Before and After 0667

download Before and After 0667

of 19

Transcript of Before and After 0667

  • 7/29/2019 Before and After 0667

    1/19

    Before&After XiBAmagazine.com U

    Continued Lessons from a beautiful site 0667

    Lessons from a

    beautifulsite

    Continued

  • 7/29/2019 Before and After 0667

    2/19

    Before&After

    2of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Lessons from a beautiful siteThe University of Miami College of Arts & Sciences site shows thatbeauty really is in the details.

    Home page Two dozen elements and links easily

    coexist on this inviting, visually coherent page.

    The best design is simple design: an idea,

    an image, a few words, open space. Its clear,

    attractive, memorable.But real life is not often simple; its full

    ofstuff. People, programs and commerce all

    need attention and screen space, and this

    can make for a busy, complex site.

    What we like about the University of

    Miamis College of Arts & Sciences site is

    that it handles complexity beautifully. Itdoes this in two ways: It reduces each

    element to its essence (the simple thing),

    then it beautifully crafts the details. A dozen

    visual techniques allow its many parts to

    coexist effortlessly. Lets look at a few.

  • 7/29/2019 Before and After 0667

    3/19

    Before&After Lessons from a beautiful site 3of12

    3of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Structure

    The site is conveniently screen size, not too long, so most of it is alwaysvisible. It is organized in three horizontal sections; each holds a different kind

    of informationpermanent stuff top and bottom, active stuff in the middle.

    Color differentiates the sections

    A white center stage is fanked by a

    dark header and light ooter. These con-tain the oundational elementslogo,

    links, search and so on. The white center

    is active, with transitory stories, news

    bries, stu like that. Let, a screen-size

    space like this conveys a tight, organized

    impression and is easier to read than a

    scrolling page. Tight editing is key.

    All eyes here

    Interior pageHome page

    Header Header

    Main stage

    Footer

    Footer

    Main stage

  • 7/29/2019 Before and After 0667

    4/19

    Before&After Lessons from a beautiful site 4of12

    4of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    ollg of

    arts&sciencesu v y o f m m

    P-a-n-o-r-a-m-i-c letterspacing conveys elegance and stature.

    Note the tiny shadow. Its unusual to see such a modern artiact

    juxtaposed with old type, but its understatement is classy and in

    this case adds valuable depth.

    Right, our permanent links on the ar

    right are tinted to appear barely there,

    yet remain easily accessible.

    Beautiful typography is the signature element o the site.

    Scholarly Caslon type in classic, old-style caps and small caps

    (big circle, below) conveys literacy and tradition; compact line

    spacing (small circle) keeps minor inormation rom foating

    away. The two lines o small type are the same size but spaced

    dierently; the more-important words are in panorama.

    Header

    Two dark bandsone green, one tanform a simple, substantial header thatleads the site; logo and links are reversed in white. To soften the look, a faint gradient

    yields an understated illusion of radiant light.

  • 7/29/2019 Before and After 0667

    5/19

    Before&After Lessons from a beautiful site 5of12

    5of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Main links

    The highest-level links are in the tan header band. Typography, color and shadoware identical to the logo, which reinforces their connection and permanence.

    Left, tan band and green feld are dierent colors but

    have virtually the samegray value (dark-light), whichkeeps the two connected while being dierent. Below, wide

    letterspacing is relaxed and less demanding than normal

    spacing and so conveys a sense o deliberation and state-

    liness. Onscreen, its easier to read, too.

    Three shades of tan defne the link

    states normal, active and hover; this

    quietly but very clearly tells the reader

    where he is. Shades are progressively

    darker versions o one colora monochro-

    matic palette, rightthat change the mes-

    sage without changing the subject. Nice.

    Link Active Hover

    Link type matches the logo.

