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    (BOOK I FROM WLM : DISJECTI MEMBRA POETAE)

    WLM : THE UPPITY WOODS PIECES

    byWarren L. McClure

    (Latest Revision 07-09-09)

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    02

    WLM : THE UPPITY WOODS PIECES AUTUMN 1980

    What waste of intellect is caused by poetrythat most extreme language-destroying consequence of verbal art

    We Poetswe tatterdemalion intellects

    we children off the dark side of the Moonplaying mumble-de-peg with our ganglia

    spieling outthe abracadabra of futility

    while following the sunshine flightsof belfry bats

    tolled out by our bell being rungUnder our droll eye

    even the cycle of the Seasonshas become suspect

    O Poetsonce we opened up mountains

    with magic wordsnow with our negate keys

    we can't even close the lock

    on the cloaca door

    Yet the white face of our Mother in the Moonstill shines symbolically over the marble swan in the rose garden

    a romantic Windstill raises waves

    that splash the rocksat its base

    Before this disquiet Surf with its white caps runningI place at your webbed feet

    Moon Ladythe tooth of an old dragon

    with the hope

    of cozeningunto these

    my own sad worksyour benign Grace

    for betteror

    for worse

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    03

    TABLE OF CONTENTS FOR WLM : THE UPPITY WOODS PIECES

    (BOOK I FROM WLM : DISJECTI MEMBRA POETAE)

    01. Title Page02. Preface Poem (What waste of intellect is caused by poetry)03. Table of Contents04. Soft-spoken Dawn drowsy with dreams

    05. I am beginning to fail a little on these cold wet mornings06. Blown as whim dictates we poets today have an eyeful of grief07. Great things and small vanish entirely08. How near Darkness we always are09. In a season when even the strongest limbs bend under ice10. Nature behaves in such an unseemly fashion these fell days11. Sloth-Footed Time patters like sleet on the stones above12. Anger like a fire sweeps over my tabula rasa13. What an onus it is to be a mystic14. An ancient spirit in me winds its cunning horn15. Immersed in the full consequences of this warm comfortable evening16. I can hardly keep from smiling17. I found her Alcman18. Brief euphorias these inevitably followed by returns

    19. Old acquaintances I've never met20. OK Darwin21. So quiet here beside the wisteria blooming at the mid-post of Spring22. Summer worms its way in everywhere23. In Googolopolis '8424. Sulphur and Pitch25. Round and round they go26. There / occasionally in / some passing breeze27. Along Recall Road28. Relieved of past mistakes / lost in leisure29. On a summery day with a hot wind blowing30. Often I am disconsolate these halcyon days31. Let your mind linger a while longer with mine32. End Page

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    04

    WLM : THE UPPITY WOODS PIECES AUTUMN 1980

    Soft-Spoken Dawn drowsy with dreamstwitters away outside my window panes

    catches me still dueling with my inkwellamong the footnotes at the bottom of a page

    Fortunately I am as invulnerable to anguish

    as Siegfried was to injuryexcept where a fallen asterisk

    off a conceit of Goethe'sFun Cunning Revenge

    keeps the dragon's blood from a small spotunder my left shoulder blade

    I am working on a piece for the Veterans of Armageddonwhich like most of my works

    I don't expect to be read

    Yet I feel I must be about creating a Beyondeven if nobody will be there who gives a damn

    This is not the simplest thing in the world to doNobodiness is so much more fluid and protean

    than simple being

    I suppose the idea of fusty tediumwill still be around

    and doubt and dismayperhaps even latently expected events

    and languid beautyPerhaps even Dawn

    But no footnotesno asterisksno dreams

    no poems

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    WLM : THE UPPITY WOODS PIECES WINTER 1980-81

