BING CONCERT HALL !"#$%#&SEASON

!"#$%#& SEASONSEPT 2013Sunday, September 22 4–5 Itzhak Perlman and the Young Virtuosos of the Perlman Music ProgramSunday, September 29 6 A Night in Treme The Musical Majesty of New Orleans with Preservation Hall Jazz Band and Special Guests

OCTWednesday, October 9 7 *FREE* Harmony for Humanity: Daniel Pearl World Music Days Concert Memorial Church Friday, October 11 7 *FREE* Live Simulcast of San Francisco Opera’s Falsta! Frost AmphitheaterSunday, October 13 8 St. Lawrence String QuartetSunday, October 27 9 Jon Batiste & Stay Human

NOVFriday, November 1 9 MarizaSaturday, November 2 10 Estonian National SymphonySunday, November 10 10 *FAMILY CONCERT* From the Top Christopher O’RileyWednesday, November 13 11 The Show Must Go On Festival Jérôme Bel Memorial AuditoriumMonday, November 18 11 Cédric Andrieux Festival Jérôme Bel

DECMonday, December 2 11 Pichet Klunchun and Myself— A Film Festival Jérôme BelSaturday, December 7 14 *WORLD PREMIERE* Linked VerseTuesday, December 10 12–13 Philharmonia Baroque OrchestraWednesday, December 11 15 A Chanticleer Christmas Memorial ChurchSunday, December 15 15 *FAMILY CONCERT* San Francisco Boys Chorus

JAN 2014Sunday, January 12 8 St. Lawrence String QuartetWednesday, January 15 16 Kronos QuartetSaturday, January 25 17 Sunday, January 26 Takács QuartetFriday, January 31 18 Grupo Corpo Memorial Auditorium

FEBSaturday, February 1 18 *FAMILY PERFORMANCE* Grupo Corpo Memorial Auditorium Wednesday, February 5 12–13 Philharmonia Baroque OrchestraSaturday, February 8 19 Joshua Bell, ViolinSunday, February 23 20 Angela Brown, Soprano

MARThursday, March 6 12–13 Philharmonia Baroque OrchestraSunday, March 16 20 Haifa Symphony Orchestra of IsraelThursday, March 20 21 Atlantic Crossing Chanticleer & the New Century Chamber Orchestra

APRTuesday, April 1 22 Asif Ali KhanWednesday, April 2 12–13 Philharmonia Baroque OrchestraSunday, April 6 22 Aeolus QuartetFriday, April 11 23 Deborah Voigt, Soprano Thursday, April 24 24 Jake ShimabukuroSaturday, April 26 3 Spring Event for Bing Members & Performance Sponsors Patti LuPone & Mandy Patinkin in ConcertSunday, April 27 8 St. Lawrence String Quartet

MAYSunday, May 4 24–25 *FAMILY PERFORMANCE* Tomá! KubínekFriday, May 16 25 Richard Goode, Piano

INFOSubscription Order & Donation Form: Between Pages 16 and 17Join Our Family 2Season Subscriptions & Ticketing 26–27Donor Benefits 28–29Patron Information 30–31Engage with Stanford Live 32At the Bing Inside Back CoverSeason Calendar Fold-Out Back Cover

Stanford Live’s !"#$%#& Season includes nearly 40 performances. Subscribe now for advance priority seating, ticket discounts, and other benefits. For higher-priority seating and additional benefits, please consider becoming a Member or donor. See pages 26–29 for details.

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All performances take place at Bing Concert Hall, unless otherwise noted.

Our classical recitals will feature violinist Joshua Bell, two di"erent sopranos, Deborah Voigt and Angela Brown, and pianist Richard Goode. The names of these great artists speak for themselves.

Our premieres will include an evening-length work entitled Linked Verse by Stanford composer Jaroslaw Kapuscinski, which will feature #D stereoscopic projection and which we will produce with the Stanford Department of Music. Atlantic Crossing will bring two internationally renowned Bay Area ensembles—Chanticleer and New Century Chamber Orchestra—together for the first time in an exciting musical collaboration.

I am extremely pleased to announce the return of dance to our season. The French choreographer Jérôme Bel will bring us a festival of three full-length pieces, which we will present with the Stanford Dance Division. The acclaimed Brazilian company Grupo Corpo, known for its joyous and sensuous athleticism, will present entirely di"erent but equally satisfying work.

We have renewed our commitment to performances for the entire family. Acclaimed pianist Christopher O’Riley will return with his popular From the Top. Other family events will include a special holiday concert with the San Francisco Boys Chorus and the comic genius of virtuoso vaudevillian Tomá! Kubínek.

A central aspect of our mission is to support the future of the arts. Stanford Live devotes significant resources toward the artistic development of both Stanford students and Peninsula area K–12 students. You may not know that all our performances are available to

Stanford students for only $10 or that thousands of elementary school students attend special performances at almost no cost to them.

It would not be possible to bring the finest performing artists in the world to such an intimate hall without the generous support of our members, our annual donors, and our loyal subscribers. I encourage you to join our family of supporters when making your subscription selections.

The performing arts at Stanford are transforming hearts and minds far beyond our campus. All of us at Stanford Live look forward to sharing these memorable experiences with you this coming season!

Wiley Hausam Executive Director

P.S. In response to a growing chorus of comments we’ve heard from our audience, we will move our evening performance time from 8:00 PM to 7:30 PM (except for Sunday evenings, which will remain at 7:00 PM). We look forward to hearing how well this suits your schedule.

WELCOME TOSTANFORDLIVE !BING CONCERT HALL

Bing Concert Hall is an ideal space for the nuanced, delicate, and complex

textures of the string quartet literature. Next season, we will focus our chamber music program around an exploration of the quartet repertoire. The heart of the chamber music experience at Stanford is the St. Lawrence String Quartet. It also will sponsor a young quartet, the Aeolus, whom we are excited to introduce to you. To these, we will add the unstoppable Kronos and the Takács, one of the world’s preeminent interpreters of Bartók’s string quartets.

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You are cordially invited to join our family of subscribers and donors this season.

JOIN OUR FAMILY

PATTI LUPONE ( MANDY PATINKIN IN CONCERTSATURDAY, APRIL $%, &:#' PM BING CONCERT HALLAs a Bing Member or Performance Sponsor, you will receive tickets to the Spring Event concert plus pre-concert supper! For details on how to become a Bing Member or Performance Sponsor, please contact the Stanford Live Development O(ce at 650.736.1251. A limited number of tickets for the concert only will be available for purchase in the spring—details to be announced.

