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Contributors

Wendy Arons (coeditor) is associate professor of Dramatic Literature and Dramaturgy at Carnegie Mellon University. Her essay “Beyond the Nature/Culture Divide” appeared in Th eater Historiography: Critical Interventions (University of Michigan Press 2010). She is author of Performance and Femi-ninity in Eighteenth-Century German Women’s Writing (Palgrave Macmillan 2006), editor of a special issue of Th eatre Topics on Performance and Ecology (September 2007), director of the Performance and Ecology Project at CMU, and artistic director/conference organizer of the 2012 Earth Matters on Stage ecodrama festival and symposium.

Robert Baker-White is professor and chair of Th eatre at Williams College. He is the author of Th e Text in Play: Representations of Rehearsal in Modern Drama (Bucknell University Press 1999); has published widely on twentieth-century playwriting, theories of rehearsal and performance, and ecocritical approaches to modern drama; and served on the editorial boards of several national journals.

Derek Lee Barton is a doctoral candidate at Northwestern University in Performance Studies. His dissertation research, under the direction of Tracy Davis, examines intersections between scientifi c exhibition, performance, and public space. He is active as a performance artist, director, and play-wright, and his creative interests include queer futurism, ecoperformance, and environmentalism as both method and theme.

Una Chaudhuri is collegiate professor and professor of English and Drama at New York University. She is the author of No Man’s Stage: A Semiotic Study of Jean Genet’s Plays (UMI Research Press 1986) and Staging Place: Th e Geogra-phy of Modern Drama (University of Michigan Press 1997); editor of Rachel’s Brain and Other Storms (Continuum 2001); and coeditor, with Elinor Fuchs, of Land/Scape/Th eater (University of Michigan Press 2002). Chaudhuri guest-edited a special issue of Th eater on Th eatre and Ecology and a special issue of TDR: Th e Journal of Performance Studies on Animals and Performance.

C o n t r i b u t o r s232

Downing Cless is associate professor of Drama at Tufts University. He has published Ecology and Environment in European Drama (Routledge 2010), in addition to several journal articles on ecotheater. Director of over 60 plays in his career, he recently brought ecological interpretations to Doctor Faustus and Th e Madwoman of Chaillot .

Anne Justine D’Zmura is professor at California State University, Long Beach. She has directed at a number of regional theaters, including Th e Guth-rie Th eatre, Th e Acting Company, South Coast Repertory, Shakespeare Santa Cruz, and Juilliard School. She is the recipient of, among others, the NEA/TCG Directing Fellowship and the New York Drama League: New Works/New Directors Grant. She holds an MFA from the Yale School of Drama.

Sara Freeman is assistant professor at the University of Puget Sound. She is the recipient of the 2007 Kahan Award from the American Society for Th e-atre Research for her Th eatre Survey article “Writing the History of an Alter-native Th eatre Company: Mythology and the Last Years of Joint Stock.” Dr. Freeman coedited International Dramaturgy: Translation and Transformation in the Th eatre of Timberlake Wertenbaker (Lang, 2008) and the forthcoming Public Th eatres and Th eatre Publics. She has published articles in New Th eatre Quarterly, Modern Drama, and Comparative Drama .

Ian Garrett is the cofounder and director of the Center for Sustainable Prac-tice in the Arts (CSPA). He has spoken extensively on sustainability in the arts around the world and been featured in American Th eatre , DramaBiz , Th e Design Magazine , as well as Inhabitat.com . In 2007, he received the Richard E. Sherwood Award for integrating ecologically sustainable practice into the-ater production. He has dual MFAs in Lighting Design and Producing from the California Institute of the Arts, where he taught sustainability in produc-tion. His website is www.toasterlab.com.

Kathleen M. Gough is a lecturer in Th eatre Studies at the University of Glasgow. She has published in Modern Drama , Performance Research , TDR: Th e Journal of Performance Studies , and in various edited collections. In 2011, she received an Arts and Humanities Research Fellowship, and is currently writing a monograph entitled Haptic Allegories: Kinship and Performance in the Black and Green Atlantic .

