Black Composers in Europe

Black Composers in Europe: A Works ListAuthor(s): Dominique-René de LermaSource: Black Music Research Journal, Vol. 10, No. 2 (Autumn, 1990), pp. 275-334Published by: Center for Black Music Research - Columbia College Chicago and University of Illinois PressStable URL: http://www.jstor.org/stable/779389Accessed: 15/09/2010 08:27

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BLACK COMPOSERS IN EUROPE: A WORKS LIST

DOMINIQUE-RENE DE LERMA

This is a progress report on the known music by black composers who were resident in Europe by the end of the nineteenth century.1 In- cluded are Amanda Aldridge (a.k.a. Montague Ring), George Augustus Bridgetower, Samuel Coleridge-Taylor, Justin Elie, Robert and Nicolas Geffrard, Antonio Carlos Gomes, Felipe Gutierrez y Espinosa, Edmund Thornton Jenkins, Ludovic Lamothe, the Chevaliers de Meude-Monpas and de Saint-Georges, Ignatius Sancho, and Jose Silvestre de los Dolores White y Lafitte.

Not included within the present restriction are Basile Bares, Edmund Dede, and members of the Lambert family, whose works are among those previously cited in "Updated Music List: Six Composers of Nine- teenth-Century New Orleans," a supplement to the Center for Black Music Research's Black Music Research Newsletter (vol. 9, no. 1).2 As a result, only one native of the United States-Jenkins-has been included. Sancho was born in western Africa; Saint-Georges is from Gua- deloupe (although not unjustly claimed by the French); Gutierrez was a native of Puerto Rico (then part of Spain); Bridgetower comes from Po- land; Meude-Monpas presumably was born in France; White was from Cuba; Aldridge and Coleridge-Taylor were British by birth; Gomes was Brazilian; and Robert and Nicholas Geffrard, Lamothe, and Elie were all from Haiti. The European connection for those born elsewhere was ei- ther France, England (or both), or Italy in the case of Gomes and surely that of Gutierrez.

With the geographic criterion, Jose Mauricio Nufies-Garcia is among those not included. Despite the significant contribution he made in the Austro-Italian styles of the early nineteenth century, he remained for his

1. The information given in this listing will be included with materials which, when

completed, will be published in the series The Greenwood Encyclopedia of Black Music (Greenwood Press).

2. The list was reprinted in Black Music Research Journal 10, no. 1 (1990):137-144.

DOMINIQUE-RENE DE LERMA is Associate Director of the Center for Black Music Research. He is the author of Black Music Bibliography (Westport, Conn.: Greenwood Press, 1981-), Black Music in Our Culture (Kent, Ohio: Kent State University Press, 1970), and Reflections on Afro-American Music (Kent, Ohio: Kent State University Press, 1973).

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entire life in Brazil. Gutierrez should not have been included if the restriction is most carefully observed, but we have biographical reason to know he studied in Europe. By not including composers born in the twentieth century, we exclude Amadeo Roldan (1900-1939), although he was born in Paris. Were there a primary reference to "El son de Ma Teodora," the earliest date in this list would be in the late sixteenth century, and Teodora Gines would have been included.3

Works bearing no imprint information are those which likely exist only in manuscript. The listing includes reference to commercial record-

ings, but not those instantaneously produced which were never openly on sale. Identification of holding libraries of music and their recordings are restricted to public institutions. Many of the published and recorded works are unfortunately no longer readily available. One can only most ardently hope that reissues and new performances will stimulate each other. On a subjective note, this is particularly urged with respect to the works of Gomes and Coleridge-Taylor. It is hoped that performers will be distinctly aggressive in returning to standard repertoire the works of those two composers, which have recently been ignored.

Where appropriate, the elements in these citations are as follows: 1. Title. 2. Medium note. If the work is for an instrumental ensemble, the spe-

cific performance forces are subsequently provided. 3. Date of composition. 4. Name of arranger or editor. 5. Publication data. The city, publisher, and year of publication are

stated. The publication date has not been identified in all instances. In these cases, "n.d. [?]" indicates that the research has not deter- mined the date. If there are two or more dates in descending order, the first date is that of the most recent printing.

6. Collation. The last numbered page is identified, plus plate numbers and series note. Multiple volumes are so noted.

7. Series title and number. 8. Text source. 9. Contents.

10. Duration. 11. Instrumentation is provided, as appropriate, in the manner tradi-

tionally employed in publishers' catalogs (e.g., 2222, 2200 indicates

3. In this regard, I am firmly convinced that many black composers, not from the U.S., were active between the time of the Gines sisters and Justin Elie, and I hope to make yet another visit to European libraries in the near future, searching for support of this belief and attempting to locate other compositions. In addition, there are many works by figures from colonial Brazil to whom attention is proudly being given by their contemporary compatriot scholars and performers.

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pairs of flutes, oboes, clarinets, and bassons, 2 horns, 2 trumpets, and no trumpets or trombones, with strings).

12. Dedication. 13. Awards won, with names and dates. 14. Data on premiere. 15. Notes. Additional information is provided. 16. Holding library. Special notes may be included. Those whose collec-

tions have been examined include the following: Basel-Offentliche Bibliothek der Universitat, Basel, Switzerland Bibliotheque Nationale-Bibliotheque Nationale, Paris, France Bibliotheque de l'Arsenal-Bibliotheque de l'Arsenal, Paris,

France British Library-British Library, London, England Brussels-Bibliotheque du Conservatoire Royal de Musique,

Brussels, Belgium Caracas-Biblioteca Central de la Universidad Central de Vene-

zuela, Caracas, Venezuela Columbia-Center for Black Music Research, Columbia College,

Chicago, Illinois Darmstadt-Stadtsbibliothek, Darmstadt, West Germany Fleisher-Edwin A. Fleisher Music Collection, Free Library of

Philadelphia Library of Congress-Music Division, Library of Congress,

Washington, D.C. Luck's-Luck's Music Library, Madison Heights, Michigan Newberry-The Newberry Library, Chicago, Illinois Peabody-Library of the Peabody Conservatory, Johns Hopkins

University, Baltimore, Maryland Royal College of Music-Library of the Royal College of Music,

London, England Schomburg-Schomburg Collection, New York Public Library,

New York, New York Spingarn-Spingam Collection, Howard University, Washington,

D.C. Yale-James Weldon Johnson Memorial Collection, Yale Univer-

sity, New Haven, Connecticut 17. Recordings. Label name and number, performers, and date of re-

lease are given as appropriate and available. If the label is missing, the recording was not commercially issued.

18. Holding library of recordings. Designations are the same as in item 16 above.

The composers are listed in alphabetical order.

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Amanda Aldridge, 1866-1956

Azalea (medium voice and piano). London: Ascherberg, Hopwood and Crew, 1907. Library: Library of Congress.

Bagdad suite (piano). London: Chappell, 1929. Contents: (1) The royal guard; (2) The garden beautiful; (3) Hail, hail, O Caliph the Great!

Library: Library of Congress. Blue days of June (low voice and piano). New York: Chappell, 1915. 4 pp.

#26041. Text: Fred E. Weatherly. Library: Spingan. The bride (high voice and piano). London: Chappell, 1910. 5 pp. #24483.

Text: P. J. O'Reilly. Library: Spingan. Carnival suite of five dances (piano). 1924. London: Chappell, 1924. 19 pp.

Contents: (1) Calvade; (2) Pierrette; (3) Harlequin; (4) Columbine; (5) Frolic. Library: Library of Congress, Schomburg (presentation copy).

The fickle songster (medium voice and piano). London: n.p., 1908. 3 vols. Four Moorish pictures: An Eastern suite (piano). Contents: (1) Prayer be-

fore battle; (2) Dance of the slave girls; (3) Twilight dance; (4) Dance of triumph. Library: Library of Congress.

Little rose in my hair (medium voice and piano). London: Chappell, 1917. 5 pp. #26611. Text: Eileen Price-Evans. Library: Spingan.

Mirette: Serenade (piano). London: Walsh, Holmes and Co., 1934. 6 pp. #WH&Co. Ltd. 1862. Library: Spingam.

A noontide song. Library: Spingan. A summer love sound (medium voice and piano). London: Boosey and

Co., 1907. 7 pp. Library: Library of Congress. Three African dances (orchestra). London: Chappell, 1913. 8 pp. #25490.

Piano-conductor score and 12 parts. Contents: (1) The call to the feast; (2) Luleta's dance; (3) Dance of the warriors. Library: Schomburg, Spingarn.

Three Arabian dances (piano). 1919. London: Chappell, 1919. 12 pp. Con- tents: (1) Carnival; (2) By the fountain; (3) Bedouin. Library: Schom-

burg. Three pictures from Syria (piano). London: Metzler, 1924. Contents: (1)

The desert patrol; (2) Beneath the crescent moon; (3) The pursuit. (chamber orchestra). (orchestra).

Through the day (medium voice and piano). London: Boosey and Co., 1910. 13 pp. #H6461. Text: P. J. O'Reilly. Contents: (1) Morning; (2) Noon; (3) Evening. Library: Spingam.

'Tis morning (high voice and piano). New York: G. Ricordi, 1925. 6 pp. #E.&Co. 1455. Text: Paul Laurence Dunbar. Library: Spingam.

Two little Southern songs (medium voice and piano). London: Chappell, 1912. 8 pp. #25206. Text: Fred B. Bowles. Contents: (1) Kentucky love

song; (2) June in Kentucky. Library: Spingam.

278


Two songs of the desert (high voice and piano). New York: G. Ricordi, 1923. 7 pp. E.&Co. 1333. Text: Fred G. Bowles. Contents: (1) An East- ern lullaby; (2) Camel-bells; (3) A warrior's love song. Library: Spingarn.

George Augustus Bridgetower, 1780-1860

A collection of new songs, composed by an African. Concerto for violin and violoncello. Note: Possibly spurious. Diatonica armonica for the pianoforte. London: R. Birchall, 1812. ii, 29 pp. Henry: A ballad (medium voice and piano). London: Monzani & Co., n.d.

7 pp. Edited by Dominique-Rene de Lerma. Premiere: June 28, 1971; Bloomington, Ind.; Bernadine Oliphint, soprano; Carol Stone, piano.

Sonata mulattica (violin and piano). Manuscript lost.

Symphony. Note: Possibly spurious.

Samuel Coleridge-Taylor, 1875-1912

African romances, op. 17 (medium voice and piano). 1897. London: Auge- ner, 1897. 21 pp. Augener edition, 8817; #11114. Text: Paul Laurence Dunbar. Contents: (1) An African love song; (2) A prayer; (3) A starry night; (4) Dawn; (5) Ballad; (6) Over the hills; (7) How shall I woo thee? Dedication: Helen Jaxon. Note: No. 6 (in D or B) and no. 7 (in G-flat, F, or D) published separately. Library: Library of Congress, Spingarn, Yale.

. Over the hills (medium voice and orchestra). London: Augener, 1897.

African suite, op. 35 (piano). 1898. London: Augener, 1902, 1898. 31 pp. in 4 vols. Augener's edition, 6103; 11368, #11287. Contents: (1) Introduc- tion: Allegro alla marcia; (2) A Negro love song: Larghetto; (3) Valse: Allegro con brio; (4) Danse negre: Allegro assai (based on the poem of the same name by Paul Laurence Dunbar). Duration: 20:00. Premiere: ca. 1898; Croyden Conservatoire. Library: Schomburg, Spingarn, Yale.

? A Negro love song: Larghetto (piano). London: Augener, 1901. . A Negro love song: Larghetto (violin and piano). London: Auge-

ner. Augener's edition, 7359b. . A Negro love song: Larghetto and Danse negre: Allegro assai

(violin and piano). London: Augener, 1898. 9 pp. Augener's edition, 6100d; 73598; #11395.

. Danse negre: Allegro assai. London: Augener, 1901. 9 pp. Augener's edition, 6100c; #11368. Library: Spingarn.

. Danse negre: Allegro assai (orchestra). London: Augener, 1898. Augener's edition, 6100a [score]; 6100b [parts]; #L.M.L.. Duration:

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5:30. Library: Fleisher (3540), Luck's (05382), Schomburg, Spingan. Recorded: Columbia M-32782 (London Symphony Orchestra; Paul Freeman, conductor) 1974.

. Danse negre: Allegro assai (piano and string quartet [original version]).

Ah sweet, thou little knowest (high voice and piano). London: Ricordi, 1904. 6 pp. 10952. Text: Thomas Hood. Library: Schomburg, Spingarn.

Ah tell me, gentle zephyr (medium voice and piano). Album (organ). London: Augener. 2 vols. Album series 108a/b. Album of melodies (piano). Arranged by Alex Roloff. London: Augener,

1896-1915. 25 pp. Album series 28. Contents: (1) Idyll; (2) From the East; (3) Serenade; (4) Cameo; (5) Minguillo; (6) Zarifa; (7) In the Sier- ras; (8) Reflection. Note: Made after the composer's death from larger piano works and transcriptions of vocal and choral music. Library: Schomburg, Spingan.

All are sleeping, weary heart (TTBB). London: Curwen, 1910. All my stars forsake me (SATB). London: Augener. Augener's edition

4658. Allegretto grazioso (violin and piano). London: Novello. Note: Based on

the third movement of the Symphony, op. 88, by Antonin Dvor.k. Alone with mother. See: Five fairy ballads. Andalla. See: Two Moorish tone-pictures. Arietta in F major (organ). London: Novello, 1898. The village organist,

16. The arrow and the song (medium voice and piano). As the moon's soft splendor. See: Six songs, op. 37. The atonement: Sacred cantata, op. 53 (solo soprano, contralto, tenor, bari-

tone, SATB, and orchestra). 1903. London: Novello, 1903. 190 pp. in 4 vols. Novello's separate chorus parts; #11726. Text: Alice Parsons. Contents: (1) Prelude; (2) Gethsemane; (3) Prayer of the holy women and Apostles; (4) Pontius Pilate; (5) Calvary. Premiere: September 9, 1903; Hereford Three Choirs Musical Festival; Emma Albani, soprano; Emily Squire, contralto; Kirkby Lunn, tenor; Andrew Black, baritone; William Green. Library: Schomburg, Spingarn, Yale.

(1904 revision). London: Novello, 1904. (piano-vocal score). 169 pp. or 190 pp.

Ballade in D minor, op. 4 (violin and orchestra). 1895. London: Novello, 1895. Dedication: Ruth Howell. Premiere: February 13, 1903; Chicago Symphony Orchestra; Frederick Stock, conductor.

(violin and piano). London: Schott. Ballade in A minor, op. 33 (orchestra). 1898. London: Novello, 1898. 63

pp. Commission: Three Choirs Festival. Dedication: August J. Jaeger. Premiere: September 14, 1898; Three Choirs Festival, Glouchester;

280


Samuel Coleridge-Taylor, conductor. Library: Luck's (932), Schom-

burg. (piano). London: Novello, 1898. 20 pp. #10675. Library: Library

of Congress, Spingarn. Ballade in C minor, op. 73 (violin and piano). 1907. London: Augener,

1909. #11343. Contents: (1) Molto moderato; (2) Allegro; (3) Piu andante e tranquillo; (4) Allegro vivace; (5) L'istesso tempo. Premiere: October 29, 1907; Leeds; Michael Zacharewitsch, violin; Samuel Cole- ridge-Taylor, piano. Library: Luck's (9132).

The bamboula: African dance. See: Twenty-four Negro melodies. The bamboula: Rhapsodic dance, op. 75 (orchestra). 1910. London: Hawkes

and Son, 1911. 51 pp. H.&S. 4728. Dedication: Mr. and Mrs. Carl Stoeckel. Premiere: 1911; Norfolk Musical Festival, Connecticut. Note: Reference on the cover of the published set of parts to a first performance by the New York Philharmonic in June 1910 doubtless refers to a rehearsal, conducted by the composer in Carnegie Hall. Library: Fleisher (147), Luck's (5299), Schomburg.

[excerpt] (piano). In Afro-America sings. Detroit: Board of Educa- tion, City of Detroit, 1971.

Barcarolle (piano). London: Schott, 1915. Beat, beat, drums. See: Six American songs. Beauty and song. See: Three song-pictures. Beauty and truth (SA). London: Curwen, 1912. Big lady moon. See: Five fairy ballads. A birthday (high voice and piano). London: Metzler, 1909. Text: Christina

Rossetti. Library: Schomburg, Spingan. (high voice and orchestra). London: Metzler, 1910. Library:

Spingarn. The blind girl of Castel-Cuille: Cantata, op. 43 (solo soprano and baritone,

SATB, and orchestra). 1901. London: Novello, 1901. Text: The Gascon of Jasmin, translated by Henry Wadsworth Longfellow. Dedication: F. Nicholas Kilbur. Premiere: October 9, 1901; Leeds Musical Festi- val; Emma Albani, soprano; Andrew Black, baritone; Samuel Cole- ridge-Taylor, conductor. Library: British Library (50764), Schomburg.

(piano-vocal score). London: Novello, 1902. 116 pp. "Revised edition." Library: Yale.

A blood-red ring hung round the moon. See: Six songs, op. 37. Bon-bon suite: Cantata, op. 68 (solo baritone, SATB, and orchestra). 1908.

London: Novello, 1908. Text: Thomas Moore. Contents: (1) The magic mirror; (2) The fairy boat; (3) To Rosa; (4) Love and Hymen; (5) The watchman; (6) Say what shall we dance? Dedication: Doris Sunshine. Premiere: January 14, 1909; Brighton Musical Festival; Henry Julien, baritone; Samuel Coleridge-Taylor, conductor. Library: Schomburg.

(piano-vocal score). London: Novello, 1908. 79 pp. Library: Yale.

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Break forth into joy (SATB). London: Novello, 1892. The bridal day: I hear the flutes (medium voice and piano). New York:

Arthur P. Schmidt, 1918. 5 pp. #A.P.S. 11883. Text: Annie Andros

Hawley. Library: Spingarn. The broken oar (medium voice and piano). By the lone seashore (SATB). London: Novello, 1910. Text: Charles

Mackay. Duration: 3:10.

By the waters of Babylon (solo soprano, contralto, tenor, bass, SATB, and

organ). London: Novello, 1899. 8 pp. Anth. 644; #28.0644.04. Text: Psalm 137.

Cameo (piano). See: Album of melodies. Candle lightin' time (high voice and piano). Cincinnati: John Church,

1911. 7 pp. #30520-6. Text (both English and dialect): Paul Laurence Dunbar. Library: Schomburg.

(low voice and piano). Cincinnati: John Church, 1911. 7 pp. #16499.

(low voice and piano). Philadelphia: Theodore Presser, 1930. (#16499). Library: Peabody, Schomburg.

Canoe song. See: Six songs, op. 37. Cavatina (piano). London: Schott, 1915. Children's intermezzo. See: Othello. Christmas overture. See: Forest of wild thyme. Clown and Columbine (narrator and piano?). Premiere: 1912; Keats-Shel-

ley Matinee. Comfort, op. 42, no. 4 (low voice and piano). London: Novello, 1900.

#11085. Text: From "The soul's expression" by Elizabeth Barrett

Browning. Library: Spingam. Concerto for violin and orchestra in F-sharp minor, by Heinrich

Wilhelm Ernest (op. 23, "Path6tique"). 1851. Reorchestrated by Sam- uel Coleridge-Taylor.

Concerto for violin in G minor, op. 80. 1911. London: Metzler, 1912. Contents: three movements (in the original version, the second movement quoted "Many thousand gone," and the third quoted "Yankee Doodle"). Duration: 25:00. Dedication: Maud Powell. Premiere: 1911; Norfolk Musical Festival, Connecticut (an informal reading had taken place earlier in the Small Public Hall, Croydon, with William J. Reed, violin, with the composer at the piano). Library: Spingarn.

(violin and piano). Edited by William J. Read. London: Metzler, 1909. Library: Newberry.

, second movement (violin and orchestra). London: Metzler, 1912. , second movement (organ). Arranged by J. Stuart Archer. ,third movement. London: Metzler, 1912. 65 pp. M.&Co. 221.

Conjurer's dance. See: Hiawatha ballet.

282


A corn song (medium voice and piano). London: Boosey, 1897. Text: Paul Laurence Dunbar. Library: Schomburg, Spingan.

(medium voice and orchestra). London: Boosey, n.d. Library: Schomburg, Spingan.

