237© The Editor(s) (if applicable) and The Author(s) 2017 P. Webster, Church and Patronage in 20th Century Britain, Histories of the Sacred and Secular, 1700-2000, DOI 10.1057/978-1-137-36910-9

BiBliography

Manuscripts

Church of England Record Centre, London Cathedrals Advisory Committee papers Central Council for the Care of Churches papers

Lambeth Palace Library, London George Bell Papers

Pallant House, Chichester Walter Hussey file

Tate Gallery Archives, London Kenneth Clark correspondence

West Sussex Record Office, Chichester Capitular Records (Chichester Cathedral) Episcopal Records (Bishops of Chichester) Walter Hussey Papers

Interviews

Hilary Bryan-Brown, 30 November 2015David Burton Evans, 20 November 2015

238 BIBlIOGRAPHy

James Simpson-Manser, 3 February 2017Garth Turner, 8 February 2017

Unpublished Theses and Dissertations

Cleobury, S. (2007) ‘The style and development of Herbert Howells’ Evening Canticle settings’ (Unpublished M.Phil. thesis, University of Birmingham).

Turner, G. (2011) ‘Cathedrals and change in the twentieth century. Aspects of the life of the cathedrals of the Church of England with special reference to the Cathedral Commissions of 1925, 1958, 1992’ (Unpublished Ph.D. thesis, University of Manchester).

Primary Sources

Bell, G. (1942) ‘The church and the artist’, The Studio 124:594, 81–92.Bell, G. (1944) ‘The Church as Patron of Art’, The Listener (14 September),

298.Bell, G. (1955) ‘The Church and the Artist’, The Listener (13 January), 65–66.Bernard, J. (1968) Magnificat and Nunc Dimittis. For SATB and organ

(london: Novello).Boase, T.S.R. (1943) ‘Religion and art’, Theology 46, 241–48.Bridge, A.C. (1960) Images of God. An essay on the life and death of symbols

(london: Hodder & Stoughton).Britten, B. (1952) Prelude and Fugue on a theme of Vittoria (london: Boosey

and Hawkes).Browne, E. Martin (1946) ‘Our aim’, Christian Drama 1:1, pp.1–2.Carpenter, S.C. (1956) Duncan-Jones of Chichester (london: Mowbray).Cathedrals Commission of the Church Assembly (1961) Cathedrals in Modern

Life. Report of the Cathedrals Commission of the Church Assembly (london: CIO).

Cathedrals Commissioners (1927) Report of the Cathedrals Commissioners. Part One: Report (london: SPCK).

Church of England (1984) The Continuing Care of Churches and Cathedrals. Report of the Faculty Jurisdiction Commission (london: CIO).

Clark, K. (1944) ‘A Madonna by Henry Moore’, Magazine of Art (November) 247–9.Clark, K. (1969) Civilisation (london: BBC).Clark, K. (1975) ‘Dean Walter Hussey. A Tribute to his Patronage of the Arts’ in

W. Hussey (ed.), Chichester 900 (Chichester: Chichester Cathedral) pp.68–72.Colquhoun, F. (1955) Haringey Story. The official record of the Billy Graham

Greater London Crusade 1954 (london: Hodder & Stoughton).Cope, G. ed. (1962) Making the building serve the liturgy (london: Mowbray).Craggs, S.R. (2000) Lennox Berkeley: a source book (Brookfield, VT, Ashgate).

BIBlIOGRAPHy 239

Dearmer, P. (1924) ‘Christianity and Art’ in P. Dearmer (ed.), The Necessity of Art (london: SCM), pp.29–73

Dennison, P. (1968) ‘New Choral Music’, Musical Times 109:1508, 959.Dickinson, P. (2012) Lennox Berkeley and Friends. Writings, Letters and

Interviews (Woodbridge: Boydell).Dillistone, F.W. (1956) Christianity and Communication (london: Collins).Duncan-Jones, A.S. (1924) ‘The art of movement’, in P. Dearmer (ed.), The

Necessity of Art (london: SCM), pp.77–99.Duncan-Jones, A.S. (1933) The Story of Chichester Cathedral (london: Raphael

Tuck and Sons).Feibusch, H. (1946) Mural Painting (london: A. & C. Black).Grigson, G. (1944) ‘Henry Moore’s Madonna and Child’, Architectural Review

(May), 189.Hammond, P. ed. (1962) Towards a church architecture (london: Architectural

Press).Haselock, J. ed. (2006) Shy but not retiring: the memoirs of the Right Reverend

Eric Waldram Kemp (london: Continuum).Hayes, M. ed. (2002) The Selected Letters of William Walton (london: Faber).Hedgecoe, J. (1968) Henry Spencer Moore (london: Nelson).Hollis, G. (1933) St Matthew’s Northampton. The Oxford Movement in an English

parish (Oxford: Mowbray).Holtby, R. (1985) [review of Hussey’s Patron of Art], Chichester Cathedral

Journal, 6–7.Holtby, R. (2002) ‘The Service of Dedication’ in P. Foster (ed.), Chagall glass at

Chichester and Tudeley (Chichester; University of Chichester), p.19.Howells, H. (1968) Magnificat and Nunc Dimittis for SATB and organ

(london: Novello).Howes, F. (1967) ‘Bryan Kelly’ Musical Times 108:1495 (September), 801.Hunter, l. (1926) ‘The arts in relation to the sacraments’, Modern Churchman

16, 6–8.Hussey, W. (1931) ‘Emotionalism in the music of Elgar’, Musical Times 72:1057

(March 1st), 211–2.Hussey, W. (1944) ‘letter to the Editor’, Architectural Review (July), 1.Hussey, W. (1946) ‘The Church and the Artist. An association too long

neglected’, The Churchman (15 June), 9.Hussey, W. (1949) ‘A churchman discusses art in the Church’, The Studio 138,

80–1, 95.Hussey, W. (1968) Chichester Cathedral. (london: Pitkin).Hussey, W. (1978) ‘The arts and the Church’, English Church Music, 7–10.Hussey, W. (1985) Patron of Art. The Revival of a Great Tradition Among

Modern Artists (london: Weidenfeld and Nicolson).Küng, H. (1981) Art and the question of meaning (london: SCM Press).