Nelson Gray , a doctoral student at the University of Victoria, is a writer and director who has published in Th e Journal of Dramatic Th eory and Criticism, Th eatre Research in Canada , and Canadian Th eatre Review , and whose perfor-mances have toured in Canada, the United States, and Germany. As an instruc-tor of Th eater Studies and Creative Writing, he has taught at Vancouver Island University, the University of Victoria, and the University of Lethbridge.

233C o n t r i b u t o r s

Wallace Heim researches performance and nature from philosophical per-spectives. She coedited and contributed to Nature Performed: Environment, Culture and Performance (Sociological Review/Blackwell 2003). She curated the exhibition “enter change” and cocurated the event BETWEEN NATURE. She is an editor of www.ashdendirectory.org, which focuses on environment and performance, for which she directed fi lms on climate change and theater and on metaphors for sustainability. She taught at Dartington College of Art. She has also worked as a theater designer.

Cornelia Hoogland teaches at the University of Western Ontario and lives on Hornby Island, B.C. Her fi fth book of poetry, Woods Wolf Girl (Wolsak & Wynn, 2011), retells the Brothers Grimm fairytale. (Red Riding Hood in Canada http://redridinghood2011.wordpress.com/). Hoogland’s web page is http://publish.edu.uwo.ca/cornelia.hoogland/index.html.

Baz Kershaw is professorial research fellow in Performance at Warwick Uni-versity. He was an engineer before studying at Manchester, Hawaii, and Exeter Universities. His many experimental/community-based/site- responsive cre-ative projects include productions at the London Drury Lane Arts Lab and, since 2000, ecospecifi c events in South West England. His publications include Politics of Performance (Routledge 1992), Radical in Performance (Routledge 1999), and Th eatre Ecology (Cambridge University Press 2007).

Th eresa J. May (coeditor) is assistant professor of Th eatre Arts and affi li-ated faculty in Environmental Studies at the University of Oregon. She has published widely on performance and ecology, including “Grotowski’s Deep Ecology” in Performing Nature (Wiley-Blackwell 2004), and “Beyond Bam-bi: Towards a Dangerous Ecocriticism in Th eatre Studies” in a special issue of Th eatre Topics on Performance and Ecology, as well as articles in the Journal of Dramatic Th eory and Criticism , Canadian Th eatre Review , and elsewhere. Her Salmon is Everything: Community-based Th eatre in the Klamath Water-shed is forthcoming from Oregon State University Press. She is coauthor of Greening Up Our Houses (Drama Publishers 1995), and cofounder/artistic director of the Earth Matters on Stage ecodrama festival and symposium.

Bruce McConachie has written extensively on cognitive studies and perfor-mance. In addition to several articles, his recent books include Performance and Cognition (Routledge 2006), Engaging Audiences: A Cognitive Approach to Spectating in the Th eatre (Palgrave Macmillan 2008), and Th eatre and Mind (Palgrave Macmillan 2012). He is a coeditor of Palgrave-Macmillan’s series titled “Cognitive Studies in Literature and Performance.”

Justin A. Miller is an instructional assistant professor of Th eatre and the technical director at Texas A&M University in College Station, TX. He

C o n t r i b u t o r s234

received his MFA in Production Design from Michigan State University in East Lansing, MI, and is a member of the United States Institute for Th eatre Technology.

Meg O’Shea (BSc, MA) is a PhD candidate at the Institute for Resources, Environment and Sustainability at the University of British Columbia. She explores the embodied nature of sustainability behaviors, engaging with com-munities through the arts and arts-based methods.

Sarah Ann Standing is assistant professor of Humanities at New York City College of Technology (CUNY). She has published in Th eatre Topics , Th e O’Neill Review, American Th eatre , and Terra Nova . An actor and director for many years, Sarah has also devised Telling Our Stories —a multicultural inves-tigation into heritage, location, and environment. Th e fi rst three shows have been: Food for Th ought and Action , Emerging Into Light , and What Surrounds Us .

Arden Th omas is a doctoral candidate in the Department of Drama with the Division of Dance at Stanford University. She has been published in the San Francisco Bay Area dance journal In Dance, and she wrote an article for the forthcoming anthology Staging Motherhood in North American Drama. Arden is also a theater director, and has recently directed such plays as A Delicate Balance by Edward Albee, Museum by Tina Howe, and Mother Courage and Her Children by Bertolt Brecht.

