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B NIEUWSPERIODICAL FOR THE FACULTY OF ARCHITECTURE AND THE BUILT ENVIRONMENT | TU DELFT

14 APRIL 20142011

10/11 Master Event

30 AprilDiscover your master direction, orien-tate yourself and broaden your horizon at the Master Event.

4/5 Review

On becoming an engineer for Sustainability

8/9 Project

Van de grote lijnen tot het kleinste detail. StartUp Campus Rotterdam.Ontwerp voor een inspirerende en inn-novatieve plek voor jonge ondernemers.

"I am more interested in how you can bring the qualities of the small, of the personal and of the precise to the large scale."

ALUMNI MARC KOEHLERSMALLNESS

Boatweek and the Technology in Sustainable Development certificate (or TiDO in dutch)

B NIEUWS 08 14 APRIL 20142 NIEUWS

city of El Rama. This made us think

about the building location, since the

finca is far away and remote, which de-

termines to a large extent the impact of

the project. We came up with an alterna-

tive idea to build on a site in the city of El

Rama.

We shared our concerns with our local

partners and in collaboration with the

BICU we have decided that the function

of the building remains the same, but we

will now build the model house on the

grounds of the BICU in the city centre of

El Rama. And it is only fifteen minutes

away from our Casa (that has been aptly

named Bambu Social!). This change

was well-received by everyone involved

and last week, together with the stu-

dents that are following the course of

sustainable construction, we executed

research on the building site. Research

such as soil test to see how the load bea-

ring capacity of the soil is. Next week we

will start to dig the holes for the founda-

tion.

One of the most interesting parts of the

building and design process is working

on the details. Not only during the times

We have grown! Jezabel (Canarian is-

lands), Karin (Brazil) and Diana (Colom-

bia), all architects and friends have

joined the team about a month ago after

their trip through Central America, have

provided a fresh impulse! We have been

occupied, amongst other things, with:

interviewing people about their living

conditions, handling corrupt officials to

get our tools imported, working on the

garden and compost system, organising

workshops about construction and cut-

ting of bamboo, working safely with

tools, designing , sustainability, and so

on.

Good stuff! And the growth of the team

is a big help. As for architecture and de-

sign of the actual model house, two

weeks ago we made an important choice

to change the building location. The ini-

tial idea was to construct the model

house as a student residence on the finca

(farm) of the Bluefields Indian and Carib-

bean University (BICU). However, so far

our time here has taught us a lot. One

lesson is that not everything is available,

think of tools, connection pieces, trans-

port, materials etc. Therefore the con-

struction requires a lot of improvisation

and experimenting. This practically

means: more trips to local craftsmen and

shops and more time. Besides that, we

notice an incredible amount of support

and attention from so many people in the

spent drawing, but also with 1:1 models.

Bamboo is a beautiful material, but it re-

quires another way of thinking. A mind-

set that uses the advantages of bamboo,

like its huge strength, hollow shape, and

easiness to work with, but at the same

time including that every bamboo has a

unique shape and thickness, that it splits

easily and does not like water or direct

sunlight. Furthermore, we are working

on a design for social housing so every-

thing should be economical and easy to

build. Because of this we are experimen-

ting with different details, a process in

which we are receiving amazing support

from a local carpenter, a Dutch guy who

came to Nicaragua over ten years ago.

He possesses a tremendous amount of

knowledge about working with wood

and the physical properties and chemical

processes involved, leading to great ide-

as that can add to the use of bamboo

around the world!

Greetings from Nicaragua!

Follow us on Facebook: facebook.

com/shortsightedarchitecture or our

website: shortsightedarchitecture.

com

Mastervoorlichting faculteit BouwkundeNoteer het in je agenda: 30 april 2014 is de mastervoorlichting van de Faculteit Bouwkunde. Tijdens deze mastervoorlichting kom je alles te weten over de masterprogram-ma's 'Architecture, Urbanism and Building Sciences' en 'Geomatics'. Vanaf 15.00 starten de track presen-taties in Zaal A en vanaf 18.00 kun je in de Zuidserre de informatiemarkt bezoeken, waar de studio's zich zul-len presenteren. Voor meer informa-tie zie pagina 10 en 11.30 april 2014 | Faculteit Bouwkunde

Meld je aan voor de Summer School Thinking City: The Dynamics of Making AmsterdamDeze zomer organiseren de Univer-siteit van Amsterdam en de Techni-sche Universiteit Delft, in samen-werking met VMX Architects, een unieke interdisciplinaire Summer School over het plannen en maken van de stad. Aanmelden kan tot en met 24 april.

UU EXTREME lezing: AntarcticaMichiel van den Broeke van de Uni-versiteit Utrecht geeft een lezing over zijn persoonlijke ervaringen op Antarctica, de volgende locatie van EXTREME. Meer info: bk.tudelft.nl

Levenslang erelidmaatschap voor Andreas FaludiThe Board of Trustees van het Royal Town Planning Institute in Groot Brittannië heeft Andreas Faludi be-noemd tot erelid voor het leven. Meer info: bk.tudelft.nl

Bachelor Open DagenKunnen steden in Nederland nog uitbreiden? Hoe hoog kan die nieu-we toren eigenlijk worden ge-bouwd? Is het materiaal dat we ge-bruiken voor dat huis duurzaam? En welke nieuwe functie kan dat leeg-staande monument krijgen? Wil jij alles over deze vragen te weten ko-men? Kom dan op 8 en 9 mei 2014 naar de open dagen voor de ba-cheloropleiding Bouwkunde.8 en 9 mei 2014 | Faculteit Bouwkunde

Don't forget to follow us on Facebook and Twitter!

SHORT NEWS

ATTENTION TO DETAIL AND IMPACTShortsighted Architecture is a collaborative of four students: three from the Faculty of Architecture in Delft and one student Water Science and Management from Utrecht University. They believe that local relevance and resources are the foundation of sustainable design. People tend to copy ways of building and designing that are created for different habitats. Shortsighted Architecture adapts knowledge and expertise to the location and they create and share resilient and accessible design solutions with local resources. For half a year they are in El Rama, Nicaragua where they will create a blueprint for sustainable social housing with bamboo that will be cheaper, healthier and better for the environment, while organizing courses on building with bamboo.

"One of the most interesting parts of the building and design process is working on the details. Not only during the times spent drawing but also with 1:1 models."

Begin maart 2014 ging de samenwerking tussen studen-

ten van de TU Delft en Ryerson University in Toronto van

start. De studenten wisselen kennis met elkaar uit over

de beloopbare en fietsbare stad en werken intensief sa-

men aan het maken van een Toolbox for Walkable and Cyclable Cities. Deze Toolbox bevat mogelijke ontwerp-

en beleidsrichtlijnen die de walkability en cyclability van

een stad zouden kunnen stimuleren. De Toolbox wordt

samengesteld aan de hand van analyses van de steden

Toronto en Amsterdam. De resultaten worden vergeleken

en hieruit worden principes gedestilleerd die de basis

bieden voor de Toolbox.

De studenten menen dat Canada en Nederland veel van

elkaar kunnen leren en benadrukken het belang van in-

ternationale kennisuitwisseling. Ook stelt de samenwer-

king de waardering van onze eigen directe omgeving op

scherp: waarom fietsen we in Nederland eigenlijk zo

veel? Welke ruimte wordt er geboden aan fietsers en

voetgangers, zowel in ruimtelijk ontwerp als in beleids-

voering? Zaken die wij in Nederland voor lief nemen,

worden onder de loep genomen.

Overleg gebeurt elke zaterdag virtueel en het contact

wordt versterkt door individuele Skype-sessies en een

Facebook groep. Door middel van filmpjes al fietsend, lo-

pend of met een ander transportmiddel onderweg in de

stad gemaakt, wisselen de teams heel direct ervaringen

met elkaar uit. Team Nederland bestaat uit Nina Kuipers,

Oswaldo Heinen, Jesper Menting, Heleen van Russen

Groen en Emily Frances Parry. Allen zijn Master of Ba-

chelor student aan onze eigen faculteit.