240 BIBlIOGRAPHy

lumsden, D. (1965) ‘Notes on the Music’ in G.H. Knight and W.l Reed (eds.), The Treasury of English Church Music: volume 5 (london: Blandford), pp.201–16.

lycett Green, C. ed. (1994) John Betjeman. Letters, volume one: 1926–1951 (london: Methuen).

Mason, l. (2007) ‘Walter Hussey’, in P. Foster (ed.), Chichester Deans. Continuity, Commitment and Change at Chichester Cathedral, 1902–2006 (Chichester: University of Chichester), pp.141–44.

Matthews, O. (1984) ‘Dean of Chichester. Rev. Walter Hussey’, The Antique Collector (April), 62–3.

McClymont, A.W. (1943) ‘The beautiful in the divine order’, Evangelical Quarterly 15, 279–91.

Mellers, W. (1966) [review of recording of Chichester Psalms], Musical Times 107, (February), 132.

Mitchell, D. general editor (1991–2011) Letters from a Life: the selected letters of Benjamin Britten. 1913–76 (london: Faber, 6 volumes).

Moore, H. (1975) ‘The Romanesque carvings’ in W. Hussey (ed.), Chichester 900 (Chichester: Chichester Cathedral), p.11.

Morris, J. ed. (1938) Modern Sacred Art. An international annual review (london: Sands).

Newton, E. (1944) ‘Henry Moore’s Madonna and Child’ Architectural Review, (May), 190.

Newton, E. (1945) ‘Art and the Church today’, London Calling. The overseas journal of the BBC, 283 (March), 11–12.

Newton, E. (1945) ‘The Church and the Artist’, Theology 48, 36–39.Newton, E. and W. Neil (1966) The Christian Faith in Art (london: Hodder

and Stoughton).Nicolson, B. (1947) ‘Religious painting in England’, New Statesman and

Nation, 12 July, 29.Nicolson, B. (1947) ‘Graham Sutherland’s Crucifixion’, Magazine of Art

(November), 279–81.Payne, A. (1967) ‘Music in london’, Musical Times 108 (August), p.722.Pevsner, N. (1944) [Untitled article on Henry Moore] Architectural Review

(May) 189–90.Pevsner, N. (1945) ‘Thoughts on Henry Moore’, Burlington Magazine 66,

47–9.Pointing, H.B. (1944) Art, religion and the common life (london: SCM).Read, H. (1965) Henry Moore. A study of his life and work (london: Thames and

Hudson).Reckitt, M.B. ed. (1945) Prospect for Christendom (london: Faber).Redlich, H.F. (1952) ‘The Choral Music’ in D. Mitchell and H. Keller (eds.),

Benjamin Britten. A commentary on his works from a group of specialists (london: Rockliff), pp.83–100.

BIBlIOGRAPHy 241

Reid, W.S. (1958) ‘A reformed approach to Christian aesthetics’, Evangelical Quarterly 30, 211–19.

Richards, J.M. (1952) ‘Coventry’, Architectural Review, 111 (January), 3–7.Rookmaaker, H.R. (1970) Modern art and the death of a culture (london: Inter-

Varsity Fellowship).Root, H.E. (1962) ‘Beginning all over again’ in A. Vidler (ed.), Soundings. Essays

concerning Christian understanding (london: Cambridge University Press), pp.1–19.

Rothenstein, J. (1947) ‘Introduction’ in E. Short (ed.), Post-war church building (london: Hollis and Carter), pp.1–10.

Routley, E. (1964) Twentieth Century Church Music (london: Herbert Jenkins).Sackville-West, E. (1947) ‘Art and the Christian Church’, Vogue (March), 64,

114, 120.Sackville-West, E. (1948) ‘Modern church art at Assy’, Vogue (April) 58–61.Sadie, S. (1965) ‘Chichester. Southern Cathedrals Festival’, Musical Times

106:1471 (September), 694.Simeone, N. ed. (2013) The Leonard Bernstein Letters (New Haven: yale

University Press).Skelton, J. (1975) ‘Eric Gill in Chichester’, in W. Hussey (ed.), Chichester 900

(Chichester: Chichester Cathedral), pp.48–52.Spence, B. (1962) Phoenix at Coventry (london: Bles).Sylvester, D. (1948) ‘The evolution of Henry Moore’s sculpture: II’, The

Burlington Magazine 90:544 (July), 189–95.Temple, W. (1917) Mens Creatrix (london: Macmillan).Temple, W. (ed.) (1941) Malvern 1941. The life of the church and the order of soci-

ety (london: longmans and Green).Todd, J.M. (ed.) (1958) The arts, artists and thinkers. An inquiry into the place of

the arts in human life (london: longmans).University of Sussex Annual Report 1977–8 (Falmer: University of Sussex).van Zeller, H. (1960) Approach to Christian Sculpture (london: Sheed &

Ward).Wilkinson, A. (ed.) (2002) Henry Moore. Writings and Conversations (Aldershot:

lund Humphries).Williamson, M. (1971) Te Deum. For SATB choir, organ and optional brass ensem-

ble (london: Josef Weinberger).Wilson, W. (1965) Modern Christian Art (New york: Hawthorn).Wyton, A. (1968) ‘The New look in the Church’s Music’, English Church

Music, 8–9.

Secondary Sources

Anderson, W. (1988) Cecil Collins. The quest for the great happiness (london: Barrie & Jenkins).