Barry Witham is the former director of the School of Drama at the Uni-versity of Washington and Dramaturg for the Seattle Repertory Th eatre. He has written widely on English and American theater and his book Th e Fed-eral Th eatre Project: A Case Study (Cambridge University Press, 2003) was designated an “outstanding academic title” by Choice magazine. Barry is a member of the National Th eatre Conference and the College of Fellows of the American Th eatre.

Abbey, Edward, 153–54 , 155n2 Aborigines, 175 Abram, David, 10n1 , 119 Acerbi, Giuseppe, 78 Aching, Gerard, 112n3 activism

aesthetics of, 151–54 and guerilla theater, 147 , 151 in performance studies, 8–9 , 127–35 of sustainability, 137–45 , 169–74 and terrorism, 147–49 , 151

aesthetics of Dewey, 8 , 93 , 95–97 of ecoactivism, 151–54 relational, 61 , 68 , 70 , 76 and systems theory, 3 Afro-West Indian, 107 , 108 , 111n2

Agamben, Giorgio, 103 on “bare life,” 61 , 69 , 70 , 73 on “state of exception,” 61 , 69 , 70 ,

73 , 75 , 103 , 104 AIDS, 99 , 135n1 Air Recording Studio, 110 Albee, Edward, 34 Alliouagana Literary Festival, 110 Alrawi, Karim, 129–34 American Indian. See First Nations ,

Native American anthropomorphism, 54 , 177

in Aristophanes, 162 and ecolacunae, 67

Antilles, 8 , 101–12 antinuclear plays, 127–35

Appadurai, Arjun, 4–5 Arcola Theater, 206 Argentina, 130 , 131 Aristophanes, 162–63 Armstrong, Jeanette, 28 Arons, Wendy, 1–9 , 10n4 , 10n8 , 231 Association for the Study of Literature

and the Environment (ASLE), 3 audio walks, 183–89 Augoyard, Jean-François, 188 Austin, J. L., 98 Australia, 175 Austro-Hungarian Empire, 77–88, 79, 81 autism, 53–54 Awake and Sing (Odets), 17

baboons, 68 Baker, Steve, 48–49 Baker-White, Robert, 7 , 33–41 , 212 ,

213 , 231 bananas, 140–41 , 145 Barbados, 111n2 Barber, Katrine E., 149 , 153–54 Barton, Derek Lee, 8 , 77–88 , 213 ,

215 , 231 Baudrillard, Jean, 50–51 , 54–55 ,

81–83 , 86 , 164 See also postmodernism

Bäuerle, Adolph, 78 , 80 , 84–87 Beckett, Samuel, 99 , 133 bees, 83 Being in Between (2005 event), 60–76,

62–66, 70–76

Index

Note: Page numbers in italics indicate illustrations.

I n d e x236

Benjamin, Walter, 78 , 81 , 82 Arcades Project, 102

Bennett, Jane, 36 binaural technology, 187–88 Biondi, Oshana, 124n4 The Birds (Aristophanes), 160 ,

162–63 , 168 Bishnoi people (India), 175 Blair, Tony, 148 Blake, Ben, 19 blues music, 16 Bosch, Hieronymus, 164 Bottoms, Stephen, 76 Boyd, Brian, 10n8 , 182 Breaking Through (Wertenbaker), 129 Brennan, Teresa, 117–18 Bristol Zoological Gardens, 60–76,

62–66, 70–76 British Nuclear Fuels, 130 Broadway Green Alliance, 194 , 200 , 206 Brooker, Bertram, 24 Brower, David, 153–54 Brown & Wilmanns Environmental

Consulting, 205 Building Research Establishment,

Environmental Assessment Method (BREEAM), 203–5 , 209n6

Bull, Michael, 184–86 , 189 Burning Vision (Clements), 29–31 Butler, Judith, 141

Calabash Festival, 105 , 110 Campaign for Nuclear Disarmament

(CND), 128–31 , 136n8 Can You Hear Their Voices? (Clifford

and Flanagan), 13–17 Canadian ecopolitical drama, 7 , 23–31 ,

137–45 cannibalism, 68 carbon footprint, 192 , 194 , 201–9 ,

214–15 Cardiff, Janet, 183 , 187 Cardullo, Bert, 36–37 Caribbean, 8 , 101–12 , 105 , 106

