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(BOOK I FROM WLM : DISJECTI MEMBRA POETAE)
WLM : THE UPPITY WOODS PIECES
byWarren L. McClure
(Latest Revision 07-09-09)
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WLM : THE UPPITY WOODS PIECES AUTUMN 1980
What waste of intellect is caused by poetrythat most extreme language-destroying consequence of verbal art
We Poetswe tatterdemalion intellects
we children off the dark side of the Moonplaying mumble-de-peg with our ganglia
spieling outthe abracadabra of futility
while following the sunshine flightsof belfry bats
tolled out by our bell being rungUnder our droll eye
even the cycle of the Seasonshas become suspect
O Poetsonce we opened up mountains
with magic wordsnow with our negate keys
we can't even close the lock
on the cloaca door
Yet the white face of our Mother in the Moonstill shines symbolically over the marble swan in the rose garden
a romantic Windstill raises waves
that splash the rocksat its base
Before this disquiet Surf with its white caps runningI place at your webbed feet
Moon Ladythe tooth of an old dragon
with the hope
of cozeningunto these
my own sad worksyour benign Grace
for betteror
for worse
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TABLE OF CONTENTS FOR WLM : THE UPPITY WOODS PIECES
(BOOK I FROM WLM : DISJECTI MEMBRA POETAE)
01. Title Page02. Preface Poem (What waste of intellect is caused by poetry)03. Table of Contents04. Soft-spoken Dawn drowsy with dreams
05. I am beginning to fail a little on these cold wet mornings06. Blown as whim dictates we poets today have an eyeful of grief07. Great things and small vanish entirely08. How near Darkness we always are09. In a season when even the strongest limbs bend under ice10. Nature behaves in such an unseemly fashion these fell days11. Sloth-Footed Time patters like sleet on the stones above12. Anger like a fire sweeps over my tabula rasa13. What an onus it is to be a mystic14. An ancient spirit in me winds its cunning horn15. Immersed in the full consequences of this warm comfortable evening16. I can hardly keep from smiling17. I found her Alcman18. Brief euphorias these inevitably followed by returns
19. Old acquaintances I've never met20. OK Darwin21. So quiet here beside the wisteria blooming at the mid-post of Spring22. Summer worms its way in everywhere23. In Googolopolis '8424. Sulphur and Pitch25. Round and round they go26. There / occasionally in / some passing breeze27. Along Recall Road28. Relieved of past mistakes / lost in leisure29. On a summery day with a hot wind blowing30. Often I am disconsolate these halcyon days31. Let your mind linger a while longer with mine32. End Page
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WLM : THE UPPITY WOODS PIECES AUTUMN 1980
Soft-Spoken Dawn drowsy with dreamstwitters away outside my window panes
catches me still dueling with my inkwellamong the footnotes at the bottom of a page
Fortunately I am as invulnerable to anguish
as Siegfried was to injuryexcept where a fallen asterisk
off a conceit of Goethe'sFun Cunning Revenge
keeps the dragon's blood from a small spotunder my left shoulder blade
I am working on a piece for the Veterans of Armageddonwhich like most of my works
I don't expect to be read
Yet I feel I must be about creating a Beyondeven if nobody will be there who gives a damn
This is not the simplest thing in the world to doNobodiness is so much more fluid and protean
than simple being
I suppose the idea of fusty tediumwill still be around
and doubt and dismayperhaps even latently expected events
and languid beautyPerhaps even Dawn
But no footnotesno asterisksno dreams
no poems
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WLM : THE UPPITY WOODS PIECES WINTER 1980-81
I am beginning to fail a little on these cold wet morningsrelegated by the restrictive rules of my servant Language
to the closing in of the direful chalk-circle of the Psychewhile the Universal and the Particular play out their game
of Crush-the-Brain
I am beginning to fail a little on these cold wet morningsbecoming an isolated brooder in the chicken coop of Life
absent-mindedly plucking images off personifications of oldabstract weather-gods
and intellectual friends whom I've caught sucking eggs
I am beginning to fail a little on these cold wet morningsIt is becoming difficult to see things that move quickly