    I am beginning to fail a little on these cold wet morningsrelegated by the restrictive rules of my servant Language

    to the closing in of the direful chalk-circle of the Psychewhile the Universal and the Particular play out their game

    of Crush-the-Brain

    I am beginning to fail a little on these cold wet morningsbecoming an isolated brooder in the chicken coop of Life

    absent-mindedly plucking images off personifications of oldabstract weather-gods

    and intellectual friends whom I've caught sucking eggs

    I am beginning to fail a little on these cold wet morningsIt is becoming difficult to see things that move quickly

    before they catch you on your mental nose like a left jabstill the feeling persists that Satire is the ultimate gesture

    short of murder

    I am beginning to fail a little on these cold wet morningsunder the dead weight of spent Winds and Waves

    forgetting occasionally even that no poet ever wrotewith an abstract idea

    or as if the end of Poetry were to wear out pens

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    WLM : THE UPPITY WOODS PIECES WINTER 1982-83

    Blown as whim dictates we poets today have an eyeful of griefnights pass among us when no one sleeps when no one dares to dream

    when we are drawn into the suspenseful bliss of endless lists of supplementary readingsby enticing footnotes bracketed between asterisks

    in dark old musty books off back shelves of moldy rackswhere we sample terrors that blew men's minds in former days

    Old Texts are forever making uncommon demands on usthey come round like misshapen beggars

    with crooked spines and type-face all askewhedged about by the Perplexities and suspect in the eyes of the Authorities

    The stale breath of the Desert of All Past Time wheezes thru their ragged pagesIts wry sands seal over forever the oases of their inspirations

    void any passions they may once have had for further penetrations of the Mysteries

    With them we can but lean back now and reflect on the Indisputableor embrace some poisonous familiar that can be known neither to eye nor ear

    Still they have the better of it

    with their Absolutes and Standard Formstheir hide-bound wit and their deckled edges

    for they are no longer required to don fresh boards each morningnor to elaborate one parse more on the least bit of wisdom they've placed between dust covers

    nor to become ever more deeply involved in double talk with their psyches

    At daylight's end they rest on their laurelsPerhaps they dream

    While we poets today

    blown as whim dictates must spin endless ennui into toothsome metaphor each turn of the daywithout purpose without cause without structure to guide us

    Blown as whim dictates we have an eyeful of grief

    and nights pass among us when no one sleeps

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    WLM : THE UPPITY WOODS PIECES AUTUMN 1993

    Great things and small vanish entirelydown the Name of the River-That-Never-Changes I know so well

    I know all the other names for Evil too like the tip of my tongueand even now in my dotage

    where one at last becomes a sageI still remember

    some of those for GoodLove Life and Meaningfulness

    GodCountry

    Stymied tho at this age by Process and Realityat odds between the Labyrinth and the Obelisk

    I hang about in dark niches like a word of praiseor a child wearing strange clothing

    forgetting the names of thingsplaying games with impalpable forms late of evenings

    evenings full of chilly shadows and sounds with mysterious resonancesstrophes out of the Ethereal

    Sometimes accompanied by Lost Pride and an ineffectual storm withinI hunt down erring thoughts of others

    imagining I have found an exit into Outer Freedomnot subject to the Laws of Words

    With Guilt I often enter into this World-of-Ideal-Consolationsbeyond tenacious dreams and other terrestrial deceptions

    a world apparently constructed to outdure Foreverwhere Things-Without-Tongues appear endowed with speech

    Thus Knowledge accumulates Wisdom passes awayLove Life and Meaningfulness

    The Gods are dead

    Birth and Blooming Decline and Deaththe four walls of Eternity

    even these Evil insinuates

    The Labyrinth the Obelisk

    Evil

    If you want to know more names for Evildon't ask me

    ask a child

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    WLM : THE UPPITY WOODS PIECES WINTER 1983-84

    How near Darkness we always arewith only a streak of Light showing thru Here and There

    slipping past some celestial crackto strike

    a broken bottlereflect

    off an asphalt road after rainto create

    some ephemeral exceptionbeyond Mastery of Technique

    Scienceand Wisdom

    Even soour Eye is above it

    our Heart is not with itfor to some degree we are all doubtless

    We live in grooves instead of Groves of Learningour waking moments taken up with the grooming of our five dimensions

    instead of our sensesneither devout nor deviant

    dulleven our dreams unintelligible

    irrisible

    We live in groovesnarrow universes in which symbols that have lost their powers

    have more place in our livesthan the epiphanies of the Real

    a mauve innuendohumorless

    displaced off centerwhere we rejoice to see Authority articulated

    in the banal cadences off derivative chorusesof well-trained Asses

    expostulatingbraying over the pat symmetries of some one closed system or another

    while Artificethat unmasks the Inexplicable

    the Cosmic Irony in all Thingsis banished into a region where Validity has vanished