242 BIBlIOGRAPHy

Anon. (2008) St. Richard’s Parish history. Celebrating our golden jubilee 1958–2008 (Chichester: St Richard’s Church).

Banfield, S. (1997) Gerald Finzi. An English Composer (london: Faber and Faber).

Barrett, P. (1994) ‘The musical history of Chichester cathedral’ in M. Hobbs (ed.), Chichester Cathedral. An historical survey (Chichester: Phillimore), pp.247–66.

Barrett, P. (2004) ‘The visitation to the Cathedral’ in P. Foster (ed.), Bell of Chichester, 1883–1958 (Chichester: University of Chichester), pp.51–66.

Bayley, P. (2010) ‘Contemporary art and Church commissions: boom or bust?’ in l. Moffatt and E. Daly, Contemporary art in British churches (london: Art and Christianity Enquiry), pp.9–20.

Beeson, T. (2004) The Deans (london: SCM Press).Begbie, J. (1997) ‘Theology and the arts: music’, in D. Ford (ed.), The Modern

Theologians (2nd edition, Oxford: Blackwell), pp.686–99.Berthoud, R. (1982) Graham Sutherland. A biography (london, Faber & Faber).Berthoud, R. (2003) The Life of Henry Moore (2nd edn., london: De la Mare).Billington, M. (2007) State of the Nation. British theatre since 1945 (london:

Faber).Birch, J. and A. Thurlow (2004) ‘Music at the Cathedral. An interview with

John Birch and Alan Thurlow’ in P. Foster (ed), Chichester and the Arts 1944–2004 (Chichester: University of Chichester), pp.110–29.

Black, l. (2008) Edmund Rubbra. Symphonist (Woodbridge: Boydell).Blakeney, A. (2009) The Friends of Chichester Cathedral, 1939–2009 (Chichester:

Friends of Chichester Cathedral).Boyd, D. (2015) Norman Nicholson. A literary life (David Boyd).Bradley, A. (2014) ‘The reluctant Maecenases: John louis and Mary Behrend’

in A. Bradley and H. Watson (eds.), Stanley Spencer. Heaven in a hell of war (Chichester: Pallant House Gallery), pp.19–29.

Brewitt-Taylor, S. (2013) ‘The Invention of a ‘Secular Society’? Christianity and the Sudden Appearance of Secularization Discourses in the British National Media, 1961–4’, Twentieth Century British History 24:3, 327–50.

Bridcut, J. (2006) Britten’s Children (london: Faber).Brighton, T. (1991) ‘The Piper tapestry’ in P. Foster (ed.), Chichester Tapestries

(Chichester: University of Chichester), pp.16–23.Brown, C. The Death of Christian Britain. Understanding secularisation 1800–

2000 (2nd edn, Abingdon, Routledge, 2009).Bryan-Brown, H. (2007) ‘Hussey at the Deanery’, in P. Foster (ed.), Chichester

Deans. Continuity, Commitment and Change at Chichester Cathedral, 1902–2006 (Chichester: University of Chichester), pp.72–77.

Bullen, M. (1997) ‘Cachemaille-Day’s Manchester Churches’ in Chris Ford, Michael Powell & Terry Wyke (eds.), The Church in Cottonopolis. Essays to

BIBlIOGRAPHy 243

mark the 150th anniversary of the Diocese of Manchester (Manchester: lancs & Cheshire Antiq. Soc.), p.144–74.

Burton, H. (1994) Leonard Bernstein (london: Faber).Carpenter, H. (1981) W.H. Auden. A biography (london: Unwin).Carpenter, H. (1992) Benjamin Britten. A biography (london: Faber).Carpenter, H. (1996) The Envy of the World. Fifty years of the BBC Third

Programme and Radio 3 (london: Weidenfeld & Nicolson).Chandler, A. (2016) George Bell, bishop of Chichester. Church, state and resistance

in the age of dictatorship (Grand Rapids, MI: Eerdmans).Clark, K. (1944) ‘A Madonna by Henry Moore’, Magazine of Art, (November),

247–9.Clarke, G. (ed.) (2016) The Bishop Otter Art Collection. A celebration (Bristol:

Sansom).Coke, D. and N. Colyer (1990) The Fine Art Collections. Pallant House,

Chichester (Chichester: Pallant House).Coke, D. and R. Potter (1994) ‘The Cathedral and modern art’ in Hobbs, M.

(ed.), Chichester Cathedral. An historical survey (Chichester: Phillimore), pp.267–82.

Collins, J. (1989) Cecil Collins. A retrospective exhibition (london: Tate Gallery).Collis, M. (1962) Stanley Spencer. A biography (london: Harvill).Cork, R. (1990) ‘St Matthew Passions’, The Listener, 19 July, 33.Cork, R. (1999) Jacob Epstein (london: Tate Gallery).Davies, H. (1996) Worship and theology in England: volume 6: Crisis and

Creativity, 1965-present (Grand Rapids, MI: Eerdmans).Day, M. (1982) Modern Art in Church. A gazetteer of twentieth-century works of

art in English and Welsh churches (london: Royal College of Art).Devonshire Jones, T. (1990) ‘Art: Theology: Church. A survey, 1940–1990, in

the United Kingdom’, Theology (1992), 360–70.Devonshire Jones, T. (1994) ‘Priest and Patron’, Art Quarterly of the National

Art Collections Fund no.20, 37–39.Devonshire Jones, T. (2007) ‘The legacy: the public figure’ in P. Foster (ed.),

Chichester Deans. Continuity, Commitment and Change at Chichester Cathedral, 1902–2006 (Chichester: University of Chichester), pp.63–71.

Devonshire Jones, T. and G. Howes (2005) English cathedrals and the visual arts: patronage, policies and provision 2005 (london: Art and Christianity Enquiry).