before they catch you on your mental nose like a left jabstill the feeling persists that Satire is the ultimate gesture
short of murder
I am beginning to fail a little on these cold wet morningsunder the dead weight of spent Winds and Waves
forgetting occasionally even that no poet ever wrotewith an abstract idea
or as if the end of Poetry were to wear out pens
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WLM : THE UPPITY WOODS PIECES WINTER 1982-83
Blown as whim dictates we poets today have an eyeful of griefnights pass among us when no one sleeps when no one dares to dream
when we are drawn into the suspenseful bliss of endless lists of supplementary readingsby enticing footnotes bracketed between asterisks
in dark old musty books off back shelves of moldy rackswhere we sample terrors that blew men's minds in former days
Old Texts are forever making uncommon demands on usthey come round like misshapen beggars
with crooked spines and type-face all askewhedged about by the Perplexities and suspect in the eyes of the Authorities
The stale breath of the Desert of All Past Time wheezes thru their ragged pagesIts wry sands seal over forever the oases of their inspirations
void any passions they may once have had for further penetrations of the Mysteries
With them we can but lean back now and reflect on the Indisputableor embrace some poisonous familiar that can be known neither to eye nor ear
Still they have the better of it
with their Absolutes and Standard Formstheir hide-bound wit and their deckled edges
for they are no longer required to don fresh boards each morningnor to elaborate one parse more on the least bit of wisdom they've placed between dust covers
nor to become ever more deeply involved in double talk with their psyches
At daylight's end they rest on their laurelsPerhaps they dream
While we poets today
blown as whim dictates must spin endless ennui into toothsome metaphor each turn of the daywithout purpose without cause without structure to guide us
Blown as whim dictates we have an eyeful of grief
and nights pass among us when no one sleeps
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WLM : THE UPPITY WOODS PIECES AUTUMN 1993
Great things and small vanish entirelydown the Name of the River-That-Never-Changes I know so well
I know all the other names for Evil too like the tip of my tongueand even now in my dotage
where one at last becomes a sageI still remember
some of those for GoodLove Life and Meaningfulness
GodCountry
Stymied tho at this age by Process and Realityat odds between the Labyrinth and the Obelisk
I hang about in dark niches like a word of praiseor a child wearing strange clothing
forgetting the names of thingsplaying games with impalpable forms late of evenings
evenings full of chilly shadows and sounds with mysterious resonancesstrophes out of the Ethereal
Sometimes accompanied by Lost Pride and an ineffectual storm withinI hunt down erring thoughts of others
imagining I have found an exit into Outer Freedomnot subject to the Laws of Words
With Guilt I often enter into this World-of-Ideal-Consolationsbeyond tenacious dreams and other terrestrial deceptions
a world apparently constructed to outdure Foreverwhere Things-Without-Tongues appear endowed with speech
Thus Knowledge accumulates Wisdom passes awayLove Life and Meaningfulness
The Gods are dead
Birth and Blooming Decline and Deaththe four walls of Eternity
even these Evil insinuates
The Labyrinth the Obelisk
Evil
If you want to know more names for Evildon't ask me
ask a child
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WLM : THE UPPITY WOODS PIECES WINTER 1983-84
How near Darkness we always arewith only a streak of Light showing thru Here and There
slipping past some celestial crackto strike
a broken bottlereflect
off an asphalt road after rainto create
some ephemeral exceptionbeyond Mastery of Technique
Scienceand Wisdom
Even soour Eye is above it
our Heart is not with itfor to some degree we are all doubtless
We live in grooves instead of Groves of Learningour waking moments taken up with the grooming of our five dimensions
instead of our sensesneither devout nor deviant
dulleven our dreams unintelligible
irrisible
We live in groovesnarrow universes in which symbols that have lost their powers
have more place in our livesthan the epiphanies of the Real