Tony Award-winning actors Patti LuPone and Mandy Patinkin bring the thrill of Broadway to the concert hall in a special evening for musical theater fans. The two costarred in the original 1979 Broadway production of Andrew Lloyd Webber’s Evita, which made them stars. These lifelong friends and master interpreters of everything from Cole Porter to Sondheim are reunited to share a lighthearted treat: a musical love story told entirely through the greatest songs ever written for the stage. Their show is funny, passionate, intimate, and utterly unforgettable.Generously supported by Marcia and John Goldman

SPECIAL EVENT FOR BING MEMBERS ( PERFORMANCE

SPONSORS

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PATTI LUPONE !MANDY PATINKINAPR !"

Subscribers are the heart and soul of Stanford Live. Each season subscribers select three or more events, some that are familiar and others that are entirely new. In return for your commitment, we o"er choice seating at a great price and many more benefits (see pp. 26–27 for details).

Donors are essential to the success of Stanford Live. Most donors are also subscribers, and on top of your subscription, your gifts help us bring engaging and

innovative artists to the stage and our community. As a way to acknowledge your generosity, we o"er exceptional seating, VIP treatment, invitations to receptions, insider access, and reserved parking (see pp. 28–29 for details).

We continue to honor our commitment to share, celebrate, and advance the art of live performance. It would not be possible to bring the finest performing artists in the world to such an intimate hall without the generous support

of our Bing Members, our Stanford Live annual supporters, and our loyal subscribers. We encourage you not only to join us in the concert hall this season but also to join our family of supporters when making your subscription selections.

Together, our family of subscribers and donors make possible the presentation and enjoyment of live performance at Bing Concert Hall and on the Stanford campus.

“Stanford’s Bing Concert Hall is a total delight. Architecturally and acoustically, it is without peer, combining contemporary style with a homey, warm ambience.”—San Francisco Classical Voice

Bing Concert Hall was made possible by the vision and generous founding gift of Helen and Peter Bing and opened in January 2013.

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ITZHAK PERLMAN , THE YOUNG VIRTUOSOS

SEPT !!

ITZHAK PERLMAN AND THE YOUNG VIRTUOSOS OF THE PERLMAN MUSIC PROGRAMSUNDAY, SEPTEMBER $$, $:#' PMBING CONCERT HALLReserved Seating $25 / 45 / 60 / Premium $75

The grand master of the violin, Itzhak Perlman is beloved for his charm and humanity as well as his talent. He is treasured by audiences throughout the world, who respond to his remarkable artistry and to his undeniable joy in making music. His Perlman Music Program o"ers a supportive musical community to young musicians of rare and special talent. Perlman acts as the host and conductor of this special concert featuring some of today’s most remarkable young string players.

Generously sponsored by Kristie Hinze Clark and James H. Clark

Stanford Live and Bing Concert Hall: Ensuring the future of classical music!

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DANIELPEARLWORLDMUSIC DAYSCONCERTOCT "#

*FREE* HARMONY FOR HUMANITY:DANIEL PEARL WORLD MUSIC DAYS CONCERTWEDNESDAY, OCTOBER ), &:#' PMMEMORIAL CHURCH

Stanford Live and Music at Stanford team up to present this annual tribute concert honoring the life and memory of the slain Wall Street Journal reporter, musician, and Stanford graduate Daniel Pearl. Faculty and students from Stanford’s Music Department, including ensemble-in-residence the St. Lawrence String Quartet, o"er an engaging program intended to promote cross-cultural understanding through music.Co-sponsored by the O"ce for Religious Life at Stanford University

Become an Usher / Volunteer Opportunities Join our valued team of volunteer ushers and earn free Stanford Live tickets and more benefits while you perform an important service to the community. Duties include seating patrons, ticket taking, concessions sales, and more. Visit live.stanford.edu or contact Bill Starr, House Manager, at bstarr@stanford.edu or 650.725.1962.

A NIGHT IN TREMESEPT !"

A NIGHT IN TREME THE MUSICAL MAJESTY OF NEW ORLEANS WITH PRESERVATION HALL JAZZ BAND AND SPECIAL GUESTSSUNDAY, SEPTEMBER !-, ):"" PMBING CONCERT HALL

Ivan Neville, vocals / Leo Nocentelli, guitar / Stanton Moore, drumsReserved Seating $25 / 36 / 48 / Premium $60

Treme, the wildly popular HBO television series famous for its portrayal of New Orleans music and tales of intrepid musicians in the aftermath of Hurricane Katrina, brings its soundtrack to the Bing, courtesy of the legendary Preservation Hall Jazz Band. There’s no mistaking that historically rollicking Dixieland sound of trumpet, clarinet, trombone, tuba, banjo, drums, and piano improvising together as one collective, rhythmic force. Preservation Hall will be joined by Ivan Neville, son of Aaron Neville and leader of Dumpstaphunk; Leo Nocentelli, guitarist from the Meters; and Stanton Moore, drummer of Galactic!

“The music pressed forward tirelessly, heroically, exultantly, just like New Orleans itself.”

—Chicago Tribune

Generously funded by the Koret Foundation, the Koret Jazz Project is a multiyear initiative to support, expand, and celebrate the role of jazz in the artistic and education programming of Stanford Live.

*FREE* LIVE SIMULCAST OF SAN FRANCISCO OPERA’S FALSTAFFFRIDAY, OCTOBER **, +:'' PMFROST AMPHITHEATERSign up to our e-club online to receive advance notice for obtaining free tickets

San Francisco Opera returns to the beloved Frost Amphitheater with Verdi’s take on Shakespeare’s The Merry Wives of Windsor and Henry IV. Bryn Terfel, the “definitive” Falsta" of our day (Chicago Tribune), stars in this wistful comedy which will be simulcast live from the War Memorial Opera House to Stanford, projected on a large screen under the stars. Music Director Nicola Luisotti conducts.Music by Giuseppe Verdi and Libretto by Arrigo Boito / Nicola Luisotti, conductor / Olivier Tambosi, directorBryn Terfel, Falsta! / Ainhoa Arteta, Mistress Alice Ford / Heidi Stober, Nannetta / Meredith Arwady, Mistress Quickly / Francesco Demuro, Fenton / Fabio Capitanucci, Ford / Renée Rapier, Mistress Meg PageSung in Italian with English supertitles. Approximate running time: 3 hours, including two intermissions.This simulcast is sponsored, in part, by Tad and Dianne Taube and the Koret Foundation

SAN FRANCISCO OPERA’S FALSTAFFOCT !!

