Brigadoon Draft 6

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    BRIGADOON

    FIONA: Stephanie Meadowcroft

    LUNDIE: PENDING

    JEFF: PENDING

    MEG/JANE: Hayley JackowitzTOMMY: Jake Satterfield

    ACT I, SCENE I

    A forest in the Highlands of Scotland.

    About five in the morning.

    TOMMY ALBRIGHT and JEFF DOUGLAS are discovered on stage.

    TOMMY is about thirty. He is of medium height, virile

    looking, with an attractive but sensitive

    face. He is dressed in tweeds.

    JEFF is about the same age. He is retiring, and good-natured

    primarily because he doesn't care.

    He is in gray flannels and a tweed jacket.

    TOMMY

    Now where the hell are we?

    JEFF

    What's in the middle?

    TOMMY

    Nothing.

    JEFF

    That's where we are.

    TOMMYIn nothing?

    JEFF

    Yes. And for a fellow with my potentialities, this is an

    ideal location. We'll find our way out when the sun comes

    up.

    .

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    TOMMY

    A fine couple of game hunters we are. We come all the way

    over here from New York, and the first night out we get

    lost.

    JEFF

     Maybe we took the high road instead of the low road.

    TOMMY

    There's something about this forest that gives me the

    feeling of being in a cathedral.

    JEFF

    If we were, I'd know where the exit was.

    TOMMY

    You don't believe in anything, do you?

    JEFF

    Of course I do.

    TOMMY

    Really? What?

    JEFF

    Practically anything I can understand.

    TOMMY

    What about the things you don't understand?

    JEFF

    I dismiss them.

    TOMMY

    I envy you.

    JEFFWhy?

    TOMMY

    You seem very satisfied.

    JEFF

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    I am. Aren't you?

    TOMMY

    No, I'm not.

    JEFFThat's the silliest thing I've ever heard. You've got a fine

    job and you're engaged to a fine girl, and you're lost in a

    fine forest. What more do you want?

    Exit?

    Women enter, we run around opposite side, enter

    MEG

    Hello!

    JEFF

    Could you tell us where we are?

    MEG

    Of course we can tell ye. Ye're in Brigadoon.

    TOMMY

    Brigadoon?

    FIONA

    Aye.

    JEFF

    That's funny. There's no town called Brigadoon on the map.

    MEG

    I shouldna be surprised.

    TOMMY

    Why isn't it on the map?

    FIONAFor good an' sound reasons. If ye've been walkin' all night,

    ye mus' be tired an' hungry. Winna ye like somethin' to eat

    an' perhaps a place to lie down afore ye start back?

    TOMMY

    That's very nice of you. Thank you.

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    FIONA

    Good! (She holds out her hand to TOMMY) My name is Fiona

    MacLaren.

    TOMMY

    (Taking her hand) Mine is Tommy Albright. (They look at eachother for a moment) And this is Jeff Douglas.

    FIONA

    (Withdrawing her hand) How do ye do, sir?

    MEG

    (Enthusiastically) I'm Meg Brockie!

    JEFF

    I'm glad you're happy about it.

    FIONA

    There's a little tavern on the next street where ye can get

    some food.

    MEG

    (Quickly taking JEFF's arm) I'll take ye to it.

    JEFF

    (Exiting) Is there a phone I could use?

    MEG

    (Confused) …No…I don't think so.

    (They exit)

    TOMMY

    Go ahead. I'll be along in a minute. (Referring to MEG) You

    know, if I hang around this town very long I'll probably

    discover that everybody in it is slightly nutty. Is that

    possible?

    FIONA

    I canna say.

    TOMMY

    Why not?

    FIONA

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    I dinna know what "nutty" means.

    TOMMY

    It means slightly insane.

    FIONA(Turning on him suddenly) Well, then I can assure ye we're

    all far from insane. We're a most blessed group of people.

    An' I never realize how fortunate we are until I meet

    someone from the outside. An' now I'm sorry I said all that,

    but ye angered me when ye called us insane.