a mauve innuendohumorless
displaced off centerwhere we rejoice to see Authority articulated
in the banal cadences off derivative chorusesof well-trained Asses
expostulatingbraying over the pat symmetries of some one closed system or another
while Artificethat unmasks the Inexplicable
the Cosmic Irony in all Thingsis banished into a region where Validity has vanished
How near Darkness we always are
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WLM : THE UPPITY WOODS PIECES WINTER 1981-82
In a season when even the strongest limbs bend under icesleet sings thru the old maple trees in my yard this night
in unscanable linesin an Angst without reason
in a rhythm all its own
Snow drifts three feet high this nightover the womb of the pregnant Moon
blanking out all that was ever ground
In my night clothes at this hourmy thought-states trimmed in black and white
I stand waiting at the window for these times to changea so-so dealer in the oils and silks of Language
the etymon of your typical everyday dialectical ruse
Tautological existence theorems halo my headpunctuate with icicle exclamation points
those simple snow-bound sentences outsidedivide the meaningful into aliquot dollops
residueswithout residues
Every now and thenfor diversion
I quarter a fluxion in the Infinitesimalsome snowflake or ice crystal
or bury an inconsistency beneath a snowbank of limitsmarveling greatly
while I wait
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WLM : THE UPPITY WOODS PIECES WINTER 1980-81
Sloth-Footed Time pitter-patters away like sleet on the stones abovewhile here I am by some infinitesimal calculus
still trying to prove the beauty of Summers Last Rosethat withered blossom of my latest methodological calamity
buried here with me beneath a mud-slide of reinterpretationa seemingly never-ending inundation
of causal forcesand rock-falls of Reason
For having leapt early into the initial trap of Innocencethe faith of the sent
those with a missionI must now scratch my way out
from under this thought-stifling Heapwith the gnarled fingers
of a human mindthat can barely fathom perspective
or square a circle
What can one expect
Depth is the Sky's prerogative
Yet perhaps somewhere somedayabove Form and Earth and Reason
beyond Space-TimesColossal Horizon
some Cloud of Knowing will localizeand I shall understand
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WLM : THE UPPITY WOODS PIECES SUMMER 1983
Anger like a fire sweeps over my tabula rasaburns holes at periods
Hand me ire any day not hand-me-down truthsFor why be caught up in a straight-jacket of facts
in the immense Asylum of the Maybe-Perhapswhen the Impossible is so much more rare
So I gulp down each drop of the ichor of this micro-morningof a day that will be an eon long
cringing before conflicting dreams
Last night the viscera of the sacrificial Owl was thickand today's Swallows fly like feather-brained gods
fleet-winged into the Wind of the Sunwhile I pursue the licentious life of a sage here in the Woods
at the Navel of the Eartha life still valid for those of us with a bent toward Eviland for poets who in their mad quest for Immortality
indiscriminately apply their Science and Arttoward the destruction of Form
abandoning the Beautiful the Good for the Hyperbolicgiving their fugues over to the Disproportionate the Amorphous
that seems to be more titivating nowin the aftermath of the New Eurhythmia
For to appear to be unique these sad days and still to present an intelligible aspectone has to bend one's lines and the Truth a little more than one might
on another dayto be heard
Or praised
One has to be agent and provocateuruse two-fisted words to overcome the Listless
in a world where precise measurement is thought most wisewhile the masking of Nescience in the never-changing parapraxis of Negation
is considered WisdomMost High
and Banality is all the rage
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WLM : THE UPPITY WOODS PIECES WINTER 1980-81
What an onus it is to be a mystic
to have to become on cue directly a godknowing one is blest at best with a system of bad logic
but still an invulnerable divine being in one's own rightwho will be left alone
to struggle with his lonely creedas one who since master of his own unique craft
must pull his own oarsup a Nile of Lies
What an onus it is to be a mystic