Devonshire Jones, T. ed. (1993) Images of Christ. Religious Iconography in Twentieth Century British Art (Northampton: St Matthew’s church).

Dickinson, P. (2003) The Music of Lennox Berkeley (Woodbridge: Boydell).Doig, A. (1996) ‘Architecture and performance: Dean Walter Hussey and the

arts;, Theology 99:787, 16–21.Elliott, G. (2006) Benjamin Britten: the spiritual dimension (Oxford: OUP).

244 BIBlIOGRAPHy

Field, C. (2015) Britain’s last religious revival? Quantifying belonging, behaving and believing in the long 1950s (Basingstoke: Palgrave Macmillan).

Foss, B. (2007) War paint. Art, war, state and identity in Britain, 1939–1945 (New Haven and london: yale University Press).

Foster, P. (1999) ‘The Goring Judgement: Is it still valid’ Theology 102, 253–61.Foster, P. (2002) ‘The commissioning’ in P. Foster (ed.), Chagall glass at

Chichester and Tudeley (Chichester; University of Chichester), pp.11–15.Foster, P. (2007) ‘Arthur Stuart Duncan-Jones. Dean of Chichester 1929–1955’

in P. Foster (ed.), Chichester Deans. Continuity, Commitment and Change at Chichester Cathedral, 1902–2006 (Chichester: University of Chichester), pp.23–49.

Garnett, J. (2007) ‘Experience’ in J. Garnett, M. Grimley, A. Harris, W. Whyte, S. Williams (eds.), Redefining Christian Britain: Post-1945 perspectives (london: SCM Press), pp.21–34.

Golden, J. and T.J. McCann, eds. (1997) The Dean Hussey Papers. A catalogue (Chichester: West Sussex County Council).

Gordon, l. (1977) Eliot’s Early Years (Oxford: Oxford University Press).Gray, D. (2000) Percy Dearmer. A parson’s pilgrimage (Norwich: Canterbury

Press).Grimley, M. (2007) ‘The Religion of Englishness: Puritanism, Providentialism, and

“National Character”, 1918–1945’, Journal of British Studies, 46:4, 884–906.Hammer, M. (ed.) (2005) Graham Sutherland. Landscapes, war scenes, portraits,

1924–1950 (london: Scala).Harris, A. (2010) Romantic Moderns. English Writers and the Imagination from

Virginia Woolf to John Piper (london: Thames and Hudson).Harrison, M.C. (1993) The Centenary History of St Matthew’s Church and Parish,

Northampton (Edinburgh: Pentland).Hayman, R. (1975) The First Thrust. The Chichester Festival Theatre (london:

Davis-Poynter).Hewitt, P. (2004) ‘A time of celebration, joy and fun’ in Foster (ed.), Chichester

and the Arts 1944–2004 (Chichester: University of Chichester), pp.196–207.Holtby, R. (1994) ‘The immediate past’ in M. Hobbs (ed.), Chichester

Cathedral. An historical survey (Chichester: Phillimore), pp.283–93.Houlbrook, M. (2005) Queer London (Chicago: University of Chicago Press).Howes, G. (1997) ‘Theology and the arts: visual arts’ in D. Ford (ed.), The

Modern Theologians (2nd edition, Oxford: Blackwell), pp.669–85.Howes, G. (2007) The art of the sacred. An introduction to the aesthetics of art

and belief (london: I.B. Tauris).Huckvale, D. (2006) James Bernard, composer to Count Dracula. A critical

biography (Jefferson, North Carolina: McFarland).Humphreys, M. and R. Evans (1997) Dictionary of Composers for the Church in

Great Britain and Ireland (london: Mansell).

BIBlIOGRAPHy 245

Jasper, R.C.D. (1967) George Bell, Bishop of Chichester (london: OUP).Jones, I. and P. Webster (2006) ‘Anglican “Establishment” Reactions to “Pop”

Church Music in England, 1956-c.1990’, Studies in Church History 42, 429–441.

Jones, I. and P. Webster (2007) ‘Expressions of Authenticity: Music for Worship’ in J. Garnett, M. Grimley, A. Harris, W. Whyte, S. Williams (eds.), Redefining Christian Britain: Post-1945 perspectives (london: SCM Press), pp.50–62.

Kemp, I. (1984) Tippett: the Composer and his Music (Oxford: Oxford University Press).

Kennedy, M. (1993) Britten, revised edition (london: Dent).Kildea, P. (2014) Benjamin Britten. A life in the twentieth century (london:

Penguin).laird, P. (2010) The Chichester Psalms of Leonard Bernstein (New york:

Pendragon).leventhal, F.M. (1990) ‘“The best for the most”: CEMA and state sponsor-

ship of the arts in wartime, 1939–45’, Twentieth Century British History, 1:3, 289–317.

MacCarthy, F. (1989) Eric Gill (london: Faber).Maiden, J. (2009) National religion and the Prayer Book Controversy, 1927–1928

(Woodbridge: Boydell).Martin, S. (2016) ‘Designing Bobby Dazzlers. John Piper’s vestments for the

church’ in S. Martin (ed.), John Piper. The fabric of modernism (Chichester: Pallant House), pp.42–5.

Martin, S. (2016) ‘Problem solving: the Chichester tapestry’ in S. Martin (ed.), John Piper. The fabric of modernism (Chichester: Pallant House), pp.34–41.