A dance of bygone days (medium voice and piano). Danse negre. See: African suite. The dark eye has left us. See: American lyrics. Dead in the Sierras (SATB). London: Augener. Augener's edition, 4659.

London: Augener. Augener's edition, 4659a. Note: In tonic sol-fa notation.

The death of Minnehaha, op. 30, no. 2 (solo soprano, baritone, SATB, and orchestra). 1899. London: Novello, 1899. Text: Henry Wadsworth

Longfellow. Contents: Ever thicker; And the foremost said; Forth into the empty forest; Gitchie Manito; Give your children food; Minnehaha; And the lovely Laughing Water; Hark, she said; Wahonomin; Then he sat down; Then they buried Minehaha; For her soul; Farewell, said he; To the land of the hereafter. Duration: 40:00. Premiere: October 26, 1899; North Staffordshire Musical Festival, Han-

ley. Library: Luck's (7617), Spingarn. Recorded: HMV C2210/13 (Royal Choral Society; Sir Malcolm Sargent).

Opa Locka, Fla.: Edwin F. Kalmus. #3921. #8299. 110 pp. (piano). London: Novello, 1917. 35 pp. #14947.

. Then he sat down (soprano and orchestra). Duration: 5:00. Li-

brary: Luck's (07617). Deep river (orchestra). Duration: 5:30. Deep river (violin and piano). Deep river (violin and piano). Boston: Ditson, 1911. Library: Spingarn.

Note: Not based on the spiritual. Deep river. See: Twenty-four Negro melodies. The Delaware's farewell (medium voice and piano). Demande et reponse. See: Petite suite de concert. Didn't my Lord deliver Daniel? (piano trio). Boston: Ditson, 1906.

Dimple-chin (medium voice and piano). Drake's drum (SA). London: Curwen, 1906. Text: Henry Newboldt.

"Original version." Library: Spingan. (TTBB). Arranged by Percy E. Fletcher. London: Curwen, 1906.

Dream lovers: Operatic romance, op. 11 (solo soprano, mezzo-soprano, tenor, bass, and orchestra). 1898. London: Boosey, 1898. Text: Paul Laurence Dunbar. Contents: (1) Prelude; (2) Duet: Is the red rose?; (3) Trio: You may go from bleak Alaska; (4) Song: Long years ago; (5) Song: Pray tell me; (6) Solo and chorus: I'm a wealthy wand'ring wight; (7) Quartet: Long, long the labour. Premiere: December 16, 1898 (Tortolano [1977] says December 18); Public Hall, Croydon; Brahms Choir; Samuel Coleridge-Taylor, conductor. Note: Tortolano

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(1977) registers this as op. 25; Berwick Sayers (1969) says op. 25 is

missing and registers this as op. 11.

(piano-vocal score). London: Boosey, 1898. 37 pp. Dreaming forever. See: Three song-poems. Dreams, dreams. See: The forest of wild thyme. The Easter morn (medium voice and piano). London: Boosey, 1904. Text:

Arthur Chapman. Library: Schomburg, Spingam (cataloged as "The Easter moon").

(medium voice, violin, violoncello, and organ). London: Enoch & Sons, 1904. Library: Schomburg.

Eight melodies (piano). See: Album of melodies. Eleanore. See: Six songs, op. 37.

Elegy in G minor (organ). London: Novello, 1898. The village organist, 15. Encinctured with a twine of leaves (SSA). London: Novello, 1908. Text:

Samuel Coleridge-Taylor. Endymion's dream: Opera in one act, op. 65 (solo soprano, tenor, SATB,

and orchestra). 1909. London: Novello, 1910. Text: C.R.B. Barrett, after John Keats. Premiere: February 4, 1910; Brighton Musical Festival. Note: Chorus was originally for women's voices. Library: Schomburg.

. Who calls? (tenor and orchestra). London: Novello. Who calls? (tenor and piano). London: Novello, 1913. 12 pp.

#13908. Library: Schomburg, Spingarn. Ethiopia saluting the colors: Concert march, op. 51 (orchestra). 1902. Lon-

don: Augener, 1902. Augener's edition, 6106c [string parts]; other

parts, rental. Dedication: Treble Clef Club, Washington D.C. Premiere: Albert Hall, London; Albani Comemoration Concert; Croydon Or- chestral Society; Samuel Coleridge-Taylor, conductor. Library: Schom-

burg. (organ). Arranged by Edmondstoune Duncan. London: Augener.

Augener's edition, 6106d. (piano). London: Augener, 1902. Augener's edition, 6106a;

#12307. Library: Spingam, Yale.

(piano, four hands). London: Augener. Augener's edition, 6106b. Eulalie (medium voice and piano). London: Boosey, 1904. Text: Alice

Parsons. The evening star (SATB). London: Novello, 1911. Text: Thomas Campbell.

Duration: 2:20. Recorded: (1) Audio House AHS-30F75 (Morgan State

University Choir; Nathan Carter, conductor) 1975. An explanation (tenor and piano). London: Augener, 1914. Library:

Schomburg, Spingarn. (baritone and piano). Boston: Arthur P. Schmidt, 1914. 5 pp.

10304. Library: Spingan. The fair at Almachora (SATB). London: Augener. Augener's edition, 4660. Fairy roses. See: Five fairy ballads.

284


Fall on me like a silent dew (SA). London: Curwen, 1912. #71376. Text: Robert Herrick.

Fantasiestiick in A major (violoncello and orchestra). Premiere: July 7, 1907; New Brighton; Nary McCullagh, violoncello.

Fantasiestiicke, op. 5 (string quartet). 1895. London: Augener, 1921. Augener's edition, 7207. Contents: (1) Prelude in E minor: Allegro ma non troppo; (2) Serenade in G: Andante molto; (3) Humoresque in A minor: Presto; (4) Minuet and trio in G: Allegro moderato; (5) Dance in G: Vivace. Premiere: March 13, 1895; Royal College of Music.

Faust: Incidental music, op. 70 (orchestra). 1908. London: Boosey, 1909. 23

pp. Text: Stephen Phillips and J. Comyns Carr, after Goethe. Contents include: (1) Dance of the witches: Brocken scene; (2) The four visions: Helen, Cleopatra, Messalina, Margaret; (3) Dance and chant; The devil's kitchen; (4) A king there lived in Thule; (5) Menuet des folles, by Berlioz; (6) Ballet des sylphes, by Berlioz. Premiere: September 7, 1908; His Majesty's Theatre, London. Library: Yale. Recorded: Boosey and Hawkes 1922 (Regent Concert Orchestra, nos. 1 and 3 only).

(band). (piano). London: Boosey, 1908. .A king there lived in Thule (high voice and piano). London:

Boosey, 1908. 7 pp. #6021. Library: Spingam. . A king there lived in Thule (medium voice and piano). New

York: Boosey, 1908. Library: Schomburg. Five choral ballads, op. 54 (solo baritone, SATB, and orchestra). 1904. Lon-

don: Breitkopf und Hartel, 1904 (each title also published separately). 51 pp. #L.65. Text: "Poems of slavery," by Henry Wadsworth Longfel- low. Contents: (1) Beside the ungathered rice he lay, for SATB; (2) She dwells by great Kenhawa's side, for SSA (alternate version for SATB); (3) Loud he sang the Psalm of David, for SATB; (4) The quadroon girl, for baritone and SSA; (5) In dark fens of the Dismal Swamp, for SATB. Dedication: The Samuel Coleridge-Taylor Choral Society, Washington, D.C. Premiere: October 25, 1905; Norwich Musical Festi- val. Note: A two-volume edition was issued with nos. 1-3 in the first volume, 51 pp. (no. 2 for SATB). Library: Schomburg, Spingarn, Yale (first volume of the 2-volume set).

. The quadroon girl and In dark fens of the Dismal Swamp (piano-vocal score). London: Breitkopf und Hartel, 1905. #L.75.

Five fairy ballads (high voice and piano). London: Boosey, 1909 (also published separately). 26 pp. 6428. Text: Kathleen Easmon. Contents: (1) Sweet baby butterfly; (2) Alone with mother; (3) Big lady moon; (4) The stars; (5) Fairy roses. Library: Schomburg, Yale.

(high voice and orchestra). Big lady moon (low voice and orchestra). London: Boosey, 1909.

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BMR Journal

5 pp. #6428. Library: Schomburg, Spingarn. Recorded: HMV D-688 (V. Oppenshaw, contralto).

. Fairy roses (medium voice and piano). London: Boosey, 1909. 7

pp. #6428. Library: Schomburg, Spingan. . The stars (low voice and piano). London: Boosey, 1909. Library:

Spingarn. . Sweet baby butterfly (low voice and piano). London: Boosey,

1909. #6428.

Five-and-twenty sailormen (medium voice and piano). New York: John Church, 1910. Text: Greville E. Matheson. Library: Schomburg, Sping- arn.

Forest of wild thyme, op. 74 (orchestra). 1911. London: Boosey, 1911. Text: Alfred Noyes. Contents: (1) Scenes from an imaginary ballet [molto vivace; allegretto; tempo di menuetto; andantino; vivacissimo]; (2) Three dream dances, in D, F, and G; (3) Intermezzo; (4) Songs: Your heart's desire; Little boy blue; Come in; Dreams, dreams; (5) Christ- mas overture. Commission: Beerbohm Tree.

. Christmas overture (orchestra). London: Boosey and Hawkes, 1925. Library: Luck's (#5300). Recorded: Columbia 9137 (BBC Sym- phony Orchestra; Pitt, conductor).

. Christmas overture (piano). London: Novello, 1925. 11 pp. #11744. Library: Peabody.

Dreams, dreams (orchestra). London: Boosey and Hawkes, 1923. Intermezzo (orchestra). London: Ascherberg, Hopwood and

Crew, 1911. Library: Spingar. Recorded: JB-8113. . Three dream dances. London: Ascherberg. . Three dream dances (band). Three dream dances (chamber orchestra). Three dream dances (piano). London: Ascherberg, Hopwood

and Crew, 1914. 18 pp. #A.H.&C. 5368a. Library: Peabody, Schom- burg, Spingam, Yale. Recorded: Decca M-11, M-16 (Cameron).

. Three dream dances (piano, four hands).

. Three dream dances (orchestra). Recorded: Victor 27230/1 and HMV 8876/7 (London Palladium Orchestra; Greenwood, conductor).

.Three dream dances (violin and piano). Forest scenes: Five characteristic pieces, op. 66 (piano). 1907. London: Auge-

ner, 1915, 1907. 25 pp. Augener's edition, 6097; #13552. Contents: (1) The lone forest maiden; (2) The phantom lover arrives; (3) The phantom tells his tale of longing; (4) Erstwhile they ride, the forest maiden

acknowledges her love; (5) Now proudly they journey toward the

great city. Library: Peabody, Schomburg, Yale (1907 and 1915 publica- tions).

. The lone forest maiden. London: Augener, 1915. 4 pp. Library: Yale.

286


. The phantom tells his tale of longing. London: Augener, 1915? Four African dances, op. 58 (violin and piano). 1902. London: Augener,

1904, 1917 (published separately, bowing and fingering by William

Henley). 11342; 12837. Contents: (1) Allegro in G minor; (2) Andantino molto sostenuto e dolce in F major; (3) Allegro con brio in A major; (4) Allegro energico in D minor. Premiere: ca. 1902; Rochester Choral

Society; Goldie Baker, violin; Samuel Coleridge-Taylor, piano. Library: Spingarn.

Four characteristic waltzes, op. 22 (orchestra). 1898. London: Novello, [1899] 1903; Willis Music, 1910. 49 pp. #10560. Contents: (1) Valse bohemienne: Allegro ma non troppo; (2) Valse rustique: Tempo di valse; (3) Valse de la reine: Andante con sentimento; (4) Valse maur-

esque: Furioso. Premiere: December 16, 1898; Public Hall, Croydon. Library: Fleisher (1274); Luck's (9133), Schomburg. Recorded: RCA Victor 27225/6 and B.8378/9 (New Light Symphony Orchestra; Mur-

ray, conductor). (band). Arranged by Dan Godfrey. (piano). London: Novello, Ewer, 1898. 19 pp. #10560. Library:

Schomburg, Spingar, Yale. Cincinnati: Willis.

(piano and string quartet). (violin and piano). London: Novello, Ewer, 1903, 1898. 19 pp.

#10560. Library: Spingam. .Valse mauresque (orchestra). Library: Luck's.

Four lyrics (piano). Arranged by Alex Roloff. London: Augener, 1917. Album series, 58. Note: Based on music from the composer's songs. Library: Schomburg.

Four novelletten, op. 52 (string orchestra, tambourine, and triangle). 1902. London: Novello, 1903. Contents: (1) A major; (2) C major; (3) A minor; (4) D major. Duration: 21:00. Library: Fleisher (521s, 539s, 540s, 541s), Spingam (nos. 1 and 4).

(violin and piano). From the brow of Hiawatha. See: Hiawatha's departure. From the East: Oasis (piano). See: Album of melodies. From the green heart of the waters. See: Ulysses. From the prairie: Rhapsody (orchestra). London: Boosey. Premiere: 1911;

Norfolk Musical Festival, Connecticut. Note: Tortolano (1977) cites 1914 date.

(piano). Genevieve (high voice and piano). New York: William Maxwell, 1905. 9

pp. #736. Text: Samuel Taylor Coleridge. Library: Spingan. The gift rose (high voice and piano). Boston: Oliver Ditson, 1907. 5 pp.

#5-37-66582. Text: Dr. Frederic Peterson. Library: Spingarn. -- . London: Winthrop Rogers, 1921, 1907. Gipsy suite, op. 20 (violin and piano). London: Augener, 1904. 28 pp.

287

BMR Journal

Augener's edition, 11340; #12680. Contents: (1) Lament and tambourine; (2) A gipsy song; (3) A gipsy dance; (4) Waltz. Library: Schom-

burg, Spingarn, Yale (44 pp.). . A gipsy song and A gipsy dance. London: Augener, 1897. 16 pp.

Augener's edition, 7357; 11163. . A gipsy dance (violoncello and piano). London: Augener.

The gitanos: Cantata-operetta (solo soprano, two mezzo-sopranos, two contraltos, SSA, and piano). 1898. London: Augener, 1898? 40 pp. Augener's edition, 9088 (9088a, words only; 9088b, in tonic sol-fa notation); #11247. Text: Edward Oxenford. Library: Spingarn.

? Isola. Arranged by Ernest Reeves. . Isola (piano). Arranged by Alex Roloff. London: Augener, 1916.

5 pp. #15009. Library: Peabody. Great is he who fused the might. See: Ulysses. The guest (medium voice and piano). 1911. London: Augener, 1914. Text:

Robert Herrick. Library: Schomburg, Spingarn. (medium voice and orchestra).

Hemo dance: Scherzo, op. 47, no. 2 (orchestra). 1900. London: Novello, 1900. Duration: 7:00. Library: Fleisher (1765).

.New York: Arthur P. Schmidt, n.d. Library: Spingarn. (violin and piano).

Her love. See: American lyrics. Herod, op. 47, no. 1 (orchestra). 1900. London: Augener, 1901. Text:

Stephen Phillips. Contents (other titles appear in the manuscript for the incidental music): (1) Processional; (2) Breeze scene; (3) Dance; (4) Finale. Commission: Beerbohm Tree.

(piano). London: Augener, 1901. 17 pp. Augener's edition, 6105; #11986. Nos. 2 and 3 also published separately. Library: Library of

Congress, Peabody, Schomburg, Spingarn. (piano, four hands). London: Augener, 1901. Augener's edition,

6880.

.Sleep, sleep, O king (medium voice and piano). New York:

Boosey, 1900. 7 pp. #E.&S. 2781. Library: Spingan. . Sleep, sleep, O king (medium voice and orchestra). London:

Enoch. Hiawatha ballet, op. 82, no. 1 (orchestra). Edited by Percy E. Fletcher.

London: Boosey, 1919. 25 pp. #H.&S. 5706. Contents (titles vary slightly in Tortolano): (1) Hiawatha's wooing; (2) The wedding feast; (3) The famine; Bird scene and conjurer's dance; (4) The departure; (5) The reunion in the last of the hereafter. Duration: 18:00.

(band). (piano). Bird scene and conjurer's dance (orchestra). Recorded: Boosey

and Hawkes 1922 (Regent Concert Orchestra).

288


Hiawathan sketches, op. 16 (violin and piano). 1896. London: Augener, 1897. 17 pp. Augener's edition, 7356; #11074. Contents: (1) A tale; (2) A song; (3) A dance. Premiere: 1896; Salle Erard, in recital with Paul Laurence Dunbar. Library: Spingan.

(organ). Fingering by William Henley. London: Augener, 1908. Hiawatha's departure, op. 30, no. 4 (solo soprano, tenor, baritone, SATB,

and orchestra). 1900. London: Novello, 1900. Contents: (1) Spring had come (soprano); (2) From his wand'rings; (3) At each other look'd the warriors; (4) True is all Iagoo tells us; (5) By the shore of Gitche Gumee; (6) All the air was full of freshness; (7) From the brow of Hiawatha (soprano); (8) Beautiful is the sun (baritone); (9) Then the

generous Hiawatha; (10) Still the guests; (11) And they said farewell. Premiere: February 22, 1900; Royal Albert Hall, London; Royal Choral

Society. Library: Luck's (7618). (piano-vocal score). London: Novello, 1900. 199 pp. Library: Yale.

(piano-vocal score). Opa Locka, Fla.: Edwin F. Kalmus. #5368. From the brow of Hiawatha (soprano and orchestra). Library:

Luck's. Hiawatha's vision. London: Novello.

. Hiawatha's vision (piano-vocal score). London: Novello. Note: Also available with German text.

. Spring had come (soprano and orchestra). London: Novello, 1900. 6 pp. #1151. Note: Also available with German text. Recorded: HMV D-3476 (Suddaby, soprano).

.Spring had come (soprano and piano). London: Novello, 1900. Hiawatha's wedding feast, op. 30, no. 1 (solo tenor, SATB, and orchestra).

1898. London: Novello, 1899. Note: Also available with German text. 127 pp. Text: Henry Wadsworth Longfellow. Contents: (1) You shall hear how Pau-Puk-Keewis; (2) Then the handsome Pau-Puk-Keewis; (3) He was dress'd in shirt of doe-skin; (4) First he danc'd a solemn measure; (5) Then said they to Chibiabos; (6) Onaway, awake beloved (tenor); (7) Thus the gentle Chibiabos; (8) Very boastful was Iagoo; (9) Such was Hiawatha's wedding. Dedication: Sir George Grove. Premiere: November 11, 1898; Royal College of Music. Library: Luck's (7616). Recorded: (1) Columbia C-1931/4 (Royal Choral Society; Wal- ter Glynne, tenor; Royal Albert Hall Orchestra; Sir Malcolm Sargent, conductor); (2) HMV ASD-467 and Angel S-35900 (Royal Choral Soci-

ety; Philharmonia Orchestra; Richard Lewis, tenor; Sir Malcolm Sar- gent, conductor) 1962.

(piano-vocal score). London: Novello. (SSAA and piano). Arranged by H. A. Chambers. London:

Novello. 58 pp. #07-007700. . Onaway, awake beloved (solo tenor, SATB, and orchestra). Lon-

don: Novello, 1898. New York: H. W. Gray, n.d. [75-92] pp. and parts.

289

BMR Journal

#10723. Library: Luck's (2823), Spingarn, Yale (manuscript, fragment of incipit). Recorded: (1) Victor 1142 and HMV HMQ-1228 (Tudor Davies, tenor); (2) HMV C-3407 (Webster Booth, tenor; Liverpool Phil- harmonic Orchestra; Sir Malcolm Sargent, conductor); (3) Decca SX- 1512 (J. McHugh, tenor); (4) Decca K-543 (F. T. Herton, tenor); (5) Co- lumbia M-32782 (William A. Brown, tenor; London Symphony Orchestra; Paul Freeman, conductor) 1974; (6) Victor 55059 (Paul Alt- house, tenor) ca. 1923; (7) Decca K-543 (F. Titterton, tenor).

. Onaway, awake beloved (piano). Arranged by John Pointer. London: Novello, 1917. 38 pp. #19389. Library: Peabody.

. Onaway, awake beloved (tenor and piano). London: Novello, 1898. 58 pp. Library: Spingarn, Yale.

. Onaway, awake beloved (treble voices and piano). Arranged by H. A. Chambers. London: Mills Music. Novello's original octavo edition, 16088; #07-0077-80.

