Tour of the Canadian Forces College Maj Chris Morrison, Maj Andrew McHardy
Book The · 2019. 11. 19. · 47 Isn't it a pity (George Harrison) G maj 48 Israel D min 49 Jim C...
Transcript of Book The · 2019. 11. 19. · 47 Isn't it a pity (George Harrison) G maj 48 Israel D min 49 Jim C...
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TheTheSurrealSurreal
BookBookVolume X Volume X
(2nd edition - C)(2nd edition - C)
The Jam-Tonic presentaThe Jam-Tonic presenta
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N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.
Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.
Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándolodistribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándoloen las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...en las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...
Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.
Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
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The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.
Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.TheThe
SurrealSurrealBookBookVolume X Volume X
(2nd edition - C)(2nd edition - C)
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Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.
Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.
Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándolodistribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándoloen las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...en las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...
Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.
The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.
Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.
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TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
3535 From this moment onFrom this moment on A majA maj3636 GibraltarGibraltar C majC maj3737 HappyHappy F majF maj3838 Historia de un amorHistoria de un amor G minG min3939 Hoe Emma hoeHoe Emma hoe C majC maj4040 How deep is your love?How deep is your love? E majE maj4141 I didn't know what time it wasI didn't know what time it was G majG maj4242 I know you knowI know you know F majF maj4343 I love the way you're breaking my heartI love the way you're breaking my heart F majF maj4444 I loves you PorgyI loves you Porgy F majF maj4545 I wished on the moonI wished on the moon C majC maj4646 In a silent wayIn a silent way C# minC# min4747 Isn't it a pity (George Harrison)Isn't it a pity (George Harrison) G majG maj4848 IsraelIsrael D minD min4949 JimJim C majC maj5050 Just in timeJust in time B majB maj5151 La falsa moneaLa falsa monea C minC min5252 La LloronaLa Llorona C minC min5353 Limehouse bluesLimehouse blues G majG maj5454 Little girl blueLittle girl blue F majF maj5555 (Love is) The tender trap(Love is) The tender trap F majF maj5656 Love me like a river doesLove me like a river does F minF min5757 Love theme from The Godfather (Speak softly, love)Love theme from The Godfather (Speak softly, love) C minC min5858 Love you madlyLove you madly F majF maj5959 Luck be a ladyLuck be a lady C majC maj6060 Lucky to be meLucky to be me F majF maj6161 MadalenaMadalena G majG maj6262 MahjongMahjong F min (?)F min (?)6363 Make someone happyMake someone happy E majE maj6464 MannenbergMannenberg F majF maj6565 MediterráneoMediterráneo A minA min6666 Mo' better bluesMo' better blues F majF maj6767 My melancholy babyMy melancholy baby E majE maj
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
0101 Adam's appleAdam's apple A majA maj0202 AdoroAdoro D minD min0303 Aged and mellowAged and mellow E majE maj0404 Ain't got no / I got lifeAin't got no / I got life G majG maj0505 Ain't we got fun?Ain't we got fun? E majE maj0606 All about that bassAll about that bass A majA maj0707 Alone in the morningAlone in the morning D majD maj0808 As rosas não falamAs rosas não falam D minD min0909 Balada para un locoBalada para un loco C minC min1010 BarbadosBarbados F majF maj1111 Begin the beguineBegin the beguine C majC maj1212 Better than anythingBetter than anything C majC maj1313 Black NileBlack Nile D minD min1414 BlackbirdBlackbird G majG maj1515 Blues in the nightBlues in the night B majB maj1616 Born to swingBorn to swing F majF maj1717 Breezin'Breezin' D majD maj1818 Call me irresponsibleCall me irresponsible F majF maj1919 Caroline Keikki MingusCaroline Keikki Mingus C majC maj2020 Chanson de Maxence (You must believe in spring)Chanson de Maxence (You must believe in spring) C minC min2121 Climb ev'ry mountainClimb ev'ry mountain G majG maj2222 ConvergenciaConvergencia C majC maj2323 D natural bluesD natural blues D majD maj2424 Day dreamDay dream F majF maj2525 Dearly belovedDearly beloved C majC maj2626 Don't be that wayDon't be that way D majD maj2727 Don't let me be misunderstoodDon't let me be misunderstood E minE min2828 El relojEl reloj C majC maj2929 EvidenceEvidence B majB maj3030 Exactly like youExactly like you C majC maj3131 Feeling goodFeeling good G minG min3232 Filthy McNastyFilthy McNasty B minB min3333 Follia d'amoreFollia d'amore G minG min3434 FriendsFriends C majC maj
Índice (página 2)Índice (página 2)Índice (página 1)Índice (página 1)
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TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
6868 Noche de rondaNoche de ronda D minD min6969 OdeonOdeon A minA min7070 Oh, happy dayOh, happy day G majG maj7171 Oh, my loveOh, my love A majA maj7272 Ol' 55Ol' 55 G majG maj7373 Piensa en míPiensa en mí E majE maj7474 Samba de OrfeuSamba de Orfeu C majC maj7575 Say it (over and over again)Say it (over and over again) E majE maj7676 SmoochSmooch D minD min7777 Son of a preacher manSon of a preacher man A majA maj7878 Soñar contigoSoñar contigo G minG min7979 Soy lo prohibidoSoy lo prohibido B majB maj8080 Stand by meStand by me A majA maj8181 Stormy Monday bluesStormy Monday blues G majG maj8282 Tengo una debilidadTengo una debilidad G minG min8383 The best is yet to comeThe best is yet to come A majA maj8484 The night has a thousand eyesThe night has a thousand eyes G majG maj8585 Tu frialdadTu frialdad G minG min8686 ValerieValerie E majE maj8787 VolverVolver D majD maj8888 Watch what happensWatch what happens E majE maj8989 West Coast bluesWest Coast blues B majB maj9090 What a little moonlight can doWhat a little moonlight can do G majG maj9191 When in Rome (I do as the Romans do)When in Rome (I do as the Romans do) C majC maj9292 Wild is the windWild is the wind A minA min9393 WitchcraftWitchcraft F majF maj9494 Ya no me quieresYa no me quieres G majG maj9595 Yes, sir, that's my babyYes, sir, that's my baby E majE maj9696 Your precious loveYour precious love D majD maj9797 You're driving me crazyYou're driving me crazy E majE maj9898 You've got a friend in meYou've got a friend in me E majE maj9999 Zing! Went the strings of my heartZing! Went the strings of my heart E majE maj100100 ZorongoZorongo A maj (?)A maj (?)
