Bounty Hunter the (2010) Script 1299397

8/12/2019 Bounty Hunter the (2010) Script 1299397

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"THE BOUNTY HUNTER" REEL 6AB, PAGE 1

FINAL SPOTTING/SUBTITLES (SDI MEDIA)CHANGED/OMITTED/NEW SUBTITLES MARKED WITH AN ASTERISK

LABORATORY: 0.00 AT START MARK

18.04 = 1ST SCENE END

6-1.THROUGH6-96.

(OUT)

6-97. 16.05 18.03/ 1.14(18)

KENNY INTO PHONE TO PERSON)27th squad, Griswald.

(27th squad : Made-up NYPD precinct)(Griswald : i.e., 'this is Officer Griswald speaking')(At a police precinct, Kenny, a police officer, sits athis desk and answers his telephone. Milo and Nicole

drive along a city street in Milo's car)

6-98. 18.13 21.06/ 2.09(25)

MILO INTO PHONE TO KENNY)Hey, Kenny, it's Milo.

(Kenny : diminutive of 'Ken' or 'Kenneth')

6-99. /21.10 25.14/ 4.04(42)

KENNY INTO PHONE TO MILO)Hey, Mr. Boyd. What's up?

(What's up : Idiomatic greeting - i.e., 'How are you'

- 'How can I help you')

6-100. /26.02 32.00/ 5.14(58)

MILO INTO PHONE TO KENNY)Listen, I'm lookin' for Bobby. I called his cell but he's notpickin' up. Is he there?

(cell : i.e., 'cell phone')(pickin' up : picking up - i.e., 'answering my calls')

6-101. /32.04 36.09 4.05

(43)

KENNY INTO PHONE TO MILO)

You know, with you not bein' on the force anymore andeverything...(with...force : i.e., 'considering that you're no longera member of the police force')(and everything : i.e., 'and all of the other detailsrelated to that situation')


2/29


3/29



6-109. 58.14 61.10/ 2.12(27)

MILO INTO PHONE TO KENNY)Why? It's the middle of the night.

(the middle of the night : idiomatic for 'very late atnight')

6-110. /61.14 66.11/ 4.13(48)

KENNY INTO PHONE TO MILO)The lieutenant's got us workin' a double shift this weekend tocomplete the move.

(a double shift : two consecutive work shifts,worked continuously)

6-111. /66.15 69.08/ 2.09(25)

MILO INTO PHONE TO KENNY,THEN KENNY OVER PHONE TO MILO)-What move?-To the new facility.

(-To the new facility. : Note implication that thecontents of the evidence depository are beingmoved to a new location - To appear in ITALICS)

6-112. 70.01 76.00/ 5.15(59)

KENNY INTO PHONE TO MILO)I heard they had to inventory somethin' like 194,000 piecesof evidence.

(somethin' like : something like - i.e.,'approximately')

6-113. 76.08 79.04 2.12(27)

MILO INTO PHONE TO KENNY)Thank you. Take it easy.

(Take it easy : Slang farewell)(Milo hangs up the phone)

6-114. 83.13 86.04/ 2.07(24)

NICOLE TO MILO)That must've been quite an audit.

(quite an audit : i.e., 'a demanding and expansiveinventory process')

6-115. 88.04 93.04/ 5.00(50)

MILO TO NICOLE)Do you know what happens to evidence when the casedoesn't go to trial?


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6-116. /93.08 94.10/ 1.02(11)

NICOLE TO MILO)What?

6-117. /94.14 97.07 2.09

(25)

MILO TO NICOLE)

Not a damn thing.(i.e., 'Nothing.' - Note that 'damn' is a mildly vulgarslang intensive)

6-118. /98.12 101.07 2.11(26)

NICOLE TO MILO)So it just sits there?

(sits there : i.e., 'remains there in the depository')

6-119. 104.07 106.03/ 1.12(17)

NICOLE TO MILO)Forever?

6-120. /106.11 109.01 2.06(23)

MILO TO NICOLE)Ripe for the picking.

(Idiomatic for 'Readily available and easy to take' -'As easy to take as fruit from a tree')(At the depository, Mahler puts pouches of narcoticsinto a large paper bag. Outside the depository,Nicole and Milo sit in Milo's car, surreptitiouslyobserving the entrance)

6-121. 134.05 135.14/ 1.09(15)

NICOLE TO MILO)I'm hungry.

6-122. /136.03 139.01/ 2.14(28)

MILO TO NICOLE)Tell you what, I'll wait here for Bobby.