Marwick, A. The sixties (Oxford: OUP, 1998).Mayor, E. (2001) The Duncan Grant murals in Lincoln cathedral (lincoln:

lincoln cathedral).Mcleod, H. (2007) The religious crisis of the 1960s (Oxford: OUP).McVeagh, D. (2005) Gerald Finzi. His life and music (Woodbridge: Boydell).Mendelson, E. (1999) Later Auden (New york: Farrar, Strauss and Giroux).Morra, I. and R. Gossedge (2016) The New Elizabethan Age. Culture, society and

national identity after World War II (london: I.B. Tauris).Nicholas, M. (1968) Muse at St Matthew’s. A short history of the artistic traditions

of St Matthew’s Church Northampton (Northampton: St Matthew’s).Palmer, C. (1996) Herbert Howells. A Celebration (2nd edition, london: Thames).Pickering, K. (1985) Drama in the Cathedral. The Canterbury Festival Plays,

1928–1948 (Worthing: Churchman).Porter, P. (1984) ‘Composer and poet’ in C. Palmer (ed), The Britten

Companion (london: Faber), pp.271–85.Proctor, R. (2014) Building the Modern Church. Roman Catholic church architec-

ture in Britain, 1955 to 1975 (Farnham: Ashgate).

246 BIBlIOGRAPHy

Reid, C. (1985) ‘Church commissioner’, Times Literary Supplement (7 June), 640.

Robbins, K. (1993) ‘Britain, 1940 and “Christian civilisation”’, in K. Robbins, History, religion and identity in modern Britain (london: Hambledon), pp.195–213.

Rosen, A. (2013) ‘True lights: seeing the Psalms through Chagall’s church win-dows’, in S. Gillingham (ed.), Jewish and Christian approaches to the Psalms: conflict and convergence (Oxford: Oxford University Press) pp.105–18.

Ross, A. (2007) The rest is noise. Listening to the twentieth century (New york: Farrar, Strauss and Giroux).

Scotland, T. (2010) Lennox and Freda (Norwich: Michael Russell).Secrest, M. (1984) Kenneth Clark. A biography (london: Weidenfeld and

Nicolson).Shepheard, P. (1991) ‘Bishop Otter College: the lurçat tapestry’, in P. Foster,

ed. (1991), Chichester Tapestries (Chichester: University of Chichester), pp.11–15.

Sinclair, A. (1990) The need to give. The patrons and the arts (london: Sinclair Stevenson).

Sinclair, A. (1995) Arts and cultures. The history of 50 years of the Arts Council of Great Britain (london: Sinclair Stevenson).

Spalding, F. (1986) British Art since 1900 (london: Thames and Hudson).Spalding, F. (1999) Duncan Grant (london: Chatto and Windus).Spalding, F. (2009) John Piper, Myfanwy Piper. Lives in art (Oxford: OUP).Spicer, P. (1998) Herbert Howells (Bridgend: Seren).Stansky, P. & W. Abrahams (1994) London’s Burning. Life, death and art in the

Second World War (london: Constable).Stephens, C. (2014) ‘Patron and Collector’ in C. Stephens and J.-P. Stonard

(eds.), Kenneth Clark. Looking for Civilisation (london: Tate Publishing), pp.79–99.

Stonard, J.P. (2014) ‘looking for civilisation’ in C. Stephens and J.-P. Stonard, Kenneth Clark. Looking for civlilisation (london: Tate Publishing), pp.13–29.

Stourton, J. and C. Sebag Montefiore (2012) The British as art collectors. From the Tudors to the present (london: Scala).

Survey of london (1973) The Survey of London. Volume 37: Northern Kensington (london: london County Council), as at http://www.british-history.ac.uk/survey-london/vol37/pp25-41.

Thomas, M. (2015) English cathedral music and liturgy in the twentieth century (Farnham: Ashgate).

Thurlow, A. (1996) ‘Chichester Commissions’, Chichester Cathedral Journal, 5–9.

Turner, G. (1992) ‘“Aesthete, impresario and indomitable persuader”: Walter Hussey at St Matthew’s, Northampton and Chichester Cathedral’ Studies in Church History 28 (1992), 523–35.

BIBlIOGRAPHy 247

Vickers, J. and H. Vickers (1977) Methodism in a cathedral city. Southgate Methodist church, Chichester, 1877–1977 (Chichester: Southgate Methodist Church Centenary Committee).

Walker, K. (1990) ‘Visual art in churches in England in recent times’, in J. Robinson (ed.), The Journey. A search for the role of contemporary art in reli-gious and spiritual life (lincoln: lincolnshire County Council and Redcliffe Press), pp.104–10.

Walton, S. (1988) William Walton. Behind the Façade (Oxford: Oxford University Press).

Webster, P. (2008a) ‘Beauty, utility and Christian civilisation: the Church of England and war memorials, 1940–47’, Forum for Modern Language Studies, 44:2, 199–211.

Webster, P. (2008b) ‘The revival in the visual arts in the Church of England, c.1936-c.1956’, Studies in Church History 44, 297–306.

Webster, P. (2012) ‘George Bell, John Masefield and The Coming of Christ: context and significance’ in A. Chandler (ed.), The Church and humanity. The life and work of George Bell, 1883–1958 (Farnham: Ashgate), pp.47–57.

Webster, P. (2015) Archbishop Ramsey. The shape of the church (Farnham: Ashgate).

Welsby, P. (1984) A History of the Church of England, 1945–1980 (Oxford: Oxford University Press).

Williamson, K. ‘Christopher Smart’, at http://www.poetryfoundation.org/bio/christopher-smart, accessed 1 October 2015.

Wilson, A.N. (2006) Betjeman (london: Hutchinson).Wullschlager, J. (2008) Chagall. Love and Exile (london: Allen lane).yates, N. (2004) ‘Change and continuity, 1790–1902’ in M. Hobbs (ed.),

Chichester Cathedral. An historical survey (Chichester: Phillimore), pp.119–42.

