fforufiz’ Bandmasters fissocm’twn’2019 ALL-STATE CONCERT BAND AUDITION REQUIREMENTS

(For the 9‘“ and 10‘“ grade All-State Band 7 auditioning in September of 201 8 for the January 2019 FMEA Conference)

BRASS & PERCUSSION

All-State Concert Band membership rules and regulations:a)b)C)d)

e)

t)g)

The student must be in the ninth or tenth grade.The decision ofthe selection committee is final.Only instruments listed on the All—State Application or in the 2019 All—State Concert Band Requirements printed in the handbook may audition.String Bass students should audition through the Florida Orchestra Association and must be a member of the band or orchestra program at theirschool.The student must be a member of the band program at their school and have their name submitted on the proper All-State Application form. TheApplication form must be typed and signed by the band director and prm’cipal. The Application form must be submitted by the proper deadline dateas set by the DistrictThe band director must be a member ofFBA/FMEA by September 1, 2018.Students selected for any of the All-State groups must bring their own music stand, instrument, band uniform, etc.

All-State Concert Band Audition Requirements for Brass and Percussion:When the student enters the room, he/She will be asked to perform:

a)b)

c)

d)

The specific prepared exercises for their instrument(s) as listed in the All—State Concert Band Audition Requirements. Note the suggested tempi.A chromatic scale covering the range for their instrument (as given in the All—State Concert Band Audition Requirements.) The scale will beperformed in even sixteenth notes at a minimum tempo of MM quarter note : 100. The scale will be tongued ascending and slurred descendingwhere applicable Scale is to be memorized.Twelve major scales, (in 3:30 minutes or less) fi'om memory, complete with arpeggios, at a minimum tempo ofMM quarter note : 120. Scales areto be performed a minimum of 2 octaves where possible. Students who wish to play a 3rd octave may do so. A11 scales must be performed withinthe allotted time frame. Scales must be performed in complete octaves. The scale pattern is J D m J . The arpeggio pattern is J n J .The scales will be tongued ascending and slurred descending where applicable. Scales \\ ill be pcrtbrmed in the circle of to‘urths. starting u ith theconcert M} 01". C F. Bb. Eb, Ab. Db. (ib. B. E. A, D. G.A short sight-reading exercise(s) to demonstrate the student’s reading ability. The student will have thirty seconds to study the piece beforeplaying it. (Percussionists will be required to sight—read on snare and mallets.)

2019 All-State Concert Band (9“I and 10‘” grade) Prepared ExercisesPlay the entire exercise unless specific measures are indicated.

Trumpet; Chromatic: 2 octaves from CLyrical Exercice: pg. 9, Requiem; m. 29-44, quarter note = 70Technical Exercise: pg. 13, Fanfare, Cadenza Scherzo; In. 38-47 (half note),quarter note = 124

Euphonium TC; Chromatic: 2 octaves from C(transpose exercises)

Lyrical Exercise: pg. 19, #15; m. 2-25, quarter note = 104—_;,_—,_;WlodiousEtudes or Trombone bv Joan/res Rochut Ed. b Alan Rah Bk]

C—nggW‘ertStudies or Trumet written or Phili Smith w/CDPublisher: Curnow Music/Hal Leonard Technical Exercise: pg. 14, “Ab Maj or"; m. 1-23 + 1 note; quarter note = 112

S+_eleetedStudies or Trombone b\' H. VoxmanPublisher: RubanldHal Leonard

Horn in F; Chromatic: 2 octaves from FLyrical Exercise: pg. 49, #17; beginning - m. 16, quarter note = 80Technical Exercise: pg. 44, #3; quarter note = 142

Tuba; Chromatic: 2 octaves from BbLyrical Exercise: pg. 33, #7; m. 1 - 16, quarter note = 60Technical Exercise: pg. 59 #31; m. [—24, dotted quarter note = 88

Rubank Advanced Method Volume IIRubank Advanced Method Volume II

Trombone; Chromatic: 2 octaves from BbLyrical Exercise: pg. 19, #15; In. 2-25, quarter note = 104MAW/odiousEtudes or Trombone b‘ Joannes Rochut Ed. brA/an Rah Bk]

Technical Exercise: pg. 14, “Ab Major"; m. 1-23 + 1 note; quarter note = 112

Percussion; Percussionists must audition in all three areas.

Mall_,_ets‘Chromatic: 2 octaves from Bbpg. 102/103, Marriage of Figaro; m. 18-58, half note = 130

#gwtelworksor Mallets trans. by: Beth Gottlieb_—flPublisher:Row-Lo~

S—L____‘.L__welectedStudies or Trombone b‘ H. VoxmanPublisher: Rubank/Hal Leonard Euphonium BC; Chromatic: 2 octaves from Bb

Lyrical Exercise: pg. 19, #15; m. 2-25, quarter note = 104M—f—J_v—Jét—g_j_lelodiousEtudes or Trombone l7" Joannes Roehut Ed. 17’ Alan Rah Bk]

Technical Exercise: pg. 14, “Ab Major"; m. 1-23 + 1 note; quarter note = 112

S_,nare'pg. 32, Etude 30; dotted quarter note = 88

—'_;)_;J_LPortraitsin ththm CR 1966 b? Anthon: CironePublisher: Belwin Mills

T_L,imani‘pg. 21, Etude 14; m. 1-28, quarter note = 132

P__________}—J;edalto the Kettle b) KirkJ. Ga:bosomPublication

5—;WtedStudies or Trombone b H. VoxmanPublisher: Rubank/Hal Leonard

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