.You shall hear how Pau-Puk-Keewis (solo tenor, SATB, and orchestra). Recorded: HMV HQM-1115 (Royal Choral Society; Sir Mal- colm Sargent, conductor).

Hiawatha's vision. See: Hiawatha's departure. How they so softly rest (SSA and piano). London: Augener. Augener edi-

tion, 4249. See also: Idyll, and Our idyll. I was down a-yonder (piano trio). Boston: Oliver Ditson, 1906. Idyll (piano). See: Album of melodies. Idyll, op. 44 (orchestra). London: Augener, ca. 1922. Library: Fleisher

(1764). (violin and piano).

If I could love thee (low voice and piano). New York: William Maxwell, 1905. 6 pp. #731. Text: Louise Alston Burleigh. Library: Schomburg, Spingarn.

I'm troubled in mind (medium voice and piano). London: Boosey and Hawkes, n.d.

(orchestra). Duration: 5:30. In memoriam: Three rhapsodies, op. 24 (low voice and piano). 1898. Lon-

don: Augener, 1898. 9 pp. Augener edition, 8868; #11278. Contents: (1) Earth fades, heaven breaks on me (text: Robert Browning); (2) Substi- tution (text: Elizabeth Barrett Browning; (3) Weep not, beloved friends (text: Chiabrara). Premiere: Paul Laurence Dunbar (stated in Tortolano [1977]). Library: Spingarn, Yale.

In the dark fens of the Dismal Swamp. See: Six choral ballads. In the press (organ). Arranged by A. Eaglefield Hull. Note: Sayers (1969,

320) suggests this is part of Album. In the Sierras (piano). See: Album of melodies.

(organ). London: Augener.

290


In thee, 0 Lord, have I put my trust (SATB). London: Novello, 1891. Dedi- cation: Col. Herbert A. Walters.

Interlude (organ). Intermezzo. See: The forest of wild thyme. The island of gardens (medium voice and piano). London: Boosey and

Hawkes, 1911. Isle of beauty (SATB with piano reduction). Boston: Arthur P. Schmidt;

London: Augener, 1920. 7 pp. Arthur P. Schmidt's octavo edition, 205. Text: T. H. Bayly.

Isola. See: The gitanos. A June rose bloomed (SSA and piano). London: Augener, 1911, 1906. 5 pp.

Augener's edition, 4249; 4249a in tonic sol-fa notation. Text: Louise Alston Burleigh. Library: Yale.

Keep me from sinking down: Slow movement on a Negro melody (violin and orchestra). Premiere: 1911; Norfolk (Conn.) Music Festival.

Keep those eyes (soprano, tenor, and piano). London: Novello, 1903. Text: Thomas Moore. Library: Spingarn (manuscript, 8 pp.).

A king there lived in Thule. See: Faust. Kubla Khan: Rhapsody, op. 61 (mezzo-soprano, SATB, and orchestra).

1905. London: Houghton, 1905. 50 pp. #559. Text: Samuel Taylor Cole- ridge. Premiere: 1906; Queen's Hall, London; Handel Society. Library: Schomburg, Spingarn, Yale.

A lament (medium voice and piano). London: Ricordi, 1906. 6 pp. Text: Christina Rossetti. Library: Schomburg, Yale.

Lament (piano). London: Augener, n.d. Library: Spingarn. Land of the sun, op. 15 (SATB and piano). 1897? London: Augener, ca.

1897. 8 pp. Augener's edition, 4661. Text: "Bride of Abydos," by Lord Byron. Dedication: Sir Walter Parrett.

The lee-shore (SATB). London: Novello, 1912. #45-1231-36. Text: Thomas Hood.

Legend from the Concertstiick, op. 14 (violin and orchestra). 1893. London: Augener, 1897, 1908. Dedication: Marie Motto. Note: Edition of 1908 has violin part edited by J. Henley.

(violin and piano). London: Augener. Augener's edition, 7353. Life and death (high voice and piano). London: Augener, 1914. 5 pp. Text:

Middleton. Duration: 1:45. Library: Schomburg, Yale. Recorded: HMV B-9451 (Webster Booth, tenor; Herbert Greenslade, piano).

(high voice and orchestra). (medium voice and piano). New York: Arthur P. Schmidt, 1914.

5 pp. #14770. Library: Schomburg, Spingam. (piano). Arranged by Alex Roloff.

Lift up your heads (solo soprano, contralto, tenor, bass, and organ). Lon- don: Novello, 1892. 5 pp. #28-0409-03.

.Park Ridge, Ill.: Neil A. Kjos, 1950.

291

BMR Journal

. Melville, N.Y.: Belwin-Mills. Church music review, 1460. (SATB and band).

The links o' love (low voice and piano). New York: John Church, 1910. 7

pp. #16426. Text: Greville E. Matheson. Library: Schomburg, Spingarn.

Little boy blue (unison chorus). London: Boosey and Hawkes, 1923. The lone forest maiden. See: Forest scenes. The Lord is my strength (SATB). London: Novello, 1892. #28-0398-04. Loud sang the Spanish cavalier (TTBB). London: Curwen, 1910. Love is like the roses (low voice and piano). New York: Arthur P. Schmidt,

1918. 5 pp. #A.P.S. 12347. Text: Robert Buchanan. Library: Spingam. A lovely little dream (medium voice and piano). New York: Schirmer;

London: Metzler, 1909. Text: Sarojini Naidu. Library: Schomburg, Spingarn.

(string orchestra and organ). London: Metzler. De Groot and the

Picadilly orchestra series, vol. 2. Library: Schomburg, Spingarn. Love's mirror: Song for Michelmas Day (medium voice and piano). 1897.

London: Augener, 1916. 3 pp. Library: Spingarn, Yale. Love's passing (low voice and piano). New York: William Maxwell, 1905.

7 pp. #737. Text: Louise Alston Burleigh. Library: Spingan. Love's questionings (medium voice and piano). London: Keith, Prowse,

1904. Text: Alice Parsons. Low breathing winds (high voice and piano). London: Augener, 1914.

#10299. Text: W. C. Berwick Sayers. Library: Schomburg, Spingarn, Yale.

(medium voice and piano). London: Augener, 1914. #14639. Li-

brary: Spingarn, Yale. Luconor: Jesu, the very thought of thee (SATB). In Methodist Sunday School

Hymnal. Many thousand gone: Slow movement on a Negro melody (violin and piano).

See also: Concerto for violin in G minor, op. 80. Meditation (piano). New York: Associated Music Publishers, 1915. Meg Blane: A rhapsody of the sea, op. 48 (mezzo-soprano, SATB, and or-

chestra). 1902. London: Novello, 1902. Text: Robert Buchanan. Con- tents include: Lord, hearken to me (also published separately). Premiere: October 3, 1902; Sheffield Musical Festival; Henry Wood, conductor.

(piano-vocal score). London: Novello, 1902. 80 pp. #11307. Li-

brary: Schomburg, Yale. Melody in D major (organ). London: Novello, 1898. The village organist,

12. Menuet (piano). Edited by Alex Roloff. London: Augener, 1917. 7 pp.

#15075. Library: Peabody. Minguillo (piano). See: Album of melodies.

292


Minnehaha ballet music, op. 82, no. 2 (piano). London: Hawkes and Son, 1925. 31 pp. #H.&S. 6313. Contents: (1) Laughing Water; (2) The pursuit; (3) Love song; (4) The homecoming. Duration: 19:30. Library: Schomburg, Spingarn.

(band). (chamber orchestra). (orchestra). Arranged by Adolf Lotter. London: Boosey and

Hawkes, 1916. Recorded: Boosey and Hawkes 1916 (Regent Concert Orchestra; Adolf Lotter, conductor; contains nos. 2 and 4 only).

Moorish dance, op. 55 (piano). 1904. London: Augener, 1904. 17 pp. Augener's edition, 6107; #12682. Library: Peabody, Spingarn.

Morning and evening service, op. 18 (SATB and organ). 1890. London: Novello, 1899. In Parish choir book. 14, 10, 7, 9, 5 pp. Contents: (1) Te Deum; (2) Benedictus; (3) Jubilate; (4) Magnificat; (5) Nunc dimittis.

My Algonquin (medium voice and piano). Philadelphia: Theodore Presser, 1909. Text: Henry Wadsworth Longfellow. Library: Spingarn.

.Boston [?]: Summy, 1910. Library: Spingarn. My doll (medium voice and piano). London: Boosey, 1910. My lady (medium voice and piano). London: Augener, 1916. Library:

Spingarn. . New York: Arthur P. Schmidt, n.d. Library: Spingarn.

My love. See: Southern love songs. A Negro love song. See: African suite. Nero: Incidental music, op. 62 (orchestra). 1906. London: Novello, 1907.

New York: H. W. Gray. Text: Stephen Phillips. Contents: (1) Prelude; (2) Intermezzo; Singing girls' chorus; (3) Eastern dance; (4) First entr'acte; (5) Second entr'acte; Poppea; (6) Processional march. Dedi- cation: Beerbohm Tree. Premiere: 1906; His Majesty's Theatre, Lon- don. Library: Fleisher (1766).

(piano). London: Novello. (violin and piano). London: Novello.

Nonet in F minor, op. 2 (piano, clarinet, bassoon, horn, two violins, viola, cello, and double bass). Premiere: July 5, 1895; Royal College of Music, London.

Nourmahal's song and dance, op. 41, no. 2 (piano). 1900. London: Augener, 1900. 11 pp. Augener's edition, 6104. Contents: (1) Nourmahal's song; (2) Nourmahal's dance. Library: Yale.

. Boston: Oliver Ditson, 1905. Now late on the Sabbath day (SATB). London: Novello, 1901. 0 mariners, out of the sunlight (TTBB). London: Curwen, n.d. #50462. 0 mistress mine (medium voice and piano). Boston: Oliver Ditson; Lon-

don: Winthrop Rogers, 1906. Text: William Shakespeare. Library: Spingarn.

0 praise me not. See: Six American lyrics.

293

BMR Journal

0 set the sails. See: Ulysses. 0 ship that saileth. See: Six American lyrics. 0 thou, mine other stronger part. See: Six American lyrics. 0 who will worship the great god Pan? (TTBB). London: Curwen, 1910. 0 ye that love the Lord (SATB and organ). London: Novello, 1892. 4 pp.

1623; #40-0882-00. Text: Psalm 97. The oasis (medium voice and piano). London: Augener, 1898. Text: Adri-

enne Ross [Adrien, in Tortolano]. Note: Music based on "We strew these opiate flowers," Part-songs, op. 2.

Oh, the summer (SA). London: Curwen, 1911. #71308. Text: Isabel Ecclestone Mackay.

Oh sweet, thou little knowest (medium voice and piano). London: Ricordi. Oh tell me, gentle zephyr (medium voice and piano). Onaway, awake beloved. See: Hiawatha's wedding feast. Once only (medium voice and piano). London: Winthrop Rogers, 1906.

Text: from "Youth and love" by Robert Louis Stevenson. Library: Spingarn.

. Boston: Oliver Ditson, 1906. 7 pp. #5-19-65712. Othello, op. 79 (orchestra). 1911. London: Metzler, 1912. Text: William

Shakespeare. Contents: (1) Dance; (2) Children's intermezzo; (3) Fu- neral march; (4) The willow song; (5) Military march. Duration: 11:30. Instrumentation: 3222, 4221, timp, perc, str. Dedication: Phyllis Neil- son-Terry. Premiere: Her Majesty's Theatre. Library: Fleischer (2010). Recorded: Boosey and Hawkes 4273/4 (New Symphony Orchestra; Sir Malcolm Sargent, conductor).

(band). Arranged by Frank Winterbottom. (chamber orchestra). (violin and piano). (piano). London: Metzler, 1912. 20 pp. #M.&Co. (1909) ltd. 206.

Library: Schomburg, Spingarn, Yale. . Children's intermezzo (band). Arranged by Frank Winterbot-

tom. London: Boosey and Hawkes. #H424. . Funeral march and Military march (organ). . The willow song (low voice and piano). London: Metzler, 1912.

5 pp. #M.&Co. 1909. Library: Spingam. . The willow song (organ). Arranged by Frank E. Brown. London:

J. B. Cramer, 1970. Cramer's library of organ music by British composers.

Our idyll (medium voice and piano). London: Augener, 1906. Text: Adri- enne Ross. Note: Music based on A June rose bloomed. Library: Spingarn.

Out of the sunlight. Over the hills. See: African romances. Overture to the Song of Hiawatha, op. 30, no. 3 (orchestra). 1899. London:

294


Novello, 1899. Duration: 4:00. Premiere: October 6, 1899; Norwich Mu- sical Festival.

Papillon (piano). London: Augener, 1908. 11 pp. Augener's edition, 6096; #13778. Duration: 3:55. Library: Peabody, Spingarn, Yale. Recorded: Da Camera Magna SM-93144 (Felipe Hall, piano) 1975.

Part-songs, op. 21 (SSA). 1898. London: Augener, 1898. Contents: (1) We strew these opiate flowers (text: "Hellas," by Percy Bysshe Shelley); (2) How they so softly rest (text: Henry Wadsworth Longfellow, after Friedrich Klopstock). Premiere: December 16, 1898; Public Hall, Croydon.

(piano). We strew these opiate flowers (SSA). London: Augener, 1898.

Augener edition, 4247. Part-songs, op. 67 (SATB). 1905. London: Augener, 1905. Contents: (1) All

my stars forsake me; (2) Dead in the sierras (text: 'Poems of wild life in the Canterbury poets," by Joaquin Miller); (3) The feast of Al- machara (text: R. H. Home).

The parting glass (narrator and piano?). Premiere: 1912; Keats-Shelley Matinee.

Petite suite de concert, op. 77 (orchestra). 1911. London: Hawkes, 1911. Contents: (1) La Caprice de Nanette: Nannette's whim; Allegro con brio; (2) Demande et reponse: Question and answer; Andante; (3) Un sonnet d'amour; Allegretto; (4) La Tarantelle fretillante; Vivace. Dura- tion: 14:30. Instrumentation: 3222, 4230, timp, perc, str. Library: Luck's (7619), Schomburg. Recorded: (1) HMV SXLP-30123 (Philharmonia Orchestra; George Weldon, conductor); (2) HMV C-2372/3 and Victor 11283/4 (London Symphony Orchestra; Sir Malcolm Sargent, conductor); (3) RCA Victor 13792 and Columbia 69080 and Societa Italiana di Fonotipia Milano U-520 (London Symphony Orchestra; Sir Malcolm Sargent, conductor; 1 and 2); (4) Columbia DX-651/2 and Columbia DB-2478/80 (Bournemouth Municipal Orchestra; Howard Godfrey, conductor); (5) Columbia ML-2180 and Columbia DB-2479/80 (Queen's Hall Light Orchestra; Torch, conductor).

Bonn: Boosey, n.d. Note: published as Kleine Konzert-suite. (band). Arranged by Frank Winterbottom. London: Boosey and

Hawkes. Recorded: (1) Columbia DX-1041/2 (Royal Marines Band; Dunn, conductor).

(piano). London: Hawkes, 1916. 23 pp. #H.&S. 5440. Library: Peabody, Schomburg, Spingarn, Yale. Recorded: (1) Decca LF-1010 and LSB-196 (R. Crean; contains no. 2 only); (2) Columbia 9340/1 (An- sell).

(two pianos). London: Hawkes, n.d. Library: Luck's (#07619). Re- corded: Columbia DB-2205/6 (M. Rawicz and W. Landauer, pianos).

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(violin and piano). London: Hawkes, 1916, 1911. 14 pp. #H.&S. 4598 (piano), 4664 (violin).

. Demande et reponse: Question and answer (string orchestra). Recorded: Boosey and Hawkes S-2096 (J. Wilbur String Ensemble).

. Demande et reponse: Question and answer (two trumpets and two trombones). Arranged. London: Boosey and Hawkes, 1938.

. Demande et reponse: Question and answer (violin and piano). New York: Schirmer, 1911. #27136. Library: Spingam.

The pixies (SSA). London: Novello, 1908. Text: Samuel Coleridge-Taylor. Prayer for peace, April 1911 (unison voices). 1911. London: Curwen, 1911.

Text: Alfred Noyes. Prithee, tell me (medium voice and piano). Prelude. Library: Spingam. The quadroon girl. See: Five choral ballads. Quartet for strings in D minor, op. 13. 1896. Quintet for clarinet and strings in F-sharp minor, op. 10. 1895. Leipzig:

Breitkopf und Hartel, 1895. Kammerbibliothek, 159/163; parts only. Contents: (1) Allegro energico; (2) Larghetto affetuoso; (3) Scherzo; Al- legro leggiero; (4) Finale; Allegro agitato. Duration: 26:18. Premiere: July 11, 1895; Royal College of Music. Recorded: (1) Spectrum SR-127 (Ramon Kireilis, clarinet; Lamont String Quartet) 1980; (2) Chantry ABM-23 (Georgina Dobree, clarinet; Amici String Quartet) 1976.

London: Musica Rara, 1974. Quintet for piano and strings in G minor, op. 1. The rainbow child. See: Songs of sun and shade. Reflection (piano). See: Album of melodies. Rhapsodic dance, no. 2 (orchestra). New York: Boosey and Hawkes. Dura-

tion: 8:00. Instrumentation: 3322, 4231, timp, perc, harp, str. Romance in G major, op. 39 (violin and orchestra). 1899. London:

Novello, 1900. Premiere: May 24, 1899; Salle Erard, London; Samuel Coleridge-Taylor, violin; Jessie Coleridge-Taylor, piano. Library: Fleisher (831v), Schomburg.

(violin and piano). Arranged by Th6ophile Wendt. Romance for violin and piano, op. 59, no. 2. 1905. London: Augener,

1905. #11341. Library: Schomburg (registered as op. 60, following Ber- wick Sayers [1969]).

Romance of the prairie lillies (orchestra). London: Boosey and Hawkes, 1931.

(band). St. Agnes' Eve (orchestra). 1910. London: Hawkes. 10 pp. #H.&S. 6009.

Contents: (1) That ancient beadsman heard the prelude; (2) Her maiden eyes divine; (3) Prophyro, now tell me where is Madeline. Duration: 8:00. Premiere: June 10, 1910; Keats-Shelley Festival, Lon-

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don. Recorded: (1) Boosey and Hawkes 1909 (Regent Concert Orches- tra [contains nos. 1 and 2 only]).

(band). (orchestra). Arranged by Adolf Lotter. London: Boosey and

Hawkes, 1922. (piano). Library: Schomburg, Spingam.

Scenes de ballet, op. 64 (piano). 1906. London: Augener, 1906. 27 pp. Augener's edition, 6098; #13355. Contents: (1) C major; (2) A major; (3) A-flat major; (4) B-flat major. Library: Spingarn, Yale.

Scenes from an everyday romance, op. 41, no. 1 (orchestra). 1900. London: Novello, 1900. 37 pp. #5301. Contents: (1) Allegro, E minor; (2) An- dante, G major; (3) Tempo di valse, B minor; (4) Presto, E minor. Du- ration: 12:00. Premiere: May 24, 1900; Queen's Hall, London; Philhar- monic Society. Library: Fleisher (1774).

(piano). New York: Schirmer, 1911. 17 pp. Scenes from an imaginary ballet, op. 74 (piano). New York: Schirmer; Lon-

don: Winthrop Rogers, 1911. 17 pp. #2764. Contents (also published separately): (1) Molto vivace; (2) Allegretto; (3) Tempo di menuetto; (4) Andantino; (5) Vivacissimo. Note: Part of The forest of wild thyme, q.v. Library: Luck's (5301), Peabody, Schomburg, Spingarn, Yale.

(orchestra). Arranged by Elliott Schenck. London: Lafleur. Scenes from the Song of Hiawatha, op. 30 (chorus and orchestra). London:

Novello, 1898-1900. xvi, 200 pp. Contents (q.v.): (1) Hiawatha's wedding feast; (2) The death of Minnehaha; (3) Overture to the Song of Hiawatha; (4) Hiawatha's departure. Library: Schomburg.

Sea-drift: Rhapsody, op. 69 (SSAATTBB). 1908. London: Novello, 1908. 18 pp. Text: Walt Whitman.

The sea shell (SATB). London: Curwen, 1911. Text: Alfred Lord Tenny- son.