    HOME ABOUT THE COLLEGE ACADEMICS ALUMNI

    ALUMNI ALUMNI ALUMNI

  • 7/29/2019 Before and After 0667

    6/19

    Before&After Lessons from a beautiful site 6of12

    6of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Sub links

    As the reader moves deeper into the site, subtle changes of type caseand colorare all it takes to signal the different levels. Style and size remain constant.

    Reverse the colors The beautifully uniform

    look of the site results from as few typographic

    differences as possible. Left, the sub links

    retain the type size and style of the main linksbut just change case and reverse color.

    As the links descend, the type color changes

    to black, then to gray. Note one typeface in one

    size easily conveys four levels of information.

    ACADEMICS

    Deans Message

    Deans Message

    Spotlights

    A Chemical Change

    Designs by Michiko

    Religious Perspectives

    Contacts

    A & S Magazine

    75%

  • 7/29/2019 Before and After 0667

    7/19

    Before&After Lessons from a beautiful site 7of12

    7of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Main stage

    Between header and footer, a white main stage is the focal point of the site.On each page, one short, book-like article is set in widely spaced lines of serif type,

    which conveys an airy, literary look thats very pleasant to read.

    A gradient as light as chiffon The let column is

    defned by an incredibly subtle gradient that ades rom

    less than two percent color to white. Whats interesting

    is how slight the edge has to be, not merely to be vis-

    ible but clearly present. Beautiul.

    Comfortable reading width Book-width columns o

    type45 to 65 characters or soare ideal or comort-

    able reading; the wide leading(spacing) is visual silence

    between lines that relaxes the message. The longer your

    lines, the more space you should put between them.

    Same typestyle and size

  • 7/29/2019 Before and After 0667

    8/19

    Before&After Lessons from a beautiful site 8of12

    8of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Footer

    A correctly designed footer conveys real authority; it should be thought ofnot as the tail but the foundation that supports everything else. The footer holds

    permanent informationkey links, contact information, logo.

    Live matter is aligned ush.Background colors extend outward.

    Same size, different color

    Identical typographystyle,

    case, size and spacingbut

    reversed colors connect ooter

    to header and uniy the page.

    Small logo, big impression

    Lower-right corner is the natu-

    ral exit point o a page and the

    correct place or a logo, which

    serves as a ull stop and makes

    an impression much bigger

    than its small size. Efcient.

    Hierarchy is important Above, let, a header and

    ooter o equal weight result in an Oreo cookie

    that divides the readers attention and weakens thepresentation. Instead, three-stage hierarchy gives

    each section appropriate weight. Keep in mind that

    the readers eye will always gravitate toward the

    center. Save it or your most important material, and

    put supporting material around it.

    ALUMNI

    MY UM

  • 7/29/2019 Before and After 0667

    9/19

    Beore&Ater Lessons from a beautiful site 9of12

    9of12

    XiBAmagazine.com U

    Lessons rom a beautiul site 0667

    Type

    The html text of the entire site is set in Georgia, the best onscreen seriftypeface universally available. Georgia has the look of book typography plus the

    medium physical traits that make it especially readable at low resolution . . .

    Bolder seris Georgias seris are

    bold and easy to see, and its curves

    are simple and open. Times thin,

    pointy seris are handsome in print but

    weak onscreen, where too-ew pixels

    are available to render them clearly.

    Wider counters The open

    shapes inside the characters,

    called counters, are as impor-

    tant as the outside. Georgia

    has big, round counters that

    remain open at low res.

    Georgia is biggerThe perceived size o a typeace is

    not its point size but its x-height, that is, the size o its

    lowercase characters; Georgias are 68% o the cap height,quite average. Times is too small or onscreen clarity.

    Georgia has text fgures Georgias old-

    style numerals, or text fgures, have ascend-

    ers and descenders like lowercase letters. These are more distinctive andthereore easier to read than ordinary, all-caps numerals. Beautiul, too.

    c

    GeorgiaTimes

    Compared to Times, the universal deault . . .