    How near Darkness we always are

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    WLM : THE UPPITY WOODS PIECES WINTER 1981-82

    In a season when even the strongest limbs bend under icesleet sings thru the old maple trees in my yard this night

    in unscanable linesin an Angst without reason

    in a rhythm all its own

    Snow drifts three feet high this nightover the womb of the pregnant Moon

    blanking out all that was ever ground

    In my night clothes at this hourmy thought-states trimmed in black and white

    I stand waiting at the window for these times to changea so-so dealer in the oils and silks of Language

    the etymon of your typical everyday dialectical ruse

    Tautological existence theorems halo my headpunctuate with icicle exclamation points

    those simple snow-bound sentences outsidedivide the meaningful into aliquot dollops

    residueswithout residues

    Every now and thenfor diversion

    I quarter a fluxion in the Infinitesimalsome snowflake or ice crystal

    or bury an inconsistency beneath a snowbank of limitsmarveling greatly

    while I wait

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    WLM : THE UPPITY WOODS PIECES WINTER 1980-81

    Sloth-Footed Time pitter-patters away like sleet on the stones abovewhile here I am by some infinitesimal calculus

    still trying to prove the beauty of Summers Last Rosethat withered blossom of my latest methodological calamity

    buried here with me beneath a mud-slide of reinterpretationa seemingly never-ending inundation

    of causal forcesand rock-falls of Reason

    For having leapt early into the initial trap of Innocencethe faith of the sent

    those with a missionI must now scratch my way out

    from under this thought-stifling Heapwith the gnarled fingers

    of a human mindthat can barely fathom perspective

    or square a circle

    What can one expect

    Depth is the Sky's prerogative

    Yet perhaps somewhere somedayabove Form and Earth and Reason

    beyond Space-TimesColossal Horizon

    some Cloud of Knowing will localizeand I shall understand

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    WLM : THE UPPITY WOODS PIECES SUMMER 1983

    Anger like a fire sweeps over my tabula rasaburns holes at periods

    Hand me ire any day not hand-me-down truthsFor why be caught up in a straight-jacket of facts

    in the immense Asylum of the Maybe-Perhapswhen the Impossible is so much more rare

    So I gulp down each drop of the ichor of this micro-morningof a day that will be an eon long

    cringing before conflicting dreams

    Last night the viscera of the sacrificial Owl was thickand today's Swallows fly like feather-brained gods

    fleet-winged into the Wind of the Sunwhile I pursue the licentious life of a sage here in the Woods

    at the Navel of the Eartha life still valid for those of us with a bent toward Eviland for poets who in their mad quest for Immortality

    indiscriminately apply their Science and Arttoward the destruction of Form

    abandoning the Beautiful the Good for the Hyperbolicgiving their fugues over to the Disproportionate the Amorphous

    that seems to be more titivating nowin the aftermath of the New Eurhythmia

    For to appear to be unique these sad days and still to present an intelligible aspectone has to bend one's lines and the Truth a little more than one might

    on another dayto be heard

    Or praised

    One has to be agent and provocateuruse two-fisted words to overcome the Listless

    in a world where precise measurement is thought most wisewhile the masking of Nescience in the never-changing parapraxis of Negation

    is considered WisdomMost High

    and Banality is all the rage

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    WLM : THE UPPITY WOODS PIECES WINTER 1980-81

