C O R R E L A T I O N O F S O U N D A N 3 C O L O R

The HESTU Publishing Co. Boston. Mass.

193;

Copyright, 1531 by

Pacl Fester Ch::a

CORRELATION OF SOUND A&rD GOLOR i.

I n t h e order of the Life-puwer's se l f -express ion , sound, precedes l i g h t . A very ancient Sanskr i t book t e l l s of Shabda-Brahma, the sound-divinity, which i a t h e root-potency of a l l mani fes ta t ion . I t says, "Through sound t h e world

)I stands. Pythagoras taught t h e same th ing . So did P la to , Both were i c s t r u c t e d by Egyptian hierophents . From them they learned t h a t t h e physical universe i s c a l l e d f o r t h from chaos by ordered, rhythmic sound. Moses, i n i t i a t e d i n t h e same Egyptian achools, began Genesis wi th an account of a s e r i e s of c r e a t i v e a c t s introduced by t h e words, "And God. sa id ." The Hebrews and t h e Greeks a l i k e were i n s t r u c t e d i n a s e c r e t wisdom which had f o r a c e n t r a l t e n e t t h e idea t h a t t h e laws of musical proport ion a r e expressed i n a l l t h ings , When S t . John wrote of t h e Logos, or Crea t ive Word, ' ' ~ h r o ~ ~ h him a l l t h i n g s were made, and t h a t which ha th been made was l i f e i n him," he s inp ly published openly what had long been t ransmi t ted from mouth t o ear i n e s o t e r i c schools .

"That which hath been made was l i f e i n him: and t h e I1

l i f e was t h e l i g h t of men, i s t h e c o r r e c t vers ion of t h a t !l passage from S t . John's Gospel which i s u s u a l l y rendered, In

him was l i f e . ' ' Read t h c sentence a s though you had never seen it before. Then you w i l l perceive t h a t t h e f i r s t c lause says e x p l i c i t l y t h a t Life i n t h e Creat ive Word was t h e o r i g i n a l s t a t e of everything. This means t h a t p l ane t s and people, houses and h i l l s , t a b l e s and t r e e s , a r e express ions of l i f e . P h y s i c i ~ t s today say t h e very same thing--only they c a l l l i f e by another name, "e lectro-magnetic energy. n

II "The l i f e was t h e l i g h t of men. The v i t a l p r i n c i p l e of the Crea t ive fiord was, and i s , t h e l i g h t we know--even t h e physical l i g h t which sh ines upon t h i s o a r t h from sun and moon and s t a r s . It i s no t merely t h e phys ica l l i g h t . Never- t h e l e ~ s , it i s a r a d i a n t v i b r a t i o n which inc ludes t h a t physi- c a l l i g h t amon5 i t s manif e s t o t i o n s ,

This i s what Western occul t schools have always c c l l e d L.V.X., which i s Lat in f o r " l ight" . The word i s w r i t t e n wi th period€ between i t s l e t t e r s , t o i n d i c a t e a hidden meaning con- nected wi th t h e numerals represontcd by i t s t h r e e cha rac te r s . I n Roman numeration L i s 50, V i s 5, and X i s 10, so t h a t L.V.X. s t ands for 65. This number has many profound occu l t meanings, which it i s impossible t o d i scuss i n theso pages, except i n t h e b r i e f e s t way. Enough t o say here t h a t t h e number 6 i s equiva lent t o t h e s ix-pointed s t a r , 9 P aymbol of t he un ivs r s s and i t s f o r c e s , whi le 5 i s equiva e n t t o t h e Pentagram, o r f ive-pointed s t a r , , which symbolizes Man,

SOUND AND COLOR . 2 .

and h i s dominion over n a t u r a l forces . Hence t h e number 65, read from d i g i t s t o t e n s , means, "The power of man, expressed through t h e forces of t h e universe." , k n , says occu l t sc ience i s t h e temple, or abode, of the r u l i n g power of t h e universe ,

t I end i n Hebrew the word Y I K L, Haikal, "temple , i s a l s o num- bered 65. Furthermore t h e word f o r "Lord" i n t h e same language is A D N I , Adonai, and t h i s i e a l s o 65. L.V.XA t h e r e f o r e h i n t s t h a t t h e v i t a l r ad ian t energy of t h e Crea t ive Word i s in- c a r n a t e i n man ("the Word was f l e s h n ) , and s u g ~ e s t a t h e idea t h a t human personal i ty i~ t h e temple of t h e r u l f n g pchrer of t he universe . The c r e a t i v e and c o n t r o l l i n g power i s centered ih YOU, says t h i s occul t teaching. Your d e s t i n y i~ t o exe rc i se t h i s power, t o be i t s channel, instrument , and veh ic l e .

Bearing t h i s i n mind, it w i l l be w e l l f o r you t o t r y your b e s t t o undsrstand t h a t t h i s p a r t i c u l a r por t ion of t h e s e c r e t wisdom chich now comes into your hands through t h e medi- um of t h i s t e x t has not come t o you by chance. You have re- ceived it i n order t o prepare you t o become a more pe r fec t ve- h i c l e f o r t h e c rea t ive and t ransforming energy of t h e One Life. This knowledge is a t r u s t . Use it c a r e f u l l y and wisely.

Though manifested i n many p laces , i n an i n f i n i t e v a r i e t y of appearances, l i f e and l i g h t a r e one. The r o o t of t h i s Liv- ing Light i s the mode of v i b r a t i o n termed sound. Even skep t i - - c a l p h y s i c i s t s have been obliged by t h e evidence gained in t h e i r l l a b o r a t o r i e s t o come very c lose t o complete acceptance of t h i s doc t r ine . Their experiments have shown them t h a t a l l phys ica l t h ings a r e expressions of a s i n g l e energy. They knaw t h a t every e:lergy-expression i s a mode of v i b r a t i o n , and they f ind sound a t t he beginning of t h e v i b r a t o r y aoale .

Year6 ago, i n an eddress before t h e B r i t i s h Associat ion f o r t h e Advancement of Science, S i r W i l l i a m Crookes described a s c a l e of v i b r a t i o n s , beginning with two per second. By re - pea tedly doubling thc. number of p u l s a t i o n s per second, h i s t a b l e gave a s e r i e s of octaves. A t t h e l 5 t h octhve, t h e v i - b r a t i o n s ceased t o Se audible t o human e a r s . Then come severa l octaves whose a c t i v i t i e s have n o t been d e t e c t e d a s y e t by exo- t e r i o science, although occu l t science knows something about them. The 20th t o 35th ootaves a r e those o f e l e c t r i c i t y . Dr. F. F. Strong has i d e n t i f i e d t h e 35th t o 45th octaves a s those of t h e nerve c u r r e n t s of t h e human body. The 46th, 47th, and 48th octaves a r e hea t v i b r a t i o n s . They a r e followed by ~ e v e r a l oc taves of l i g h t . Beyond l i g h t i s another unknown s e r i e s . Then come the X-rays, and t h e s e may be followed by any number of oc t rves , a € y e t u n c l a s s i f i e d .

SOUND AND COLQR 3 .

From considering t h i s sca le , it becomes ev iden t t h a t when t h e Life-power awakens i t s mysterious a c t i v i t y a t t h e be- g i ~ i n g of a cycle of manifes ta t ion , those v i b r a t i o n s which we recognize a s sound come i n t o . e x i s t e n c e before t h e more r ap id pu l sa t ions of e l e c t r i c i t y and l i g h t . Thus modern science con- f i rms t h e anc ien t occu l t teaching t h a t sound i s t h e r o o t sf phys ica l ex is tence . "It i s out of Sound t h a t every form comes,

n and it i s i n Sound t h a t every form l i v e s .

SOUND AND c o r n

A s we hear it, sound i s an atmospheric v ib ra t ion . Color, as we perceive it i n nature, i s almost wholly con- f ined t o r e f l e c t e d l i g h t , t o some degree modified by atmos- pher ic d i v i s i o n . Color i s sensed through t h e a c t i v i t y of a s u b t l e r medium than a i r , usual ly termed "ether."

What i s known a s t h e standard p i t c h of t h e sound named "Middle C" i n t h e musical sca le i s t h e e f f e c t produced upon t h e e a r and sound-center i n t h e b r a i n by 256 v i b r a t i o n s of t h e atmosphere per second. This i s a l i t t l e slower, or " f l a t t e r n , than t h e musical p i t c h now i n general use , but t h e t l i g h t varia- t i o n does no t i n t e r f e r e with p r a c t i c a l work.

NOW, i f you double t h e number 256 o f t e n enough, you car ry t h e note "C" up through t h e musical s c a l e t o t h e l i m i t a of hearing. After t h a t , repeated doubling of t h e number of v i b r a t i o n s per second w i l l s t i l l give you a s e r i e s of ' C f s , n

octave a f t e r octave, through t h e unknown plane of v i b r a t i o n s between sound and e l e c t r i c i t y . Continue t h e process of doubling the r a t e of v i b r a t i o n , and you g e t another s e r i e s

11 of "C I s , up through t h e e l e c t r i c a l octaves, t h e n i n t o t h e octaves corresponding t o t h e human nerve c u r r e n t s , t h e n i n t o the octaves corresponding t o hea t and l i g h t .

I t i s i n t h e light-wave octaves t h a t we work wi th color. Here t h e medium, ins t ead of a i r , i s e t h e r . The shape and d i r e c t i o n of t h e light-waves, moreover, i s d i f f e r e n t from t h a t of sound-waves. I t i s i n t h e NUMBER of waves per seoond t h a t the c o r r e l a t i o n c o n s i s t s . The poin t t o remember i s t h a t i f you double 256 o f t e n enough, you w i l l f i n a l l y oome t o t h e exaot number of v i b r a t i o n s per second, working through l ight-r~avee, which give t h e human eye t h e sensa t ion "red."