Het initiatief voor deze samenwerking kwam vanuit twee

studenten van de groep ‘Passie Bestaande Woonomge-

ving’, Erik Dral en Jessica de Boer. Deze groep, kortweg

de Passiegroep genoemd, biedt een platform waar extra

kansen en kennis vanuit de praktijk wordt geboden aan

studenten die zich interesseren in duurzaamheid in de

bestaande woonomgeving. De Passiegroep is opgezet in

samenwerking met prof. dr. Ir. Anke van Hal, tevens een

van de oprichters van Parallel52. Parallel52 is een Neder-

lands-Canadees netwerk voor duurzame ruimtelijke orde-

ning en bouw.

De Toolbox for Walkable and Cyclable Cities krijgt de

vorm van een klein boekwerk en een filmpje. In dit filmpje

komen bovengenoemde fragmenten van het reizen door

de stad, aangevuld met relevante informatie zoals straat-

profielen of een plattegrond van de gefietste route. De

Toolbox zal gepresenteerd worden bij een volgende Pa-

rallel52 bijeenkomst in Toronto deze zomer. Team Cana-

da zal de Nederlandse bijdrage presenteren.

Passie Bestaande Woonomgeving geeft regelmatig up-

dates over het samenwerkingsproject via hun nieuws-

brief. Bovendien komen daar nog meer interessante pro-

jecten voorbij over de duurzaamheid en

omgevingspsychologie in de bestaande woonomgeving.

Aanmelden voor de nieuwsbrief kan via passiegroep@gmail.com.

Kilometers worden overbrugd en kennis wordt gedeeld: een groep Bouwkunde studenten reist wekelijks

virtueel de 52e breedtegraad af naar Toronto, Canada. Samen met studenten van Ryerson University

doen zij onderzoek naar Walkable and Cyclable Cities.

TORONTO – DELFT COLLABORATIE

Help Robots!De Robots komen eraan en ze

gaan onze banen inpikken. Ineens is het hot news. Is de komkommertijd vroeg dit jaar of is er werkelijk iets aan de hand? What’s new denk ik dan, stoommachine-elektriciteit-lopende band-computer-robot, steeds bedenken we iets dat ons zwaar en saai werk uit handen neemt. Robots met slimme sensoren kunnen fenomenaal auto’s assembleren. Een paprika grijpen ‘met zachte hand’ is al een flink stuk lastiger. Maar pas echt moeilijk wordt het bij het opvouwen van een onbekend handdoekje. Daar schijnt een beetje robot toch zo’n 25 minuten voor nodig te hebben.

Hoe zit het met robots in ons werkveld? De tekenaars achter hun schotten zijn allang vervangen door AutoCad. Ok, geen robots in de strikte zin, maar toch. En in dezelfde lijn: we BIMmen wat af, waarbij het trouwens interessant is dat er juist nieuwe rollen – nieuwe banen - ont-staan voor ruimtelijk ontwerpers om dit proces in goede banen te leiden. Maar is de architect-robot al in zicht? Als een robot kan schaken, waarom dan niet ontwerpen? Stel je voor, alle drie onze grondslagen-bundels in dat robothoofd, een rekenmoduletje en een mooi tekenprogrammaatje erbij et voila, analyseren maar en de beste oplossing rolt eruit? Zou dat de ultieme gebouwen opleveren? Ik betwijfel het sterk. Van Nigel Cross weten we dat het juist de persoonlijke ‘framing’ is – inspiratie, creativiteit, persoonlijke fascinatie – waarin ontwerpers zich onderscheiden. Dat lijkt me nog wel een tandje moeilijker dan een onbekend handdoekje opvouwen.

De robotisering in de bouw dan? In de dagelijkse praktijk zie je nog altijd bouwvakkers op steigers de boel in elkaar rommelen. Fysiek zwaar werk waarbij ook nogal eens wat misgaat. Gaat 3D printen dat eindelijk definitief veranderen? Is de 3D printer de eerste échte bouw-robot? Of gaat dit juist leiden tot meer complexe vormen en daarmee meer ontwerp? Juist CAD/CAM maakt dat we vormen à la Zaha Hadid kunnen maken. En worden gebouwen misschien zelf robots, die gedeeltelijk met ons mee gaan bewegen, zoals Hyperbody en recentelijk ook T?F verkennen? Kortom: het zou weleens kunnen zijn dat de robots ons eerder meer werk gaan bezorgen dan minder.

En dan moeten we ook die handdoekjes nog zelf opvouwen.

KARIN LAGLAS

NIEUWS 3

DOOR SOSCHA MONTEIRO DE JESUS

4 REVIEW B NIEUWS 08 14 APRIL 2014

ON BECOMING AN ENGINEER FOR SUSTAINABILITYBOATWEEK AND THE TECHNOLOGY IN SUSTAINABLE DEVELOPMENT CERTIFICATE (OR TIDO IN DUTCH)“No one knows,” twenty five students answer in unison when asked “what is sustainability?”. How do they know? Well they are the lucky few who made it through to the ‘Boatweek’ and have just followed an intensive five day course on sustainable develop-ment and technology, as part of acquiring the Technology in Sustainable Development certificate. The TiSD certificate is an extra accreditation you can receive when you graduate. It means you have achieved excellence on sustainability issues.

That ‘No one knows’ what sustainability is might sound like a joke and well it is kinda… However the reality is, according to Lawyer Nienke Sassen, not even the European Union has a legal definition of what sustainability means. This absence of definition however, has not stopped the European Union from implementing many laws to encourage “sus-tainability”. It begs the question, “Are we in wonderland yet Alice?” Jokes and absurdities aside, just why is it so difficult to define sustai-nability? And if we are going to be engineers for sustainability how can we know what that means and how can we share these values in common and with society? By taking part in the course for Engineering for Sustainable Development you are encouraged to follow the white rabbit, dive into the rabbit hole and en-gage in deep and intelligent debate to answer these questions for yourself, your colleagues and our common future.

TiSD: How it worksTo get the TiSD annotation when you graduate you need to take 10 ects of approved elec-tive courses that deal with sustainability in technology and society. You need to find a TiSD approved tutor to help guide your graduation project. And it is compulsory to take part in in the cross faculty, multidisciplinary ‘Boatweek’, which is linked to a ‘back casting’ assignment. This assignment takes the form of a 5000 word group report and 3 page individual reflection that you complete in two months following the boatweek. There is a waiting list for the Boatweek and only 25 people can take part twice a year.

The skepticThis March I was one of the chosen few. At first I was skeptical. 5 days on a boat with 25 plus people, a chock full program from 8.00 in the morning to 22.00 or even 23.00 at night, didn’t exactly seem like a relaxing learning experience. However, I must admit to being passionate about the needless extinction and degradation of all kinds of life, spaces, eco-logies, cultures and habitats. I know for sure we can do this better, and we can do that in a highly rewarding way. My primary motivation to study urbanism and architecture, was so I could work together with others to build a thriving, diverse, equitable and sustainable future for our cities. As such, having this certi-ficate seemed very important to me, important

enough to tolerate boatweek as it were. This attitude meant that I was completely unprepa-red for the powerful experience that I, and my group, would undergo.

The Boatweek is the vital component of TiSDIn this we were also unanimous, Boatweek turned out to be one of the best experiences of our studies. There I was, (finally), with a whole bunch of other students from many different disciplines who were equally as passionate about sustainability issues. For me my spirit really lifted when I saw how inquisitive and engaged the other students were. It made me want to be better, sharper, clearer, it made me feel like I belonged to something bigger. After being immersed all day in excursions, lectures, games and workshops, the balmy warm spring nights on the spacious boat ‘Amsterdam’ were filled with laughter, debate and discus-sion. The intensity of the program and sharing space the way we did was transformative, it gave us confidence and trust in one another and also in our work for sustainability. It also felt good to be told that we will be the leaders in our field, and to see how much the TU Delft was willing support its students to develop a commitment to sustainable development. We, the students and teachers, by no means agreed on every issue. We had so many dif-ferent starting points for understanding and

BY BRIGITTE O'REGAN

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ON BECOMING AN ENGINEER FOR SUSTAINABILITYBOATWEEK AND THE TECHNOLOGY IN SUSTAINABLE DEVELOPMENT CERTIFICATE (OR TIDO IN DUTCH)

engaging with sustainability. But that was the point of being together. There didn’t have to be a consensus, what we needed was a lively discussion. By engaging in discourse on these issues we transferred knowledge to one ano-ther and learned to critically reflect on our own points of view. Some lectures were definitely better than others, there wasn’t always a huge learning curve. However the majority of the content was engaging and inspiring. Like le-arning about how Amsterdam came back from the brink at the end of the 19th century when it salinized and nearly destroyed all its sweet ground water. Visiting an urban farm with a restaurant in Rotterdam and meeting a man who explained how he had started a transition to zero energy in his neighborhood.

