Boulder Philharmonic Orchestra Presents “The Creative and ... Phil Feb 25 2012-F.pdf · tunesmith...

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2590 Walnut Street, Boulder, CO 80302 303 449 1343 www.boulderphil.org MEDIA RELEASE February 3, 2011 Janet Braccio, Bella Voce Communications [email protected], 303-499-9031 Boulder Philharmonic Orchestra Presents “The Creative and the GreatTED Fellow Joshua Roman performs Gulda Cello Concerto, February 25 Young Artists Concerto Competition winner Peter Mathys performs Rachmaninoff Piano Concerto No. 2, 1st Movement, February 26 The Boulder Philharmonic Orchestra performs its next concert, entitled The Creative and the Great, on Saturday, February 25, 2012, at 7:30 p.m. at CU-Boulder’s Macky Auditorium. Michael Butterman, music director of the Boulder Phil, is on the podium, and 2011 TED Fellow Joshua Roman headlines the evening with a performance of the Gulda Cello Concerto. Shostakovich’s Jazz Suite No. 1 and Schubert’s Symphony No. 9 in C Major, The Greatround out the program, which repeats on Sunday, February 26, at 3 p.m. at St. Luke’s Methodist Church in Highlands Ranch. Peter Mathys, winner of the Boulder Philharmonic’s Young Artists Concerto Competition, performs the first movement of Rachmaninoff’s Piano Concerto No. 2 in place of soloist Joshua Roman on the Sunday concert. The concert opens with Jazz Suite No. 1, written in 1934 by Dimitri Shostakovitch (1906-1975). “These are three, light-hearted, tuneful works written in a style that recalls cabaret, klezmer, jazz, and dance hall,” said Michael Butterman. “The xylophone, banjo, and Hawaiian guitar all figure prominently, resulting in something closer to Kurt Weill than the Shostakovich most people know from his symphonies. But, Shostakovich clearly had two sides to himthe deeply brooding artist who felt the constant repression of the state and the facile tunesmith who wrote film music, gorgeous melodies, and light, satirical parodies, such as we hear in this work. This style and unusual instrumentation, which is closer to chamber music than it is to orchestral music, segue into the even quirkier Gulda Cello Concerto,” said Butterman. Vienna-born Friedrich Gulda (1930-2000), considered one of the great pianists of the 20 th century, is especially known for his performances of Mozart, Beethoven, and Schubert. “And yet,” said Butterman, “Gulda was a musical omnivore who straddled the classical and jazz worlds simultaneously throughout his career as a performer and a composer.” These two worlds are juxtaposed in his cello concerto written in 1980. In it, a wind bandwith jazz rhythm sectionplays the foil to a solo cellist who is asked to play in a variety of traditional and non-traditional styles, including improvisation. This is an extremely demanding concerto, and we couldn’t be more excited to feature cellist Joshua Roman, a champion of this work,said Butterman. Joshua Roman (b. 1983), considered a “classical rock star” for his wide range of repertoire and charismatic appeal, is making his Boulder Phil debut with the Gulda Cello Concerto. He performed this work last fall with the Seattle Symphony Orchestra, where he was principal cellist for two seasons, a position he won in 2006 at the age of 22. “Joshua Roman is making his mark as a musical missionary,” said Butterman, “blending genre boundaries and bringing classical music to nontraditional settings. His drive to make music of all types accessible to all, and to explore interesting connections between artistic movements and styles, very much reflects the ethos of the Boulder Phil as it reflects Boulder’s spirit of adventure and discovery.” The second half of the program features Symphony No. 9 in C, The Great,by Franz Schubert (1797- 1828), written during the last year of his life, but not performed until 1839. “Since Gulda was so associated with Mozart, Beethoven, and Schubert, I thought it would be interesting to perform a work by one of these masters as a kind of reflection of the two types of musical influences that lived harmoniously within this one person,” said Butterman. “Symphony No. 9, one of the great masterpieces of the symphonic repertoire, demonstrates not only Schubert’s gift for melody, but also his assimilation of Beethoven’s approach to motivic development as well as his original approach to musical form and instrument.”

Transcript of Boulder Philharmonic Orchestra Presents “The Creative and ... Phil Feb 25 2012-F.pdf · tunesmith...

Page 1: Boulder Philharmonic Orchestra Presents “The Creative and ... Phil Feb 25 2012-F.pdf · tunesmith who wrote film music, gorgeous melodies, and light, satirical parodies, such as

2590 Walnut Street, Boulder, CO 80302 – 303 449 1343 – www.boulderphil.org

MEDIA RELEASE February 3, 2011

Janet Braccio, Bella Voce Communications

[email protected], 303-499-9031

Boulder Philharmonic Orchestra Presents “The Creative and the Great”

TED Fellow Joshua Roman performs Gulda Cello Concerto, February 25

Young Artists Concerto Competition winner Peter Mathys performs Rachmaninoff Piano Concerto No. 2, 1st Movement, February 26

The Boulder Philharmonic Orchestra performs its next concert, entitled The Creative and the Great, on

Saturday, February 25, 2012, at 7:30 p.m. at CU-Boulder’s Macky Auditorium. Michael Butterman, music

director of the Boulder Phil, is on the podium, and 2011 TED Fellow Joshua Roman headlines the evening with

a performance of the Gulda Cello Concerto. Shostakovich’s Jazz Suite No. 1 and Schubert’s Symphony No. 9 in

C Major, “The Great” round out the program, which repeats on Sunday, February 26, at 3 p.m. at St. Luke’s

Methodist Church in Highlands Ranch. Peter Mathys, winner of the Boulder Philharmonic’s Young Artists

Concerto Competition, performs the first movement of Rachmaninoff’s Piano Concerto No. 2 in place of soloist

Joshua Roman on the Sunday concert.