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Photo: Brett Coom

er/Houston Grand O

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ST. LAWRENCESTRING QUARTET

ST. LAWRENCE STRING QUARTETSUNDAY, OCTOBER *#SUNDAY, JANUARY *$, WITH GUEST VIOLIST JONATHAN VINOCOURSUNDAY, APRIL $&, WITH GUEST SOPRANO JESSICA RIVERABING CONCERT HALL, $:#' PM

Reserved Seating $25 / 45 / 60 / Premium $75

Stanford’s Grammy-nominated resident ensemble, the St. Lawrence String Quartet, returns with its irresistible Sunday series. Called “brilliant,” “masterful,” “impassioned,” and “fearless” by the likes of the Boston Globe and the New York Times, the SLSQ consistently delights audiences with its vivid musical color and remarkable teamwork.Generously supported by Paul and Iris Brest

ProgramsSunday, October 13Haydn: String Quartet op. 71 no. 2Sam Adams: new QuartetBeethoven: String Quartet op. 132Sunday, January 12Dvo,ák: BagatellesJaná-ek: String Quartet No. 1, KreutzerDvo,ák: Viola Quintet with Jonathan VinocourSunday, April 27Haydn: Quartet TBATsontakis: New Work with Jessica RiveraVerdi: String Quartet

JON BATISTE ( STAY HUMANSUNDAY, OCTOBER $&, &:'' PMBING CONCERT HALL

Jon Batiste, piano & harmonabord / Eddie Barbash, alto sax / Joseph Saylor, drums & tambourine / Ibanda Ruhumbika, tuba & trombone / Philip Kuehn, acoustic & electric bassReserved Seating $25 / 36 / 48 / Premium $60

With his unique voice, virtuosic piano chops, and innovative use of the harmonabord (mouth-blown keyboard), 27-year-old Jon Batiste is a leader among the new generation of exciting jazz musicians. Steeped in the sounds and rhythms of his hometown of New Orleans and trained in classical and jazz piano at the Juilliard School, Batiste and his group, Stay Human, prove to be real musical omnivores. Whether in a subway car, where they recorded their album My N.Y., or in a concert hall, Batiste and his band serve up exuberant, fresh New Orleans jazz.Co-sponsored by KCSM Jazz 91

“Jonathan Batiste is on a mission: to bring the joy of jazz to the masses.”—New York Daily News

JON BATISTE ! STAY HUMANOCT !"

MARIZANOV "$

MARIZAFRIDAY, NOVEMBER *, &:#' PMBING CONCERT HALL

Mariza, vocals / Jose Neto, Portuguese guitar Pedro Jóia, acoustic guitar / Nando Araujo, acoustic bass Vicky Marques, percussionReserved Seating $25 / 36 / 48 / Premium $60

Of both Portuguese and African descent, Mariza has come to be known as the embodiment of modern fado, Lisbon’s emotion-filled folk music. Her soulful voice expresses the essence of this melancholy art form, a song style dating back to the early 19th century and imbued with themes of longing, separation, and reconnection. Mariza reinterprets the classical style of “fado tradicional,” adding her own modern signature for an updated sound. She and her acoustic ensemble convey pure emotion in their tales of the Portuguese sea and sun.

The “diva of world music.”—Guardian

“California-born Jessica Rivera epitomizes the younger,

post-Upshaw generation of American soprano, as much at home

in Golijov, Salonen, and Adams as she is in the conventional

song literature and uncommonly eloquent in all of them.”

—Financial Times

Generously funded by the Koret Foundation, the Koret Jazz Project is a multiyear initiative to support, expand, and celebrate the role of jazz in the artistic and education programming of Stanford Live.

THE SHOW MUST GO ON .!""#/ WEDNESDAY, NOVEMBER #$, ):$" PM MEMORIAL AUDITORIUMReserved Seating $20 / 32 / 42 / Premium $50

The internationally acclaimed French choreographer and conceptual artist Jérôme Bel enjoys a reputation as one of the coolest conceptual dance makers working today. His ironic, antitheatrical productions question the nature of dance and the dividing line between audience and performer. The Show Must Go On features a mix of the finest Bay Area professional dancers with untrained Stanford (students, faculty, and sta") and Silicon Valley “civilians”, each performing to their own classic pop soundtrack via headset.

CÉDRIC ANDRIEUX .!""-/MONDAY, NOVEMBER #., ):$" PMBING CONCERT HALLReserved Seating $32 / 42 / Premium $50

Cédric Andrieux is part of a series of thoughtful works Bel has created with dancers who have made their mark on the art form. In this autobiographical solo, we spend an intimate 80 minutes with Andrieux during which he tells us his story and also dances phrases and short sections of the famous ballets and Cunningham choreography that defined his career. This is a compelling look inside a dancer’s life.

PICHET KLUNCHUN AND MYSELF .!"")/0 A FILMMONDAY, DECEMBER !, ):$" PMBING CONCERT HALLReserved Seating $20

In a frequently funny and intimate dance dialogue, Bel and classical Thai dance master Pichet Klunchun— two artists from radically di"erent worlds—come together for a fascinating exchange of ideas and movement in this understated conceptual performance that revels in our common humanity. Jérôme Bel will be present at this screening and will answer questions about his work onstage following the film.

The Stanford Dance Division, a part of the Department of Theater and Performance Studies, serves students with dozens of classes and presents performances, films, artist talks, and lectures throughout the academic year in Roble Studio and other venues on campus.dance.stanford.edu

*FAMILY CONCERT*CHRISTOPHER O’RILEY’S FROM THE TOPSUNDAY, NOVEMBER *', $:#' PMBING CONCERT HALLReserved Seating $20 / 32 / 42 / Premium $50

Join the studio audience for a live taping of From the Top, one of National Public Radio’s most popular weekly music programs. Hosted by pianist Christopher O’Riley, From the Top has taped more than 250 episodes before live audiences in 35 states and featured more than 2,500 young artists, many of whom have since entered the professional music world. Now it’s our turn for a brilliant showcase as the best and the brightest of Stanford and the Bay Area’s talent take the stage.

FROM THE TOPNOV !"

Recommended for ages 7 and up

ESTONIAN NATIONAL SYMPHONYNEEME JÄRVI, CONDUCTORNAREK HAKHNAZARYAN, CELLOSATURDAY, NOVEMBER !, ):$" PMBING CONCERT HALL

Reserved Seating $25 / 54 / 82 / Premium $95

Originally a small radio orchestra, the Estonian National Symphony Orchestra enjoys increasing acclaim for its concerts, Grammy Award-winning recordings, and festival appearances in Scandinavia, elsewhere in Europe, and in the former Soviet Union. American audiences enjoyed its colorful brilliance for the first time in 2009, when political borders opened, prompting the ensemble’s first U.S. tour. Young Armenian cellist Narek Hakhnazaryan, winner of the prestigious International Tchaikovsky Competition in Moscow, adds flair to the evening, which o"ers a special insight into centuries of masterful Baltic orchestral tradition.

Program Veljo Tormis: Overture No. 2; Dvo,ák: Cello Concerto; Sibelius: Symphony No. 5

ESTONIAN NATIONAL SYMPHONYNOV !"