I n t h e same way, every semi-tone of t h e musical s c a l e i s represented by a g iven number of v i b r a t i o n s per second, which, when repeatedly doubled, becomes t h e number of v i b r a t i o n s per

SOUND AND COLOR 4.

ueoond which g ives a corresponding co lo r - sensa t ion , Thus we a r e a b l e t o cons t ruc t s c i e n t i f i c a l l y a chromatic s c a l e of o o l o r s corresponding t o t h e chromatic s c a l e of 6ounds. When we do so , we f i n d t h a t we have an exac t c o l o r correspondenoe t o t h e twelve semi-tones of t h e musical s c a l e .

This teaching was received from e s o t e r i c sources t o which we a l e o t r a c e t h e invent ion of t h e Tarot . Even by bs i t . h a s long Seen held i n r e se rve . But t h e independent investigation^ of Edward Maryon, who worked out t h e c o r r e l a t i o n s from sound t o c o l o r wi th the help of such eminent s c i e n t i s t s a6 Crookes, Becquerel and o thers , made imperative a p a r t i a l d e c l a r a t i o n of t h i s kn ledge a s long ago a s 1920. Since t h e n t h e work of 9 William r a e t a s has a l s o been made pub l i c , and ha^ been edapted t o a v a r i e t y of o o m e r c i a l uses by t h e Taylor System of Color& Harmony L

I n shor t , t h e e s s e n t i a l s of t h e t each ing B O long kept s e c r e t i n o c c u l t f r a t e r n i t i e s a r e now publ ic proper ty . For t h i s reason t h e Inner School deems it a d v i s a b l e a t t h i s time t o give f o r t h even more s p e c i f i c teaching . This i s done so t h a t prepared minds may use c o l o r and sound i n oonnection with Tarot f o r mental color-heal ing, f o r t h e development of a well- rounded human consciousness, and f o r t h e l i b e r a t i o n of t h e pro- founder powers of subconsciousness i n works of t h a t t r u e ldagia of Light which from time immemorial has been c a l l e d "theurgy," or "working a s God works ,"

COLOR SCALES AM> DIAGRAMS.

A t t h e end of t h e t e x t you w i l l f i n d black-and-white o u t l i n e s of the var ious s c a l e s and diagrams which w i l l he lp you b e t t e r t o understand t h e c o r r e l a t i o n s between sound and co lo r and t h e Tarot . They a r e planned t o be copied from t h e t e x t . The equipment required for t h i s i s a s fo l lows;

1. Three shee t s of br i s to l -board , size 9 by 12 inches, prefer- ab ly black.

2. A r u l e r , a penai l , and a p a i r of compasses.

3. hrenty-f ive shee t s of Milton Bradley ' s "Trutonen t i n t e d paper. These t i n t e d s h e e t s a r e enclosed i n a pocket a t t h e end of t h i ~ book.

DIAGRAM No, 1 i s t h e co lo r wheel corresponding t o ' t h e twelve major trumps which r ep resen t t h e twelve e igns of t h e

SOUND A m comli

zodiac. It begins with red, i n t h e space corresponding t o t h e Emperor and Ar ies , and continues through t h e twelve c o l o r semi- t ones t o v io le t - r ed , which occupies t h e same space correrpond- i n g t o Key 18 and Pisces. This r equ i res a l l t h e t i n t s i n t h e package of paper wi th t h e except ion of l i g h t yellow.

To make it, draw on a piece of b f i s to l -board , preferably black, s i z e 9 by 12 incheu, a c i r c l e t h e same s i z e a s t h a t i n t h e diagram, and divide it i n t b twelve equal p a r t s .

Now, begin w i t h t h e red paper, and c u t out a wedge-shaped piece t h e same r i z e h s t h e d i v i s i o n marked 4 on t h e wheelr Pas te it wi th l i b r a r y pas te i n t h e corfbsponding s e c t i o n of t h e wheel you have drawn. Continue with t h e twelve t i n t s named i n t h e diagram. Be sure t h a t i n t h e f i f t h spaoe, corresponding t o St rength and the s ign Leo, you put t h e deeper tint of ye l lou .

Complete the diagram by w r i t i n g t h e number of t h e Tarot Key and t h e symbol of t h e zodiacal s i g n corresponding t o each space. . Use white ink f o r t h i s .

DIAGRAM No. 2 i s t h e musioal soale of co lo rc The oirou- l a r no tes a r e t o be c u t out of t h e t i n t e d paper K i t h a punch. Rule t h e l i n e s on black br i s to l -board wi th white ink. If you read music, you w i l l no t need t o w r i t e in t h e names of t h e notes . otherwise be sure t o do so.

DIAGRAM No. 3 shows t h e t e n nemes corresponding t o t h e num- b e r s from 1 t o 10, Kith t h e i r musical and color-correspondences. The s p e l l i n g s of these names (in Eng l i sh l e t t e r s corresponding t o t h e Hebrew charac te r s ) , and t h e i r pronunciat ion, a r e a s follows:

1. A 9 I H , pronounced Ay-hay-yeh. 2 . I H, pronounced Yah. 3. A L H I M, pronounced ~ ~ - ~ i l - o h - h d - e e r n (when intoned. ) 4. A L, pronounced ~ $ - ~ i l (when intoned). 5. A L H i M G B V R , intoned a s ~y-yil-oh-he'-eem Gi-boo-

00-oor . / 6. A L H V D 0 Th, intonsd Ayl-oh-ah oah-d&-ath. ,

7. I H V E Tz B A V Th, intoned Yohd-by-Waw-Hay Tzeh- bah-00-00th.

/ 8. A L B I M Te B A V Th, intoned AY-yil-oh-h&-esm ~ d h -

bah-00-00th. 9. Sh D I A L Ch I , intoned Shah-ddh-ee ~ y - ~ i l ah-pd.

10. A D N I M L K, intoned Ah-doh-nah-yee May-yil-dk.

N. B. The time-values of a l l t h e s e i n t o n a t i o n s a r e based on crix- e i g h t time. I f you do no t understand musical no ta t ion , g e t some

SOUND AND COLOR 6.

I n musical f r i end t o s ing or p lay them f o r you. Double o as in Gi-boo-00-oor and Tsah-bah-oo-ooth, i s pronounced a s i n "boot.

n

These t e n names correspond t o t h e t e n minor trumps of each Tarot s u i t , from Ace t o Ten. They a l s o correspond to t he t e n s tatements i n t h e P a t t e r n on t h e Trest le-board, from 1 t o 10. The meanings of t h e names a r e a s follows:

1. AHIB, Existence. 2. I H , Rea l i ty ( t h e s h o r t form of IHVH, whioh means "That

which was, t h a t which i s , t h a t whioh w i l l be t h e only Rea l i ty . " )

3. AUIIM, The Creat ive Pmers . 4. AL, Strength. 5. ALHIM CIBVR, The Force of t h e Crea t ive Powers. 6. ALH VDOTh, St rength and Knowledge 7. IHVH TzBAVTh, Rea l i ty (manifested i n ) Hosts (of forms). 8. ALHIM T Z B ~ ~ T ~ , The Creat ive Powers (manifested i n )

Hosts (of forms). 9 . ShDI hL ChI, Almighty St rength of Life .

10. ADNI MLK, h r d (and) King.

DIAGRAM No. 4 i s the co lo r equ iva len t of t h e Tarot t a b leau which i s given t o a l l Tarot s tudents . It r e q u i r e s no fur- t h e r explanat ion i n these pages, s ince t h e s igni f ioanoe of the c o l o r s w i l l be f u l l y given i n t h e ,remainder of t h i s t e x t .

If you l i k e , you may a l s o f i l l in t h e diagrams of t h i s t e x t w i t h t he t i n t e d paper, f o r you w i l l have plenty of mater ial . But be su re t o make a s e t of t h e four diagrams, mounted on black br i s to l -board , so t h a t they can be s e t up on a t a b l e , sup- ported by a p i l e of books, where you can look a t them, a s directed l a t e r i n t h i s t e x t .

I n addi t ion t o t h e four diagrams, mount t h e o the r twelve ha l f - shee t s on black br i s to l -board . The b e s t s i z e of board i e 9 by 1 2 inches. Take the l i g h t yellow s h e e t , and mount it, too, so t h a t you w i l l have t h i r t e e n plaques mounted f o r your heal ing work

PUdWTARY COLORS

I n ancient exo te r i c a s t ro logy c a l c u l a t i o n s were made from t h e pos i t ions and aspects of t h e Sun, Moon, Mercury, Venus, Mars, Jup i t e r , and Saturn. Since Uranus and Neptune were d i s o w e r e d by astronomers, t h e r e p lane t s have a l s o been considered i n modern horoscopes. Occult teaching says t h e r e i s another planet, Vuloan.

SOUND AND COLOR 7 .

It i s sa id t o be the octave, or higher vibrat ion, of Mars, as Uranus i s the octave or Mercury, and Neptune of Venus.

Readers of these pages who know astrology w i l l , of oourse, appreciate aome of the f i n e points here indicated b e t t e r than w i l l those t o whom the science of t he a t a r s i s unfamiliar. hat the l a t t e r may take comfort. One needn't be an as t rologer i n order t o grasp and use t h i s color-eoClnd in s t ruc t ion i It i s , hw- ever, necessary t o learn the names of the twelve sign8 and the ocoult "stars. !I

Remember t h a t the signs represent t h e tmelve basio hu- l l

man types of l i f e exprersion, while t he a t u a " reprerent phases of thm One L i fbd fb r~9 Whioh, though act ive throughoiit the universe, have the same general q u a l i t i e r in every human being, no matter t o which one of the twelve types he may belong.