    TOMMY

    (Quite surprised and a bit sheepish at the outburst) Hey,

    you don't like me very much, do you?

    FIONA

    That's the odd part. I like ye very much. I jus' dinna like

    anythin' ye say.

    TOMMY

    (After a moment's rest) Fiona…

    FIONA

    Now I'll show ye some place where ye can lie down an' rest.

    TOMMYWhat are you going to do?

    FIONA

    Gather some heather for the weddin' in town.

    TOMMY

    Where do you do that?

    FIONA

    On the hill--where the heather is.

    TOMMY

    May I go with you?

    {CUE HEATHER ON THE HILL}

    FIONA

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    No. I'll do it much faster alone.

    TOMMY

    I won't bother you. Really. Maybe I'm the one who's slightly

    nutty, but…

    CAN’T WE TWO GO WALKIN’ TOGETHER,

    OUT BEYOND THE VALLEY OF TREES,

    OUT WHERE THERE’S A HILLSIDE OF HEATHER

    CURTSEYIN’ GENTLY IN THE BREEZE?

    THAT’S WHAT I’D LIKE TO DO:

    SEE THE HEATHER—BUT WITH YOU.

    THE MIST OF MAY IS IN THE GLOAMIN’

    AND ALL THE CLOUDS ARE HOLDIN’ STILL,

    SO TAKE MY HAND AND LET’S GO ROAMIN’

    THROUGH THE HEATHER ON THE HILL.

    THE MORNIN’ DEW IS BLINKIN’ YONDER;

    THERE’S LAZY MUSIC IN THE RILL;

    AND ALL I WANT TO DO IS WANDER

    THROUGH THE HEATHER ON THE HILL.

    THERE MAY BE OTHER DAYS AS RICH AND RARE.

    THERE MAY BE OTHER SPRINGS AS FULL AND FAIR.

    BUT THEY WON’T BE THE SAME—THEY’LL COME AND GO;

    FOR THIS I KNOW:

    THAT WHEN THE MIST IS IN THE GLOAMIN’,

    AND ALL THE CLOUDS ARE HOLDIN’ STILL,

    IF YOU’RE NOT THERE I WON’T GO ROAMIN’

    THROUGH THE HEATHER ON THE HILL;

    THE HEATHER ON THE HILL.

    FIONA

    (A little disconcerted) Ye see. Ye can say nice things when

    ye want to.

    TOMMYIt almost sounded like I was making love to you, didn't it?

    FIONA

    Oh! There's a difference between makin' love an' jus' bein'

    sentimental because ye're tired.

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    TOMMY

    Is that what I'm being—sentimental because I'm tired?

    FIONA

    I believe so. But 'tis very agreeable.

    (Sings)

    THE MIST OF MAY IS IN THE GLOAMIN’

    AN’ ALL THE CLOUDS ARE HOLDIN’ STILL,

    SO TAKE MY HAND AN’ WE’LL GO ROAMIN’

    THROUGH THE HEATHER ON THE HILL.

    THE MORNIN’ DEW IS BLINKIN’ YONDER;

    THERE’S LAZY MUSIC IN THE RILL’

    AN’ ‘TIS A LOVELY TIME TO WANDER

    THROUGH THE HEATHER ON THE HILL.

    THERE MAY BE OTHER DAYS AS RICH AN’ RARE.

    THERE MAY BE OTHER SPRINGS AS FULL AN’ FAIR.

    BUT THEY WON’T BE THE SAME—THEY’LL COME AN’ GO.

    TOMMY and FIONA

    FOR THIS I KNOW:

    THAT WHEN THE MIST IS IN THE GLOAMIN’,

    AND ALL THE CLOUDS ARE HOLDIN’ STILL,

    IF YOU’RE NOT THERE I WON’T GO ROAMIN’THROUGH THE HEATHER ON THE HILL.

    THE HEATHER ON THE HILL.