NEEME JÄRVI

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Photo: Tiit Mõtus

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FESTIVAL JÉRÔME BEL

IN ASSOCIATION WITHSTANFORD DANCE

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PROGRAM #SOLOMON IN LONDONTUESDAY, DECEMBER *', &:#' PM

Yulia Van Doren, soprano Thomas Cooley, tenor Philharmonia Chorale, Bruce Lamott, directorVan Doren and Cooley are two of today’s most promising young Baroque music vocalists, sought after for their expressiveness and clarity of tone. Don’t miss this rich presentation of both secular and sacred English treasures.Program Stanley: Concerto in B Minor, op. 2, no. 2; Croft: The Burial Service; Boyce: Solomon, a serenata

PROGRAM !C. P. E. BACH ( HAYDN: BERLIN AND VIENNAWEDNESDAY, FEBRUARY ., &:#' PM

Ya-Fei Chuang, fortepiano Robert Levin, harpsichordCommemorating the 300th birthday of C. P. E. Bach, Philharmonia celebrates keyboard virtuosity as not one but two of today’s most revered interpreters of early keyboard music take the stage.

Program C. P. E. Bach: Symphony in E Minor, Wq. 178; Haydn: Keyboard Concerto No. 11 in D Major, Hob. XIII: 11; C. P. E. Bach: Concerto for Fortepiano and Harpsichord in E-flat Major, Wq. 47; Haydn: Symphony No. 68 in B-flat Major

PROGRAM $MUSIC FROM THE HEART OF EUROPE THURSDAY, MARCH %, &:#' PM

Elizabeth Blumenstock, violin and leaderFeaturing works by 17th-century musical innovators, the program begins with Mu"at’s Nobilis Juventus, which includes sections dedicated to the Spanish, the Dutch, the English, and the Italians. Telemann’s overture, Les Nations, is even more peripatetic, and includes movements dedicated to the Turks, the Swiss, the Muscovites, and the Portuguese.Program Mu"at: Fasciculus: I Nobilis Juventus from Florilegium Secundum; Schmelzer: Sonata III from Sacro-Profanum Concentus Musicus; Schein: Suite V from Banchetto musicale; Biber: Sonata IX from Sonatae Tam Aris Quam Aulis Servientes; Schmelzer: Balletto à 4 Pastorella; Johann Georg Benda: Violin Concerto in A Major; Bach: Ricercar à 6 from Musical O!ering; Telemann: Overture-Suite in B-flat Major, Les Nations

PROGRAM &VIVALDI’S VENICEWEDNESDAY, APRIL $, &:#' PM

Juditha: Cécile van de Sant, mezzo-soprano Vagaus: Vivica Genaux, mezzo-soprano Holofernes: Diana Moore, mezzo-soprano Abra: Dominique Labelle, soprano Ozias: Virginia Warnken, mezzo soprano Philharmonia Chorale, Bruce Lamott, directorThe widow Judith takes extraordinary measures to protect her city when it is threatened by foreign invasion. Vivaldi’s only surviving oratorio, Juditha Triumphans features an all-star cast of powerful female voices.Program Vivaldi: Juditha Triumphans

PHILHARMONIA BAROQUE ORCHESTRANICHOLAS MCGEGAN, CONDUCTOR AND MUSIC DIRECTORTHE GRAND TOURFOUR PERFORMANCESBING CONCERT HALLReserved Seating $25 / 54 / 82 / Premium $95

The magic continues in an ongoing partnership with one of the most lauded period-instrument orchestras in the country, Philharmonia Baroque Orchestra. Join the orchestra and esteemed soloists in The Grand Tour: Baroque music from London, Vienna, and Venice.

PHILHARMONIABAROQUEORCHESTRA

THEGRAND TOUR MCGEGAN

Photo: Randi Beach

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SAN FRANCISCO BOYS CHORUSDEC !"

CHANTICLEERDEC $$

CHANTICLEER A CHANTICLEER CHRISTMASWEDNESDAY, DECEMBER **, &:#' PMMEMORIAL CHURCHGeneral Admission $56

A Chanticleer Christmas is in high demand each year in the holiday season, with performances from coast to coast. This Grammy Award-winning “orchestra of voices” initiates the holiday season at Stanford with profound, peaceful, and joyful music in the ornate and acoustically rich atmosphere of Memorial Church. Always inspiring, its repertoire includes the rarities of Gregorian chant, American gospel classics, and plenty of holiday carols.

“No one does a better choral Christmas than the virtuoso male voices of Chanticleer…”—New Yorker

*FAMILY CONCERT*SAN FRANCISCO BOYS CHORUSSUNDAY, DECEMBER *., $:#' PMBING CONCERT HALLReserved Seating $20 / 32 / 42 / Premium $50

Let the angelic blend of voices of the San Francisco Boys Chorus enliven your holiday season with traditional classics, beloved carols, and irresistible favorites. Led by Artistic Director Ian Robertson and Associate Artistic Director Margaret Nomura Clark, the SFBC has sung in churches in Europe, a presidential inauguration, and ballparks across the United States. This December, the Graduate Chorale and Concert and Intermediate Choruses infuse you with holiday spirit while the Handbell Ensemble rings in the season in true festive style.

LINKED VERSESATURDAY, DECEMBER &, &:#' PMBING CONCERT HALL

Jaroslaw Kapuscinski, composer OpenEndedGroup Ko Ishikawa, sho Maya Beiser, celloReserved Seating $52 / Premium $75

Linked Verse is an evening-length concerto for cello, Japanese sho, voice, sound, and live $D stereoscopic visual projection by Stanford Department of Music faculty member and composer Jaroslaw Kapuscinski and OpenEndedGroup from New York City. A multimedia evocation of otherness and union that builds on tensions and accords between elements of Japanese and Western cultures, the work explores ancient and contemporary eras of sensory modalities, both visual and aural. A collage of photographs and videos gathered on location in Tokyo, Kyoto, New York, and San Francisco will evoke a haunting visual landscape. #D glasses provided.

Co-produced with the Stanford Department of Music and commissioned by Stanford LiveAdditional production support and residency provided by EMPAC/Rensselaer Polytechnic Institute and the Ja!e Fund for Experimental Media and Performing ArtsGenerously supported by the Andrew W. Mellon Foundation and the Stanford Arts Institute.