(Tell you what : Idiomatic expression used tointroduce an offer or suggestion)

6-123. /139.05 143.14/ 4.09(45)

MILO TO NICOLE)Take the car, there's a great pizza parlor on Yonkers.

Anything but peppers.(pizza parlor : i.e., 'pizza restaurant')(Yonkers : Yonkers Avenue, a street in the city ofYonkers in Westchester County, New York)(Anything but peppers : i.e., 'Get any toppings youwant on the pizza, except for peppers')


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6-124. 146.00 149.10/ 3.10(36)

NICOLE TO MILO)There is no way you're gettin' rid-a me on this thing.

(rid-a : rid of)(on this thing : i.e., 'during this investigation' - 'whilewe're monitoring the depository')

6-125. /149.14 152.00/ 2.02(21)

MILO TO NICOLE)I wouldn't let you drive my car anyway.

6-126. 155.05 157.06/ 2.01(20)

NICOLE TO MILO)That was an accident.

6-127. 159.15 161.01/ 1.02(11)

MILO TO NICOLE)What?

6-128. /161.05 165.13 4.08(45)

NICOLE TO MILO)The whole NYPD thing. The reason I got arrested.

(The whole NYPD thing : i.e., 'My collision with anofficer of the New York Police Department')

6-129. 166.01 170.03/ 4.02(41)

NICOLE TO MILO)So you can make all the jokes that you want, but I'm anexcellent driver.

(I'm an excellent driver : See Title #4-287)

6-130. 170.12 172.06 1.10(16)

MILO TO NICOLE)Wait.

(Interjection used to indicate something unexpectedor questionable has arisen - i.e., 'Wait a momentbefore proceeding.')

6-131. 173.06 177.06 4.00(40)

MILO TO NICOLE)Your rap sheet said you assaulted an officer.

(rap sheet : slang for 'police record')

(said : i.e., 'stated that')


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6-132. 177.10 181.06/ 3.12(37)

MILO TO NICOLE)What--? Are you saying you ran over a cop?

(ran over a cop : idiomatic for 'hit a police officerwith your car')

6-133. 182.06 185.12/ 3.06(33)

NICOLE TO MILO)I didn't "run over" anything.

6-134. 187.09 189.03/ 1.10(16)

MILO TO NICOLE)Then what did you do?

6-135. /189.07 190.15/ 1.08(15)

NICOLE TO MILO)Nothing.

6-136. /191.03 194.11 3.08(35)

NICOLE TO MILO)I was late for a press conference...

6-137. 194.15 197.12 2.13(28)

NICOLE TO MILO)...traffic was stopped...

6-138. 198.00 201.09 3.09(35)

NICOLE TO MILO)...so I thought I could squeeze by...

(squeeze by : i.e., 'narrowly pass by')

6-139. 201.13 204.06/ 2.09(25)

NICOLE TO MILO)...and I grazed it.

(grazed : to scrape or touch lightly in passing)(it : note that Nicole is intentionally vague, out ofembarrassment)

6-140. 205.05 207.04/ 1.15(19)

MILO TO NICOLE)You grazed a cop.

6-141. 207.15 210.12/ 2.13(28)

NICOLE TO MILO)No, I grazed a horse.

(i.e., 'No, I hit a mounted police officer's horse withmy car.')


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6-142. 211.09 214.09 3.00(30)

NICOLE TO MILO)Okay? Are you happy?

(Are you happy : i.e., 'Do you enjoy gloating overmy embarrassment about this' - 'Are you satisfied inknowing these embarrassing details' - Note wrytone)

6-143. 214.13 218.04 3.07(34)

NICOLE TO MILO)A big, dumb, old police horse...

6-144. 218.08 221.03/ 2.11(26)

NICOLE TO MILO)...whose big, dumb, old police ass...

(big, dumb, old police ass : note play on 'big, dumbold police horse' - also note that 'ass' is vulgar slangfor 'buttocks')

6-145. /221.07 226.14 5.07(54)

NICOLE TO MILO)...swayed in front-a my car as I was trying to pass it.

6-146. 227.02 230.04/ 3.02(31)

MILO TO NICOLE, THEN NICOLE TO MILO)-You hit a horse?-I tapped him!

(tapped him : i.e., 'lightly bumped into him with mycar')

6-147. 232.00 238.12/ 6.12(67)

NICOLE TO MILO)Tapped him. There was one little, little tuft of hair on mybumper.

(little, little : i.e., 'very small')(hair : i.e., 'horse hair')

6-148. /239.00 243.08/ 4.08(45)

NICOLE TO MILO)It was-- Seriously. I could go to jail.