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
0101 Adam's appleAdam's apple A majA maj0202 AdoroAdoro D minD min0303 Aged and mellowAged and mellow E majE maj0404 Ain't got no / I got lifeAin't got no / I got life G majG maj0505 Ain't we got fun?Ain't we got fun? E majE maj0606 All about that bassAll about that bass A majA maj0707 Alone in the morningAlone in the morning D majD maj0808 As rosas não falamAs rosas não falam D minD min0909 Balada para un locoBalada para un loco C minC min1010 BarbadosBarbados F majF maj1111 Begin the beguineBegin the beguine C majC maj1212 Better than anythingBetter than anything C majC maj1313 Black NileBlack Nile D minD min1414 BlackbirdBlackbird G majG maj1515 Blues in the nightBlues in the night B majB maj1616 Born to swingBorn to swing F majF maj1717 Breezin'Breezin' D majD maj1818 Call me irresponsibleCall me irresponsible F majF maj1919 Caroline Keikki MingusCaroline Keikki Mingus C majC maj2020 Chanson de Maxence (You must believe in spring)Chanson de Maxence (You must believe in spring) C minC min2121 Climb ev'ry mountainClimb ev'ry mountain G majG maj2222 ConvergenciaConvergencia C majC maj2323 D natural bluesD natural blues D majD maj2424 Day dreamDay dream F majF maj2525 Dearly belovedDearly beloved C majC maj2626 Don't be that wayDon't be that way D majD maj2727 Don't let me be misunderstoodDon't let me be misunderstood E minE min2828 El relojEl reloj C majC maj2929 EvidenceEvidence B majB maj3030 Exactly like youExactly like you C majC maj3131 Feeling goodFeeling good G minG min3232 Filthy McNastyFilthy McNasty B minB min3333 Follia d'amoreFollia d'amore G minG min3434 FriendsFriends C majC maj
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
3535 From this moment onFrom this moment on A majA maj3636 GibraltarGibraltar C majC maj3737 HappyHappy F majF maj3838 Historia de un amorHistoria de un amor G minG min3939 Hoe Emma hoeHoe Emma hoe C majC maj4040 How deep is your love?How deep is your love? E majE maj4141 I didn't know what time it wasI didn't know what time it was G majG maj4242 I know you knowI know you know F majF maj4343 I love the way you're breaking my heartI love the way you're breaking my heart F majF maj4444 I loves you PorgyI loves you Porgy F majF maj4545 I wished on the moonI wished on the moon C majC maj4646 In a silent wayIn a silent way C# minC# min4747 Isn't it a pity (George Harrison)Isn't it a pity (George Harrison) G majG maj4848 IsraelIsrael D minD min4949 JimJim C majC maj5050 Just in timeJust in time B majB maj5151 La falsa moneaLa falsa monea C minC min5252 La LloronaLa Llorona C minC min5353 Limehouse bluesLimehouse blues G majG maj5454 Little girl blueLittle girl blue F majF maj5555 (Love is) The tender trap(Love is) The tender trap F majF maj5656 Love me like a river doesLove me like a river does F minF min5757 Love theme from The Godfather (Speak softly, love)Love theme from The Godfather (Speak softly, love) C minC min5858 Love you madlyLove you madly F majF maj5959 Luck be a ladyLuck be a lady C majC maj6060 Lucky to be meLucky to be me F majF maj6161 MadalenaMadalena G majG maj6262 MahjongMahjong F min (?)F min (?)6363 Make someone happyMake someone happy E majE maj6464 MannenbergMannenberg F majF maj6565 MediterráneoMediterráneo A minA min6666 Mo' better bluesMo' better blues F majF maj6767 My melancholy babyMy melancholy baby E majE maj
Índice (página 2)Índice (página 2)
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TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
3535 From this moment onFrom this moment on A majA maj3636 GibraltarGibraltar C majC maj3737 HappyHappy F majF maj3838 Historia de un amorHistoria de un amor G minG min3939 Hoe Emma hoeHoe Emma hoe C majC maj4040 How deep is your love?How deep is your love? E majE maj4141 I didn't know what time it wasI didn't know what time it was G majG maj4242 I know you knowI know you know F majF maj4343 I love the way you're breaking my heartI love the way you're breaking my heart F majF maj4444 I loves you PorgyI loves you Porgy F majF maj4545 I wished on the moonI wished on the moon C majC maj4646 In a silent wayIn a silent way C# minC# min4747 Isn't it a pity (George Harrison)Isn't it a pity (George Harrison) G majG maj4848 IsraelIsrael D minD min4949 JimJim C majC maj5050 Just in timeJust in time B majB maj5151 La falsa moneaLa falsa monea C minC min5252 La LloronaLa Llorona C minC min5353 Limehouse bluesLimehouse blues G majG maj5454 Little girl blueLittle girl blue F majF maj5555 (Love is) The tender trap(Love is) The tender trap F majF maj5656 Love me like a river doesLove me like a river does F minF min5757 Love theme from The Godfather (Speak softly, love)Love theme from The Godfather (Speak softly, love) C minC min5858 Love you madlyLove you madly F majF maj5959 Luck be a ladyLuck be a lady C majC maj6060 Lucky to be meLucky to be me F majF maj6161 MadalenaMadalena G majG maj6262 MahjongMahjong F min (?)F min (?)6363 Make someone happyMake someone happy E majE maj6464 MannenbergMannenberg F majF maj6565 MediterráneoMediterráneo A minA min6666 Mo' better bluesMo' better blues F majF maj6767 My melancholy babyMy melancholy baby E majE maj
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
6868 Noche de rondaNoche de ronda D minD min6969 OdeonOdeon A minA min7070 Oh, happy dayOh, happy day G majG maj7171 Oh, my loveOh, my love A majA maj7272 Ol' 55Ol' 55 G majG maj7373 Piensa en míPiensa en mí E majE maj7474 Samba de OrfeuSamba de Orfeu C majC maj7575 Say it (over and over again)Say it (over and over again) E majE maj7676 SmoochSmooch D minD min7777 Son of a preacher manSon of a preacher man A majA maj7878 Soñar contigoSoñar contigo G minG min7979 Soy lo prohibidoSoy lo prohibido B majB maj8080 Stand by meStand by me A majA maj8181 Stormy Monday bluesStormy Monday blues G majG maj8282 Tengo una debilidadTengo una debilidad G minG min8383 The best is yet to comeThe best is yet to come A majA maj8484 The night has a thousand eyesThe night has a thousand eyes G majG maj8585 Tu frialdadTu frialdad G minG min8686 ValerieValerie E majE maj8787 VolverVolver D majD maj8888 Watch what happensWatch what happens E majE maj8989 West Coast bluesWest Coast blues B majB maj9090 What a little moonlight can doWhat a little moonlight can do G majG maj9191 When in Rome (I do as the Romans do)When in Rome (I do as the Romans do) C majC maj9292 Wild is the windWild is the wind A minA min9393 WitchcraftWitchcraft F majF maj9494 Ya no me quieresYa no me quieres G majG maj9595 Yes, sir, that's my babyYes, sir, that's my baby E majE maj9696 Your precious loveYour precious love D majD maj9797 You're driving me crazyYou're driving me crazy E majE maj9898 You've got a friend in meYou've got a friend in me E majE maj9999 Zing! Went the strings of my heartZing! Went the strings of my heart E majE maj100100 ZorongoZorongo A maj (?)A maj (?)
