In all seriousness, the real BLAM is coming out TOMORROW and it might be

kind of cool. Freshmen, present this copy of BLANGLER to the lunch ladies

to receive a coupon that’s good for one copy of BLAM, free of charge!

“OH MY GOD I

FOUND THE

BANKSY,” a

photograph by

Anonymous

’11

BLANGLER The Brophy Literary & Arts Magazine and The Wrangler are proud to present

Putting the “creative” in creativeity.

The Wrangler recently sat down with the BLAM editorial

staff to conduct a scholarly interview. Soon enough, we

realized how dysfunctional the club is. Managing Editor

Mack Flint ‘13 was inarticulate (possibly sexist), there

weren’t enough contests , and they only received three

national titles with the 2012 edition, which is honestly

pretty sad. We at The Wrangler have decided to grace

the school with our own artistic publication. I present to

you a better - and more good - Blangler.

EDITOR’S NOTE

“Soap,” a photographic sculpture subinterpretation by Art Smith ’16.

ARTIST NOTE: See bottom of adjacent page (page 3) →

So I Meta Post-Structuralist

By Noah “Buddy” Getzme ’15

This poem A blind soul in the velvet black is artsy because there is no rhyme scheme or general structure for that matter its all a metaphor comma, apostrophes and periods are pretty lame this line is indented

ARTIST NOTE (for “Soap”): My mother and my father, and

likely you, see soap and a mirror. But a more trained eye

picks up the subtle nuances; the panopticon of hege-

monic counterculture that permeates every crevice of our

torn sociocultural politosphere. Reiteration of the domi-

nant paradigms accepted by artistic aesthetical norms

begs for a post-feminist interpretation of ontological para-

digms, a deconstruction of the instable gender figure that

this bar of soap so purely reflects. To put it simply, this is

a critique of both capitalism and materialism, the root

cause of societal Otherization.

Taken on an iPhone 5.