You w i l l great ly simplify your work i f you think of these planetary names a s being merely ahort, convenient l abe l s f o r t h e various phaaes of your personal energy. When we say nMer8", f o r instance, we a re not r e f e r r ing t o a planet in t h e rky. We mean something t h a t i s pa r t of your personal mnke-up, t ha t you have always w i t h you, and t h a t has a pa r t i cu l a r kind of work t o do through your personali ty. So with a l l t he other 8 t ~ ~ r

NEPTUNE i s represented in the color-scale by blue, be- cause i n Tarot t h i s planet corresponds t o t he Hanged ?dm, which ISey a l s o corresponds t o the element Water,

symbolized by the color blue. The musical tone i s G-aharp or A-f l a t .

URANUS i s pale yellow. It represent e a very high intona- t i on of E-natural, beyond the range of t he human voioe. This influence, however, m y be induoed by singing any E-natural within one 's vocal range. ht t h e color vibra-

t i o n used for t h i s planet should always -be pale yellow. This t i n t a l so represents t he element a i r , t h e Life-Breath, and Fiery Inte l l igence .

WU=U has a s ye t no generally accepted symbol. I t r color i s red, the t i n t assigned t o the element Fire and Perpetual In- te l l igenoe, and a l s o t o the planet Mars and Exoiting Intel l igenoe. The tone i s C-natural.

The foregoing planets have as t h e i r oentere i n the human body the same organs a s those assigned t o Venur, Mercury, and Mars, respectively. These w i l l be indicated i n t he following

som AND COLOR 8.

pages. Uranus corresponds t o t h e F o ~ l , and Vulcan i s represented i n Tarot by Judgment.

The other p lanetary c o l o r s and, correspondences a r e as fo l - lws:

RED. Tone : C-natural. The "p lanet" Mars ; It a p a r t i c u l a r oenter i s a nerve-center between the base of t h e 8pine and t h e navel. Hindu teachers t h i s i s c a l l e d the Svadhis- thana Chakra--"the abode of se l f " . It has been ident i-

f i e d wi th t h e p r o e t a t i c ganglion. The Mars v i b r a t i o b f inds ex- press ion through a l l your muscles, v o l u n t ~ r y and involuntary. It is a l s o a c t i v e i n t h e b r a i n and i n t h e reproduct ive organa.

This fo rce i s what g ives you energy, s t r e n g t h , co&ege and a c t i v i t y . It i s h o t , dry, and masculine in i t s influence. It has a l s o much t o do w i t h your d e s i r e s and wi th impulses brought over from e a r l i e r s t a t e s of your personal unfoldment.

People i n whom t h i s force i s s t rong and well-balaaced have power t o do th ings themselves, and power t o move o thers . They do not l i k e t o be d i c t a t e d t o by o the r people, and a r e usua l ly unhappy i n subordinate pos i t ions . They should t h e r e f o r e be i n bus iness f o r themselves, or e l s e i n work where they m y d i r e c t o ther people. When t h e Mars fo rce i s weak, t h e pe r sona l i ty ex- presses t h e q u a l i t i e s opposi te t o those enumerated above. When it i s over-strong, and unbalanced by o ther f o r c e , animal des i r e s r u l e t h e pe r sona l i ty , t h e temper i s harsh, and t h e r e i e l i k e l y t o be more or l e s s c r u e l t y i n t h e personal make-up.

When they a r e i n t e l l e c t u a l l y and s p i r i t u a l l y inc l ined , people who have t h e Mars fo rce w e l l developed make good h e a l e r s and t eacher s . %ey a r e usua l ly found occupying prominent posi- t i o n s i n a l l forward-looking movement 6 .

This force i s repreeented i n Tarot by He 16, the Tower, I which your tableau as s igns t o t h e l e t t e r Peh. he phase of conaciousness t h a t t h i s Key symbolizes i s c a l l e d Exci t ing In- t e l l i g e n c e . A s t h e p i c t u r e shuws, t h i s conscious expression of t h e Mars force i s d e s t r u c t i v e t o a l l s t r u c t u r e s of l imi ta - t i o n and f a l s e knuwledge. Phys io log ica l ly , t o o , t h e Mars v i b r a t i o n t e a r s down, bocause it i s t h e e l e c t r i c energy, or l igh tn ing , which causes a l l muscular a c t i o n , and even t h e s l i g h t - est movement of a muscle breaks down c e l l s t r u c t u r e . The Exoit- ing I n t e l l i g e n c e i a t h e mode of consciousness which m a k e 6 you d i s s a t i s f i e d w i t h o ld fonns of thought , and wi th o ld ways of ac t ion . It i s what impels you t o seek new forms of exprersion.

SOUND AND COLOR

The alchemical metal which corresponds t o t h e Mars vibra- t i o n i s i ron , which i 8 always c a l l e d "Marsw i n alohemical w r i t - ings. There i s a t r u e correspondence he re , and a r e a l oocul t sympathy e x i s t s between i r o n and s t e e l a n d t h e red v i b r a t i o n of t h i s "planet."

ORANGE. Tone: D-natural. Alchemical metal , gold o r n "Sol. This i s t h a t phase of your consciousness which

corresponds c l o s e s t t o y o u r innermost S e l f . I t i s a l s o t h e fundamental v i t a l fo rae of your organism. I t s color

orange, i s t h a t which Eastorn t eacher s a s s i g n t o Prana, t h e uni- v e r s a l v i t a l p r i n c i p l e .

Like t h e Mars v i b r a t i o n , the Sun-force i s hot , dry, mas- c u l i n e , and e l e c t r i c . I t s p r i n c i p a l c e n t e r ' i s in t h e sympathetic nervous system, 'a cen te r behind t h e hear:, which t h e Hindus c a l l t h e h a h a t a Chakra--"the uns t ruck 6ound. Phys io log ica l ly t h i 6

plexue governs t h e funat ions of t h e hea r t . It i s a l s o t h e point a t which the cosmio l i fe -energy e n t e r s t h e personal f i e l d . It might w e l l be compared t o t h e main twi tch through which e l e o t r i - c i t y i s conveyed from t h e ou t s ide . t ransmiss ion l i n e s i n t o a bu i ld ing .

When the Sun v i b r a t i o n f i n d s normal, we l l developed ex- press ion , it gives one a hea l thy body, and by t h e r e f l e x of t h i s heal th-condit ion upon personal consciousness, a n a sp i r ing , proud, frank, magnanimou 6 , generous, humane, f i n n , and honor- ab le d i spos i t ion . Whenever anything i n t e r f e r e s w i t h t h e in- f lux of t h i s v i b r a t i o n , or wi th i t s f r e e expression, h e a l t h s u f f e r s , and t h e mental r e f l e x e s of t h e phys ica l depress ion a r e t h e q u a l i t i e s of temperament oppos i te t o those j u s t men- t ioned. An excess of t h e Sun v i b r s t i o n i n c l i n e s t o f e v e r i s h t roub lea , and makes t h e temperament domineering, ino rd ina te ly ambitious, fond of d isp lay , and p rod iga l ly was te fu l of v i t a l i t y and money.

This v i b r a t i o n i s represented in Tarot by t h e 19th Key, t h e Sun. This Key i s a t t r i b u t e d t o the Hebrew l e t t e r Reah, and t o t h e mode of con8ciousness c a l l e d Co l l ec t ing I n t e l l i g e n o e . The p i c t u r e r ep resen t s t h e h i g h e s t and f i n e s t express ion of t h e Sun-force, which works through t h e h e a r t c e n t e r t o develop t h a t t r u e ch i ld l ikeness whioh i s s a i d t o be t h e condi t ion indispen- sable t o en te r ing the Xingdom of Heaven. The term Col leot ive I n t e l l i g e n c e r e f e r s t o t h e s y n t h e t i c power of t h i s mode of consciousness, which combines a l l forms of knowledge and ex- perience i n t r u e i l luminat ion . Concentrat ion on t h i s key w i l l automatical ly convey t o your suboonsoiousness t h e suggest ions

SOUND AND COLOR 10.

which a r e required i n order t o insure t h e bea t poes ib le develop- ment o f t h i s phase of your l i f e - a c t i v i t y .

?2 YELLOW. Tone: E-natural! Alchemical meta l , qu icks i lve r o r Mercury. This is t h a t phase of your l i f e - a o t i v i t y which psychology terms s e l f -consciousness, or ob jec t ive . mind. It i s your waking consciousness. I t s h i g h e s t expression

i s i n t e l l e c t , but it makes t h e plans, o r paves t h e way, fo r a s t i l l h igher form of knowing .

The higher bra in , o r oerebrum, i s t h e organ f o r express- ing t h i s Mercury v ib ra t ion . Of t h e bra in-centers through which it func t ions , the most important i s t h e p i n e a l glanQ or conarium. This i s a reddish-white, cone-shaped organ, a lmost a t t h e cen te r of t h e bra in . It contains a yellow, granular substance k n m a6 b r a i n sand. Adepts complete t h e f u n c t i o n of t h i s c e n t e r by nmk- i ng t h e p a r t i c l e s of b r a i n sand oohere, so a s t o form a o r y s t a l - l i n e body. This c r y s t a l l i n e body i s t h e t r u e s tone of t h e Wiae, o r ~ h i l o s o ~ h e r s ' Stone. Vihen t h e Life-power i s specia l ized through t h i s c e n t e r , one experiences superoonsciousness. Anatomists know nothing of t h i s c r y s t a l l i n e formation i n t h e p i n e a l gland, rimply because they never have an opportuni ty t o d i s s e c t t h e b ra in of an adept.