    What an onus it is to be a mystic

    to have to become on cue directly a godknowing one is blest at best with a system of bad logic

    but still an invulnerable divine being in one's own rightwho will be left alone

    to struggle with his lonely creedas one who since master of his own unique craft

    must pull his own oarsup a Nile of Lies

    What an onus it is to be a mystic

    knowing however wise the oracle one may preachwhat some fool will say will come to pass

    knowing how pure the Light of Transcendent Wisdom isin this heart of all hearts your own

    that up against the a priori System of Natural Formsthe glow will dampen and the gilding vanish

    self-interest and pride will once again stand sentinel

    even over the recipients of those instantaneous conversions you madethose who throve after your Way

    will involve themselves in every rascalityevery wickedness Existence can stir into

    the cauldrons of their imaginationsmingling sadness and sin

    with your own generous all-encompassing holy over-all thematicConceptions

    till at the Endthe last of all prizes

    even you will hesitate to close out that hubristic hiatuson the flyleaf of your own Grand Book of the Knowledge of Awe

    of the One and Only Wayyour Own

    with anything more than a set of empty bracketsin a footnote

    at the bottom of the page

    What an onus it is to be a mystic

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    WLM : THE UPPITY WOODS PIECES SPRING 1980

    An ancient spirit in me winds its cunning horncalls me back cell by cell to where

    the Human Will was born

    Across the blackboard of the Nightthe positively-loaded expressions of the Stars

    stand out like fixed answers

    Leaf by leaf the vegetable garden of my mind unwhorlsluxuriates in fantasies of Nubian princesses

    of milk-white Aryan maidensand tawny Orientals

    Outside Reasonfascinating realms abound

    new Ages of Iron Silver Gold Brassnew and barbarous Forces of Change

    And ArtAlways Art

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    WLM : THE UPPITY WOODS PIECES SUMMER 1985

    Immersed in the full consequences of this warm comfortable eveningmy amateurish defenses in word symmetry broken thruby prancing steeds of sound with one-way meanings

    and occasional bustrophodons mounted on double-entendresI panic into a pandemonium of pure expression

    I surrender my will over words

    These loosed and unconnected nowfoisted on the Universe of Discourse by this change in my circumstances

    drop off into duplicities that work their disjunctive relationshipsinto full-blown gang-rapes of the subjective

    Disentangling latencies unwind themselves ever more closely apartwith sparse filaments of similar-sounding syllables

    As if by magic perpetually adjunct multiplicities that were till now unassailablesunder any and all

    of their explanatory capabilitiesUnbuttressed by facts these stretch themselves out across

    unconscionably structured lacunaetill there comes no end

    Tho I suffer much from these alaconic strophesinaliquot as the time seems to be

    that runs thru my hands during this asymmetric seizureI cease to be a synonym

    and

    along this right-deviating line that extendsto where the System bends

    before the All-Too-Vast-PrevailingI would wend my happy way thus in all my duplicity

    wide-mouthed as any other foolmy ears dragging in the Ubiquitous

    to the ends of the Earth

    were I so wise

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    WLM : THE UPPITY WOODS PIECES SPRING 1981

    I can hardly keep from smilingSpring has heaped on Earth so early this year

    nights so unexpectedly warm and balmy

    It would seem as if I'd been made the victim too of this gentle jestwere it not for the knots in my insides

    But the Moon's at syzygy nowand I've been out praying thru a spider's web

    for the misfortune of those gods I feel are no longer with meFor my gut cannot take such a joke as this from Reality

    For even we Jackanapes of the Word have a limited vital timeonly so many springs early or late

    to worm our way into that cliqueunique in purport

    the Society of the Lynx-EyedWe have no time for laughter

    So soon is one snuffed out like a lamp with a light puff past the wick

    But the Moon even now at her most distantreflects my curse back on me like a muffled echo off the Wall of Oblivion

    saying

    Go on sighing in your Inner Sacristyif you must

    Yet know those Towers of Gold you plan and build in your mind at nightbeyond this spider's lace of silvery threads

    out of that complex plethora of bleak linesyou see etched in by those multitudes of windblown limbs not yet leaved out

    on that grey dome inside your headeven if you were to carry out your dreams in the light of day

    would soon be but low hillocks of ash and clayinsignificant little tels

    like the starved breasts of a homeless childmutilated by Time

    before her time

    Or shallow dips in the earthlike the eye-sockets in your skull

    Go out this NightThrow care to the Wind

    Enjoy my giftEnjoy this Spring

    It may be your last

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    WLM : THE UPPITY WOODS PIECES SPRING 1981