LINKED VERSE DEC "%

*WORLD PREMIERE*STANFORD LIVE COMMISSION

One of the major campus partners of Stanford Live, the Department of Music presents its own series of performances throughout the academic year in Bing Concert Hall, Memorial Church, Campbell Recital Hall, and other venues on campus.music.stanford.edu

Stanford Live can become “an artistic guiding light for Silicon Valley. The new multimedia hall is made for adventure.”—Los Angeles Times

Photo: Lisa Kohler

KRONOS QUARTETWEDNESDAY, JANUARY #(, ):$" PM BING CONCERT HALL

Reserved Seating $25 / 45 / 60 / Premium $75

Celebrating its 40th-anniversary season, San Francisco’s world-renowned, Grammy-winning Kronos Quartet returns to Bing Concert Hall with a Stanford-only program brimming with the quartet’s signature breadth and innovation. The evening includes performances of new Kronos-commissioned works by two illustrious composers: Philip Glass, a towering figure in American music and a longtime Kronos collaborator, and, in the Bay Area premiere of his Third String Quartet, Ukraine’s Valentin Silvestrov, who unites “an array of influences into a graceful, communicative style of his own” (New York Times).

Program Valentin Silvestrov: String Quartet No. 3 (Bay Area premiere); Philip Glass: New Work; Additional works TBA

TAKÁCS QUARTETTHE COMPLETE BARTÓK STRING QUARTETSSATURDAY, JANUARY $., &:#' PMSUNDAY, JANUARY $%, $:#' PMBING CONCERT HALLReserved Seating $25 / 45 / 60 / Premium $75

The Hungarian Takács Quartet, one of the world’s consummate interpreters of Bartók’s string quartets, brings the entire cycle to Stanford in two very special evenings arranged to give a sense of the enormity of Bartók musical journey. The romanticism of the First Quartet gives way to the modernist tendencies of the Third, and finally the Sixth Quartet reveals Bartók’s unprecedented degree of emotional depth, sense of resignation, and even withdrawal from the world. Lauded by critics and audiences alike for its irresistible blend of virtuosic technique and engaging personality, The Takács performs these monuments of the 20th-century quartet literature with a sense of adventure and joyful abandon.ProgramsSaturday, January 25 Béla Bartók: String Quartet No. 1; String Quartet No. 3; String Quartet No. 5Sunday, January 26 Béla Bartók: String Quartet No. 2; String Quartet No. 4; String Quartet No. 6

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TAKÁCS QUARTETJAN !& ' !(

KRONOS QUARTETJAN $&

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JOSHUA BELL, VIOLINSATURDAY, FEBRUARY ., ):$" PM

BING CONCERT HALL

Reserved Seating $25 / 100 / 150 / Premium $175

Often referred to as the “poet of the violin,” Joshua Bell is one of the world’s most celebrated

musicians. In addition to his solo performances, Bell is in demand as an orchestral soloist, is leader

of the English chamber orchestra Academy of St. Martin in the Fields, and is prolific as a

recording artist. His breathtaking virtuosity, tone of sheer beauty, and charismatic stage presence

make him an artist with universal appeal.

Generously supported by Bonnie and Marty Tenenbaum

JOSHUA BELLFEB !"

GRUPO CORPOJAN )$ ' FEB "$

GRUPO CORPOFRIDAY, JANUARY $#, ):$" PMSATURDAY, FEBRUARY #, !:$" PM *FAMILY PERFORMANCE*MEMORIAL AUDITORIUM

Paulo Pederneiras, artistic director, lighting designer Rodrigo Pederneiras, choreographerFriday: Reserved Seating $30 / 45 / 52 / Premium $75 Saturday: Reserved Seating $15 / 22 / 26 / Premium $38

Translated as “Body Group,” the highly acclaimed Brazilian ballet company Grupo Corpo is at once vigorous and urban, primordial and metaphysical. Its work combines the sensuality of Afro-Brazilian dance forms and the technical prowess of ballet with a contemporary, highly theatrical sensibility. In Sem Mim, or “Without Me,” dancers embark on a journey of evolution from sea to earth, their movements flowing and organic. Ímã is a poetry of polarities, molded by the magic that lurks in the convergence of the divergent.Program Sem Mim by Rodrigo Pederneiras, music by Carlos Núñez & José Miguel Wisnik; Ímã by Rodrigo Pederneiras, music by +2 (Moreno, Domenico & Kassin)

! SHOWS!

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Photo: Chris Lee

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CHANTICLEER ( THE NEW CENTURY CHAMBER ORCHESTRAWITH MUSIC DIRECTOR ( VIOLINIST NADJA SALERNO1SONNENBERGATLANTIC CROSSINGTHURSDAY, MARCH $', &:#' PMBING CONCERT HALLReserved Seating $25 / 54 / 82 / Premium $95

Two internationally renowned Bay Area ensembles join forces for the first time in a unique combination of male chorus and chamber orchestra. It was the 1930s, with the swing of Gershwin and Ellington’s orchestras and close vocal harmonies of the Comedian Harmonists. Atlantic Crossing evokes this intoxicating and dynamic time between the two world wars, imagining a cruise ship traveling between Germany and New York in these years of whirlwind creativity when European composers were migrating to the United States. This exciting program incorporates the music of the 1920s and 1930s, reflecting the complex world after World War I was over and the Jazz Age had begun.Generously supported by Clinton and Mary Gilliland

CHANTICLEER

HAIFA SYMPHONY ORCHESTRA OF ISRAELBOGUSLAW DAWIDOW, PRINCIPAL GUEST CONDUCTOR ROMAN RABINOVICH, PIANOSUNDAY, MARCH *%, $:#' PMBING CONCERT HALLReserved Seating $25 / 54 / 82 / Premium $95

Stanford welcomes the illustrious Israeli orchestra on its first coast-to-coast tour of the United States. Under the direction of Music Director Maestro Noam Sheri", the Haifa Symphony Orchestra has become the focal point of musical life in Haifa and northern Israel and recently expanded its activities throughout the country and abroad. Virtuoso piano soloist Roman Rabinovich promises to dazzle—he’s the 2008 winner of the Arthur Rubinstein International Piano Master Competition.Program Carl Maria von Weber: Overture to the opera Euryanthe Serge Rachmanino": Piano Concerto No. 3 in D Minor, op. 30 Pyotr Ilyich Tchaikovsky: Symphony No. 4 in F Minor, op. 36

ANGELA BROWNFEB !)

OPERA...FROM A SISTAH’S POINT OF VIEWANGELA BROWN, SOPRANOKELLEEN STRUTZ, PIANOSUNDAY, FEBRUARY $#, $:#' PMBING CONCERT HALLReserved Seating $25 / 45 / 60 / Premium $75

Angela Brown personifies the ideal American dramatic soprano with her sheer vocal power, luxurious finesse, shimmering, high pianissimos, and a charming personality larger than life. Her highly successful Metropolitan Opera debut in 2004 as Verdi’s Aida sparked rave reviews and spawned her operatic career. Through this witty and inspired recital program, Brown brings awareness of opera and classical vocal performance to diverse audiences, demystifying the genre through lively commentary on opera plots and characters, show-stopping arias, poignant art songs, and moving spirituals.

