Blessed Fra Angelico (c. 1395-1455)

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Blessed Fra Angelico (c. 1395-1455) Patron of Catholic Artists "He who does Christ's work must stay with Christ always.” - Fra Angelico

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Blessed Fra Angelico (c. 1395-1455). Patron of Catholic Artists "He who does Christ's work must stay with Christ always.” - Fra Angelico. Madonna and Child with Saints , tempera on panel painting by Guido di Pietro, known as Fra Angelico, c. 1411-13, San Diego Museum of Art. - PowerPoint PPT Presentation

Transcript of Blessed Fra Angelico (c. 1395-1455)

Page 1: Blessed Fra Angelico (c. 1395-1455)

Blessed Fra Angelico

(c. 1395-1455)

Patron of Catholic Artists

"He who does Christ's work must stay with Christ always.”

- Fra Angelico

Page 2: Blessed Fra Angelico (c. 1395-1455)

Madonna and Child with Saints, tempera on panel painting by Guido di Pietro, known as Fra Angelico, c. 1411-13, San Diego Museum of Art

• The early work of Fra Angelico is a blend of the elegantly decorative Gothic style, and the solid, sculptural style of the Renaissance.

• What evidence do you see of both styles in this painting?

• Why do you think Fra Angelico painted Mary larger that the other figures in the painting?

• Why do you think he used so much gold in this painting?

Page 3: Blessed Fra Angelico (c. 1395-1455)

San Domenico Altarpiece, 1424-1430, Tempera, 212 x 237 cm.

Page 4: Blessed Fra Angelico (c. 1395-1455)

Deposition from the Cross, 1434-1440, Tempera, 176 x 185 cm.

Page 5: Blessed Fra Angelico (c. 1395-1455)

Annunciation, 1433-34, Tempera on wood, 150 x 180 cm, Museo Diocesano, Cortona

Page 6: Blessed Fra Angelico (c. 1395-1455)

Annunciation, 1440-1442, Fresco, 176 x 148 cm., Convento di San Marco, Florence

• What do you think is happening in this picture?

• What do you see that makes you think that?

• What clues does the artist give us as to the identity of these people?

Page 7: Blessed Fra Angelico (c. 1395-1455)

Annunciation, 1442-1443, 230 x 321 cm., Fresco, Convento di San Marco, Florence

Page 8: Blessed Fra Angelico (c. 1395-1455)

San Marco Altarpiece,

Madonna and Saints, 1438-

1443, Tempera on wood, 220 cm

x 227 cm, San marco Museum,

Florence, Italy

Page 9: Blessed Fra Angelico (c. 1395-1455)

San Marco Altarpiece, Madonna and Saints, detail, 1438-1443, Tempera on wood, 220 cm x 227 cm, San marco Museum, Florence, Italy

• The figures in this painting seem to be in intimate conversations.

• Can you imagine what they are saying to each other?

Page 10: Blessed Fra Angelico (c. 1395-1455)

The Adoration of the Magi,

c. 1445Panel, diameter

137,4 cmNational Gallery of

Art, Washington

Page 11: Blessed Fra Angelico (c. 1395-1455)

The Adoration of the Magi, detail, c. 1445, Panel, diameter 137,4 cm, National Gallery of Art,

Washington

• Perched on the roof of the stable, the peacock was a symbol of Resurrection.

• Jesus raises his right hand to bless the Magi. In his left hand he holds a pomegranate — its numerous seeds represent the many people brought together by the Church.

• Artists used precious gold leaf to indicate the most significant figures in a story.

• What do you think the man in red could be looking at in the sky?

Page 12: Blessed Fra Angelico (c. 1395-1455)

St. Stephen Distributing Alms, 1447-1449, Fresco, Cappella Niccolina, Palazzi Pontifici, Vatican

• What do you think is happening in this picture?

• How do you think the people around St. Stephen feel about what he is doing?

• What do you see that makes you think that?

Page 13: Blessed Fra Angelico (c. 1395-1455)

Christ on the Cross, with the Virgin and Saints, ca. 1453–54Tempera on panel, 13 3/8 x 19 3/4 in. (33.9 x 50.1 cm)