Carmichael, Franklin, 31n2 Carnival, 105–10 , 112 , 135n2 Carpenter, Charles, 132 , 133 , 135 ,

136n5 Center for Sustainable Practice in

the Arts (CSPA), 9 , 194 , 199 , 205–8 , 232

Certeau, Michel de, 80 Chambers, Whittaker, 14 Chaplin, Charlie, 96 Charles X (king of France), 78 , 83 Chaudhuri, Una, 2–3 , 7–8 , 10n4 ,

45–57 , 82 , 136n7 , 211–13 , 231 “(De)Facing the Animals,” 84 on ecodrama, 131 , 211

Childsplay Theatre, 206 chimpanzees, 65–69 , 72–73 China, 15 Civilian Conservation Corps (CCC),

18–21 Clapton, Eric, 110 Clements, Marie, 29–31 Cless, Downing, 9 , 10n4 , 136n7 ,

159–68 , 214 , 231–32 Clifford, Margaret, 13–17 , 21n1 climate change, 73 , 91–92 , 212

during 1930s, 13–16 and A Midsummer Night’s Dream, 161 and plays about sustainability,

139–40 , 172 and polar bears, 45–57, 47–53, 56

Cockburn, Maya, 74 , 75 cognitive science, 5 , 8 , 93 , 97–98

in Being in Between, 71 and sustainability performances, 145

Cohen-Cruz, Jan, 154 Colorado River Storage Project

(CRSP), 150 Communists, 14–21 Conquergood, D., 138 , 144 critical animal studies, 8 , 50 , 82

See also zoos Crouch, David, 141 Cudjoe Head Festival, 110 “cyborg neonates,” 73 , 75

237I n d e x

Dada, 148 dances

of Monserrat, 105 , 109–11 with primates, 59–76, 62–66, 70–76 “still,” 8 , 113–23 , 115 , 116 , 121 West African, 174

Danhauser, J., 79 Darwin, Charles, 31 , 93–94 , 96–97

See also evolutionary theory Dawkins, Richard, 60 , 68 , 91 De Certeau, Michel, 80 Dead End (Kingsley), 16–18 , 21 Death of a Salesman (Miller), 34–35 Deeter, Jasper, 14 Deike, Taggert, 130 Deleuze, Gilles, 50–51 DeLuca, Kevin Michael, 152 Denning, Michael, 16 Dewey, John

aesthetics of, 8 , 93 , 95–97 ethics of, 92–96

Dickinson, Peter, 93 , 99–100 Dinosaur National Monument, 154 “displaced persons,” 104 Dittmer, Jason, 106 Doctor Faustus (Marlowe), 160 ,

163–65 , 168 A Doll’s House (Ibsen), 201–2 , 208–9 Don Giovanni (Mozart), 97 “Dreamtime,” 175 drought, during 1930s, 13–16

See also climate change Dudeck, Theresa Robbins, 136n8 Durland, Steven, 151 Dutton, Denis, 5 , 10n8 D’Zmura, Anne Justine, 9 , 169–79 ,

214 , 232

Earth Drama Lab, 200n2 Earth First! (organization), 8

“Crack the Dam” project of, 147–54 formation of, 149 , 155n2

Earth Liberation Front (ELF), 148–49 Echo Park, 154 eco-conscious theater, 127–35

ecocriticism, 2–4 , 9 , 10n3 , 213 ecodirecting, 159–68 ecodrama

May on, 131 , 183 , 186 Osment on, 131

ecodramaturgy, 4–6 , 10n5 , 134–35 Heim on, 211–16

ecofeminism, 8 , 161 , 167 “ecolacunae,” 61 , 67 , 68 , 73 , 75 ecology, 1–3 , 7 , 8 , 10 , 60 , 73 , 91–93 ,

100 , 132 , 135 , 148 , 181 , 188–89 as critical lens, 1–10 ecopolitics, in Canadian drama, 7 ,