knowing however wise the oracle one may preachwhat some fool will say will come to pass
knowing how pure the Light of Transcendent Wisdom isin this heart of all hearts your own
that up against the a priori System of Natural Formsthe glow will dampen and the gilding vanish
self-interest and pride will once again stand sentinel
even over the recipients of those instantaneous conversions you madethose who throve after your Way
will involve themselves in every rascalityevery wickedness Existence can stir into
the cauldrons of their imaginationsmingling sadness and sin
with your own generous all-encompassing holy over-all thematicConceptions
till at the Endthe last of all prizes
even you will hesitate to close out that hubristic hiatuson the flyleaf of your own Grand Book of the Knowledge of Awe
of the One and Only Wayyour Own
with anything more than a set of empty bracketsin a footnote
at the bottom of the page
What an onus it is to be a mystic
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WLM : THE UPPITY WOODS PIECES SPRING 1980
An ancient spirit in me winds its cunning horncalls me back cell by cell to where
the Human Will was born
Across the blackboard of the Nightthe positively-loaded expressions of the Stars
stand out like fixed answers
Leaf by leaf the vegetable garden of my mind unwhorlsluxuriates in fantasies of Nubian princesses
of milk-white Aryan maidensand tawny Orientals
Outside Reasonfascinating realms abound
new Ages of Iron Silver Gold Brassnew and barbarous Forces of Change
And ArtAlways Art
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WLM : THE UPPITY WOODS PIECES SUMMER 1985
Immersed in the full consequences of this warm comfortable eveningmy amateurish defenses in word symmetry broken thruby prancing steeds of sound with one-way meanings
and occasional bustrophodons mounted on double-entendresI panic into a pandemonium of pure expression
I surrender my will over words
These loosed and unconnected nowfoisted on the Universe of Discourse by this change in my circumstances
drop off into duplicities that work their disjunctive relationshipsinto full-blown gang-rapes of the subjective
Disentangling latencies unwind themselves ever more closely apartwith sparse filaments of similar-sounding syllables
As if by magic perpetually adjunct multiplicities that were till now unassailablesunder any and all
of their explanatory capabilitiesUnbuttressed by facts these stretch themselves out across
unconscionably structured lacunaetill there comes no end
Tho I suffer much from these alaconic strophesinaliquot as the time seems to be
that runs thru my hands during this asymmetric seizureI cease to be a synonym
and
along this right-deviating line that extendsto where the System bends
before the All-Too-Vast-PrevailingI would wend my happy way thus in all my duplicity
wide-mouthed as any other foolmy ears dragging in the Ubiquitous
to the ends of the Earth
were I so wise
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WLM : THE UPPITY WOODS PIECES SPRING 1981
I can hardly keep from smilingSpring has heaped on Earth so early this year
nights so unexpectedly warm and balmy
It would seem as if I'd been made the victim too of this gentle jestwere it not for the knots in my insides
But the Moon's at syzygy nowand I've been out praying thru a spider's web
for the misfortune of those gods I feel are no longer with meFor my gut cannot take such a joke as this from Reality
For even we Jackanapes of the Word have a limited vital timeonly so many springs early or late
to worm our way into that cliqueunique in purport
the Society of the Lynx-EyedWe have no time for laughter
So soon is one snuffed out like a lamp with a light puff past the wick
But the Moon even now at her most distantreflects my curse back on me like a muffled echo off the Wall of Oblivion
saying
Go on sighing in your Inner Sacristyif you must
Yet know those Towers of Gold you plan and build in your mind at nightbeyond this spider's lace of silvery threads
out of that complex plethora of bleak linesyou see etched in by those multitudes of windblown limbs not yet leaved out
on that grey dome inside your headeven if you were to carry out your dreams in the light of day
would soon be but low hillocks of ash and clayinsignificant little tels
like the starved breasts of a homeless childmutilated by Time
