2 Born to Be wild

Bloomsbury Publishing Plc

50 Bedford Square 1385 Broadway london new York wC1B 3dP nY 10018 UK USA

www.bloomsbury.com

BlooMSBUrY and the diana logo are trademarks of Bloomsbury Publishing Plc

First published 2016

text © Hattie Garlick, 2016 Photographs © nancy Honey, 2016, with the exception of those listed on page 251

Hattie Garlick has asserted her right under the Copyright, designs and Patents Act, 1988, to be identified as Author of this work.

All rights reserved. no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage

or retrieval system, without prior permission in writing from the publishers.

no responsibility for loss or injury caused to any individual or organisation acting on or refraining from action as a result of the material in this publication can be accepted

by Bloomsbury or the author.

British library Cataloguing-in-Publication data A catalogue record for this book is available from the British library.

library of Congress Cataloguing-in-Publication data has been applied for.

iSBn: PB: 978-1-4729-1533-7 ePub: 978-1-4729-1534-4

2 4 6 8 10 9 7 5 3 1

design by Gridlock design illustrations by dave Saunders

Printed and bound in China by C&C offset Co. ltd

The RSPB is the UK’s largest nature conservation charity, inspiring everyone to give nature a home so that birds and wildlife can thrive again.

By buying this book you are helping to fund the RSPB’s conservation work.

If you would like to know more about the RSPB, visit their website at www.rspb.org.uk, write to the RSPB, The Lodge, Sandy, Bedfordshire, SG19 2DL or call 01767 680551.

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Contents

Autumn 130

Acorns, Conkers and Pine Cones 133

Autumn Leaves 144

Hedgerows 156

Mud 166

Mushrooms and Moss 172

Wind 180

Winter 190

Evergreens 194

Night 202

Puddles and Rain 210

Snow and Ice 218

Sticks and Stones 232

Resources 250

Author acknowledgements 251

Photograph credits 251

Index 252

About Us 4

Introduction 5

Ten Tips for Turfing Your Kids Out of the House 6

The Toolkit 8

The Benefits 10

The Ten Commandments 12

Spring 14

Grass 17

Earth 26

Rivers, Streams and Ponds 34

Dandelions and Daisies 44

Air 52

Insects 60

Blossom 70

Summer 80

Butterflies and Moths 83

Flowers 92

Sand and Shells 102

Trees 112

Feathers 122

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ABOUT USWe are Hattie, Tom, Johnny and Frida. Hattie is a journalist, Tom a carpenter. Johnny splits his time between deep-sea diving and firefighting, while Frida’s studies are currently concentrated on learning to walk.

In our outdoor adventures we are joined by a gangly gang that includes, amongst others Max, an aspiring spaceman, Barney, who hates peas, Ella, whose favourite colour is purple, Dylan, who is a superhero, Morenike, who wants to be a vet, Jasmine, who loves her Nintendo DS, and Remi, who sews her own clothes.

We live an (overly) busy life in an (overly) crowded, scruffy terrace in a big city. We like living this way. But we also love escaping every now and again, making a bit of space within it, and finding the weeds growing between paving slabs or the creatures living beside railway tracks.

All the activities in this book have been tested by us – mostly in areas where you are more likely to tread on discarded takeaway boxes than wild flowers. We hope you enjoy them as much as we have done.

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INTRODUCTIONWant to save cash, your children’s imaginations and possibly even the planet? This is the handbook you need.

All right, i know that sounds a little ambitious, but stick with me. this book is written by a parent. not the pristine, perfect kind, either. Far from it. one who is neither an earth Mama making her own yoghurt from a yurt nor a countess with a country pile in the Cotswolds. one who has real kids – the kind who throw tantrums and worship at the altar of the Sky box. one whose views are punctuated by high-rise buildings, not rolling hills. one who takes shortcuts and makes mistakes (a lot). one who curses creatively under her breath (occasionally).