What is sustainable development?Probably everyone who reads this article had heard some definitions of Sustainable deve-lopment. One of the most commonly cited definitions is that from the Brundtland report; “Sustainable development is development that meets the needs of the present without compromising the ability of future generations to meet their own needs.” This is a very broad definition. Sustainable development also has an opposite, like the use of fossil fuels or the irretrievable depletion of ground water or the imminent loss of a great deal of the world’s food supply due to climate change. If the op-posite is so concrete? Why is the definition still so nebulous legally and in practice? How come no one knows? Perhaps the answer lies in 3 primary reasons; 1. The scale and complexity of the issue and the unsustainability’s 2. The harsh fact that taking care of our

needs now and that of the future is not always in everyone’s economic or political interest. 3. How we measure sustainability Because there is a need to measure improve-ment we tend to take a reductionist view. Only a couple of factors are considered in order to measure performance, but this can mean that we run the danger of ignoring impacts on the complete system and the other costs these im-

pacts might entail. Improvements will often be called sustainable, but they may not actually have achieved sustainability. If the car manu-facturer Ford renovates one of its factories to closed loop sustainable practice without ap-plying that to any of their other plants, no one can say that Ford has changed their practice to become sustainable. This means that word sustainability is often misused and freely associated with unsustainable practices on the basis of a few improvements. Poignantly, Jaap Bosch one of the speakers at Boatweek and wind farm engineer for Eneco, said, “We already have all the technology we need to be 100% sustainable today. What we need is not necessarily more technological solutions but social change.”

BackcastingTo address these problems with definition, the need to think holistically and the need for social changes to help implement the techno-

logical solutions, the ‘backcasting’ method is introduced. The beauty of backcasting, is that instead of following trends into the future, you begin with a future you would like to see emerge and trace that back to the present. We start with ground zero, we look at an aspect and identify what makes current practice unsustainable. Then we imagine what a future might look like that is completely sustainable and taking into account people, planet and profit. For us as engineering students it was very hard not to be solution orientated, to let go in order to imagine such a future. However, the future vision results I saw in the Boatweek were highly creative and motivating. From there we then define a research question and focus in on a scenario in this future. Following this we analyze the steps needed to get there over a period of time. We learn in this way to think outside of the purely technical and learn scenarios instead and assess socio-technical systems; tracking behavioral and legal chan-ges alongside technical innovations. Gertjan de Werk, who has run this course for the last 10 years gives the following advice, “Sustaina-ble Development can be pretty easy – don’t be over ambitious, do go for quick wins (to keep motivation), but do not lose track of long term goals.”

Epic changeOn the last night of Boatweek a group called Motiv came to give us a workshop on beco-ming a leader for sustainable development. During the course of the workshop, what became clear for my group is that we were not satisfied with half attempts at sustainability nor with green washing. We want to go for epic change.

"WE ALREADY HAVE ALL THE TECHNOLOGY WE NEED TO BE 100% SUSTAINABLE TODAY."

B NIEUWS 08 14 APRIL 20146 ALUMNI

MARC KOEHLERBehind the facades of the old merchant houses and buildings of Amsterdam there lie many successful archi-tectural offices, one of the youngest among them, and arguably one of the Netherlands most ground brea-king firms, is that of TU Delft Alumni and educator Marc Koehler. Marc Koehler has recently been selected as one of the candidates of the longlist of the prestigious 2014 Prix de Rome.

In the last two years, since Marc Koehler decisively left his teaching position at the TU Delft, where he incubated ideas and a research ap-proach, his practice has tripled in size. The long tables in the office are full of energized and completely engaged staff, precious, highly alluring books, and exquisitely made architectural models. Among older and more experienced architects there are many fresh faces. Interns one would think? No. That’s not Marc Koehler’s approach. He believes in young talent and in giving excellence a platform. Two outstanding recent graduates from the TU Delft, for example, are now being trained

for project architect positions. Despite the obvious intensity of the workload, these young people seem to glow.

SUPER LOFTSThough Marc Koehler’s projects are many and diverse one that is on the tip of everyone’s tongues right now are the Superlofts. A project that Marc Koehler is realizing in collaboration with the Hoofden*. The project consists of 3 plots with a total of 70 lofts in the Houthavens of Amster-dam West. Next to that Marc Koehler architects are developing a third

INTUITIONBasically I have always been a very hands on person. I become inspired by everything that comes across my path. If there is some kind of crea-tive synergy I can become very quickly engaged. My partner is an artist and choreographer and I realized this morning that we work very much in the same way. We both become inspired by many different things and mix many different influences in our work. He is highly intuitive and in some mysterious way manages to connect many different things into different projects. Art can be so rich and layered, but it seems that architecture can’t, it has to be so conceptual and straight. I find the richness that we sometimes lack in architecture, can be found again if you can let yourself be influenced by many different things. This allows you to break free from a top down design approach. To be inspired, be intuitive, and shape your designs and ideas organically, intersecting ideas and working across many different disciplines.

I try to stay very well connected to the normal concerns of activities of everyday life, and at the same time to special people and recent, extra-ordinary cultural developments that interest me, and then to interlink them. So for example, we are now going to buy virtual reality glasses so our clients can walk around in the buildings we design for them be-fore they are built. I would never have come to the idea of this possibi-lity if I had not had an earlier research project at the TU Delft on gaming and online communities. Everything always informs everything else. Everything is connected. I believe it is important to follow your instinct,

to follow your intuition, and to explore your interests.

NETWORKI think looking around in all the directions that fascinated me linked me to people that I would in the end make architecture with. My net-work, because of these broad interests and connections of my mine, is extraordinary at the moment. Real estate developers come to me and tell me that my special quality is my network. I have always chosen to do a lot of things for free, just because I found the work interesting, because I could really learn something, and that through this work I was able to meet people. You meet people who share your interests, or are impressed by your enthusiasm. From these relationships something positive always emerges in the end. Years later you may think, “that person; I can call him or her because I know they are an expert on a question I have for instance.” I would say having a good and diverse network is very important.

RESILIENCEBy working on many different things and not just a single direction or product our practice is also more resilient. This is important for the cross breeding of ideas, while it also brings flexibility which allows you to continue as a practice when one or more projects fall through. This broad level of attention also means you can always find work even when other sectors are going out of business. On the other hand it is also very important to find a common thread in everything you do. I

plot with 20 lofts in the Buiksloterham-area in Amsterdam-Noord. What makes these projects so special? Well, outside of proving to be highly desirable to people looking to buy a house in the city right now, it repre-sents innovation in housing design and development. The Superlofts project combines a recent CPO (Collectieve Particulere Opdrachtgever-schap/ Collective private commission) model with a new development model set up by Marc Koehler architects and De Hoofden, based on community building and crowdfunding. It is also a new mixed archi-tectural typology, utilizing the type of the oversized, open 5 m tall lofts, usually only possible in the redevelopment of old industrial buildings, in combination with a multiple family housing complex.

In the office I stand before a 1:50 3D section of the Superlofts. A wide variety of interiors and layouts boggle the imagination. Marc explains that they needed to develop a new system for the installations and services to ensure each loft could be unique but also part of the whole. The idea is that a group of people collectively commission the casco of the building, then each individual loft owner commissions an architect to design their interior (or of course they can do that for themselves). It is up to the client to determine the interior design, the setup of the floorplan, the size and place of the floor intersecting the large space.

Marc explains, that as a building community there are several advan-tages: you can jointly buy building materials and housing equipment, share a jaccuzzi, or a vegetable garden on the roof, for example. It makes a lot more possible.

