL STUDYTHE CONCEPT OF SRUTI JATISTHE CONCEPT OF SRUTIS IN INDIAN MUSICTHE CONTENTS OF THE KRITIS OF PATNAM SUBRAHMANYA IYERTHE CONTRIBUTION OF SITAR TO HINDUSTANI MUSICTHE CONTRIBUTION OF THE TRAVANCORE ROYAL FAMILY TO PERFORMING ARTSTHE CONTRIBUTION OF WOMEN TO HARIKATHA WITH FOCUS ON GAYANAPATU KIRTANA PATU SMT. C SARASVATI BATHE CORRECT METHOD OF FRETTING MUSICAL INSTRUMENTSTHE CULTURE OF MUSIC IN EGYPTTHE DESI SULADI OF ANNAMACHARYATHE DIFFERENT SCHOOLS OF INDIAN MUSICTHE EARLY WRITERS ON MUSICTHE EARLY WRITERS ON MUSICTHE EARLY WRITERS ON MUSIC

  • THE ETERNAL PARADOX IN INDIAN MUSIC- THE SRUTISTHE ETHNIC AND CULTURAL HISTORY OF MUSICAL INSTRUMENTS IN INDIATHE EVOLUTION OF HARIKATHA IN TELUGUNADUTHE EVOLUTION OF PRATI MADHYAMA AND PRATI MADHYAMA RAGASTHE EXPERTS CONFERENCE APRIL 1930THE FIRST COMPOSITIONS OF THE MUSIC TRINITYTHE FLUTE AND ITS THEORYTHE FOUR VIVADI DOSHA SVARA COUPLETS AND HOW DIKSHITAR DEALS WITH THEMTHE GITA GOVINDA-PADAGANA IN THE BACKGROUND OF THE PADAVALI KIRTAN OF BENGALTHE GITAS AND PRABANDHAS OF VENKATAMAKHI (TAMIZ)THE GOD'S PLEASURE DANCE OF MANIPURTHE GRACE NOTES OF DANCETHE GREATNESS OF THE COMPOSITIONS OF SAINT ARUNAGIRINATHATHE HASTAMUKTAVALI OF SUBHANKARATHE HISTORICAL DEVELOPMENT OF PRABANDHA GITITHE HISTORICAL EVOLUTION OF THE PHILOSOPHICAL CONCEPT IN INDIAN MUSICTHE HISTORY OF THE MANDOLINTHE IDEAL GAYAKATHE IMPORT OF TYAGARAJA'S SONGSTHE IMPORTANCE OF CONSONANCE IN ANCIENT INDIAN MUSICTHE IMPORTANCE OF KAKU IN KARNATIC MUSICTHE IMPORTANCE OF MUSICTHE INDIAN MUSIC OF THE VEDIC AND THE CLASSICAL PERIODTHE INDIAN MUSICAL SCALE:ITS DEVELOPMENT AND CONTINUITYTHE INDIAN ORIGIN OF THE VIOLINTHE INDIAN SARIGAMA NOTATIONTHE INFLUENCE OF SEVENTY TWO MELAKARTA SCHEME ON KARNATIC MUSICTHE INFLUENCE OF TALA DASA PRANAS ON THE JATISTHE INTONATION OF KARNATAKA RAGA MELASTHE JAVALI FORM IN CARNATIC MUSICTHE KAMBA RAMAYANA TILLANA OF KUNRAKUDI KRSHNAYYARTHE KARAIKKUDI STYLETHE KIRTANTHE KRITI FORM IN KARNATIK MUSICTHE KRITI FORM IN KARNATIK MUSICTHE KURAM KUZAL OF KERALATHE LAST SCION OF THE DIKSHITAR FAMILYTHE LATE GANA VISHARADA BIDARAM KRISHNAPPA OF MYSORETHE LATE GOVINDASVAMI PILLAI OF TRICHY - A GREAT SOUTH INDIAN VIOLINIST - APPRECIATIONSTHE LYRICS OF ANNAMACHARYATHE MANNER OF APPLAUSE IN ANCIENT INDIAN STAGETHE MARATHA KING SAHAJI AND HIS GAURI SANKARA PALLAKI SEVA PRABANDHA - AN APPRAISALTHE MATHEMATICAL VALUES OF THE NOTES OF THE RAGAVIBODHATHE MECHANIZATION OF SOUTH INDIAN MUSICTHE MELA CONCEPT OF RAMAMATYATHE MELAKARTA - A CRITIQUETHE MELAKARTA RAGAS can they be improved ? possiblities for a new setTHE METHOD OF PLAYING MRIDANGATHE MIZHAVUTHE MODES OF RHTHYMIC EXPRESSION IN CONTEMPORARY INDIAN AND WESTERN MUSIC

  • THE MULTI-FACED DRUMTHE MUSIC ACADEMY MADRASTHE MUSIC ACADEMY, MADRAS, THE KRTI COMPETITIONTHE MUSIC CONFERENCE, 1931THE MUSIC IN THE CHANT OF SAMA VEDA HYMNSTHE MUSIC OF ASSAMTHE MUSIC OF SOUTH INDIA AND GOVINDA DIKSHITARTHE MUSIC OF THE HEBREWS - RESEMBLENCES TO SAMA VEDA CHANTTHE MUSIC OF THE PEMSIANSTHE MUSIC OF THE SAMA VEDA CHANTSTHE MUSIC OF THE TIRUPPUGAZHTHE MUSIC WORKS OF SAMANNA SURITHE MUSICAL EMPIRE OF MAHARAJA SVATI TIRUNALTHE MUSICAL INSTRUMENTS OF SOUTH INDIATHE MUSICAL SCHEME OF THE NAVAGRAHA KRITIS OF MUTHUSWAMI DIKSHITARTHE MUSICAL STRUCTURE OF PADAMSTHE MUSICO RELIGIOUS TRADITIONS OF ASSAMTHE NATI'S SONGTHE NATI'S SONG IN THE PRELUDE TO THE ABHIJNANA SAKUNTALA OF KALIDASATHE NATYA SASTRA IN THE TAMIL SOILTHE NAVARATRI KIRTANAS OF SVATI TIRUNALTHE NECESSITY OF PROPER CONNOTATION OF THE MEANING OF TECHNICAL TERMS OF OUR MUSICTHE NECESSITY OF RE-EXAMINATION AND REVISION OF SOME DEFINITIONS AND CONVENTIONS OF OUR MUSICTHE NEW MILLENNIUM AT THE MUSIC ACADEMYTHE NILOTPALAMBA VIBHAKTI KRTIS OF SRI MUTTUSVAMI DIKSHITARTHE NON MUSICAL WORKS OF SOME LEADING MUSIC WRITERSTHE NON MUSICAL WORKS OF SOME LEADING MUSIC WRITERSTHE ORIGIN AND DEVELOPMENT OF KHYALTHE ORIGIN AND DEVELOPMENT OF THE GOTTUVADYAMTHE ORIGIN OF MUSICTHE ORIGIN OF SOME RAGASTHE ORIGINS OF WESTERN MUSICTHE PADAMS OF SVATI TIRUNALTHE PADAS OF SVATI TIRUNALTHE PANCA RATNA KRITIS OF SRI TYAGARAJATHE PANCHAVADYATHE PARIJATA HARANA NATAKA OF NARAYANA TIRTHATHE PARROT- ITS GREATNESS AND AS A MESSENGERTHE PHILOSOPHY OF SRI TYAGARAJA SWAMITHE PLACE OF MUSIC IN EDUCATIONTHE PLACE OF RHYTHM IN ARTTHE POETRY OF TYAGARAJATHE POPULAR AND CLASSICAL IN MUSICTHE PROBLEM OF CONTINUITY IN MUSIC AND SRUTITHE PROBLEM OF ORCHESTRATION IN INDIAN MUSICTHE PROCESS OF VINA-FRETTINGTHE PULLAVANS AND THEIR MUSICTHE RAGA ABHERITHE RAGA LAKSHANA MANUSCRIPT OF SAHAJI MAHARAJA OF TANJAVURTHE RAGA MADHYAMADI