Generously supported by Helen and Peter Bing

HAIFA SYMPHONY ORCHESTRA OF ISRAELMAR !"

BOGUSLAW DAWIDOW

CHANTICLEER ! THE NEW CENTURY CHAMBER ORCHESTRAMAR !"

Photo: Kristin Loken Anstey

Photo: Eran-Lavi

!! '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS

ASIF ALI KHANTUESDAY, APRIL *, &:#' PMBING CONCERT HALL

Asif Ali Khan, lead voice / Raza Hussein, harmonium and choirs Sarfraz Hussein, harmonium and voice / Khawar Ali, tablas Ensemble of Choristers and ClappersReserved Seating $25 / 36 / 48 / Premium $60

Get ready for some Sufi soul from Pakistan’s reigning prince of Qawwali music, Asif Ali Khan, and his ensemble. A student of the great Nusrat Fateh Ali Khan, Asif Ali Khan is a powerful figure on the international music scene, praised for his brilliant inventiveness. His distinctive style of this form of Sufi devotional music, dating back 700 years, is characterized by full-throated vocals and energetic rhythms. Khan can be meditative and trance-like and then suddenly thrilling and ecstatic—a genuinely inspiring experience.

AEOLUS QUARTETSUNDAY, APRIL %, $:#' PMBING CONCERT HALL

Reserved Seating $25 / 45 / 60 / Premium $75

Championed by Stanford’s own St. Lawrence String Quartet, the Aeolus is among the best of the new generation of string quartets. The young “20-something” members are taking the competition world by storm, capturing prizes at nearly every major contest in the United States. The Aeolus has released two critically acclaimed albums of classical and contemporary works and has brought down the house in major venues across North America, Europe, and Asia.Program Henry Purcell: Selections from Four-Part Fantasias Christopher Theofanidis: Ariel Ascending Beethoven: String Quartet in F Major, op. 59, no. 1

AEOLUS QUARTET

APR !"

DEBORAHVOIGT APR $$DEBORAH VOIGT, SOPRANO

FRIDAY, APRIL ## , ):$" PMBING CONCERT HALLReserved Seating $25 / 54 / 82 / Premium $95

Deborah Voigt has long been recognized as one of the world’s most versatile singers and one of music’s most endearing personalities. A reigning dramatic soprano, internationally revered for her performances in the operas of Richard Wagner and Richard Strauss, she has also portrayed some of the great heroines in Italian opera to notable acclaim. Voigt is an engaging recitalist and performer of Broadway standards and popular songs and is featured frequently in TV broadcasts. Her powerful yet nuanced voice is unparalleled.

'(" .)!( .ARTS * L IVE.STANFORD.EDU !$

Photo: Cynthia Sciberras

ASIF ALI KHAN APR "$

!& '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(" .)!( .ARTS * L IVE.STANFORD.EDU !)

RICHARD GOODE, PIANOFRIDAY, MAY *%, &:#' PMBING CONCERT HALLReserved Seating $25 / 54 / 82 / Premium $95

Pianist Richard Goode is one of the most celebrated musicians and pianists of our time. He has been acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic music. He is the first American-born musician to have recorded the complete Beethoven sonatas—a recording that was nominated for a Grammy Award. He is a consummate chamber musician as well as a solo recitalist and a favorite soloist with major orchestras.All-Beethoven Program Piano Sonata No. 30 in E Major, op. 109 Piano Sonata No. 31 in A-flat Major, op. 110 Selections from Bagatelles, op. 119 Piano Sonata No. 32 in C Minor, op. 111

RICHARD GOODEMAY !"

JAKE SHIMABUKURO

APR !"

JAKE SHIMABUKUROTHURSDAY, APRIL $/, &:#' PMBING CONCERT HALLReserved Seating $25 / 36 / 48 / Premium $60

In his short career, young wizard Jake Shimabukuro has almost single-handedly revived the popularity of the ‘ukulele, persuading us that it must be taken seriously as a concert instrument. He has been declared a musical “hero” by Rolling Stone magazine, won accolades from artists and fans of classical, jazz, country, and rock music alike, wowed audiences on TV, earned comparisons to Jimi Hendrix and Miles Davis, and even performed for the Queen of England.

TOMÁ/ KUBÍNEK

MAY "**FAMILY PERFORMANCE*

TOMÁ2 KUBÍNEKCERTIFIED LUNATIC AND MASTER OF THE IMPOSSIBLESUNDAY, MAY &, !:$" 0FAMILY MATINEE1 , ):"" PMBING CONCERT HALLMatinee: Reserved Seating $16 / 21 / Premium $25 Evening: Reserved Seating $32 / 42 / Premium $50

Dr. Professor Kubínek is a comic genius, virtuoso vaudevillian, and all-round charmer whose theatrical performances are a joyous experience to remember for a lifetime. Part clown, part mime, part acrobat, his slapstick brand of humor leaves audiences clutching their sides with laughter. With appearances in over 30 countries and a professional career spanning three decades, Kubínek has won the hearts of thousands in theaters, opera houses, and television specials, on Broadway, and at international festivals of culture.

Recommended for ages 9 and up

“Goode’s special gift has always been his selfless artistry: his penetrating intellect,

warm heart, and nimble fingers are entirely placed at the composer’s service.”

—London Times

“Absolutely expert and consistently charming!” —New York Times

!+ '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(" .)!( .ARTS * L IVE.STANFORD.EDU !*

STANFORD LIVESEASON SUBSCRIPTIONS

Subscribe now and enjoy the following benefits:

availability; see website for details)

Stanford Live magazine—a monthly guide with program info and more—delivered in advance to your home

sell-out performances

Two Subscription Plans to choose from:

MINI SUBSCRIPTION

Choose any 3-5 performances and receive all the benefits listed above.

FULL SUBSCRIPTION

Choose 6 or more performances and receive all the benefits listed above, plus:

Want the Best Seats in the House?Become a Bing Member or Stanford Live Donor. Donors of $7,500+ are seated first (by level of gift), followed by Donors of $1,000–$7,499. Seating priority begins at the Friends level ($150–$999).

& EASY WAYS TO ORDER!

Online: live.stanford.eduPhone: %.'.&$..ARTS 0$&+&1

Mail (use enclosed order form): Stanford Live Stanford University 365 Lasuen Street, Second Floor Littlefield Center, MC 2250 Stanford, CA 94305-2250

In Person: Stanford Ticket O(ce: Tresidder Memorial Union, Second Floor Stanford University, Stanford, CA 94305 Hours: Monday–Friday: 10:00 AM–5:00 PM;

Saturday: NOON–4:00 PM

IMPORTANT DATES

Monday, June 3 Season Subscriptions go on sale at 10:00 AM.Wednesday, July 24 Deadline to subscribe/donate to be guaranteed advance seating priority over single-ticket buyers.Saturday, September 7 Single tickets go on sale to the general public.