So relax. this book will not judge you for letting netflix babysit for the fourth afternoon in a row. it will not expect you to trek miles into pristine forest or conjure up complex yet cute craft projects. it won’t expect your family life to resemble a Hello magazine shoot, parents to be domestic gods and goddesses, or children to be cherubs.

this book is your friend. it sets out – clearly – the magical materials nature lays on, for free, each season for families to let their legs and imaginations run wild with. From summer feathers to autumn berries, it matches this treasure with a few ordinary household items that make it easy to explore, mess around with and learn about them, and then… let the wild adventuring begin.

this book thinks the ideas kids come up with are generally more imaginative and ingenious than those that adults prescribe for them – so it’s a parent’s job to provide the tools and spark the imagination, then either join in the jollity or sit back and relax, ideally with a magazine and some form of beverage.

Because this book cares about you, it also provides hundreds of fun activities and simple instructions, for those times when your creativity needs a bit of a kickstart. Activities for mini Matisses, activities for small scientists. Adventures that take ten minutes, and ones that absorb whole afternoons. Projects that require only an urban balcony and ones to do in your nearest bit of real wilderness; experiments that can be made simple or complex according to age and attention span.

But remember: this book is not telling you what to do. it would not dare. these activities are jumping off points. Pursue them to the letter if you like. or follow your kids in whatever wild and wonderful twists and turns they take.

the promise? it’s easy on your wallet, easy on the planet and, most importantly, easy to have fun, together, as a whole family. Because, as thoreau said, ‘All good things are wild and free’. or, as those other great philosophers, Steppenwolf, titled their magnum opus, ‘Born to be wiiiiiiiiiiiild’.

5 introdUCtion

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THE TOOLKITSome people would have you believe you need specialist, cumbersome, fiddly or expensive kit to explore or make things in nature: compasses, head torches, easels and posh paints. that’s fine if you are Bear Grylls or even Martha Stewart. otherwise, can i point you in the direction of your kitchen cupboard?

every single activity in this book can be carried out if you have the ordinary household items listed on the opposite page. Collect everything for your toolkit and find a place it can live in your house. All the items in your toolkit are things you’re likely to have already, stuffed in the back of a cupboard or under the sink. lots are bits of ‘rubbish’ you can recycle. everything else can be picked up for the princely sum of a quid from your local pound store.

So here’s what you do: 1 Flick to the relevant season – autumn, for example – and turn to the natural material you all want

to explore, such as acorns. At the beginning of each of those sections, you’ll find a short selection of the objects you’ll need for those activities.

2 Spend 30 seconds collecting the objects you need from your complete toolkit and chuck them into a bag.

3 leave the house.4 Find your acorns (or whatever).5 open your bag, grab your toolkit and poke, pound, stick, paint and mash the acorns as your

imaginations dictates, or use the activities in the acorns (or any) section to inspire you all.

with the toolkit at their disposal, your rabble can either collaborate on a master plan or split off individually, using different parts of it to do and make different things, at their own level. the beauty of it is this: on any given day, in any given pair of hands, one set of tools and natural materials can result in a million different projects.

Some will come from the book, some from the children’s brains; some will be easy, others elaborate; some chaotic, some controlled; some fastidious, some filthy. As well as activities using items from your toolkit, you’ll also find a few yoga-inspired activities scattered through the book, for when your bodies or minds need a gentle stretch.

8 Born to Be wild

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The complete toolkit

Scissors

Coloured paper

Coloured pens and crayons (non-toxic)

Paints (non-toxic)

Brushes

Sellotape

double-sided sticky tape

String

Blu-tack

needle and thread

Pencil

tissue paper

PVA glue

Food dyes

Foil takeaway containers (just rinse and store a couple after you’ve eaten)

Magnifying glass

rubber band

empty jam jars with lids (one or two will do to start with)

trowel

old sheet / scraps of white material

Paper plate

9 AUtUMn

this is all you will need, but that’s not to say you shouldn’t accessorise your own toolkit if the mood takes you. if, like a member of our family who will remain nameless, someone wants to wear a head torch and a wetsuit and carry a compass every time you leave the house, who are you to judge them?