    (TOMMY leans forward as if to kiss her, but she draws away

    from him)

    FIONA

    I'll get my basket and we'll be off.

    (FIONA crosses to get her basket and returns to TOMMY. Arm

    in arm, rather dreamily, they begin to walk slowly off, andMEG enters, carrying a Bible)

    BLACKOUT

    NEW SCENE

    MEG

    Fiona! Where have ye been? (Sets Bible down)

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    FIONA and TOMMY reenter

    FIONA

    Ye see, I knew we were out far too long. (To TOMMY) Wait for

    me. I shan't be but a few minutes. (Starts to exit)

    TOMMY

    Fiona!

    (FIONA stops and turns. He crosses and without saying a word

    takes her in his arms and kisses her. She exits. Enter JEFF)

    JEFF

    Good morning, laddie.

    TOMMY

    Hi! Where've you been? What the hell happened to you? What

    kind of a day did you...how do you feel?

    {CUE ALMOST LIKE BEING IN LOVE}

    JEFF

    (As if the thought just dawned on him) Surprisingly well!

    How about you?

    TOMMY

    (With incredible enthusiasm) I never felt better in my life!

    JEFF

    (Eying him with sudden interest) You, too?

    TOMMY

    (Singing)

    MAYBE THE SUN GAVE ME THE POW’R,

    FOR I COULD SWIM LOCH LOMOND

    AND BE HOME IN

    HALF AN HOUR.MAYBE THE AIR GAVE ME THE DRIVE,

    FOR I’M ALL AGLOW AND ALIVE!

    WHAT A DAY THIS HAS BEEN!

    WHAT A RARE MOOD I’M IN!

    WHY, IT’S…ALMOST LIKE BEING IN LOVE!

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    THERE’S A SMILE ON MY FACE

    FOR THE WHOLE HUMAN RACE!

    WHY, IT’S…ALMOST LIKE BEING IN LOVE!

    ALL THE MUSIC OF LIFE SEEMS TO BE

    LIKE A BELL THAT IS RINGIN’ FOR ME!

    AND FROM THE WAY THAT I FEEL

    WHEN THAT BELL STARTS TO PEAL,

    I WOULD SWEAR I WAS FALLING,

    I COULD SWEAR I WAS FALLING,

    IT’S ALMOST LIKE BEING IN LOVE.

    WHEN WE WALKED UP THE BRAE

    FIONA

    (enters singing)

    NOT A WORD DID WE SAY.

    IT WAS…ALMOST LIKE BEIN’ IN LOVE.

    BUT YOUR ARM LINKED IN MINE

    MADE THE WORLD KIND O’ FINE.

    TOMMY

    IT WAS…ALMOST LIKE BEING IN LOVE.

    FIONA

    ALL THE MUSIC OF LIFE SEEMS TO BE

    TOMMY

    LIKE A BELL THAT IS RINGIN’ FOR ME!

    FIONA and TOMMY

    AND FROM THE WAY THAT I FEEL

    WHEN THAT BELL STARTS TO PEAL,

    FIONA

    I WOULD SWEAR I WAS FALLING,

    TOMMY

    I COULD SWEAR I WAS FALLING,

    FIONA and TOMMY

    IT’S ALMOST LIKE BEING IN LOVE!

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    TOMMY

    No Brigadoon on the map. No phones in the whole town. And

    three or four other things that I passed over when I was out

    with Fiona this afternoon.

    JEFF

    I don't know…

    TOMMY

    I don't understand it. I'm beginning to feel a little like a

    damn fool.

    JEFF

    What are you getting so worked up about?

    TOMMY

    (Calls) Fiona!

    FIONA

    (Entering) What, Tommy?

    TOMMY

    Come here.

    FIONA

    Tommy, what is it?

    TOMMY

    Is this your name here in this Bible?

    FIONA

    Aye! An' why…? (She stops herself. Then, thoughtfully) Oh!

    TOMMY

    Well, come on. What does it all mean? Is there any

    explanation or isn't there?