23–31 “ecotage,” 149 Ecovenue Project, 206 , 209n9 Edinburgh Festival Fringe, 205 Edwards, Paul, 142 Egan, Timothy, 13 Eisenstein, Sergei, 34 embodiment paradigm, of

sustainability, 139–40 , 143–45 Embracing Earth: Dances with Nature

(film), 122–23 , 124n4 Emerald Shamiroles Masquerade

Dancers, 105 , 109–11 Enelow, Shonni, 82 Ernestine Shuswap Gets Her Trout

(Highway), 28–29 Escherichia coli, 91 eugenics movement, 91 , 93 Evernden, Neal, 2 evolutionary theory, 8 , 31

and ethics, 91–100 and literary arts, 182

“exhibitionist art,” 68 exile, 27–28 , 32n3

Falklands War, 130 , 131 Federal Theatre Project, 15 Fefu and Her Friends (Fornes), 34 ,

38–41 Felshin, Nina, 148 feminism. See ecofeminism feral humans, 61 , 64

I n d e x238

Fergus, Howard, 112n5 Fire in the Lake (Alrawi), 129–34 First Nations, 23–32

See also Native American Flanagan, Hallie, 13–17 Fleche, Anne, 37 , 41n1 Fletcher, Angus, 92–93 , 96 Flood, Hugo, 107 , 108 Foco Novo theater company, 128 Foreman, David, 147 , 149 , 153–54 Forest Stewardship Council (FSC),

202 , 205 Fornes, Maria Irene, 34 , 38–41 Franco, Francisco, 37 Freeman, Sara, 8 , 127–35 , 212 , 232 Fried, Larry, 10n9 , 199 , 209n1 Fried, Manny, 19 , 21 Friends of the Earth, 148 Fromm, Harold, 3 , 10n3 Frye, Northrop, 25–27 Furse, Anna, 132–33 Futurism, 148

Gairloch Gardens (Oakville, Ontario), 183

Ganley, Alistair, 74 , 75 Garrett, Ian, 9 , 201–9 , 214 , 232 Gay Sweatshop theater company, 8 ,

128–32 gender. See ecofeminism geopathology, 46–47 , 50–55 George IV (king of Great Britain), 78 Gilbert, W. S., 36 Giraffe House (Vienna), 80 , 81 , 87 giraffes, 8 , 77–88, 79, 81 Giraudoux, Jean, 165–68 The Glass Menagerie (Williams),

34–38 , 41 Glen Canyon Dam, 147–54 , 155n2 Glines Canyon Dam, 151 , 155n1 Glissant, Edouard, 102 , 106 , 108–10 global perfomative matrix, 60 global warming. See climate change Glotfelty, Cheryll, 3 , 10n3 Goodall, Jane, 67–69

Gore, Al, 45–46 , 52 , 167–68 Gorelik, Mordecai, 19 gorillas, 69–73 , 70, 71, 76 Gough, Kathleen M., 8 , 101–12 ,

215 , 232 Goulish, Matthew, 76 Grant, George, 26–27 Gray, Nelson, 7 , 10n4 , 23–32 , 232 Great Depression, 13–16 , 18–21 Green Building Initiative, 203 Green Globes, 203 , 205 , 209n5 Green Piece, 169–79 , 175–78 Green Theater Choices Toolkit

(GTCT), 205 , 209n7 green theater design practices, 10n9 ,

173–74 , 191 , 192–209 Greenham Common Airbase, 129–31 Greenpeace (organization), 130 , 148 ,

151–52 Greig, Noel, 128–34 Griffith, D. W., 96 Grosz, Elizabeth A., 141 Group of Seven painters, 24 , 31n2 guerilla theater, 147 , 151

See also activism

The Hairy Ape (O’Neill), 34 Halprin, Anna, 8 , 113–23 , 115 , 116 ,

121 , 214 Hamlet (Shakespeare), 34 , 40 , 96 , 97 Haraway, Donna, 68 , 84 , 138

on “cyborg neonates,” 73 , 75 on “naturecultures,” 50 on “semiotic-material actors,” 140

Harris, Lawren, 24 , 31n2 Harris, Wilson, 106 Harrison, Robert Pogue, 33 headphones, 184–88 Hedgerow Theater, 14–15 Heim, Wallace, 9 , 10n4 , 211–16 , 232–33 Heritage, Paul, 135n1 Herz, Henri, 82 Hetherington, K., 141 Highway, Tomson, 23 , 28–29 , 32n4 HIV disease, 99 , 135n1