Índice (página 3)Índice (página 3)Índice (página 2)Índice (página 2)
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Wayne ShorterWayne Shorter
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01 Adam's apple01 Adam's apple
AA
IntroIntro
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AABBAA
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FFmmaajj
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BBDD--
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FFmmaajj
FFmmaajj
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CC
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FFCC
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AA
CC
GG--DDDD--
GG--GG--
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( )( )
(vcls. ad lib.) - Vamp on cue(vcls. ad lib.) - Vamp on cue
3333
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Armando ManzaneroArmando Manzanero
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02 Adoro02 Adoro
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AA--
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EE
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( )( )
J. Otis & P. LoveJ. Otis & P. Love03 Aged and mellow03 Aged and mellow
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(**)(**)
(*) Nina Simone reworked extensively two different tunes from "Hair", including substantial (*) Nina Simone reworked extensively two different tunes from "Hair", including substantial changes on the lyrics, that is why we have included her as an author. changes on the lyrics, that is why we have included her as an author.
2121
1717
(A: 10 mm.)(A: 10 mm.)
(vcls.)(vcls.)
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(A: 10 mm.)(A: 10 mm.)
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G. MacDermot, G. Ragni, G. MacDermot, G. Ragni, J. Rado & N. Simone (*)J. Rado & N. Simone (*)
(instr.)(instr.)
(Nina Simone's version)(Nina Simone's version)
04 Ain't got no / I got life04 Ain't got no / I got life
IntroIntro
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GGCCGGCCGGCCGG
N.C.N.C.GGGG
DD
DD
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CC
AA--
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CC
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GGCC
BB--GG
EE--
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BB--EE--
BB--
BB--EE--
AA--
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GGDD
CCGG
AA--
CCGG
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AA--
AAAA--
CC
(**) In live versions, Nina Simone sometimes included more A-sections with added lyrics(**) In live versions, Nina Simone sometimes included more A-sections with added lyrics and also repetitions of C and D-sections (randomly). and also repetitions of C and D-sections (randomly).
5454
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(D: 13 mm.) (5 mm.)(D: 13 mm.) (5 mm.)
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R.A. Whiting, G. Kahn & R.B. EganR.A. Whiting, G. Kahn & R.B. Egan05 Ain't we got fun05 Ain't we got fun
VerseVerse
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AAmmaajj
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CCAAAAmmaajj
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M. Trainor & K. KadishM. Trainor & K. Kadish
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06 All about that bass06 All about that bass
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(fine)(fine)
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CCmmaajj
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Joshua RedmanJoshua Redman
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07 Alone in the morning07 Alone in the morning
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Angenor de OliveiraAngenor de Oliveira
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08 As rosas não falam08 As rosas não falam
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1717
99
Á. Piazzolla & H. FerrerÁ. Piazzolla & H. Ferrer
(instr.)(instr.)
09 Balada para un loco09 Balada para un loco
IntroIntro
-
CCCC--GGDD//FFCC--DD
DDCC--CC--CC--
GG
DD
DD
CC--
GGDD
CC--DD
CC--
CC--DD
DDCC--
CCGGDD
CC--
AACCGG//BBDD--//CC
34
34
(9 mm.)(9 mm.)
7373
(instr.)(instr.)
6565
(B2: 7 mm.)(B2: 7 mm.)
(3 mm.)(3 mm.)