  • THE RAGA MALHARTHE RAGAMALIKAS OF SVATI TIRUNALTHE RAGANGA RAGAS IN THE SANGEETHA SAMPRADAYA PRADARSHINITHE RAGAS AND THEIR FEATURES BEFORE AND AFTER SRI TYAGARAJA'S TIMETHE RAGAS IN KERALATHE RAGAS MADHYAMAVATI, SRIRAGAM, MANIRANGU, BRINDAVANI, BRUNDAVAN SARANGA AND PUSHPALATIKA-DITHE RAGAS OF KARNATIC MUSICTHE RAGAS OF SANGITA SARAMRTATHE RAGAS OF SARAMRTA (CONTD.)THE RAGAS OF SARAMRTA (CONTD.)THE RAGAS THAT OWE THEIR RAGA BHAVAS TO SRI TYAGAYYATHE RAGA-TALA-MALIKA OF RAMASVAMI DIKSHITARTHE ROLE OF LAYA IN MUSICTHE ROLE OF SANSKRIT IN THE DEVELOPMENT OF INDIAN MUSICTHE RUDRA VINA OF SOMANATHATHE SANGITA SARA OF SRI VIDYARANYATHE SCALE OF NOTES FOR SAMA GANATHE SCHEME OF 72 MELAS IN CARNATIC MUSICTHE SCHEME OF 72 MELAS IN CARNATIC MUSICTHE SCIENCE OF MUSICTHE SCOPE OF THEORETICAL STUDIES IN MUSICTHE SERVICES OF ABRAHAMPANDITA TO KARNATIC MUSIC (TAMIZ)THE SEVEN LAMPS OF SANGITATHE SIGNIFICANCE OF THE DIVISION OF PALLAVI,ANUPALLAVI AND CHARANA IN MUSICAL COMPOSITIONSTHE SINGING VOICETHE SO CALLED AKALANKA OR THE SANGITA SARA SANGARHAMUTHE SO CALLED SVARARNAVATHE SOUL OF SOUTH INDIAN MUSIC-RAGABHAVATHE SPREAD AND DEVELOPMENT OF TYAGARAJA KIRTANAS IN MYSORETHE STRUCTURE,REPAIR AND ACOUSTICAL PROPERTIES OF THE CLASSICAL DRUMS OF INDIA-MRDANGA,TABLATHE SUDDHA MADDALA OF KERALATHE SUDDHA SVARA SAPTAKATHE SUPER VINATHE TAMASHATHE TAMBURA AS A SRUTI ACCOMPANIMENT IN INDIAN MUSICTHE TAMIL COMPOSITIONS OF M M DANDAPANI DESIKAR (TAMIZ)THE TEACHER'S COLLEGE OF MUSICTHE TEACHING OF MUSICTHE TEACHING OF MUSICTHE TEACHING OF MUSIC (TAMIZ)THE TEACHING OF MUSIC IN SCHOOLSTHE TEMPLE MUSIC OF SOUTH INDIATHE THEORY OF MUSICOMETRICSTHE THERAPEUTIC QUALITIES OF MUSICTHE TILLANA AND SOME OF ITS WELL KNOWN COMPOSERSTHE TRACES OF ANCIENT INDIAN MUSIC IN CHINATHE TREATMENT OF MELAS IN THE SANGITA CHANDRIKAI OF ATTOOR KRISHNA PISHAROTITHE TWENTY TWO SRUTIS OF THE INDIAN GAMUTTHE UNESCO MUSIC EDUCATION CONFERENCE BRUSSELSTHE UNIQUE SYSTEM OF 72 SCALES OF KARNATIC MUSIC

  • THE UNIQUENESS OF TYAGARAJATHE UNITY OF INDIAN MUSICTHE UNIVERSALITY OF THE SCALE OF MOHANAMTHE UNIVERSITY OF TYAGARAJATHE USENI SVARAJATITHE UTSAVA PRABANDHA OF SVATI TIRUNALTHE VAISHNAVA MUSIC OF ASSAMTHE VARNAMS OF GOVINDASAMAYYATHE VARNAS OF THE DIKSHITAR FAMILYTHE VEENA PADDHATI OF HINDUSTANI MUSICTHE VIOLINTHE VIOLIN IN AN OLD PIECE OF SCULPTURE AT THE CHIDAMBARAM TEMPLETHE VIZIANAGARAM MUSIC MANUSCRIPTSTHE WALAJAPET MANUSCRIPTSTHE WALAJAPET MANUSCRIPTSTHE WESTERN AIRS OF MUTTUSVAMI DIKSHITARTHIMILATHIRTY TWO MELAKARTA RAGAS (TAMIZ)THOUGHTS ON SVARAMELAKALANIDHITHREE DANCE STYLES OF ASSAMTHREE KRTIS OF PALLAVI GOPALA IYERTHREE RARE PADAVARNAS FROM TIRUVARUR TEMPLE - CHINNA THAMBI PILLAITHREE RARE PIECESTIGER VARADACHARIARTILLANATIME THEORY OF THE RAGAS (NORTH INDIAN)TINNIYAM BHARATI'S SAHITYAS(TAMIZ)TINNIYAM BHARATI'S SONGSTIRUKKOIL ISAI MURAI (TAMIZ)TIRUPPUGAZH TIRUVAGUPPU PADALKALIN CHANDA KOORUGAL - ORU OPPIDU (TAMIZ)TIRUVILAYADAL KIRTANAS OF MAZAVARAYANENDAL SUBRAMANYA BHARATI (TAMIZ)TIRUVOTTRIYUR TYAGAYYARTITLETODA MUSICTONAL STRUCTURE OF TAMBURATRADITIONAL COMPOSITIONS IN BHARATANATYATRADITIONAL INDIAN MUSIC AESTHETICSTRADITIONAL MUSICAL INSTRUMENTS OF KERALATWO COMMENTARIES ON THE GITA GOVINDA RECENTLY RECOVERED IN ASSAMTWO COMPOSITIONS OF DR.M BALAMURALIKRISHNA TWO COMPOSITIONS OF DR V V SRIVATSA WITH NOTATIONTWO COMPOSITIONS OF N.Ch. KRISHNAMACHARYULUTWO COMPOSITIONS OF SUGUNA PURUSHOTHAMANTWO COMPOSITIONS OF TANJAVUR SANKARA IYER AND TWO COMPOSITIONS OF MADURAI T SRINIVASANTWO JAVALIS OF TIRUPPANANDAL PATTABHIRAMAYYATWO MANUSCRIPTS OF TYAGARAJA SONGSTWO MUSIC WRITERS OF ORISSATWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITAR

  • TWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW KRITIS OF SRI MUTTHUSVAMI DIKSHITARTWO NEW SABDAS ON SRI MAHARAJAH SVATI TIRUNALTWO NEW VARNAS OF PATNAM SUBRAHMANYA IYER AND A NEW KIRTANA OF RAMNAD SRINIVASA IYENGARTWO PADASTWO RARE SONGS IN SANKARABHARANA AND MANDARITWO RARE SONGS OF GOPALAKRISHNA BHARATITWO SONGS FROM THE RAMANATAKAM OF ARUNACHALA KAVIRAYARTYAGARAJA - Continuities and DeparturesTYAGARAJA AND ANNAMACHARYATYAGARAJA AND RAMADASA (TAMIZ)TYAGARAJA AND SELF-SIMILARITY IN THE BHAKTHI COMMUNITYTYAGARAJA IN HIS SIGNATURESTYAGARAJA KIRTANAS IN HINDITYAGARAJA ON MUSICTYAGARAJA SONGS IN MANUSCRIPTSTYAGARAJA'S NAUKA CARITRAMTYAGARAJA'S UTSAVA SAMPRADAYA SONGSTYAGARAJA'S VIEW OF THE DIVINE (RAMA)UNLOCALISED RAGASUNTEMPERED INTONATION IN THE WESTUPANISHAD BRAHMA YOGINUPANISHAD BRAHMAN YOGIN,HIS LIFE,WORKS & CONTRIBUTION TO CARNATIC MUSICUTHUKADU VENKATA SUBBIERVACHAMAGOCHARA AND BANTURITIVADI,SAMVADI,VIVADI AND ANUVADI SVARASVALUES OF TYAGARAJAVARIETY IN UPANGA RAGAS OF KARNATAK MUSICVARNAS,SVARAJATIS etc. OF SVATI TIRUNALVEETHI BHAGAVATHAM:GOLLAKALAPAMVENKATAMAKHI ON VINA (TAMIZ)VENKATAMAKHIN AND HIS TWELVE NOTESVENKATAMAKHIN AND THE 72 MELASVENKATAMAKHIN'S SEVENTY-TWO MELA SCHEME AND MORE POSSIBLE SCALESVIDWAN MANPOODIA PILLAI(TAMIZ)VIETNAMESE MUSIC- A FESTIVAL OF RECEREATED VIETNAMESE MUSICVILASINI NATYAM - TRADITION & TRANSITIONVINA KRISHNAMACHARYA, MY GURU (TAMIZ)VINA PADMANABHIAHVINAI DHANAMVINA-SYMBOL OF INDIAN MUSICVOICE CULTUREVOICE CULTURE - THE FEMALE VOICE IN THE CLASSICAL MUSIC OF INDIA AND THE WEST

  • WAS PURANDARADASA THE PRECURSOR OF KARNATAKA MUSIC?WESTERN PARALLELS OF INDIAN PALLAVI TECHNIQUESWHAT ARE THE JATIS AS DESCRIBED IN BHARATA'S NATYA SASTRAWHAT IS ETHNOMUSICOLOGYWHY IS MRIDANGA SO CALLED ?WHY IS MRIDANGA SO CALLED ?YATI TALASYAZH,YAZHMURI PANNYUGOSLAV DANCE

  • AUTHOR PAGES YEAR VOLUMEMYTHILI RANGANATHAN- ed. 116-118 2000 LXXI

    89-92 1974 XLVALAIN DANIELOU 119-128 1951 XXIISAKUNTALA NARASIMHAN 134-139 1983 LIVRAMABHADRAN G N 116-137 1964 XXXVSANDYAVANDANAM SRINIVASA RAO 126-144 1978 XLIXMYSORE K VASUDEVACHAR 35-41 1947 XVIIIVIDYA SHANKAR 147-154 1974 XLVJANAKIRAMAN S R 56-65 1976 XLVIIKSHIRSAGAR D B appndx 1973 XLIVWILLIAM SKELTON 103-110 1973 XLIVRATANJANKAR 198-202 1962 XXXIIIVISSA APPA RAO 90-96 1951 XXIIMAHESVAR NEOG 150-154 1959 XXXSANKARAN T -ed. 238-241 1970 XLIRAMANATHAN S -ed. 176-177 1960 XXXIMUDIKONDAN VENKATARAMA IYER -ed. 174-176 1946 XVIIBALASUBRAHMANYAM G N 146-147 1945 XVIVERMA K V 84-102 1973 XLIVMUDIKONDAN VENKATARAMA IYER 136-139 1957 XXVIIISUNDARAM IYER A -ed. 233-237 1970 XLISUNDARAM IYER A -ed. 201-205 1971 XLIISUNDARAM IYER A -ed. 261-262 1973 XLIVADYANTAYYA N M 103-111 1964 XXXVVISSA APPA RAO 37-38 1945 XVIRAGHAVAN V 144-148 1946 XVIITIGER VARADACHARIAR 235-236 1930 IVENKATARAMA SHARMA V 103-115 1930 ITITTE KRISHNA IYENGAR 85-87 1964 XXXVMUDIKONDAN VENKATARAMA IYER 20-23 1938 IXVISSA APPA RAO 39-40 1945 XVIVISSA APPA RAO 41-44 1945 XVIVENKITASUBRAMONIA IYER S 227-229 1975 XLVIVISSA APPARAO,MANCHALA JAGANATHA-ed. 78-79 1945 XVIKESAVANANDA GOSVAMI 227-233 1973 XLIVTEMPLE TUTTLE 105-121 1981 LIISUBBA RAO T V 49-61 1938 IXSUBRAHMANYA SASTRI S 192-198 1931 IIPARTHASARATHY T S 109-114 1978 XLIXRAMANATHAN S -ed. 184-185 1966 XXXVIIYOGANARASIMHAN H -ed. 166-172 1960 XXXIYOGANARASIMHAN H -ed. 154-156 1961 XXXIICHENNAKESAVIAH N -ed. 162-165 1960 XXXIRAMANATHAN S -ed. 177-183 1966 XXXVIIRAMAKRISHNAN T S -ed. 174-181 1972 XLIIIRAMANATHAN S -ed. 205-207 1964 XXXVRAMANATHAN S -ed. 192-193 1965 XXXVIVISVANATHAN T -ed. 219-223 1964 XXXVRAMAKRISHNAN T S -ed. 182-183 1972 XLIII

  • RAMAKRISHNAN T S -ed. 197-198 1969 XLMUDIKONDAN VENKATARAMA IYER -ed. 138-139 1959 XXX

    193-195 1964 XXXVDURGA S A K 161-165 2005 LXXVIKAPILA VATSYAYAN 118-130 1974 XLVPARTHASARATHY S 90-97 1953 XXIVAYYAR C S 114-125 1949 XXRAMANATHAN S -ed. 187-191 1962 XXXIIIBRUNO NETTL 105-110 1982 LIIIMUDIKONDAN VENKATARAMA IYER -ed. 140-141 1959 XXXVISVANATHAN T -ed. 159 1953 XXIVVALADI KRISHNAYYAR -ed. 77-79 1942 XIIIMUDIKONDAN VENKATARAMA IYER -ed. 109 1952 XXIIIRAMANATHAN S -ed. 173-175 1960 XXXIWILLIAM J JACKSON 153-158 1981 LIISUBHADRA CHOWDHARY 109-150 1998 LXIXDHANANJAYAN V P 32-34 2006 LXXVIISUDHARANI RAGHUPATHY 149-161 1986 LVII

