Brigadoon Draft 6
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Transcript of Brigadoon Draft 6
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BRIGADOON
FIONA: Stephanie Meadowcroft
LUNDIE: PENDING
JEFF: PENDING
MEG/JANE: Hayley JackowitzTOMMY: Jake Satterfield
ACT I, SCENE I
A forest in the Highlands of Scotland.
About five in the morning.
TOMMY ALBRIGHT and JEFF DOUGLAS are discovered on stage.
TOMMY is about thirty. He is of medium height, virile
looking, with an attractive but sensitive
face. He is dressed in tweeds.
JEFF is about the same age. He is retiring, and good-natured
primarily because he doesn't care.
He is in gray flannels and a tweed jacket.
TOMMY
Now where the hell are we?
JEFF
What's in the middle?
TOMMY
Nothing.
JEFF
That's where we are.
TOMMYIn nothing?
JEFF
Yes. And for a fellow with my potentialities, this is an
ideal location. We'll find our way out when the sun comes
up.
.
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TOMMY
A fine couple of game hunters we are. We come all the way
over here from New York, and the first night out we get
lost.
JEFF
Maybe we took the high road instead of the low road.
TOMMY
There's something about this forest that gives me the
feeling of being in a cathedral.
JEFF
If we were, I'd know where the exit was.
TOMMY
You don't believe in anything, do you?
JEFF
Of course I do.
TOMMY
Really? What?
JEFF
Practically anything I can understand.
TOMMY
What about the things you don't understand?
JEFF
I dismiss them.
TOMMY
I envy you.
JEFFWhy?
TOMMY
You seem very satisfied.
JEFF
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I am. Aren't you?
TOMMY
No, I'm not.
JEFFThat's the silliest thing I've ever heard. You've got a fine
job and you're engaged to a fine girl, and you're lost in a
fine forest. What more do you want?
Exit?
Women enter, we run around opposite side, enter
MEG
Hello!
JEFF
Could you tell us where we are?
MEG
Of course we can tell ye. Ye're in Brigadoon.
TOMMY
Brigadoon?
FIONA
Aye.
JEFF
That's funny. There's no town called Brigadoon on the map.
MEG
I shouldna be surprised.
TOMMY
Why isn't it on the map?
FIONAFor good an' sound reasons. If ye've been walkin' all night,
ye mus' be tired an' hungry. Winna ye like somethin' to eat
an' perhaps a place to lie down afore ye start back?
TOMMY
That's very nice of you. Thank you.
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FIONA
Good! (She holds out her hand to TOMMY) My name is Fiona
MacLaren.
TOMMY
(Taking her hand) Mine is Tommy Albright. (They look at eachother for a moment) And this is Jeff Douglas.
FIONA
(Withdrawing her hand) How do ye do, sir?
MEG
(Enthusiastically) I'm Meg Brockie!
JEFF
I'm glad you're happy about it.
FIONA
There's a little tavern on the next street where ye can get
some food.
MEG
(Quickly taking JEFF's arm) I'll take ye to it.
JEFF
(Exiting) Is there a phone I could use?
MEG
(Confused) …No…I don't think so.
(They exit)
TOMMY
Go ahead. I'll be along in a minute. (Referring to MEG) You
know, if I hang around this town very long I'll probably
discover that everybody in it is slightly nutty. Is that
possible?
FIONA
I canna say.
TOMMY
Why not?
FIONA
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I dinna know what "nutty" means.
TOMMY
It means slightly insane.
FIONA(Turning on him suddenly) Well, then I can assure ye we're
all far from insane. We're a most blessed group of people.
An' I never realize how fortunate we are until I meet
someone from the outside. An' now I'm sorry I said all that,
but ye angered me when ye called us insane.
TOMMY
(Quite surprised and a bit sheepish at the outburst) Hey,
you don't like me very much, do you?
FIONA
That's the odd part. I like ye very much. I jus' dinna like
anythin' ye say.
TOMMY
(After a moment's rest) Fiona…
FIONA
Now I'll show ye some place where ye can lie down an' rest.
TOMMYWhat are you going to do?
FIONA
Gather some heather for the weddin' in town.
TOMMY
Where do you do that?
FIONA
On the hill--where the heather is.
TOMMY
May I go with you?
{CUE HEATHER ON THE HILL}
FIONA
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No. I'll do it much faster alone.