Serenade (piano). See: Album of melodies. She rested by the broken brook (high voice and piano). Boston: Oliver Dit-

son, 1906. 7 pp. #72722. Text: Robert Louis Stevenson, from "The un- forgotten," in Praise and ballads. Duration: 3:00. Library: Schomburg, Spingarn, Yale. Recorded: HMV HQM-1176 and HMV DA-1778 (John McCormack, tenor; Edwin Schneider, piano).

. London: Winthrop Rogers, 1921. She sat and sang away. See: Six sorrow songs. The Shoshone's adieu (medium voice and orchestra). London: Boosey,

1904. Text: Brice Fennell. (medium voice and piano). London: Boosey, 1904. Library:

Schomburg. Six American lyrics, op. 45 (low voice and piano). 1901. London: Novello,

1903. Contents: (1) O thou, mine other stronger part (text: Ella Wheeler Wilcox); (2) O praise me not (text: Ella Wheeler Wilcox); (3)

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Her love (text: Ella Wheeler Wilcox); (4) The dark eye has left us (text: John Greenleaf Whittier); (5) O ship that saileth; (6) Beat, beat, drums (text: Walt Whitman). Note: Each title also avaliable for voice and orchestra. Library: Spingarn.

. The dark eye has left us. London: Novello, 1903. 6 pp. #11560. Library: Spingarn.

. Her love. London: Novello, 1903. 9 pp. #11559. Library: Yale.

. Beat, beat, drums. London: Novello, 1903. 7 pp. #11562.

. O thou, mine other stronger part. London: Novello, 1903. 5 pp. #11557.

. O praise me not. London: Novello, 1903. 5 pp. #11558. O ship that saileth. London: Novello, 1903. 6 pp. #11561.

Six easy pieces (violin and piano). Six little songs for little folks, op. 19, no. 2 (medium voice and piano).

1898. London: Boosey, 1898. Text: Cooper (Kingsley?) and Charles Kingsley. Contents: (1) Sea shells; (2) A rest by the way; (3) A battle in the snow; (4) A parting wish; (5) A sweet little doll; (6) Baby land. Dedication: "to my little sisters and brother, Alice, Marjorie, and Vic- tor."

Six songs, op. 37 (low voice and piano). 1898. London: Novello, 1899. Contents: (1) You'll love me yet (text: Robert Browning); (2) Canoe song (text: Isabella Crawford); (3) A blood-red ring hung around the moon (text: Barry Dane); (4) Sweet evenings come and go, love (text: George Eliot); (5) As the moon's soft splendour (text: "To a lady singing to her accompaniment on the guitar," by Percy Bysshe Shelley); (6) Eleanore (text: Eric Mackay). Premiere (nos. 1-4): February 24, 1898; Croydon Conservatoire; Jessie Walmisley [Coleridge-Taylor], soprano. Library: Schomburg, Spingan.

. As the moon's soft splendour (low voice and piano). London: Novello, 1899. 5 pp. #10866. Library: Library of Congress, Schomburg, Spingarn, Yale.

. A blood-red ring hung around the moon (low voice and piano). London: Novello, 1899.5 pp. #10857. Library: Schomburg, Spingan.

. A blood-red ring hung around the moon (medium voice and piano). London: Novello, 1920. #14690. Library: Schomburg, Spingarn, Yale.

.Canoe song (low voice and piano). London: Novello, 1899. 5 pp. #10840. Library: Schomburg, Spingarn.

. Canoe song (medium voice and piano). Library: Spingarn.

. Eleanore (tenor and orchestra).

. Eleanore (tenor and piano). London: Novello, 1899. #10867. Li-

brary: Spingam. Recorded: (1) HMV B-9451 (Webster Booth, tenor; H. Greenslade, piano); (2) Columbia DB-2083 and HMV HMQ-1228 (Henry Wendon, tenor; Gerald Moore, piano); (3) HMV D-1273

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(Tudor Davies, tenor); (4) Gramophone D-3730 (Oldham, tenor); (5) Parlophone E-11192 (Morel, tenor); (6) L'Oiseau Lyre SOL-324 (Stuart Burrows, tenor; John Constable, piano).

. Eleanore (tenor and piano). London: Novello, 1921. 4 pp. 14785. Note: Two versions for medium voice exist, one in C major, and one in B-flat major. Library: Spingam (C major).

.Eleanore (baritone and orchestra). Eleanore (baritone and piano). London: Novello, 1909, 1906. 5

pp. #13113. Library: Peabody (1906), Yale (1909). Recorded: Decca F- 1699 (Roy Henderson, baritone).

. Sweet evenings come and go, love (high voice and piano). Lon- don: Novello, 1899. 4 pp. #10838. Library: Schomburg, Spingarn, Yale.

. You'll love me yet (low voice and piano). London: Novello, 1899. 4 pp. #10818a. Library: Schomburg, Spingarn, Yale.

Six sorrow songs, op. 57 (low voice and piano). 1904. London: Augener, 1904. 23 pp. #12715. Text: Christina Rossetti. Contents (also published separately): (1) Oh, what comes over the sea; (2) When I am dead, my dearest; (3) Oh, roses for the flush of youth; (4) She sat and sang away; (5) Unmindful of the roses; (6) Too late for love. Dedication: Jessie Coleridge-Taylor. Premiere: May 18, 1904; Public Hall, Croydon; Marie Brema, mezzo-soprano.

(medium voice and piano). She sat and sang away (medium voice and orchestra). Unmindful of the roses (low voice and piano). Recorded: (1)

HMV B-9451 (Webster Booth, tenor; H.Greenslade, piano); (2) MHV B-8285 (A. Reckless, tenor).

. When I am dead, my dearest (low voice and piano). Recorded: HMV B-572 (V. Oppenheim, contralto).

Sleep, sleep, 0 king. See: Herod. Solemn prelude, op. 40 (orchestra). 1899. London: Novello, 1899. Dedica-

tion: F. Nicholas Kilburn. Premiere: September 13, 1899; Three Choirs Festival, Worcester; Samuel Coleridge-Taylor, conductor. Note: Origi- nal title: A solemn rhapsody.

(piano). London: Novello, 1899. 10 pp. Library: Peabody, Schom- burg.

Solitude (high voice and piano). 1893. London: Augener, 1918. 5 pp. Text: Lord Byron. Premiere: 1893. Library: Yale.

Sonata for clarinet and piano in F minor. 1893. Sonata for violin and piano in D minor, op. 28. 1899. London: Hawkes,

1917. Edited by Albert Sammons. 27 pp. Recorded: Columbia L- 1396/7 (A. Canterall, violin; W. Murdoch, piano).

Song of Prosperine (SATB). London: Novello, 1912. Text: Percy Bysshe Shelley.

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Song of the Nubian girl (medium voice and piano). London: Augener, 1905. #13002. Text: Thomas Moore. Library: Spingam.

Songs of sun and shade (high voice and piano). London: Boosey, 1911. 18 pp. #H8222. Text: Margaret Radcliffe-Hall. Contents: (1) You lay so still in the sunshine; (2) Thou hast bewitched me, beloved; (3) The rainbow child; (4) Thou art risen, my beloved; (5) This is the island of gardens. Library: Spingarn, Yale. Recorded: (1) HMV B-8285 (A. Reck- less, tenor; contains nos. 2 and 5); (2) HMV E-414 (Tudor Davies, tenor; no. 4); (3) Columbia FB-3031 (T. Layton, tenor; no. 4).

(high voice and orchestra). (low voice and piano). .The rainbow child (high voice and piano). London: Boosey,

1911. Library: Peabody. Sons of the sea (medium voice and piano). London: Novello, 1910. 9 pp.

#13182. Text: Sarojini Naidu. Duration: 3:15. Library: British Library (50765), Spingarn. Recorded: (1) HMV C-2728 (Peter Dawson, bass- baritone).

(medium voice and orchestra). The soul's expression: Four sonnets, op. 42 (low voice and piano). 1900.

London: Novello, 1900. 19 pp. #11085. Text: Elizabeth Barrett Brown-

ing. Contents: (1) The soul's expression; (2) Tears; (3) Grief; (4) Com- fort. Dedication: Marie Brema. Premiere: September 13,1900; Hereford Musical Festival. Library: British Library (50763), Spingarn, Yale.

(low voice and orchestra). Southern love songs, op. 12 (high voice and piano). 1896. London: Auge-

ner, 1896. 15 pp. Augener's edition, 8819; #10976. Contents: (1) My love: A Spanish ditty (text: Henry Wadsworth Longfellow); (2) Tears: A lament; (3) Minguillo (text: Lockhart); (4) If thou art sleeping, maiden (text: Henry Wadsworth Longfellow, after a Portuguese source); (5) Oh my lonely pillow: Stanzas to a Hindu air (text: Lord

Byron). Dedication: Mamie Fraser. Library: Spingarn. My love: A Spanish ditty (medium voice and orchestra).

. Tears: A lament (SATB and organ). London: Augener, 1921. Sometimes I feel like a motherless child. See: Twenty-four Negro melodies. Spring had come. See: Hiawatha's departure. Suite de pieces, op. 3 (violin and piano or organ). 1895. London: Schott,

ca. 1895. Contents: (1) Pastorale; (2) Cavatina; (3) Barcarolle; (4) Con- templation. Library: Spingam.

A summer idyll (high voice and piano). London: Boosey, 1906. 7 pp. #E.S. 3551. Text: Hilda Hammond-Spencer. Library: Spingam.

Summer is gone (SATB). London: Curwen, 1911. Text: Christina Rossetti. Duration: 3:00. Recorded: (Glasgow Orpheus Choir, issued early 1920s, subsequently reissued).

Sweet baby butterfly. See: Five fairy ballads.

300


Sweet evenings come and go, love. See: Six Songs, op. 37.

Symphonic variations on an African air, op. 63 (orchestra). 1906. London: Novello, 1906. Duration: 20:00. Instrumentation: 3222 (Eh), 4231, timp, perc, str. Premiere: June 14, 1906; Queen's Hall, London; Philharmonic

Society. Note: Based on "I'm troubled in mind." Library: Fleisher (1762).

(piano). Symphony in A minor, op. 8 (orchestra). 1896. Premiere (original ver-

sion): March 6, 1896; St. James' Hall, Royal College of Music; (fifth version): April 30, 1900; Winter Gardens, Bornemouth. Note: The second movement ("Lament") is based on a black melody; five versions exist of the fourth movement. Library: Royal College of Music (manuscript).

A tale of old Japan: Cantata, op. 76 (solo soprano, contralto, tenor, bass, SATB, and orchestra). 1911. London: Novello, 1911. v, 99 pp. Text: Alfred Noyes. Duration: 48:00. Dedication: Mr. and Mrs. Carl Stoeckel, "with happiest remembrances of the White House, Norfolk, Conn., U.S.A., and the people I met there." Premiere: December 6, 1911; Queen's Hall; London Choral Society; Arthur Fagge, conductor. Li-

brary: Peabody. (piano-vocal score). London: Novello, 1911. vi, 99 pp. Library:

Schomburg. Te Deum in F major (SATB). 1890. Note: Absorbed into his Morning and

evening service. Tears. See: Southern love songs, op. 12. Tell me, o tell me (high voice and piano). London: Augener, 1915. Library:

Spingarn. New York: Arthur P. Schmidt, n.d. Library: Spingarn. (medium voice and piano).

Thelma, op. 72 (opera in three acts). 1908. London: Aschererg-Hawkes, 1908? Premiere (prelude only): March 1910; New London Symphony Orchestra.

Then he sat down. See: The death of Minnehaha. Thou art (medium voice and piano). Philadelphia: Presser. Three cameos, op. 56 (piano). London: Augener, 1904 (also published sep-

arately). 17 pp. Augener's edition, 6099; #12705. Contents: (1) Allegro ma non troppo in F major; (2) Allegro moderato in D minor; (3) An- dante in G minor. Library: Peabody, Schomburg, Spingarn. See also: Papillons.

,no. 3 (chamber orchestra). ,no. 3 (orchestra).

Three dream dances. See: Forest of wild thyme. Three humoresques, op. 31 (piano). 1897. London: Augener, 1898. 19 pp.

Augener's edition, 6102. Contents: (1) D major; (2) G minor; (3) A

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major. Nos. 1 and 3 also published separately. Library: Peabody, Spingarn, Yale.

(orchestra). London: Augener, 1897. Three impromptus, op. 78 (organ). 1911. London: A. Weekes, 1911. 23 pp.

(piano). Arranged by Purcell James Mansfield. London: A. Weekes; Chicago: C. F. Summy, 1914, 1911. 16 pp.

(orchestra). The three ravens (medium voice and piano). London: Boosey, 1897. Text

(German): Wilhelmine Grotjohann Dohm. Note: Based on a sixteenth-

century English melody. Three short pieces (organ). London: Novello, 1898. The village organist,

books 12, 15, 16. Contents: (1) Melody; (2) Elegy; (3) Arietta. Duration: 8:00. Note: No. 1 based on a theme from his symphony, fourth movement, fourth version.

Three silhouettes, op. 38 (piano). 1899. London: Ashdown, 1904. 18 pp. Contents (also published separately): (1) Valse; (2) Tambourine; (3) Lament.

Three song-poems, op. 50 (low voice and piano). 1903. London: Enoch; New York: Boosey, 1905. 18 pp. Text: Thomas Moore. Contents: (1) Dreaming for ever; (2) The young Indian maid; (3) Beauty and song. Library: Yale.

. Beauty and song. New York: Boosey, 1905. 6 pp. #E.&S. 3237.

Library: Spingan. . Dreaming for ever. New York: Boosey, 1905. 7 pp. #3233. Li-

brary: Spingan. .The young Indian maid. New York: Boosey, 1905.

Three songs, op. 29 (high voice and piano). 1899. London: Augener, 1899. 13 pp. Augener's edition, 8869; #11295. Contents: (1) Lucy (text: Wil- liam Wadsworth); (2) Mary (text: William Wadsworth); (3) Jessy (text: Robert Burns). Library: Spingam, Yale.

Three songs of Heine (medium voice and piano). London: Augener, 1918. Text: Heinrich Heine; English translation by Elizabeth M. Lockwood. Contents: (1) My pretty fishermaiden; (2) Thy sapphire eyes; (3) I hear the flutes and fiddles. Library: Schomburg.

. New York: Arthur P. Schmidt, n.d. Library: Spingarn. Three-fours: Valse-suite, op. 71 (piano). 1909. London: Augener, 1909. 25

pp. Augener's edition, 6073; #13895. Contents (nos. 1 and 6 also published separately): (1) Allegro molto in A minor; (2) Andante in A-flat

major; (3) Allegro moderato in G minor; (4) Vivace in D major; (5) Andante molto in E-flat major; (6) Allegro assai in C minor. Duration: 18:30. Dedication: Myrtle Meggy. Library: Peabody, Schomburg, Spingarn.

(band). (organ). Arranged by O. King. London: Augener, 1926.

302


(piano, four hands). London: Augener. Album series, 724b.

(piano trio). (violin and piano). London: Augener, 1920. 29 pp. #15399. Li-

brary: Peabody. , nos. 2 and 6 (orchestra). Arranged by Norman O'Neill. London:

Augener, 1920. Instrumentation: 2121, 2220, perc, str. Recorded: Co- lumbia BD 2212 (Palm Court Orchestra; Sandler, conductor).

Thy sapphire eyes (medium voice and piano). New York: Arthur P. Schmidt, n.d. Library: Spingan.

Toujours, I'amour (medium voice and piano). Toussaint l'Ouverture, op. 46 (orchestra). 1901. London: Novello, ca. 1901.

Duration: 15:00. Instrumentation: 3222, 4231, timp, perc, str. Premiere: October 26, 1901 (October 21, according to Tortolano [1977]); Queen's Hall Symphony Concerts; Henry Wood, conductor.

Trio in E minor (orchestra). Troubled in mind (SATB). See also: I'm troubled in mind. Twenty-four Negro melodies, op. 59, no. 1 (piano). 1904. Boston: Oliver

Ditson, 1905. ix, 127 pp. Musicians library; #ML-865-888. Contents: (1) At the dawn of day: Loko ku ti ga; (2) The stones are very hard: Maribye ma nonoha ngopfu; (3) Take Nabandji: Thata Nabandji; (4) They will not lend me a child: A ba boleki mwana!; (5) Song of con- quest: Ringendje; (6) Warrior's song; (7) O lo ba; (8) The bamboula: African dance; (9) The angels changed my name; (10) Deep river; (11) Didn't my Lord deliver Daniel?; (12) Don't be weary traveler; (13) Going up; (14) I'm troubled in mind; (15) I was way down a-yonder: Dum-a-lum; (16) Let us cheer the weary traveler; (17) Many thousand gone; (18) My Lord delivered Daniel; (19) Oh, he raise a poor Lazarus; (20) Pilgrim's song; (21) Run, Mary, run; (22) Sometimes I feel like a motherless child; (23) Steal away; (24) Wade in the water. Preface by Booker T. Washington. Premiere? (of three titles): 1904; Music Hall, Chicago; Samuel Coleridge-Taylor, piano. Library: Spingarn, Yale. Re- corded: Orion ORS-78205/306 (Frances Walker, piano) 1978.

. New York: Da Capo, 1979, 1905. Includes introduction by Wil- liam Tortolano. Library: Library of Congress (LC 80-10532).

. The bamboula: African dance (piano). London: Augener, 1900. Duration: 2:28. Recorded: Opus One 39 (Ruth Norman, piano) ca. 1978.

. Deep river (violin and piano). Arranged by Maud Powell. Re- corded: Victor 74246 (Maud Powell, violin; Falkenstein, or Liachow- sky, piano) before 1920.

. Deep river (high voice and piano). Arranged by William Arms Fisher. Duration: 3:48. Recorded: Praise 658 (Isador Oglesby, tenor; John Miller, piano) 1979.

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. Deep river (soprano and TTBB). Recorded: Victor 64687 (Frances Alda, soprano; Orpheus Quartet) ca. 1923.

. [Excerpts] Six Negro melodies (piano). London: Winthrop Rogers, ca. 1920 or 1924. 3 vols.

. [Excerpts] Four Negro melodies (piano). Edited by Maurice Hin- son. Chapel Hill: Hinshaw, 1981. 28 pp.

. [Excerpts] (piano trio). Contents: nos. 4, 11, 15, 18 and 22.

. [Excerpts] (orchestra). Contents: nos. 4, 11, 15, 18 and 22. Sometimes I feel like a motherless child (medium voice and

piano). Arranged by William Arms Fisher as his op. 19, no. 2. Boston: Oliver Ditson, 1917. 7 pp. #5-150-72070. Library: Spingarn.

Two African idylls (piano). London: Augener, 1904, 1917 (published separately). Note: Title does not appear in Tortolano (1977) or Berwick Sayers (1969).

, no. 2. Allegro energico. Edited by Alex Roloff. 11 pp. #15076. Library: Peabody.

Two impromptus (piano). London: Augener, 1911. Augener's edition, 6096. 4; 5 pp. #14128; #14127. Contents: (1) A major; (2) B minor. Li-

brary: Peabody; Yale (no. 2). Two Moorish tone-pictures, op. 19, no. 1 (piano). 1897. London: Augener,

1897. 12 pp. Augener's edition, 6101; #11145. Contents: (1) Andalla; (2) Zarifa. Library: Peabody, Spingan.

. Andalla. London: Augener, 1897. 6 pp. Two Oriental valses (piano). London: Forsyth. Contents: (1) Haidee; (2)

Zuleika. Two romantic pieces, op. 9 (violin and piano). 1896. London: Augener,

1908, 1896. Augener's edition, 7352. Contents: (1) Lament; (2) Merry- making. Premiere: March 6, 1896; Royal College of Music. Note: The 1908 edition has fingering by J. Henley.

. Lament. London: Augener, 1908, 1896. 5 pp. and part. Library: Schomburg.

Two songs, op. 81 (medium voice and piano). 1912. London: Boosey, 1920. Text: Alfred Noyes. Contents: (1) Waiting; (2) Red o' the dawn.

(medium voice and orchestra). Two songs, WoO (medium voice and piano). London: Augener, 1916.

Contents: (1) My lady (text: E. R. Stephenson); (2) Love's mirror (text: F. Hart).

Ulysses, op. 49 (orchestra). 1901. London: Novello, 1902. Text: Stephen Phillips. Contents include: overture, interludes, entr'actes, storm scene, and the vocal items cited below. Premiere: January 1902; Her

Majesty's Theatre; Adolf Schmid, conductor. . From the green heart of the waters: Nymph's song (SSA and

orchestra). London: Novello. . From the green heart of the waters: Nymph's song (SSA and

304


piano). Arranged by H. H. Chambers. London: Novello, 1933. #51- 0345-02. Library: Library of Congress.