(Seriously : i.e., 'That's honestly what happened')

6-149. 244.02 246.10 2.08(25)

MILO TO NICOLE)Yeah, for like...

(like : i.e., 'many' - 'several')


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6-150. 246.14 248.01 1.03(11)

MILO TO NICOLE)...years.

6-151. 248.05 250.00 1.11

(16)

NICOLE TO MILO)

You're just-- You know--

6-152. 250.04 252.10/ 2.06(23)

MILO TO NICOLE)You're the world's worst driver.

*6-152A. /252.14 255.08 2.10(26)

NICOLE TO MILO)Will you just be quiet.

(Nicole and Milo react as Bobby arrives in his caroutside the depository)

6-153. 267.12 272.07/ 4.11(46)

NICOLE TO MILO)I know, listen. We don't know anything for sure, all right?

(I know : i.e., 'I know this looks bad' - 'I know Bobbylooks guilty')(sure : i.e., 'certain')

6-154. /272.11 275.14/ 3.03(31)

NICOLE TO MILO)Maybe it's not what it looks like.

(i.e., 'Maybe Bobby is innocent, even though it lookssuspicious for him to be here now.')

6-155. /276.02 279.03/ 3.01(30)

MILO TO NICOLE)It's almost always what it looks like.

(i.e., 'Most crimes and suspicious-looking situationsturn out to be exactly what they appear to be.')(Bobby enters the warehouse and arrives on thethird floor of the depository via a freight elevator. Asthe freight elevator doors open, Bobby is met byMahler)

*6-156. /290.00 293.13 3.13(38)

MAHLER TO BOBBY)Hey, Bobby. Been lookin' all over for you.


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6-157. 294.01 295.11/ 1.10(16)

MAHLER TO BOBBY)You get my message?

(message : i.e., 'voicemail message')

6-158. /295.15 298.03/ 2.04(22)

BOBBY TO MAHLER)About the missing drugs? Yeah.

6-159. /298.07 301.00/ 2.09(25)

MAHLER TO BOBBY)Well, we got a major problem. You know that, right?

(major : i.e., 'significant')(Bobby reacts and hesitates)

6-160. 304.04 306.07/ 2.03(21)

BOBBY TO MAHLER)Yeah, yeah, we do.

(Milo and Nicole enter the ground floor of thedepository and approach a clerk, who stands behinda fence in an authorized area)

6-161. 314.06 315.14/ 1.08(15)

DEPOSITORY CLERK TO MILO & NICOLE)Can I help you?

6-162. /316.02 318.10 2.08(25)

MILO TO DEPOSITORY CLERK)Yeah, we're here to see Bobby Jenkins.

6-163. 318.14 321.00/ 2.02(21)

DEPOSITORY CLERK TO MILO)Can I tell him what it's regarding?

(On the third floor, Bobby's confrontation with Mahlercontinues)

6-164. 321.12 323.10/ 1.14(18)

BOBBY TO MAHLER)Put the bag down, Earl.

(Mahler gestures to the paper bag full of narcotics)

6-165. /324.01 325.09/ 1.08(15)

MAHLER TO BOBBY)What, this?


10/29



6-166. 326.05 328.08 2.03(21)

MAHLER TO BOBBY)What the hell's wrong with you?

(the hell's : the hell is - note that 'the hell' is a mildlyvulgar slang intensive)

6-167. 328.12 331.07 2.11(26)

BOBBY TO MAHLER)Don't make this harder than it has to be.

(this : i.e., 'arresting you')(Mahler sets the bag down on a shelf)

6-168. 331.11 333.09/ 1.14(18)

MAHLER TO BOBBY)The bag's down.

6-169. /335.09 336.15/ 1.06

(13)

MAHLER TO BOBBY)

You know, I got--(Mahler and Bobby both pull out pistols and fire ateach other. On the ground floor, Milo, Nicole and theDepository Clerk hear the shots and react. Miloreaches through the clerk window and aggressivelypulls the Depository Clerk up against the fence)

6-170. /341.10 343.15/ 2.05(23)

MILO TO DEPOSITORY CLERK)Buzz me in. Now.

(Buzz me in : i.e., 'Open the security gate via aremote button so I can enter' - Note that being'buzzed in' refers to the buzzing sound that usually

accompanies security doors when they are openedvia remote control)(The Depository Clerk complies. Nicole opens thesecurity door)

6-171. 349.14 351.06/ 1.08(15)

NICOLE TO MILO)Got it.

(Milo releases the Depository Clerk, then he andNicole quietly walk to the third floor, with Milo's pistoldrawn. Milo reacts as Nicole's shoes make too muchnoise)


11/29



6-172. 373.11 375.05 1.10(16)

NICOLE TO MILO) (whispering)Sorry.