before her time
Or shallow dips in the earthlike the eye-sockets in your skull
Go out this NightThrow care to the Wind
Enjoy my giftEnjoy this Spring
It may be your last
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WLM : THE UPPITY WOODS PIECES SPRING 1981
I found her Alcmanwhile out revalidating words far from the Great Centers of Truth
She was reclining on a bed of new leaves and making obscene gesturesgestures for me to come root in Circe's mire
to sing a song of lustShe was so scantily clad with no other man near to tease her
She seemed to be sayingCome lie with me till the Wind doth rise
and I will slip Winter's iniquities off youlike a glove
And the Wind rose like a woman sighingAnd the Storm came on me like a fire
And I who had found peace by becoming a scholarfelt a power in my rood enough to produce a rivulet from stone
Her byzantine deviousness turned my nobly disciplined mind to rhymeand caused the trees to flower
Unhinged so far from the smell of Great Learning
I became iambic with imaginationand indulged in unseemly practices not customary with me
Yet now that I know our need for each otherwere I to be granted leave
to wander thru for a thousand yearsall of Learning's Great Market Places
I'd not exchangeall the Lore I might garner there
for that one Hour of Wonder
in her boudoir
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WLM : THE UPPITY WOODS PIECES SUMMER 1983
Brief euphorias these inevitably followed by returnsOne is forever extricating one's Self from the tangle of one's Own
that sensuous Residue remaining after Identity's once been establishedthat Imprecation beyond precise meaning
like an Incantation wafted in on a foul breezecoming off an Unexpected Source
dependent on a multitudeof Sources
The Self
Age-old this nuisance isthat no one's ever found a way of getting round
along withoutfor long
ForPure Will
in a disjointed Worldat the first false quiet plunges into
softly closing Death
like dandruff on a Dark Sleeve
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WLM : THE UPPITY WOODS PIECES SUMMER 1982
Old acquaintances I've never met strangers I've known it seems for ages meet insidethe Jury Box of Consciousness within my head
dark-deep as all the FirmamentDragonflies with piercing eyes alight on pools as wide as Night
attach themselves at crucial times to incongruous outward signslike hammers driving nails
Behind the brains weird scenes from Literature replacethe secret rites profaned
by uninitiateswhile I
spread out like paint
I am of a piece with the Changeable My Friendsbathed in the bathos of the Ego's I
dripping on the Nascenttoweling off on the Unpredictable
I belong to a little world apartwith mores all its own
that frightens some
leaves others cold
I vex myself to know
My Friends I would cut a passage thru my partsand crumble into nothing left
than not
Judge as you will
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WLM : THE UPPITY WOODS PIECES WINTER 1980-81
OK Darwinlet us suppose the ancient progenitor of the European cuckoo
had the same habitsas our American dodo
Why notIt's not as if the World had suddenly become absurd
it always wasAnyway a dialogue with the Old Gods
with the alleged Ignorance of the Ancientscan always be re-initiated
If we are wrongwe will still be able to weave a terminological blanket
under which we may hide those phenomenawhich are not immediately understandable
we may even allow ourselves progress gruntsand other dissociative side amusements
such as scratching our wattlesif we so desire
But instead of candid realists conversing out in the open airin the mystical language of Physics and Religion
vis--vis Math and Mythwe will always appear to the masses
and to the historicists among usas occult conspirators against the main trunk of Life
huddled together furtively in some dark crotch of the Behavioral SciencesWe will always be placed in some bleak situational classroom
of nonsymptomatic improprietycell-mates of Socinian foxes nibbling at grapes
agape crows have droppedOur peculiarly modern sort of self-pity
such as the feelings we have when someone else gets run over by a truckor pulls the legs off a fly
that has replaced the old mythical sort of self-knowingand the in-group awareness of what roles one may play
might lead to interesting discoveries about why we believeor about the semantic power of prayer