    FIONA

    Aye, there is. But I cannot tell ye.

    TOMMY

    Well, is there anybody who can? I'd like to know.

    FIONA

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    Ye mus' talk with our schoolmaster, Mr. Lundie. 'Tis goin'

    to be hard for ye to believe what ye'll hear. Ye'll think

    there is somethin' wrong with us an' ye'll leave. I know it.

    TOMMY

    Maybe I will and maybe I won't. Come on, Jeff.

    BLACKOUT

    ACT I, SCENE V

    Outside the house of MR. LUNDIE.

    Immediately following.

    MR. LUNDIE is a quaint Scottish schoolmaster in his late

    fifties. Though his eyes have a genuine kindness and his

    manner is entirely benign, he speaks with little trace of

    emotion. He wears metal-framed glasses.

    FIONA, TOMMY, and JEFF enter and walk toward the house.

    MR. LUNDIE

    Why, hello, Fiona. What a pleasant surprise!

    FIONA

    Mr. Lundie, I'd like ye to meet Mr. Tommy Albright and Mr.

    Jeff Douglas.

    MR. LUNDIE

    (holding out his hand) Good afternoon, gentlemen. (He

    studies them both carefully)

    FIONA

    I was wonderin' if ye'd be good enough to tell these

    gentlemen about Brigadoon. They've heard an' seen a good

    deal an' they're very perplexed indeed.

    TOMMYPerplexed is right.

    MR. LUNDIE

    What happened in Brigadoon was a miracle an' most folk dinna

    believe in miracles. Miracles require faith, an' faith seems

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    to be (focused slightly on JEFF) dead. Now this miracle

    happened…let's see…what's today?

    FIONA

    Friday.

    MR. LUNDIE

    Friday. That means it happened exactly two hundred years

    ago. Two hundred years ago the Highlands of Scotland were

    plagued with witches; I dinna suppose ye have such women in

    your world.

    TOMMY

    Witches?

    JEFF

    Yes, we still have them. We pronounce it differently.

    MR. LUNDIE

    Uh-huh! They were not real sorcerers, but their influence

    was very real indeed. Now, here in Brigadoon we had an old

    minister named Mr. Forsythe. An' a good man he was. But he

    was growin' old, an’ he began to wonder if there wasn't

    somethin' he could do to protect the folk of his parish not

    only from them, but from all the evils that might come to

    Brigadoon. In the hush of a sleepin' world, he asked God to

    make Brigadoon an' all the people in it vanish into theHighland mist. Vanish, but not for always. It would all

    return jus' as it was for one day every hundred years. The

    people would go on leadin' their customary lives; but each

    day when they awakened it would be a hundred years later.

    An' when we awoke the next day, it was a hundred years

    later.

    TOMMY

    You mean…you mean you go to bed at night and when you get up

    the next day it's a hundred years later?

    MR. LUNDIE

    Aye.

    TOMMY

    Suppose somebody around here gets fed up and wants to leave.

    MR. LUNDIE

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    Oh, he canna leave.

    TOMMY

    You mean I've got to stay here now?

    MR. LUNDIENo, no, lad. If anyone of Brigadoon leaves, the enchantment

    is broken for all. That night when the people go to sleep,

    Brigadoon will disappear forever.

    TOMMY

    For argument's sake, suppose a stranger like, well…me came

    to Brigadoon and wanted to stay…

    MR. LUNDIE

    Aye, he could. A stranger can stay if he loves someone here

    enough to want to give up everythin' an' stay with that

    person. Which is how it should be. 'Cause after all, lad, if

    ye love someone deeply, anythin' is possible.

    TOMMY

    I think I want to stick around and see if this place

    evaporates like you say.

    BLACKOUT

    ACT II, SCENE II

    (Lights on FIONA looking for TOMMY)

    FIONA

    Have you seen Tommy?

    MEG

    Why, no, I dinna think he came back with us.