(Milo walks ahead of Nicole and gestures for her tofollow, but Nicole glances about, missing thegesture. Milo impatiently gestures again, and Nicolequickly catches up with him. As Nicole walks behind

Milo, she notices something and signals him,touching his arm. Milo quickly turns toward her,pistol drawn. Nicole reacts, alarmed)

6-173. 405.01 406.15 1.14(18)

NICOLE) (exclaiming)Jesus!

(Idiomatic expression of alarm)

6-174. 408.05 410.14/ 2.09(25)

MILO TO NICOLE, THEN NICOLE TO MILO)-What?

-There's blood.(Nicole points to a bloodstain on a nearby wall. Abody lies on the floor nearby, with only the feetvisible. Milo and Nicole walk around a corner andfind that it is Bobby lying on the floor, bleeding froma gunshot wound)

6-175. 423.07 427.12 4.05(43)

NICOLE TO BOBBY)Oh, my God. Bobby.

*6-176. 428.00 429.15/ 1.15(19)

MILO TO BOBBY)You okay, partner?

(partner : note that Bobby is Milo's ex-partner)

6-177. /430.03 432.05 2.02(21)

BOBBY TO MILO & NICOLE)What the hell are you doin' here?

*6-178. 432.09 434.13 2.04(22)

MILO TO BOBBY)We're lookin' for some answers.

6-179. 435.01 438.09 3.08(35)

NICOLE TO BOBBY,THEN BOBBY TO MILO & NICOLE)-Who shot you?-Earl Mahler.


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*6-180. 438.13 443.02/ 4.05(43)

BOBBY TO MILO & NICOLE)Yeah. Yeah, I've been trackin' him for the last couple ofweeks.

(trackin' him : i.e., 'following him' - 'investigatinghim')(couple of : i.e., 'two' - 'few')

6-181. 444.12 448.08/ 3.12(37)

BOBBY TO MILO & NICOLE)After he murdered Walter. Walter Lilly.

(Nicole and Milo react)

*6-182. /451.12 453.12/ 2.00(20)

BOBBY TO MILO & NICOLE)Yeah, he's got my gun.

6-183. /454.00 455.01 1.01(10)

NICOLE TO BOBBY)What--?

6-184. 455.05 457.14 2.09(25)

MILO TO NICOLE, THEN NICOLE TO MILO)-Stay with him.-Where are you going?

6-185. 458.02 460.10 2.08(25)

MILO TO NICOLE, THEN NICOLE TO MILO)-Stay with him.-Where are you going?

6-186. 460.14 463.10/ 2.12(27)

MILO TO NICOLE)Baby, I'll be back. All right.

(Baby : Term of affection)(be back : i.e., 'return' - 'be okay')(Milo walks away, pistol drawn)

6-187. /471.08 476.06/ 4.14(48)

BOBBY TO NICOLE)Hey, he's gonna be all right. He's a good cop.

6-188. 477.04 481.05/ 4.01(40)

NICOLE TO BOBBY)You're a good cop. Look what happened to you.

(Implying being a good cop doesn't mean Milo won'tget shot, like Bobby has, or be killed)


13/29



6-189. 483.12 487.03/ 3.07(34)

BOBBY TO NICOLE)Oh, yeah. You got a point.

(You got a point : i.e., 'That's a valid observation' -'That's true')(Nicole begins to walk away)

6-190. /507.13 510.03/ 2.06(23)

BOBBY TO NICOLE)Hey! Hey, where you goin'?

(Nicole walks through the depository in search ofMilo. Elsewhere in the depository, Mahler leaps outfrom behind Milo, grabs him by the neck, and puts apistol to his head)

6-191. 549.06 550.15/ 1.09(15)

MAHLER TO MILO)Drop it.

(i.e., 'Drop your pistol onto the floor.')

(Milo complies, dropping his pistol onto the floor, asNicole surreptitiously observes from nearby)

6-192. 557.01 559.02 2.01(20)

MAHLER TO MILO)You were easy.

(i.e., 'You were easy to capture.')

*6-193. 562.00 564.01/ 2.01(20)

NICOLE) (OPTIONAL)Oh, God.

(Idiomatic expression of distress)

(Nicole looks at the various boxes of evidence for aweapon)

6-194. 567.08 570.05 2.13(28)

MILO TO MAHLER)Ya already shot one cop.

6-195. 570.09 574.01/ 3.08(35)

MILO TO MAHLER)Shooting another one's not gonna help things with the jury.