TOMMY
I won't bother you. Really. Maybe I'm the one who's slightly
nutty, but…
CAN’T WE TWO GO WALKIN’ TOGETHER,
OUT BEYOND THE VALLEY OF TREES,
OUT WHERE THERE’S A HILLSIDE OF HEATHER
CURTSEYIN’ GENTLY IN THE BREEZE?
THAT’S WHAT I’D LIKE TO DO:
SEE THE HEATHER—BUT WITH YOU.
THE MIST OF MAY IS IN THE GLOAMIN’
AND ALL THE CLOUDS ARE HOLDIN’ STILL,
SO TAKE MY HAND AND LET’S GO ROAMIN’
THROUGH THE HEATHER ON THE HILL.
THE MORNIN’ DEW IS BLINKIN’ YONDER;
THERE’S LAZY MUSIC IN THE RILL;
AND ALL I WANT TO DO IS WANDER
THROUGH THE HEATHER ON THE HILL.
THERE MAY BE OTHER DAYS AS RICH AND RARE.
THERE MAY BE OTHER SPRINGS AS FULL AND FAIR.
BUT THEY WON’T BE THE SAME—THEY’LL COME AND GO;
FOR THIS I KNOW:
THAT WHEN THE MIST IS IN THE GLOAMIN’,
AND ALL THE CLOUDS ARE HOLDIN’ STILL,
IF YOU’RE NOT THERE I WON’T GO ROAMIN’
THROUGH THE HEATHER ON THE HILL;
THE HEATHER ON THE HILL.
FIONA
(A little disconcerted) Ye see. Ye can say nice things when
ye want to.
TOMMYIt almost sounded like I was making love to you, didn't it?
FIONA
Oh! There's a difference between makin' love an' jus' bein'
sentimental because ye're tired.
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TOMMY
Is that what I'm being—sentimental because I'm tired?
FIONA
I believe so. But 'tis very agreeable.
(Sings)
THE MIST OF MAY IS IN THE GLOAMIN’
AN’ ALL THE CLOUDS ARE HOLDIN’ STILL,
SO TAKE MY HAND AN’ WE’LL GO ROAMIN’
THROUGH THE HEATHER ON THE HILL.
THE MORNIN’ DEW IS BLINKIN’ YONDER;
THERE’S LAZY MUSIC IN THE RILL’
AN’ ‘TIS A LOVELY TIME TO WANDER
THROUGH THE HEATHER ON THE HILL.
THERE MAY BE OTHER DAYS AS RICH AN’ RARE.
THERE MAY BE OTHER SPRINGS AS FULL AN’ FAIR.
BUT THEY WON’T BE THE SAME—THEY’LL COME AN’ GO.
TOMMY and FIONA
FOR THIS I KNOW:
THAT WHEN THE MIST IS IN THE GLOAMIN’,
AND ALL THE CLOUDS ARE HOLDIN’ STILL,
IF YOU’RE NOT THERE I WON’T GO ROAMIN’THROUGH THE HEATHER ON THE HILL.
THE HEATHER ON THE HILL.
(TOMMY leans forward as if to kiss her, but she draws away
from him)
FIONA
I'll get my basket and we'll be off.
(FIONA crosses to get her basket and returns to TOMMY. Arm
in arm, rather dreamily, they begin to walk slowly off, andMEG enters, carrying a Bible)
BLACKOUT
NEW SCENE
MEG
Fiona! Where have ye been? (Sets Bible down)
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FIONA and TOMMY reenter
FIONA
Ye see, I knew we were out far too long. (To TOMMY) Wait for
me. I shan't be but a few minutes. (Starts to exit)
TOMMY
Fiona!
(FIONA stops and turns. He crosses and without saying a word
takes her in his arms and kisses her. She exits. Enter JEFF)
JEFF
Good morning, laddie.
TOMMY
Hi! Where've you been? What the hell happened to you? What
kind of a day did you...how do you feel?
{CUE ALMOST LIKE BEING IN LOVE}
JEFF
(As if the thought just dawned on him) Surprisingly well!
How about you?
TOMMY
(With incredible enthusiasm) I never felt better in my life!
JEFF
(Eying him with sudden interest) You, too?