Of the 70 new loft dwellings in the first Houthavens complex, 22 clients also choose for Marc Koehler architects for the interior design of their homes. It shows that Marc’s firm, by no means a merely conventional practice, has won the hearts, minds, imagination and confidence of their clients.

Marc aims for his office to be capable of working across all phases of the design and realization cycle. They work now as mediators connecting different roles in the design and building process, uniting a strong and diverse network to create innovative projects. On the back of this ambition, and hybrid architectural ideas and development models, Marc Koehler architects have hit on something completely new. The following are excerpts from an interview with Marc Koehler where we discover the mechanism and motivations behind his innovations and architectu-ral practice.

think a portfolio can be very diverse from product design to interior design to urbanism, landscape and even economic regions and models but it all needs common thread that makes those projects meaningful in relation to each other and to your practice. This is difficult to achieve. I work very intuitively and often say yes to projects simply because I like the challenge. I think the common thread in everything I do is the need for creative exploration. We link this to a set of fascinations that recur and are reformulated in each new project. The question of lasting beauty in an age of throwaway culture, design-authenticity in the con-text of mass-culture, sustainability in a context of mass-production and the power of design as a social instigator are repeating themes in every project our studio takes on.

SMALLNESS AND BOTTOM DOWN DEVELOPMENTSmallness is a change of strategy that comes with a different economic mode than architecture is currently operating in. Before the crunch of the crisis architectural projects were often based on a top down deve-lopment model in which entire urban areas are redefined on a macro scale with a macro investment, based on a single concept. In our cur-rent time after the crisis, and in the crisis. (I think we are in a post crisis era and that there is no crisis anymore.) There is a new model, based on micro investments, crowd funding, collaboration and something I’d call a ‘bottom down’ process. Not bottom up, because I don’t believe in the idea that by starting with something really small that this will become bigger and bigger organically. What bottom down is, is thinking

of a grassroots approach that aims to influence things on a larger scale. ‘Bottom down’ processes are sensitive to small things but on a large scale. It’s thinking from inside out, it’s thinking in a modular way. In systems that are powered by individuals influence the larger scales, of the neighborhood, or the city etc. It is based on individual initiative and the principle of collaboration and sharing. ‘Bottom up’ processes, on the other hand, always have a sense of small thinking by traditional players, in that they want to be small, that they want to oppose the larger scale. I am more interested in how you can bring the qualities of the small of the personal and of the precise to the large scale. Smallness is about large impact by a multitude of precise, connected and coordinated small actions. There is a vacuum, an absence of investment and initiative in the real estate sector today. We can use this vacuum as an opportunity to re-invent the discipline of the architect as a social mediator and inno-vator to build the cities of tomorrow.and market level we are filling that vacuum by becoming initiators of community development.

"ART CAN BE SO RICH AND LAYERED, BUT IT SEEMS THAT ARCHITECTURE CAN’T, IT HAS TO BE SO CONCEPTUAL AND STRAIGHT. I FIND THE RICHNESS THAT WE SOMETIMES LACK IN ARCHITECTURE, CAN BE FOUND AGAIN IF YOU CAN LET YOURSELF BE INFLUENCED BY MANY DIFFERENT THINGS"

7

* De Hoofden is a collaboration between architectuurcentrale Thijs Asselbergs, ILA, De Architekten Cie. and

Marc Koehler Architects.

Het was de afgelopen maanden hard doorwerken voor Roel Vogels (MSc, Hyper-body) en Bart Wolbert (Bachelor 6) van ‘Studio Olduvai Gorge’. Hun leven stond na het winnen van de prijsvraag voor een StartUp Campus in Rotterdam in het teken van dagen, avonden en nachten lang ontwerpen, detailleren, samenwerken en uitvoeren. Maar met resultaat! Want op 1 maart 2014 is de StartUp Campus officieel geopend door onze minister president Mark Rutte en is het interieuront-werp met groot succes in gebruik genomen. Deze oplevering is voor de twee studenten een onverwachte mijlpaal en tegelijkertijd het startschot voor de oprichting van een eigen bureau. “Het is bizar, je loopt rond in je eigen 3D-mo-del!” aldus Bart.

B NIEUWS 08 14 APRIL 20148 PROJECT

PRIJSVRAAG STARTUP CAMPUSHet begon allemaal ongeveer een jaar geleden als een serieus grapje, toen de jongens na een succesvolle afronding van de minor House of the Future vonden dat de samenwerking een vervolg zou moeten krijgen. Toen de prijsvraag voor een StartUp Campus voor het Erasmus Centre for Entrepreneurship (ECE) in Rotterdam voorbij kwam, besloten zij om de gok te wagen. De opdracht betrof een kwart van de elfde verdieping van de Rotterdam Science Tower, een van de drie Marconitorens. De vierhonderd vierkante meter zou een inspirerende en innovatieve plek moeten worden voor workshops, vergaderingen en interactie tussen jonge, startende ondernemers. Een uitdaging aan de opgave was de gesloten, massieve en constructieve kern met alle dienende functies, zoals liften, opslagruimtes en toiletgroepen. Wel was er sprake van veel ontwerpvrijheid; de perfecte opgave voor een jong en enthousiast bureau.Toen het ontwerp van de twee eenmaal de tweede ronde haalde, werd het serieus en besloten de jongens ervoor te gaan. Het harde werken en het maken van vele uren resulteerde in april 2013 in een winnend ontwerp en een ontwerp opgave die, door het succes en de groei van de StartUp Campus zelf, een steeds groter oppervlakte omvatte. De opdracht groeide al snel van vierhonderd naar vijftienhonderd vierkante meter en het ontwerp had aanpassing en uitwerking nodig.

START VAN DE BOUWToen in november 2013 het ontwerp na een lange zomer en veel overleg met alle verschillende partijen klaar lag, kon de bouw beginnen. Roel en Bart hebben tijdens deze tweeenhalve maand vaak als opzichters op de bouwplaats rondgelopen om het proces goed in de gaten te houden. “Uiteindelijk kenden alle bouwvakkers ons en kwamen ze met hun vragen naar ons toe”, aldus Bart. Logisch, want de jongens hebben het ontwerp in overleg tot in de puntjes uitgewerkt; van het lichtplan tot de tegels in de toiletten. Hier lag volgens Roel dan ook meteen de uitdaging van deze praktijkopdracht. “Als je met alle partijen om de tafel zit om het plan uit te werken, fungeer je als architect als een soort bemiddelaar. Maar je bent wel twintig jaar jonger tegenover al die

VAN DE GROTE LIJNEN TOT HET KLEINSTE DETAILStartUp Campus Rotterdam

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ervaren vaklui. Dan is het makkelijk om toe te geven, maar soms moet je gewoon een beetje arrogant zijn. We hebben geleerd om ons mannetje te staan en overzicht te hebben op alle partijen.”

INTERESSANTE PLEKKEN VOOR SAMENWERKING EN INTERACTIEHet ontwerp heeft, geïnspireerd op het weidse uitzicht over de stad en de haven van Rotterdam, een industriële look gekregen met verschillende speelse elementen. De hinderlijke, gesloten kern is door middel van twee kokers opengebroken en heeft een dienende functie gekregen met toiletten, trappen, liften en zelfs een fitnessruimte. Rondom gaat een houten constructie met nisjes en intieme plekken. Daaromheen bevinden zich ruime en lichte kantoren, een vergaderhoek en een flexibele collegezaal. Onder andere schommels zorgen voor variatie in aanbod van ontmoetings- en vergaderplekken. Kortom, alle faciliteiten voor een inspirerende samenwerking zijn aanwezig. Toen Bavaria de nog lege vierkante meters op de elfde verdieping in het vizier kreeg, zagen zij dan ook niet voor niets de mogelijkheden en namen zij contact op. Zo breidde het ontwerp zich opnieuw uit met een moderne Bavaria StartUp Bar met een glijbaan naar de onderliggende verdieping en een prachtig uitzicht.