5858
6262
B2B2
5454
piú mossopiú mosso
5050
B1B1
4646
-
CC
FF
GG--FFmmaajj
FFmmaajj
CCGG--
CC
FFmmaajj
GG--
BB
FFCC--FF
CCGG--FFmmaajj
CCGG--FFmmaajj
CCGG--FFmmaajj
3333
44
Last time to CodaLast time to Coda
1717
CodaCoda
1313
99
Charlie "Bird" ParkerCharlie "Bird" Parker
AA55
10 Barbados10 Barbados
IntroIntro
-
CCCCmmaajj
DD--
DD--
CCmmaajj
CCmmaajj
CC
CC
GG
CC
CC
GG
GG
GGGG
DD--GG
DD--CCCC
CCCCmmaajjCCCC
33
33
33
33
33
33
33
33
33
33
33
3333
33
44
5353
5757
6161
C1C16565
4949
A3A3
4545
4141
A2A21717
2121
2525
2929
1313
99
3737
3333
BBCole PorterCole Porter
55
A1A1
11 Begin the beguine11 Begin the beguine
-
GG
CC
CC
DD--
DD--
CCmmaajj
CCmmaajj
CCmmaajj
GG
AAGG
AAmmaajj
BBmmaajj
CC
GG
CC
CC
CC
FF--
GG
CC
CC
FF--GG
FF
EE
AA
BB--
FFCC--
33
33
33
33
33
33
33
33
33
33
33
33
33
3333
3333
5353
5757
6161
C1C16565
4949
A3A3
4545
4141
3737
3333
BB
-
AA
GG
EE--
DD--
CC
CC
DD--
GGDD--//CC
CC
CCCCmmaajjCC
DD--
DD--
GG
DD--//CC
CCmmaajj
CC
AA
CCGG
EE--
GGDD--CC
DD--
DD--
CCmmaajj
33
33
33
33
33
33
33
3333
33
333333
33
(no rep. in the original version)(no rep. in the original version)
8989
9393
8585
9797
101101
8181
C2C2
7777
7373
6969
-
BBCC
EE
FFaalltt
EE
BB
GG--
EE
CC
AAAA--
FF
DDmmaajjDD
FF
BB
BB
EE
FF
CC
CCCC
FF
BBCC
BBCC
BB
BB
CC
CC
34
2525
2121
1717
99
1313
B. Loughborough & D. WheatB. Loughborough & D. Wheat
55
12 Better than anything12 Better than anything
AA
-
EE
FFCC--
DD--
DD--
AAEEmmaajj
EEmmaajj
FF
AA
BBFF--
BB
CC--
FF--
AA
DD--
AA
EE
BBmmaajj
DD--
CC
CC
CC
GG--
EE
GG--
GG--
DD--
BBmmaajj
EE
FFCC--
DD--
DD--
DD--
AAEE--
FF--EE--
AA
EE
BBmmaajj
DD--
EEmmaajj
GGmmaajj
BB
FF--
33
33
33
44
( )( )3737
3333
A1A1
2929
2525
BB
2121
1313
1717
A2A2
Wayne ShorterWayne Shorter
99
A1A1
13 Black Nile13 Black Nile
55
IntroIntro
-
CC--EE--BBDDAACCGGGGAA--GG
GGAA--AAGGCC
GGCC--AA--BBGG
GGDDAA--AA
CC--EE--BBDDAACC
GGGGAA--GGGGGG//BBAA--GG
44344434
3434
4444
2424
4444
3434
4444
3434
8
8
8
8
1313
A2A2
(fine)(fine)
99
55
(A1: 10 mm)(A1: 10 mm)
J. Lennon & P. McCartneyJ. Lennon & P. McCartney
A1A1IntroIntro
(lead & counter-melody)(lead & counter-melody)14 Blackbird14 Blackbird
-
DDBB AACCEE-- DD--FFBB CCDD-- CCFF EE--
GGDD
CC--EE--
AA--AA
BBDDAACC
GGCC--
GG
AA--AAGG
GGGG AA--
DDAABBDD-- CC
GGDDAA--AA
EE--FFBB CCCCDD--FF EE--
GGCC--AA--BBGG
6464
4444
4444
2424
3434
6464
4444
3434
4444
44244424
8
8
8
8
8
N.B.: The original version varies slightly, with a small pause after 1st head and a tag at the end.N.B.: The original version varies slightly, with a small pause after 1st head and a tag at the end.
3333
BB
2929
2525
CC
2121
BB
1717
-
CCDDAA--GGDD--EEBB--
BBEEBBFFCCFF
BB
BB
BBEEBB
GG
EE
EE
BB
FFCCFF
GGDD--CC--BB
BBBB
EE--EE
EEBB
333333
33
33
333333
3333
333333
44
2525
B1B1
2121
A2A21313
1717
99
55
H. Arlen & J. MercerH. Arlen & J. Mercer15 Blues in the night15 Blues in the night
A1A1
-
BBFFCCFFCCBBBB
BBEEBBFFCCFF
GG
BB
DD--
FF
CC--
BB
BB
CC
FFCC
EE
EE--
BB
BB
EE
FF
GG--GGDD--
CCDDAA--
FFFF
GGDD--EEBB--
CCGG--GGDD--
33
33
3333
33
33
33
33
33
33
33
33
33
5555
5151
A1A14343
4747
(3 mm.)(3 mm.)
4040
(3 mm.)(3 mm.)
3737
(B2: 10 mm.)(B2: 10 mm.)
3333
B2B2
2929
-
FFCCFF//CCBBBBFF//AAFF
FFCCFF
CC
CCGGFF
CCGGFF
CC
CCGGFF
N.C.N.C.FFCCGGFF
44
(1st head scat singing)(1st head scat singing)
1717
(yeah!)(yeah!)
(no!)(no!)
(no!)(no!)
(no!)(no!)
99
AA1313
(spoken dialogue)(spoken dialogue)
55
Lilian HardinLilian Hardin
(piano)(piano)
IntroIntro
16 Born to swing16 Born to swing
-
FFCCFF//CCBBBBFF//AAFF
CC
CC
DD
GG
CC
AA
FFCCFF//CC
CC
BBBBFF//AAFF
CC
(last head scat singing)(last head scat singing)
4141
3333
AA3737
BB2929
2525
2121
AA
-
GG//AADDmmaajjGG//AAEE--BB--DDmmaajj
GG//AA
GG//AA
GG//AA
EE--
EE--
BB--
BB--
DDmmaajj
DDmmaajj
EE--BB--DDmmaajj
GG//AAEE--
GG//AA
GG//AA
EE--
EE--
GG//AAEE--
BB--
BB--
DDmmaajj
DDmmaajj
BB--DDmmaajj
BB--DDmmaajj
GG//AAEE--BB--DDmmaajj
44
1717
1313
99
A2A2
55
A1A1
33
Vamp on cueVamp on cue
Bobby WomackBobby Womack
IntroIntro
17 Breezin'17 Breezin'
-
GG//AAEE--BB--DDmmaajj
GG//AAEE--
GG//AA
GG//AA
BB--DDmmaajj
DDmmaajj
EE--
GG//AA
GG//AA
GG//AAEE--
EE--
BB--
BB--
BB--
DDmmaajj
DDmmaajj
DD
DD
GG//AAEE--
GG//AA
BB--DD
DD
Vamp on cueVamp on cue
Last time to CodaLast time to Coda
3737
CodaCoda
( )( )3333( )( )
2727
A2A22929
2525
2323
BB2121
-
CCGG--
DD
FF
AA--
DD
CCGG--
DDAA--
GG
CC
AA--
GG--
GG--
GG--
CC
CC
GG--
GG--
CC
GG
AA
DD--
FF
GG--
DD--
GG
FF
AA--
DD--
FFmmaajj
DDAA--
DDDDAAEE--
GGGG--GG--
CCGG--
AA
FF
DD--AA--
FFFFmmaajj
33
44
( )( )3333
2929
2525
CC
2121
1313
1717A2A2
S. Cahn & J. Van HeusenS. Cahn & J. Van Heusen
99
BB
18 Call me irresponsible18 Call me irresponsible
55
A1A1
-
CCmmaajjGG
CCmmaajj
BB
CCmmaajj
BBmmaajj
GG
DDAA--
DD--
FF--
GG
GG
DD
DDmmaajj
DDEECCmmaajjEEBB--
FF--AAmmaajj
DDmmaajj
EE
EE
EE
CCmmaajj
CC
AA
GG--
EE--
FF
EEBB--
CC
BBmmaajjDDAA--
CCmmaajjGGDD
BBmmaajjDDAA--
FF--AAmmaajjCCGG--
EECCmmaajj
FF--AAmmaajjCC
EEBB--
GG--
33
44
( )( )
(*)(*)
(* Original version from (* Original version from ""The Lionel Hampton's Sessions" ends here.)The Lionel Hampton's Sessions" ends here.)