Plastic cup

large plastic bag

old plastic bottle

Marker pen

Skewer

Birdseed

tray or bin liner

Measuring tape

old cardboard scraps (bits of boxes will do)

drinking straw

torch

Plain paper

Card

Salt

Knife

Plastic straws

watch / stopwatch

towels

Candles

ribbons

Yoghurt pots

Bucket and spade

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thankfully, there are still wonderful places in the world, lots of them, where spring literally springs into being. where one day – after a long winter of fossilised browns and greys underfoot and frosty exhalations of breath from the lips – new life suddenly motors up, multicoloured, through the soil or stumbles into the fields on shaky legs. the people who live in these beautiful places (perhaps you) don’t go hunting for signs of spring. Spring smacks them in the face every time they open the door.

if that is you, then congratulations. Sling this book and your toolkit into your rucksack, stick your feet in your boots and don’t come back till the seasons change. off you go now.

For our family, though, in a small house on the edge of the world’s fifteenth largest city, it’s different.

Because spring is sprung with slightly less fanfare in urban areas, its welcoming parade – all bells and whistles, glitz and glamour in the countryside – is smeared by fumes and knocked about by the traffic on its journey down the motorway towards us. By the time it limps down our road it’s less pizazz, more, well… pfffffft …like a slowly deflating party-balloon.

in fact, in neighbourhoods like ours, spring doesn’t so much ‘spring’ as ‘struggle up’ instead, taking the form of dandelions in the cracks between paving stones or patches of nettles fringing tarmacked playgrounds. it all feels rather like the famous old quote above, borrowed and recast in a suitably urban mock cockney.

our place isn’t unusual. if you took our planet and span it back in time, Superman-style, by a hundred years and looked at the same number of people at random, you’d find only 13 of them living somewhere urban. whirl on a bit and stop again, in 1990. now around forty of our hundred would live somewhere urban. on again, to 2010, and suddenly urban populations are more than half of your hundred. Spin forwards into the future and it’s believed that, by 2050, an astonishing nearly seven out of ten people will be city slickers.

Feeling dizzy? i am. Any wonder, then, that our connection to nature has become a little enfeebled over the last century, our collective reaction to it a bit, well… ‘Meh’?

Because if we can’t see nature, if we don’t grow up immersed in its sights, songs and smells, why should we care about it? And what does the future hold for the birds, the bees, the grass and the trees if we don’t?

‘Spring is sprung. The grass is risin’. So where are all the bleedin’ birds then, darlin’?’

SPRING

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16 Born to Be wild

n Research by the RSPB found that 75 per

cent of people who feel connected to

nature have done something to improve

their environmental impact in the last year,

compared to significantly fewer of those who

have not.

n According to research at Cornell University in

2006, the most direct route to us caring about

the environment as adults is for us to take

part in wild nature activities before we are 11.

n Or, as Sir David Attenborough, says: ‘Nobody

is going protect the natural world unless they

understand it.’

that question, and a vague but unshakeable sense that something was missing, were what prompted us to begin loading up the buggy and go Hunting For Spring.

Hooray! except... we weren’t really sure what a Spring Hunt looked like, what kit you needed for such an expedition, which direction to set off in or even whether we would recognise spring when we found it…

So we started by holding family contests: who could count the most daisies growing in the graffiti-heavy shadows near the tow-bridge? what shapes could be spotted in the clouds when you lay on your back at the top of the slide in the local playground? we began, too, to talk to people who are doing crazy, cool or clever things that involved families and nature.

And from there, well… some ideas were sprung.

FACT BOX

n According to the United Nations, over a billion

children now live in urban areas, and the

numbers are rising.

n A generation ago, almost half of British

children regularly played in wild places. Now,

it’s less than one in ten.

n In the US, only 26 per cent of mothers say

their children play out of doors every day,

though 71 per cent of them remember doing

so themselves.

n According to a 2008 study by Play England,

50 per cent of British kids have been warned

against climbing trees, while 20 per cent have

been banned from playing conkers.

n A survey of 700 children found half of them

unable to identify a daddy long-legs spider,

an oak tree, a Blue Tit or a bluebell.

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24 Born to Be wild

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25 SPrinG

FIND A FOUR-LEAF CLOVER

Scientific American once researched the scientific probability of finding a lucky four-leaf clover. Its findings, very briefly, looked like this:

1 one in 10,000 clovers has four ‘leaflets’.

2 A patch of clover generally has around 200 clovers per 60 cm2 (9 in2) so…

3 You need to hunt through an area roughly the size of an office desk to take in the requisite 10,000.

4 the journal’s ‘expert clover hunters’, supported by psychology studies, suggest that a ‘quick-scan approach’ works best. rather than carefully inspecting each clover, scan a patch and wait for a plant to jump out at you (you might want to lightly brush the plants with your foot to separate them).

