BOOKLET 2012–2013 ART REPRODUCTIONS · 2012–2013 ~ USAD Art Reproductions Booklet 3. St ....

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Toll Free: 866-511-USAD (8723) Direct: 712-366-3700 ~ Fax: 712-366-3701 ~ Email: [email protected] ~ Website: www.usad.org This material may not be reproduced or transmitted, in whole or in part, by any means, including but not limited to photocopy, print, electronic, or internet

display or downloading, without prior written permission from USAD. Copyright © 2012 by United States Academic Decathlon. All rights reserved.

The vision of the United States Academic Decathlon® is to provide students the opportunity to

excel academically through team competition.

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USAD Art Reproductions Booklet ~ 2012–20132

Christian Art and Architecture in Russia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

St. Sophia Cathedral, Kiev, interior of dome with Christ Pantocrator and Angels, 1037–61 . . . . . . . . . . . . . . . . . . . . . . . . 3

Christ in Glory, Icon, 1470–99 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Cathedral of St. Vasily the Blessed, Moscow, Postnik and Barma, 1555–60 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

St. Isaac’s Cathedral, St . Petersburg, c . 1880, Auguste de Montferrand, 1818–58 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Art and Architecture of the Russian Empire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Façade of the Northern Pavilion of the Small Hermitage, Saint Petersburg, Jean-Baptiste Vallin de la Mothe and Yury Velten, 1764–75 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Monument to Peter the Great, St . Petersburg, Étienne-Maurice Falconet, completed 1782 . . . . . . . . . . . . . . . . . . . . . . 8

Portrait of the Countess Samoilova, Karl Briullov, 1832–34 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Imperial Peter the Great Easter Egg, Fabergé Firm, 1903 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Intersections: Literature, Dance, and the Visual Arts . . . . . . . . . . . . . . . . . . . . . . .11

Illustration for “L’oiseau de Feu” (Tsarevich Ivan on the Horse with the Golden Mane of Tsar Afron), Boris Zvorykin, c . 1925 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

The Tsar’s Palace, Stage Set for Le coq d’or (The Golden Cockerel) opera by Nicolai Rimsky-Korsakov, Natalia Sergeevna Goncharova, 1914 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Tutu worn in Le Mort du Cygne (The Dying Swan) by Anna Pavlova, with coronet, feathers, Léon Bakst (Lev Samoilovich Rosenberg), designer, early twentieth century . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Modern Art and Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Vsevolod Mikhailovich Garshin (1855–1888), Ilya Repin, 1884 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

I and the Village, Marc Chagall, 1911 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Proun, El Lissitzky, 1924–25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

The Motherland Calls, Irakli Toidze, 1941 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Kotelnicheskaya Embankment Building, Moscow, Dmitry Chechylin and Andrei Rostkovsky, 1947–52 . . . . . . . . . . . 18

Blindman’s Buff, Vitaly Komar and Alexander Melamid, 1982–83 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Untitled: Washington and Lenin, Leonid Lamm, 1991 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

TABLE OF CONTENTS

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2012–2013 ~ USAD Art Reproductions Booklet 3

St . Sophia Cathedral, Kiev, interior of dome with Christ Pantocrator and Angels

Kiev, Ukraine, 1037–61Byzantine mosaic

Photo Credit: Andrea Jemolo/Scala / Art Resource, NY.

Christian Art and Architecture in Russia

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Christ in Glory

Russian Painter (Novgorod?), 1470–99Icon, tempera on wood, 42 1⁄8 x 30 7⁄8 in . (107 x 78 .4 cm)

The Gift of George R. Hann, 1944 (1944.101). The Metropolitan Museum of Art, New York, NY. Image copyright © The Metropolitan Museum of Art / Art Resource, NY.

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Cathedral of St . Vasily the Blessed

Moscow, Postnik and Barma, 1555–60Photo copyright © Claudio Divizia / Artifice Images.

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St . Isaac’s Cathedral

St. Petersburg, Russia, c. 1880, Auguste de Montferrand, 1818–58Photo Credit: Adoc-photos / Art Resource, NY.

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Façade of the Northern Pavilion of the Small Hermitage

St. Petersburg, Jean-Baptiste Vallin de la Mothe and Yury Velten, 1764–75

Image courtesy of The State Hermitage Museum, St. Petersburg. Photograph © The State Hermitage Museum.

Art and Architecture of the Russian Empire

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Monument to Peter the Great

St. Petersburg, Étienne-Maurice Falconet, completed 1782Photo Credit: Bridgeman-Giraudon / Art Resource, NY.

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Portrait of the Countess Samoilova

Karl Briullov, 1832–34Oil on canvas . H . 105 9⁄16 in ., W . 78 3⁄4 in .