The Mercury v i b r a t i o n has two other p r i n c i p a l a r e a s of manifestat ion. The f i r s t includes t h e shoulders , arms and hands, and lungs. These are t h e p r inc ipa l instruments of human ar t and labor. Through t h e hands most of our work i s performed, and c i v i l i z a t i o n i s the re fo re i n t h e main t h e handiwork of man. Through the highest development of t h e func t ions of t h e lungs, a s every occu l t s tudent should know, we a r e a b l e t o con tac t and u t i l i z e sub t l e fo rces which a r e used in t h e making of t h e cry- s t a l l i n e Philosophers ' Stone.

The o the r a rea of t h e body i n which Mercury v i b r a t i o n i s a o t i v e i s t h e i n t e s t i n a l region. Alchemical books a s s e r t t h a t t h e F i r s t Matter of t h e Great work which i s completed by t h e manufacture of the Stone i s a substance named "Virgin 's Ulk." The Virgin i s t h e zodiaca l sign Virgo, r u l e d by )dercury, which governs t h e i n t e s t i n e e . The E l k i s chyle , a mi- substanoe found in t h e small i n t e s t i n e , oons i s t ing of food t h a t has passed through the etomach. From chyle t h e l a c t e a l s , l i t t l e organs i n t h e small i n t e s t i n e , n b ~ t r a c t t h e elements requi red f o r body- bui ld ing , and pass them i n t o t h e blood. Under t h e inf luenoe of suggestion t h e work of t h e l a o t e a l s may be i n t e n s i f i e d , 60 t h a t a f a r g rea te r supply of t h e necessary elements i s t aken frm the chyle. This i s one of t h e g r e a t p r a c t i c a l s e c r e t s of alahe~rty.

SOUND AND COLOR 11.

I n Tarot, t h e Mercury v i b r a t i o n i s r e p r e s e n t e d b y Key 1, t h e Magician, a t t r i b u t e d t o t h e l e t t e r Beth, and t o In te l l igenoe of Transparency;

9 GREEN, Tone: F-sharp or G-f la t . klchemical metala, oop- per and, brass . The Venus v i b r a t i o n i s t h a t phase of your personal energy which is expressed i n t h e c r e a t i v e , de-

velopmental power 6 of the subconaciouene a s . It i s a l so r e l a t e d t o a l l t h i n g s a r t i s t i c , and t o t h e love nature6

The p r i n c i p a l oente t of t h i s v i b r a t i o n i s i n t h e th roa t , a cen te r k n m t o modern knatdmiets a s t h e ~ c r r y n g e a l plemir; Bindu t eacher s c a l l it t h e Visuddhi Chakra. In a d d i t i o n t o t h i s nerve cen te r , t h e Venus b i b r a t i o n a f f e c t s t h e t h y r o i d and thymus glands of t h e th roa t . This whole t h r o a t a r e a i s t h e physical f i e l d where s t rong emotion makes i t s e l f f e l t . That i s why we

"ohoke wi th emotion," and why f e a r i s c l o s e l y r e l a t e d t o t h e funct ions of thyroid and thymus.

Another f i e l d of i t s a c t i v i t x i s t h e kidneys , and t h e region of t h e spine c a l l e d "lumber, which extends from t h e h i p s t o t h e place where t h e lower r i b s a r e a t tached t o t h e spine. The suprarenals a r e a l s o organs through which t h e Venus a c t i v i t y i s expressed. So a l s o i s t h e skin, and p a r t i c u l a r l y t h e funo- t i o n of touch, and a l l t h a t pe r t a ins t o t h a t funo t ion .

When t h i s inf luence funt ions f r e e l y through personal i ty , it makes fo r syannetry and grace i n phys ica l form and act ion. I t i s , i n f a c t , t h e fonn-determining power of subconscioumees which i s a t work i n a l l body-building. It i s a l s o responsible f o r whatever a r t i s t i c a b i l i t y you may have, and f o r your p h e r s of invention. I t i s t h e source, a l s o , of a l l your l i k i n g fo r p leasure , f o r beauty, and f o r t h e l i g h t e r enJoyments of l i f e . When t h e Venue v i b r a t i o n i s weak, i t s physioal o e n t e r s funct ion badly, and t h e mental and emotional powers t h a t it g i v e s do n o t f i n d expression, so t h a t t h e i r oppos i tes a r e manifested. m e n it i s too s t r o ~ g , t h e over -ac t iv i ty of tho f i e l d s i n t h e body t o which it i s r e l a t e d causes marry ai lments . Mentally, an over- s t rong Venus v i b r a t i o n l e a d s t o emotional excess , t o sensat ion- seeking, t o id l eness , and waste of t ime i n mere amusement-

mis v i b r a t i o n i s represented in Tarot by t h e Empress, which corresponds t o t h e Hebrew l e t t e r Daleth. This Tarot Key i s a l s o r e l a t e d t o the phase of consciousness c a l l e d Luminous I n t e l l i g e n c e , which i s t h e i l lumina t ing power of suboonsoious- ness and t h e Venus v ib ra t ion . When r i g h t l y expressed t h e W n - ous In te l l igence , which i s t h e i l luminn t ing power of subconroious-

SOUID AND COLOR 12.

ness and t h e Ver-us v ibra t ion . When r i g h t l y expressed t h e lamin- ous I n t e l l i g e n c e manifests a s Wisdom. When weak; t h e l i g h t i s dim; when t o o s trong, it i s t o o .dazeling. Then t h e r e s u l t i a

. . Fol ly . (Ser t ~ b l e a u fo r t h i s p a i r of opposi tes) .

. . BLUE. Toner G-sharp or A-flat . Alchemical metal , s i l v e r . This i s t h a t phase of your personal energy which i s prin- c i p s l l y conoerned with memory and r e o o l l e c t i o n , with t h e

a s $ o c i a t i a n of ideas , ahd wi th t h e t e l e p a t h i c powers of subcon- sciousne see

I t s p r i n c i p a l center i s t h e p i t u i t a r y body, s i t u a t e d i n the b r a i n baok of t h e roo t of t h e nose. This organ i s pro teoted by a

n l i t t l e " s k u l l w i th in a s k u l l , known a s t h e s e l l a ' t u r c i c a , or Turkish saddle. It i s about t h e s i z e of a pea. Endocrinologists f i n d t h a t a l l bodi ly rhythms a r e regula ted by t h i s organ. Even t h e bony growth of the skeleton i s among t h o s e rhythms. So a r e t h e r a t e of r e s p i r a t i o n , t h e tempo of t h e hea r t -bea t , t h e periods of waking and sleeping, and t h e periods of menstruat ion.

O c c u l t i s t s h o w t h a t it has y e t another funct ion . It i s t h e instrument of te lepathy , which pu t s u s ins t an taneous ly in touch wi th people f a r d i s t a n t from us, a s does t h e r a d i o , which i s i t s imperfeot mechanical oounterpart . The Hindu name f o r t h i s cen te r is &Jna Chakra.

Besides regula t ing a l l t h e rhythms of t h e body, t h e Moon v i b r a t i o n a t work through t h i s center i s t h e connective a c t i v i t y which l i n k s together the t r i l l i o n s of t i n y l i v e s c a l l e d 08116, from which t h e body i s b u i l t . Every c e l l i s a n e n t i t y . Every c e l l i s In a measure a d i s t i n c t pe r sona l i ty . The Moon-vibration i s t h e a s soc ia t ive , co-ordinating inf luence which has t o do with oombining a l l t hese d i s t i n c t c e l l - l i v e s i n t o a s ing le organic whole.

It i s e s p e c i a l l y a c t i v e i n t h e f u n c t i o n s of t h e stomach, and i n t h e mammary glands of woman. It a l s o has p a r t i c u l a r 5n- f luence upon t h e oesophagus, t h e t h o r a c i c duct , t h e upper lobes of t h e l i v e r , t h e lower lobes of the lung6 and t h e diaphragm. m t h e r m o r e , it i s c l o s e l y r e l a t e d t o t h e h n c t i o n s of those w e n s of t h e body which a r e i n t h e v i c i n i t y o f t h e Venus center , viz . , t he t h r o a t , neck, p a l a t e , larynx, t o n s i l s , lower jaw, earn, t h e a t l a s and c e r v i c a l ve r t eb rae , and t h e c a r o t i d a r t e r i e s and jugu la r ve ins . I n f a c t , even as Tarot more t h a n h i n t s , t h e Moon v i b r a t i o n and t h e Venus v i b r a t i o n a r e c l o s e l y l inked i n every p a r t i c u l a r .

SOUND AND COWR 13

When t h e Moon v i b r a t i o n is s t rong and w e l l developed, it makes f o r t h e hea l thy func t ion of a l l of the phys ica l organs m n t i o n e d . People i n whose l i v e s t h i s id ' l uence i s a primary, o r dominant, f a c t o r , a r e usua l ly s e n s i t i v e , emotional, psyahic, and possessed of a s t rong love of home and k indrsd . They have a s t rong sense of rhythm, a n d f r e q u e n t l y love dancing, music, o s d poe t ry wi th marked rhythms, They usua l ly have r e t e n t i v e memofies, Vihen t h e Moon v i b r a t i o n i s d e f i c i e n t , t h e phys ica l organs r e l a t e d t o it do n o t f u n c t i o n proporly. Thus t h e r o i s a lack of oo-ordinntion through aut t h o whole community o r c e l l - l i v e s , and t h i s lack of c o - o r d i ~ x t i o n amounts t o c i v i l war among t h e c e l l s . On t h i s account your t a b l e a u a s s o c i a t e s tho p a i r of oppos i tes , Peace and S t r i f e , t o t h e High P r i e s t e s s , who repre- s e n t s t h i s v i b r a t i o n i n Tarot . This weakness of t h e Moon v ib ra - t i o n makes f o r poor memory and o f t en f i n d s oxpression i n a s o r t of g e n e r a l i n s e n s i b i l i t y , want of rhythm, and harshness of tem- perament, An over-strong Moon v i b r a t i o n makes people over-sensi- t i v o . They a r e a f r a i d t o leavo the p a r e n t a l r o o f , are given t o i d l e v i s i o n s , and a r e a f f l i c t e d wi th d i g e s t i v e dis turbances. Usual ly t h i s type of unbalmced Lunarian i s ready t o d i s so lve in- t o t e a r s on any or no p re t ex ,

4 VIOLET. Tone: A-sharp or B-f la t , Alchemical wtal, t i n . This i s t h a t phase of your porsonal enorgy which i s most

immediately and c loeoly r e l a t e d t o t h e f o r c e s of your environ- ment. I t s funct ions a l s o have much t o do wi th t h a t f i e l d of sub- c o n s c i o u s n e ~ s wherein a r o t o bc found t h e records of t h e pas t .