THEORIE VS. PRAKTIJKNa een jaar vol praktijkervaring is het als student zijnde natuurlijk interessant om te reflecteren op de aansluiting tussen de theorie en de praktijk. Volgens Roel is er sprake van een enorm gat. “In de praktijk moet alles kloppen. Als je aan het detailleren bent, heb je altijd de volgende stap in je hoofd zitten. Elke lijn die je trekt heeft gevolgen voor het eindresultaat. Ook het proces na het maken van een ontwerp was nieuw voor ons. We spraken voor het eerst met bijvoorbeeld een opdrachtgever, een aannemer, een installateur en een tegeladviseur over dingen als sprinklerinstallaties en brandroutes waar we maar weinig kennis over hebben. We werden echt in het diepe gegooid. We hebben er enorm veel van geleerd, maar toen hadden we wel wat hulp en advies kunnen gebruiken.” Gelukkig konden de twee bij onbekende situaties altijd de vader van Bart, die ook architect is, bellen.

DE TOEKOMSTOndanks dat Studio Olduvai Gorge een relatief onervaren bureau is, zijn zij toch erg populair bij opdrachtgevers. Op dit moment zijn zij bezig met vijf verschillende opdrachten; de reorganisatie van twee woonhuizen, het interieur van de faculteitshal van Bedrijfskunde in Rotterdam, het interieur van een landhuis in Utrecht en een aanzet voor een ontwerp voor een nieuwe verdieping in de Marconitorens. Een opmerkelijk succes, gegeven het feit dat veel architectenbureau’s juist hun deuren hebben moeten sluiten. “We zijn jonge mensen met een frisse blik en een eigen visie. We zijn niet conservatief en nemen de wens van de opdrachtgever mee in ons ontwerp. Dat spreekt mensen aan.”

Het gaat op dit moment zelfs zo goed met Studio Gorge Olduvai dat Roel en Bart opzoek zijn naar studenten die zin hebben om te helpen. Heb jij het idee dat je een bijdrage kan leveren aan dit hard groeiende bureau? Alle hulp is welkom! Mail naar apply@olduvaigorge.nl

‘Studio Olduvai Gorge’ dankt zijn naam aan de gelijknamige vallei in Tanzania ‘Olduvai Gorge’. Dit is de plek waar de oudst bekende mensenresten zijn gevonden. Een metafoor voor de visie van Roel en Bart: leven in harmonie met elkaar, met de ruimte en met de natuur.

VAN DE GROTE LIJNEN TOT HET KLEINSTE DETAIL"ALS JE MET ALLE PARTIJEN OM DE TAFEL ZIT OM HET PLAN UIT TE

WERKEN, FUNGEER JE ALS ARCHITECT ALS EEN SOORT BEMIDDE-

LAAR. MAAR JE BENT WEL TWINTIG JAAR JONGER TEGENOVER AL

DIE ERVAREN VAKLUI. DAN IS HET MAKKELIJK OM TOE TE GEVEN,

MAAR SOMS MOET JE GEWOON EEN BEETJE ARROGANT ZIJN."

DOOR JANE STORTELDER

10 IN FOCUS B NIEUWS 08 14 MAAND 2011

Master Event30 April

BY SOSCHA MONTEIRO DE JESUS

VELDACADEMIEMany districts in European cities face complex social-economical issues and demographic challenges. Making a design in an urban regeneration area demands a deep understanding of this complexity trough practice-based research and interaction with inhabitants, users and entrepreneurs. Veldacademie provides live cases in Rotterdam concerning the most important societal questions on health, sustainable renewal of existing buildings, linking education with employment and the user oriented design of public space.

ARCHITECTURAL ENGINEERINGArchitectural Engineering brings together design and technical innovation. In this studio façade, structural and climate design are an inspiration and an important contribution to architectural design.

URBAN AREADEVELOPMENTA variety of urban interventions vital to the city can be subject of graduation projects in the UAD-lab. Students are challenged to learn new ways of thinking and working, be able to get to the bottom of problems in their mutual coherence and be able to provide creative solutions.

DWELLINGArchitecture and Dwelling is concerned with the architectural design of our ev-eryday living environment and housing. While investigating conditions of den-sity, functional diversity and contempo-rary lifestyles, in its curriculum the Chair of Architecture and Dwelling addresses two diametrically opposed conditions: the Netherlands on the one hand and emerging economies worldwide on the other.

THE ARCHITECTUREOF THE INTERIORThe Architecture of the Interior focuses its attention specifically on the architecture of large-scale public interiors, their relevance and their social impact. It offers a unique programme whose pursuit follows scientific lines, combining education in architectural design, building technology and detailed materialisation. Practise oriented design studios are enriched by academic research in architectural studies, theory, culture and social anthropology.

HOUSINGThis studio focuses on the highly relevant issue of management and (re)development of housing. Graduation projects encompass a wide variety of topics and approaches, ranging from (inter)national housing policies to local housing strategies. All projects have in common that they contribute to sustainable housing solutions and, ultimately, satisfied residents.

FLOWSCAPESFlowscapes explores landscape infrastructures as armatures for urban and rural development. Through landscape architectonic design of transportation-, green- and water infrastructures at all possible scales the studio seeks for an articulation of the dynamic between landscape processes and typo-morphological aspects.

SUSTAINABLEDESIGNSustainable Design addresses the challenge to contribute to a sustainable built environment by means of innovative technology for architecture and urbanism. Students learn to approach design in an integrated manner. The emphasis lies on sustainable design of structures, façades and climate. The track balances applied research and design and leads to a TiSD annotation.

At the Master Event you can orientate yourself about the Master studies offered at our Faculty. When chosing your Master you first chose a track and depending on which track you have chosen you select different studios or themes to specialize in. Information will be provided during the presentations of the different tracks and at the information market.

11

Master Event30 April

PROGRAM WEDNESDAY 30 APRILRoom A15.00 – 15.30 General Presentation of Master Program 15.35 – 15.55 Building Technology 16.00 – 16.20 Urbanism 16.25 – 16.45 Real Estate & Housing 16.50 – 17.10 Geomatics 17.15 – 17.35 Landscape Architecture 17.40 – 18.10 Architecture

INFORMATION MARKET 18:00 – 20:00

COMPLEX PROJECTSCities are increasingly renewed by large projects rather than by long- term visions and subsequent master planning. Public-private partnerships are organized to engage strategic sites resulting in complex developments. These developments are comprised of multiple and often conflicting interest, which have to be simultaneously negotiated. The traditional tools of architecture and urban planning are simply not equipped to deal with the conditions that arise. This critical condition will be the focus of Complex Projects.

URBAN TRANS-FORMATIONS AND SUSTAINABILITYThe work in the graduation lab/studio represents the Dutch Urbanism tradition that combines urban design, urban landscapes and spatial planning. Students learn to integrate social, cultural, economic and political perspectives with the natural and technical conditions of the site resulting in the physical form of the city in order to shape and manage the process of urban development. In the studio students specialise into a more specific topic within the Urbanism Research Themes. This is not a disciplinary specialization, but a content-driven one, whose purpose is to acquire further knowledge, skills and experience dealing with the chosen topics. Topics should be part of the international oriented research program of the department and may include local trends such as sustainable mobility, urban renewal, shrinkage and densification; with an understanding of global trends, such as economic globalisation, the financial crisis, climate change, demographic and governance trends and the energy transition. They may work on several scales, from regional strategic visions to neighbourhood redevelopment projects.

THE WHY FACTORYFuture Cities (by The Why Factory) ex-plore the future of urban life. Based on current and upcoming urban urgencies the students make spatial scenarios for the city of the future. The master studios form an integral part of the Why Factory’s on-going research. Argumen-tation, parameterization and visualisa-tion lead to visionary designs, including object, building and urban scale.

PUBLIC BUILDINGThe Public Building design studios address the contemporary and future meaning of the public domain as realm of (ex)change in an urbanized society, as ‘place where strangers meet’. The focus is on how new architectural models, typologies, programmes, and design strategies can be developed to meet public needs on different levels.

EXPLORELABExplorelab is an exceptional thesis laboratory for students with a unique fascination which cannot be explored in any of the ‘regular’ thesis labs. Although Explore lab is open for students from all tracks, it is aimed for highly motivated students with an obsessive interest in a specific question and an exceptional ability to lead themselves and others in theoretical and design research.

RMITRestoration, Modification, Intervention and Transformation (RMIT) focuses on the re-use of existing buildings where there are demands for both continuity and change. Students examine the preconditions for re-use and create designs that meet competing aesthetic, cultural, historical, technical and functional demands.