2929
2525
A2A2
2121
1717
1313
BB
Charles MingusCharles Mingus
99
A2A2
19 Caroline Keikki Mingus19 Caroline Keikki Mingus
55
A1A1
-
CCGG--CCGG--
DDmmaajjAA//DDAAEE--
FF
BB--
CC--
FF//BB
DDmmaajj
BBFF--
AA
FF
EE--
CC--
CCGG--
EE-- DDmmaajj
BB--
AA//DD
FF//BB
AA
FFCC--
44
1313
1111
77
A2A299
55
33
A. Bergman, M. Bergman &A. Bergman, M. Bergman &M. LegrandM. Legrand
A1A1
(You must believe in spring)(You must believe in spring)20 Chanson de Maxence20 Chanson de Maxence
-
CC--GGDD--
GGDD--
AAmmaajj
CC
EEmmaajj
EEmmaajj
GG--
EEmmaajjBB//EE
BB
BB
DD
FF--
FF--
AA--
BBFF--
CC--GG//CC
GGDD--EEmmaajj
GGDD--
BBFF--
(*) As played by M. Legrand. Bill Evans played directly to Coda and soloing over entire form.(*) As played by M. Legrand. Bill Evans played directly to Coda and soloing over entire form.
2727
2525
Solos in A3 - After solos D.C. al Coda (*)Solos in A3 - After solos D.C. al Coda (*)
2323
2121
1919
A3A31717
1515
-
DDCC
GGmmaajj
GGDD
DD
CC
AA--
AA
GG
AA
DD--
CCmmaajj
GGmmaajj
AA
EE--GG//FF
GG
DD
GG
DD--
AA--
GGGGmmaajjAA--AA--//CC
AAmmaajj
EE--//DD
EE
EE--
DDmmaajj
EEBB--
DDAA--
GGmmaajj//DD
DDmmaajj
DD//CCDD
CC//BB
AA
CC
GGmmaajj
AA--
GGmmaajjDDAA--
CCmmaajj
DDDD
GGDD--
GG//DDGG//DD
GGmmaajj//DDAA--
DDmmaajj
DDCCmmaajj//DD
AAGGmmaajj
BBaauugg//DDGG//DD
44
( )( )
(6 mm.)(6 mm.)
3333
(C: 10 mm.)(C: 10 mm.)
2929
CC
2525
2121
BB
AA1313
1717
R. Rodgers & O. Hammerstein IIR. Rodgers & O. Hammerstein II
99
21 Climb ev'ry mountain21 Climb ev'ry mountain
55
AA
IntroIntro
-
CCGGDD--
EEDD--//FF
AA
BB//FF
BB
GG
DD--
DD
GGAA--EE
AA--
BB
AA--
AA
DD--
CC
AA
EE//BB
DD--//AADD--
GGAA
GG
DD--
DD--DD--
EECC//EE
EE
EE
CC//EE
CCmmaajj
33
44
( )( )2727
2323
1919
A2A2
(3 mm.)(3 mm.)
1616
BB
(B: 6 mm.) (3 mm.)(B: 6 mm.) (3 mm.)
1313
(vcls.)(vcls.)
B.J. Gutiérrez & M. GuerraB.J. Gutiérrez & M. Guerra
99
22 Convergencia22 Convergencia
55
A1A1
(instr.)(instr.)
IntroIntro
-
AAEE--
AA
GGDD
DD
EE--
GG
GG
DD
DD
33
33
33
33
33
333333
44
(*) Rh.Sc. during heads.(*) Rh.Sc. during heads.
1111
99
77
Wes MontgomeryWes Montgomery
55
23 D natural blues23 D natural blues
(*)(*)
33
AA
-
CCDDAAAAEEFFmmaajj
CC
CCGG--
FFCC--
GGmmaajj
BB--FF//CCDD--
GG
DDAA--
FFmmaajj
AAmmaajj
CCDDFF--//EEFF--
AA
AA
BB
FFmmaajj
EE
CC
BB--
DD
AAmmaajj
FF
CC
FFmmaajj
GG--
BB-- EE
FF--//EEFF--
BBmmaajj
CCBB--FF//CCDD--
CCDD
CC
CCCC
BB--FF//CCDD--
AABBFFFFmmaajj
DD
AABB
FF--//EEFF--
FFFFmmaajj
33
3333
33
33
33
33
33
33
33
33
44
( )( )2929
A3A32525
2121
1717
BB
1313
D. Ellington & B. StrayhornD. Ellington & B. Strayhorn
99
A2A2
24 Day dream24 Day dream
55
A1A1
-
AAEE--CC
GG
AA
GG
EE--
DD
DD--
AA
DD--
EE--
GGDD--
GG
GG
CC
DD--
DD--
CCmmaajj
GGDD--
GG
GG
DD--
DD--
CC
GG
GG
DD--
DD--
44
( )( )2929
CC2525
2121
1717
AA
1313
J. Kern & J. MercerJ. Kern & J. Mercer
99
BB
25 Dearly beloved25 Dearly beloved
55
AA
-
AAEE--BB--DD
AA
AA
DD
EE--BB--DD
EE
GGDD
FF
AAEE--BBFF--
AAEE--
AAEE--
BB--DD
BB
BB
CC
FF--
AAEE--BB--DD
AAEE--
AAEE--
BB--DD
BB--DDAA
AAEE--BB--DD
AAEE--
EE--BB--DD
BBFF--
AA
33
33
33
44
( )( )( )( )
2929
AA2525
2121
1717
BB
1313
B. Goodman, E. Sampson & M. ParishB. Goodman, E. Sampson & M. Parish
99
AA
26 Don't be that way26 Don't be that way
55
AA
-
BB--N.C.N.C.GGBB--DD
FF
FF
EE--BB--
GG
GG
N.C.N.C.