    131-152 1932 III73-88 1934 V41-50 1933 IV97-118 1935-37 VI-VIII137-145 1945 XVI194 1932 III

    PANCHOLY M, CHAPGAR, DAVINDER SINGH 145-162 1966 XXXVIIWILLIAM J JACKSON 145-153 1987 LVIIISUBRAMANYAM V 94-97 1979 LANITA R RATNAM 100-106 2001 LXXIIDESHPANDE V H 122-131 1971 XLIIANANTASUBRAMANYAM T G 134-153 1979 LSUBRAHMANYA SASTRI S 267-270 1930 IVEDAVALLI M B 107-117 2001 LXXIISUMATI MUTATKAR 77-80 1953 XXIVJANAKIRAMAN S R 126-135 1982 LIIISANKARANARAYANAN P E, MINAKSHI K 114-117 1979 LMAHESVAR NEOG 147-153 1951 XXIIRAGHAVAN V 64-74 1952 XXIIIRAMANATHAN S -ed. 194-197 1965 XXXVISANKARAN T -ed. 263-268 1973 XLIVRITHA RAJAN 50-66 1999 LXXSWAMI PRAJNANANANDA 130-138 1958 XXIX

    143-150 1957 XXVIIIBRINDA VARADARAJAN 164-188 1990 LXIMARTIN JENNI D 88-94 1996 LXVIIANANTASUBRAMANYAM T G 164-180 1975 XLVIRAGHAVAN V 151-154 1953 XXIVSASTRI B V K 136-143 1975 XLVIRAJAGOPALAN T V 72-78 1981 LIIRAMACHANDRAN K V 107-109 1950 XXIVISSA APPA RAO 125-134 1953 XXIV

  • ADYANTAYYA N M 75-82 1966 XXXVIIANNE MARIE GASTON 172-186 1996 LXVIIMODAK H V 158-163 1975 XLVIKAY POURSINE 160-163 1990 LXIBHOWMICK K N 129-141 1973 XLIVPADMA RAO M N 84-87 1972 XLIIIKESAVANANDA DEV GOSWAMI 187-198 1986 LVIISADAGOPAN V V 182-185 1974 XLVGITA RAVIKUMAR 187-192 1996 LXVIISUBRAHMANYAM V 56-62 2003 LXXIVVENKATARAMA SHARMA V 32-37 1930 IRAGHAVAN V 233-262 1974 XLVANNE MARIE GASTON(ANJALI) 116-145 1990 LXIMEHTA R C 203-206 1977 XLVIIIPARTHASARATHY T S 133-139 1989 LXPARTHASARATHY T S 98-104 1979 LTUMUBURI SATYAGOPAL 211-232 1974 XLVVARADAYYA 57-68 1951 XXII

    126 1945 XVI125-126 1945 XVI126 1945 XVI

    PARTHASARATHY T S -rev. 209-210 1998 LXIXPARTHASARATHY T S -rev. 150-151 1980 LIPARTHASARATHY T S -rev. 186-187 1989 LXRAGHAVAN V -rev. 213-214 1966 XXXVIIPARTHASARATHY T S -rev. 219 1977 XLVIIIPARTHASARATHY T S -rev. 162-163 1995 LXVIPARTHASARATHY T S -rev. 162-163 1991 LXIIRAGHAVAN V -rev. 179-180 1961 XXXIIMUDIKONDAN VENKATARAMA IYER -rev. 201-203 1963 XXXIVMUDIKONDAN VENKATARAMA IYER -rev. 201-203 1963 XXXIVPARTHASARATHY T S -rev. 201-202 1997 LXVIIIGAUTAM M R -rev. 217-218 1969 XLNARASIMHAN C V -rev. 119-120 2000 LXXIPARTHASARATHY T S -rev. 187-188 1993 LXIVRAGHAVAN V -rev. 214-215 1966 XXXVIITYAGARAJAN K C -rev. 206-207 1971 XLIISANKARAN T -rev. 237-241 1969 XLRAJAGOPALAN L S -rev. 221-222 1966 XXXVIIPARTHASARATHY T S -rev. 204-206 1985 LVIAMBADI VENUGOPALAN -rev. 191-199 1987 LVIIIDURGA S A K - rev. 175-176 2002 LXXIIIPARTHASARATHY T S -rev. 182-183 1989 LXRAMAKRISHNA SASTRI M -rev. 215-216 1965 XXXVIPARTHASARATHY T S -rev. 215-216 1985 LVIPARTHASARATHY T S -rev. 205-206 1996 LXVIIRAGHAVAN V -rev. 210 1966 XXXVIIPARTHASARATHY T S -rev. 205-207 1997 LXVIIIPARTHASARATHY T S -rev. 197 1989 LXPARTHASARATHY T S -rev. 216-217 1983 LIV

  • RAGHAVAN V -rev. 158-160 1959 XXXPARTHASARATHY T S -rev. 198-200 1985 LVIPARTHASARATHY T S -rev. 216-218 1977 XLVIIIRAMANATHAN N -rev. 213-218 1986 LVIIPARTHASARATHY T S -rev. 219 1983 LIVPARTHASARATHY T S -rev. 191-192 1997 LXVIIIRAMANATHAN S -rev. 203 1963 XXXIVLOKANADHA SHARMA - rev. 231 2001 LXXIIPARTHASARATHY T S -rev. 218-219 1983 LIVPARTHASARATHY T S -rev. 164-165 1978 XLIXMANJULA SRIRAM -rev. 123 2000 LXXIRAGHAVAN V -rev. 221-223 1969 XLPARTHASARATHY T S -rev. 130-132 1994 LXVRAGHAVAN V -rev. 213-215 1971 XLIIRAMANATHAN N -rev. 231-234 1981 LIISANDYAVANDANAM SRINIVASA RAO -rev. 168 1968 XXXIXPARTHASARATHY T S -rev. 155-156 1995 LXVIPARTHASARATHY T S -rev. 159-161 1995 LXVIRAGHAVAN V -rev. 225 1969 XLNARAYANA MENON -rev. 148-150 1954 XXVRAGHAVAN V -rev. 219-221 1969 XLRAGHAVAN V -rev. 178 1960 XXXIPARTHASARATHY T S -rev. 196-198 1997 LXVIIISANDYAVANDANAM SRINIVASA RAO -rev. 206-207 1963 XXXIVRAGHAVAN V -rev. 157 1958 XXIXPARTHASARATHY T S -rev. 159-162 1991 LXIIRAMACHANDRAN K V -rev. 131-135 1934 VPARTHASARATHY T S -rev. 196-197 1982 LIIIVISVANATHAN T -rev. 198-201 1963 XXXIVRAGHAVAN V -rev. 224 1969 XLRAMANATHAN S -rev. 172-173 1979 LMUDIKONDAN VENKATARAMA IYER -rev. 213-214 1962 XXXIIIRAGHAVAN V -rev. 225 1969 XLPARTHASARATHY T S -rev. 203-204 1996 LXVIIPARTHASARATHY T S -rev. 147-150 1980 LIRAGHAVAN V -rev. 86-88 1938 IXSUNDARAM AIYAR P S -rev. 88 1938 IXPARTHASARATHY T S -rev. 237-238 1981 LIIPARTHASARATHY T S -rev. 210-211 1996 LXVIIDURGA S A K - rev. 176-178 2009 LXXXKRISHNASWAMI S -rev. 214-217 1969 XLPARTHASARATHY T S -rev. 203-204 1998 LXIXPARTHASARATHY T S -rev. 272 1973 XLIVPARTHASARATHY T S -rev. 194-195 1997 LXVIIIMAITHREYI RAMADURAI -rev. 124-125 1999 LXXTARLEKAR G H -rev. 197-198 1972 XLIIIDURGA S A K -rev. 203-204 1982 LIIIPARTHASARATHY T S -rev. 213-214 1985 LVIRAGHAVAN V -rev. 228 1969 XLRAGHAVAN V -rev. 204-206 1963 XXXIV