    Georgia Times

    Open Constricted

  • 7/29/2019 Before and After 0667

    10/19

    Before&After

    10of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Lessons from a beautiful site 10of12

    Academics

    The University of Miamis College of Arts and Sciences is the largest

    academic unit within the University of Miami, home to over 4,000

    students and 400 distinguished full-time faculty, working at the cutting

    edge of knowledge in their elds. Located in the beautiful city of Coral

    Gables, Florida, we are a premier college within a Carnegie Research I

    private university.

    Students who enter the College of Arts and Sciences have the

    opportunity to experience the breadth and depth of the intellectual lifeof the University of Miami. The College of Arts and Sciences offers 39

    major areas of study and more than 45 minor concentrations -- from

    acting to analytic geometry, from philosophy to physics.

    Academics

    The University of Miamis College of Arts and Sciences is the largest

    academic unit within the University of Miami, home to over 4,000

    students and 400 distinguished full-time faculty, working at the cutting

    edge of knowledge in their elds. Located in the beautiful city of Coral

    Gables, Florida, we are a premier college within a Carnegie Research I

    private university.

    Students who enter the College of Arts and Sciences have the

    opportunity to experience the breadth and depth of the intellectual life ofthe University of Miami. The College of Arts and Sciences offers 39

    major areas of study and more than 45 minor concentrations -- from

    acting to analytic geometry, from philosophy to physics.

    Type

    Word- and letter spacing is as important as letter shapes, and here Georgiaalso excels. At text sizes it is smooth, repetitive and rhythmic.

    Georgia reads better online Unlike Times, which is a print typeace adapted or the screen, Georgia

    was designed specifcally or onscreen use. As a result, its letter- and word spacing at low resolution

    is smooth, repetitive and rhythmic, while Times is oten choppy and ftul, an eect not visible in print

    (above). Even in print, however, Times thinner stems and seris yield an edgier, less coherent look.

    Georgia Times

  • 7/29/2019 Before and After 0667

    11/19

    Before&After

    11of12

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Lessons from a beautiful site 11of12

    Typefaces

    1 Adobe Caslon Bold OsF

    (www.adobe.com)

    2 Georgia (www.fonts.com)

    Design

    Jody Ferry (www.jodyferry.com)

    WebLinc, LLC (www.weblinc.com)

    Colors

    4

    5

    6

    7

    8

    8

    Article resources

    R245 G245 B245

    R215 G209 B202

    R151 G83 B10

    R118 G63 B6

    R75 G55 B31

    R75 G82 B26

    R103 G107 B30

    R140 G70 B6

    4

    5 6 7

    8

    95

    10

    8

    9

    HOME ABOUT THE COLLEGE ACADEMICS

    1

    2

    10

    3

    3

    100%0%

  • 7/29/2019 Before and After 0667

    12/19

    Before&After

    12of12 | Printing formats

    XiBAmagazine.com U

    Lessons from a beautiful site 0667

    Lessons rom a beautiul site 12of12

    Before & After magazine

    Before & After has been sharing its practical approach

    to graphic design since 1990. Because our modern world

    has made designers of us all (ready or not), Before &

    After is dedicated to making graphic design understand-

    able, useful and even fun for everyone.

    John McWade Publisher and creative director

    Gaye McWade Associate publisher

    Dexter Mark Abellera Staff designer

    Before & After magazine

    323 Lincoln Street, Roseville, CA 95678

    Telephone 916-784-3880

    Fax 916-784-3995

    E-mail [email protected]

    www http://www.bamagazine.com

    Copyright 2008 Before & After magazine

    ISSN 1049-0035. All rights reserved

    You may pass along a free copy of this article to others

    by clicking here. You may not alter this article, and you

    may not charge for it. You may quote brief sections

    for review; please credit Before & After magazine, and

    let us know. To link Before & After magazine to your

    Web site, use this URL: http://www.bamagazine.com.