. Great is he who fused the might: Drinking song (tenor and orchestra). London: Novello.

. O set the sails (tenor and orchestra). London: Novello.

Unmindful of the roses. See: Six sorrow songs. Until (medium voice and piano). Boston: Oliver Ditson, 1908. 5 pp. #5-

40-66759. Text: Frank Dempster Sherman. London: Winthrop Rogers, 1921.

Valse (piano, four hands). London: E. Ashdown, 1928. 15 pp. Library: Yale.

Valse-caprice, op. 23 (violin and piano). 1898. London: Augener, 1898. 13

pp. Augener's edition, 7358; #11223. Note: Bowing and fingering by William Henley. Library: Spingan.

Variations in B minor (violoncello and piano). London: Augener, 1918. Premiere: November 30, 1907; String Players Concert, Croydon; C. A. Crabbe, violoncello.

A vengeance (medium voice and piano). Viking song (low voice and piano). Boston: Oliver Ditson, 1914. 7 pp.

#5-146-71907. Text: David McKee Wright. Duration: 2:30. Library: Schomburg, Spingarn. Recorded: Victor 64786 (Emilio de Gorgorza, baritone) by 1923.

. London[?]: Allans. 593.

. London[?]: Allans. 714. (SA). London: Curwen. #1307. (SA). Arranged. London[?]: Allans. 600. (SATB). Arranged by Percy E. Fletcher. London: Curwen. #60982. (TTBB and piano). Arranged by Percy E. Fletcher. London:

Curwen. Library: Luck's (3044). Recorded: Zonophone GO 76 and Vic- tor 20494A (Associated Glee Clubs of America [2,500 male voices and piano,] recorded at the auditorium of the Sesquicentennial, Philadel- phia, 1926).

(medium voice and piano). Arranged by Percy E. Fletcher. Lon- don: Curwen.

(unison treble voices and piano). Arranged by Jacobson. London: Curwen. #72564.

The violet band (high voice and piano). New York: William Maxwell, 1905. 7 pp. #788. Text: Darling. Library: Spingan.

A vision (medium voice and piano). Philadelphia: Theodore Presser, 1905. Text: Louise Alston Burleigh. Library: Schomburg.

Waiting. See: Two songs, op. 81. We watched her breaking through the night (medium voice and piano).

(SSA and piano). London: Augener. Augener's edition, 4247.

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BMR Journal

What can lambkins do? (SSA). London: Novello, 1908. Text: Christina Rossetti.

What thou hast given me? (SATB). 1901. London: Weekes. When I am dead my dearest. See: Six sorrow songs. Whispers of summer (SATB). London: Novello, 1910. Note: Reproduced in

Musical Times no. 51:810. Who calls? See: Endymion's dream. Why does azure deck the skies? (medium voice and piano). The willow song. See: Othello. You shall hear how Pau-Puk-Keewis. See: Hiawatha's wedding feast. You'll love me yet. See: Six songs, op. 37. The young Indian maid. See: Three song-poems. Zara's ear-rings, op. 7 (medium voice and orchestra). Note: The Imperial

Institute (London?) performed it or has the manuscript.

Justin Elie, 1883-1931

Le Chant du bard indien (medium voice and piano). Text: Joaquin Bonilla. Chants de la montagne (orchestra). Contents: (1) Melida: A Creole tropical

dance; (2) Isma-o: The echo; (3) Priere du soir: Prayer at eventide; (4) Nostalgie: Homesickness; (5) Nocturne: Ancient mountain legend.

(piano, violin, viola, and violoncello). New York: Carl Fischer. .Isma-o: The echo (orchestra). New York: G. Schirmer. .Isma-o: The echo (piano). New York: Carl Fischer, 1921. Library:

Spingarn. . Melida: A Creole tropical dance (piano score). Arranged by

Charles J. Roberts. New York: Carl Fischer, 1927. 5 pp. #24318. . Nostalgie: Homesickness (piano). New York: Carl Fischer, 1921.

Library: Spingam. . Nocturne: Ancient mountain legend (piano). New York: Carl Fi-

scher, 1923. Library: Spingam. . Priere du soir: Prayer at eventide (piano). New York: Carl Fi-

scher, 1921. Library: Spingam. Doll's parade (piano). n.p.: Emil Ascher, 1928. Library: Spingam. Haytian legend: Legend creole (violin and piano). New York: Carl Fischer,

1921. Library: Spingan. Indian dance and ritual (piano). New York: Belwin, 1929. Library:

Spingarn. Kiskaya suite: Suite aborigine (orchestra). New York: Carl Fischer, 1928.

Contents include "Danse de l'homme des grottes." Library: Spingarn. Lamentations (medium voice and piano). Text: Henri Durand. Meringues populaires haitiennes. New York: R. de la Roziere, 1920. 7 pp.

Library: Spingan. La Mort de l'indien (medium voice and piano). Text: Joseph Vilaire.

306


Queen of the night, from Night of Babylon suite (piano). New York: Carl Fischer, 1928. Library: Library of Congress, Spingarn.

Quietude (medium voice and piano). Text: Henri Durand. Rumba (piano). New York: Belwin, 1929. Library: Spingan. Rustic scherzo (piano or organ). New York: T. B. Harms.

Tropical dance, no. 1 (piano). Tropical dance, no. 2 (piano). New York: Carl Fischer, 1921. Library:

Spingarn. Two poemes vaudouesques (low voice and piano). Contents: (1) Hymne a

Danbala; (2) Chant des hounsis.

Nicolas Geffrard, 1871-1930

La Dessalinienne: Pour le pays. Text: Justin Lherisson (1873-1907). Note: Written to celebrate the centenary of Haiti's independence (January 1, 1904) and to serve as the country's national anthem.

Robert Geffrard, 1860-1894

La Cascade (piano). L'Heroine (piano). Poesie (piano).

Antonio Carlos Gomes, 1836-1896

Addio (medium voice and piano). Sao Paulo: Graphic Mangione, n.d. 5

pp. #2650. Library: Spingarn. A alta noite: Modinha. Andlia ingrata: Modinha (high voice and piano). Rio de Janeiro: Sampaio

Araujo, n.d. Library: Spingan. Anemia: Preludietto (piano). L'Arcolaio (medium voice and piano). Avante: Brilhante galope (piano). Rio de Janeiro: n.p., 1960. Ave Maria (medium voice and piano). As bahianas: Modinha (high voice and piano). Rio de Janeiro: Arthur

Napoleao, n.d. 5 pp. #1352. Library: Spingan. Bela ninfa de minh'alma: Modinha. A Camoes. See: Hymno triumphal. Canta ancor (medium voice and piano). Chiaro di luna (medium voice and piano). Colombo (oratorio in four acts). 1892. Milano: Arturo Demarchi, 1892

(piano-vocal score, edited by G. Loscar). 200 pp. Text: Albino Falanca. Premiere: October 12, 1892. Library: Library of Congress. Recorded:

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BMR Journal

(Costanze Mascitti, baritone; Orchestra Sinf6nica Municipal do Sao Paulo; Armando Belardi, conductor).

. Preghiera. Recorded: Sociedade Brasileira de Discos Historicos J. Leon TOB-1 (J. Athos, bass).

Condor (opera in three acts). 1891. Milano: ca. 1891 (piano-vocal score). Text: Mario Canti. Premiere: February 21, 1891; Teatro alla Scala, Mi- lano.

.Ah! contemplar m'e dato in te l'aurora (soprano, tenor, and piano). Milano: Arthur Demarchi, n.d. 10 pp. Library: Spingan.

. Avea sultana altera (soprano and piano). Milano: Arthur Demarchi, n.d. 3 pp. Library: Spingan.

. Ballata adin: Nel regno de le rose una sorgente (high voice and

piano). Milano: Arthur Demarchi, n.d. 7 pp. Library: Spingarn. . Febbre fatal: Sogno crudel d'ebra follia (high voice and piano).

Milano: Arthur Demarchi, n.d. 4 pp. Library: Spingam. . Monologo de Odalea (soprano and piano). Rio de Janeiro:

Sampaio Araujo, n.d. 5 pp. #6919. Library: Spingarn. . Monologo di Zuleida (soprano and piano). Rio de Janeiro:

Sampaio Araujo, n.d. 7 pp. #6920. Library: Spingamn. . Notturno-preludio (piano). Milano: Arthur Demarchi, n.d. 3 pp.

#A2046D. Library: Spingam. . Quartetto, act III (soprano, mezzo-soprano, tenor, baritone, and

piano). Milano: Arthur Demarchi, n.d. 21 pp. Library: Spingarn. .Vagando la notte per l'arida piaggia (mezzo-soprano, tenor, and

piano). Milano: Arthur Demarchi, n.d. 10 pp. Library: Spingan. Conselhos: Modinha (high voice and piano). Rio de Janiero: Sampaio

Araujo, n.d. 6 pp. #3885. Text: Dr. Velho Experiente. Library: Spingarn.

Corsa d'amore (medium voice and piano). Divorzio (medium voice and piano). Dolce rimprovero (medium voice and piano). Rio de Janeiro: Sampaio

Araujo, n.d. 4 pp. #2646. Text: Emelio Ducati. Library: Spingan. Eternamente (medium voice and piano). Fantasia sobre "A alta noite" (piano). ca. 1859. See also: A alta noite. Foi meu amor um sonho: Modinha. Fosca (opera in four acts) 1873. Milano: G. Ricordi, 1873 (piano-vocal

score, edited by Niccolo Celega). 353 pp. Text: Antonio Ghislanzoni. Premiere: February 16, 1873; Teatro alla Scala, Milano. Library: Li- brary of Congress.

. 1878 revision. Milano: ca. 1878 (piano-vocal score). Premiere: 1878; Teatro alla Scala, Milano.

. [Excerpts for piano] Fantasia briliante. Arranged by J. Famagalli. Rio de Janeiro: Arthur Napoleao, n.d. 11 pp. #2199. Library: Spingarn.

.[Excerpts for piano] Symphonia para piano a duas maos. Arranged

308


by Souza Lima. Sao Paulo: Ricordi, n.d. 11 pp. #B.A. 7172. Library: Spingarn.

. Intenditi con Dio (tenor and orchestra). Recorded: Philips 9500 771 (Jose Carreras, tenor; London Symphony Orchestra; Jesus L6pez Cobos, conductor) 1980.

. O tu sei fra gli angeli (tenor and orchestra). Recorded: Sociedade Brasileira de Discos Historicos J. Leon TOB-1 and Associaqao Brasileiro dos Colectionadores de Discos 2 (A. Colosimo, tenor).

. Overture (orchestra). Recorded: (1) (Orquestra do Sindicato Mu- sical do Rio de Janeiro; Leo Peracchi, conductor); (2) Odeon A-3252 (Rio de Janeiro Symphony; Mignone, conductor).

. Quale orribile peccato (soprano and piano). Sao Paulo: Ricordi, n.d. 10 pp. #B.A. 7117. Library: Spingarn.

.Scena e duetto. 7703. Library: Spingan. Giulietta mia (medium voice and piano). Grande valsa de bravura (piano). Rio de Janeiro: A. Napoleao, n.d. 13 pp.

#518. Library: Library of Congress, Spingan. II Guarany: 0 guarani (opera in four acts). 1870. Milano: 1870 (piano-

vocal score). 447 pp. #53426. Text: Antonio Scalvini and C. d'Ormeville, after Jose de Alencar. Premiere: March 19, 1870; Teatro alla Scala, Milano; Marie Sass [or Saxe], soprano (Cecilia); Victor Maurel (I1 cacico); Villani (Pery); Sorti (Gonzales); Coloni (Don Anto- nio). Library: Library of Congress (LC 70-288614). Recorded: (1) Voce 48 (Aurea Gomes, soprano [Cecilia]; Benito Maresca [Pery]; Paulo Fortes, bass [Gonzales]; Wilson Carrara [II cacico]; Amin Feres [Don Antonio]; Marcos Louzada [Don Alvaro]; Manuel Pascoa [Alonso]; Victor Prochei [Ruy Bento]; Orchestra and Chorus of the Teatro Municipal, Rio de Janeiro; Mario Tavares, conductor) 1980; (2) The Golden Age of Opera EJS-240 (Gianna d'Angelo, soprano; Giorgi Gibin; Piero Cappuccilli; Niccola Zaccaria; Maximiliano Malaspina; Dino Crimi; Orchestra and Chorus of the Teatro Municipal, Rio de Janeiro; Francesco Molinari-Pradelli, conductor) n.d. (performance of 1964).

. Ave Maria (bass and orchestra). Recorded: Sociedade Brasileria de Discos Historicos J. Leon TOB-1 (J. Perrota, bass).

. Ballet music (orchestra). Recorded: Odeon A-3253/4 (Rio de Ja- neiro Symphony Orchestra; Mignone, conductor).

. C'era una volta un principe (soprano and piano). Milano: G. Ricordi, n.d. 16 pp. #54337. Recorded: (1) Victor 11561 and Victor JH- 193 and His Masters Voice DB-2394 (Bidu Sayao, soprano, with orchestra) 1930; (2) Cetra-Soria 50032 and Parlophone BB-25086 (Lina Pagliughi, soprano); (3) Zonophone 10599 (Ida Sambo, soprano) by 1903; (4) Victor 74170 (Roxy King-Shaw, soprano) by 1909; (5) Victor

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BMR Journal

9394 (S. del Campo, soprano); (6) Columbia 36810 and Columbia A- 5523 (Berenice de Pasquale, soprano) by 1914.

. [Excerpts for piano]. Arranged by Niccolo Celega. Milano: Ricordi, n.d. 4 vols. #92398-408-409; 923399-408409; 92401; 92404. Contents: (1) Introduzione, Ballabile, e Azione mimica; (2) Passo

selvaggio; (3) Passo delle freccie; (4) Gran marcha, Baccanale indiano.

Library: Spingam. . Gentile di cuore (soprano and piano). [Milano]: [Ricordi], n.d. 7

pp. #54336. Library: Spingarn. Recorded: (1) His Masters Voice DB- 2394 and Victor 11561 and Victor JH-193 (Bidu Sayao, soprano) 1930; (2) Continental CA-4017 (M. Sa Earp, soprano); (3) Victor 4037 (S. del

Campo, soprano). . [Himmlische Macht, die mich gebannt] (soprano and orchestra).

Recorded: Victor 6355-B (Emmy Destinn, soprano, with orchestra) 1914.

. Ma deh che a me togasi. Recorded: Phonotipia 92808 (Ester Mazzolini, soprano; Giovanni Zenatello, tenor).

. O come e bel il ciel (soprano and orchestra). Recorded: (1) (Maria Caniglia, soprano); (2) Ember GVC-20 and Cetra CB-20287 and Cetra-Soria 50032 and Parlophone BB-25086 (Lina Pagliughi, soprano; Orchestra Sinfonica di Torino della Radio-televisione Italiana; Ugo Tansini, conductor); (3) Victor 9394 (S. del Campo, soprano); (4) Victor 11561 and Victor JH-193 and His Masters Voice DB-2394 (Bidu Sayao, soprano).

. Overture (orchestra). Edited by Ross Jungnickel. New York: Schirmer, 1912. 11 pp. #22869. Library: Spingarn. Recorded: (1) Co- lumbia D-14457 and Columbia 52054-X (Milan Symphony Orchestra; Molajoli, conductor); (2) His Masters Voice S-10083 (Orchestra del Teatro alla Scala; Sabjano, conductor); (3) Homochord 4-8802 (Berlin Symphony Orchestra; Bohnke, conductor); (4) Odeon 0-26804 and Odeon 193577 and Parlophone 28053 (Berlin State Opera Orchestra; Weissmann, conductor); (5) Odeon 13028 and Parlophone CB-20526 (Radio Italiana; Mignone, conductor); (6) Polydor 27347 (unidentified orchestra; Gurlitt, conductor); (7) Odeon 5044 (Rio de Janeiro Munici-

pal Orchestra; Gouveia, conductor); (8) (Avellaneda Municipal Or- chestra; Faure, conductor); (9) Victor 119112 (Boston Pops Orchestra; Arthur Fiedler, conductor); (10) Camden CAE-182 and Camden CAL- 176 (Boston Promenade Orchestra [i.e., Boston Pops Orchestra]; Ar- thur Fiedler, conductor).

. Overture (band). Arranged by Herbert L. Clarke. New York: Carl Fischer, 1904. Library: Library of Congress.

. Overture (band). Opa Locka, Fla: Edwin F. Kalmus. #B3097; 4292. Recorded: (1) (Banda do Corpo de Bombieros do Estado de Guanabara; Othonio Benevenuto, conductor); (2) Victor A-333-1 and

310


Victor B-333-1 and Victor B-333-2 and Victor C-333-1 and Victor C- 333-2 (Sousa Band; Arthur Pryor, conductor) August 24, 1903; (3) Vic- tor EPC-1026 and Victor LPM-1026 (Cities Service Band; Paul Lavalle, conductor).

. Overture (mandolin ensemble). Recorded: Odeon 5117 (Odeon Mandolin Orchestra).

. Overture (piano). Rio de Janeiro: Editora A. Napoleao, 1973. 10 pp. Library: Library of Congress. Recorded: Odeon 13152 (Muraro, piano).

. Overture (piano, four hands). Rio de Janeiro: Editora A. Napoleao, 1971. 22 pp. Library: Library of Congress.

. Overture (saxophone sextet). Arranged by Clair W. Johnson. Chicago: Rubank, 1968. 11 pp. and parts. Library: Library of Congress.

. Perche di meste lagrime (soprano, tenor, and piano). Milano: Ricordi, n.d. 8 pp. #110178. Library: Spingam. Recorded: Sociedade Brasileiro de Discos Historicos J. Leon LLP-8 (M. Percina, soprano; Giovanni Zenatello, tenor).

. Pery m'appella (tenor and orchestra). Recorded: Berliner 52566 (Giovanni Cesarini, tenor) 1900.

. Regina della tribu (bass and orchestra). Recorded: Sociedade Brasileira de Discos Historicos J. Leon TOB-1 (N. Rossi-Lemeni, bass).

. [Selections. Introduzione, coro e duetto atto I]. Milano: Ricordi, 1928. 28 pp. Biblioteca dei corpi di musica, 120860. Library: Library of Congress.

. [Selection(s?)] (orchestra). Recorded: Polydor 21359 (Godwin Or- chestra).

. [Selections] (accordion). Arranged by Pietro Deiro. New York: Accordion Music Publishing Co., 1946. Library: Library of Congress.

. Sento una forza indomita (soprano, tenor, and piano). Milano: Ricordi, n.d. 15 pp. #88528; 110177-9. Library: Spingarn. Recorded: (1) Zonophone 481 (Ida Sambo, soprano; Oresti Mieli, tenor) by 1901; (2) Victor 91500 (C. Gomes, soprano; R. de Silva, tenor); (3) G & T 054052 (Tina Farelli, soprano; Gino Martinez-Patti, tenor) 1906; (4) Fonotipia 39789 (Giannina Russ, soprano; Gino Martinez-Patti, tenor) by 1907; (5) Fonotipia 92807 and Scala 818 (Ester Mazzoleni, soprano; Giovanni Zenatello, tenor); (6) Columbia 10399 (Pietro Venerandi, tenor) 1905; (7) Classic Editions 7002 (J. Huguet, soprano; D. de Luca, tenor); (8) [label incompletely identified] 054189 (Bice Mililotti, soprano; Francesco Marconi, tenor) 1908; (9) Columbia DQ-656 (N. Silarova, soprano; C. Alabiso, tenor); (10) Columbia CQX-10201 (Bianca Scacciati, soprano; Francesco Merli, tenor); (11) His Masters Voice DB-491 (Celestina Boninsegna, soprano; Luigi Bolis, tenor) 1917.