The p r inc ipa l c e n t e r of t h e J u p i t e r v i b r a t i o n i s t h e m i s - named " so la r " plexus, o r abdorninel bra in . This organ i s a nerve c e n t e r i n t h e sympathetic nervous system, loca ted behind t h e stomach. I t s Bindu name i s ldanipura Chakra, meaning " f i l l e d with

I t jewels. The reference o f t h i s nane i s t o t h e f a c t t h a t a l l t he t r e a s u r e s o f t h e stored-up wisdom of t h e p a s t may be contacted through t h i s cec te r . The e s p e c i a l f u n c t i o n of i t s numberless o e l l s i s t o c a r r y t h e r ecc rd of what t h e Life-power has done through t h e ages. The record of t h e whole s t o r y of invo lu t ion and evolu t ion is there . O c u u l t i s t s l e a r n how t o read it, and thus become aoquainted with t h e h i s t c r y of t h e cosmoc, from t h e be- ginning of th6 present mani fes ta t ion-cycle u n t i l t h e present :

moment . Two o t h e r bodi ly a r e a s a r e under t h e d i r e c t inf luenoe of

t h e Jup i t e r v ib ra t ion . The f i r s t of t h e s e inc ludes t h e coooygeal and s a c r a l regions of t h e spine, t h e i l i a c a r t e r i e s and ve ins ,

Z t h e s c i a t i c nerves, t h e femur, t h e h i p s and t h i g h s . The o the r region where t h i s v i b r a t i o n d o m i n ~ t e s i s i n t h e f e e t and t o e s ,

+in, t h e very h i g h e ~ t funct ions of tho J u p i t e r v i b r a t i o n a r e l inked w i t h t h e func t ions of t h e Moon v i b r a t i o n . That i s t o say, in many d e t a i l s of personal ex is tence , t h e p i t u i t a r y body and the s o l a r plexus work together ; e s p e c i a l l y i n t h e func t ions of t h e stomach, the mammary glands, and t h e l i v e r .

Mentally, t h e Jupi te r v i b r a t i o n makes peoplo "jovial ." It gives some fondness f o r outdoor l i f e . Functioning a e it should, it g i v e s such cha rao te r i s t i c s a s a readonable oonservat i m, love of ceren~ony, good manners, benevolence, i n t e r e s t i n e s t ab l i shed form$ o f r e l i g i o n , and respoct f o r law and order . Weak, it brings i n t o expression t h e opposi tes of these q u a l i t i e s , and e f f e c t s hea l th through poor c i r c u l a t i o n o r impure blood. Deficiency i n t h e J u p i t e r a c t i v i t y a l s o f i n d s expression a s s h i f t l e s s n e s s and lac; of se l f -d i rec t ion , r e s u l t i n g i n f a i l u r e and poverty. Over-strong, or i l l -ba lanced , t h e J u p i t e r fo rce manifes ts i t s e l f i n t h e pompous, m a t e r i a l i s t i c , u l t ra -conservat ive s t i c k l e r f o r d e t a i l s of form and ceremony--the t y p i c a l reac t ionary . J u p i t e r i s represented i n Tarot by t h e Wheel of Fortune.

BLUE-VIOUT i s t h e color a t t r i b u t e d t o Saturn i n t h e teach- ing reoeived by u s , although black i s sometimes associated with t h i s p lanet . Black, however, i s merely absence of c o l o r , and has no t o n a l correspondence . The Saturn-tone

i s A-natural. The alchemical metal i s lead , This v i b r a t i o n i s t h e b a s i s of those forms of l i fe -express ion which make f o r de f in i tness . It g ives a c t u a l body and form t o your idoas , Ul t imate ly , i t s f o r m giving influence w i l l provide you wi th a body capable of regis - t e r i n g very much f i n e r impressions than those which you now re- ceive. It i s i n t h i s way t h a t one becomes aware of c o m i c cons- ciousness -

The pr inc ipa l Saturn cen te r i s t h e s a c r a l plexus, a nerve center a t t h e base of t h e spine. It i s c a l l e d t h e h l a d h a r a Chakra by t h e Hindus. It has t o do with t h e func t ion of excre t ing waste from t h e body, and it a l s o has in f luence upon tho similar funct ion oonnectvd wi th t h e t ransmiss ion of l i f e from one genera- t i o n t o another. Among i t s physical f i e l d s of e c t i v i t y are : the skin, p a r t i c u l a r y the sweat-glands; the knees; t h e ankles; t h e kidneys; the lumbar region of t h e sp ine ; t h o vasomotor system; and t h e bony structure. According t o o c c u l t teaching t h e Saturn center a t tho base of t h e spine i s l i k e a s torage b a t t e r y , con- t a i n i n g a tremendous reserve supply of a f o r c e which t h e Hindus c a l l e d "serpent power," o r Kundalini. The proper d i r e c t i o n and sublimation of t h i e foroe is t h e major ops ra t ion of Eas te rn Yoga, and it is t h e "transmutation of load" whfsh i s t h e Great Work of the Western alchemists.

SOUND AND C O U R 15

Saturn ' s v ib ra t ion may be designated by t h e word "limita- t ion" . It i s t h e i n h i b i t i n g pmrer. It i s t h e b a s i s of oonaer- vatism. It puts on t h e brakes. Hence t h e mental e f f e o t s of i t s r i g h t func t ion a r e poise, reasonableness, d e l i b e r a t i o n , concentra- t i o n , and ceut ion. I t s over-ac t iv i ty r e s u l t s i n f e a r , and phy- s i c a l l y , i n poisoning of t h e body by t h o r e t e n t i o n of waste. I t s def ic iency weakens t h e bony s t r u c t u r e , and on t h e mental s ide lead% t o rashness and e o c e n t r i c i t y . A mark of Sa tu rn deficiency i s t h e tendency t o dream without doing. It i s t h e Sabrn force which b r i n g s t h e One Power mentioned i n t h e Hernet ic doc t r ine down t o e a r t h , where it i s in t eg ra t ing . I n s p i t e o f a l l t h e t a l k of dabblers i n psycho-analysis, i n h i b i t i o n i s j u s t a s necessary a s self-expression. One must ba ab le t o put on t h e brakes when necessary. Otherwise ho cannot s a f e l y d r i v e t h e c h a r i o t of per- s o n a l i t y over t h e road of l i f e .

I n Tarot, Saturn i s r e resented by t h e 2 1 s t Key, t h e nor ld , R, t o which a r e a l s o a t t r i b u t e d m i n i s t r a t i v e I n t e l l i g e n a e , and the element of ear th . Because r u l e r s h i p i s t h s r e s u l t of t h e ombodi- ment of ideas i n a c t u a l , concrote ' forms of some kind, Dominion i s a l s o associa ted wi th t h e r i g h t funa t ion ing of t h e Saturn vibra- t i o n . Contrazwise, Slavery i s a t t r i b u t e d t o t h e same foroe , be- cause i t s def ic iency makes 611 who have no t learned t o embody t h e i r i d e a s i n a c t u a l form the s l a v e s of ciroumstanoe, end t h e bond-servants of a l a w they do not understand.

TIE T'tELVE BODY AREAS

T ~ P , following peges w i l l g ive you t h e loca t ion of t h e areas of t h e body which correspond t o t h e twelve seni-tones of the sound and color sca le . Theso a reas a r e those ru led by t h e twelve s igns of t h e zodiac, and i n each of them a p a r t i o u l a r type of consciousnefis f i n d s expression. The type of consciousne6s i s indioa ted i n your te.bleau by t h e kind of i n t e l l i g e n c e a t t r i b u t e d t o t h e corresponding Tarot Key .

I n connection w i t h each a r e a i s g iven a l i ~ t of t h e pr inc i - pl ai lments which a r e due t o f a u l t y func t ion ing i n t h a t region, Before e t t e m p t i q t o t r e a t any of these a i lmen t s wi th c o l o r , you must be sure t h a t you have a r i g h t d iagnos is , from some person com- petent t o mel:e t h e same. Then you ~ u s t be su re , a l s o , t h a t you un- d e r ~ t a n d t h e uses of co lo r an3 sound included in t h e seo t ion of t h i s t e x t e r t i t l e d "How t o Heal." The c o l o r s given in t h i s seotior are those which promote formal funct ion i n t h e i r r e spec t ive areas.