TOMMY
(Singing)
MAYBE THE SUN GAVE ME THE POW’R,
FOR I COULD SWIM LOCH LOMOND
AND BE HOME IN
HALF AN HOUR.MAYBE THE AIR GAVE ME THE DRIVE,
FOR I’M ALL AGLOW AND ALIVE!
WHAT A DAY THIS HAS BEEN!
WHAT A RARE MOOD I’M IN!
WHY, IT’S…ALMOST LIKE BEING IN LOVE!
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THERE’S A SMILE ON MY FACE
FOR THE WHOLE HUMAN RACE!
WHY, IT’S…ALMOST LIKE BEING IN LOVE!
ALL THE MUSIC OF LIFE SEEMS TO BE
LIKE A BELL THAT IS RINGIN’ FOR ME!
AND FROM THE WAY THAT I FEEL
WHEN THAT BELL STARTS TO PEAL,
I WOULD SWEAR I WAS FALLING,
I COULD SWEAR I WAS FALLING,
IT’S ALMOST LIKE BEING IN LOVE.
WHEN WE WALKED UP THE BRAE
FIONA
(enters singing)
NOT A WORD DID WE SAY.
IT WAS…ALMOST LIKE BEIN’ IN LOVE.
BUT YOUR ARM LINKED IN MINE
MADE THE WORLD KIND O’ FINE.
TOMMY
IT WAS…ALMOST LIKE BEING IN LOVE.
FIONA
ALL THE MUSIC OF LIFE SEEMS TO BE
TOMMY
LIKE A BELL THAT IS RINGIN’ FOR ME!
FIONA and TOMMY
AND FROM THE WAY THAT I FEEL
WHEN THAT BELL STARTS TO PEAL,
FIONA
I WOULD SWEAR I WAS FALLING,
TOMMY
I COULD SWEAR I WAS FALLING,
FIONA and TOMMY
IT’S ALMOST LIKE BEING IN LOVE!
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TOMMY
No Brigadoon on the map. No phones in the whole town. And
three or four other things that I passed over when I was out
with Fiona this afternoon.
JEFF
I don't know…
TOMMY
I don't understand it. I'm beginning to feel a little like a
damn fool.
JEFF
What are you getting so worked up about?
TOMMY
(Calls) Fiona!
FIONA
(Entering) What, Tommy?
TOMMY
Come here.
FIONA
Tommy, what is it?
TOMMY
Is this your name here in this Bible?
FIONA
Aye! An' why…? (She stops herself. Then, thoughtfully) Oh!
TOMMY
Well, come on. What does it all mean? Is there any
explanation or isn't there?
FIONA
Aye, there is. But I cannot tell ye.
TOMMY
Well, is there anybody who can? I'd like to know.
FIONA
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Ye mus' talk with our schoolmaster, Mr. Lundie. 'Tis goin'
to be hard for ye to believe what ye'll hear. Ye'll think
there is somethin' wrong with us an' ye'll leave. I know it.
TOMMY
Maybe I will and maybe I won't. Come on, Jeff.
BLACKOUT
ACT I, SCENE V
Outside the house of MR. LUNDIE.
Immediately following.
MR. LUNDIE is a quaint Scottish schoolmaster in his late
fifties. Though his eyes have a genuine kindness and his
manner is entirely benign, he speaks with little trace of
emotion. He wears metal-framed glasses.
FIONA, TOMMY, and JEFF enter and walk toward the house.
MR. LUNDIE
Why, hello, Fiona. What a pleasant surprise!
FIONA
Mr. Lundie, I'd like ye to meet Mr. Tommy Albright and Mr.
Jeff Douglas.
MR. LUNDIE
(holding out his hand) Good afternoon, gentlemen. (He
studies them both carefully)
FIONA
I was wonderin' if ye'd be good enough to tell these
gentlemen about Brigadoon. They've heard an' seen a good
deal an' they're very perplexed indeed.
TOMMYPerplexed is right.
MR. LUNDIE
What happened in Brigadoon was a miracle an' most folk dinna
believe in miracles. Miracles require faith, an' faith seems
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to be (focused slightly on JEFF) dead. Now this miracle
happened…let's see…what's today?
FIONA
Friday.
MR. LUNDIE
Friday. That means it happened exactly two hundred years
ago. Two hundred years ago the Highlands of Scotland were
plagued with witches; I dinna suppose ye have such women in
your world.