239I n d e x

Hoffman, Abbie, 152 Home Builder Associations, 203 homelessness, 74 , 185 , 186 honeybees, 83 Hoogland, Cornelia, 9 , 181–89 , 214 , 233

Woods Wolf Girl, 181–89 Hoover, Herbert, 15 , 16 Hoover Dam, 150 Hopkins, Harry, 15 Horner, Victoria, 71–73 Horton, David, 141 Hungary, toxic flood in, 4 Hunter, Robert, 152 Hurricane Hugo (1989), 108–9 Hurricane Katrina (2005), 1 , 4 Huxley, T. H., 91

Ibsen, Henrik, 201–2 , 208–9 Iceland, 151 , 155n1 imagination, 5 , 9 , 34 , 40 , 51 , 84 , 98 ,

101 , 103 , 135 India, 175–76 Indian, American, 26 , 30

See also First Nations , Native American

Indigenous Australia, 175 Canada, 26–28 See also First Nations , Native

American Industry Green (IG), 206 infanticide, 68 International Red Cross, 14–16 interspecies divide, 59–60 , 68–73 , 76 Irish immigrants, of Montserrat, 102 ,

107–10 , 111n2 Iroquois, 175

See also First Nations , Native American

Jackson, A. Y., 31n2 James, William, 93–94 Jameson, Fredric, 163

See also postmodernism John, Elton, 110

Johnson, Mark, 93 , 97–98 , 214 Johnston, Franz, 31n2 Joint Stock theater company, 8 , 128–33 Juliat, Robert, 209n4 Julie’s Bicycle, 205–6 Juno, Andrea, 150

Kant, Immanuel, 97 Kárahnjúkar, Iceland, 151 , 155n1 Kazan, Elia, 19 , 22n2 Kershaw, Baz, 7–8 , 59–76 , 213 , 233 Key, Archibald, 23–27 key performance indicators (KPI), 204 King, Martin Luther, Jr., 169 Kingdom Come (Parker), 107–8 Kingsley, Sidney, 16–18 , 21 kitsch, 78 , 81 Knut (polar bear cub at Berlin Zoo),

56–57

Lacan, Jacques, 8 , 118 Lake Powell, 150 , 152 , 154 Laurier, Wilfred, 29 Lavery, Emmet, 13–14 Leadership in Energy and

Environmental Design (LEED), 194 , 203–5 , 207 , 209n5

Leakey, Louis, 67–68 Leopold, Aldo, 123 , 124n5 Lepecki, André, 117 , 123 Levy, Deborah, 129 , 132–35 Limbaugh, Rush, 45 Link, Terry, 192 , 193 Lismer, Arthur, 31n2 Loper, Steven, 151 Lost Action (Dickinson), 99–100 Louv, Richard, 184 , 186 Love, Glen, 2 Love’s Labour’s Lost (Shakespeare), 191 ,

192–200 Luke, Timothy W., 152

MacDonald, J. E. H., 31n2 The Madwoman of Chaillot

(Giraudoux), 165–68

I n d e x240

Maher, Neil, 13 , 19 Majozo, Estella Conwill, 154 Manes, Christopher, 34 , 40 Manitou Portage (Morrow), 23 ,

26–27 Markham, E. A., 101–2 , 104 Marlowe, Christopher, 163–65 Martin, George, 110 Martin, John, 117 Martin, Peter, 19–21 May, Theresa J., 1–9 , 233

on ecodramaturgy, 4 , 131 , 183 , 186

on green theater practice, 10n9 , 199 , 209n1

on “inherent communality,” 31 , 32n6

McCartney, Paul, 110 McConachie, Bruce, 8 , 91–100 , 212 ,

214 , 233 McKenzie, Jon, 60 McLuhan, Marshall, 152 Mehmed Ali (pasha of Egypt), 78 memes, 60 , 68 Merleau-Ponty, Maurice, 119 A Midsummer Night’s Dream

(Shakespeare), 160–61 Miller, Arthur, 34–35 Miller, Justin A., 9 , 192–200 , 214 ,

233–34 mind-body dualism, 27 , 98 , 118 Molin, Girolamo, 77 monkeys, dancing with, 59–76, 66 “monkeywrenching,” 149 Montserrat, 8 , 101–11 , 105 , 106 Mo’olelo Performing Arts Company,