1. The b a d and Brain. RED. C-natural. This a r e a i s under t h e general r u l e r s h i p of the Mars v ib ra t ion . This v i b r a t i o n , how-

SOUND AND COUlR 16.

ever , governs only t h e n a t i v i t y of t h e b ra in -ce l l s , and of t h e o ther . organs i n %he head. It must not be c o d u s e d wi th t h e yel- l ow Meraury v ibra t ion , which c o n t r o l s and d i r e c t s t h i e k r s a c t i - v i t y i n t h e head.

ise eases of t h i s area which may be t r e a t e d with t h e red vi- b r a t i o n are! Aphasia ( l o a s of i d e n t i t y ) ; c e r e b r a l anemiaj ooma and t rance c o n d i t i o n s ~ f a i n t i n g - b 6 c u l a r f a t i g u e and l o w tamperature m y a180 be t r ea ted wi th red and its ooiTeepondhg tone.. For head ache and f a c i a l neura lg ia , and f o r s t rengthening t h e eyebj u re rose-color. You can ob ta in t h i e t i n t by f e r t e n i n g a this sheet of white t issue-paper over your r s d c o l o r a a r d ! . P o not u ~ e red f o r any inflammatory d i sease of t h e b r a i n o r eyee. The aolor indica ted then i s green, t h e complement b f red .

d o t b h d i l d g h oorrerponding t o t h i s a r e a i e b i e r , the Remr It i o Peprosented i n Tarot by t h e Emperor. The type of cons. diousnems i s the Const i tu t ing I n t e l l i g e n a e .

2. The neck and t h r o a t . R E D - W G E . C-uharp o r D-f l a t . This a r e a i s pr imari ly under t h e r u l e r a h i p of t h e Venus vibrat ion. The Moon v ib ra t ion i s a l s o a c t i v e here. This region inoludor the t o n e i l ~ , t h e a t l a s and oe rv ica l ve r t eb rae , t h e pa la te , larynx, vocal oords, o o c i p i t a l region, lower jaw, earn , oa ro t id a r t e r i e s , and J u g l a r veins, together wi th t h e oerobellum, t h e lower brain, and the medulla oblongata.

Diseases of t h i s area which may be t r e a t e d wi th red-orange and C-sharp include: Hoarseness, deafness, g o i t r e , mumps, m ~ a l polypus, d ip the r i a , and oroup.

These d i seases should a l s o be t r e a t e d wi th t h e oomplementarj co lo r , blue-green, and t h e tono k m t u r a l . Blue-green i r t h e only color t o be used i n cases of apoplexy. Red-orange and blue-greon i n a l t a r n a t i o n may be used f o r cons t ipa t ion . The same treatmant should be used f o r suppressed menstruation.

The Tarot Key oorresponding t o t h i s a r e a i s t h e Hierophant, representing the zodiacal sign Taurus, t h e Bull . The conroioue a o t i v i t y i s ca l l ed Triumphant a n d E t e r n a l Xntelligenoe.

3. Arms, hande, shouldere, lungs, upper r iba . OWUE. D-natural. Thi6 area i 6 B f i e l d of exvress ion f o r t h e Yerourv vibra t ion . Orange and t h e tone D-natukal, a l t e r n a t i n g w i t h &e complementary O O ~ O ~ , b lue , and t h 6 tone G-sharp or A-flat , may be u6ed i n t r e a t i n g t h e f o l l m i n g a i h e n t s r

SOUND AIJD C O U R

Asphyxiation; asthma; bronchi t ie ; coughing; f e a r ; hyper- aemia of tho lungs; impuri t ies of t h e venous blood; i n f lamation of t h c p e r i c a r d i m ; mental fa t igue; n e u r i t i s ; p leur i sy ; pneumonia; rnoezlngf tuberculbs is ; rheumatic pain i n t h e arme and rhoulders.

The todiadal r i&n corresponding t o t h i s a r a a i s G e m i n i , tho Twinor fhe Tbrot Key i a t h e Lovers. Tho type of consoiouglees i s Disposing In te l l igence .

4. Chast, - m m r y glands, oesophagus, stomach, diaphragm, l m o r lobe6 of tha 1 - ' - ,-

l o b s of thc l i ~ c r , End thorocie duct. ORANGE-YE--'- 17. D-sharp or ~ - f T a n i s nrea i s primnri ly un- d j h e r u l e r s h i p of t h e Moon vibrcition. It i s a l s o the f i e l d of express ion f o r tho highest forms of tho J u p i t e r v ib ra t ion . Note t h a t t h e orange v ib ra t ion which c f f e c t s t h i s a r e a i s complementary t o t h e v i o l e t v ib ra t ion of Jup i t e r

Ailmonts which may be t r e a t e d wi th orange-yallow and the tone D-sharp a re : Dropsy; g a l l stones; g a s i n stomaoh; h iocough~ h y s t e r i a ; gloom and dopression; jaundice; hypochondric; anemia; dyspepsia; distended s tomch; nausea; nervous indiges t ions drunken- ness ; l i v e r compleintsi milk-fever; cramps i n t h o stomaoh.

Tho zodiacal s ign oorrespondiag t o t h i s c roc i s Cnnoor, the Crab. The Tarot Key i s t h e Chariot. Tho type of consciousness i e fn te l l igonco of t h e House of Influence .

5. Heart, dorscl r e s i o n of sp ine , sp ina l cord, aorta. YELLOW. E-natural. X T h i s r e c i s under t h e r u l e r s h i p of the Sun ~ i b r a t i o n . It is ~ 1 8 0 t h e f i e l d of expression f o r t h e highoet forms of t h e Neptune v ib ra t ion . Tho oo lo r yellow and the note E-netursl may be used in t r e n t i n g t h e following:

Anomia; aneurism; angina pector i s (henr t pains)^ oongestion; curvature of t h e spine; a r t e r i o - a c l e r o a i s ; hydrnemio; hyporaemia; s p i n a l meningitis; p c l p i t o t i o n of t h e hoar; f e i n t i n g ; baokaohe i n t h e dorsa l region; s o l e r o s i s of the s p i n a l cord; eluggieh c i roula- t i o n ; muscular rheumatism of t h e back

6. Abdominal rogion, l a rge @ad small i n t e e t i n o s , luwer lobes of l i v e r , p c c r o e e , and sploon. YEllXJYLGREEN. 2'-natural. This crec i s under t h e r u l c r s h i p of the Mercury v i b r a t i o n , a n d i s t h e f i o l d i n which t h a t v i b r c t i o n hns i t s highest cnd most potent forms of expression. Use t h e color yellmv-groen and the tone F-netural i n t r e e t i n & t h e following:

Appendicitis; cholera ; in te r fc renco wi th t h e absorption of

SOUND AND COLOR 18.

chyle; malnut r i t ion; p e r i t o n i t i s ; typhoid f evor ; dysentery; woakened p e r i s t a l t i c a a t i o n of t h e i n t e s t i n e s ; ncrvous d a b i l i t y caused by auto-intoxicat ion; enlcrged l i v e r ; ebdominnl cramps.

The corresponding eodiacal s ign i s Virgo, t h e Virgin. Tho Tarot Key i s t h e Hemit. Tho type of coneoiousnobs i s I n t b l l i - gence of H i l l -

7. l idnsys , suprarenal-e; lumbar regison of t h e spine, mso- no to t e item, mid t h e ekin t ~ t (il ofgan of e l i m z i o n and i eo re t io

-eharp o r G-flat . This area i s under tho r u l e r r h i p of t h E m h - Venus v i b r a t i o n . I t i s a l s o t h e f i e l d i n which t h e h igheot forms of t h e Saturn v i b r a t i o n a re expressed. Use green and t h e tone F-sharp f o r the following d iseases :

Br igh t ' s d isease ; d izz iness ; eczema; sk in erupt ions ; in- f lamat ion of t h e kidney6 and u r e t e r s ; lumbago; uremia; polyuria , or ruppresoion o r u r i n e ; headaches due t o f a u l t y e l iminat ion; ineomnia; diminished adrenal secre t ion; d iabe tes ; i n t e r m i t t e n t ao t ion of t h e kidneys.

The corresponding zodiacal oign bs Libra, t h e Scaler . The Tarot Key i s J u s t i c e . The type of oonsciousness i s F a i t h f u l In te l l igence .

8. Bladder, u r e t h r a , geni to-urinary organs i n genera l , reo- r o a t a t e gland, desoending colon, and a l s o the n a s a l bones. - BLUE. G-natural. Thia a r e a i s under t h e r u l e r u h i p of the

Mars v ib ra t ion . I t i s t h e f i e l d f o r t h e h i g h e s t and most subt le expressions of t h e Uranus v ib ra t ion . Use green-blue, a l t e rna - t i n g with i t e complement, red-orange, i n t r e a t i n g t h e following:

Adenoids; cold i n the head; enlarged p ros ta t e ; g rave l ; ir- regu la r and profuse menstruation; leucorrhoea; n a s a l c a t a r r h ; re-. na l stone; rupture; s t r i c t u r e ; u t e r i n e end ovarian a f fec t ions ; d e f i c i e n t a o t i v i t y of t h e gonads, or sex-glands; p a i n f u l menstru- a t i o n ; oonet ipat ion; haemorrhoids ( p i l e s ) ; nosebleed.

The corre6ponding zodiacal s ign i s Scorpio, t h e Scorpion. The Tarot Key i s Death. The t ype of consciouenoes i s Lmaginativo In te l l igence .

9. Hips, t h ighs , femur, i l ium, coooygeal and s a c r a l regions of spine,>liao a r t e r i e s and v e i n e , and s o i a t i c norver. BLUE. G-sharp or A-f l a t . This a rea i s under t h e r u l e r s h i p of t h e Jupi- t e r v ibra t ion . Use t h e co lo r b lue and t h e n o t e G-sharp for :

SOUND COLOR

High temperature; h i p d isease ; insomnia; locomotor ataxim; ner- vous excitement; rheumatism; s c i a t ioa; toothache; gout.