FFGG
AA
AA
GGBB--
BB--
BB--
DD
AABB--
FFGGAABB--
4424
4424
44
(5 mm.)(5 mm.)
2323
A2A2
(A1: 13 mm.)(A1: 13 mm.)
1515
1919
(6 mm.)(6 mm.)
99
55
B. Benajmin, S. Marcus & G. CaldwellB. Benajmin, S. Marcus & G. Caldwell
(A1: 14 mm.)(A1: 14 mm.)
A1A1
27 Don't let me be misunderstood27 Don't let me be misunderstood
-
EE--BB--EE--BB--
FF
EE--BB--
GG
N.C.N.C.
FFGG
GG
AA
BB--
BB--
DD
AABB--
FFGG
BB--DDAAGG
AAGGAAGG
AAGGAAGG
4424
Vamp on cue or fadeVamp on cue or fade
N.B.: Instrumental line in Coda is used before A sections in The Animals' versions.N.B.: Instrumental line in Coda is used before A sections in The Animals' versions.Original version (by Nina Simone) has no repetitions.Original version (by Nina Simone) has no repetitions.
(opt.: instr.)(opt.: instr.)
( )( )5050
CodaCoda
(6 mm.)(6 mm.)
4040
4444
(A1: 14 mm.)(A1: 14 mm.)
A1A13636
3232
(* Rh. Sc. plays this all through part B in heads)(* Rh. Sc. plays this all through part B in heads)
(*)(*)
BB2828
-
CC
CC
GGDD--
FFmmaajj
CC
CC
GG
GG
DD--
DD--
GGDD--
AA--
AA--
FFmmaajj
CC
CC
AA--CC
EE--
DD--DD--
AA--
AA--CC
GG
GG
EE--
DD--
DD--
DD--DD--
AA--
AA--
AA--
CC
CC
GGDD--AA--CC
GGDD--
GG
AA--CC
DDCC
GGDD--AA--CC
GGDD--
GGDD--AA--
AA--CC
CC
44
( )( )3333
2929
BB
2525
2121
BB
AA1313
1717
(vcls.)(vcls.)
Roberto CantoralRoberto Cantoral
99
28 El reloj28 El reloj
AA55
(instr.)(instr.)
IntroIntro
-
BBFF--
BBFF--
BB
AA--
FF--
BBFF
FF--
AAmmaajj
DDAA--EE
CCGG--
DD
GG--
AA--
EE
EEmmaajj
EE
BB--
EE
BBFF--FF--
BB
BBFF--
FF--
FF--
CCGG--EEmmaajj
DDAA--
CCGG--
EE
EEmmaajj
44
N.B.: Rh. Sc. follows lead in heads.N.B.: Rh. Sc. follows lead in heads.
2929
2525
AA
2121
1717
1313
BB
Thelonious MonkThelonious Monk
AA99
29 Evidence29 Evidence
55
AA
-
GGDD--CC
GG
GG
DD--EE
DD
EE--
DD--
CC
CC
GG
GGFF--
FF--
CC
DD--
FF
GG
DD
GGDD--CC
DD
CC
GG
CC
44
( )( )2929
AA2525
2121
1717
BB
1313
J. McHugh & D. FieldsJ. McHugh & D. Fields
99
AA
30 Exactly like you30 Exactly like you
55
AA
-
DDGG--//EE
GG--//DD
DD
GG--//EE
AA--
DD
GG--//EEGG--//FF
GG--//EE
GG--//BB
GG--//FFGG--
EEFF
GG--
GG--//CC
GG--//FF
AACC
DDGG--//CC
GG--
GG--//DD
DD
DD
GG--//EE
GG--//EE
GG--//FF
GG--//FF
GG--
GG--
128
(Vamp on cue or fade)(Vamp on cue or fade)
1818
(vcls. ad lib, Rh. Sec. whole notes)(vcls. ad lib, Rh. Sec. whole notes)
1212
(1st head band in)(1st head band in)
(instr. line, opt.__________________________________)(instr. line, opt.__________________________________)
(3 mm.)(3 mm.)
99
55
77
A. Newley & L. BricusseA. Newley & L. Bricusse
33
(1st head, vcls. only, ad lib.)(1st head, vcls. only, ad lib.)
(Nina Simone's version)(Nina Simone's version)
31 Feeling good31 Feeling good
(A: 11 mm.)(A: 11 mm.)
AA
-
8vb8vb
BBBB
GGBB
N.C.N.C.
BB
BB
AA BBAABBAA AA
N.C.N.C.EEEE
EE
FF
BB
FF GG
BB
EEN.C.N.C.
FFCC--
BBAAAA
GGDD--
N.C.N.C.
44
2121
SolosSolos
( )( )1717
1313
99
AA
55
Horace SilverHorace Silver
00
32 Filthy McNasty32 Filthy McNasty
IntroIntro
-
BBAA BBAABBAA AABBCC-- FFGGDD--
GG
BB//FF
FF
EEEE
EE
BB//DD
N.C.N.C.
BB
BB
AA BB
EE
AA
FF
N.C.N.C.
EE
BB
FFBB
BB
EEFF
EE
33
33
4949
4545
D.S. al CodaD.S. al Coda(play rep.)(play rep.)
4141
3737
3333
BB
( )( )
End for last soloEnd for last soloGo to CGo to C
2929
2525
-
DD
EE
AA--//GG
GG//FF
AA--((mmaajj))//GG
GG
AA--
GG--//EE
GG--
GG--//EE
EE
DD
GG--//EEGG--//EE
DD
GG//FF
GG--//FF
GG
EE
GG--
EE
GG--//FFGG--
N.C.N.C.EEmmaajj//GGCC//GG
EEmmaajj//GGCC//GG
BB//GGGG--
BB//GGGG--
33
33
3333
3333
3333
333333
33
33
44
3333B2B2
2929
(vcls.)(vcls.)
1717
2121
B1B12525
A2A2
1313
99
A1A1
Raphael GualazziRaphael Gualazzi
(instr.)(instr.)