  • SANKARAN T -rev. 237-241 1969 XLMANJULA SRIRAM -rev. 121-122 1999 LXXPARTHASARATHY T S -rev. 186-187 1993 LXIVRAGHAVAN V -rev. 146-147 1954 XXVRAGHAVAN V -rev. 224 1969 XLLAKSHMI VISVANATHAN -rev. 201-203 1985 LVIRAGHAVAN V -rev. 224 1969 XLPARTHASARATHY T S -rev. 204-205 1989 LXPARTHASARATHY T S -rev. 269-271 1973 XLIVPARTHASARATHY T S -rev. 156-158 1991 LXIIKAPILA VATSYAYAN -rev. 176-178 1961 XXXIIPARTHASARATHY T S -rev. 200-202 1996 LXVIISANDYAVANDANAM SRINIVASA RAO -rev. 218 1969 XLVISVANATHAN T -rev. 198-201 1963 XXXIVPARTHASARATHY T S -rev. 271 1973 XLIV

    217 1966 XXXVIIRAJAGOPALAN L S -rev. 219-221 1966 XXXVIISAMBAMURTHI P -rev. 158-159 1957 XXVIIIRAGHAVAN V -rev. 227-228 1969 XLPARTHASARATHY T S -rev. 164-165 1995 LXVISULOCHANA PATTABHIRAMAN 45 2006 LXXVIIRAGHAVAN V -rev. 157-158 1958 XXIX

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  • MUDIKONDAN VENKATARAMA IYER -rev. 211-212 1962 XXXIIISITA S -rev. 231-235 1975 XLVIPARTHASARATHY T S -rev. 207-210 1985 LVIPARTHASARATHY T S -rev. 223 1985 LVIMUDIKONDAN VENKATARAMA IYER -rev. 201-203 1963 XXXIVMUDIKONDAN VENKATARAMA IYER -rev. 211 1962 XXXIIIPARTHASARATHY T S -rev. 188-189 1988 LIXPARTHASARATHY T S -rev. 220-221 1977 XLVIIIPARTHASARATHY T S -rev. 200-202 1982 LIIIPARTHASARATHY T S -rev. 193-195 1982 LIIIPARTHASARATHY T S -rev. 212-214 1987 LVIIIPARTHASARATHY T S -rev. 171-172 1979 LRAGHAVAN V -rev. 211 1948 XIXRAGHAVAN V -rev. 41 1944 XVBHARATA SAGARA -rev. 231-233 1969 XLVISVANATHAN T -rev. 180-183 1961 XXXIIPARTHASARATHY T S -rev. 202-203 1989 LXLAKSHMI SRIRAM -rev. 228-230 2001 LXXIIPARTHASARATHY T S -rev. 167-169 1991 LXIISAMBAMURTHI P -rev. 89-90 1938 IXRAGHUNATHAN N -rev. 226-228 1966 XXXVIIDURGA S A K -rev. 119-120 1999 LXXRAGHAVAN V -rev. 226-227 1969 XLRAGHAVAN V -rev. 144-146 1954 XXVP S S -rev. 88-89 1938 IXRAMANATHAN N, HEMA RAMANATHAN -rev. 182-191 1982 LIIIPARTHASARATHY T S -rev. 170-172 1992 LXIIIRAGHAVAN V -rev. 171 1946 XVIIRAGHAVAN V -rev. 210 1948 XIXPARTHASARATHY T S -rev. 175-176 1991 LXIIRAGHAVAN V -rev. 156 1957 XXVIIISIVARAM DIKSHITAR P V -rev. 195-197 1985 LVIRAGHAVAN V -rev. 172 1946 XVIISAMBAMURTHI P -rev. 155-156 1959 XXXSANDYAVANDANAM SRINIVASA RAO -rev. 222-224 1966 XXXVIISRINIVASAN R -rev. 156-158 1959 XXXMUDIKONDAN VENKATARAMA IYER -rev. 159-166 1957 XXVIIIPARTHASARATHY T S -rev. 192-193 1997 LXVIIIPARTHASARATHY T S -rev. 161-164 1992 LXIIIPARTHASARATHY T S -rev. 169-170 1979 LPARTHASARATHY T S -rev. 192-194 1985 LVIDURGA S A K -rev. 214-215 1983 LIVPARTHASARATHY T S -rev. 164-166 1992 LXIIIPARTHASARATHY T S -rev. 187 1988 LIXRAGHAVAN V -rev. 225 1969 XLPARTHASARATHY T S -rev. 184-185 1989 LXSWAMI P -rev. 238-242 1964 XXXVPARTHASARATHY T S -rev. 180-182 1988 LIXRAGHAVAN V -rev. 227 1969 XLPARTHASARATHY T S -rev. 269 1973 XLIV

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    110-124 1969 XLGOWRI KUPPUSWAMI, HARIHARAN M 82-94 1991 LXIIDURGA S A K 91-98 2007 LXXVIIIRAMAKRISHNA T S 87-91 1971 XLIISUBRAMANYAM V 99-102 2007 LXXVIIIMYTHILI RANGANATHAN 100-112 2000 LXXIAYYAR C S 58-66 1941 XIIAYYAR C S 57 1941 XII

    211-214 2005 LXXVINAGABHUSHANAM PANTULU 78-84 1968 XXXIXKITTAPPA K P, SIVANANDAM K P 167-171 1974 XLVMADHAVI RAJAGOPALAN 67-77 1999 LXXSABHESA IYER -ed. 189-191 1932 III

    88 1932 IIIROY R L 138-144 1966 XXXVII

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    118-121 1931 IIEGON VIETTA 84-91 1957 XXVIIIRAGHAVAN V 165-166 1951 XXIIKITTAPPA K P, SIVANANDAM K P 171-185 1977 XLVIIIGOWRI KUPPUSWAMI, HARIHARAN M 100-107 1992 LXIIISUNDARAM IYER A -ed. 186-207 1966 XXXVIIPADMA SUBRAHMANYAM 105-115 1994 LXVPAPPU VENUGOPAL RAO 83-92 2008 LXXIXSISTER MARGARET BASTIN 84-96 2001 LXXIIACHUTHSANKAR S NAIR 43-63 2009 LXXXSUBBA RAO T V 92-94 1952 XXIIIVARADARAJAN K 63-73 2000 LXXICHENNAKESAVIAH N -ed. 187-190 1956 XXVIINIRMALA RAMACHANDRAN 198-202 1983 LIVANNE MARIE GASTON 95-134 1991 LXIILOVELY SHARMA 205-212 1986 LVIIPUDUKKOTTAI M SUBRAMANYA IYER 49-62 1959 XXXGANGOOLY O C 102-108 1943 XIVSANDYAVANDANAM SRINIVASA RAO 66-71 1976 XLVIICHENNAKESAVIAH N 77-81 1976 XLVIIMUJUMDAR G N 69-72 1938 IXDEVA B C 126-152 1952 XXIIIKRISHNASWAMI S 72-82 1967 XXXVIIISANKARANARAYANAN P E, MINAKSHI K 129-132 1980 LIRAJAGOPALAN L S 93-108 1974 XLVRAJAGOPALAN K R 99-104 1965 XXXVI