The corresponding ~ o d i a c a l s ign i s S a g i t t a r i u s , t h e Archel The Taro t Key i r Temperance. The type of consoiousness i s I n t e l * l igenoe of Probation or T r i a l , sometimes c a l l e d Tentat ive I n t e l l l gence

10. The knees, t h e ekin, and by r e f l e x ac t ion , t h e aah. BLUE-VIOLET. A-haturali This a r e a i s under the r u l b - o r t h e Saturn v ib ra t ion . It i s a l e o t h e f i e l d i n rh ioh t h e h i& e r t phaber of t h e U r i v ib rk t idn f inda, expression. Uae b lue -do- le% and A-netur'bi f b r t h e t e l i d h g ailmbdCY 1

A r t h r i t i s of t h e knees; d i g e s t i v e d i6 turbanoer ; eczema; e rya ipe laa ; leprosy; malignant growths ( i n any p a r t of t h e body); wounds, nausea and vomiting; rheumatism; e o p e o i a l l y i n t h e knaer; nervous indigeet ion; lack of mynovial f l u i d ; e r u p t i o n s of t h e ski u l ce ra ted etomaoh-

Blue-violet and A-natural a r e powerfu l ly a n t i s e p t i c , and 8

e e p e c i a l l y valuable in h a l t i n g degenera t ive t issue-change, ss i n e rup t ions , cancer, absoessee, sof tening of t h e ?wain, tumorr. I t atop8 t h e spread of i n f e c t i o n i n wounds, h e l p s i n t h e healing of t i s s u e , and a r r e s t 6 t h e progrecs of abnormal growths, both 'be- nign" and malignant .

The oorresponding zodiacal s i g n i s Caprioorn, t h e Goat. The Tarot b y i s t h e Devil . The type o f oonsciousnem i r Renewir In te l l igenoe

11. The ankles , t he l egs from t h e knees t o t h e ankles , m by r e f l e x a c t i o n . t h e oreanu i n t h e a r e a numbered 5 i n t h i n l i s t

w - - - - -

(Leo). V I O U T . A-therp o r 8-flat. This a rea i s under t h e oom- 1 *

bined r u l e r e h i p of tha Uranus end Se tu rn v i b r a t i o n s . Uae v i o l e t o r A-aharp f o r a

Dropsy; p a l p i t a t i o n of t h e h e a r t ; poor c i r c u l a t i o n ; sprain o r swollen ankles; u l c e r s of t h e lover l eg ; va r i coae ve ins ; neure g i a of the hea r t ; hardening of t h e a r t e r i e e .

The corresponding zodiacal s i g n i s Aquarius, t h e Water-bee The Tarot Key i s the Star. The type of consoiousnees i r Natural In te l l igence .

12. The- f e e t and t o e s , and bp r e f l e x a c t i o n , t h e abdomine region, a r e a NO. 6 (Virgo) . VIOLET-RED. B-natural. Thir area i

SOUND AND COLOR 20 . under t h e r u l e r s h i p of t h e Jupi te r v ib ra t ion . I t i s t h e f i e l d of expression f o r the h ighes t f o r m of t h e Venus v ib ra t ion . Use via- le t - red and B-natural f o r :

Cold f e e t ; d e s i r e f o r drugs, d r ink o r tobacco; i n t e s t i n a l t roub les ~ n d malnutr i t ion; pe r sp i r ing f e e t ; bunions, chilblains, and gout; general weakness and l a s s i t u d e ; worry; inf lamation of t h e bowe l s ; diarrhoea.

The oorresponding zodiacal s i p i s P i s c e s , t he Fishes . The Tarot Key i s t h e &on. The type of consciousness i s Corporeal In& t e l l i g e n k e

GEt.TERAL EFFECTS OF COLORS AND SOUNDS

RED. C-natural. A etrong s t imulant . Red i s t h e warmest co lor r It energices the musculak pystem Qnd warma the blood. Red

s t i m l a t s a a b r a i n sluggieh from poor c i r d u h t i o n . koorn$'"de vibrati oj ora ted i n s o f t , red tones a r e b e t t e r f o r brain-workers than those f u r n i ~ h e d i n cold , blui6h co lo r s .

RED-ORANGE. C-sharp. S l i g h t l y l e s s s t imula t ing than red. I t a f f e c t s t h e throa t -area d i r e c t l y , but by arousing t h e comple- mentary v i b r a t i o n , green-blue, it a l s o a f f e c t s t h e a r e a oontain- ing t h e geni to-urinary organs. I t a l s o awakens i n t u i t i o n .

ORANGE. D-natural. A n i l d s t imulan t , e s p e c i a l l y f o r t h e nerves. I t a f f o r d s quick recupera t ion from t h e f a t i g u e produced by mental work. By arousing t h e complementary co lo r , blue, it r e l i e v e s rheumatic pains i n t h e h i p s and t h i g h s .

ORANGE-YELLOW. D-sharp o r E- f l a t . A very mild stimulant. Promotes t h e d iges t ive func t ions and ass imi la t ion . I t s chewing inf luence a s s i s t 6 i n over~oming "blues", worry, and mental depre6ci of a l l s o r t s *

YELLOW. E-natural. The oolor yellaw, midway i n t h e soale between t h e warm, s t i w l a t i n c red , and t h e cold, depressant blue, has an e q u i l i b r a t i n g inf luence . I t s t imula tes t h e f i n e r funct ions of the bra in , i s of a s s i s t a n c e i n developing a l e r t n e s s and diacrim- ina t ion , and he lps t o e ~ t a b l i s h emotional balance.

YELLOW-GREEN. F-natural . This oo lo r i s s l i g h t l y depressant and qu ie t s t h e nerves. I t overcomes t h e tendenoy t o overoonfidencs which i e just a s bad a s worry. It quickly r e l i e v e s headache oaused by au to - in tox ica t ion o r unequal blood-pressure.

SOUND A?TD COLOR 21,

GREEN. F-sharp or G-flat. Mildly seda t ive and depressant , Promotes t h e physical r e l axa t ion necessary f o f brain-workers. I s b e n e f i o i a l f o r t h e subconscious a c t i v i t i e s involved i n invention and a r t i s t i c orea t ion of e;rery s o r t . Gives poise in ac t ion .

GRE~N-BLUE. (1-natural. Sedat ive and depressant . I t s .

sedat ive and depreseant ac t ion i s expressed through t h e nerves anc musoles of t h e voluritary ayetern. But it i s a s t imulant f o r the gonads, o r 6 0 X g l m d s . By a rous i tq t h e a c t i v i t y of i t s comple- mentary co lo r , red-drange , it proUuce s a l s o a r e f l e x stirnulatioh of the throa t -area .

o i hbf'lnt. &Pdng r e d e t i v e aad depreaaant. fhe d d i d b ~ b t h e blood, soothes t h e n e m r . A mild a n t i eep t i a . Relieves pain, e s p e c i a l l y neura lg ia , and rheumatic pain, toothache. I s usual ly a sure c u r s f o r inmomnia, e spec ia l ly i n t h e darker shades, which approximate t h e b lue of t h e n i g h t ekyv

BLUE-VIOLET. A-natural. A s t rong a n t i s e p t i c , whioh i s s l i g h t l y s t imulant , because of the s l i g h t mixture of rod. A s men- t ioned above, it h a l t s degenerat ive t i s s u e change, and should be used t o promote c lean heal ing of wounds, and f o r sk in eruptions. I t arouses the ac t ion of i t s complementary, orange-yellow, end thus a i d s d iges t ion .

VIOLET. A-sharp o r B-f l a t . - Anti s e p t i c and regu la t ive . A! so a m i l d s t imulant . It promotes t h e normal f low of f l u i d e throug out t h e body, and a l s o r e l i e v e s congest ion of t h e nerve-currente. It i s e s p e c i a l l y use fu l a s an a n t i s e p t i c when app l i ed t o d e l i c a t e membranes, such a s t h e eye6 or t h e mucous membrane of mouth, nose, and geni to-urinary organs.

VIOLET-RED. B-natural. Very mild a n t i s e p t i c . Almost ae s t rong a st imulant as red . I t s s t imulant a c t i o n i s what makes it of valuc. i n overcoming t h e d e s i r e for dr ink , drugs, and tobacot A t t h e same time, i t s antiseptic a c t i o n he lps t o o l e a r t h e blood.

I t should be remembered t h a t a l l c o l o r s a rouse t h e a a t i v i t ! of t h o i r oomplomontti, Thus, if you w i l l look a t your red oolor- p l a t o under b r i g h t l i g h t f o r f i v e minutes, and t h e n look a t a whil w a l l , o r a piecc of whi te paper, you w i l l soem t o eee a green imq Tho rame t h i n g happens with o the r c o l o r s . Color-complements a r e t h e v ib ra t ions whoso p e r f e c t mixture w i l l produce white l i g h t . TI

RED complements n

GREEN RED-ORANGE GREEN-BLUE O W G E 98 B r n

SOUND f iTD COLOR

ORANGE-YEUW complements 6LUE-VIOUT YELL3Ird T i VIOLET TELLOYJI GREEN ,I VIOJST-RED

The corresponding no tes a r e a l s o oomplementary. So a r e t h e phys ica l organs a f fec ted by t h e s e co lo r s atld sounds. S o , a r e t h e types of consciousness given i n your Tarot t a b l e a u , and t h e Tarot Keys which a r e t h e symbolic p resen ta t ions of t h o s e t y p e . A thorough study of t h i s law of complements, i n connect ion Ki th Tarot, w i l l put you i n possession of p r i c e l e s s knowledge of a most praot i- c a l kind. That knowledge i s n o t w r i t t e n o r p r in ted . I t i s only f o r those who have tlie necesscry mental a p p l i c a t i o n t o f i n d it out f o r themselves.

