Building Sand Castles on the Steppe? Mining, …Building Sand Castles on the Steppe? Mining, Herding...
Transcript of Building Sand Castles on the Steppe? Mining, …Building Sand Castles on the Steppe? Mining, Herding...
BuildingSandCastlesontheSteppe?Mining,HerdingandWaterGovernanceintheGobi
ByJenniferLander
TheGobidesertoccupiesaround1.3millionsquarekilometresof thePalearcticeco-region,a‘transitionalzone’ofdesert-steppeterrain,wheregrasslandsmergewiththeAlashanPlateau.Afragileanddynamicenvironment,theGobi’smoodisnotoriouslytemperamental.Temperaturescan plunge overnight, boasting over thirty degrees Celsius in summer and negative fortydegreesinthewinter.
Forme,nothingencapsulatestheGobimorethanitsghost: thatwindwhosecurseandcroonechoes on and on, over the steppes, those dunes, the sturdy tussocks, over the heads of thegoats, the sheep and the camels. Take the Trans-Siberian rail from Beijing at least as far asUlaanbaatar and meander through a singular route of the region, from the sand dunes ofSainshand through to the steppe-likeprairiesof themiddle andupperGobi.Driveoutof thetowns and stand silent awhile and let thehorizondisorient yourperspective – your citiTiedvision–brieTly.
OuterMongolia exists in the imagination ofmost visitors as a frontier land, awilderness. Inparticular,theGobievokesanimpressionofbleakdesolation.Butforcenturies,semi-nomadicherdershavenavigatedtheGobi’sfeistytemperamentandfoundahomethere.Itisnotaneasylife, especially if you’re accustomed to urban comforts. Harshwinters bring animals to theirkneesforagingforthesmallestshootsofvegetationdeepunderneaththesnow.Thesummersdon’talwaysbringenoughrain.Herderscarefullywatchforwaterlevelsinwellsandstreams,andmaintain adequate shelters for thewintermonths.Camels, goats, and sheep– thehardyones–cansurvivehere,guidedtosummerandwinterpastures.Thesewatchfulsemi-nomadicmovements, like Tigure-eights on a windswept dance Tloor, appease the Gobi to continueofferingherseeminglyendlesshorizonasahomeanddwellingplace.Therehasbeenhardshipandhappinesshere,likeanyplace,butalsolife.Thegreenshootspoketheirheadsupthroughthat desert steppemost summers, new goat kids and baby camels are born here, and littlechildrentotterorplay-wrestleinfrontoffelt-wrappedgers.
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JenniferLander:WhyIWrite
Howwouldyoucategorisethewriting?
Iwouldcharacterisethewritingascreative-investigative.ItisbasedonresearchthatIconductedwhilstinMongoliaandisinthatsenseinvestigative-seekingtounderstandaparticularsituation(controloverwater resources in context of mining development) more comprehensively and gatheringdifferentperspectivestoinformtheoverallshapeofthenarrative.Thatrequiresattentiontothefacts,toweighingtheevidence,gainedfromavarietyofsources.ButIwrotethepieceinthehopeofhelpthereaderto"see"-bothintellectuallyandemotionally-thenecessityofconsideringquestionsofjusticeindecision-makingaroundwater.
Whydidyouwritethepiece?
IwrotethepiecetocounterthedominantnarrativeabouttheGobias"blank"landwhosemainvalueliesinitsresourcevaluetoinvestorsandthestate.Thissoundssortofabstract,butIwantedto"place"theGobi,toemphasisethatithasalifeofitsown-environmentallyspeaking-anddifferentgroupsofpeople have different relationshipswith it too. Also, I wanted to highlight the lack of data availableregarding the environmental viability of widespread mining in Mongolia. Herders are regularlyportrayedaslackingknowledgeandbeingoverlyanxiousaboutwater,buttherealityisthatdecision-makersalso lackcritical informationandyetarestill committed topromotingminingas thenationaldevelopmentstrategy.TheironyisthattheoneindisputablefactaboutwaterlevelsinMongoliaisthatthey are low; furthermore, the land is prone to desertiTication and mining is a water-intensiveindustry. It isclearly intheextractive interest,bothstateandcorporate, to labelherders'concernsas"misinformed"... While the state would like to portray itself as making "professional" and "rational"decisions about themining sector, I wanted to suggest that extractivism ismore political thanmostproponentswouldliketoadmit.
Whatdoyouthinkmakesitaneffectivepieceofwriting?
Personally,theaspectthatIthinkismosteffectiveaboutthispiece(apartfromSven'sfantasticphotoswhicharemorearticulatethanwords)isthepersoniTicationoftheGobi,andthedirectinvitationtothereader to imagine for themselves. It describesmy own imaginary too; in order to invite others in, Ineededtoestablishasenseofmyownpresenceinthenarrative.Itwasavulnerableexerciseinaway,asawriter.Ithinkthisiswhatdistinguishesthepieceoverallfromaclassicinvestigativepieceofwriting;itismorepersonalandpoeticintone.