    I found her Alcmanwhile out revalidating words far from the Great Centers of Truth

    She was reclining on a bed of new leaves and making obscene gesturesgestures for me to come root in Circe's mire

    to sing a song of lustShe was so scantily clad with no other man near to tease her

    She seemed to be sayingCome lie with me till the Wind doth rise

    and I will slip Winter's iniquities off youlike a glove

    And the Wind rose like a woman sighingAnd the Storm came on me like a fire

    And I who had found peace by becoming a scholarfelt a power in my rood enough to produce a rivulet from stone

    Her byzantine deviousness turned my nobly disciplined mind to rhymeand caused the trees to flower

    Unhinged so far from the smell of Great Learning

    I became iambic with imaginationand indulged in unseemly practices not customary with me

    Yet now that I know our need for each otherwere I to be granted leave

    to wander thru for a thousand yearsall of Learning's Great Market Places

    I'd not exchangeall the Lore I might garner there

    for that one Hour of Wonder

    in her boudoir

    wlm

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    WLM : THE UPPITY WOODS PIECES SUMMER 1983

    Brief euphorias these inevitably followed by returnsOne is forever extricating one's Self from the tangle of one's Own

    that sensuous Residue remaining after Identity's once been establishedthat Imprecation beyond precise meaning

    like an Incantation wafted in on a foul breezecoming off an Unexpected Source

    dependent on a multitudeof Sources

    The Self

    Age-old this nuisance isthat no one's ever found a way of getting round

    along withoutfor long

    ForPure Will

    in a disjointed Worldat the first false quiet plunges into

    softly closing Death

    like dandruff on a Dark Sleeve

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    WLM : THE UPPITY WOODS PIECES SUMMER 1982

    Old acquaintances I've never met strangers I've known it seems for ages meet insidethe Jury Box of Consciousness within my head

    dark-deep as all the FirmamentDragonflies with piercing eyes alight on pools as wide as Night

    attach themselves at crucial times to incongruous outward signslike hammers driving nails

    Behind the brains weird scenes from Literature replacethe secret rites profaned

    by uninitiateswhile I

    spread out like paint

    I am of a piece with the Changeable My Friendsbathed in the bathos of the Ego's I

    dripping on the Nascenttoweling off on the Unpredictable

    I belong to a little world apartwith mores all its own

    that frightens some

    leaves others cold

    I vex myself to know

    My Friends I would cut a passage thru my partsand crumble into nothing left

    than not

    Judge as you will

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    WLM : THE UPPITY WOODS PIECES WINTER 1980-81

    OK Darwinlet us suppose the ancient progenitor of the European cuckoo

    had the same habitsas our American dodo

    Why notIt's not as if the World had suddenly become absurd

    it always wasAnyway a dialogue with the Old Gods

    with the alleged Ignorance of the Ancientscan always be re-initiated

    If we are wrongwe will still be able to weave a terminological blanket

    under which we may hide those phenomenawhich are not immediately understandable

    we may even allow ourselves progress gruntsand other dissociative side amusements

    such as scratching our wattlesif we so desire

    But instead of candid realists conversing out in the open airin the mystical language of Physics and Religion

    vis--vis Math and Mythwe will always appear to the masses

    and to the historicists among usas occult conspirators against the main trunk of Life

    huddled together furtively in some dark crotch of the Behavioral SciencesWe will always be placed in some bleak situational classroom

    of nonsymptomatic improprietycell-mates of Socinian foxes nibbling at grapes

    agape crows have droppedOur peculiarly modern sort of self-pity

    such as the feelings we have when someone else gets run over by a truckor pulls the legs off a fly

    that has replaced the old mythical sort of self-knowingand the in-group awareness of what roles one may play

    might lead to interesting discoveries about why we believeor about the semantic power of prayer

    maybe even some forthright primal utterances of aweBut it will give us no way

    to counter the gambit of Transcendenceinnate in the initial state

    Games of BeliefOr Identity

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    WLM : THE UPPITY WOODS PIECES SPRING 1983

