Brad Kunkle - American Art Collector - June 2009

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';:a l ,.* t i I, ' i,'! *:! j. *! :ai:*4:'::.:,t-.. :w q"€ -z".re g',! -i G, €i 1':: €i' ? iLdj.ii . ..'' *&,1 l, i;1 . E 1i f ri 14, rl{l' Bnao RrueEN KuNrrn, Thucr,, orr- AND srLvER LE,IF oN \\'ooD, jr x 27 subject, which emphasize the rhythm of the structure, the abstract geometry of the composition and the dynamics of various shapes, strokes, lines and color inside it. \7ith this process, I try to capture qualities that are universal rather than temporal." Bogdan Molea is originaily from the Ukraine and now calls Canada home. Molea, a still life artist, says that rvhile he applies the common technical approach of photorea/ism, his goal is "to recreate a visual realm, a uniry of intense suggestions capable of delivering the intended emotional, cultural and symbolical messages." "The final images can then transcend from a simple representation to a kind of metaphysical presence," says Molea. 'As I manipulate the real life objects, in this case the gourds or fruits, I am following the interrelation of the volumes seen as characters in a set design. The use of the light as well helps to create the drama of the play." o For a direct lirb to tlte

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Transcript of Brad Kunkle - American Art Collector - June 2009

Page 1: Brad Kunkle - American Art Collector - June 2009

';:a l

,.*t i I,' i,'!

*:! j.*!

:ai:*4:'::.:,t-..

:wq"€-z".re

g',!

-iG,

€i1'::€i'

?

iLdj.ii . ..''

*&,1 l, i;1 .

E 1if ri14,

rl{l'Bnao RrueEN KuNrrn, Thucr,, orr- AND srLvER LE,IF oN \\'ooD, jr x 27

subject, which emphasize the rhythm ofthe structure, the abstract geometry of the

composition and the dynamics of various

shapes, strokes, lines and color inside it.\7ith this process, I try to capture qualitiesthat are universal rather than temporal."

Bogdan Molea is originaily from the

Ukraine and now calls Canada home.

Molea, a still life artist, says that rvhile he

applies the common technical approach ofphotorea/ism, his goal is "to recreate a visual

realm, a uniry of intense suggestions capable

of delivering the intended emotional,cultural and symbolical messages."

"The final images can then transcend

from a simple representation to a kind ofmetaphysical presence," says Molea. 'As

I manipulate the real life objects, in this

case the gourds or fruits, I am followingthe interrelation of the volumes seen as

characters in a set design. The use of the

light as well helps to create the drama ofthe play." o

For a direct lirb to tlte