How TO HEAL

tiemember t h a t we use t h e word "heal ing" t o i n d i c a t e t h e securing of wholeness throughout t h e p e r s o n a l i t y . This i r not merely a method f o r curing d isease . It i s intended t o make corn- p l e t e human beings. Thus your d a i l y regime should inc lude a se l f - t rec tment which br ings i n t h e c o l o r s and tones of t h e seven pr inc i - p a l "planetary" cen te r s . If you have t ime, you should a l s o use t h e o o l o r s and tones which a f f e c t t h e twelve body a r e a s , from head t o foo

This genera l t rea tment should proceed as fo l lows:

1. Hnvc ready t h e Tarot Keys corresponding t o t h e aeven p lane ta ry c e n t c r s , in t h i s order : 21, 19, 16, 10, 3, 2, 1. Have ready a l s o your h r g e co lo r cards , i n t h i s order: Blue-violet , o r m g e , red, v i o l e t , green, b lue , yellow. The Tarot c a r d s should be placed i n a l i t t l e p i l e , wi th 21 on top . The oo lo r ca rds ghould be propped a g a i n s t a p i l e of books on a t a b l e , so t h a t a6 you s i t f a c i n g them, they Rre about three f e e t away. They a r e in a p i l e a l so with t h e b lue -v io le t ca-d t h e only one v i e i b l e a s you begin.

2. S i t i n a c a n f o r t c b l e c h a i r , w i t h your back t o the window, so t h a t the day l igh t sh ines d i r e c t l y on t h e color-card. I f you work a t t h i s a f t e r dark, you must orovide yourse l f w i t h a day l igh t bulb, wi th a r e f l e c t o r t o keep t h e l i g h t out of your eyes.

3. Begin by looking a t Key 2 1 f o r about a minute. ( ~ a c t i c e counting s i x t y wi th a watch before you, u n t i l you can es t imate olose: t h e pasgage of a minute .) Do not t r y t o t e a anything i n the p i c t u r e . Simply make yourself as passive and r e c e p t i v e as you can. For t he purpose of t h i s p a r t of t h e p r a c t i c e i s t o impress upon your sub- consciousness t h e suggestion formulcted 5y t h e p i c t u r e , so a s t o evol t h e type of consciousness oorresponding t o it.

SOUND AND COLOR 23.

4. Narv look s teadi ly a t the blue-violet color-oard while you oount t h i r t y (half-a-minute). Then aound t h e note &natural, while r t i l l looking a t the card, using your pitch-pipe.

5 . Cloeo your eyen, and imagine yourself the center of a sea of t h i a blue-violet color. See nothing i n a l l the univerre but t h i e one oolor, and yourself a t the oenter of an i n f i n i t e , pulsing, v ibrat ing expanee of it. A t f i r s t you may have l i t t l e auccers in making t h i s mental pioture. WHAT IS IMPORTANT IS NOT THE DEGREE OF SUCCESS. IT IS THE EFFQRT YOU MAICE.

6. Intone the syllable A U Ib (pronounoed ah-00-mm) three time^. with a f u l l breath bebeen each intonation. IF YOU ARE ~ 0 h q - u , une the pitch-pipe t o sound the r i b r a t i , m , and - th ink the 6yllable .

7. Repeat the same practice with the other s ix Tarot b y s , color8 and tones, ending with t he Magician, yellow and IS-natural.

I f you have time, follow t h i s pract ice with exaotly the same prooedure, exoept t h a t the following Tarot Keys a r e used8 4, 5, 6, 7, 8, 9, 11, 13, 14, 15, 17, 18, i n t h e order named. The color8 are t o be u6ed i n the same order, beginning with Red and ending with Violet-red .

SELF-TREATMENT FOR DISEASE 0

F i r s t of a l l , be n u r e of your diagnosis. Go t o some person competent t o make a diagnosio. O r have yourself examined by the Life-Extension Ins t i t u t e , or ~ome similar oompetent i n s t i t u t i on .

In t he next place, be sure t h a t you are ea t ing t h e r i g h t d i e t , t h a t you are ge t t i ng your da i ly eupplies of the four l i f e - eseen t ia l s t Sunlight, water, a i r , and fooa.

Thirdly, make sure t h a t your body i s meohanioally adjusted, t h a t you a re not euffering from bad posture, from displacements of the vertebrae, or from musoular oontractions which m y be relieved by phyaio-therapy. It is simply r i l l y t o use oolor and eound t o o w e , something you ' r e no t sure about. The ee f i n e r v ibra t ions work through physiaal s t ruc ture oomposed of t r i l l i o n 8 of l iv ing a e l l r , and tho60 c e l l 8 mart be fed, a i red, l igh ted , end rupplied with

I euff ic ient water fo r t h e i r needs. Di~placement s of the bony-rtruc- a ture , o r habi tual muscular contractione whiuh oause nerve-impinge-

mentr, w i l l in te r fe re with t h e flow of the oolor and round vibra- - t i ons .

Color and sound, you see, a r e p a r t of t h e v i b r a t o r y a c t i - v i t i e e of the miver se . So are the four l i f e - e e s e n t i a l r r 60 a r e t h e cells composing t h e s t r u c t u r e of your body. The boot r e s u l t s a r e always gained by observing a l l t h e lawsc And wb a r e aiming a t t h e bes t r e r u l t s b

Having attended t o these p r e l h i n a r i e e , you niay tPea t s p e c i f i c physical a i lments a s follows:

l r Locate t h e Colors and sounds t o be used f o r the t rou- b l e by o a r e f u l dtudy of t h e preceding pages. This w i l l a180 enable ydu t o s e l e c t thd darrc8ponding Tarot Keys.

2. I n m l e c t i n g t h e Keys and c o l o r s , remember t h a t you a r e t o use t h e co lo r s and Keys of t h e p lane ta ry c o l o r s as wel l as those t h a t correepond t o the a r e a s i n which t h e d i s e a s e i s manifest . For example, i n t r e a t i n g asthma, t h e - w o a t o be reached correspond t o Orange, t o &natura l , and t o t h e Lovers. But t h i s a r e a i s unde t h e r u l e r s h i p of k r c u r y oen te r , which corresponds t o Yelluw, E-natural , a ~ d t he Msgician. Furthermore, t h i s a rea i r inf'luenced by t h e color-complement of Orange, which i s Blue, co r re l a t ed with t h e tone G-sharp-

Thus t h e s t eps i n t r e a t i n g any disease a r e a6 follorrs:

a. Use of t h e Tarot Key, c o l o r , and sound corresponding t o t h e p lane ta ry v ib ra t ion r u l i n g t h a t a rea .

b. Use of t h e Tarot Key, co lo r , and eound corresponding t o t h e p lanetary v ib ra t ion which has i t s h i g h e s t expression through t h a t area. For example t h e Sun, O r q e , and D-natural i n t r e a t i n g any ailment manifesting i n a r e a No. 1; or t h e Empress, Oreen, and F -ahup i n t r e a t i n 5 any ai lment manifeat ing through a r e a No. 12.

c. Use of the Tarot Key, co lo r , and sound corresponding t o t h e a rea i n which tho d i sease i s loca ted .

d. Uae of the Tarot Key, co lo r , and sound corresponding t o t h e complementary area. That is, t h e uee of t h e complementary co lo r a n d sound.

e. To conclude t h e t rea tment , use t h e color and sound o f t h e a f f l i o t e d area.

3. Treat d isease i n yourse l f by t h e same procedure ar ured f o r t h e general t reatment . Begin with t h e Tarot Key, then look a t t h e color , then ~ o u n d t h e no te on t h e p i tch-pipe , end t hen intone

I

SOUND AND COLOR 25.

the s y l l a b l e A U Y while you v i s u a l i z e t h e c o l o r , w i t h olosed eyes. Imagine the color and sound v ib ra t ion8 as being d i r e c t l y fooussed on t h e region of t h e body you wish t o o f f e o t .

TREATING OTHERS

When you t r e a t people d i r e c t l y , i n t h e i r presenoe, exp la in t h e method, and you have them look a t t h e Tarot Key8 and oa lo r s , an in tone A U Lb with you.

Treatment 'at r~ d i s t .noeh i b a h o e f f e o t i v e 1 It does not m~ say d i f h t e n o e how f a r away t h e p e t i e n t may b e i These v i b r a t i o n s ate c W r i e d by l i g h t , and l i g h t goos s o fa6b t h h t it t r a v e l r oom- p l e t e l y aro~tld t h e glbbe while you ban ~ ~ b n t %he .a

h treatiag people a t a d ia tanoe , fol low e x a o t l y t h e rpme prooeduro, but when you c l o s e your eyes and v i r u a l i z e t h e co lo r a s you in tone A U M, mentally p ro jec t a aolor-ray tuward t h e person yo a r e t r e a t i n g . See t h i s r ay d i f f b r i n g i tself through h i r aura, and reaching t h e bodi ly a rea t o be ef feoted . Do n o t a t tompt t o l o c a l i z t h e oolor -v ibra t ion i n any p r t i a u l a r orgnn of t h a t a r e a .

If you here d i f f i c u l t y i n v i s u a l i z i n g t h e c o l o r , look d i r e o t a t t h e color-card a8 you intone t h e s y l l a b l e A U M, when t r e a t i n g o thers . You may do t h i s a l e 0 i n t r o a t i n g y o u r s e l f f o r s p o o i f i c a i l mentr, but in giv ing yourself t h e genora l t rea tment , always try t o v i oualizo t h e co lo r

I f you a r e color-bl ind, have somebody who i s n o t mark your color-cordr f o r you. The v i b r a t i o n w i l l be e f f e c t i v e , *~.)rether you a r e conaciourly aware of it or not .

F i n a l l y , t e s t your s e l f f r equen t ly , t o see whether or n o t you a ro improving your subeonsci ouene ss awarene ss of t h e tone-values of oolor . Do t h i s by looking a t a a o l o r f o r a minute o r so, and then humming the noto t h a t r i s e o in your mind. Compare your in tonot ion wi th tho tono on t h e pitch-pipe. Af te r some p r t o t i a e , you rhould be ab le t o sound t h e note6 c o r r e o t l y whonever you ree t h e oorres- ponding colors .