    47-60 1956 XXVIIDURGA S A K 210-216 1981 LIIRATANJANKAR 208-218 1970 XLI

    175-182 1931 II155-167 1932 III

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    7-10 1931 IIJOSEF KUCKERTZ 141-150 1982 LIIICHENNAKESAVIAH N -ed. 176-191 1964 XXXVCHENNAKESAVIAH N -ed. 160-175 1961 XXXIITARLEKAR G H 170-175 1965 XXXVI

  • VIDYA SHANKAR 161-169 2001 LXXIIcontributed 101-106 1993 LXIVVICTORIA KINSLEY 83-85 1951 XXIIRADHA JAYALAKSHMI 96-99 2000 LXXIVIDYA S 117-121 1943 XIVVEDAVALLI R 26-31 2003 LXXIVVIDYA SHANKAR 89-97 1969 XLRATANJANKAR 95-107 1960 XXXIJAYALAKSHMI R S 173-179 2005 LXXVIVIDYA SHANKAR 191-206 2005 LXXVIGAUTAM M R 202-209 1981 LIIDESAI C P 83-178 1970 XLIVENKATANARAYANACHARYULU T N C 154-160 1964 XXXVVISVANATHAN T 168-174 1964 XXXVCHENNAKESAVIAH N 98-101 1978 XLIXYUNUS HUSSAIN KHAN 134-135 1972 XLIIISASTRI B V K 157-164 1971 XLIISUBHASHINI PARTHASARATHY 153-157 1997 LXVIIISUNDARAM IYER 52-55 1930 ISESHAMMAL 34-36 1938 IXRAGHAVAN V 206 1948 XIXSUBBA RAO T V 98-103 1953 XXIVJAYALAKSHMI R S & BALASUBRAHMANYAM B 58-67 2002 LXXIIIKAPILA VATSYAYAN 131-146 1974 XLVHULUGUR KRISHNACHAR 101-103 1949 XXMUDIKONDAN VENKATARAMA IYER -ed. 150-153 1943 XIVKANAKAMMAL SITAPATI - notated 20-21 1940 XIRAMACHANDRAN K V 66-73 1946 XVIIKANAKAMMAL SITAPATI 20-21 1940 XIGAYATRI R KASSEBAUM 155-165 1996 LXVIIVENKATESAM PANTULU N K 72-90 1995 LXVIRAMANATHAN S 74-79 1960 XXXINARAYANA MENON 60-61 1954 XXVEMBAR VIJAYARAGHAVACHARIAR 142-152 1981 LIISARASVATI BAI C 50-57 1931 IISARASVATI BAI C 47-56 1951 XXIISARASVATI BAI C 171-175 1932 IIISARASVATI BAI C 137-140 1931 IIMAHESVAR NEOG -ed. 25-66 (app) 1954 XXVMAHESVAR NEOG -ed. 67-90 (app) 1955 XXVIMAHESVAR NEOG -ed. 91-104 (app) 1956 XXVIIMAHESVAR NEOG -ed. 105-112 (app) 1958 XXIXMAHESVAR NEOG -ed. 9-27 (app) 1958 XXIXMAHESVAR NEOG -ed. appndx 1953 XXIVRAGHAVAN V 124-131 1963 XXXIVDESAI P B 81-86 1994 LXVRANADE G H 146-152 1960 XXXISOMARAO TATTI 2-6 1930 IRANADE G H 92-100 1959 XXXSRIRAM P, VALUVUR JAMBUNATHAN N 144-155 1991 LXII

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    75-76 1931 II124-125 1945 XVI170 1946 XVII169-175 1951 XXII154-156 1958 XXIX208-209 1966 XXXVII174-175 1967 XXXVIII79-80 1938 IX

    1942 XIII117-138 1940 XIappndx 1950 XXIapp.i-xlix 1959 XXX

    PARTHASARATHY T S 141-152 1997 LXVIIIPARTHASARATHY T S 83-97 1993 LXIVSRI RAGINI DEVI 153-154 1933 IVVAIKUNTRAM Pt. A 90-93 1932 IIIARNOLD A BAKE 24-30 1938 IXPARANJAPE V G 68-71 1957 XXVIIISATHYANARAYANA R 128-132 2004 LXXVPARTHASARATHY T S 125-132 1989 LXSATYANARAYANA Y 54-60 1968 XXXIXRAJAGOPALAN N 88-90 1965 XXXVIPADMA SUBRAHMANYAM 122-132 1981 LIIHENRY COWELL 134-139 1962 XXXIIIKESHAVRAM IYENGAR N 83-88 1979 LHULUGUR KRISHNACHAR 7-14 1930 IHULUGUR KRISHNACHAR 15-25 1930 IVENKITASUBRAMONIA IYER S 126-135 1949 XXVENKITASUBRAMONIA IYER S 83-96 1983 LIVRAMAKRISHNAN T S 96-97 1972 XLIIISAMBAMURTHI P 130-135 1950 XXIRITHA RAJAN 68-91 2002 LXXIIIJAYASITALAKSHMI S R 168-175 1989 LXSATYANARAYANA RAO Y 224-227 1964 XXXVCHENNAKESAVIAH N 155-158 1974 XLVSANKARAN T -ed. 242-247 1970 LXIRATANJANKAR 89-100 1949 XXSAVITRI RAJAN, MICHAEL NIXON 74-89 1984 LVRAGHAVAN V 137-150 1953 XXIVPARTHASARATHY T S 99-108 1998 LXIXSUBBA RAO T V 40-50 1943 XIVSASTRI B V K 159-166 1974 XLVSUBBA RAO T V 22-47 1940 XISUBBA RAO T V 44-70 1942 XIIISUBBA RAO T V 68-87 1992 LXIII

  • PARTHASARATHY T S 110-117 1986 LVIIPARTHASARATHY T S 149-154 1995 LXVIRAMACHANDRAN K V 105-127 1996 LXVIIKAPILA VATSYAYAN 74-88 1956 XXVIIBRINDA VARADARAJAN 90-98 1988 LIXPARTHASARATHY T S 118-122 1995 LXVIRAJAGOPALAN L S 170-177 1973 XLIVCHENNAKESAVIAH N 61-72 1968 XXXIX

    appndx 1982 LIIIRAJAGOPALAN K R 112-167 1968 XXXIXKUNJUNNI RAJA 121-129 1958 XXIXVISSA APPA RAO 110-129 1950 XXIRAJANIKANTA RAO B 111-125 1982 LIIIPAPPU VENUGOPALA RAO 110-116 1984 LVMUDIKONDAN VENKATARAMA IYER 120-125 1957 XXVIIIRAGHAVAN V 16-24,50-84 1933 IVDURGA S A K 110-117 2002 LXXIIISUNDARAM IYER P S 122-130 1931 IIPAPPU VENUGOPALA RAO 157-162 1984 LVSESHADRI K 118-122 2001 LXXIIVISSA APPA RAO 40-41 1944 XVRAJAGOPALAN N 121-123 1963 XXXIVPARTHASARATHY T S 107-115 1993 LXIVSHELVANKAR R S 124-127 1987 LVIIIPANT C S 67-75 1965 XXXVISUBBA RAO T V 136-143 1949 XXKODANDARAMAIYAH T 81-88 1980 LIMUDIKONDAN VENKATARAMA IYER 113-121 1971 XLIIVALAYAPPATTI R KRISHNAN 102-109 2002 LXXIIIRAMAKRISHNAN T S 61-67 1975 XLVIVENKITASUBRAMONIA IYER S 154-160 1951 XXIIAPPAJI RAO T 128-129 1987 LVIII