55
33 Follia d'amore33 Follia d'amoreIntroIntro
-
GG--((mmaajj))
EEmmaajj//GGCC//GG
N.C.N.C.
BB//GG
BB//GGGG--
GG--
N.C.N.C.
DD
AA//CC
EEmmaajj//GG
EEmmaajj//GG
EE--//DD
CC//GG
CC//GG
AA--//GG
EE
EE--((mmaajj))//DD
BB//GG
BB//GG
AA--((mmaajj))//GG
EE--
GG--
GG--
AA--
GG//FFGG
GG--//EE
DDGG--
GG--//EE
N.C.N.C.
DD
GG--//FF
EE
GG--
AA--//GGAA--((mmaajj))//GGAA--
3333
33
33
33
33
33
33
33
33
33
33
33
(solo piano)(solo piano)
7373
(instr.)(instr.)
6969
1st time - D.S. / 2nd time to Coda1st time - D.S. / 2nd time to Coda
(vcls. ad lib)(vcls. ad lib)
5757
6161
6565
5353
4949
CodaCoda
( )( )(vcls., cue)(vcls., cue)
4545
4141
SolosSolos
3737
-
EE--//BBEEmmaajj//BBAAmmaajj//BBEEmmaajj//BB
DD//CCCCmmaajj
DD//CCCCmmaajj
FF//CCCC
FF--//CC
FFmmaajj//CC
FFmmaajj//CC
BBmmaajj//CC
CCmmaajj
CCmmaajj
FF//CCCC
FF//CCCCFF//CCCC
33
44
(B: 18 mm.)(B: 18 mm.)
BB2121
1313
1717
99
AA
55
Chick CoreaChick Corea
IntroIntro
34 Friends34 Friends
-
FF//CCCCFF//CCCC
GG
FFmmaajj//CCCCmmaajj
DD--
AA--((mmaajj))
AA--
FF--//CC
AAmmaajj
CC//BBFF--//CC
EE//DD
BBmmaajj//AA
FFmmaajjAAmmaajj
FFmmaajj//AADDmmaajj//AA
Vamp on cue or fadeVamp on cue or fade
4747
CodaCoda
Last time to CodaLast time to Coda
CC3939
4343
(5 mm.)(5 mm.)
3434
(5 mm.)(5 mm.)
2929
2525
-
CCGG--AAGGDDmmaajj
CCGG--
AAEE--
GGDD--
AA--
FF--
CC//BB
BB--//FF
FFmmaajj
CC//BBCCGG//BB
CC
CCGG--
GGDD--
CCFFmmaajj//CC
FF--
CC//GG
FFmmaajj
AA--//CCDD--CC//EEFFmmaajj
FFmmaajjGG--//FFFFmmaajj
44
(* Usually played in two - Original time signature is 2/2.)(* Usually played in two - Original time signature is 2/2.)
2727
1919
(a tempo)(a tempo)(6 mm.)(6 mm.)
(*)(*)
1313
A1A1
99
55
Cole PorterCole Porter35 From this moment on35 From this moment on
VerseVerse
-
CCGG--AAEEBB
FFCC--AA//EEGGDDmmaajj
CC
AAEE--
EE
FF--
EE
BB--//FF
EE
FFCC--AA
CCGG--
BBFF--
FF--
EE
GGDDmmaajj
AAEE--AA
AAEE--FF--BB--//FF
GGDDmmaajj
CCGG--FF--
( )( )
8383
7575
5959
A2A26767
5151
BB
4343
3535
A1A1
-
DDAAmmaajjAAEEmmaajj
BBCCGG--CCGG--CCGG--CCGG--
CC
CC
GG--CC
GG--
GG--
DDAAmmaajj
BBCCGG--CCGG--
CC
CC
GG--
AA
CC
GG--
GG--
EEmmaajj
CCGG--CCGG--
CCGG--CCGG--
CCGG--
CCGG--CCGG--
CCGG--
33
33
33
44
4545
BB
3737
AA
2525
AA2929
2121
BB
1313
AA
(cue)(cue)( )( )
Vamp on cueVamp on cue
Freddie HubbardFreddie Hubbard
55
AA
36 Gibraltar36 Gibraltar
IntroIntro
-
CCGG--CCGG--CC
CCGG--CCGG--
BBCC
CC
GG--
DD
CCGG--
GG--CCGG--
GG--BB--BB--
AAmmaajj
CC
AA
GG--
CCGG--
CCGG--
EEmmaajj
CCGG--
AA--AA--
FF--FF--
CCGG--
DD--DD--
CCGG--
33
33
33
Vamp on cue or fadeVamp on cue or fade
Solos on AAB - opt. use C to end soloSolos on AAB - opt. use C to end soloAfter solos, D.S. al CodaAfter solos, D.S. al Coda
9393
8989D.S.D.S.
AA7777
BB8585
6969
AA
6161
D.S. in solosD.S. in solos
(Rh.Sc. play in 2 & 4)(Rh.Sc. play in 2 & 4)
5353
CC
4949
-
BB
BBCC
CC
BB
BB
AA
AA
BBCCBBAA
N.C.N.C.
N.C.N.C.
FF
FF
N.C.N.C.FF
BBCCAA BBFF N.C.N.C.FF
4444
(vcls.)(vcls.)
1010
1414
66
only drums and bass (opt.)only drums and bass (opt.)2nd head may vary2nd head may vary
Rh. Sec. & Rh. Sec. & 2nd Vcls.2nd Vcls.
AA
LeadLead
Pharrell WilliamsPharrell Williams37 Happy37 Happy
-
FF
FF
CC--
CC--
DDmmaajj
DDmmaajj
FFCC--DDmmaajj
FFCC--DDmmaajj
(instr.)(instr.)
Play 2 timesPlay 2 timesand go to Cand go to C
2626
3030
2222
1818
BB
-
N.C./FN.C./F
N.C./FN.C./F
N.C./FN.C./F
N.C./FN.C./F
N.C./FN.C./FN.C./FN.C./F
N.C./FN.C./FN.C./FN.C./F
5858
6262
5454
4242
4646
3838
5050
BB3434
CC
-
FF
FF
FF
CC--
CC--
DDmmaajj
DDmmaajj
FFCC--DDmmaajj
FFCC--DDmmaajj
Play 2 times andPlay 2 times andD.S. (play rep.)D.S. (play rep.)