249© The Editor(s) (if applicable) and The Author(s) 2017 P. Webster, Church and Patronage in 20th Century Britain, Histories of the Sacred and Secular, 1700-2000, DOI 10.1057/978-1-137-36910-9

index

AAdams, John, 196Albright, William, 206–208Amos, R.C., 69Anderson, Colin, 114Arnold, Malcolm, 206

Laudate Dominum, 94–95Arts Council, 10, 185Arundel screen, 143, 152, 153Association of Anglican Musicians,

208Auden, W.H., 62

‘litany and Anthem for St Matthew’s Day’, 102–105, 127

BBaker, Janet, 209–210Bakst, leon, 39Barker, Charles, 66Barnsley, Edward, 174Bate, Jennifer, 89Bayley, Paul, 235BBC, 10, 117, 124

Symphony Orchestra, 56–57

Beeson, Trevor, 30, 215–217, 219, 222

Behrend, Mary, 41, 42, 66Bell, George, 3, 5, 27, 29, 36, 37, 38,

39, 40, 46, 76, 108, 121, 122, 123, 124, 125, 127–129, 133, 136–139, 146, 153, 166, 215, 219, 222

Benua, Aleksandr, 39Berkeley, lennox, 93, 232

Another Spring, 209–211Festival Anthem, 87–90, 92The Lord is my shepherd, 208–209,

228Berkeley, Michael, 88Bernard, James, 200–201, 205,

231–232Bernstein, leonard, 225, 232

Chichester Psalms, 189–198, 208Betjeman, John, 18, 51, 104, 125,

126–127, 165, 188Birch, Frank, 117Birch, John, 142, 187–188, 190–192,

194, 200–202, 205–207, 209, 231

Bishop Otter College, 165, 170–171

250 INDEx

Blacking, Randoll, 144–145, 153Blagden, Claude, 79, 135Bliss, Arthur, 57, 58, 100Blunt, Anthony, 18Bolt, Robert, 226Bond Street Galleries, 22Boosey and Hawkes, 61, 104Boosey, leslie, 62Boult, Adrian, 57–58, 64, 94Boyd Neel Orchestra, 97, 192Brent-Smith, Alexander, 37Bridgwater, Shepheard and Epstein

(architects), 171Britten, Benjamin, 1, 5, 31, 33, 42,

47, 59–71, 78, 87, 88, 93, 94, 102–103, 110, 167, 177, 200, 202–203, 205, 230–232

Prelude and Fugue on a Theme of Vittoria, 1, 103–104

Rejoice in the Lamb, 1, 62–63, 65–68, 77, 87, 89, 91, 96, 104, 124, 192, 228

Bromley College of Art, 169Brooks, Eric, 183Browne-Wilkinson, A. R., 140, 141,

220Bryan-Brown, Hilary, 20, 44, 46–47,

213, 218, 221–222Burton Evans, David, 47, 178–179,

188, 216, 218Butt, James

Bless the Lord, O my soul, 94

CCampaign for homosexual equality, 46Canterbury Cathedral, 63, 96Casson, Hugh, 169Central Council for the Care of

Churches, Cathedrals Advisory Committee, 144, 153

Chagall, Marc, 225

Jerusalem windows, 182, 223The Arts to the Glory of God

(window), 180–186Windows at Tudeley (Kent), 182,

184Chagall, Valentina, 183Chaliapin, Fyodor, 22Charleston (school), 21Chelsea School of Art, 72, 108, 168Chichester

Congregationalists, 224lord Mayor, 220Methodists, 224Roman Catholics, 220–221,

224–225Chichester Cathedral

Bishop Bell Tea Room, 217Bishop Bell Trustees, 200Cathedral Works Organisation, 215Friends of, 145, 169, 172, 207, 235Mary Magdalene Chapel, 145,

153–154, 159Sherburne screen, 144–145, 170

Chichester District Council, 227Chichester Festival Theatre, 169–170,

225–226Chichester Festivities, 203–204, 223Chichester Theological College, 218Churchill, Winston, 137Clarke, Geoffrey

Work for Bishop Otter College, 165Works for Chichester, 131, 163–165

Clarke, Methuen, 56, 66, 229Clark, Jane, 78, 114, 233Clark, Kenneth, 2, 25, 29, 42, 72,

75–80, 108, 113–114, 129–131, 133–134, 162, 168, 184–185, 225, 233

Collingwood, lawrence, 66Collins, Cecil, 177–179, 230

Icon of Divine Light, 178–179Icon of Divine Love, 179

INDEx 251

Comper, Ninian, 127Contemporary Art Society, 125, 130,

169, 177Cork, Richard, 4Cotton, Ada, 59, 231Council for the Encouragement of

Music and the Arts, 10, 29, 56, 124, 166

Coventry Cathedral, 41, 122, 151, 157, 162–163, 166, 171

Cox, Muriel, 177Crashaw, Richard, 92Craxton, Harold, 56, 98, 100Cross, Joan, 66, 97Crozier, Eric, 38, 64Cuddesdon College, 19, 20–22, 229Cudlipp, Hugh, 2, 204

DDaly, John, 93d’Avigdor Goldschmid, lady, 182Day-lewis, Cecil, 102Dearmer, Percy, 26, 140de Candole, Henry, 23, 139, 149Dehn, Paul, 117, 201, 231–232de Kooning, Willem, 132de la Mare, Walter, 102Denny, William, 81Devonshire Jones, Tom, 31, 44, 125,

178, 218, 229, 234Downes, Ralph, 19Drewry, Valentine, 56Duncan-Jones, Arthur Stuart, 137,

139–141, 153, 217, 220Duncan, Ronald, 38Duruflé, Maurice, 95Dyall, Valentine, 103

EElgar, Edward, 19, 20El Greco, 109

Eliot, T.S., 37, 101–102, 105, 125Epstein, Jacob, 122, 130, 141Etchells, Frederick, 145Evershed-Martin, leslie, 225Every, George, 105