    110-116 1987 LVIIIGOWRI KUPPUSWAMI, HARIHARAN M 162-171 1986 LVIIPARTHASARATHY T S 72-81 1991 LXIISITARAMAN P C 65-67 1964 XXXVSITARAMAN P C 100-107 1972 XLIIISUNDARESA SASTRI P G 67-77 1949 XXSAMBAMURTHI P 196-201 1973 XLIVVIDYA SHANKAR 127-139 1988 LIXVENKATARAMA IYER T L 41-46 1930 IRAMACHANDRAN N S 8-10 1932 IIIANANTASUBRAMANYAM T G 54-58 1964 XXXVDEVA B C 112-115 1964 XXXVMEHTA R C 78-86 1959 XXXNARENDRA KUMAR BOSE 151-167 1956 XXVIIRAGHAVAN V 130-134 1943 XIVAYYAR C S 49-52 1954 XXVPARTHASARATHY T S 193-200 1984 LVSUBBA RAO T V 136-141 1951 XXII

  • CHIDAMBARA VADHYAR K 110-115 1997 LXVIIIRAMAKRISHNAN S 43-47 1968 XXXIXKRISHNAMURTHY K 161-167 1964 XXXVSUBBA RAO T V 168-171 1956 XXVIIBHAGYALAKSHMI S 177-186 2001 LXXIIHARI NAGABHUSHANAM PANTULUGARU 103-104 1932 IIIHARI NAGABHUSHANAM PANTULUGARU 153-154 1932 IIISITA S 139-150 1977 XLVIIIRAMACHANDRAN K V 116-135 1997 LXVIIIVASUDEVA SASTRI K 168-182 1948 XIXVIJAYAKRISHNAN K G 160-170 2009 LXXXVASUDEVA SASTRI K 90-96 1946 XVII

    73-76 1938 IXRAGHAVAN V 96-98 1941 XIIVISVANATHAN T 172-181 1974 XLVRAGHAVAN V 37-39 1938 IXSRINIVASAN P 176-181 1982 LIIIKUMAR B R 31-39 2000 LXXISATHYAVATHI T S 131-158 2009 LXXXRAGHAVAN V 140-144 1943 XIVRAGHAVAN V 40-41 1938 IXRAGHAVAN V 65-72 1945 XVIRAGHAVAN V 42-43 1938 IXRAGHAVAN V 203-205 1948 XIXBHARAT GUPT 165-175 1985 LVIBHARAT GUPT 91-109 1987 LVIIIBHARAT GUPT 60-82 1988 LIXBHARAT GUPT 172-181 1986 LVIIBRINDA VARADARAJAN 87-99 1992 LXIIIBRINDA VARADARAJAN 169-180 1987 LVIIISAMBAMURTHI P 33-43 1942 XIIISRINIVASAN R 107-112 1948 XIXRAGHAVAN V 195-196 1972 XLIIISWAMI PRAJNANANANDA 132-136 1971 XLIIPRINCE SOUVANNA PHOUMA 111-114 1957 XXVIIINAYAR R B 67-80 1994 LXVSRINIVASA DAS J 41-57 1946 XVIISANDYAVANDANAM SRINIVASA RAO 133-139 1980 LILEWIS ROWELL 187-227 2001 LXXIIJULITTE ALVIN 139-143 1958 XXIXKRISHNAMURTHY K 161-167 1964 XXXVPREMEELA GURUMURTHI 145-154 2002 LXXIIIPREMA HARIHARAN, SULOCHANA PATTABHIRAMAN 74-84 2000 LXXIAYYAR C S 64-72 1950 XXIJOHANNA L SPECTOR 122-130 1955 XXVIKAMALAYA K C 175-181 1984 LVSITA S 116-150 1976 XLVIIVENKITASUBRAMONIA IYER S 72-76 1976 XLVIIRITHA RAJAN 171-175 2009 LXXXLAKSHMANA PILLAI T 183-187 1930 I

  • LAKSHMANA PILLAI T 239-244 1930 ILAKSHMANA PILLAI T 83-85 1931 IIKRISHNAMURTHY P V 46-49 1999 LXXRAGHAVAN V 149 1955 XXVIRAGHAVAN V 155-159 1949 XXPAKKIRISAMI BHARATI K A 94-104 1999 LXXAMYRUTH CATLIN 82-93 1997 LXVIIICHUMMAR CHOONDAL 96-99 1975 XLVINATARAJAN B 179-188 1997 LXVIIIGANGOOLY O C 89-92 1941 XIISIVASAMY V 76-90 1987 LVIIIPAPPU VENUGOPAL RAO 122-127 2004 LXXVDURGA S A K - rev. 183 2009 LXXXAMBUJAM S 208-226 1975 XLVI

    193-196 1969 XLCLIFFORD JONES 108-112 1960 XXXI

    135-140 1935-37 VI-VIIISASTRI B V K 202-209 1973 XLIVVENKITASUBRAMONIA IYER S 92-104 1982 LIIIROY ROBINDRALAL 1-20 1942 XIIIROY ROBINDRALAL 51-61 1943 XIV

    111-116 1999 LXXVIDYA SHANKAR 182-186 1984 LV

    42 1944 XV72 1930 I283 1930 I246-251 1931 II182-184 1931 II77-79 1931 II188 1932 III85-87 1932 III173-176 1933 IV34 1944 XV36 1944 XV28 1944 XV26 1944 XV

    ALAIN DANIELOU 129-131 1951 XXIIHOOD 130-132 1959 XXX

    102-123 1945 XVIRAMACHANDRAN K V 118-138 1992 LXIII

    192 1932 III42 1944 XV211-217 1948 XIX152-153 1955 XXVI72 2003 LXXIV141 2004 LXXV215 2005 LXXVI111 2007 LXXVIII184 2009 LXXX

    KALICHARAN PATTANAIK 83-91 1958 XXIX

  • KALICHARAN PATTANAIK 92-95 1958 XXIXRAMABHADRAN G N 137-148 1971 XLIIVINJAMURI VARAHA NARASIMHACARI 167-170 1932 IIISALVA KRISHNAMURTHY 166-171 1996 LXVIIROY ROBINDRALAL 70-76 1953 XXIVSWAMI PRAJNANANANDA 88-102 1964 XXXVJOHN MARR 62-72 1954 XXVGAYATRI R K 102-108 1978 XLIXJOSEF KUCKERTZ 92-97 1971 XLIISADAGOPAN V V 111-120 1962 XXXIIIPARTHASARATHY T S 159-167 1998 LXIX