    For all other permissions, please contact us.

    Subscribe to Before & After

    Subscribe to Beore & Ater, and become a

    more capable, confdent designer or pennies

    per article. To learn more, go to

    http://www.bamagazine.com/Subscribe

    E-mail this articleTo pass along a ree copy o this article to

    others, click here.

    Join our e-list

    To be notifed by e-mail o new articles as

    they become available, go to

    http://www.bamagazine.com/email

  • 7/29/2019 Before and After 0667

    13/19

    Beore&Ater

    Back | Paper-saver format

    XiBAmagazine.com U

    For paper-saver ormatPrint: (Specify pages 1419)

    For presentation ormatPrint: (Specify pages 112)

    Print

    Format: Landscape

    Page Size: Fit to Page

    Save

    Presentation format or

    Paper-saver format

    Beore & Ater is made to ft your binder

    Before & After articles are intended for permanent reference. All are titled and numbered.

    For the current table of contents, click here. To save time and paper, a paper-saver format of this article,

    suitable for one- or two-sided printing, is provided on the following pages.

  • 7/29/2019 Before and After 0667

    14/19

    Before&After|www.ba

    magazine.com

    1of6

    Lessonsfromabeautifulsite0667

    0667Lessonsfroma

    beautifulsite L

    essons

    froma

    be

    autiful

    site

    Homepage

    Twodozenelementsandlinkseasily

    coexistonthisinviting,visuallycoherentpage.

    Theb

    estdesignissimpledes

    ign:anidea,

    anim

    age,afewwords,openspace.Itsclear,

    attractive,memorable.

    Bu

    treallifeisnotoftensim

    ple;itsfull

    ofstuff.People,programsandcommerceall

    need

    attentionandscreensp

    ace,andthis

    canm

    akeforabusy,complexsite.

    WhatwelikeabouttheUn

    iversityof

    Miam

    isCollegeofArts&Sciencessiteis

    thati

    thandlescomplexitybe

    autifully.It

    does

    thisintwoways:Itredu

    ceseach

    elementtoitsessence(thesimplething),

    then

    itbeautifullycraftsthed

    etails.Adozen

    visua

    ltechniquesallowitsmanypartsto

    coexisteffortlessly.Letslook

    atafew.

  • 7/29/2019 Before and After 0667

    15/19

    Before&After

    |www.b

    ama

    gazin

    e.c

    om

    2o

    6

    Lessonsfromabeautifulsite0667

    0667Lessonsfroma

    beautifulsite

    Structure

    Thesiteisconvenientlyscreensize,nottoo

    long,somostofitisalways

    visible.Itisorganiz

    edinthreehorizontalsections;eachholdsadif

    ferentkind

    ofinformationpermanentstufftopandbottom,activestuffinth

    emiddle.

    Colordifferentia

    testhesections

    Awhitec

    en

    ter

    stageisf

    ank

    edbya

    darkh

    eader

    an

    dlig

    htooter.Th

    esecon-

    tain

    theo

    un

    dation

    alelem

    en

    tslo

    go,

    link

    s,search

    an

    dsoon.Th

    ewhite

    cen

    ter

    isactive,with

    tran

    sitory

    storie

    s,n

    ew

    s

    bries,

    stulik

    etha

    t.Let,

    ascre

    en-size

    spacelik

    ethis

    conv

    eysatigh

    t,org

    anize

    d

    impre

    ssion

    an

    dis

    easier

    tore

    adthan

    a

    scrollin

    gpage.Tigh

    teditin

    gisk

    ey.

    All

    eyes

    here

    Interiorpage

    Home

    page

    Header

    Header

    Main

    stage

    Footer

    Footer

    M

    ainstage

    ollg

    of

    ar

    ts&scie

    nces

    u

    v

    y

    o

    f

    m

    m

    P-a-n-o-r-a-m-i-cletterspacingconve

    ys

    elegan

    cean

    dstature.