. Senza tetto, senza cuna (baritone and orchestra). Recorded: (1) RCA VL-42433 (Pasquale Amato, baritone) 1978, 1912; (2) Fonotipia

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39387 (Antonio Margini-Coletti, baritone) 1905; (3) Zonophone 472 (Vincenzo Reschiglian, baritone) by 1901; (4) Zonophone 12553 (Achile Alberti, baritone) by 1905; (5) La Voce del Padrone 2-052257 and La Voce del Padrone DB-737 and Sociedade Brasileira de Discos Historicos J. Leon JAL-7001 and Addison Foster ABHB-1 and Children's Record Guild ABHB-1 (Mattia Battistini, bass) 1923; (6) Vic- tor P-327 (Paulo Fortes, bass); (7) G & T 52830 (La Puma, baritone); (8) Columbia 10044 (R. Vincenzo, baritone) ca. 1908; (9) Columbia G-6110 (G. Vanelli, baritone); (10) Columbia DQ-275 (C. Maugeri, bass).

. Vanto io pur superba cuna (tenor and orchestra). Recorded: (1) Victor 85-0000 and Victor B-5042 (Beniamino Gigli, tenor); (2) Socie- dade Brasileira de Discos Historicos J. Leon TOB-1 (A. Pacheo, tenor).

Hino academico. Rio de Janeiro: n.p., 1859. Text: F. L. Bittencourt

Sampaio. Sao Paulo: Saraiva, 1929. Memorias para a historia da Aca- demia de Sao Paulo, by Spencer Vampre, vol. 1, pp. 490-497. Premiere: 1859; Sao Paulo. Library: Library of Congress (LC 29-22990).

Hymno triumphal: A Camoes (band and orchestra). 1880. Premiere: June 10, 1880; Imperial Teatro D. Pedro 2?, Rio de Janeiro, for the 300th

anniversary of the death of the poet, Luiz Vaz de Camoes (a.k.a. Camoens).

(piano). Rio de Janeiro: Narciso, Arthur Napoleao & Miguez, n.d. 5 pp. #2164. Library: Spingarn.

(piano, four hands). Rio de Janeiro: Narciso, Arthur Napoleao &

Minguez, 1880. 11 pp. Library: Library of Congress. Io ti vidi (high voice and piano). Rio de Janeiro: Sampaio Araujo, n.d. 4

pp. #1355. Library: Spingan. Joanna de Flandres (opera in four acts). 1864. Rio de Janeiro: ca. 1864

(piano-vocal score). Text: S. de Mendonca. Premiere: September 15, 1863; Rio de Janeiro.

Lontana (medium voice and piano). Mamae disse: Modinha (medium voice and piano). Rio de Janeiro: F. de

Sampaio, n.d. 7 pp. #3555. Library: Spingarn. Recorded: Victor 74125

(Roxy King-Shaw, soprano, in Italian as "Mamma dice") by 1909. March nuptial: Marcha nupcial (piano). Rio de Janeiro: Sampaio Araujo,

n.d. 9 pp. #3664. Library: Spingan. Marcha da industria (orchestra). Premiere: 1860; Rio de Janeiro. Maria Tudor (opera in four acts). 1879. Milano: ca. 1879 (piano-vocal

score, edited by Niccolo Celega). 297 pp. #45920. Text: Emilio Praga, after Victor Hugo. Premiere: March 27, 1879; Teatro alla Scala, Milan.

. Overture [?] (orchestra). Recorded: Odeon C-7269 (Rio de Ja- neiro Symphony; Mignone, conductor).

. Aria di Maria (soprano and orchestra). Recorded: Sociedade Brasileiro de Discos Historicos J. Leon TOB-1 (C. Gomes, soprano).

312


. Ballabili ed inno della regina (piano, four hands). Arranged by Niccolo Celega. Milano: Ricordi, n.d. 41 pp. #46997. Library: Spingan.

. Preludio (piano). Arranged by Souza Lima. Sao Paulo: Ricordi, n.d. 7 pp. #B.A. 7170. Library: Spingan.

. Romanza di Fabiani (tenor and piano). Sao Paulo: Ricordi, n.d. 7

pp. #B.A. 7176. Library: Spingam. . Romanza di Giovanna (soprano and piano). Sao Paulo: Ricordi,

n.d. 7 pp. #B.A. 7175. Library: Spingarn. . Scena e duetto (soprano, tenor, and piano). Arranged by Niccolo

Celega. Milano: Ricordi, n.d. 14 pp. #46403. Library: Spingan. Mass. 1854. Lost. A mocidade academica (high voice and piano). Rio de Janeiro: Sampaio

Araujo, n.d. 5 pp. #2754. Text: Dr. F. L. Bitencourt Sampaio. Library: Spingarn.

Mon bonheur (medium voice and piano). Moreninha: Valsa brilhante (piano). Rio de Janeiro: 1860. Mormorio: Improviso (piano). Nella luna (opera). 1868. Premiere: 1868; Milano. A noite do castelo (opera in three acts). 1861. Text: A. J. Femades do Reis.

Rio de Janeiro: 1861 (piano-vocal score). Premiere: September 4, 1861; Rio de Janeiro.

Notorno (medium voice and piano). Passo dello freccio. Library: Spingarn. Per me solo: Bozzetto (medium voice and piano). Milano: Arturo Demar-

chi, n.d. 5 pp. Text: Emelio Ducati. Library: Spingam. Piccola mendicante (medium voice and piano). Povera bambola (medium voice and piano). Milano: Arturo Demarchi,

n.d. 5 pp. Library: Spingarn. Preghiera del l'orfanato (medium voice and piano). Quem sabe?: Tao longe de mim distante (high voice and piano). Rio de

Janeiro: Sampaio Araujo, n.d. [1859]. 3 pp. #2276. Text: Dr. F. L. Bittencourt Sampaio. Library: Spingar. Recorded: (1) Continental F- 010 and Continental CA-4018 (M. Sa Earp, soprano, with orchestra); (2) Odeon 3273 (C. Maristany, soprano, with string quartet).

Realtd (medium voice and piano). La Regata (medium voice and piano). Romanza (medium voice and piano). Rondinella (medium voice and piano). II saluto del Brasile. Premiere: July 19, 1896; Philadelphia. Salvator Rosa (opera in four acts). 1879. Milano: Ricordi. 3 vols. 402, 405,

425 pp. Text: Antonio Ghislanzoni. Premiere: March 21, 1874; Teatro Carlo Felice, Genova. Library: Library of Congress.

(piano-vocal score). Edited by Niccolo Celega. Milano: [ca. 1874] 1955. 430 pp. Edizioni Ricordi, 43683. Library: Library of Congress.

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BMR Journal

. Aria of the Duke d'Arcos (bass and orchestra). Recorded: La Voce del Padrone 2-52558 (Leo Sibiryakov, bass).

. Canzonetta, act I (soprano and piano). Milano: Ricordi, ca. 1874. 8 pp. Library: Yale.

. Di sposo, di padre, le gioie serene (baritone and piano). Milano: Ricordi, n.d. 5 pp. #110083. Library: Spingarn. Recorded: (1) Decca LXT-5096 and Decca LW-5169 and London LL-1240 and London LD- 9169 (Cesare Siepi, baritone) 1955; (2) Fonotipia 152587 and Odeon 3528-B (Luigi Manfrini [Manini?], bass); (3) Zonophone 498 (Al- essandro Silvestri, bass) 1900; (4) Zonophone 10211 (Ettore Brancaleone, bass) by 1902; (5) Fonotipia 39320 (Oreste Luppi, bass); (6) His Masters Voice S-10562 (U. Novelli, bass); (7) Cetra CC-2159 and Parlophone BB-25079 (Luciano Neroni, bass; EIAR Symphony Or- chestra; Ugo Tansini, conductor).

. E il foglio io segnero (bass and orchestra). Recorded: Odeon 3518-B and Fonotipia 152586 (Luigi Manfrini [Manini?], bass).

. E quanto (bass and orchestra). Recorded: Sociedade Brasileira de Discos Historicos J. Leon LPP-3 and Columbia 5063-M (J. Mardones, bass).

. Forma sublime (tenor and piano). Milano: Ricordi, n.d. 8 pp. #109957. Library: Spingan.

. Masaniello (baritone, SATB, and piano). Arranged by Niccol6 Celega. Milano: Ricordi, n.d. 10 pp. #44000. Library: Spingan.

. Mia piccirella, deh, vieni alla mare (tenor and piano). Milano: Ricordi, n.d. 8 pp. #109831. Library: Spingam. Recorded: (1) Parlo-

phone CB-20513 (A. Berdini, tenor); (2) Victor 88638 and Victor 6034 and La Voce del Padrone 2-052224 and His Masters Voice DB-144 (En- rico Caruso, tenor) 1919 or January 29, 1920 (transposed from E-flat major to D-flat major); (3) Victor 64097 and Victor 64129 and Socie- dade Brasileira de Discos Historicos J. Leon G-4 (Roxy King-Shaw, soprano) by 1909.

. [Mia piccirella] My little darling: canzonetta (medium voice and piano). Arranged by L. D. New York: G. Schirmer, 1888. 7 pp. Text in Italian and English. Library: Library of Congress.

. Overture. Recorded: (1) (Orquestra do Sindicato Musical do Rio de Janeiro; Leo Peracchi, conductor); (2) Parlophone CB-20525 (Radio Italiana; Mignone, conductor).

. Overture (band). Arranged by Arturo Diana. Milano: Ricordi, 1912. Biblioteca popolare dei corpi di musica e fanfare, 113974. Li-

brary: Library of Congress. . Recitativo (bass and orchestra). Recorded: G & T 52907 (Leo

Sibiryakov, bass). . [Selections. Finale I, duetto e marcia dell atto II] (band). Ar-

314


ranged by Giuseppe Manente. Milano: Ricordi, 1928. Biblioteca dei

corpi di musica, 120862. Library: Library of Congress. . Sulle rive di Chiaja (soprano, tenor, and piano). Milano: Ricordi,

n.d. 19 pp. #110179. Library: Spingarn. . Volate, colate: Romanza (soprano and piano). Milano: Ricordi,

n.d. 6 pp. #109832. Library: Spingarn. Lo schiavo: 0 escravo (opera in four acts). Milano: Ricordi, ca. 1899

(piano-vocal score, ed. by G. Loscar). 349 pp. Edizione Ricordi, 52989. Text: Rodolfo Paravicini, after the Visconde de Taunay. Premiere: Sep- tember 27, 1889; Teatro Imperiale Don Pedro II, Rio de Janeiro. Re- corded: Voce 39 (Amin Feres [Rodrigo]; Benito Meresca [Americo]; Leila Martins [Ilara]; Fernando Texeira [Ibere]; Thereza Godoy [Boissy]; Luiz Orefice [Gianfere]; Jelvin Mereschi [Leon, Botocudo]; Boris Farina [Goitaca]; Joao de Braz [Guarudo]; Luis Malheiro [Tapacoa]; Odnilo Romanini [Tupinamba]; Dorival Panzani [Carij6]; Joao Batista [Caiap6]; Roberto Biancardi [Arari]; Orchestra and Cho- rus of the Teatro Muncipal, Sao Paulo; David Machado, conductor) recorded 1979.

. Alba dorata del natio mio suol. Recorded: Parlophone PE-172 (M. Minazzi).

. Alvorada (orchestra). Recorded: (1) (Orquestra do Sindicato Mu- sical do Rio de Janeiro; Leo Peracchi, conductor); (2) Odeon C-7265 (Rio de Janeiro Symphony Orchestra; Mignone, conductor).

. O ciel di Parahyba (soprano and orchestra). Recorded: (1) Victor 74112 and Socidade Brasileira de Discos Historicos J. Leon G4 (Roxy King-Shaw, soprano) ca. 1909; (2) Sociedade Brasilera de Discos Historicos J. Leon TOB-1 (M. C. N. de Freita, soprano).

. O com'e splendido e bello il sol. Recorded: Parlophone PE-172 (M. Minazzi).

. Prelude (orchestra). Recorded: (Orquestra do Sindicato Musical do Rio de Janeiro; Leo Peracchi, conductor).

. Prelude, Act IV (orchestra). Recorded: Parlophone CB-20527 (Radio Italiana; Mignone, conductor).

. Quando nascesti tu (tenor and piano). Milano: Ricordi, n.d. 5 pp. #98118. Library: Spingarn. Recorded: (1) Victor 85-0000 and B-5042 and His Masters Voice ALP-1329 (Beniamino Gigli, tenor) 1956; (2) Parlophone CB-20513 (A. Berdini, tenor); (3) La Voce del Padrone 2- 052062 and DB-126 and DB-137 and Victor 88345 and Victor 6025 and Victor 6027 (Enrico Caruso, tenor) November 11, 1911; (4) Victor 88345 (Enrico Caruso, tenor) by 1915; (5) Victor B-50073 and Victor 7226 and His Masters Voice DB-1438 (Giacomo Lauri Volpi, tenor); (6) Cetra PE-212 (D. Cestari, tenor); (7) Sociedade Brasileira de Discos Historicos J. Leon TOB-1 (A. Pacheo, tenor); (8) Victor 33466.

. [Selection from Act III] (band). Arranged by Giuseppe Manente.

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BMR Journal

Milano: Ricordi, 1928. 22 pp. Biblioteca dei corpi di musica, 120873.

Library: Library of Congress. . Sogni d'amore (bass and orchestra). Recorded: Victor 33466 (S.

Vieira, bass). Se sa minga (opera). 1867. Milano: ca. 1867 (piano-vocal score of ex-

cerpts). Text: Antonio Scalvini. La Sigaretta (medium voice and piano). Suspiros d'alma: Modinha (medium voice and piano). Rio de Janeiro: n.p.,

1859. Tres fogli d'album (piano). Contents: (1) Storiella marinaresca; (2)

Spagnoletta; (3) Da ridere. Two cantatas. Contents: (1) [not titled]; (2) A ultima hora do Calvario.

Premiere: 1860; Rio de Janeiro.

Felipe Gutierrez y Espinosa, 1825-1899

Agnus Dei (high voice and orchestra). Aire de fandango. El amor de un pescador (zarzuela-opera). 1857. Text: Carlos Navarro y Al-

amansa. El bearnes (opera in four acts). Text: D. Antonio Biaggi. Benedictus. La Familia (orchestra). Gran salve a Nuestra Sefnora de la Providencia (SATB and orchestra). Guarionex (opera in three acts). Text: Alejandro Tapia y Rivera. Lamentacion, no. 1. Lamentacion, no. 2, por Miercoles Santo (three-part chorus). Lamentacion, no. 3, G minor (three-part chorus). Litanias jesuitas (SATB and orchestra). Macias (opera in three acts). 1871. Text: Don Martin Travieso, after

Macias, by Mariano Jose de Larra (1834). Premiere: 19 August 1977; Teatro Tapia, San Juan.

Magnificat (SATB). 1860. La Manganilla (orchestra). Masses:

Anunciaci6n, a 3. Ascensi6n, a 3. 1875. B-flat minor (two-part chorus and orchestra). 1867. Library: Caracas;

Archivo Hist6rico de Puerto Rico (manuscript copy from 1872 by Heraclio Melendez).

C major (two-part chorus and orchestra). 1867. Library: Caracas. Circumcision, a 3. Easter. 1876. Missa brevis in A minor, a 2.

316


Noche buena. Purification, a 3. San Juan (SATB and orchestra). San Juan, C major (two-part children's chorus). 1859. Note: Written

for the inauguration of the San Juan Capila. Santa Cecilia (SATB and orchestra).

Miserere (three-part chorus and orchestra). Novenarias:

de Nuetra Sefiora de Belin. de San Francisco. de San Juan Bautista. de San Miguel y Septenario de Dolores. de Santa Rosa de Lima.

La Palma del Cacique (opera). 1856. El parto de los montes (orchestra). La Peseta (orchestra). Requiem, a 3. Las siete palabras (SATB and orchestra). Sonadina de violin (violin and orchestra).

(violin and piano). Toniddn (orchestra). Tota pulchra (chorus and orchestra). Note: Instrumentation includes sax-

ophone, first use in Puerto Rico.

Edmund Thornton Jenkins, 1894-1926

Afram (opera in three acts). 1924. Contents: Beneath the palmettos and

pines; Blues des contrebaniers et des policiers; The Carolina strut; Chanson du prince; Chanson negre: O bye and bye; Dance of the cot- ton pickers; Danse d'amour; Kentucky Kate; L'il Liza Jane; Lamenta- tion; Nobody knows de trouble I see; Pretty kids; Tableau de la plan- tation.

African war dance (orchestra). 1925. Won: Casper Holstein award, first

prize, 1926. Amber eyes. 1925. Baby darling, baby mine (medium voice and piano). 1919. Text: William

Archer Plowright. Premiere: August 8, 1919; Albert Rooms, London; Evelyn Dove, soprano.

Charlestonia: Rhapsody, no. 1, op. 12 (orchestra). 1925. Premiere: July 1925; Kursaal, Ostend; F. Rasse, conductor.

Doubting (medium voice and piano). 1917. Premiere: December 11, 1917; Queen's Hall, London.

The fiddler's fiddle (medium voice and piano). 1917. Premiere: December 11, 1917; Queen's Hall, London.

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BMR Journal

Folk rhapsody, no. 2: Rapsodie spirituelle (orchestra). 1923. Premiere: No- vember 2, 1919; Wigmore Hall, London; Edmund Thornton Jenkins, conductor.

How sweet is life (medium voice and orchestra). 1917. Text: William Archer Plowright. Premi&re: March 27, 1917; Marjorie Perkins, so-

prano. I want you near me.

If I were to tell you I love you. 1925. Love's hour (medium voice and piano). 1916. Text: William Archer

Plowright. Premiere: December 15, 1916; Adah Rogalsky, soprano. Much ado (orchestra). 1916. Premiere: June 27, 1916; Queen's Hall, Lon-

don. A prayer (medium voice and piano). 1925. Paris: Anglo-Continental-

American Music Press, 1925. 8 pp. A.C.A.(CL)5. Text: Benjamin G. Brawley. Library: Columbia.

Prelude religieux (organ and orchestra). 1917. Premiere: June 22, 1917; Queen's Hall, London.

Reverie phantasie (violin and piano). 1919. Premiere: August 8, 1919; Al- bert Rooms, London; Angelita Riveira, violin; Edmund Jenkins, piano.

A romance (medium voice and piano). 1917. Premiere: December 11, 1917; Queen's Hall, London.

Romance (violin and orchestra). 1918. Premiere: March 22, 1918; Gladys Chester, violin.

The saxophone strut. 1925. Slow movement and rondo (woodwind quartet and piano). 1919. Instru-

mentation: 1020 1000. Premiere: March 5, 1919; Mary Underwood, flute?; G. Stutely, clarinet?; Edmund Jenkins, clarinet; Francis Bradley, horn?; Marjorie Herman, piano? Won: Battison Haynes Prize, 1919.

Spring fancies (piano). 1920. Paris: Anglo-Continental-American Music Press, 1925. 7 pp. A.C.A.(CL)10. Library: Columbia.

Sonata in A major (violoncello). 1925. Won: Casper Holstein award, second prize, 1925.

Symphony, op. 14 (orchestra). 1926. 50 pp. Duration: 25:00 to 30:00. Note: Possibly left unorchestrated.

That place called Italy. 1925. Two ballet airs (orchestra).

Ludovic Lamothe, 1882-1953

Billet (medium voice and piano). Paris: n.p.? La Dangereuse: Merinque hai'tienne (piano). Bruxelles: Mahillon, n.d. [?]

Recorded: Victor (?). Danza, no. 1 (orchestra). Danza, no. 2 (orchestra).

318


Danza, no. 3 (orchestra). Fleurs d'Haiti (piano). Recorded: Victor (Ludovic Lamothe?, piano). Nibo: Meringue de carnaval (piano). Papillons noirs (piano). Bruxelles: Mahillon. Retraite aux flambeaux. (orchestra). Arranged by John Jost. Sous la tonelle (orchestra). Tango (piano). Port-au-Prince: Jean, Antoine, Ferdinand Lamothe, 1955.

Library: Library of Congress. Valses, danses espagnoles, scenes de carnaval et autres (piano). Port-au-

Prince: Jean, Antoine, Ferdinand Lamothe, 1955. Library: Library of

Congress (55-1787).

J[ean?]-J[acques?] O., Chevalier de Meude-Monpas, fl. 1786

Six concerto a violon [or flute] principal, premier et second violon, alto, et basse, haut-bois ou fluttes, et cors ad libitum, graves par d'Olivier. Paris: Bailleux, 1783. Dedication: King of France.

, no. 1, D major. Contents: (1) Allegro; (2) Adagio; (3) Rondeau.

Library: Library of Congress. , no. 4, C major. Contents: (1) Allegro; (2) Andante; (3) Ron-

deau; allegretto. Library: Library of Congress.