The concert opens with Jazz Suite No. 1, written in 1934 by Dimitri Shostakovitch (1906-1975). “These

are three, light-hearted, tuneful works written in a style that recalls cabaret, klezmer, jazz, and dance hall,” said

Michael Butterman. “The xylophone, banjo, and Hawaiian guitar all figure prominently, resulting in something

closer to Kurt Weill than the Shostakovich most people know from his symphonies. But, Shostakovich clearly

had two sides to him—the deeply brooding artist who felt the constant repression of the state and the facile

tunesmith who wrote film music, gorgeous melodies, and light, satirical parodies, such as we hear in this work.

This style and unusual instrumentation, which is closer to chamber music than it is to orchestral music, segue

into the even quirkier Gulda Cello Concerto,” said Butterman.

Vienna-born Friedrich Gulda (1930-2000), considered one of the great pianists of the 20th century, is

especially known for his performances of Mozart, Beethoven, and Schubert. “And yet,” said Butterman, “Gulda

was a musical omnivore who straddled the classical and jazz worlds simultaneously throughout his career as a

performer and a composer.” These two worlds are juxtaposed in his cello concerto written in 1980. In it, a wind

band—with jazz rhythm section—plays the foil to a solo cellist who is asked to play in a variety of traditional

and non-traditional styles, including improvisation. “This is an extremely demanding concerto, and we couldn’t

be more excited to feature cellist Joshua Roman, a champion of this work,” said Butterman.

Joshua Roman (b. 1983), considered a “classical rock star” for his wide range of repertoire and

charismatic appeal, is making his Boulder Phil debut with the Gulda Cello Concerto. He performed this work

last fall with the Seattle Symphony Orchestra, where he was principal cellist for two seasons, a position he won

in 2006 at the age of 22. “Joshua Roman is making his mark as a musical missionary,” said Butterman,

“blending genre boundaries and bringing classical music to nontraditional settings. His drive to make music of

all types accessible to all, and to explore interesting connections between artistic movements and styles, very

much reflects the ethos of the Boulder Phil as it reflects Boulder’s spirit of adventure and discovery.”

The second half of the program features Symphony No. 9 in C, “The Great,” by Franz Schubert (1797-

1828), written during the last year of his life, but not performed until 1839. “Since Gulda was so associated with

Mozart, Beethoven, and Schubert, I thought it would be interesting to perform a work by one of these masters as

a kind of reflection of the two types of musical influences that lived harmoniously within this one person,” said

Butterman. “Symphony No. 9, one of the great masterpieces of the symphonic repertoire, demonstrates not only

Schubert’s gift for melody, but also his assimilation of Beethoven’s approach to motivic development as well as

his original approach to musical form and instrument.”

Page 2: Boulder Philharmonic Orchestra Presents “The Creative and ... Phil Feb 25 2012-F.pdf · tunesmith who wrote film music, gorgeous melodies, and light, satirical parodies, such as

2590 Walnut Street, Boulder, CO 80302 – 303 449 1343 – www.boulderphil.org

The concert repeats on Sunday, February 26, 2012, at 3 p.m. at St. Luke’s Methodist Church in

Highlands Ranch. “We are delighted to be returning to St. Luke’s, following a successful debut last year hosted

by Dr. James Ramsey,” said Kevin Shuck, executive director of the Boulder Philharmonic Orchestra. “We are

also excited to have this opportunity to feature the winner of the Boulder Phil’s Young Artists Concerto

Competition, Peter Mathys.”

Mathys, 19, is a political science major and piano performance student at CU-Boulder’s College of

Music, studying with Andrew Cooperstock. He has been the winner of the Yamaha, Colorado State Music

Teachers Association, and Kawai piano competitions and of the Colorado Piano Festival. Mathys has performed

with the Colorado Symphony and the New York Concerti Sinfonietta, and for the past seven years he has been

selected to perform at the Boulder Bach Festival.

“The Boulder Phil is committed to supporting young musicians, and our Young Artists Concerto

Competition has been a key part of that commitment since 1959,” said Shuck. “In addition, at Saturday’s

performance we are partnering with Colorado Public Radio to publicize its annual instrument drive for local

schools, while Sunday’s performance serves as a fundraiser to purchase instruments for the John Wesley School

in Santa Cruz Del Quiche, Guatemala, with which St. Luke’s has an ongoing relationship. It is indeed a

privilege to be able to make music a part of so many young peoples’ lives in this way.”

Program Information: The Creative & the Great

Boulder Philharmonic Orchestra Michael Butterman, Music Director

Saturday, February 25, 2012, 7:30 p.m.

Macky Auditorium, CU-Boulder

Joshua Roman, Cello

SHOSTAKOVICH: Jazz Suite No. 1

GULDA: Cello Concerto

SCHUBERT: Symphony No. 9 in C Major, “The Great”

Additional activities on February 25:

6:30 p.m., Pre-Concert Talk with Joshua Roman

Tickets for this performance are $13-$70 ($5 for students) and available online at www.boulderphil.org and by

calling 303-449-1343, ext. 2.

Sunday, February 26, 2012, 3:00 p.m.

St. Luke’s Methodist Church, 8817 S. Broadway, Highlands Ranch, CO, 80129

Peter Mathys, Piano (2012 Young Artists Concerto Competition Winner)

SHOSTAKOVICH: Jazz Suite No. 1

RACHMANINOFF: Piano Concerto No. 2, 1st movement

SCHUBERT: Symphony No. 9 in C Major, “The Great”

Tickets for this performance are $10-$30 and available online at www.boulderphil.org and by calling 303-449-

1343, ext. 2.

This program is sponsored in part by

Sterling-Rice Group and the Citizens of the Scientific and Cultural Facilities District

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