(help things with the jury : i.e., 'improve yourstanding with a jury when you eventually have to

stand trial for these crimes')

6-196. 574.11 576.12 2.01(20)

MAHLER TO MILO)You're not a cop.


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6-197. 578.06 580.10/ 2.04(22)

MILO TO MAHLER)Well, that's just hurtful.

(Note wry tone)

*6-198. /581.01 582.14/ 1.13(18)

MAHLER TO MILO)Get down on your knees.

*6-199. 583.08 588.04 4.12(47)

MILO TO MAHLER)Oh, my knees, they're not so great, you know. Had to jumpoff a roof.

(so great : i.e., 'in very good condition')(Had to jump off a roof : i.e., 'They were injuredwhen I had to jump off a roof' - Referring to whenMilo jumped off a roof to capture Uncle Sam)

6-200. 588.08 592.03/ 3.11(36)

MAHLER TO MILO)The last thing I care about is your knees, your health.

(Nicole sees two evidence boxes nearby, each withidentifying labels)

TRANSLATORS: YOU MAY OMIT TITLE #6-201 IF YOU DO NOT NEED TO TRANSLATE IT FOR

YOUR TERRITORY.

6-201. /592.07 594.01/ 1.10

(16)

NARRATIVE TITLE) (of boxes)

GOTTI, S. GOTTI, K.

(GOTTI : Note that the Gotti surname is associatedwith the Gambino crime family, one of the "FiveFamilies" that control organized crime activity in NewYork City)

6-202. /594.05 596.08 2.03(21)

MAHLER TO MILO)Now get down on your knees.

(Milo complies as Nicole searches among theevidence boxes, each of which have identifying

labels)


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6-203. 596.12 598.10/ 1.14(18)

NARRATIVE TITLE) (of box)

GOTTI, V.NYPD PROPERTY CLERK STATEN ISLAND

(STATEN ISLAND : a borough of New York City in

the southwest part of the city)

*6-204. 604.14 606.12 1.14(18)

MILO TO MAHLER)Now what?

(Nicole pulls a long box from the shelf, which has anillustration of a shotgun on the side)

*6-205. 607.00 610.08/ 3.08(35)

MAHLER TO MILO)You should have minded your own business.

(Idiomatic for 'You should have tended to your own

affairs.' - 'You should not have concerned yourselfwith what I am doing.')

6-206. /610.12 612.13/ 2.01(20)

MILO TO MAHLER)You're not concerned about your future?

(Mahler continues to hold the pistol to the back ofMilo's head)

6-207. 614.04 618.00/ 3.12(37)

MAHLER TO MILO)You know, it's time for you to go, asshole.

(go : i.e., 'die')(asshole : vulgar slang for 'thoroughlycontemptible, detestable person')(Nicole loudly cocks a shotgun nearby)

6-208. 619.07 620.11/ 1.04(12)

NICOLE TO MAHLER)Drop it.

6-209. 621.05 624.09/ 3.04(32)

NICOLE TO MAHLER)And I'm the only one who gets to call him "asshole."

(Note humor)

6-210. 629.01 631.00/ 1.15(19)

MAHLER TO MILO)You better tell your girl--

(Nicole fires a shot, startling Mahler)


16/29



6-211. 635.15 638.08/ 2.09(25)

NICOLE TO MAHLER)That's for callin' me a girl.

(Note humor)(Mahler turns and fires a shot at Nicole, but missesas Milo shoves him aside, then punches himrepeatedly)

6-212. /643.06 648.08/ 5.02(51)

MILO TO MAHLER)That's for shooting at my wife.

(Note humorous play on 'That's for calling me a girl.')(Mahler falls to the floor unconscious, and Milo kickshis pistol across the floor. Later, the parking lot ofthe warehouse is full of police cars and officers.Bobby sits in an open ambulance talking with Miloand Nicole, who stand behind the ambulance)

6-213. 664.08 671.03 6.11(66)

NICOLE TO BOBBY)So Earl Mahler was using Walter Lilly to gain access to thenarcotics cage.

6-214. 671.07 672.15 1.08(15)

BOBBY TO NICOLE & MILO)That's right.

*6-215. 673.03 679.03/ 6.00(60)

BOBBY TO NICOLE & MILO)He was gonna come clean, but by the time I got to hisapartment he was already dead.

(He : i.e., 'Walter Lilly')(come clean : slang for 'confess what washappening and assist in the investigation')

*6-216. (OUT)

6-217. /679.07 681.15/ 2.08(25)

MILO TO BOBBY)But there was no proof it was Mahler.