    So quiet here beside the wisteria blooming at the mid-post of SpringIf it were not for the Ethereal one could almost hear petals falling

    So quiet hereYet a wet blanket of perturbation unrolls before me

    this sultry vernal eveas the orgasmic cycle of the diurnal draws to a close

    as moths weave the woof of the warm into strange cloth on the loom of the Unexpectedas they skitter from haunts more sequestered

    moths in their nocturnal flighttoward the Light

    The flame in my lamp flickers on the rough wood table outside my windowwhere I burn for the Light in all its broad spectrum

    where I train my mind to fathom the wispy ways of mothsand bore my brain to distraction over the differential equations

    to the infinitesimal angulationsof their scaly wings

    and doze off into dream among the square rootsof the permutations

    that determine flight

    A moth becomes caught inside the screen of my lampstruggles about on the hot globe

    stuck to the surface of Light by some strange fascinationsome fascination I too can feel the heat of

    but cannot yet fathom

    For it is not in the nature of things for men of my ilk at this hourfor the simple-minded

    the well-trained the well-readthe overtly conditioned

    who can tell by rote and a tenacious will how the moth fliesto understand why it plunges toward the Flame

    but for the roundly educated the aged the Wise

    who understand the ways of Lightas well as flight

    So quiet here.

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    WLM : THE UPPITY WOODS PIECES SUMMER 1982

    Summer worms its way in everywherea quaint series of events strung out like woolly caterpillars across the blue leaf of the sky

    poly-eyed clouds with their eyelids closed their fleece whipped about by whirlwinds of light

    Distant thunder ripples lingers over the sill of my south-opening windowwhile a clone-like calm waits between me and the passive rugged Woods beyond

    my inner self that's come out of its hide

    Like me the Woods have a certain amount of rot in their rootsThey dread the storm they fidget about

    Darker clouds move in full of round raindrops

    phials full of subtle fragrances about to spill

    Two-fisted Nature with her dander uptosses a thunderbolt out of the uncommitted blue

    turns the green side of the Woods over in a shimmer of sound

    The shrill of cicadas vanishes as the storm comes onand the hum of mosquitoes

    I risk my last bit of purity trying to capture some nonsensical nuanceoff the flypapers on my mind's inner walls

    but those exigencies that might have kept me coherent blow quickly byswept away from my traps by the lack of adhesiveness in the Logos to grasp and hold

    the conjunctive legs of the moment's Incomparablesthe rain the calm the thunder the sky

    at three removes

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    WLM : THE UPPITY WOODS PIECES SUMMER 1984

    In Googolopolis '84hi-tech Nerds fresh out of school

    rush about beneath the starsin hi-performance kiddie-cars

    the Force is with themin Googolopolis '84

    In Googolopolis '84the Best's abhorred and Genius

    while Mediocrity is blessedbetter a Fool than Wise

    in Googolopolis '84

    In Googolopolis '84the lives

    of those of us who still have Hopeare run by Pedants Cooks and Scribes

    or others guided by fainter goalswhose outlay I suppose

    self-satisfies

    and those who gropein similar groups

    and double-speakwith secret ease

    in esoteric tongueor computerese

    or those who stand in awe of thesein Googolopolis '84

    In Googolopolis '84those of us who still have Hope

    eulogizethe Wise and stand

    four-square against this Master Plan

    for Manbut who are we

    to stay the rush to Mediocrityin Googolopolis '84

    In Googolopolis '84we who hope

    hope for times to come againwhen Cooks keep kitchen

    and Teachers teachand Clerks keep books

    instead of bookWe pray the Wise shall rule

    If not the StrongAnd if the Force be with

    rather than Nerdbe with the Fool

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    WLM : THE UPPITY WOODS PIECES SUMMER 1987