Chevalier de Saint-Georges, 1749-17994

In brief summary, three circumstances have ascribed to Saint-Georges works that were not his. The brothers Marius, Francis, and Henri Casadesus are known to have published works of their own as being by eighteenth-century figures, including Saint-Georges. These are readily identified by style and programatically picturesque titles. Colorful titles also account for numerous works issued by Augener in particular which were attributed to Saint-Georges, under whose name these were for-

merly entered by a cataloger of the Schomburg Collection. A third cate-

gory indicates how popular the music of this composer was when (about 1795) a London publication of six "canzonets" was issued by "the author" with a dedication to the Baroness de Lockhart, which also contains a piano setting of a D major symphony (very likely the work of the Mannheimer Thomas Alexander Erskine, Earl of Kelly [1732-1781] but, on stylistic grounds, certainly not by Saint-Georges). It is also evident that among these works are transcriptions by Saint-Georges of works by others, Vous l'ordonnes being an initial case in point.

4. The year of Saint-Georges's birth, as corrected by Gabriel Banat in this issue, is

hereby acknowledged.

319

BMR Journal

Collections

Choix de musique. Deux-Ponts: Sansom et Comp., July 15, 1783 [1784]. Dedication: A. S. A. S. Monseigneur le duc regnant des Deux-Ponts. Contents are cited below under individual works.

Receuil d'airs (voice and piano). Dedication: Mme la Comtesse de Vauban. Library: Bibliotheque Nationale (no. 4113; R6s. P. 419). Con- tents cited below under individual works.

Trio (Duos) (violin and piano). Dedication: Mme la Comtesse de Vauban. 212 pp. Note: This manuscript notebook contains sketches, evidently designed, as indicated, for violin and piano. In some instances, as noted, the violin part was added later and, in some, never added, but with a staff reserved. If not indicated, both parts were written into the notebook at the same time. Items lacking a tempo indication are cited within brackets. Library: Bibliotheque Nationale (17725). Contents cited below under individual works.

Individual works:

A quels maux tu me livre (high voice and keyboard). Adagio for piano in F minor, S. In Trio (Duos), 9-10. Edited by Domi-

nique-Rene de Lerma. Bryn Mawr: Merion Music, 1981, with notes by Natalie Hinderas. Recorded: (1) Orion ORS-78300 (Natalie Hinderas, piano) 1977; (2) Performance Records CR-77004 (Raymond Jackson, piano) 1980.

Adagio for violin and piano in F minor, i. In Trio (Duos), 119-120. Note: For piano only.

Adagio for violin and piano in G minor, 2(/4). In Trio (Duos), 43-44.

Adagio for violin and piano in A major, i. In Trio (Duos), 47-48. Adieu, Lizette (medium voice and keyboard). 1775. In Receuil d'airs. Adieu, paisible indifference (high voice and keyboard). Ah! voyez donc que je suis malheureuse (medium voice and keyboard). Un-

finished. Library: Bibliotheque Nationale (L4588 IV). Aimes, vous avez quinze ans (medium voice and keyboard). Allegro for violin and piano in C major, c. In Trio (Duos), 29-32. [Allegro for violin and piano in C major, c]. In Trio (Duos), 67-70.

[Allegro for violin and piano in C major, ?]. In Trio (Duos), 73-78.

[Allegro for violin and piano in C major, X]. In Trio (Duos), 91-92. Note: The violin part was added later to the first 18 (of 77) measures only.

[Allegro for violin and piano in D major, 2(/4)]. In Trio (Duos), 1-4.

[Allegro for violin and piano in D major, ?]. In Trio (Duos), 93-96. Note: The violin part was added later and is incomplete.

[Allegro for violin and piano in D major, ?]. In Trio (Duos), 101-104.

Allegro for violin and piano in D major, i. In Trio (Duos), 150-152. Note:

320


For piano only; although a staff and bars exist for the violin part, the violin part was not added.

Allegro for violin and piano in D major, i. In Trio (Duos), 181-186.

Allegro for violin and piano in E-flat major, e. In Trio (Duos), 55-58. Note: For piano only.

Allegro for violin and piano in E-flat major, ?. In Trio (Duos), 39-42. Note: The opening ten measures of the violin part were added later.

Allegro for violin and piano in E-flat major, c. In Trio (Duos), 121-125. Note: For piano only.

Allegro for violin and piano in E-flat major, ?. In Trio (Duos), 141-146. Note: The violin part was added later.

[Allegro for violin and piano in F major, ?]. In Trio (Duos), 11-14.

Allegro for violin and piano in F major, ?. In Trio (Duos), 135-139. Note: For piano only.

Allegro for violin and piano in F major, i. In Trio (Duos), 197-200. Note: For piano only.

Allegro for violin and piano in G major, X. In Trio (Duos), 45-40.

[Allegro for violin and piano in G major, c]. In Trio (Duos), 59-62.

Allegro for violin and piano in G minor, c. In Trio (Duos), 159-162.

Allegro for violin and piano in G minor, i. In Trio (Duos), 203-206.

[Allegro for violin and piano in A major, X]. In Trio (Duos), 53-54.

Allegro for violin and piano in B-flat major, ?. In Trio (Duos), 173-176. Note: A draft of the first movement of the violin sonata in B-flat

major. Allegro moderato for violin and piano in A major. In Trio (Duos), 49-52. Allegro moderato for violin and piano in A major. In Trio (Duos), 167-

170. Note: A draft for the first movement of the violin sonata in A

major. L'Amant anonime: Comedie en deux actes melee de ballets representee a Paris le

8 mars 1780. 152 pp. Text: Mme de Genlis. Contents: (1) Despuis longtems (tenor); (2) Tant de circonstance (tenor and bass); (3) Son amour, son constance (soprano); (4) Chantons et celebrons (chorus); (5) Ballet (string orchestra); (6) Chanson (soprano); (7) Danse (string orchestra); (8) Quinque (two sopranos and two basses); (9) Amour devient mon propice (soprano); (10) Cesses, cesses (soprano and bass); (11) Aimer sans pouvoir le dire (bass); (12) Du tendre amour (soprano); (13) Non, non (soprano and tenor); (14) Ah quel trouble (soprano, tenor, and bass); (15) Ballet (string orchestra); (16) Chorus; (17) Ballet; (18) Quatour (two sopranos, tenor, and bass); (19) Contredanse generale. Instrumentation: 2202, 2000. Library: Bibliotheque Nationale.

L'Amant anonime overture. Instrumentation: 0200, 2000. Note: The same music is also known as Symphony no. 2.

Amour, amour, tiran impitoiable (high voice and keyboard). Amour, charmant Anacreon (medium voice and keyboard).

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BMR Journal

L'Amour de la philosophie (medium voice and keyboard). L'Amour est un enfant trompeur (high voice and keyboard). After 1775. In

Receuil d'airs. L'Amour qu'on peint si mechant (medium voice and keyboard). Les Amours et la mort du pauvre oiseau (violin). Spurious? Andante for piano in C major, l. In Trio (Duos), 89-90. Andante for violin and piano in D major, X. In Trio (Duos), 149. Note: For

piano only. Andante for violin and piano in D major, l. In Trio (Duos), 155-156.

Note: For piano only; the violin part was not added. Andante for violin and piano in D minor, 3(/4). In Trio (Duos), 185-186. Andante for violin and piano in E-flat major, i. In Trio (Duos), 37-38.

Note: The violin part was added later. Andante for violin and piano in E-flat major, c. In Trio (Duos), 85-86.

Note: The violin part was added later. Andante for violin and piano in F major, 3(/4). In Trio (Duos), 139-140.

Note: For piano only. Andante for violin and piano in F major, i. In Trio (Duos), 201-202. Note:

For piano only. Andante gratioso for violin and piano in C minor, i. In Trio (Duos), 132. Andantino for piano in C major, 2(/4). In Trio (Duos), 7-8. [Andantino for piano in C major, 2/(4)]. In Trio (Duos), 5. [Andantino for piano in C minor, l]. In Trio (Duos), 5-6. [Andantino for piano in D major, 2(/4)]. In Trio (Duos), 25. [Andantino] for piano in G major, 2(/4). In Trio (Duos), 17. [Andantino] for piano in G minor, l. In Trio (Duos), 22. Andantino for violin and piano in A major, X. In Trio (Duos), 171-172.

Note: A draft for the second movement of the violin sonata in A major.

Aria for violin and piano in C major, l. In Trio (Duos), 71-72. Aria con variazione for violin and piano in D major, i. In Trio (Duos),

105-107. Contains three variations. Aria con variazione for violin and piano in E-flat major, i. In Trio (Duos),

147-148. Contains four variations. Aria con variazione for violin and piano in E-flat major, Q. In Trio (Duos),

193-196. Contains four variations. Aria con variazione for violin and piano in G major, l. In Trio (Duos),

23-24. Note: For piano only. Contains two variations. Aria con variazione for violin and piano in G major, 2(/2). In Trio (Duos),

63-66. Contains four variations. Recorded: Arion ARN-38484 (Jean- Jacques Kantorow, violin; Brigitte Haudebourg, harpsichord) 1978.

Au fond d'un bois solitaire (medium voice and keyboard). Au penchant de cette Coline (medium voice and keyboard). Au penchant qui nous entraine (high voice and keyboard).

322


Aupres de vous, mon coeur soupire (soprano, tenor, and string orchestra). 14 pp. Library: Bibliotheque Nationale (Conservatoire 4112).

L'Autre jour a l'ombrage (medium voice and guitar). Paris: Chez Imbault [1785?]. Library: British Library (B.362.b(193.)), Bibliotheque Nationale (manuscript, 2 pp., L4588).

(high voice and keyboard). (medium voice and keyboard). Accompt. par Mr. Deleplanque. (medium voice and keyboard). Arranged by Dominique-Rene de

Lerma. Premiere: April 20, 1976; Slippery Rock State College, Slippery Rock, Penn.; Diane Bolden, soprano; Eileen Cline, piano.

Avec les jeux dans le village: Air dans "Les Amours d'ete" (high voice and keyboard).

Balvisello tu non sai (medium voice and keyboard). Bientot je vais cesser de vivre (high voice and keyboard). Ce n'est que dans le printemps (high voice and keyboard). Ceci demande ma belle (medium voice and keyboard). C'est aujour'dhuy que le printemps (medium voice and keyboard). C'est donc ainsi qu'on me soupqonne (for soprano, tenor, and string orches-

tra). C'est toi qui nous fait naitre (medium voice and keyboard). Charmante fleur (medium voice and keyboard). La Chasse (opera). 1778. Text: N. Desfontaines. Premiere: October 12,

1778; Comedie Italienne, Paris. Note: Lost. Ciel, o ciel, quel suplice imfame (high voice and keyboard). Coeur pur ou regnoit l'innocence (medium voice and keyboard). Colin disoit a Lise un jour (high voice and keyboard). In Receuil d'airs. Comment gouter quelque repas: Air de "Renaud d'Ast" (high voice and key-

board). In Receuil d'airs. Concerto for bassoon and orchestra. By 1782. Premiere: March 28, 1782;

Paris; Etienne Ozi, bassoon; Concert Spirituel. Note: Lost. Concerto for clarinet and orchestra. Note: Lost. Concerto for violin and orchestra, op. 2. 1772. Paris: Bailleux, 1772. Li-

brary: Bibliotheque Nationale (Conservatoire, K5400), Brussels (Con- servatoire, 5792).

, no. 1, G major. Edited by Dominique-Rene de Lerma. New York: Peer International, 1975. Contents: (1) Allegro; (2) Largo; (3) Rondeau. Premiere: February 22, 1976; Charleston, W.V.; Sanford Allen, violin; Charleston Symphony Orchestra; Leon Thompson, conductor. Library: Library of Congress (75-766224).

, no. 2, D major. Contents: (1) Allegro; (2) Adagio; (3) Rondeau. Library: Bibliotheque Nationale (manuscript parts, Vm74807).

Concerto for violin and orchestra, op. 3. 1774. Paris: Bailleux, 1774. Li- brary: Bibliotheque Nationale (Conservatoire, K5435; manuscript parts, Ms. Vm7 4807), Brussels (Conservatoire, 5793).

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BMR Journal

, no. 1, D major. Contents: (1) Allegro maestoso; (2) Adagio; (3) Rondeaux [sic]. Recorded: Arion ARN-38346 (Jean-Jacques Kantorow, violin; Orchestra de Chambre Bernard Thomas).

, no. 2, C major. Contents: (1) Allegro; (2) Molto adagio e con sordini; (3) [Rondeau].

Concerto for violin and orchestra in D major, op. 4. ca. 1775. Paris: Bailleux, ca. 1775. Contents: (1) Allegro; (2) Adagio; (3) Rondeau. Li-

brary: Bibliotheque Nationale (Conservatoire, K5402). Concerto for violin and orchestra, op. 5. ca. 1775. Paris: Bailleux, ca.

1775. Library: Bibliotheque Nationale (Conservatoire, K5403; manuscript D11144).

, no. 1, C major. Contents: (1) Allegro; (2) Andante moderato; (3) Rondeau. Library: British Library. Recorded: Arion ARN-38346

(Jean-Jacques Kantorow, violin; Orchestre de Chambre Bernard Thomas).

, no. 2, A major. Contents: (1) Allegro moderato; (2) Largo; (3) Rondeau. Recorded: Arion ARN-38 253 (Jean-Jacques Kantorow, violin; Orchestre de Chambre Bernard Thomas) 1974. Note: Incor-

rectly identified as the composer's second violin concerto. Concerto for violin and orchestra, op. 7. 1778. Paris: Bailleux, 1778. Li-

brary: Bibliotheque Nationale (K5404). , no. 1, A major. Contents: (1) Allegro moderato; (2) Adagio; (3)

[Rondeau]. , no. 2, B-flat major. Contents: (1) Moderato; (2) Andante mod-

erato con sordino; (3) Rondeau. Concerto for violin and orchestra in G major, op. 8. 1776. Paris: Henry,

1776. Library: Bibliotheque de l'Arsenal (Mu. No. 197 bis), Bibliotheque Nationale (K5405). Recorded: Arion ARN-38 253 (Jean- Jacques Kantorow, violin; Orchestre de Chambre Bernard Thomas) 1974. Note: Incorrectly identified as the composer's ninth violin concerto.

Cruel amour (medium voice and keyboard). Daigne ecouter l'amant fidelle (medium voice and keyboard). Dans ces desertes Campagnes (high voice and keyboard). Dans mon coeur agite (high voice and keyboard). In Receuil d'airs. Dans nos champs, bergere (high voice and keyboard). Dans un bois solitaire (medium voice and keyboard). Text: Antoine

Houdart de La Motte. Note: Reproduced in The Black Perspective in Music 1, no. 2 (Fall 1973):117.

Dans un vallon sous un epais feuillage (medium voice and keyboard). De mes moutons le nombre augmente: Air du navigateur (high voice and

keyboard). Des bergeres du hameau (low voice and keyboard). D'Hortense voici le portrait (high voice and keyboard).

324


Deux amours sans un ombrage (medium voice and keyboard). Dieu puissant quej'implore (high voice and keyboard). Dieux! quel prestige (high voice and string orchestra). Dors, mon enfant (soprano and keyboard). Le Droit du seigneur (opera). 1784? Paris: Imbault, by 1792. Contents: (1)

D'l'instant qu'on nous mis en menage; (2) L'Autre jour j'etois; (3) Vous enflammez; (4) Ce soir en votre honneur; (5) Colin, s'ra-ce le dernier?; (6) Duo: Ah si parfois; (7) Duo: Dans la prairie. Note: Possi-

bly lost. .Vous enflammez. Paris: Le Duc (Journal de harpe).

L'Eau qui caresse ce rivage (medium voice and keyboard). Elle m'aima (medium voice and keyboard). En amour (medium voice and keyboard). En vain de ma douleur affreuse: Complainte de Marie Stuart en prison (me-

dium voice and keyboard). En vain des tourmens (medium voice and keyboard). Ernestine (opera in three acts). 1777. Text: Captain Valmont de

Choderlos, revised by N. Desfontaines, after L'Histoire d'Ernestine ou les malheurs d'une jeune orpheline, by Mme Riccoboni. Premiere: July 19, 1777; Comedie Italienne. Note: Not located (cited in Annonces de musique) is the Journal de musique par une societe d'amateurs (no. 2, 1777) in which, on page 63, is announced "Airs detaches d 'ERNESTINE, comedie en trois actes mise en musique par M. de Saint-Georges. Chez M. Houbaut, 1 livre 16 sols." Only the following items have been found.

A la plus brillant. Paris: Imbault, ca. 1792. De Clemengis la douloureuse image (two sopranos and or-

chestra). Arranged by Dominique-Rene de Lerma. Premiere: Febru- ary 1983; Joy Simpson, Alpha Floyd, sopranos; American Sym- phony Orchestra; Everett Lee, conductor.

. I n'est point (soprano, unaccompanied). In 1777 issue of the Journal de Paris. Arranged by Dominique-Rene de Lerma. Premiere: February 18, 1984; Peabody/Morgan Black Music Symposium, Friedberg Concert Hall, Peabody Conservatory of Music, Baltimore; Luvada Harrison, soprano; Peabody Chamber Orchestra; Edward Polochick, conductor.

. La seule Ernestine m'enflame (tenor and orchestra). Arranged by Dominique-Rene de Lerma. Premiere: February 18, 1984; Pea- body/Morgan Black Music Symposium, Friedberg Concert Hall, Peabody Conservatory, Baltimore; Garymichael Murphy, tenor; Peabody Chamber Orchestra; Edward Polochick, conductor.

. O Clemengis, lis dans mon ame (soprano and orchestra). Ar- ranged by Dominique-Rene de Lerma. New York: Peer Interna- tional, 1978. Library: Library of Congress (79-771282). Premiere:

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1974; Ford Auditorium, Detroit; Bonita Sanders, soprano; Detroit Symphony Orchestra; Paul Freeman, conductor. Recorded: Colum- bia M-372781 (Faye Robinson, soprano; London Symphony Orches- tra; Paul Freeman, conductor) 1974.

. Satisfait du plaisir (tenor and string orchestra). Edited by Dominique-Rene de Lerma. Premiere: February 18, 1984; Pea-

body/Morgan Black Music Symposium, Friedberg Concert Hall, Peabody Conservatory of Music, Baltimore; Garymichael Murphy, tenor; Peabody Chamber Orchestra; Edward Polochick, conductor.

Feuillage epais (high voice and keyboard). Une fievre brulante un jour (high voice and keyboard). La Fille-garQon (opera in two acts). 1787. Text: Desmaillot, or Eve.

Premiere: August 18, 1787. Note: Cast included Rose Renaud and Mile Carline; Lost.

Grazioso for piano in G minor, 2(/4). In Trio (Duos), 21. Grazioso for violin and piano in C major, 3(/4). In Trio (Duos), 33-36. Guillaume tout coeur (opera). 1790. Note: Lost. Heureuse innocence (high voice and keyboard). Image cherie, ecrits si touchants (soprano and string orchestra). J'ai cru tous mes beaux jours perdus (medium voice and keyboard). J'aime, il est vrai (high voice and keyboard). J'aime Rosette a la folie (tenor and keyboard). J'aime un ungrate beaute (soprano and keyboard). J'avois jure de n'etre plus sensible (high voice and keyboard). Je ris, s'en va (high voice and keyboard). Je suis ne natif de Ferrare: Petit air de "Calpigi dans l'opera de Tarare" (tenor

and keyboard). Je vous aime, j'ose le dire (medium voice and keyboard). J'entends dans nos forets: Romance de Mr. Langle (high voice and key-

board). J'entendais l'autre jour (high voice and keyboard). Un jour me demandoit Hortense (medium voice and keyboard). Julie est sans desirs (medium voice and keyboard). Lainvail aimait Arsenne: Le Novice de la Trappe (high voice and keyboard). Las, si j'avois pouvoir d'oublier sa beaute (high voice and keyboard). Lise chantoit dans la prairie: Air de Blaise et Babet (high voice and key-

board). Loin du soleil (soprano and orchestra). Mais pourquoi pleurer (high voice and keyboard). Le Marchand de marrons (opera in two acts). 1788. Premiere: 1788; Theatre

de Beaujolais, Paris, or Theatre des Petits Comediens. Note: Lost. Minuetto gratioso for violin and piano in E-flat major, 3(/4). In Trio

(Duos), 125-126. Note: For piano only.