(instr.)(instr.)
5858
6262
5454
5050
BB
-
DDGG--
GG--
N.C.N.C.DDDD
GG--
GG--DD
BBmmaajj
GG--
GG--
DDEE
DD
FF
AA--
DD
FF
EE
DD
AA--
AA--
CC--
FF
CC--
GG--
DDEEDD
GG--
DDAA--
EE
DDAA--
FF
44
( )( )( )( )
3333
2929
AA
2525
2121
1313
BB1717
Carlos AlmaránCarlos Almarán
99
AA
38 Historia de un amor38 Historia de un amor
55
AA
-
CC
FFGG
CC
CC
44
(call, vcls. ad lib.)(call, vcls. ad lib.)
TraditionalTraditional
BB
55(fine)(fine)
39 Hoe, Emma, hoe39 Hoe, Emma, hoe
(response)(response)
AA
-
AA--FF--CC
BB--//DDEEAA--AAmmaajj
DD
EEmmaajj
FF--
EE
AA//BBFF--
GG--
AA//BB
AAmmaajj
GG--
CC--GG--EE
AA//BBGGFF--
AA//BBAAmmaajj
CCFF--GG--EE
EEmmaajjEE
33
44
Play 3 times &Play 3 times &go to Codago to Coda
2525
2121
CC
(C: 10 mm.)(C: 10 mm.)
(B: 6 mm.)(B: 6 mm.)
BB1313
1717
99
55
(vcls., 2nd time)(vcls., 2nd time)( )( )
B. Gibb, R. Gibb & M. GibbB. Gibb, R. Gibb & M. Gibb
(instr.)(instr.)
AA
40 How deep is your love40 How deep is your love
IntroIntro
-
AA--FF--CC
BB--//DDEE
EEmmaajjEE
AA--AAmmaajj
AA//BBGG--EE
33
(Vamp on cue or fade)(Vamp on cue or fade)
3838
3434
(Coda: 13 mm.) (5 mm.)(Coda: 13 mm.) (5 mm.)
2929
CodaCoda
-
DDAA--BB--CCmmaajjEE--//DDEE--DDAA--
AAEE--
DD
BBFF--
AA--
BBBBGGBB--AA--
AAEE--
GG
EE
BB
DD--
FF--
EE
GGmmaajjDDCCmmaajjDDEE--
DDCCmmaajjDDEE--DDCCmmaajjDDEE--
44
1919
1515
1313
A1A1
99
55
R. Rodgers & L. HartR. Rodgers & L. Hart
VerseVerse
41 I didn't know what time it was41 I didn't know what time it was
-
GGDDAA--EEBB--
FFCC--BB--CCmmaajjEE--//DDEE--DDAA--
AAEE--
DDAA--
BB
AA
FF--
EE--
DD--EE--BBFF--
AAEE--
GGmmaajj
BB
DD
FF--
AA--
BBFF--GG
DDAA--BB--CCmmaajj
AAEE--BBFF--
EE--//DDEE--DDAA--
AAEE--BBFF--
4747
4343
3535
A2A23939
3131
BB
2727
2323
A1A1
-
CCGG--DDFFmmaajj
CCGG--DDFFmmaajj
DDmmaajj//EE
DDmmaajj
CC
DDmmaajj
GG--
GG--
DDmmaajjGG--
BB
DD
DDaalltt
FF//AA
FFmmaajj
FF//AA
DDaallttFF//AA
DDmmaajjGG--
EEmmaajjEEmmaajjGG--
DDaallttFF//AA
DDaallttFF//AA
44
(break 1st head)(break 1st head)
2929
BB
2525
1717
BB2121
1313
A2A2
99
Esperanza SpaldingEsperanza Spalding
55
A1A1
(bass groove, can also be used in A sections)(bass groove, can also be used in A sections)
42 I know you know42 I know you know
IntroIntro
-
FFDDmmaajjDDmmaajjGG--
CCGG--
DDaalltt
DD
FF//AA
FFmmaajj
CCGG--
GG
BB
DD
BB
FFmmaajj
BB
DD--DDaallttEE--
BBEE//FF
FFCC--
CCGG--
GG--
DD//AA
BBmmaajj
AA--
DDFFmmaajj
Last time to CodaLast time to Coda
(melody for first reps., then ad lib) (Vamp on cue)(melody for first reps., then ad lib) (Vamp on cue)
6565
CodaCoda
6161
SolosSolos
5353
BB5757
4949
4545
4141
3737
CC
3333
-
FFmmaajjCCGG--
CCFFmmaajj
CC
BBmmaajj
GG--
CCGG--
FF
AAAA--
AAAA--BB--BB
DDAA--
CC--
BB--
FFmmaajj
FFmmaajj
BB
CCGG--DDAA--
CCGG--AA
CCGG--
AA--FFmmaajj
333333
33333333
44
( )( )
2121
1717
CC
1313
BB99
L. Alter & M. DrakeL. Alter & M. Drake
55
AA
43 I love the way you're breaking my heart43 I love the way you're breaking my heart
-
CCFFmmaajjCCGG--
AAFFmmaajj
GG
CC
AA
CCGG--
GGAAAA
AA--
GGDD--
BBmmaajj//AABBmmaajjFF
BB
EE
GG
BB--
DD--
CC--FFmmaajj
CC--
AA--
EEBB--FFmmaajjCCGG--
AAFFmmaajjCCGG--BBmmaajj//AA
GGDD--
BBmmaajjFFCC--FFmmaajj
44
( )( )( )( )(*)(*)
(*)(*)
(* These chords are written in the 4th beat in the original version.)(* These chords are written in the 4th beat in the original version.)N.B.: Many versions (e.g. Nina Simone's or Billie Holiday's) use the AABA structure instead.N.B.: Many versions (e.g. Nina Simone's or Billie Holiday's) use the AABA structure instead.
2222
1818
AA
(5 mm.)(5 mm.)
1313
(B: 9 mm.)(B: 9 mm.)
99
BB
(*)(*)
(*)(*)
G. Gershwin, I. Gershwin, G. Gershwin, I. Gershwin, D.B. Heyward & D. HeywardD.B. Heyward & D. Heyward
55
(standard abridged version)(standard abridged version)44 I loves you Porgy44 I loves you Porgy
AA
-
AAEE--CCmmaajj
BB
EEBB--
AA
AA
EE