    FIONA

    Oh, dear. Tommy?

    TOMMY

    (entering…casually:) Fiona!

    FIONA

    (Running to him) Tommy! I thought ye might have gone.

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    TOMMY

    No, I didn't go. I couldn't.

    FIONA

    An' ye're all right?

    TOMMY

    Of course I'm all right.

    FIONA

    I'd have died if anythin' had happened to ye. (Going into

    his arms) I love ye so.

    TOMMY

    How can you be sure of that after one day?

    FIONA

    I dinna know. 'Tis jus' when a lass falls in or out of love

    she knows it right away.

    TOMMY

    I wish it were that clear to me.

    FIONA

    Why?

    TOMMY

    Because I have the peculiar sensation I'm hearing my own

    secret being told.

    FIONA

    Ye mean--ye think ye're in love with me?

    TOMMY

    Think? What good does thinking do? If I thought about it, it

    wouldn't make any more sense than the miracle.

    {CUE THERE BUT FOR YOU GO I}

    But what I feel is something else.

    FIONA

    What do you feel, then, Tommy?

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    TOMMY

    THIS IS HARD TO SAY,

    BUT AS I WANDERED THROUGH THE LEA

    I FELT FOR JUST A FLEETING MOMENT

    THAT I SUDDENLY WAS FREE OF BEING LONELY;THEN I CLOSED MY EYES AND SAW THE VERY REASON WHY.

    I SAW A MAN WITH HIS HEAD BOWED LOW.

    HIS HEART HAD NO PLACE TO GO.

    I LOOKED AND I THOUGHT TO MYSELF WITH A SIGH:

    THERE BUT FOR YOU GO I.

    I SAW A MAN WALKING BY THE SEA.

    ALONE WITH THE TIDE WAS HE.

    I LOOKED AND I THOUGHT AS I WATCHED HIM GO BY:

    THERE BUT FOR YOU GO I.

    LONELY MEN AROUND ME,

    TRYING NOT TO CRY.

    TIL’ THE DAY YOU FOUND ME

    THERE AMONG THEM WAS I.

    I SAW A MAN WHO HAD NEVER KNOWN

    A LOVE THAT WAS ALL HIS OWN.

    I THOUGHT AS I THANKED ALL THE STARS IN THE SKY:

    THERE BUT FOR YOU GO I.

    {music continues}

    FIONA

    (Holding him close) Tommy!

    TOMMY

    I love you, Fiona. I guess that's all there is to it.

    FIONA

    I've wanted to hear ye say it. Even though it be at the last

    minute like this.

    TOMMY

    (holding her away from him) the last minute?

    FIONA

    Aye. Soon now 'tis the end of our day.

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    TOMMY

    And then you…you…? (He motions with his hand, FIONA nods)

    But, Fiona, I can't leave you. Not now I can't. (Pauses,

    then, with hesitant excitement) Didn't Lundie say someone

    could stay if he loved someone enough?

    FIONA

    Aye.

    TOMMY

    Well, that's for me! Where do I go? Who do I talk to? Where

    do I get a passport to disappear? I don't want to be without

    you ever again. I'd be afraid to be.

    (sings)

    I SAW A MAN WHO HAD NEVER KNOWN

    A LOVE THAT WAS ALL HIS OWN.

    I THOUGHT AS I THANKED ALL THE STARS IN THE SKY:

    THERE BUT FOR YOU GO I.

    BLACKOUT

    ACT II, SCENE III

    (lights on Jeff and Tommy)

    TOMMY

    Jeff, I'm not going back with you!

    JEFF

    You're pulling my bonnie leg, aren't you?

    TOMMY

    No! I've never been more serious in my life. I tell you,

    Jeff, in one day I feel more a part of her and all this than

    I ever felt about my fiancée Jane or anybody or anything

    back home.

    JEFF

    My boy, that's because it is one day. But don't you realize

    if you stay here it's for always?

    TOMMY

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    I know.