    Sulphur and Pitchand an ointment made from the Eye of a Wolf

    that once waxed boldto solace the soul

    to work with the Mists of Ragea most efficacious salve wherewith

    to rub the gums of timorous wits whereinBeetles and Slow-Worms creep

    and wriggle about

    Ideas

    monstrous as Maggots under a microscopewitty Saws whose viscid Walls one shivers to touch

    with a naked thoughtthat might disturb the Mold

    Savants without glebe or mansecircumscribed within the astrograms of their own creeds

    they ply their trades

    the Pros the Cons the Systematistsmisanthropists all

    Sellers of Sulphur and Pitchand an ointment made

    from the Eye of a Wolfto solace the Self

    to work with the Mists of Rage

    Sulphur and PitchBeetles and Slow-Worms

    monstrous Maggots and viscid Wallswho will disturb the Mold

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    WLM : THE UPPITY WOODS PIECES AUTUMN 1982

    Round and round they gomy woolly caterpillars on their desiccated leaf

    the world selected out for them from the Great Spectacle of available Earth and Skyeach traumatized by the anxieties of the one before the one after

    which each has dramatized in its own wee mindas an excess of choice in a worthwhile endeavor

    each imagining itself its mainspring and guideeminently willing to suffer for its enhancement the laborious rounds

    that drain the soulthat break the brain

    each forced by its own wee drop of will to continue these pointless roundsplaying out its life-line

    in a woefully contracted grooveit imagines its own

    it imagines wisenever once envisioning an either-or

    or an impossible missionor a games-end

    content it has reached its goal by serving the Cause by conforming tosome pis aller

    set by anotherwho imagines it has reached its goal

    by conforming to someone else'spis aller

    ad absurdumad infinitum

    Can it be supposed that in such a milieuin such a makeshift world of least resort

    facts have not been suppressedor in a world where even the names of things have been usurped

    by mathematical assumptionsand their relationships subsumed under operational signs

    that Wisdom really comes neatly by in the round

    or in bundles of punch-cardsthe unified syntheses of the experiences of clerks

    reduced to numbers and categorized by slotreductio ad absurdum

    ad infinitum

    No No My Dolsome FriendsI think were one really wise one would shrug off these makeshift worlds and go out on ones own

    and look for breakthrus that might be found beyond words beyond numbers beyond othersbeyond this mind-clutter of abstract shibboleths that stand for what is

    the apparent and intransigentthe pap for computers

    And rather than follow appearances in a world unsuited for Reasonwith the woolly persistence of a worm caught up in a ring of worms

    one would rather seek out that That that isOnes Own

    by being content with nothing lessthan Extraordinary Signs

    with Acts awesome and omnipotenttho unintelligible

    Actsthat can only be communicated

    by Extraordinary Signsand perhapsby Poetry

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    andSong

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    WLM : THE UPPITY WOODS PIECES SUMMER 1982

    THE VEGETABLE GARDEN

    Thereoccasionally in

    some passing breezea limb may wave

    an orificeopen

    Thereno flower grows wild

    nor weedNothing's allowed

    to go to seedbut plucked

    The vines that witherare quickly shuttled

    out

    Yetoccasionally in

    some passing breezea limb may wave

    an orificeopen

    Most oftentho

    the only stiris when

    some piggy-wig squealson Mahogany Row

    Stilloccasionally in

    some passing breezea limb may wave

    an orifice

    open

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    WLM : THE UPPITY WOODS PIECES SUMMER 1982

    Along Recall Roadtribally old themes recur My Prince sonata-like

    great swoops of seeming permanence andanarchic interplays of ignorance

    I stuff them into sound-tight verbal contrivancesand hang them on my walls

    This morning my room is filled with themand vases full of withered flowers

    here where I wait for new roots

    in the Land of Second Chance

    How incorrigibly duplicative everything iswhen the ultimate parameters of one's life spans

    the accumulated experiences of all alternative endsHow the mlange of repetitive nonsense wears thin wit's ends

    till the lone feat left that one's mind seems capable ofis total recall

    Or acquiescing inthe Inexorable

    Carpe diem Sweet Prince Enjoy the hourHow well I remember those fascinating days when once I too

    would early up and be abouteager-willed

    organizing my priesthoodthundering out efficacious prayers to non-existent gods

    offering my Self to each rising Sun with a pristine naivetDoing Doing Doing

    How well I remember

    And now to thiswaiting beside the Recall Road

    in the Land of Second Chancehoping to be transformed by some sort of sleep-waking spell

    from the monotony of tomorrow

    Carpe diemMy

    Prince

    Enjoyyour

    day

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    WLM : THE UPPITY WOODS PIECES AUTUMN 1980