METHODS AND ANALYSISMethods and Analysis aims to be a laboratory for students who want to explore pioneering ways to analyse, understand and intervene in the built environment. Architecture is seen as more than just problem solving or a response to programme, but the development of distinct approaches and tools. * Currently only available in MSc1 or MSc2.

DESIGN & CONSTRUCTION MANAGEMENTDesign & Construction ManagementDCM targets the management of complex design and construction processes at the level of buildings. Students look at innovative ways of collaboration among the increasing number of parties involved. You will learn to develop and apply theories, methods and instruments. Main topics are integration, collaboration, procurement, changing roles, design teams, ICT tools and supply chain.

REAL ESTATE MANAGEMENTREM concerns the optimal alignment between supply and demand for real estate on three levels: society, organisa-tion and individual. Graduation research includes successful real estate strategies (offices, health care, education and municipal real estate), the connection between corporations and cities, and how to cope with vacant buildings.

HYPERBODYNon-standard and Interactive Architecture (by Hyperbody) focuses on the integration of advanced computational design tools and techniques with cutting edge design thinking to produce fully performance driven bottom-up architectural formations. Opposed to modernist mass-production principles, non-standard and interactive architecture illustrates the advantages of mass-customization and topological thinking.

GEOMATICS OF THE BUILT ENVIRONMENTGeomatics combines knowledge from mathematics, computer science and geography in order to better understand and shape the built environment. Students learn to use advanced techniques in data collection and analysis, spatial information modelling and the visualisation of data. Students apply their skills in 3D modelling, GIS, mapping, serious gaming, simulation and visualisation to a wide range of fields such as disaster management, urban design and planning, location based services and land administration.

ELECTIVESNext to this extensive master program our Faculty also offers a wide range of electives, from making an online portfolio to delving into architectural theory at the Architectural Theory MSc2 elective studio. Check out the course browser and search for ‘electives’ at www.studiegids.tudelft.nl

You can also specialize yourself or broaden your horizon by becoming part of one of the interdisciplinary student projects, like Prêt-à-Loger (Solar Decathlon), also featured in another edition of BNieuws. More information can be found in the Studyguide or search for student-projects at tudelft.nl.

B NIEUWS 08 14 APRIL 201412 BK IN FOCUS

Though architects often assume that it is their work that defines them, they forget that they operate within a legal framework. A framework shaped by solicitors who can be found within the hallways of our faculty. Bnieuws spoke with Monika Chao-Duivis, full professor of Building Law, and Fred Hobma, associate professor of Planning Law, about integrating law into architecture education and the challenges that await us.

BY DAPHNE BAKKER

Have you developed a fascination for building because of working in the field of building law?MCD: Yes, the act of building is very physical and it results in something you can perceive and experience. Something tangible is created and it is wonderful that you, as a solicitor, have a role in its realization. While building law does deal with liability and permits, that is just a small part of the story. We’re also involved in the preliminary phase in which you can see how the project develops and you can help guide it towards a successful completion. That is the best part about being in this faculty. Building law is also taught at the law faculties, but they lack the input from architects and engineers.

But isn’t it mostly the RE&H students who study building law? Don’t architecture students miss out on this?MCD: This is partly true. Both Fred and I are from RE&H and our students are steeped in knowledge concerning building law. Architecture students do miss out on some essential legal knowledge. In practice, there is a lot of case law concerning advisors law (i.e. architects and consulting engineers). We notice the lack of knowledge in practice. Graduates are often unable to send in notices on time, the formulation skills (especially) in writing leave a lot to be desired and quite often they start working on a project before there is even an agreement. It is also very important to be aware of copyright laws. We don’t need to make law students out of architecture students, but with a few extra hours a lot of future stress can be avoided. Students could really benefit from this knowledge when they set foot in the real world.

How is building law taught to the bachelor students?FH: Our aim in the bachelors is to weave together building law with the design project. There is no separate course devoted to building law. In BK6MA3, a BSc6 course on management and redevelopment, the students have to develop a plan for West Blaak. Many different plans, such as master plans and land-use plans, are devoted to the area. We ask the students to observe the plans. Is there a certain order to the plans, how do the plans relate to each other, are the permits that an architect needs weighed against the plans and what is the status of the plan. This way the students can fully integrate the knowledge into their design and to make it their own. We think this is what students want. That we’re not immediately recognizable as building law within the curriculum is a testament to our approach and that we have managed to truly become one with the design project.

Does building law define the role of the architect?FH: Definitely. The De Nieuwe Regeling (DNR) defines the responsibilities of the architect, so in extension it defines the architect. The architects task, obligations and rights. These are all defined by these judicial general conditions.MCD: Ideally lawyers try to capture the role of the architects within the legal rules. The DNR was developed through dialogue with architects and persons working in the world of civil engineering. Lawyers ask “How do you work and how should we define it within the law?”

In other words, building law is derived from the architects own definition?

MCD: Ideally, yes. Lawyers have the tendency, due to their strong grasp of the language, to define how the world works. Again, it is the multidisciplinary nature of this faculty that can help broaden the scope of the lawyers. Here we can ask architects what it is that they want and need and then see if we can help shape it or if it is contrary to the law.

Could you give an example of interesting graduation project based on building law?FH: One of my students is looking at monuments. Currently a lot of monuments are now available on the market, due to the Government releasing them to the municipalities and the need to transform them. For example, an old house needs to be adapted in order to function as an office. The question then arises - which role does the process of obtaining a monument permit play and can this process be optimized? The student will work via a firm and consult each and every player involved in the transformation process in order to find out how much time and money it will cost, the preliminary research required and how it will tax the permit process. This is a very good example of how a student can integrate building law in his or her graduation project.MCD: The most interesting aspects of the graduation projects devoted to building law is that students research how law works in daily life, in the world for which the law was designed. They bring back insights on how sometimes the rules can be improved as well as the other way around how the use of the law can be professionalized. Very interesting is the for example the development of BIM and what this means for the law and vice versa.

Which challenges will both architects and solicitors alike have to face in the near future?FH: The financial crisis has brought many projects to a halt or forced them to dial back their ambitions. This has resulted in us having to reformulate how we have to work together in order to reboot the development of the city. These new ways of collaborating, between developers and architects, require new contract forms.MCD: We need to think in terms of more flexibility. The contracts are sometimes set in stone and are a weight around the neck of at least one of the parties involved in the development. In general this might be a problem, but for contracts entered into before the crisis and to be executed after the world has changed, the problem of inflexibility is even greater. Is it financially viable to hold a party to its original contract while being fully aware that it will not lead to an economically stable situation?FH: Also cultural changes, for instance, the intercity development will create new legal challenges. How will construction on a busy city block deal with noise pollution or ground sanitation norms?MCD: There is also a growing realization of the need to work in an integrated way. Working in this way, where everyone is involved resulting in complicated partenrships, does not raise new questions but does require different answers to the classical legal ones, like copyright and liability for instance.. Everything is linked and on top of that we have come to realize that the choices we make can have long term effects on the built environment. And that has to be taken into consideration as well.

A CONVERSATIONABOUT BUILDING LAW

BK IN FOCUS 13

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Monika Chao-Duivis (born in 1953) has been a full professor of Building Law at the faculty since 2004. In addition to her work as a professor, she is a director of the Instituut voor Bouwrecht (building law institute), that initiates and performs independent research in the field of public and private building law. She is next to this work include Arbitrator at the Arbitration Board and deputy justice in The Hague Court.

Monika Chao-Duivis

Mr.dr. F.A.M. Hobma (Fred, 1961) studied Dutch law (private law and public law) in 1979 and 1985 at the Rijksuniversiteit Groningen. Obtained his PhD from Delft University of Technology (2000). Dissertation 'Highways and spatial planning; integrating proposed routes for highways in local planning in the Netherlands'. Currently functions as Researcher, PhD student, lecturer, assistant professor.

Fred Hobma

"GRADUATES ARE OFTEN UNABLE TO SEND IN NOTICES ON TIME, THE FORMULATION SKILLS (ESPECIALLY) IN WRITING LEAVE A LOT TO BE DESIRED AND QUITE OFTEN THEY START WORKING ON A PROJECT BEFORE THERE IS EVEN AN AGREEMENT."