194 , 205 , 206 , 209n7 Morrow, T. M., 23 , 26–27 Morton, Timothy, 6 The Mother Lode (Key), 23–27 Mozart, Wolfgang Amadeus, 97 Müller, Heiner, 31 Munk, Erika, 4 , 211 museum exhibits, 204 Muslim, 78–79

Naipaul, V. S., 111 nanoq: flat out and bluesome

(Snæbyörnsdóttir and Wilson), 46–50 , 47–49, 57

narcissism, 118 , 184–86 “native,” 78–79 Native American, 32 , 170 , 175

See also American Indian , First Nations

Natural Resources Defense Council (NRDC), 148 , 203

The Nature Conservancy, 148 nature versus culture binary, 1 ,

16 , 60 in antinuclear plays, 131 Arons and May on, 1–3 in Being in Between, 68–70 Brennan on, 118 and ethics, 91–93 in fairy tales, 183 in The Glass Menagerie, 37 Heim on, 212–13

“naturecultures,” 50 “nature-deficit disorder,” 186–87 New Deal legislation, 16 , 18–21 Nietzsche, Friedrich, 33 , 41 nuclear weapons, 30 , 129 , 135

See also antinuclear plays

Odets, Clifford, 15 , 17 Olympic Games, 204 O’Neill, Eugene, 34 Oregon Museum of Science and

Industry (OMSI), 204 O’Shea, Meg, 8–9 , 137–45 , 213 ,

214 , 234 Osment, Philip, 131 Otesha Project, 9 , 139–45

Paganini, Niccolò, 82 paints, 193 , 198 , 200n4 Paludan, Marsha, 124n4 Parker, Stewart, 107–8 Pax (Levy), 129 , 132–35 Perex, Isaac Loeb, 15

241I n d e x

Performance art, 114 , 147 , 231 See also site-specific environmental

performance art performance commons, 60 , 68–71 ,

73 , 76 performance studies

activism in, 8–9 , 127–35 and sustainability, 138–44

Petrarch, Francesco, 36 phenotype effects, 60 Picasso, Pablo, 97 Piersen, William, 112n4 Pirates of Penzance (Gilbert and

Sullivan), 36 Pite, Crystal, 99 Plaines Plough theater

company, 128 Plumwood, Val, 118 , 167 plywood, 195 , 202 , 207 Polar Bear God (Weaver), 52–56, 53 polar bears, 7 , 45–57, 47–53, 56 Poppies (Greig), 128–34 Popular Front, 19 Portland Center Stage (PCS), 204 The Poster Children (Zurkow), 51,

51–52 , 54–56 postmodernism, 2 , 94

Baudrillard on, 50–51 , 54–55 , 81–83 , 86 , 164

and dramaturgy, 133 , 163–65 Jameson on, 163 self-fashioning of, 106–7

Povinelli, Daniel, 73 pragmatism, 93–96 Presley, Elvis, 163 primates, dancing with, 59–76,

62–66, 70–76 “psycho-acoustics,” 188 psychosis

social, 118 zoo, 53–54

puzzle box, 71–73, 72

Reason to Dream, 139–45 Red Cross organization, 14–16

Red Riding Hood (fairy tale), 181–83 , 187–89

Reed, Lou, 110 Reeve, Sandra, 61 , 65 , 69 Returning Home (Wilson), 115 , 120 Riedl-Dorn, Christa, 86 Roach, Joseph, 111n1 Robinson, Earl, 19 Robinson, Marc, 35 Rodaway, Paul, 138 Roosevelt, Franklin D., 16 , 18–21 Ross, Janice, 114 Royal National Theatre (RNT), 128 Royal Shakespeare Company (RSC), 128

Said, Edward, 27–28 Salvage Vanguard, 207 scenery. See green theater design

practices Schönbrunn Zoo, 82 , 83 Schutzman, Mady, 144 Sciobary, Haggi Aly, 78–79, 79 Sea Ranch Collective, 122 , 123n2 Sea Shepherd Society, 148 Sellafield nuclear processing plant, 129 ,

130 , 133 sexually transmitted diseases (STDs), 17 Shakespeare, William

Hamlet, 34 , 40 , 96 , 97 Love’s Labour’s Lost, 191 , 192–200 A Midsummer Night’s Dream,