    Relieved of past mistakeslost in leisure

    the vast Conger Eel of Heaven and Earth already in my gunny-sackI piddle now with my syntactical pole

    trying to catch the Sunfish of Truth and Right MeasureI drift from place to place in my concrete boat

    listening to the symphony of the Sunthe singing Stars

    passing over deserted fishing grounds

    full of old CrabsYet my mode of conduct is not one to cheer

    the SanctimoniousFor I look forward to feast days and the iatromagic of hot baths

    No longer content with measuring extensionnor transmuting imagination into Poetry

    sometimes I even think thoughtsthat are unfortunately dangerous

    to the All MightyAnd I no longer bear stoically what the Future hands me

    At times I am even tempted tolaughter

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    WLM : THE UPPITY WOODS PIECES SUMMER 1981

    On a summery day with a hot wind blowingmy senses unguardedly open to a text I have often before perused

    an ancient lay of the land of the Tartarsabout mastering one's horses

    before attempting to crossimplacable rivers

    So well before this day with its hot wind blowingI have had time to map out sequences for my bones to follow

    in order to place myself in accord with my surroundingsto avoid ossification of the brain

    But my mouth is dry nowas if I had just lied to myself

    I have lied to myself beforemy imagination knows well how to brew a myth out of Summer's condiments

    fantasies filter down on the hot winds of Summeronly to rise up again

    distilling off the alembics of my human experimentheady concoctions

    And I have gulped them in like an uncouth barbarian

    until here I find myself soothlessat this late hour

    holding the reins of a worn-out horseat the mouth of a river

    too wide to cross

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    WLM : THE UPPITY WOODS PIECES SUMMER 1983

    Often I am disconsolate these halcyon daysstrange images roam about

    too far removed too strongly present to be conceived as wordsyet the secret language with which I praise myself

    glibly twitters away to itself in the Darkwhile hushed hurrahs rise from my mind's gutters

    In a souciant abandon these calm days I wonderoften of Fame and Fortune

    as lucid nights drop on my brain's ragged copse

    I know not why TibullusFor Praise never was my passion either

    that double-edged wool dyed for the ears of others

    Still Envy gnaws in the Darkchomps away inside my navel like a maggot

    Even in sleep the muscles that hook my head to my neck knotas if thewed for strife

    And my mind embarks on livid rampages of Guiltsoars beyond Pity for itself into direct apprehension

    of the sordid fact that Meditation in itself

    seldom results in outward Praise

    that Meditation

    more often than notis only a sop

    to soothe

    to praise

    theSelf

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    WLM : THE UPPITY WOODS PIECES SUMMER 1987

    Let your mind linger a while longer with minethis sad hour if you will

    here where I await Humility's inevitable returnto Mankind's once again seeing things aright

    here at this hour when Day takes flighttakes leave of the Great Surround the Sky

    takes leave with a touch of malice that rousesa speculative ardor

    in those of us who would confound our Friends

    with the mysteries of Poetry and Philosophy

    Oh how Conceits combine witless Wordswind Ideas out to the Ends-of-All-Things

    confuse intimations of the Ways-That-Things-Arewith the rivets that hold together

    the Masterworks

    How events conspireI was not always a poet

    Once I designed Walls that could not be leapedby the Wind

    or pierced by FireOnce I was a mighty hunter of Ibex and Argali

    My hounds ran wildthey attacked the Living devoured the Dead

    How events conspirenow I am Nimrod old blind

    searching his begging-bowlfor a koine

    PourboireTrinkgeld

    Alms for the Love ofPoetry

    Alms for the Love ofPoetry

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