5 Your brain should automatically focus on anything you see that deviates from the norm.

6 remember your spot. Four-leaf clovers are probably created by a genetic defect. Since many clover patches grow from just one plant, if you find one four-leaf clover in a patch, there might well be more. note down the location of the patch or mark it with a stone so you can find it again.

7 Pick your lucky clover. You can press it (see page 76 – Blossom Pressing).

Toddlers will find the thrill of hunting for a lucky charm gripping enough, so with them just forget the science and the numbers.

Nine hundred years ago the entire history of the

Norman Conquest of England was woven into a masterpiece called the Bayeux Tapestry. It’s 70

m long (230 ft) – a bit ambitious, perhaps, for an afternoon in the park. But you can create something

equally beautiful (if a little smaller and more abstract).

1 Find four relatively straight sticks of a relatively even length.

2 Arrange the sticks into a square, their ends overlapping slightly, and secure the corners by tying lengths of string tightly around each. this is the frame of your loom.

3 Cut lengths of string a good bit longer than your loom. First, tie them in rows running horizontally across it, then in rows running vertically down it, weaving these under and over horizontal strings as you go. now you have your loom.

4 Find long pieces of grass. look for different textures and colours if you want to add variety and pattern to your weave.

5 thread the grass pieces through your loom, winding under, then over the lengths of thread as you meet them.

6 when you have created a pattern you’re happy with, you (or Grandma/fortunate friend or relative) can display your weave wherever desired. with a bit of re-imagination, the loom’s twig frame can become a picture frame.

Toddlers will need wide spaces between the strings, so weaving the grass isn’t too fiddly for them. they can try adding flowers for colour too.

Older children can bring the lengths of string closer together to make a tidier, more detailed weave. And they can try creating patterns and shapes with different textures and colours of grass.

WEAVE WITH GRASS

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IDEAS TO START WITHANIMAL TRACK HUNT

Patiently hunting for animal tracks in the dirt can be an immensely satisfying way to spend an afternoon. If, however, you are short on patience but big on imagination, below I’ve also included a few curve-ball creatures for you to hunt....

28 Born to Be wild

Deer

HeronSquirrel

Bigfoot

Dog

FrogFoxDuck

Badger

BlackbirdRabbit

SheepGremlin

Cat

Troll

Dragon

CentaurCow

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Sometimes it is not easy to persuade all the members of our family to leave the

house. Sometimes certain members of the family go to great lengths to avoid

walking the shortest of distances. Sometimes they

suddenly fall gravely ill with mysterious illnesses, or are struck with terrible

pains for which medical science knows no cure

except television. These are the times we play

shadow tag.

1 Find one or more opponents.

2 decide who is going to be ‘it’ first. this person must then chase the shadows of the others, attempting to jump on one while the others weave and bob to avoid them. it is customary (but not obligatory) to squeal as well.

3 once a person successfully jumps on someone’s shadow, that person becomes ‘it’ and must try to jump on another shadow while everyone else runs away.

PLAY SHADOW TAG

…well, the closest I get to it, anyway, as I have a

clinical phobia of football. This game, though, I can get into. And since it can

be played in a garden, playground or woodland, or even on a pavement if

it is surrounded by low walls, I think it has the

potential to be just as ubiquitous.

1 the aim of the game is to try and travel as far as you can without touching the earth, so pick a spot outside with lots of raised surfaces you might be able to walk along or clamber between.

2 look for low walls, tree stumps, playground equipment and so on – can you all use them to cover space without your feet hitting the floor? remember they need to be reliably strong and sturdy (if something breaks, you fall and hurt yourself, in which case you’re going to lose in every sense).

3 Compete against each other – who can travel the furthest in the same environment before their feet have to touch the ground?

KEEPIE UPPIE (OF SORTS)

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Are you the Michelangelo of mud? The Degas of dirt?

The Seurat of soil? If so…

1 locate a good patch of earth, the bigger and clearer the better.

2 Find a stick.

3 draw a masterpiece in the mud, using the stick.