    JEFF

    You're absolutely positive that there'll never come a time

    when you'll miss your family, your friends, the life you

    belong to? How can you know that now?

    TOMMY

    Because--well, here's where I know you'll think I'm crazy--

    because I believe in her. And what's more, I believe in this

    place.

    JEFF

    You do not. You just want to. This Highland voodoo town

    makes no more sense to you than it does to me. This is a

    dream. Why, even now you're not really moved by it. You just

    think you are.

    TOMMY

    How do you know?

    JEFF

    Because I do. I don't feel a thing.

    TOMMY

    You actually don't feel anything?

    JEFF

    Nothing. Except like going home. But if you really believe

    as much as you think you do…(MR. LUNDIE and FIONA enter.

    “okay, good luck pal.”) I'll wait for you outside the town.

    (exits)

    FIONA

    Tommy, what did he mean by that?

    MR. LUNDIE

    Fiona tells me ye want to stay, lad.

    FIONA

    Tommy, what is it?

    TOMMY

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    It's no good, Fiona. I'm leaving. And it isn't because I

    don't love you. I think I do. But I guess I don't trust my

    own feelings.

    FIONA

    Ye mean ye're not sure ye can accept everythin'?

    TOMMY

    That's about it.

    MR. LUNDIE

    Ye better hurry, Fiona. There's not much time left. (Turns

    to exit, stops) Dinna feel ashamed of yourself, Tommy. 'Tis

    the hardest thing in the world to give up everythin'; even

    though 'tis usually the only way to get everythin'. (exits)

    {CUE FROM THIS DAY ON}

    TOMMY

    Do you understand at all?

    FIONA

    (Sings)

    DINNA YE KNOW, TOMMY,

    THAT YE’RE ALL I’M LIVIN’ FOR?

    SO HOW CAN YE GO, TOMMY,WHEN I’LL NEED YE MORE AND MORE?

    TOMMY

    (kindly) no, Fiona. You won't remember that way. And neither

    will I.

    (Sings)

    YOU AND THE WORLD WE KNEW

    WILL GLOW TIL’ MY LIFE IS THROUGH;

    FOR YOU’RE PART OF MEFROM THIS DAY ON.

    AND

    SOMEDAY IF I SHOULD LOVE,

    IT’S YOU I’LL BE DREAMING OF;

    FOR YOU’RE ALL I’LL SEE

    FROM THIS DAY ON.

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    THESE HURRIED HOURS WERE ALL THE LIFE WE COULD SHARE.

    STILL I WILL GO WITH NOT A TEAR, JUST A PRAYER

    THAT

    WHEN WE ARE FAR APART Y

    OU’LL FIND SOMETHING FROM YOUR HEARTHAS GONE! GONE WITH ME

    FROM THIS DAY ON.

    (music continues)

    You see? we mustn't be sorry about anything

    FIONA

    I'm not. In fact I shouldna be surprised if I'll be less

    lonely now than I was afore ye came. I think real loneliness

    is not bein' in love in vain, but not bein' in love at all.

    TOMMY

    But it'll fade in time.

    FIONA

    No. It winna do that.

    (Sings)

    THROUGH ALL THE YEARS TO COME

    AN’ THROUGH ALL THE TEARS TO COME

    I KNOW I’LL BE YOURSFROM THIS DAY ON.

    BLACKOUT

    ACT II, SCENE IV

    (a bar in New York City)

    JEFF

    (drunk) Tommy! My old friend Tommy!

    TOMMY

    How are you, Jeff?

    JEFF

    (to audience, drunk) It's my old friend Tommy! He's back!

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    TOMMY

    Hello.

    JEFF

    Where've you been all month, Tommy?

    TOMMY

    Up on a farm in New Hampshire.

    JEFF

    A farm. What were you doing there? Why?

    TOMMY

    Because, my dear tank, I'm in love, and I 'canna' get over

    it.

    JEFF

    oh.