maybe even some forthright primal utterances of aweBut it will give us no way
to counter the gambit of Transcendenceinnate in the initial state
Games of BeliefOr Identity
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WLM : THE UPPITY WOODS PIECES SPRING 1983
So quiet here beside the wisteria blooming at the mid-post of SpringIf it were not for the Ethereal one could almost hear petals falling
So quiet hereYet a wet blanket of perturbation unrolls before me
this sultry vernal eveas the orgasmic cycle of the diurnal draws to a close
as moths weave the woof of the warm into strange cloth on the loom of the Unexpectedas they skitter from haunts more sequestered
moths in their nocturnal flighttoward the Light
The flame in my lamp flickers on the rough wood table outside my windowwhere I burn for the Light in all its broad spectrum
where I train my mind to fathom the wispy ways of mothsand bore my brain to distraction over the differential equations
to the infinitesimal angulationsof their scaly wings
and doze off into dream among the square rootsof the permutations
that determine flight
A moth becomes caught inside the screen of my lampstruggles about on the hot globe
stuck to the surface of Light by some strange fascinationsome fascination I too can feel the heat of
but cannot yet fathom
For it is not in the nature of things for men of my ilk at this hourfor the simple-minded
the well-trained the well-readthe overtly conditioned
who can tell by rote and a tenacious will how the moth fliesto understand why it plunges toward the Flame
but for the roundly educated the aged the Wise
who understand the ways of Lightas well as flight
So quiet here.
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WLM : THE UPPITY WOODS PIECES SUMMER 1982
Summer worms its way in everywherea quaint series of events strung out like woolly caterpillars across the blue leaf of the sky
poly-eyed clouds with their eyelids closed their fleece whipped about by whirlwinds of light
Distant thunder ripples lingers over the sill of my south-opening windowwhile a clone-like calm waits between me and the passive rugged Woods beyond
my inner self that's come out of its hide
Like me the Woods have a certain amount of rot in their rootsThey dread the storm they fidget about
Darker clouds move in full of round raindrops
phials full of subtle fragrances about to spill
Two-fisted Nature with her dander uptosses a thunderbolt out of the uncommitted blue
turns the green side of the Woods over in a shimmer of sound
The shrill of cicadas vanishes as the storm comes onand the hum of mosquitoes
I risk my last bit of purity trying to capture some nonsensical nuanceoff the flypapers on my mind's inner walls
but those exigencies that might have kept me coherent blow quickly byswept away from my traps by the lack of adhesiveness in the Logos to grasp and hold
the conjunctive legs of the moment's Incomparablesthe rain the calm the thunder the sky
at three removes
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WLM : THE UPPITY WOODS PIECES SUMMER 1984
In Googolopolis '84hi-tech Nerds fresh out of school
rush about beneath the starsin hi-performance kiddie-cars
the Force is with themin Googolopolis '84
In Googolopolis '84the Best's abhorred and Genius
while Mediocrity is blessedbetter a Fool than Wise
in Googolopolis '84
In Googolopolis '84the lives
of those of us who still have Hopeare run by Pedants Cooks and Scribes
or others guided by fainter goalswhose outlay I suppose
self-satisfies
and those who gropein similar groups
and double-speakwith secret ease
in esoteric tongueor computerese
or those who stand in awe of thesein Googolopolis '84
In Googolopolis '84those of us who still have Hope
eulogizethe Wise and stand
four-square against this Master Plan
for Manbut who are we
to stay the rush to Mediocrityin Googolopolis '84
In Googolopolis '84we who hope
hope for times to come againwhen Cooks keep kitchen
and Teachers teachand Clerks keep books
instead of bookWe pray the Wise shall rule
If not the StrongAnd if the Force be with
rather than Nerdbe with the Fool
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WLM : THE UPPITY WOODS PIECES SUMMER 1987
Sulphur and Pitchand an ointment made from the Eye of a Wolf
that once waxed boldto solace the soul