SPECIAL NEEDS , SEATING REQUESTS

Please indicate any special needs or seating requests when you order. If the seating section you request is no longer available at the time your order is filled, we will seat you in the best available seats in the next lower-priced section. If any performance you request has sold out, we will still fill your order for the remaining performances. Please note that we cannot guarantee the same seats for every performance.

DISCOUNTS

Full Subscribers: Save 10%Youth (age 18 and under): Save 50%

Stanford Faculty/Sta3: Save 20% on Subscriptions & Single Tickets Stanford faculty, sta", visiting professors, fellows, and

subscriptions and on full-price tickets throughout the season. Limit two reduced-price tickets per performance. Valid ID card or Courtesy Card is required at the door.

Stanford Students: Tickets Just $10! All currently enrolled Stanford University students can purchase tickets for just $10 for both subscription and single tickets. SU students are assigned the best available seats at the time of purchase. Limit one reduced-price ticket per performance. Not available for Continuing Studies students. Valid ID card is required at the door.

We gratefully acknowledge the support of Helen and Peter Bing, Elizabeth and Kirk Radke, and the Stanford Arts Institute, underwriters of reduced-price tickets for Stanford Students.

Non-Stanford Students: Save $5 Per Ticket Students ages 19 and over with a valid high school, college, or university ID receive $5 o" adult ticket prices. Limit one reduced-price ticket per performance.Only one discount may be applied per ticket—no compounded discounts. Discounted tickets may not be combined with other special o"ers. See our website at live.stanford.edu for more details.

REFUNDS

Due to the nature of live performance, all programs are subject to change. Tickets are nonrefundable, except in the case of a cancelled event.

HANDLING CHARGES

There is an $11 handling fee for subscription orders and a $4-per-ticket handling fee for single-ticket orders.

CAN’T MAKE A PERFORMANCE?

Exchange or Donate Your Tickets.We are pleased to o"er free ticket exchanges for Full and Mini Subscribers and for donors at the Friend ($150) level and above. All other exchanges will incur a $5 handling charge per ticket.

Starting September 18, exchanges can be made in person, by mail, or by fax for another performance during the current season that is not sold out. If ticket exchanges are for a lower-priced ticket, the di"erence in price becomes a tax-deductible donation to Stanford Live.

You can also donate your tickets and be eligible for a tax deduction.Ticket exchanges and donations must be received by the Stanford Ticket O(ce no later than 5:00 PM the day before a weekday performance or the Friday before a weekend performance. Tickets for past or missed performances may not be exchanged or donated.

SUBSCRIPTIONS & SINGLE TICKETS

All programs subject to change.

!, '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS

SU Student* Patron Friend Supporter Advocate Partner Sustainer Benefactor Artist's Circle Director's Circle Bing Circle$50+ $75+ $150+ $250+ $500+ $1,000+ $2,500+ $5,000+ $7,500–$14,999 $15,000–$24,999 $25,000–$49,999

Subscription to Stanford Live magazine

Tour of Bing Concert Hall

Seating by giving level in advance of subscribers and general public**

Free ticket-exchange privileges

Magazine acknowledgment

Access to purchase reserved-section seats for general admission events

Invitation to the Annual Donor Reception

Access to purchase 2 add’l reserved-section seats for general admission events

Invitations to attend campus engagement activities and open rehearsals

Invitations to Meet the Artist Receptions

Reserved parking for Stanford Live 2013–14 ticketed concerts

Special consideration in all your seating requests Preferred Seating Priority Seating Premium Seating

Access to purchase last-minute house seats***

Access to Members-only concierge ticket services phone line

Tickets to the Spring Event with LuPone/Patinkin† Two Tickets Two Tickets Four Tickets

Option to buy 2 add’l tickets to the Spring Event with LuPone/Patinkin†

ANNUAL FUNDAnnual fund donors help ensure the future of live performances at Stanford and receive wonderful benefits such as priority seating by giving level, opportunities to attend campus engagement activities and special receptions, and reserved parking.

BING MEMBERSHIPSBack by popular demand! Bing Members support the vitality of Stanford Live programming by making annual gifts of $7,500 or more. Join as a Bing Member and enjoy access to a members-only ticket services phone line and special invitations to members-only events. As a Bing Member, you will also receive tickets to the April 26, 2014 Spring Event concert with Patti LuPone and Mandy Patinkin plus pre-concert supper and valet parking.

STANFORD LIVEDONOR BENEFITS

% . ' . & $ . .ARTS 2 L IVE.STANFORD.EDU !-

If you have any questions about your donation, please contact the Stanford Live Development O(ce at 650.736.1251.* Must show current Stanford Student ID number / ** For up to two subscriptions per donation / *** According to membership category, based on availability

† Your Bing Membership or Sponsorship gift is tax deductible as a charitable contribution to Stanford University, but your deduction will be decreased by $500 for each ticket to the Spring Event concert and dinner on 4.26.14. Please be advised that federal law prohibits contributions to attend this event made through a donor advised fund, a private foundation, or a direct payment from an individual retirement account (IRA). Please consult with your tax advisor if you have any questions.

Annual Fund Benefits Bing Membership Benefits

SPONSORSHIP GIFTSYour support helps to o"set artist fees and production costs, commission new work, and fund community and educational outreach opportunities to ensure that Stanford Live brings the highest quality performances to our community. Your sponsorship includes outstanding benefits designed to give you special access to the artist or performance of your choice.All Sponsors receive the following core benefits:

pre-concert supper with valet parking.

Plus additional benefits at the following levels:

PERFORMANCE2 CONCERT SPONSOR 3$","""†

PRODUCING SPONSOR 3(","""†

BENEFIT EVENT SPONSOR 3)","""†

FESTIVAL OR FAMILY PROGRAM SPONSOR 3#"","""†

on the program page as Performance Sponsor and access to purchase premium seats for your performance

Spring Event with LuPone/Patinkin (see first core benefit at top of page)

the exclusive Producing Sponsor and access to purchase premium seats for your performance

(see first core benefit at top of page)

the Benefit Event Sponsor and access to purchase premium seats for your performance

(see first core benefit at top of page)

the Festival or Family Program Sponsor and access to purchase premium seats for your performance

(see first core benefit at top of page)

$" '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(" .)!( .ARTS * L IVE.STANFORD.EDU $#

New This SeasonEvening performances begin at 7:30 PM and Sunday performances begin at 7:00 PM (except as noted).AccessibilityWheelchair Seating with up to three companion seats per wheelchair space is available at every price level. Please indicate your needs when purchasing tickets.Assisted-Listening Devices are available; visit the Patron Services desk prior to the performance.Sign Language Interpreting is available with five business days’ notice. See contact info below. Other Accessibility Needs for you or someone in your party: see contact info below.Contact Us: Call %.'.&$..*)%$ or email stanfordlive@stanford.edu.