14 FORUM B NIEUWS 08 14 APRIL 2014

ARCHITECTS REGISTER OPEN FOR STUDENTS OF MASTER TRACK LANDSCAPE ARCHITECTUREAn important decision about the Landscape Architecture master track, starting September 2010, has been taken! After a long procedure and a lot of efforts by many people, it was decided and officialy published that the MSc-diploma Architecture, Urbanism and Building Science - track Landscape Architecture gives acces to the Architects Register. This means that graduates with this diploma will be judged and treated in the same way as their MLA colleagues from Wageningen University and the Amsterdam Academy of Architecture.

European regulation however states that the total curriculum (BSc and MSc) must contain a minimum of four years of full time education in subjects that can be regarded as a proper foundation for landscape architec-ture. Therefore the Deputy Minister of Economic Affairs, who’s responsible for Landscape Architecture education, has defined some important conditions in relation to admission of Delft Landscape Architecture graduates to the Register. These conditions were published in the Official State Bulletin of last December 13th. It says that you have to be able to present: “… the diploma that certifies that you have successfully passed the final exam of the track Landscape Architecture of the Master Programme Architecture, Urbanism and Building Sciences at Delft University of Technology, acquired after the successful graduation from the Bachelor Programme of Architecture (i.e. “Bouwkun-de”) including the minor Landscape Architecture, leading to a BSc-diploma of Architecture at Delft University of Technology, or from a programme in which competences are being taught that are equivalent to the knowledge and abilities that can be expected from graduates from the BSc-programme and minor mentioned above.”

However these special conditions will hopefully only apply until the next review in November 2014 of an special commission, send by the Architects Register, in order to check the renewed program of the Delft Bachelor of Building Science. In the new BSc program (that started in September 2013) the faculty managed to include two years of basic knowledge of landscape architecture (spatial design, territorial analysis, history and repertoire, landscape technique) to meet the ‘four-year’ criteria of the Minister.

For LA students, from 2010 onwards who have the wish to register and don’t fulfil the demands of the Minister; the chair of Landscape Architecture will provide a modular programme of supplementary courses when needed. The director of Education asked all the students if they were interested in entering the register, not everybody was. That might be, either because they already meet the require-ments or because the MSc-diploma of the master track Landscape Architecture from Delft University of Technology is, both nationally and internationally, highly valuated and well-appreciated certificate from a prestigious university. The diploma meets all legal requirements related to the Dutch Act on Higher and Scientific Education even without the possibility of inscribing in the Architects Register. Registration is needed if a student wants to establish her-or himself as a self-employed landscape architect in the Netherlands and wants to participate actively in major (inter)national assignments and tenders. Another advan-tage of being registered in the Netherlands is that it also applies to some other countries within the European Union.

Inge Bobbink, associate professor and coordinator of Landscape Architecture educationEric Luiten, director of education of the faculty of Architecture and the Built EnvironmentDirk Sijmons, professor of Landscape Architecture

Deep-rooted sentiments? Interesting views? Use forum as your discussion platform! Send your articles and letters to bnieuws-bk@tudelft.nl.

ARCHITECTS AND LANDSCAPE ARCHITECTS BY ANNA WOJCIK

StedebouwTwee grote, klassiek in vakken

verdeelde, witte deuren. De ketting

eraf, het slot linksom en ik sta in de

koele gang met granito vloer. Ruim

veertig natuurstenen treden en mijn

hand glijdend over een dito leuning

leiden mij naar de begane grond, een

hal met blankhouten deuren en

koperbeslag, altijd glimmend gepoetst.

De hoofdingang verzorgt een vertrek

met allure, maar de achterdeur brengt

mij in een hof, langs een Magnolia met

dikke knoppen, via een smeedijzeren

hek geflankeerd door kersenbloesem,

aan de straat. Ik steek over naar de

zonnige kant. Links een hoge schoor-

steen, rechts de schuifdeuren van een

supermarkt, die ik vandaag open en

dicht laat zoeven zonder de uitnodiging

aan te nemen, want ik heb niets nodig.

Bussen, auto’s en fietsers dwingen

tot concentratie bij de oversteek naar

de grote brug. Ik vervolg mijn weg,

mild klimmend, terwijl ik een sigaretje

rol en opsteek in de luwte van mijn

handen. Ik passeer een paar van de

mooiste bomen van de stad, hoor het

aangename gestamp van een dieselmo-

tor en het alarm van de slagbomen. Ik

verheug mij op het ritueel van het

kantelende wegdek, posteer mij aan de

leuning, volg de boot onderlangs en

wacht op het interferentiepatroon

veroorzaakt door de boeggolf van de

boot, die kaatsend tegen de parallelle

kades tot schering en inslag wordt.

Voorbij het tweede stel slagbomen

staat aan de balustrade van de brug

een trap. Mijn route verandert van

karakter als ik deze afdaal: een klein

grasveldje, een modderpaadje onder

een bloeiende boom door, de intimiteit

tussen gebouwen van een eeuw

geleden. Rechts, links en rechts. Onder

de kastanjebomen, wachtend op

verkeer van links, heb ik al zicht op ons

faculteitsgebouw. Nu recht op de

voordeur aan, mijn restje sigaret in de

asbak, een groet voor Leo, die de

peukjes naast de asbak verzamelt, naar

binnen, een groet voor de servicebalie

en dan in het geurspoor van croissants

richting goede koffie.

Ik heb altijd gedroomd van werk op

wandelafstand. Nu is deze droom

tweemaal dagelijks werkelijkheid.

Tienmaal wekelijks simpel geluk. Geen

galerij, geen lift, geen auto… Utopisch.

ROBERT NOTTROT

Landscape under control

Agate Kalnpure, masterstudent of Landscapearchitecture

STREETS OF BK CITY 15

COLOFON

B Nieuws is a four-weekly periodical of the Faculty of Architecture, TU Delft.

Faculty of Architecture, BK City, Delft University of TechnologyJulianalaan 134, 2628 BL Delftroom BG.Midden.140

bnieuws-bk@tudelft.nlb-nieuws.bk.tudelft.nlissuu.com/bnieuws

Editorial BoardHelen de JagerDaphne BakkerJane StortelderBrigitte O'ReganSoscha Monteiro de Jesus

Cover illustrationElevation De Hoofden Superloft Concept, Marc Koehler Architects

ContributorsKarin LaglasAnna WojcikShortsighted ArchitectureRobert Nottrot

Editorial Advice BoardMarcello SoelemanSue van de GiessenInge PitRobert NottrotLinda de VosPierijn van der PuttIvan Thung

PrintDrukkerij Tan Heck, Delft

Next deadline30th of April 12.00 PMB Nieuws 09, May 2014Illustrations only in *.tif, *.eps or *.jpg format,min 300 dpi

Unsolicited articles can have a maximum of 500 words, announcements 50 words.

The editorial board has the right to shorten and edit articles, or to refuse articles that have an insinuating, discriminatory or vindicatory character, or contain unnecessary coarse language.

IN EVERY EDITION STUDENTS AND STAFF OF THE FACULTY OF ARCHITECTURE ARE ASKED ABOUT THEIR OPINION. THIS TIME BNIEUWS ASKED....

WHAT IS THE IMPORTANCE OF LANDSCAPE ARCHITECTURE?

Freek Bronsvoort, recent graduate DwellingPersonally, landscape architecture enriches and complements my architectural designs. Landscape architecture is the first step towards connecting your building to its surroundings. That is my approach, from the perspective of the dwel-ling. What is a garden? How do you connect the building to the street?

Anntje Wong and Ferry Barnhoorn, Tools for Design, MSc2Anntje: I’m sorry, but I don’t know what it actually is. I know there is a new Mastertrack and I know it is about how you shape the public space, but I don’t know enough about it.

Ferry: Like Anntje, I don’t really know what they actually do. But I do think that is has relevance in the future. The Nether-lands has a lot of constructed landscape. Everything is constructed actually. In the bigger projects from the 90s and before, there was a lack of coherence between architecture and landscape. I think Landscape architecture can improve that, but I’m not sure if that is something they are focussing on right now.