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Mon honneur dit que je suis coupable: Air des "Amours d'ete" (high voice and keyboard).

N'etes vous plus la tendre amie (tenor and orchestra). O ma tendre Musette (medium voice and keyboard). O toi qui regnes dans mon ame (high voice and keyboard). On dit que l'amour me guette (high voice and keyboard). On entend plus le chant des amoureux oiseaux (high voice and keyboard). Oreste, au nom de l'amitie: Ariette d'Iphigenie en Tauride (tenor and key-

board). Par pitie, daignes vous (high voice and keyboard). Note: Two settings

exist. Par sa legerete (high voice and keyboard). Plus brillante que n'est l'aurore (high voice and keyboard). Pour aimer Annette (high voice and keyboard). Pour jamais a ma Themire (medium voice and piano). Pour la triste Amelie: Les Regrets d'Amelie (high voice and keyboard). Presto for violin and piano in, E-flat major, g. In Trio (Duos), 87-88. Note:

Violin part added later. Le Printems sur la nature (medium voice and keyboard). Puis que mon espoir se fonde (medium voice and keyboard). Quand j'avois le coeur d'Annette (high voice and keyboard). Note: Two

settings exist. Quand ses drapeaux voloient a la victoire (high voice and keyboard). Quartet for harp and strings. 1777. Arranged by M. Deleplanque for

harp, violin, viola, and basse. Paris: Sieber, ca. 1777. Note: Advertise- ment appears in Mercure de France, September 1778.

Quartets for strings, op. 1. 1773. Paris: Sieber, 1773. Library: Bibliotheque Nationale (Receuil 12; Arsenal, Mu. No. 197 bis; manuscript D 11175; sketches perhaps for violin and keyboard, MS 9866).

, no. 1, C major. Edited by Dominique-Rene de Lerma. New York: Peer International, 1978. 15 pp. Contents: (1) Allegro assai; (2) Rondeau gratioso. Premiere: 1971; Black Music Seminar, Bloom- ington, Ind.; Jacques Israelevitch, Zoltan Szabo, violins; Robert Swan, viola; unknown cellist. Recorded: (1) Columbia M-32781 (The Juilliard Quartet) 1974; (2) Musical Heritage Society MHS-3727 (Quatour Jean-Noel Molard) 1977.

, no. 2, E-flat major. Contents: (1) Allegro; (2) Rondeau. Re- corded: Musical Heritage Society MHS-3626 (Quatour Jean-Noel Molard) 1977.

, no. 3, G minor. Contents: (1) Allegro (2) Rondeau. Recorded: Musical Heritage Society MHS-3727 (Quatour Jean-Noel Molard) 1977.

, no. 4, C minor. Contents: (1) Allegro moderato; (2) Rondeau.

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Recorded: Musical Heritage Society MHS-3727 (Quatour Jean-Noel Molard) 1977.

, no. 5, G minor. Contents: (1) Allegro; (2) Rondeau. Recorded: Musical Heritage MHS-3727 (Quatour Jean-Noel Molard) 1977.

, no. 6, D major. Contents: (1) Allegro assai; (2) Rondeau. Re- corded: Musical Heritage Society MHS-3727 (Quatour Jean-Noel Molard) 1977.

Que de maux soin de toi (medium voice and keyboard). Que me fait a moi la richesse (tenor and string orchestra). Que ne suis je encor un enfant: Le Baiser de Cloris (high voice and key-

board). Quelque chemin que tu prenne: Romance dans Florine (high voice and key-

board). Qu'il est content (soprano and string orchestra). Qui par fortune trouvera nymphes (high voice and keyboard). Quoi Themire tu m'accable (medium voice and keyboard). Rondeau for violin and piano in C major, S. In Trio (Duos), 133-134.

Note: Violin part added later. Rondeau for violin and piano in D major, 2(/4). In Trio (Duos), 19-20. Rondeau for violin and piano in D major, i. In Trio (Duos), 99-100. Rondeau for violin and piano in D major, l. In Trio (Duos), 153-154.

Note: For piano only; the violin part was not added. Rondeau for violin and piano in D major, S. In Trio (Duos), 157-158.

Note: For piano only. Rondeau gratioso for violin and piano in C major, 3(/4). In Trio (Duos),

79-80. Rondeau gratioso for violin and piano in G major, i. In Trio (Duos), 163-

166. Rondo for violin and piano in C major 3(/4). In Trio (Duos), 211-212. Rose d'amour embellissoit ma vie (high voice and keyboard). Ruisseau qui baignes cette plaine (high voice and keyboard). Six quartetto concertants. 1777. Paris: Durieu, 1777.

. Paris: Boyer, 1785 (as op. 14). Six sonates pour le violon par St. George (violin solo, with violin accompa-

niment). Oeuvre posthume. Paris: Pleyel, ca. 1800. 2 vols. #258, contains sonatas 1-3; #259, contains sonatas 4-6. Note: "Gravees par Richomme." Library: British Library (g.422.f(5)), Library of Congress (M219 .A2S142).

no. 1, B-flat major. Contents: (1) Allegro; (2) Aria con variazione.

no. 2, E-flat major. Contents: (1) [Allegro]; (2) Aria con variazione.

no. 3, A major. Contents: (1) [Allegro]; (2) Aria con variazione.

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no. 4, G major. Contents: (1) [Allegro]; (2) Gratioso con variazione.

no. 5, B-flat major. Contents: (1) [Allegro]; (2) Aria con variazione.

no. 6, A major. Paris: L. Alleton, n.d. Contents: (1) [Allegro]; (2) Aria con variazione. Library: Schomburg.

no. 6, A major. Mainz: B. Schott's S6hne, n.d. Edited by Delphin Alard as Sonate III par le chevalier de St. Georges. 11 pp. #19979. Les Maitres classiques du violon, 37. Library: Library of

Congress (M218 .M23). Soir et matin sur la fougere (high voice and keyboard). Sonata for flute and harp. Library: Bibliotheque Nationale (Vm7 6118). Sonata for piano in C major. In Trio (Duos), 207-211. Contents: (1) Alle-

gro. [Sonata for two violins and harpsichord in E-flat major]. In Trio (Duos),

108-118. Contents: (1) [Allegro]; (2) Aria con [4] variazione. Sonate de clavecin [sic] in G major (keyboard with violin accompaniment).

Note: This is a setting of the Concerto for violin, op. 1, no. 1. In Choix de musique.

Sonatas for violin and keyboard. Paris: Le Duc, n.d. Library: Bibliotheque Nationale (Vm7 5601).

[no. 1], B-flat major. Contents: (1) Allegro; (2) Tempo di minuetto. Edited by Dominique-Rene de Lerma. Premiere: February 26, 1971; Boulder Unitarian Church, Boulder, Colo.; Stephen Shipps, violin; Paul Parmalee, piano. Recorded: Arion ARN-38484 (Jean- Jacques Kantorow, violin; Brigitte Haudebourg, harpsichord) 1978.

[no. 2], A major. Contents: (1) Moderato; (2) Andantino. Edited

by Dominique-Rene de Lerma. Premiere: February 16, 1984; Pea-

body/Morgan Black Music Symposium, Friedberg Concert Hall, Peabody Conservatory of Music, Baltimore; Isidor Saslov, violin; Eric Conway, piano. Recorded: Arion ARN-38484 (Jean-Jacques Kantorow, violin; Brigitte Haudebourg, harpsichord) 1978.

[no. 3], G minor. Contents: (1) Allegro; (2) Rondeau gracioso. Recorded: Arion ARN-38484 (Jean-Jacques Kantorow, violin; Bri-

gitte Haudebourg, harpsichord) 1978.

Sospiri volate sul cor del mio ben (high voice and keyboard). Sous les gazons depuis deux ans (high voice and keyboard). Sur une ecorse legere (high voice and keyboard). Symphonie concertante, op. 6 (two violins and orchestra). 1775. Paris:

Bailleux, 1775. Library: Bibliotheque Nationale (Collection Andre

Meyer; Conservatoire H295, lacking solo violin parts); Basel (kr XII 65 no. 4, parts for solo cello, viola, and two oboes only); Library of Con-

gress.

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, no. 1, C major. Contents: (1) Allegro moderato; (2) Andante; (3) Rondeau.

, no. 2, B-flat major. Contents: (1) Allegro poco moderato; (2) Andante amoroso; (3) Rondeau.

Symphonie concertante, op. 9 (two violins and orchestra). 1777. Paris: Le Duc, 1777. Library: Bibliotheque Nationale (Collection Andre Meyer, lacking pp. 2-6 of solo violin), British Library (R.M.17.e.2.(13.))

,no. 1, C major. Contents: (1) Allegro; (2) Rondeau. ,no. 2, A major. Contents: (1) Moderato; (2) Rondeau.

Symphonie concertante, op. 10 (two violins, viola, and orchestra). 1778. Paris: De la Chevardiere, 1778. Paris: Le Duc, 1791 (cited as op. 11 in 1801 catalog). Library: Brussels (Fons Piron, lacks solo violin 1 and solo viola).

, no. 1, F major. Contents: (1) Allegro; (2) Allegro. , no. 2, A major. Contents: (1) Allegro; (2) Rondeau. Library:

Darmstadt.

Symphonie concertante, op. 12, E-flat major (two violins and orchestra). Paris: Sieber, n.d. Library: Biblioth6que Nationale (Collection Andre

Meyer; Conservatoire K5334); Brussels (Conservatoire W 7862, "no. 5" added by hand). Note: This was published alone by Seiber in 1777 with the statement "de St George XII," causing the assumption that this is opus 12 which, at one time, was allied with the following work

(opus 13). Symphonie concertante, op. 13, G major (two violins and orchestra). Li-

brary: Bibliothique Nationale (Collection Andre Meyer; Conservatoire K5434); Brussels (Conservatoire W 7862, "no. 6" added by hand).

. Edited by Jean-FranCois Paillard. Paris: Editions Costallat, 1966. 41 pp. Archives de la musique instrumentale, 15. Library: Library of

Congress (77-770291). Recorded: (1) Erato LDE-3037, Erato STU-70237 (Micheline Blanchard, Germaine Raymond, violins; Ensemble Instru- mental Jean-Marie Leclair; Jean-Francois Paillard, conductor); (2) Erato ERA-9511 and STU-70237, Musical Heritage Society CC-1 (Huguette Fernandez, Ginette Carles, violins; Orchestra de Chambre Jean- FranCois Paillard; Jean-Franqois Paillard, conductor; incorrectly identified as op. 9, no. 2); (3) RCA LSB-4045 (Malcolm Latchem, Martin Jones, violins; Concertante of St. James, Piccadilly; Nicholas Jackson, conductor).

. Edited by Barry S. Brook. Paris: L'Institut de Musicologie de l'Universite de Paris, 1962 (La Symphonie franqaise dans la seconde moitie du dix-huitieme siecle, vol. 3, pp. 143-169). Recorded (cadenza by Dominique-Rene de Lerma): Columbia M-32781 (Miriam Fried, Jaime Laredo, violins; London Symphony Orchestra; Paul Freeman, conductor) 1974.

Symphonie concertante, G major (two violins and orchestra). Contents: (1)

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Allegro moderato. Note: Based on the opus 2 Violin Concerto; no evi- dence of additional movements. Library: Basel.

Symphonie concertante, D major (two violins and orchestra). Contents: (1) Allegro; (2) Rondo. Note: The first movement is based on the first movement of the Violin Concerto, op. 2, no. 2. The second movement

might be based on that concerto's finale. Library: Basel (Kr IV 188, lacking the solo parts).

Symphonie concertante (three violins and orchestra). 1784. Note: The Jour- nal de Paris (May 28, 1784, p. 649) reports, "Une nouvelle symphonie concertante a trois violon au Concert Spirituel du dimanche 30 dans la salle occupee ci-devant par le Theatre Francais au Chateau des Tuile- ries," performed by Rodolfe Kreutzer, Gueriollot, and Gervais. Barry Brook suspects this might have been a revision of one of the sympho- nies concertantes of the op. 10 set.

Symphony no. 1 in G major, op. 11, no. 1. 1779. Paris: De la Chevardiere, n.d. Library: Bibliotheque Nationale (Conservatoire H 202). Contents: (1) Allegro; (2) Andante; (3) Allegro assai. Recorded: Erato LDE-3037 (Ensemble Instrumental Jean-Marie Leclair; Jean-Francois Paillard, conductor).

. Edited by Dominique-Rene de Lerma. New York: Peer Interna- tional (rental). Recorded: Columbia M-32781 (London Symphony Or- chestra; Paul Freeman, conductor) 1974.

Symphony no. 2 in D major, op. 11, no. 2. 1779. Paris: De la Chevar- diere, n.d. Library: Bibliotheque Nationale (Conservatoire H 202). Contents: (1) Allegro presto; (2) Andante; (3) Presto. Note: This is identical with the overture to L'Amant anonime.

. Edited by Dominique-Rene de Lerma. Bryn Mawr: Merion Music (rental). Premiere: February 1976; Ford Auditorium, Detroit; Detroit Symphony Orchestra; Paul Freeman, conductor.

Symphony in G major, WoO. Note: Gretry, in his Essais sur la musique (vol. 2, p. 75) quotes a "refrain" from a symphony by "l'habile artiste Saint-Georges," which excerpt cannot be more fully identified and may relate to a work now lost.

Te voir et t'adorer (high voice and keyboard). Tempo di minuetto for piano in D major, 3(/4). In Trio (Duos), 15-16. Tempo di minuetto for piano in D major, 3(/4). In Trio (Duos), 26-27. Tempo di minuetto for violin and piano in C major, 4. In Trio (Duos),

127-131. Tempo di minuetto for violin and piano in D major, 3(/4). In Trio (Duos),

97-98. Tempo di minuetto for violin and piano in D major, 3(/4). In Trio (Duos),

187-188. Note: For piano only. [Tempo di minuetto for violin and piano in E-flat major, 3(/4)]. In Trio

(Duos), 81-84. Note: The violin part was added later.

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Tempo di minuetto for violin and piano in B-flat major, i. In Trio (Duos), 177-180. Note: A draft for the second movement of the violin sonata in B-flat major.

Toujours belle et toujours severe (high voice and keyboard). Note: Two settings exist.

Tous les pas d'un discret amant (high voice and keyboard). Trio sonata (piano, flute, and violoncello). Arranged by Dominique-Rene

de Lerma. Premiere: October 1974; Virginia State University; Trio Pro Viva.

Vous l'ordonnes (high voice and keyboard). Note: A setting of the song composed by Antoine Laudent Baudron for the original production of Le Barbier de Seville, by Beaumarchais. See "Two friends within the

Saint-Georges songs" by Dominique-Rene de Lerma, in The Black Per-

spective in Music 1, no. 2 (Fall 1973):115-119. Vous me grondez d'un ton severe (high voice and keyboard).

Ignatius Sancho, 1729-1780

A collection of new songs composed by an African. [London?]: The Author, ca. 1769. Dedication: Humbly inscribed to the honorable Mrs. James Brudenell by her most humble and obedient servant. Library: British

Library (H.1652.f[31]). Menuets &c &c for the violin, mandolin, German-flute and harpsichord [with

oblig. horns]. London: Printed for the author and sold by Richard Duke, ca. 1770. Dedication: inscribed to the Right Honorable John, Lord Montague of Boughton, composed by an African. Library: Brit- ish Library (b.53.b[1]).

Minuets, cotillions and country dances for the violin, mandolin, German-flute, and harpsichord [with oblig. horns] composed by an African. London: For the Author, ca. 1767. Dedication: most humbly dedicated to His Grace

Henry, Duke of Buccleugh. Library: British Library (a.9.b[1]). Twelve country dances for the year 1779, set for the harpsichord. London: A.

& B. Thompson, 1779. Dedication: by permission humbly dedicated to the Right Honorable Miss North by her most obedient servant, Igna- tius Sancho. Library: Library of Congress (43-48381).

Jose Silvestre de los Dolores White y Lafitte, 1836-1918

La Belle cubane: The bay of Naples (violin and piano). Paris: Ch. Hayet, 1910. 7 pp. #C.6179H. Library: Biblioth-que Nationale (Fol. Vm3 319); Library of Congress. Recorded: Columbia CL-773 [information about performers not available].

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(two violins and piano). Paris: Ch. Hayet, 1914. Library: Bibliotheque Nationale (4Vm Y4975).

Concerto for violin and orchestra in F-sharp minor. 1864. Contents: (1) Allegro; (2) Adagio ma non troppo; (3) Allegro moderato. Library: Bibliotheque Nationale (manuscript, R6s. 12451).

. Edited by Paul Glass and Kermit Moore. Premiere: February 24, 1974; Avery Fisher Hall, New York; Ruggero Ricci, violin; Symphony of the New World; Kermit Moore, conductor. Recorded: Columbia M- 33432 (Aaron Rosand, violin; London Symphony Orchestra; Paul Free- man, conductor). Library: Library of Congress (LC 75-750080).

(violin and piano). Arranged by J. Ruggero. Melville: Belwin- Mills, 1965. iv, 44 pp. Library: Library of Congress (77-770740).

Helas: Valse lente. Paris: Durdilly, 1907. Library: Bibliotheque Nationale (Vm 12g 14723).

Isabel: Valsa (piano, four hands). Rio de Janeiro: Artur Napoleao, [n.d.?]. Jeunesse: Habanera, op. 29 (two or four violins and piano). Paris: Ulysse

T. Du Wast, 1897. Library: Bibliotheque Nationale (Vm If 6132), Li- brary of Congress.

. Paris: Rene Gilles, 1897. 5 pp. #U.T.W. 352. Library: Spingan. La Jota aragonesa: Caprice (violin and piano). Paris: Gambogi Freres, 1863.

Dedication: a sa Majeste Catholique, Isabelle II, Reine d'Espagne. Li- brary: Bibliotheque Nationale (Vml 6133), Spingam.

.Paris: Choudens. 12 pp. #G.G. 1596. .Edited by Paul Glass. New York: Associated Music Publishers,

1975. 14 pp. and part. Library: Library of Congress. Marcha cubana (piano). 1909. Dedication: Ignacio Cervantes. Mass. ca. 1855. Novelles etudes, op. 33 (violin solo, with violin accompaniment). Paris:

Burdilly, 1902. Library: Bibliotheque Nationale (Vm8 213). Romance-barcarolle, op. 2 (violin and piano). Paris: Gamboge Freres, 1861.

Library: Bibliotheque Nationale (Vm If 6134). Romance sans paroles, op. 8, no. 2 (violin and piano). Paris: Gamboge

Freres, 1863. Library: Bibliotheque Nationale (Vm If 6135). .New York: Edward Schuberth, n.d. 6 pp. #716. Library: Sping-

am. Romance sans paroles, op. 18 (violin and piano). Paris: Heugel, n.d.? 5 pp.

#9656. Library: Spingan. Six grandes etudes, op. 13 (violin, unaccompanied). Paris: Schonenberger,

1869. Library: Bibliotheque Nationale (Vm5 7061). . Paris: Lemoine et Fils, 1898. 21 pp. #S.2936. Library: Spingan.

Styrienne: Morceau de concert, op. 11 (violin and piano). Paris: Froment. London: Schott, n.d. 2nd edition. 13 pp. #E.G. 4460. Dedication: a mon ami, Aime Gros. Library: Spingan.

Valse-caprice, op. 23 (violin and piano). Paris: Hartmann, 1875. Dedica-

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tion: a Monsieur le Marquis de Palomares de Duero. Library: Bibliotheque Nationale (Vm If 6137), Spingarn.

Violonesque, op. 32 (violin and piano). Paris: Ulysse T. Du Wast, 1897. 15 pp. #U.T.W. 377. Library: Bibliotheque Nationale (Vm If 6138), Sping- am.

Zamacueca: Danse chilenne, op. 30 (violin and piano). Paris: Ulysse T. Du Wast, 1897. 7 pp. #U.T.W. 354. Library: Spingarn.

. Paris: Rene Gilles, 1897. Library: Biblioth6que Nationale (Vm If 6139).

REFERENCES

Berwick Sayers, W. C. 1969. Samuel Coleridge-Taylor, Musician: His Life and Letters. Chicago: Afro-Am Press.

Tortolano, William. 1977. Samuel Colerige-Taylor, Anglo-Black Composer, 1875-1912. Metuchen, N.J.: Scarecrow Press.

Black Composers in Europe

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Transcript of Black Composers in Europe