(Mahler : i.e., 'Mahler that murdered Walter Lilly')

*6-218. /682.03 686.02/ 3.15(39)

BOBBY TO NICOLE & MILO)Right. If it wasn't for that parking ticket...

(If...ticket : i.e., 'If that parking ticket was neverissued' - 'If I didn't know about the circumstances ofthat parking ticket' - See Title #2-77)


17/29



*6-218A. /686.06 689.02 2.12(27)

BOBBY TO NICOLE & MILO)...he might have gotten away with it.

(gotten away with it : idiomatic for 'successfullycovered up his criminal wrongdoings' - 'been able tocarry out his ultimate plan')

6-219. 689.06 692.15 3.09(35)

MILO TO BOBBY)That's 'cause she's a hell of a reporter.

(hell of a : mildly vulgar slang for 'great' - 'extremelyskilled')

6-220. 693.03 694.11/ 1.08(15)

NICOLE TO MILO)Thank you.

6-221. 695.14 698.11 2.13(28)

MILO TO NICOLE)But you did get one thing wrong.

(Note veiled allusion to Nicole suspecting Bobby asthe culprit)

*6-222. 698.15 702.02/ 3.03(31)

NICOLE TO MILO)Oh, are you kidding? Come on.

(are you kidding : idiomatic expression ofincredulity - i.e., 'are you joking')(Come on : Idiomatic expression of protest, usedhere to mean 'Be reasonable')

6-223. 702.13 704.13/ 2.00(20)

MILO TO NICOLE)I'm just sayin'.

(Used to indicate a comment is merely an opinion,not a declaration or part of an argument)(Bobby reacts)

6-224. 705.05 707.01 1.12(17)

NICOLE TO BOBBY)Bobby...

6-225. 708.02 711.01/ 2.15(29)

NICOLE TO BOBBY)...it looked really bad. It really did.

(it looked really bad : i.e., 'your involvement withthis case seemed very suspicious')


18/29



6-226. /711.05 714.14 3.09(35)

NICOLE TO BOBBY)I mean, your name was on the suicide report.

(the suicide report : i.e., 'the police report thatclaimed Walter Lilly's death was a suicide')

6-227. 715.02 717.12/ 2.10(26)

NICOLE TO BOBBY)The bowling alley photo.

(Referring to the Police Bowling League picture thatincluded Mahler and Bobby, that Nicole found inMahler's office at Blue Ink Tattoo)

6-228. /718.00 720.07/ 2.07(24)

BOBBY TO NICOLE)I walked you down the goddamn aisle.

(goddamn : mildly vulgar intensive)(See Title #4-194)

*6-229. 720.11 722.09 1.14(18)

MILO TO BOBBY)That's what I said.

6-230. 722.13 724.09/ 1.12(17)

NICOLE TO BOBBY)Yes, that's what he said.

6-231. /724.13 727.09/ 2.12(27)

BOBBY TO MILO)Ya serious? She really thought I was involved?

(Ya serious : You serious - Idiomatic expression ofdisbelief)

6-232. /727.13 731.08/ 3.11(36)

MILO TO BOBBY)Yeah. But, then, ya know, she never liked you.

(then : used here to mean 'it makes sense,because')(Note humor)

6-233. 732.02 735.07/ 3.05

(33)

BOBBY TO NICOLE)

Ya know what? Never liked your ass either.(your ass : vulgar slang for 'you')(Note humor)(Nicole reacts, approaches Bobby and kisses him)


19/29


20/29



6-242.ITAL

780.11 786.12/ 6.01(60)

STEWART OVER PHONE TO NICOLE)Oh, we had something beautiful and special and rare...

(something : i.e., 'a relationship that was')

6-243. /787.00 793.10/ 6.10(66)

STEWART INTO PHONE TO NICOLE)...but if these are the kinds of people you hang out with, youcan forget it!

(hang out : slang for 'socialize' - 'associate')(you can forget it : slang dismissal - i.e., 'youshould dismiss any notion of being involved with me,because I absolutely refuse')

6-244. /794.01 796.09/ 2.08(25)

NICOLE INTO PHONE TO STEWART)Well, if that's the way you really feel....

(Implying Nicole readily accepts Stewart's position)(Stewart reacts)

6-245. /796.13 801.14 5.01(50)

STEWART INTO PHONE TO NICOLE)Wait, no, no, no. Wait, no, hold on. No, no, no, stop.

6-246. 802.02 807.11/ 5.09(55)

STEWART INTO PHONE TO NICOLE)Are you admitting that we had something beautiful, specialand rare?

(Note humor)

6-247. /807.15 810.06/ 2.07(24)

NICOLE INTO PHONE TO STEWART)Stewart, I really gotta go, okay?