TOMMY
Witches?
JEFF
Yes, we still have them. We pronounce it differently.
MR. LUNDIE
Uh-huh! They were not real sorcerers, but their influence
was very real indeed. Now, here in Brigadoon we had an old
minister named Mr. Forsythe. An' a good man he was. But he
was growin' old, an’ he began to wonder if there wasn't
somethin' he could do to protect the folk of his parish not
only from them, but from all the evils that might come to
Brigadoon. In the hush of a sleepin' world, he asked God to
make Brigadoon an' all the people in it vanish into theHighland mist. Vanish, but not for always. It would all
return jus' as it was for one day every hundred years. The
people would go on leadin' their customary lives; but each
day when they awakened it would be a hundred years later.
An' when we awoke the next day, it was a hundred years
later.
TOMMY
You mean…you mean you go to bed at night and when you get up
the next day it's a hundred years later?
MR. LUNDIE
Aye.
TOMMY
Suppose somebody around here gets fed up and wants to leave.
MR. LUNDIE
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Oh, he canna leave.
TOMMY
You mean I've got to stay here now?
MR. LUNDIENo, no, lad. If anyone of Brigadoon leaves, the enchantment
is broken for all. That night when the people go to sleep,
Brigadoon will disappear forever.
TOMMY
For argument's sake, suppose a stranger like, well…me came
to Brigadoon and wanted to stay…
MR. LUNDIE
Aye, he could. A stranger can stay if he loves someone here
enough to want to give up everythin' an' stay with that
person. Which is how it should be. 'Cause after all, lad, if
ye love someone deeply, anythin' is possible.
TOMMY
I think I want to stick around and see if this place
evaporates like you say.
BLACKOUT
ACT II, SCENE II
(Lights on FIONA looking for TOMMY)
FIONA
Have you seen Tommy?
MEG
Why, no, I dinna think he came back with us.
FIONA
Oh, dear. Tommy?
TOMMY
(entering…casually:) Fiona!
FIONA
(Running to him) Tommy! I thought ye might have gone.
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TOMMY
No, I didn't go. I couldn't.
FIONA
An' ye're all right?
TOMMY
Of course I'm all right.
FIONA
I'd have died if anythin' had happened to ye. (Going into
his arms) I love ye so.
TOMMY
How can you be sure of that after one day?
FIONA
I dinna know. 'Tis jus' when a lass falls in or out of love
she knows it right away.
TOMMY
I wish it were that clear to me.
FIONA
Why?
TOMMY
Because I have the peculiar sensation I'm hearing my own
secret being told.
FIONA
Ye mean--ye think ye're in love with me?
TOMMY
Think? What good does thinking do? If I thought about it, it
wouldn't make any more sense than the miracle.
{CUE THERE BUT FOR YOU GO I}
But what I feel is something else.
FIONA
What do you feel, then, Tommy?
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TOMMY
THIS IS HARD TO SAY,
BUT AS I WANDERED THROUGH THE LEA
I FELT FOR JUST A FLEETING MOMENT
THAT I SUDDENLY WAS FREE OF BEING LONELY;THEN I CLOSED MY EYES AND SAW THE VERY REASON WHY.
I SAW A MAN WITH HIS HEAD BOWED LOW.
HIS HEART HAD NO PLACE TO GO.
I LOOKED AND I THOUGHT TO MYSELF WITH A SIGH:
THERE BUT FOR YOU GO I.
I SAW A MAN WALKING BY THE SEA.
ALONE WITH THE TIDE WAS HE.
I LOOKED AND I THOUGHT AS I WATCHED HIM GO BY:
THERE BUT FOR YOU GO I.
LONELY MEN AROUND ME,
TRYING NOT TO CRY.
TIL’ THE DAY YOU FOUND ME
THERE AMONG THEM WAS I.
I SAW A MAN WHO HAD NEVER KNOWN
A LOVE THAT WAS ALL HIS OWN.
I THOUGHT AS I THANKED ALL THE STARS IN THE SKY:
THERE BUT FOR YOU GO I.
{music continues}
FIONA
(Holding him close) Tommy!
TOMMY
I love you, Fiona. I guess that's all there is to it.
FIONA
I've wanted to hear ye say it. Even though it be at the last
minute like this.
TOMMY
(holding her away from him) the last minute?