DRAW IN THE DIRT

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46 Born to Be wild

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MAKE DANDELION CHAINS

We first saw these being made by three girls, sitting on a dusty kerb, during a ‘Playing Out’ session. In 2009, a group of neighbours in Bristol decided to close their road to traffic for a few hours, so children could play. It snowballed and today streets all over the country hold their own regular ‘Playing Out’ sessions. For a few hours, scooters and bikes replace cars. Roller-skates weave around hopscotch players and chalk-wielding street artists. This time, as we stood wide-eyed amid the mini-revolution, there were also dandelion chains – just like old-fashioned daisy chains but bigger and brasher. We liked the look of it, tried it and loved it ourselves.

1 Gather up some dandelions, keeping good, long stems attached to them.

2 Use your thumbnail to pierce a hole in the stem of your first dandelion.

3 thread the stem of your second dandelion all the way through the hole, stopping at the flower.

4 now make a hole in the stem of the second dandelion and thread a third through that.

5 Make a hole in the third dandelion, and continue until you have enough for a bracelet, crown or even belt.

6 thread the stem of the last dandelion through a small slit at the top of the first to complete the circle.

CURL DANDELION STEMS

1 Use your thumbnail or a knife to separate a dandelion stem into several long strands.

2 Fill a jam jar with some water and drop the stem sections into the water.

3 watch the stems curl up – it happens almost immediately.

4 Use the curled stems for anything from collages to (pretend) cooking (they make great ‘noodles’ in a mud soup).

Older children this is, of course, an exercise in osmosis, if you want to explore the science behind it.

47 SPrinG

IDEAS TO START WITH

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58 Born to Be wild

GO CAMPING

You’ll have to pretend I didn’t suggest this one, since I suppose it calls for quite a few things that aren’t in our toolkit. But, but, but… I couldn’t let spring pass without a nod to camping.

i’m not suggesting anything fancy. Fling a blanket over a couple of chairs on a balcony, spread a sheet over a garden table, or borrow a basic tent and pitch it anywhere convenient – even if it’s only for a few hours in the middle of the afternoon, just out of sight of a motorway.

take snacks and a flask. Peer out at the world from behind your canvas/sheet/blanket. there’s something about this that can’t be beaten – even if you’re the kind of person for whom the bit where you go home to a warm shower and clean sheets is the most thrilling of all.

In order to thoroughly road test this book, I have tried

this activity on my four year old. I am therefore

fully equipped to tell you that it is better suited to

older children who do not need to be bribed with

fudge to sit still for more than 15 seconds. It does,

however, work as well for adults as for these more

mature children, if you can give your four-year-old the

slip for a few minutes.

1 Find a spot to sit in outdoors. it should be somewhere comfortable and quiet, as far away from the noise of traffic and people as is practically possible.

2 Cross your legs and rest your hands on your knees.

3 Breathe in slowly for ten counts.

4 Breathe out slowly for ten counts.

5 open your mind to the sounds around you and listen to them with no fixed purpose for a minute or so, bringing your mind back to the sound of your environment if it wanders elsewhere.

6 now try to focus on one sound at a time – a bird, perhaps, or the wind – so that the other noises fade into the background. Give each sound a minute or two, before moving on to the next.

7 when you are ready, open your eyes slowly and look up at the sky, noticing the patterns made by clouds and even aircraft.

8 lower your eyes slightly, and take in the leaves of any trees and their movements in the breeze.

9 Finally, lower your gaze so that you are looking straight ahead of you, breathe in and notice the scents and smells of your environment. try to appreciate the quiet workings of the natural world, which are going on all around us as we race about with our busy lives.

GIVE OUTDOOR MEDITATION A GO

MAKE A RAINBOW OF YOUR OWN

Put some water in a jam jar and take it into the sunshine or, if you’re indoors, place it near a window. Lay a piece of white paper in direct sunlight and hold your jar above it, but close to it. Slowly change the position and tilt of the jar, watching the effect it has on the paper. When you get the right spot and angle, the sunlight will pass through the water, bending (or ‘refracting’) and thus projecting a tiny rainbow onto your piece of paper.

Note Pick a time when the sun is strong and high in the sky.