    64-75 1939 XSAMBAMURTHI P 58-59 1954 XXVRAJAGOPALAN T V 171-174 1984 LVR S M 144-146 1931 IIDEVA B C 132-135 1967 XXXVIIIVALADI KRISHNAYYAR -notated. 81-85 1938 IXSVAMINATHA AYYAR V 44-45 1938 IXBRINDA VARADARAJAN 160-164 1985 LVIHARRY S BROUDY 200-213 1969 XLROY ROBINDRALAL 106-118 1951 XXIIROY ROBINDRALAL 112-121 1954 XXVROY ROBINDRALAL 113-121 1955 XXVIROY ROBINDRALAL 75-86 1952 XXIIIROY ROBINDRALAL 104-117 1953 XXIVAYYAR C S 86-89 1951 XXIIARAVAMUTHAN T G 109-116 1943 XIVPOPLEY H A 91-98 1930 IPARTHASARATHY T S 98-104 1995 LXVIRATANJANKAR 73-87 1950 XXIRANADE G H 71-73 1942 XIIIBHAGIRATHI M A 180-188 2005 LXXVISUBBA RAO T V 87-91 1952 XXIIIPARTHASARATHY T S 65-115 1990 LXISUBRAHMANYA IYER M 57-67 1957 XXVIIIPUSHPA B 79-82 1993 LXIVMURTHY P S N 200-207 1975 XLVIRAMANATHAN N 59-98 1998 LXIXMODAK H V 151-164 1967 XXXVIIISALVA KRISHNAMURTHY 142-148 1995 LXVISOUNDARARAJA IYENGAR 148-153 1930 IMARIAPPA BHATT M 72-79 1943 XIVCHENNAKESAVIAH N 107-124 1969 XLSATYANARAYANA Y 98-104 1966 XXXVIIAYYAR C S 95-109 1940 XISANKARA SIVAM C S 74-83 1962 XXXIIISAMBAMURTHI P 187-191 1930 ICHENNAKESAVIAH N 136-139 1972 XLIIIRATANJANKAR 56-63 1952 XXIIISUNDARAM IYER P S 153-159 1931 II

  • PARTHASARATHY T S 145-154 1996 LXVIISESHADRI S 82-87 1976 XLVIIMADURAI SUBRAMANYA IYER 47-57 1947 XVIIIDEVA B C 142-176 1962 XXXIIIVEDAVALLI M B 158-164 1997 LXVIIIGOWRI KUPPUSWAMI, HARIHARAN M 105-110 1999 LXXSRINIVASAN K N 95-104 1996 LXVIISULOCHANA PATTABHIRAMAN 207-210 2005 LXXVIMUDIKONDAN VENKATARAM IYER 172-178 1956 XXVIISRINIVASAN K N 45-54 2000 LXXISAMBAMURTHI P 127-132 1935-37 VI-VIIIVIDYA SHANKAR 145-155 1978 XLIXRATANJANKAR 97-105 1951 XXIIRAMANATHAN N 103-114 2009 LXXXRAMANATHAN S 143-147 1964 XXXVAYYAR C S 35-36 1944 XVTYAGARAJAN K C -ed. 196-200 1971 XLIIAKELLA MALLIKARJUNA SHARMA 155-174 2002 LXXIIICHENNAKESAVIAH N -ed. 190-195 1971 XLIICHENNAKESAVIAH N -ed. 172-177 1971 XLIICHENNAKESAVIAH N -ed. 178-179 1971 XLIIANANTASUBRAMANYAM T G 130-150 1965 XXXVICHENNAKESAVIAH N -ed. 186-189 1971 XLIIANANTASUBRAMANYAM T G 69-74 1966 XXXVIICHENNAKESAVIAH N -ed. 180-185 1971 XLIIVYJAYANTIMALA BALI 140-143 1988 LIXRAMAKRISHNAN T S -ed. 170-173 1972 XLIIIPAPPU VENUGOPAL RAO 111-117 2008 LXXIX

    71 2003 LXXIVALAIN DANIELOU 57-69 1953 XXIVKRISHNASWAMI S 100-110 1962 XXXIII

    186-187 1931 II167 1933 IV

    RAGHAVAN V -rev. 161-162 1955 XXVIRAGHAVAN V -rev. 164 1955 XXVIRAGHAVAN V -rev. 163 1955 XXVIRAGHAVAN V -rev. 163 1955 XXVIVENKITASUBRAMONIA IYER - rev. 154-160 1955 XXVIRAGHAVAN V -rev. 160-161 1955 XXVIRAGHAVAN V -rev. 164 1955 XXVIRAGHAVAN V -rev. 162-163 1955 XXVIRAGHAVAN V -rev. 154 1943 XIVRAGHAVAN V -rev. 110-111 1940 XI

    REVIEWS: A PRACTICAL COURSE IN KARNATIC MUSIC FOR BEGINNERS AND FOR USE IN SCHOOLS, BK-1 IN TAMIL BY P SAMBAMURTHI 71 1930 IRAGHAVAN V -rev. 110 1940 XIC A M -rev. 156-157 1943 XIV

    189-191 1932 III187 1931 II

    P S S -rev. 187 1932 IIISOUNDARARAJA BHAGAVATHAR -rev. 80 1932 III

  • RAGHAVAN V -rev. 154 1943 XIVRAGHAVAN V -rev. 111-112 1940 XIRAGHAVAN V -rev. 114-115 1940 XIRAJAGOPALAN P K -rev. 155-156 1943 XIV

    80 1932 IIIRAGHAVAN V -rev. 113-114 1940 XI

    186 1931 II71 1930 I74 1931 II187 1931 II187-188 1932 III81 1932 III

    RAGHAVAN V -rev. 112-113 1940 XIRAGHAVAN V -rev. 112 1940 XITIRUCHY SANKARAN 92-102 1989 LXJANAKIRAMAN S R 92-101 2002 LXXIIILAKSHMI VISVANATHAN 87-93 1999 LXXLAKSHMI VISVANATHAN 35-39 2006 LXXVIIPETER BODEUT 100-120 1958 XXIXRAGHAVAN V 160-162 1949 XXSUBRAHMANIAM V 128-136 1996 LXVIISULOCANA PATTABHIRAMAN 193-199 1996 LXVIIPAPPU VENUGOPALA RAO 137-144 1996 LXVIISRINIVASARAGHAVACARIAR T 29-34 1944 XVRAJAGOPALA IYER T K 130-133 1947 XVIIIRAGHAVAN V 127-133 1962 XXXIIIRAJAGOPALA IYER P K 62-71 1981 LIIRAMASVAMI IYER M S 2-16 1934 VSPECTOR 103-112 1967 XXXVIIICHENNAKESAVIAH N -ed. 163-176 1966 XXXVIIRAJAGOPALA IYER P K 59-78 1982 LIIILAKSHMI VISVANATHAN 135-138 1984 LVVENKATANARAYANACHARYULU T N C 89-93 1962 XXXIIISASTRI B V K 55-60 1972 XLIIIRAMANATHAN N 77-82 2008 LXXIXLAKSHMI VISVANATHAN 189-190 2005 LXXVIRALLAPALLI ANANTHAKRISHNA SARMA 103-106 2008 LXXIXGODE P K 93-95 1941 XIIJANAKIRAMAN S R 237-254 1990 LXIRAJAGOPALA IYER P K 103-124 1989 LXANANTASUBRAMANYAM T G 61-64 1964 XXXVGOWRI KUPPUSWAMI, HARIHARAN M 144-151 1988 LIXSAVITRI RAJAN, MICHAEL NIXON 169-188 1981 LII

    196-210 1930 I275-282 1930 I57-70 1930 I127-141 1930 I142-148 1930 I211-212 1930 I195 19