Linde Jorritsma and Lieve Croonen, BSc 1Linde: When you design a building, it has to fit within the surroundings. The landscape should be one of your conside-rations.

Lieve: I agree. You always have to design with the surroun-ding environment in mind. But landscape architecture is very broadly defined.

Egidijus Kasakaitis, Complex Projects, MSc 4The importance of Landscape Architecture is defined by its functional use in the certain context. As an instance we could compare golf courses, where landscape is a crucial element of that typology. While designing in urban context the building and its program already plays the key role in relation with its adjacencies.

Michiel Bosch, Materialisa-tion, MSc4To create pleasant surroun-dings between building volumes which have a positive effect on the moods of the inhabitants.

Machiel van Dorst, Associate professor Chair of Environmental DesignIt is very important because it not only connects architecture and urbanism, but also nature and the built environment, the two most important environments of human beings. It is also so important that Landscape is now within this faculty, because it is more than just art, it is also technology, underground sewage systems for instance. It is about all those layers.

LectureCycle Space: a guest lecture by Steven Fleming14.04.2014Steven Fleming, author of the book‘ Cycle Space: Architecture and Urban Design in the Age of the Bicycle’, came all the way from Australia to talk with us about Amsterdam biking culture in contrast with other cities. PDZ*Studio, Piet Heinkade 179Amsterdam / 18:00 / RSVPdezwijger.nl

LezingDe huidige opgave in de landbouw: Schaal, Snelheid en Systeem15.04.2014Als laatste activiteit in het programma rond de tentoonstelling 'Mansholt, Landschap in Perspectief' spreekt Rob Hendriks van architectenbureau DAAD over actuele bewegingen in de agrarische wereld. Enerzijds de ontwikkeling van schaalvergroting, intensivering en monofunctionaliteit, anderzijds oriëntatie op de stad en combineren van programma’s. Beide opgaven moeten als ontwerpuitdaging worden beschouwd.Bureau Europa, Timmerfabriek, Boschstraat 9 Maastricht / 22:00 -22:00bureau-europa.nl

Capita SelectaArts & Architecture - Filip Dujardin17.04.2014In de stilte die is ontstaan in het architectonisch discours in Nederland, nu de economische drijfveer achter het bouwen is weggevallen, kunnen we ons weer richten op de culturele aspecten van het vak. Herijken. Architectuur als culturele daad, in samenspraak met en ingebed in de rijke traditie van de kunsten.Waterlooplein 211-213Amsterdam / 20:00ahk.nl

LectureUU EXTREME lecture: Antarctica28.04.2014Michiel van den Broeke will lecture on his personal experiences on Antarctica, the site of the next EXTREME course. He will tell about the research done on Antarctica and some first hand experiences being there. EXTREME, MSc2 of Building Technology Track, is a design project about building in an extreme situation, in respect to climate, location and function. Essence is the interaction between the extreme circumstances, the technical solutions, and the architecture.BKCity, Room F / 10:45tudelft.nl

EventMaster Event30.04.2014Visit the Faculty of Architecture’s Master’s information event on 30 April 2014. Find out all about the Master’s degree programmes in 'Architecture, Urbanism and Building Sciences' and 'Geomatics'. For more info see pages 10 and 11.BKCity / 15:00 - 20:00bk.tudelft.nl

Capita SelectaArts & Architecture - Antonio Ortiz01.05.2014In de stilte die is ontstaan in het architectonisch discours in Nederland, nu de economische drijfveer achter het bouwen is weggevallen, kunnen we ons weer richten op de culturele aspecten van het vak. Herijken. Architectuur als culturele daad, in samenspraak met en ingebed in de rijke traditie van de kunsten.Waterlooplein 211-213Amsterdam / 20:00ahk.nl

LectureDirk Somers: Atmospheres01.05.2014The Architecture of the Interior will present a public lecture by Dirk Somers (Bovenbouw) on Atmospheres. This lecture is part of the Interior Elements lecture series, in which a range of speakers will each elaborate on one of the elements defining the interior.BKCity, Room tba / 13:00 – 13:45tudelft-interior-architecture.nl

WEEK 16

AGENDAWEEK 17

WEEK 18

OASE 91: Zumthor, Pallasmaa and Böhme on Building Atmosphere

Two European architects, Pritzker Prize laureate Peter Zumthor and Juhani Pallasmaa, have both identified atmosphere as a core theme of architecture. In architectural journal OASE 91 Building Atmosphere, Zumthor and Pallasmaa engage in a conversation about building atmosphere. This

EXHIBITION

LINA BO BARDI: TOGETHER

Lina Bo Bardi (1914-1992) was een Italiaans-Braziliaanse modernistische architect, politiek activist, ontwerper van meubels en decors, redacteur, schrijver en curator. Bo Bardi is bij uitstek een architect die in deze tijd nieuwe generaties bouwers, gebruik-ers en architecten kan inspireren.

ARCAM / Amsterdam18.04.14 - 25.05.14

B NIEUWS 08 14 APRIL 2014

issue of OASE also includes an excerpt of the book Architektur und Atmosphäre by German philosopher Gernot Böhme, and his reflection on the notion of atmosphere in the work of Peter Zumthor and Juhani Pallasmaa. At the presentation of OASE 91 the three men will continue the conversation live on stage with the editors of this issue.

29.04.14 / 20:00Pakhuis de Zwijger, Amsterdam

Lecture and debateSuper Humble22.04.2014A humble generation of architects is redefining the architectural profession. Super Humble is an ironic wink to the Super Dutch that have dominated the Dutch architectal scene until the economic crisis. Super Humble and Super Dutch share a strong emphasis on conceptual thinking in their way of working and for both the image is still a very prominent element. This afternoon of lectures and debate aims to expose how this new way of practicing architecture is changing the profession. BKCity, Room K / 13:00 - 15:30bk.tudelft.nl

EventReal Estate Career Day23.04.2014One of the biggest Dutch Real Estate Career events for students and businesses. With workshops, case studies and lectures. In the afternoon there is a large business market and the day concludes with a networking reception.BKCityrecd.nl

ConferenceInteractive Landscapes24.04.2014Daan Roosegaarde’s professional mission is to create the missing links between bullshit and beauty, between fantasy and budget. He believes that The Netherlands must lose its “yes, but...” attitude and “look for the missing links”. This link between between ideology and technology, is what Roosegaarde calls “techno-poetry”.BKCity, Oost Serre / 18:30 - 21:00theberlage.nl

LectureMirko Zardini25.04.2014Mirko Zardini, an architect, has been the Director and Chief Curator of the Canadian Centre for Architecture since 2005. His research engages the transformation of contemporary architecture by questioning and reviewing the assumptions on which architects operate today.BKCity, Oost Serre / 13:30bk.tudelft.nl

WEEK 19CinemaDesign & Thinking05.05.2014Heb je een probleem waar geen gemakkelijke oplossing is? Dan is Designthinking het toverwoord: benader je probleem zoals een designer zijn ontwerpen en de problemen verdwijnen als sneeuw voor de zon. In Design & Thinking zien we zakenmannen, designers en maatschappelijk ondernemers en de manier waarop zij Designthinking toepassen om de uitdagingen van de 21ste eeuw het hoofd te bieden. Op die manier wordt duidelijk wat Designthinking eigenlijk inhoudt, hoe het bedrijfsprocessen beinvloedt en wereldwijd tot veranderingen in arbeidsconventies bewerkstelligt.de Balie, Amsterdam / 21:15debalie.nl

CinemaPaul Smith, Gentleman Designer06.05.2014Paul Smith heeft 400 winkels in 35 landen, 12 kledinglijnen, 400 miljoen omzet per jaar, verkoopcijfers die Chanel voorbijstreven, partnerships met Evian, Apple, en Austin en prestigieuze fiets- en race-automerken. Maar Smith zit niet stil en groeit door. De sleutel tot zijn succes is het concept Maximizing Britishness. Hij bouwt een merk rond Engelse popcultuur met briljante marketing en ongeëvenaarde verbeelding. Wie is de man die miljoenen mannen geïnteresseerd kreeg in mode? de Balie, Amsterdam / 21:15debalie.nl

SPOT-

LIGHT!