ChildrenStanford Live is committed to making quality cultural experiences for audience members of all ages, although some performances may not be suitable for children under the age of five. Regardless of age, all children must have a ticket.

Lobby & HouseThe Bing Concert Hall Lobby and Box O(ce open 60 minutes prior to the performance. Auditorium doors open 30 minutes prior to the performance.

Stay Informed & Keep in Touch The arts are ever-changing and so are our online resources. Visit live.stanford.edu for more details about events and ticket sales, and be sure to join our e-club for all the latest updates and special o"ers.

SEATING DINING PARKING

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Parking is FREE on the Stanford campus in metered and lettered parking zones on weekdays after 4:00 PM and on weekends at all times. Disabled parking, loading, and service-vehicle restrictions are enforced at all times.

Parking for Bing Concert Hall & Frost Amphitheater can be found in the Galvez Lot and on Lasuen Street, Museum Way, Roth Way, and the Oval.

Parking for Memorial Church can be found along the Oval at the end of Palm Drive, on Roth Way, on Museum Way, and on Lasuen Street.

Parking for Memorial Auditorium can be found on Serra Street, Memorial Way, Lasuen Street, Museum Way, and Roth Way.

Parking areas near performance venues may fill up quickly, depending on the size of the event and other simultaneously occurring events on campus. For driving directions or public transportation information, visit live.stanford.edu.

Please allow 30 minutes to find parking and take your seat before the performance. Or come early, easily find parking, and enjoy a meal or a glass of wine and snack at the new Interlude café!

BING CONCERT HALL

MEMORIAL AUDITORIUM

MEMORIAL CHURCH

Seating at Memorial Church is general admission. Access to the reserved seating by section is available for donors of $250 or more (see pages 28–29).

FROST AMPHITHEATER

Seating at Frost Amphitheater is general admission. Access to preferred seating is available to donors of $250 or more (see pages 28–29).

PATRONINFOPre-Concert & Intermission MenuThe exclusive Interlude café in the expansive lobby of Bing Concert Hall serves guests one hour before each performance and during intermission. The café serves gourmet sandwiches, cheese platters, snacks, and an assortment of wines, beers, and nonalcoholic beverages. You can also pre-order beverages or snacks to be ready for you at intermission by visiting the café before the performance or online. See live.stanford.edu for details.

Expanded Pre-Order Menu For more options, such as tasty bento boxes including rosemary grilled chicken, herb grilled salmon, spicy fuki sushi, and more, you can pre-order by 9:00 AM the day before the performance. See live.stanford.edu for details.

Pre-Performance Dining at the Alumni CaféOn weeknights only, enjoy a pre-concert dinner, a glass of wine, or just a quick bite before the show at the Alumni Café. It is only steps away from Bing Concert Hall in the Arrillaga Alumni Center.

Designed by Studio Scott, San Francisco.Copyright © Stanford University. All rights reserved. All programs subject to change. Printed alcohol-free with vegetable-based inks on recycled paper made with

Printed by Blanchette Press.

N

Public Parking--- Walking Path

Alumni Café, Arrillaga Alumni CenterNOTE: MAP NOT TO SCALE

Bing Concert Hall & Bing Concert Hall Ticket O(ceFrost AmphitheaterMemorial ChurchMemorial AuditoriumStanford Ticket O(ce

$! '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS

ENGAGE WITH STANFORD LIVEFOR STANFORD STUDENTS

Stanford students enjoy many opportunities to deepen their experiences of the performing arts by engaging with visiting artists. Stanford Live o"ers workshops and master classes, residence-hall performances and discussions, open rehearsals, and a program that puts students onstage with professional artists. Through Stanford Live Opening Acts, students curate short performances by student ensembles that “open” select events at Bing Concert Hall (to be announced). Beginning in 2013, students will take the stage in the annual Shenson Student Performance Festival and Shenson Cabaret Series.

FOR THE COMMUNITY

Stanford Live provides a broad range of free and low-cost programs that increase arts access for our community and o"er many ways to engage with the performing arts. Our programs include Student Matinees for K–12 students and professional development workshops for teachers, our free “Informance” concert/discussion series at Mountain View’s Community School of Music and Arts, artist workshops at area schools and community organizations, campus talks with visiting artists, our Jazz Talks series at the Cantor Arts Center (presented in partnership with the National Jazz Museum in Harlem), pre- and post-performance talks with artists and scholars, and unique special events each season. Details of all programs will be announced in the coming months.

The student a cappella group Talisman opening for Vusi Mahlasela at Bing Concert Hall on January 30, 2013.

Making Books Sing theater company is joined onstage by students attending the March 2013 student matinee performance of Louis Armstrong: Jazz Ambassador.

STUDENTSONSTAGE

STUDENTMATINEE

Photos: Joel Simon

OUR CAMPUS ARTS PARTNERS

Stanford’s academic arts units present dozens of performances throughout the academic year. Consult these resources for up-to-the-minute information.Music at Stanford One of the major campus partners with Stanford Live, the Department of Music presents its own series of performances throughout the academic year. music.stanford.edu

Stanford Theater and Performance Studies TAPS produces more than a dozen productions each academic year, including canonical plays, commissioned dance works, experimental projects, and the work of visiting artists. stanford.edu/dept/drama

Stanford Dance A division of the Department of Drama, Stanford Dance presents free and low-cost performances, workshops, and more—including events just for Stanford students and events open to the public. dance.stanford.edu

Stanford Arts Institute The Stanford Arts Institute focuses on promoting cross-disciplinary approaches to the arts—in teaching, research, and art making. artsinstitute.stanford.edu

Stanford Events The master calendar of all public events at Stanford can be found at: events.stanford.edu

OUR MISSION, VISION, AND VALUES

Stanford Live is committed to sharing, celebrating, and advancing the art of live music, dance, theater and opera. We unite celebrated and emerging artists with the Stanford campus and greater Bay Area communities in a broad range of experiences to engage the senses and emotions, stimulate minds, and enrich lives. We value artistic vitality, learning, and an inclusive community.

OUR HOME

Stanford Live’s home is Bing Concert Hall. But we present performances all over campus, including at Memorial Auditorium, Memorial Church, and Frost Amphitheater.JO

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The Andrew W. Mellon Foundation

Stanford University365 Lasuen Street, Second FloorLittlefield Center, MC 2550Stanford, CA 94305

!"#$%#&SEASON

Complete Schedule, Subscription & Donation Info Inside

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