FIONA
Aye. Soon now 'tis the end of our day.
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TOMMY
And then you…you…? (He motions with his hand, FIONA nods)
But, Fiona, I can't leave you. Not now I can't. (Pauses,
then, with hesitant excitement) Didn't Lundie say someone
could stay if he loved someone enough?
FIONA
Aye.
TOMMY
Well, that's for me! Where do I go? Who do I talk to? Where
do I get a passport to disappear? I don't want to be without
you ever again. I'd be afraid to be.
(sings)
I SAW A MAN WHO HAD NEVER KNOWN
A LOVE THAT WAS ALL HIS OWN.
I THOUGHT AS I THANKED ALL THE STARS IN THE SKY:
THERE BUT FOR YOU GO I.
BLACKOUT
ACT II, SCENE III
(lights on Jeff and Tommy)
TOMMY
Jeff, I'm not going back with you!
JEFF
You're pulling my bonnie leg, aren't you?
TOMMY
No! I've never been more serious in my life. I tell you,
Jeff, in one day I feel more a part of her and all this than
I ever felt about my fiancée Jane or anybody or anything
back home.
JEFF
My boy, that's because it is one day. But don't you realize
if you stay here it's for always?
TOMMY
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I know.
JEFF
You're absolutely positive that there'll never come a time
when you'll miss your family, your friends, the life you
belong to? How can you know that now?
TOMMY
Because--well, here's where I know you'll think I'm crazy--
because I believe in her. And what's more, I believe in this
place.
JEFF
You do not. You just want to. This Highland voodoo town
makes no more sense to you than it does to me. This is a
dream. Why, even now you're not really moved by it. You just
think you are.
TOMMY
How do you know?
JEFF
Because I do. I don't feel a thing.
TOMMY
You actually don't feel anything?
JEFF
Nothing. Except like going home. But if you really believe
as much as you think you do…(MR. LUNDIE and FIONA enter.
“okay, good luck pal.”) I'll wait for you outside the town.
(exits)
FIONA
Tommy, what did he mean by that?
MR. LUNDIE
Fiona tells me ye want to stay, lad.
FIONA
Tommy, what is it?
TOMMY
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It's no good, Fiona. I'm leaving. And it isn't because I
don't love you. I think I do. But I guess I don't trust my
own feelings.
FIONA
Ye mean ye're not sure ye can accept everythin'?
TOMMY
That's about it.
MR. LUNDIE
Ye better hurry, Fiona. There's not much time left. (Turns
to exit, stops) Dinna feel ashamed of yourself, Tommy. 'Tis
the hardest thing in the world to give up everythin'; even
though 'tis usually the only way to get everythin'. (exits)
{CUE FROM THIS DAY ON}
TOMMY
Do you understand at all?
FIONA
(Sings)
DINNA YE KNOW, TOMMY,
THAT YE’RE ALL I’M LIVIN’ FOR?
SO HOW CAN YE GO, TOMMY,WHEN I’LL NEED YE MORE AND MORE?
TOMMY
(kindly) no, Fiona. You won't remember that way. And neither
will I.
(Sings)
YOU AND THE WORLD WE KNEW
WILL GLOW TIL’ MY LIFE IS THROUGH;
FOR YOU’RE PART OF MEFROM THIS DAY ON.
AND
SOMEDAY IF I SHOULD LOVE,
IT’S YOU I’LL BE DREAMING OF;
FOR YOU’RE ALL I’LL SEE
FROM THIS DAY ON.
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THESE HURRIED HOURS WERE ALL THE LIFE WE COULD SHARE.
STILL I WILL GO WITH NOT A TEAR, JUST A PRAYER
THAT
WHEN WE ARE FAR APART Y
OU’LL FIND SOMETHING FROM YOUR HEARTHAS GONE! GONE WITH ME
FROM THIS DAY ON.
(music continues)
You see? we mustn't be sorry about anything
FIONA
I'm not. In fact I shouldna be surprised if I'll be less
lonely now than I was afore ye came. I think real loneliness
is not bein' in love in vain, but not bein' in love at all.
TOMMY
But it'll fade in time.
FIONA
No. It winna do that.
(Sings)
THROUGH ALL THE YEARS TO COME
AN’ THROUGH ALL THE TEARS TO COME
I KNOW I’LL BE YOURSFROM THIS DAY ON.