    TOMMY

    And the trouble is, because I can't be with her I can't be

    with anyone else. When I'm with people and they're talking

    to me, they might say one little word that opens the door to

    a memory for me and suddenly I don't hear them talking

    anymore.

    JEFFYou must be fascinating company.

    TOMMY

    When I'm alone, it's easier.

    (JANE ASHTON enters. She is in her late twenties, chic, very

    attractive, though perhaps a little severe)

    JANE

    Tommy!

    TOMMY

    Hello, Jane.

    JANE

    What a wonderful surprise!

    JEFF

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    Hello, Jane.

    JANE

    When did you get back?

    JEFFHello, Jeff.

    TOMMY

    A little while ago.

    JEFF

    How are you, Jane?

    JANE

    (ignoring him) I’ve been worried half to death about you.

    JEFF

    Fine, Jeff, how are you?

    JANE

    Let me look at you

    JEFF

    Well, I don’t want to eat and run. I think I’ll go up to my

    room and have a drink.

    TOMMY

    I’ll see you, Jeff.

    JANE

    (half-turning) Hello.

    JEFF

    Good-bye! (exits)

    JANE

    Tommy, why didn’t you write me?

    TOMMY

    Nothing to say, I guess.

    JANE

    You’ve certainly been antisocial since you returned from

    Scotland. If you really want to avoid everybody, why don’t

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    we take Mr. Jackson’s house? It’s far away and right on the

    top of a high, beautiful hill…

     

    (the instant she says the words “high, beautiful hill,”

    FIONA’s voice is heard offstage singing. As FIONA sings,

    JANE continues talking, but in pantomime. Occasionally,TOMMY nods to her. FIONA has appeared to him DS)

    FIONA

    THROUGH THE HEATHER ON THE HILL.

    BUT WHEN THE MIST IS IN THE GLOAMIN’,

    AN’ ALL THE CLOUDS ARE HOLDIN’ STILL,

    IF YE’RE NOT HERE I WON’T GO ROAMIN’

    THROUGH THE HEATHER ON THE HILL;

    THE HEATHER ON THE…

    (TOMMY turns sharply to JANE, interrupting FIONA’s song.)

    TOMMY

    No, Jane! No!

    JANE

    No, what?

    TOMMY

    I can’t go through with it! There’s going to be no wedding

    next month.

    JANE

    Do you mean you’re postponing it again?

    TOMMY

    No, I am not postponing it. I’m calling it off for good!

    JANE

    Calling it off!

    TOMMYI can’t do it! Ever.

    JANE

    You have a nerve! After all this time I’ve waited for you

    and tried to be patient and put up with your idiotic whims

    and temperament?

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    TOMMY

    I’m sorry. It’s not your fault. You’ve been wonderfully kind

    to me. But something strange happened a few months ago that

    I can’t explain, and now I don’t fit here any more.

    JANEI think you’re going clean out of your mind. But I refuse to

    stand here and argue with you in this bar! And if you think

    anyone else is going to put up with your nonsense, you’re

    raving mad. So think that over, Mr. Albright, when you’re

    all alone!

    (she exits. FIONA remains DS)

    FIONA

    I think real loneliness is not bein’ in love in vain, but

    not bein’ in love at all.

    TOMMY

    You understood; Fiona—I didn’t.

    FIONA

    YOU WALKIN’ THOUGH THE HEATHER

    WHEN WE WERE THERE TOGETHER,

    THAT’S ALL I’LL SEE

    FROM THIS DAY ON.

    TOMMY

    You were right. It never faded.

    (sings)

    THESE HURRIED HOURS WERE ALL THE LIFE WE COULD SHARE.

    STILL I WILL GO WITH NOT A TEAR, JUST A PRAYER

    THAT— 

    FIONA

    THROUGH ALL THE YEARS TO COME

    AN’ THROUGH ALL THE TEARS TO COME

    FIONA AND TOMMY

    I KNOW I’LL BE YOURS

    FROM THIS DAY ON.

    (they kiss)

    CURTAIN

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