FFeibusch, Hans, 24–25, 29, 33–35,

36, 108, 113, 122, 131, 137–139, 141, 152, 229

Finzi, Gerald, 90–93Lo, the full final sacrifice, 96, 116

Flagstad, Kirsten, 22, 90, 97–100, 231Foster, Paul, 180Fox, langton, 224Fry, Christopher, 37–39

GGhéon, Henri, 38Gill, Eric, 42, 110Graham, Eric, 21Greaves, Arthur, 71Gregory, Eric, 101Grigson, Geoffrey, 83, 104, 127Grimes, John, 46Grünewald, Matthias, 112

HHamet Gallery, 177Hawkins, Horace, 141Hayward, Marjorie, 56Headington, Christopher, 69

O supreme bliss, 93–94Hepworth, Barbara, 108, 130, 184Herbert, George, 88–89, 104Hicks, Nugent, 24Hiroshige, Utagawa, 134Hitchens, Ivon, 108, 132–133, 233Hockney, David, 228Holst, Gustav, 34

252 INDEx

Holtby, Robert, 6, 43, 180, 215, 219–220

Horsley, Colin, 97Hort, F. F., 17Howells, Herbert, 96, 201–202Howes, Frank, 66, 67, 199, 202Hugh-Jones, E. M., 19Hussey, Christopher Rowden, 17, 18,

21, 49, 127Hussey, John Walter Atherton

as dean, 145–146, 213–226as parish priest, 75, 112, 125–127,

145, 214, 222broadcasting, 2, 87, 90, 117, 124,

188character; deference to experts, 22, 34, 76,

84, 112, 114, 119, 126, 133; determination, 45, 55, 57; friendships, 1, 47, 69–71, 155–156, 231–233; hospitality, 59, 169, 195, 217, 219, 221–222, 231; pastoral sense, 232–233; persuasiveness, 74–75, 98–100, 110, 112–113, 146, 162–163, 171–172, 235; sexuality, 45–47, 69, 156, 230–232; shy-ness, 44, 218, 221; vocation as priest, 20–21, 45–46, 213

interviews, 81, 228life and career; Chichester, appointment as dean,

49, 136–138; childhood and youth, 17–18, 34, 37, 49; death, 228; education, 18–22, 45; family back-ground, 17; honours, gifts and memorials, 2, 4, 209–211, 228–229; Kensington, appoint-ment to curacy at, 22–23; Northampton, appointment to, 49; offers of other posts,

23–24, 135–137; posthumous note, 2, 4–5; retirement, 46, 209–211, 227–228

patronage, 12–14; art, 71–84, 108–118, 156–86.. See also individual works by artist;

emulated by others, 229–230, 234; fees and funding, 75, 90, 92, 98, 102, 106, 109, 110, 158–159, 171–172, 185–186, 191, 195–196, 200, 209, 227; legacy, 233–236; music, 54–55, 58–71, 85–97, 187–211; poetry, 100–108; reception of, 67, 79–81, 116–118, 122, 123, 159–163, 174–176, 196–198

tastes, 19–20, 22, 58, 72, 73, 92, 98, 100, 130, 228; as art collector, 19–20, 39, 42–43, 111, 128, 131, 132–134, 154, 168–169, 227

theology; Anglo-Catholicism, 30–31, 52, 71;

architecture, 40–41; art history, understanding of, 32, 74; arts in general, 6, 8, 27, 30–35, 61, 74, 119, 127, 140, 180–181, 235–236; cathedrals, role of, 149, 151–152, 221; drama, 37–40; ecumenism, 194, 220, 224–225; literature, 107–108; music, 20, 98, 192, 197–198; patronage, 32–35, 130, 166; reading of, 41, 42, 128, 132; visual art, 79–81

writings, 20; Chichester 900, 131; Hussey Papers, 5, 7, 17, 44, 94, 103, 179; Patron of Art, 2, 4, 6, 8, 17, 30, 34, 90, 94, 95, 97, 100, 105, 107, 178, 200, 211, 223, 228; periodicals, 123

INDEx 253

Hussey, John Rowden, 17, 18, 21, 24, 34, 49–50, 51, 52, 75–77, 79, 81, 137, 214

Hussey, lilian Mary, 17, 49, 110Hutchinson, Deryck, 194

JJacobs, Arthur, 197Jeannerat, Pierre, 116Jones, Cheslyn, 161, 175Jones, David, 42–43, 133Joyce, Robert, 199

KKandinsky, Wassily, 134, 169Kelly, Bryan, 198–200Kemp, Eric, 3, 221–222Kenna, Victor, 173Kessell, Mary, 124Kierkegaard, Søren, 104King, Charles J., 56, 86Knoll, The (preparatory school), 17

Llang, Norman, 50, 66–67lantz, Robert, 195law, William, 107leese, Oliver, 126nlippiett, Vernon, 218lister, laurie, 226lowe, H.H., 22lowther Clarke, William, 141lurçat, Jean, 170

MMaclagan, Eric, 27, 114, 126Macneice, louis, 18

Marlborough College, 18, 23, 24Marlborough Gallery, 169Marq, Charles, 182–185Marriott, Charles, 64Martin, Frank, 95Masefield, John, 34Mason, lancelot, 44, 141, 153, 172,

187, 218, 222–223Matisse, Henri, 167Mellers, Wilfred, 196Milner White, Eric, 79, 96Milton, Ernest, 226Minton, John, 133Molesworth, H.D., 125Monnington, Thomas, 230Moore, Henry, 33, 108, 114, 129,

132–133, 168, 184Madonna and Child, 65, 71–84, 88,

90, 109, 116–118, 122, 123n, 124, 128, 130, 135, 141, 152, 162, 167, 192, 205

Moore, Irina, 114Mortlock, C.B., 141Mullins, Edwin, 182Munnings, Alfred, 81, 122, 230Musgrave, Clifford, 27