to work with the Mists of Ragea most efficacious salve wherewith
to rub the gums of timorous wits whereinBeetles and Slow-Worms creep
and wriggle about
Ideas
monstrous as Maggots under a microscopewitty Saws whose viscid Walls one shivers to touch
with a naked thoughtthat might disturb the Mold
Savants without glebe or mansecircumscribed within the astrograms of their own creeds
they ply their trades
the Pros the Cons the Systematistsmisanthropists all
Sellers of Sulphur and Pitchand an ointment made
from the Eye of a Wolfto solace the Self
to work with the Mists of Rage
Sulphur and PitchBeetles and Slow-Worms
monstrous Maggots and viscid Wallswho will disturb the Mold
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WLM : THE UPPITY WOODS PIECES AUTUMN 1982
Round and round they gomy woolly caterpillars on their desiccated leaf
the world selected out for them from the Great Spectacle of available Earth and Skyeach traumatized by the anxieties of the one before the one after
which each has dramatized in its own wee mindas an excess of choice in a worthwhile endeavor
each imagining itself its mainspring and guideeminently willing to suffer for its enhancement the laborious rounds
that drain the soulthat break the brain
each forced by its own wee drop of will to continue these pointless roundsplaying out its life-line
in a woefully contracted grooveit imagines its own
it imagines wisenever once envisioning an either-or
or an impossible missionor a games-end
content it has reached its goal by serving the Cause by conforming tosome pis aller
set by anotherwho imagines it has reached its goal
by conforming to someone else'spis aller
ad absurdumad infinitum
Can it be supposed that in such a milieuin such a makeshift world of least resort
facts have not been suppressedor in a world where even the names of things have been usurped
by mathematical assumptionsand their relationships subsumed under operational signs
that Wisdom really comes neatly by in the round
or in bundles of punch-cardsthe unified syntheses of the experiences of clerks
reduced to numbers and categorized by slotreductio ad absurdum
ad infinitum
No No My Dolsome FriendsI think were one really wise one would shrug off these makeshift worlds and go out on ones own
and look for breakthrus that might be found beyond words beyond numbers beyond othersbeyond this mind-clutter of abstract shibboleths that stand for what is
the apparent and intransigentthe pap for computers
And rather than follow appearances in a world unsuited for Reasonwith the woolly persistence of a worm caught up in a ring of worms
one would rather seek out that That that isOnes Own
by being content with nothing lessthan Extraordinary Signs
with Acts awesome and omnipotenttho unintelligible
Actsthat can only be communicated
by Extraordinary Signsand perhapsby Poetry
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andSong
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WLM : THE UPPITY WOODS PIECES SUMMER 1982
THE VEGETABLE GARDEN
Thereoccasionally in
some passing breezea limb may wave
an orificeopen
Thereno flower grows wild
nor weedNothing's allowed
to go to seedbut plucked
The vines that witherare quickly shuttled
out
Yetoccasionally in
some passing breezea limb may wave
an orificeopen
Most oftentho
the only stiris when
some piggy-wig squealson Mahogany Row
Stilloccasionally in
some passing breezea limb may wave
an orifice
open
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WLM : THE UPPITY WOODS PIECES SUMMER 1982
Along Recall Roadtribally old themes recur My Prince sonata-like
great swoops of seeming permanence andanarchic interplays of ignorance
I stuff them into sound-tight verbal contrivancesand hang them on my walls
This morning my room is filled with themand vases full of withered flowers
here where I wait for new roots
in the Land of Second Chance
How incorrigibly duplicative everything iswhen the ultimate parameters of one's life spans
the accumulated experiences of all alternative endsHow the mlange of repetitive nonsense wears thin wit's ends
till the lone feat left that one's mind seems capable ofis total recall
Or acquiescing inthe Inexorable
Carpe diem Sweet Prince Enjoy the hourHow well I remember those fascinating days when once I too
would early up and be abouteager-willed
organizing my priesthoodthundering out efficacious prayers to non-existent gods