BLACKOUT
ACT II, SCENE IV
(a bar in New York City)
JEFF
(drunk) Tommy! My old friend Tommy!
TOMMY
How are you, Jeff?
JEFF
(to audience, drunk) It's my old friend Tommy! He's back!
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TOMMY
Hello.
JEFF
Where've you been all month, Tommy?
TOMMY
Up on a farm in New Hampshire.
JEFF
A farm. What were you doing there? Why?
TOMMY
Because, my dear tank, I'm in love, and I 'canna' get over
it.
JEFF
oh.
TOMMY
And the trouble is, because I can't be with her I can't be
with anyone else. When I'm with people and they're talking
to me, they might say one little word that opens the door to
a memory for me and suddenly I don't hear them talking
anymore.
JEFFYou must be fascinating company.
TOMMY
When I'm alone, it's easier.
(JANE ASHTON enters. She is in her late twenties, chic, very
attractive, though perhaps a little severe)
JANE
Tommy!
TOMMY
Hello, Jane.
JANE
What a wonderful surprise!
JEFF
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Hello, Jane.
JANE
When did you get back?
JEFFHello, Jeff.
TOMMY
A little while ago.
JEFF
How are you, Jane?
JANE
(ignoring him) I’ve been worried half to death about you.
JEFF
Fine, Jeff, how are you?
JANE
Let me look at you
JEFF
Well, I don’t want to eat and run. I think I’ll go up to my
room and have a drink.
TOMMY
I’ll see you, Jeff.
JANE
(half-turning) Hello.
JEFF
Good-bye! (exits)
JANE
Tommy, why didn’t you write me?
TOMMY
Nothing to say, I guess.
JANE
You’ve certainly been antisocial since you returned from
Scotland. If you really want to avoid everybody, why don’t
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we take Mr. Jackson’s house? It’s far away and right on the
top of a high, beautiful hill…
(the instant she says the words “high, beautiful hill,”
FIONA’s voice is heard offstage singing. As FIONA sings,
JANE continues talking, but in pantomime. Occasionally,TOMMY nods to her. FIONA has appeared to him DS)
FIONA
THROUGH THE HEATHER ON THE HILL.
BUT WHEN THE MIST IS IN THE GLOAMIN’,
AN’ ALL THE CLOUDS ARE HOLDIN’ STILL,
IF YE’RE NOT HERE I WON’T GO ROAMIN’
THROUGH THE HEATHER ON THE HILL;
THE HEATHER ON THE…
(TOMMY turns sharply to JANE, interrupting FIONA’s song.)
TOMMY
No, Jane! No!
JANE
No, what?
TOMMY
I can’t go through with it! There’s going to be no wedding
next month.
JANE
Do you mean you’re postponing it again?
TOMMY
No, I am not postponing it. I’m calling it off for good!
JANE
Calling it off!
TOMMYI can’t do it! Ever.
JANE
You have a nerve! After all this time I’ve waited for you
and tried to be patient and put up with your idiotic whims
and temperament?
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TOMMY
I’m sorry. It’s not your fault. You’ve been wonderfully kind
to me. But something strange happened a few months ago that
I can’t explain, and now I don’t fit here any more.
JANEI think you’re going clean out of your mind. But I refuse to
stand here and argue with you in this bar! And if you think
anyone else is going to put up with your nonsense, you’re
raving mad. So think that over, Mr. Albright, when you’re
all alone!
(she exits. FIONA remains DS)
FIONA
I think real loneliness is not bein’ in love in vain, but
not bein’ in love at all.
TOMMY
You understood; Fiona—I didn’t.
FIONA
YOU WALKIN’ THOUGH THE HEATHER
WHEN WE WERE THERE TOGETHER,
THAT’S ALL I’LL SEE
FROM THIS DAY ON.
TOMMY
You were right. It never faded.
(sings)
THESE HURRIED HOURS WERE ALL THE LIFE WE COULD SHARE.
STILL I WILL GO WITH NOT A TEAR, JUST A PRAYER
THAT—
FIONA
THROUGH ALL THE YEARS TO COME
AN’ THROUGH ALL THE TEARS TO COME
FIONA AND TOMMY
I KNOW I’LL BE YOURS
FROM THIS DAY ON.
(they kiss)
CURTAIN
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