NNash, Paul, 132–133National Gallery, 72, 76–77, 108–109,

234New york Philharmonic Orchestra,

191Newton, Eric, 25, 33, 42, 72, 76, 81,

113–114, 123, 159Nicholas, Michael, 94–95Nicholson, Ben, 108, 130Nicholson, Norman, 126

The Outer Planet, 105–108Nicolson, Benedict, 116–117

254 INDEx

Norman, Barry, 133Norris, Mabel, 161Northampton

Angel Hotel, 73New Theatre, 37St Matthew’s, 4, 17, 18, 51–53

Northampton Bach Choir, 94Northampton College of Art, 163Northampton Museum and Art

Gallery, 132, 168, 228Northamptonshire Regiment, 64, 87

OOxford Orchestral Society, 19Oxford, University of

Keble College, 18–19, 23, 24

PPallant House, 111, 132, 168,

227–228Pasmore, Victor, 134Pattison, George, 4Payne, Anthony, 197Pears, Peter, 1, 60, 63, 69–71, 87, 93,

110, 177, 201, 231Philomusica of london. See Boyd Neel

OrchestraPhipps, Pickering, 51Piccolo, Anthony, 228Pinton, Ateliers, 174Piper, John, 108, 114, 121, 126, 129,

132, 165–167, 182, 189, 229Chichester Cathedral from the

Deanery, 133Cope for Northampton, 167–168Painting of St Matthew’s,

Northampton, 168Tapestry for Chichester, 133,

152–153, 169–176, 235

Piper, Myfanwy, 114Pleming, Richard, 228Plensa, Jaume, 235Pointing, Horace, 28Pollard, Malcolm, 228Poole, Joseph, 67, 96–97Porter, Andrew, 210Porter, Peter, 68Potter, Robert, 142, 145, 154, 156,

165, 169, 170–172, 179, 182, 215, 217, 225

Powell, Arnold, 225Powell, Dilys, 117Powell, Philip, 225Pudney, John, 112

RRawsthorne, Alan, 85, 91Read, Herbert, 83Reid, Christopher, 6Reilly, Charles, 29Reyntiens, Patrick, 170Richards, Ceri, 233

Copes for Chichester, 152, 168–169Saudade, 133, 168

Richards, Edith, 81Richards, Frances, 233Ridley, Jasper, 76Rose, John

Festive Hymn, 94Rothenstein, John, 120Rothko, Mark, 132Royal Academy of Arts, 22, 230Royal Albert Hall, 22Royal Institute of British Architects,

2, 144Royal Opera House, Covent Garden,

19, 22, 98Rubbra, Edmund, 97

The Revival, 42, 85–87, 92

INDEx 255

SSackville-West, Edward, 25, 62Sadie, Stanley, 196–197Sargent, Malcolm, 126Schwitters, Kurt, 134Scott, Anthony, 92Scott, R.J.R., 126nSemino, Norina, 56, 87Shawe-Taylor, Desmond, 98Shaw, George Bernard, 34Simpson-Manser, James, 47, 222, 227Skelton, John, 43Smart, Christopher, 62–63, 104Smith, Matthew, 95, 108Solomon, Cyril, 191Southern Cathedrals Festival, 190,

194–195, 199–203, 223Spalding, Frances, 4Spence, Basil, 40–41, 122, 125,

144–145, 154, 171Spencer, Earl, 66, 114Spencer, Stanley, 41–42, 108St Albans Cathedral, 24Stancliffe, David, 3Stanton, Walter Kendall, 57, 59, 66,

90St Mary Abbots, 21, 22Stone, Reynolds, 163St Paul Vicarage Gate, 22–23, 56Strauss, Richard, 34Stravinsky, Igor, 95Strong, Thomas Banks, 21, 55, 101Sumsion, Herbert, 92Sussex Churches Art Council, 137,

219Sussex Churches Campaign, 171, 215Sussex, University of, 2Sutherland, Graham, 33, 41, 47, 78,

87, 129, 132, 154–155, 205Crucifixion, 42, 108–118, 122, 124,

167, 171

Noli me tangere, 87, 131, 152, 156–163, 169

Portrait of Walter Hussey, 133Sutherland, Kathleen, 78, 109, 156,

159Sylvester, David, 84

TTate Gallery, 22, 125, 132Tavener, John, 88Taylor, Jeremy, 104Tegetmeier, Denis, 43Temple, William, 27Thalben-Ball, George, 56, 60Thicknesse, C. C., 24Tippett, Michael, 63–65, 66, 97, 121

Fanfare No.1, 64–65Tovey, lord, 126nTurner, Garth, 4, 8, 18, 142, 217–

218, 221–223

VVan den Heuvel, Albert, 151–152Vaughan, Henry, 86–87, 89, 93Vaughan, Keith, 110Vaughan Williams, Ralph, 95Victoria and Albert Museum, 22

WWagner, Richard, 19Walker, Keith, 179, 218, 229–230Walton, William, 54–55, 79

Chichester Service, 205–206, 231War Artists Advisory Committee, 15,

29, 166Watteau, Jean Antoine, 133–134Weidenfeld, George, 2, 204Weitz, Guy, 56

256 INDEx

Westminster Abbey, 1, 103, 230Whiteman, H.G., 118Wilkinson, Denys, 2Williamson, Harold, 66, 72–73, 108,

114Williamson, Hugh Ross, 38Williamson, Malcolm, 121, 198, 200Williams, Rowan, 4

Wilson, Roger, 142, 194, 218, 225, 228

Winnington-Ingram, Arthur Foley, 18, 23

Woods, E.S., 66Wyton, Alec, 90, 99–100, 104, 124,

199–200, 206–208