Image copyright © Hillwood Estate, Museum and Gardens. Photo by Ed Owen.

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Imperial Peter the Great Easter Egg

Fabergé Firm, 1903Gold, platinum, diamonds, rubies, enamel, bronze, sapphire, watercolor on ivory, rock crystal .

4 .25 x 3 .125 (diameter) in . (10 .80 x 7 .94 [diameter] cm)

Virginia Museum of Fine Arts, Richmond. Bequest of Lillian Thomas Pratt. Photo: Katherine Wetzel. © Virginia Museum of Fine Arts.

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Illustration for “L’oiseau de Feu” (Tsarevich Ivan on the Horse with the Golden Mane of Tsar Afron)

Boris Zvorykin, c. 1925Gouache, metallic inks, and black ink, heightened with white, over graphite .

Image: 10 7⁄8 x 8 3⁄16 in . (27 .6 x 20 .8 cm) Sheet: 13 3⁄4 x 10 9⁄16 in . (34 .9 x 26 .8 cm)

Gift of Thomas H. Guinzburg, The Viking Press, 1979 (1979.537.5). Image copyright © The Metropolitan Museum of Art / Art Resource, NY.

Intersections: Literature, Dance, and the Visual Arts

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The Tsar’s Palace, Stage Set for Le coq d’or (The Golden Cockerel)

opera by Nicolai Rimsky-Korsakov

Natalia Sergeevna Goncharova, 1914Collage, gouache on paper . 65 x 97 cm

© 2011 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo Credit: Erich Lessing / Art Resource New York. A. Bakhrushin, Museum of the History of Theatre, Moscow, Russia.

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Tutu worn in Le Mort du Cygne (The Dying Swan) by Anna Pavlova, with coronet, feathers

Léon Bakst (Lev Samoilovich Rosenberg), designer, early twentieth century

Net, goose feathers, and stone

Lent by the Bancroft Library (L78.87.4a). Image courtesy of the De Young Museum / Corporation of the Fine Arts Museums. © 2011 Fine Arts Museums of San Francisco.

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Vsevolod Mikhailovich Garshin (1855–1888)

Ilya Repin, 1884Oil on canvas, 35 x 27 1⁄4 in . (88 .9 x 69 .2 cm)

Gift of Humanities Fund Inc., 1972 (1972.145.2). The Metropolitan Museum of Art, New York, NY. Image copyright © The Metropolitan Museum of Art / Art Resource, NY.

Modern Art and Architecture

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I and the Village

Marc Chagall, 1911Oil on canvas, 6 ft . 3 5⁄8 in . x 59 5⁄8 in . (192 .1 x 151 .4 cm)

The Museum of Modern Art. Mrs. Simon Guggenheim Fund (146.1945). © 2011 Artists Rights Society (ARS), New York / ADAGP, Paris. Digital Image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.

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Proun

El Lissitzky, 1924–25Collage of various cut-and-tipped wove papers (prepared with gouache, graphite, and varnish),

and brush and pen and black ink, with red watercolor, on cream laminate cardboard . 498 x 650 mm

Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection (1998.734). The Art Institute of Chicago. Photography © The Art Institute of Chicago.

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The Motherland Calls

Irakli Toidze, 1941Gouache and colored pencil on gelatin silver print, 23 x 16 in . (58 .4 x 40 .6 cm)

© The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.

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Kotelnicheskaya Embankment Building

Moscow, Dmitry Chechylin and Andrei Rostkovsky, 1947–52Photo © Olga Anourina. Image provided courtesy of iStockphoto LP.

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Blindman’s Buff

Vitaly Komar and Alexander Melamid, 1982–83Oil on canvas . H . 72, W . 47 in . (182 .9 x 119 .4 cm)

The Metropolitan Museum of Art. Anonymous Gift, 1991 (1991.466). Image copyright © The Metropolitan Museum of Art / Art Resource, NY.

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Untitled: Washington and Lenin

Leonid Lamm, 1991Acrylic on canvas . H . 70, W . 70 in . (177 .8 x 177 .8 cm)

The Metropolitan Museum of Art. Anonymous Gift, 1993 (1993.495.2). Image copyright © The Metropolitan Museum of Art / Art Resource, NY.

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This material may not be reproduced or transmitted, in whole or in part, by any means, including but not limited to photocopy, print, electronic, or internet display or downloading,

without prior written permission from USAD.

Copyright © 2012 by United States Academic Decathlon. All rights reserved.

United States Academic Decathlon® Toll Free: 866-511-USAD (8723)

Direct: 712-366-3700 ~ Fax: 712-366-3701

Email: [email protected] ~ Website: www.usad.org

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BOOKLET 2012–2013 ART REPRODUCTIONS · 2012–2013 ~ USAD Art Reproductions Booklet 3. St ....

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