160–61 The Tempest, 31

Shanghai People’s Theatre, 15 Shepard, Paul, 33 , 34 , 38 Shepard, Sam, 35 SHOPLAB, 207–8 Showman Fabricators, 205 Sierra Club, 148 , 149 , 153–54 Sinatra, Frank, 163 Sir George Martin’s Air Recording

Studio, 110 site-specific environmental

performance art, 114 , 153 , 189 See also performance art

I n d e x242

Skelton, Tracey, 104 Skinner, Jonathan, 112n5 slavery, 77 Smart, Annie, 129 SMeasure tool, 206 Snæbjörnsdóttir, Bryndís, 46–50 ,

47–49, 57 social Darwinism, 91 , 93 social psychosis, 118 Somerleyton, Lord, 56 , 57 “sound ecology,” 189 SoundWalk, 187–90

See also audio walks species, theater of, 7 , 50–57, 51, 56 The Sphinx theater company, 128 St. Kitts, 111n2 Standing, Sarah Ann, 8 , 147–54 , 234 stereotypies, 53 Still Dance with Anna Halprin

(Stubblefield), 8 , 113–23 , 115 , 116 , 121

Stoller, Jennie, 129 Stubblefield, Eeo, 8 , 113–23 , 115 ,

116 , 121 Sullivan, Arthur, 36 Surfrider Organization, 171 Sustainability, 9

activism toward, 137–45 , 169–74 and adaptability, 141–42 codes of, 141 and performance studies, 138–39 of theater design practices, 173–74 ,

191 , 192–209 transformation to, 142–44

syphilis, 17 systems theory, 3

The Tempest (Shakespeare), 31 terrorism, and ecoactivism, 147–49 , 151 Thatcher, Margaret, 8 , 127–35 theater of species, 7 , 50–57, 51, 56 Theatre of Action, 19 , 22n2 Theatres Trust Ecovenue Project, 206 ,

209n9 Thomas, Arden, 8 , 113–23 , 214 , 234

Thus Spake Zarathustra (Nietzsche), 33 , 41

Todd, Lily, 132–33 Tolstoy, Vladimir, 153 Tompkins, Joanne, 188 toolmaking, 67–68 Torgue, Henri, 188 Traister, Christina, 191 , 193 Tuan, Yi-Fu, 142

United States Green Building Council (USGBC), 203

uranium mining, 29–30 utilitarianism, 97

Vale, V., 150 Varley, Frederick, 31n2 Vienna, 77–88, 79, 81 Voaden, Herman, 23–24 , 27 volatile organic compounds (VOCs),

193 , 198 , 199 , 200n4 , 204

Waiting for Godot (Beckett), 99 Waiting for Lefty (Odets), 15 Walcott, Derek, 101 , 111 Waters, Les, 129 Weaver, Deke, 52–56, 53 Weaver, Jace, 32n3 Wertenbaker, Timberlake, 129 West Indian, 107, 101–12 whales, 149 , 174 , 177 Whitman, Walt, 24 , 31n1 Who’s Afraid of Virginia Woolf

(Albee), 34 wildfires, 172 Wilkes, Cydney, 124n4 Williams, Tennessee, 34–38 , 41 Williams, Terry Tempest, 122–23 Wilson, Andy Abrahams, 115 , 120 Wilson, Edmund, 16 Wilson, Mark, 46–50 , 47–49, 57 Witham, Barry, 7 , 13–21 , 212 , 234 Women’s Theatre Group (WTG), 8 ,

128–33 Wonder, Stevie, 110

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Woods Wolf Girl (Hoogland), 181–89 Workers Theatre movement, 19 World AIDS Day, 99 World Stages, Local Audiences (Pite), 99 Worster, Donald, 21 Worthen, William, 40 Wright, Jules, 129

Yates, William Butler, 24 YOLO Colorhouse paints, 200n4 The Young Go First (Martin), 19–21

Zaikin, Susan, 151 zoo psychosis, 53–54 The Zoo Story (Albee), 34 zoögeopathology, 47 , 50–52 zoöpathology, 46–47 zoos, 8 , 36 , 37 , 52 , 56 , 59–77 ,

78–88 See also critical animal studies

Zunshine, Lisa, 5 , 10n8 Zurkow, Marina, 51, 51–52 ,

54–56