(gotta go : Idiomatic for 'have to end this phonecall')

6-248. /810.10 816.04 5.10(56)

STEWART INTO PHONE TO NICOLE)Okay, you go. But just know you have given my heart wings.

(given my heart wings : metaphor for 'given megreat hope and joy' - note that Stewart remainshumorously oblivious of Nicole's lack of interest)

6-249. 816.08 821.04 4.12(47)

STEWART INTO PHONE TO NICOLE)For moments ago, I was barely able to walk...

(For : Because - Seeing that)


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6-259. /861.01 865.01/ 4.00(40)

NICOLE TO MILO)But I gotta get this story in before anybody gets wind of it.

(get this story in : see Title #6-234)(gets wind of it : slang for 'finds out about it' - 'hearsthe initial details of it')

6-260. /865.05 867.05 2.00(20)

NICOLE TO MILO)I just have to.

6-261. 868.04 870.14 2.10(26)

NICOLE TO MILO)You understand that, right?

6-262. 871.02 874.14 3.12(37)

MILO TO NICOLE)Totally. Don't-- Listen, I get it.

(Totally : Slang emphatic assent)(get it : slang for 'understand')

6-263. 875.02 877.12/ 2.10(26)

MILO TO NICOLE)I get it. You're just doin' your job.

(Nicole reacts, relieved)

6-264. 879.01 881.05 2.04(22)

NICOLE TO MILO,THEN MILO TO NICOLE) (OPTIONAL)-Yeah.

-Yeah.

6-265. 882.03 884.01/ 1.14(18)

NICOLE TO MILO)Thank you.

6-266. /884.05 887.03 2.14(28)

MILO TO NICOLE)That is not gonna be an issue this time around.

(an issue : i.e., 'an interpersonal problem betweenus')(this time around : i.e., 'in this new phase of our

relationship')


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6-267. 887.07 893.07/ 6.00(60)

MILO TO NICOLE)You know, we both will sometimes have to put our job first.

(put our job first : colloquial for 'put our jobs first' -i.e., 'consider our job obligations more importantthan the demands of our relationship')

6-268. 893.15 896.06 2.07(24)

MILO TO NICOLE)It's like that, right?

(It's like that : i.e., 'That is the truth of the matter')

6-269. 896.15 898.10 1.11(16)

NICOLE TO MILO)Yeah.

6-270. 899.12 901.06 1.10

(16)

NICOLE TO MILO) (OPTIONAL)

Yup.

6-271. 901.12 903.11 1.15(19)

NICOLE TO MILO)But after....

(Implying 'But after we fulfill those obligations, wecan fully enjoy our time together.')

6-272. /909.00 910.12 1.12(17)

NICOLE TO MILO) (OPTIONAL)Wow.

6-273. 912.01 914.08/ 2.07(24)

NICOLE TO MILO)We're actually doing this.

(Implying Nicole is amazed she and Milo arebeginning their romantic relationship anew, in amature fashion)

6-274. 915.04 917.07/ 2.03(21)

MILO TO NICOLE)Yes, we are.

(Milo suddenly pulls over and parks in front of apolice station. Nicole glances about, bewildered)


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6-275. 927.06 930.09/ 3.03(31)

NICOLE TO MILO)Why are we pulling over here?

(pulling over : idiomatic for 'gradually driving towardthe side of the road and stopping')(Nicole sees the police station, which has a signabove the door)

6-275A. /930.13 933.00/ 2.03(21)

NARRATIVE TITLE) (of sign)

117TH PRECINCT

(PRECINCT : police unit or police station of a cityor town district)(Nicole reacts, shocked)

6-276. 935.02 936.13/ 1.11

(16)

NICOLE TO MILO)

Here?

6-277. 940.09 942.07 1.14(18)

NICOLE TO HERSELF)No.

6-278. 943.13 946.03/ 2.06(23)

NICOLE TO MILO)You wouldn't.

(Milo ushers Nicole into the police station)

6-279. 947.11 950.13 3.02(31)

MILO TO NICOLE)I told you I was bringin' you in.

(bringin' you in : bringing you in - idiomatic for'taking you to the police station for arrest')(Milo glances at a clock)

6-280. 951.01 955.10 4.09(45)

MILO TO NICOLE)And we have-- Oh! Five minutes to spare.

(Five minutes to spare : Note implication that in fivemore minutes, Milo's deadline for capturing Nicolewould have expired)

(Milo leads Nicole to a counter, where a DeskSergeant is posted)


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6-285C. 1006.14 1008.13 1.15(19)

NICOLE AS IF TO MILO)Where did you--?