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66 Born to Be wild

Personal experience suggests that, if you have an indulgent grandparent,

you can make a not insubstantial fortune out

of this game in a single afternoon. Read on…

The science bit: if forced to make a series of turns,

woodlice almost always keep turning in the

opposite direction to their last turn (so that a right turn will be followed by a left turn, then a right,

then a left, and so on). This instinct helps them to keep moving in a

roughly ‘forwards’ direction, even if they have

to move around lots of obstacles. So…

1 Find a collection of relatively straight twigs. they want to be thick enough that your woodlice won’t automatically scale the walls.

2 A smooth surface is needed for this trick – a piece of paper on a table, or the table itself if not precious.

3 Arrange the twigs into a maze for a woodlouse. Give it lots of choices for directions in which to turn. the ‘walkways’ between twigs need to be large enough for a woodlouse to move through, but not wide enough for it to turn around in (so that it has to keep going forwards).

4 Sellotape the twigs so that they can’t be pushed out of place.

5 now find some woodlice. they live in damp, dark places, remember…

6 Pick up the woodlice gently with a paint brush and pop them into a jam jar before bringing them back to your maze.

7 locate an indulgent grandparent. tell them that you are able to communicate telepathically with your woodlice and can therefore control which way they move through the maze. every time they turn in the direction you ask them, you must be given two pence (the going rate at the time of writing).

8 Be patient: your woodlice may scale the walls or try to sneak under twigs. if so, keep trying or find more cooperative specimens.

9 Put a woodlouse in the entrance of your maze. watch very carefully to see which direction it turns in first, left or right.

10 if the woodlouse makes a left turn first, tell your grandparent that you have ordered it to turn right next. if it turns right, then vice versa. then rake in the pennies as it ‘obediently’ moves in that direction.

11 Continue until you have worn holes in the grandparent’s wallet.

Toddlers will require parental help to build the maze – something to bear in mind if you’re just looking for a simple activity.

BUILD A WOODLOUSE MAZE (AND PERFORM MAGIC)

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67 SPrinG

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72 Born to Be wild

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73 SPrinG

MAKE DECORATIONS FOR AN EASTER TREE

In our house, Easter trees have a kind of lawless, anything-goes edge to them. It’s hard to say if this is by dint of the short, anarchic attention spans we bring to their production each year, or whether we genuinely prefer them to look this way. It’s a sort of chicken-and-Easter-egg situation.

Anyway, it goes, roughly and messily, like this:

1 Go out, and hunt down some fallen sticks and twigs.

2 Put the sticks and twigs in a vase at home to make the basis of your tree and hang decorations from.

3 Sprigs found intact can be added to the vase whole, sticks can be painted in bright colours.

4 next, hunt for blossom.

5 remove petals from any blossom that’s been bashed about.

6 Glue the petals to paper shapes (stars, or whatever shapes you fancy).

7 Some of the shapes can then be painted, beautifully or otherwise.

8 thread a needle and pierce each shape near the top, drawing the thread through.

9 tie each thread into a loop, so the decorations can be hung.

10 Hang the decorations on your twig tree.

11 Have a piece of cake.

Toddlers when little ones are involved the paper can be precut into easy, non-fiddly shapes, and the blossom applied with an abstract abandon (think Jackson Pollock in petals).

Older children can get more ambitious. they could cut the paper into the shape of a chick, for instance, and try recreating the texture of feathers with the petals, or cut the paper into a basic rectangle and use petals of different shades to create the contours and colours of the image itself.

Need to blow off some steam? The following

activity is not rocket science, but it is a tried

and tested method of preventing the expulsion

of excess energy on siblings and soft furnishings instead.

1 Hunt for blossom on the ground. AS MUCH AS YoU CAn! A ton PreFerABlY! rUn, rUn, rUn!

2 Separate the petals (we reAllY don’t want any sprigs, twigs or branches, thanks).

3 Gather fistfuls of petals.

4 Hurl the petals into the air as high as you can and (again) rUn, rUn, rUn in circles and mad shapes, tossing them about and trying to keep as many as possible in the air as you go.

5 Collapse on the floor. Job done.

CREATE A BLOSSOM SNOWSTORM

IDEAS TO START WITH

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http://www.bloomsbury.com/uk/born-to-be-wild-9781472915337/