offering my Self to each rising Sun with a pristine naivetDoing Doing Doing
How well I remember
And now to thiswaiting beside the Recall Road
in the Land of Second Chancehoping to be transformed by some sort of sleep-waking spell
from the monotony of tomorrow
Carpe diemMy
Prince
Enjoyyour
day
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WLM : THE UPPITY WOODS PIECES AUTUMN 1980
Relieved of past mistakeslost in leisure
the vast Conger Eel of Heaven and Earth already in my gunny-sackI piddle now with my syntactical pole
trying to catch the Sunfish of Truth and Right MeasureI drift from place to place in my concrete boat
listening to the symphony of the Sunthe singing Stars
passing over deserted fishing grounds
full of old CrabsYet my mode of conduct is not one to cheer
the SanctimoniousFor I look forward to feast days and the iatromagic of hot baths
No longer content with measuring extensionnor transmuting imagination into Poetry
sometimes I even think thoughtsthat are unfortunately dangerous
to the All MightyAnd I no longer bear stoically what the Future hands me
At times I am even tempted tolaughter
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WLM : THE UPPITY WOODS PIECES SUMMER 1981
On a summery day with a hot wind blowingmy senses unguardedly open to a text I have often before perused
an ancient lay of the land of the Tartarsabout mastering one's horses
before attempting to crossimplacable rivers
So well before this day with its hot wind blowingI have had time to map out sequences for my bones to follow
in order to place myself in accord with my surroundingsto avoid ossification of the brain
But my mouth is dry nowas if I had just lied to myself
I have lied to myself beforemy imagination knows well how to brew a myth out of Summer's condiments
fantasies filter down on the hot winds of Summeronly to rise up again
distilling off the alembics of my human experimentheady concoctions
And I have gulped them in like an uncouth barbarian
until here I find myself soothlessat this late hour
holding the reins of a worn-out horseat the mouth of a river
too wide to cross
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WLM : THE UPPITY WOODS PIECES SUMMER 1983
Often I am disconsolate these halcyon daysstrange images roam about
too far removed too strongly present to be conceived as wordsyet the secret language with which I praise myself
glibly twitters away to itself in the Darkwhile hushed hurrahs rise from my mind's gutters
In a souciant abandon these calm days I wonderoften of Fame and Fortune
as lucid nights drop on my brain's ragged copse
I know not why TibullusFor Praise never was my passion either
that double-edged wool dyed for the ears of others
Still Envy gnaws in the Darkchomps away inside my navel like a maggot
Even in sleep the muscles that hook my head to my neck knotas if thewed for strife
And my mind embarks on livid rampages of Guiltsoars beyond Pity for itself into direct apprehension
of the sordid fact that Meditation in itself
seldom results in outward Praise
that Meditation
more often than notis only a sop
to soothe
to praise
theSelf
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WLM : THE UPPITY WOODS PIECES SUMMER 1987
Let your mind linger a while longer with minethis sad hour if you will
here where I await Humility's inevitable returnto Mankind's once again seeing things aright
here at this hour when Day takes flighttakes leave of the Great Surround the Sky
takes leave with a touch of malice that rousesa speculative ardor
in those of us who would confound our Friends
with the mysteries of Poetry and Philosophy
Oh how Conceits combine witless Wordswind Ideas out to the Ends-of-All-Things
confuse intimations of the Ways-That-Things-Arewith the rivets that hold together
the Masterworks
How events conspireI was not always a poet
Once I designed Walls that could not be leapedby the Wind
or pierced by FireOnce I was a mighty hunter of Ibex and Argali
My hounds ran wildthey attacked the Living devoured the Dead
How events conspirenow I am Nimrod old blind
searching his begging-bowlfor a koine
PourboireTrinkgeld
Alms for the Love ofPoetry
Alms for the Love ofPoetry
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WLM : THE UPPITY WOODS PIECES
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