(Implying, 'Where did you go' - 'Where are you')

6-286. 1011.00 1014.04/ 3.04(32)

NICOLE TO GROUP)Aren't I entitled to a phone call?

(Note that traditionally, a person who is arrested isallowed one phone call, which is usually used tocontact a lawyer, family member or someone elsewho can help them)(Milo walks outside. Gelman approaches)

6-287. 1027.11 1030.12 3.01(30)

GELMAN TO MILO)Ooh, it's the bounty hunter.

6-288. 1031.09 1038.02/ 6.09(65)

GELMAN TO MILO)How was your weekend, asshole? Did you set any moreparades on fire?

(asshole : vulgar slang for 'thoroughlycontemptible, detestable person')(set...fire : i.e., 'cause any more fires duringparades')(Note wry, taunting tone)

6-289. 1041.10 1046.08/ 4.14(48)

MILO TO GELMAN)Actually, Gelman, the rest-a my weekend was pretty quiet.

(pretty quiet : idiomatic for 'rather uneventful')(Note wry humor)

6-290. /1046.12 1048.00/ 1.04(12)

GELMAN TO MILO)Yeah?

6-291. /1048.07 1050.07/ 2.00(20)

MILO TO GELMAN)Until now.

(Milo punches Gelman in the face, knocking himonto the hood of a police cruiser. Inside the police

station, Nicole makes her one allotted phone call toher newspaper)


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6-292. /1054.02 1057.04 3.02(31)

NICOLE INTO PHONE TO PERSON)It'll go to the Internet edition immediately...

(It'll go to : i.e., 'The story will be published on')(the Internet edition : i.e., 'the Internet edition of ournewspaper')

6-293. 1057.08 1063.08 6.00(60)

NICOLE INTO PHONE TO PERSON)...and then all media outlets will have to come through usdirectly for the details.

(come through us : i.e., 'contact us')

6-294. 1063.12 1065.04 1.08(15)

NICOLE INTO PHONE TO PERSON)Great.

(Nicole hangs up the phone as Gelman ushers Milotoward a holding cell)

6-295. 1065.08 1067.03 1.11(16)

NICOLE INTO PHONE TO PERSON)Thanks.

6-296. 1069.13 1074.00 4.03(41)

MILO TO NICOLE)Usin' your one call to phone in a story.

(phone in a story : i.e., 'report a news story bytelephone to your newspaper')

6-297. 1074.04 1076.07 2.03(21)

MILO TO NICOLE)That is so you.

(Idiomatic for 'That is typical of you.' - i.e., 'That istypical of your devotion to your job.')(The female officer escorts Nicole toward anadjacent holding cell)

6-298. 1076.11 1078.10/ 1.15(19)

NICOLE TO MILO)What are you doing here?

6-299. /1078.14 1081.05/ 2.07(24)

MILO TO NICOLE)Hey, it's a special night, remember?

(Implying it is their wedding anniversary)


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6-300. 1081.15 1084.14/ 2.15(29)

MILO TO NICOLE)There's no way we're not spendin' it together.

*6-301. 1085.13 1088.10 2.13

(28)

MILO TO GELMAN)

Hey, can we go in the same cell together?

6-302. 1088.14 1090.11/ 1.13(18)

GELMAN TO MILO)Get in the cell, dickhead.

(dickhead : vulgar slang for 'idiot' - 'contemptibleperson')(Gelman pushes Milo into the cell. The female officerpushes Nicole into the adjacent cell)

*6-303. /1090.15 1093.03 2.04

(22)

FEMALE 117TH PRECINCT OFFICER TO NICOLE,

THEN NICOLE TO FEMALE 117TH PRECINCT OFFICER)-Let's go.-I'm going.

(I'm going : i.e., 'Don't push me, I'm not trying toresist')(Milo and Nicole stare at each other through the cellbars)

6-304. 1107.07 1109.08/ 2.01(20)

NICOLE TO MILO)You're crazy.

6-305. 1110.06 1112.04/ 1.14(18)

MILO TO NICOLE)Maybe I am.

6-306. 1115.15 1117.09/ 1.10(16)

MILO TO NICOLE)Come here.

(Milo and Nicole kiss between the cell bars)

6-307. 1141.15 1144.10/ 2.11(26)

MILO TO NICOLE)Happy anniversary, sweetheart.

(sweetheart : idiomatic term of affection)

6-308. 1145.15 1149.01 3.02(31)

NICOLE TO MILO)Happy anniversary, sweetheart.


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Bounty Hunter the (2010) Script 1299397

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Transcript of Bounty Hunter the (2010) Script 1299397