    Notethe

    tinyshadow.Its

    un

    usual

    toseesucham

    odern

    artia

    ct

    jux

    taposedwith

    old

    type,butits

    un

    dersta

    temen

    tis

    cla

    ssyan

    d

    inthis

    ca

    seaddsv

    alu

    able

    depth.

    Righ

    t,o

    urp

    erm

    an

    en

    tlink

    son

    thear

    righ

    tare

    tintedtoappear

    barely

    there

    ,

    yetrem

    a

    ineasilyaccessible.

    Beautifultypographyis

    thesign

    ature

    elemen

    to

    thesite.

    Sch

    olarly

    Caslon

    typein

    cla

    ssic,old-style

    capsan

    dsmall

    caps

    (big

    circle

    ,below

    )conv

    eyslitera

    cyan

    dtrad

    ition

    ;com

    pactlin

    e

    spacin

    g(small

    circle

    )k

    eepsmin

    orinorm

    at

    ionromf

    oating

    aw

    ay.Th

    etwolin

    eso

    small

    typeare

    thesame

    sizebutspaced

    dieren

    tly;them

    ore-im

    portan

    tw

    ord

    sareinpan

    oram

    a.

    Header

    Twodarkbandso

    negreen,onetanform

    asimple,substantialh

    eaderthat

    leadsthesite;logo

    andlinksarereversedinwhite.Tosoftenthelook,afaintgradient

    yieldsanunderstatedillusionofradiantlig

    ht.

  • 7/29/2019 Before and After 0667

    16/19

    Before&After|www.bamagazine.com

    3o6

    Lessonsfromabeautifulsite0667

    0667Lessonsfroma

    beautifulsite

    Sublinks

    Asthereadermove

    sdeeperintothesite,su

    btlechangesoftypecase

    andcolor

    areallittakestosig

    nalthedifferentlevels.Styleandsizeremainco

    nstant.

    ReversethecolorsTh

    ebeautiullyuniorm

    lookothesiteresultsromasewtypographic

    dierencesaspossible.L

    et,thesublinks

    retainthetypesizeands

    tyleothemainlinks

    butjustchangecaseand

    reversecolor.

    Asthelinksdescend,

    thetypecolorchanges

    toblack,thentogray.No

    teonetypeaceinone

    sizeeasilyconveysourlevelsoinormation.

    DeansMessage

    Spotlights

    AChemicalChange

    DesignsbyM

    ichiko

    ReligiousPerspectives

    Contacts

    A&SMagazine

    75%

    Mainlinks

    Thehighest-levelli

    nksareinthetanheade

    rband.Typography,colorandshadow

    areidenticaltothe

    logo,whichreinforcestheirconnectionandper

    manence.

    Left,

    tanbandandgreenfeldaredierentcolorsbut

    have

    virtuallythesamegrayvalue(dark

    -light),which

    keepsthetwoconnectedwhilebeingd

    ierent.Below,wide

    letter

    spacingisrelaxedandlessdeman

    dingthannormal

    spacingandsoconveysasenseodelib

    erationandstate-

    liness

    .Onscreen,itseasiertoread,too.

    Threeshadesoftandefnethelink

    statesnormal,activeandhover;this

    quietlybutveryclearlytellsthereader

    whereheis.Shadesareprogressively

    darke

    rversionsoonecoloramonoch

    ro-

    matic

    palette,rightthatchangethemes-

    sagewithoutchangingthesubject.Nice

    .

    Link

    Active

    Hove

    r

    Link

    typematchesthelogo.

    HOME

    ABOUT

    THECOLLEGE

    ACADEM

    ICS

    ALUMNI

    AL

    UMNI

    ALUMNI

    ALUMNI

    ACADEMIC

    S

    DeansMessa

    ge

  • 7/29/2019 Before and After 0667

    17/19

    Before&After|www.bamagazine.com

    4o6

    Lessonsfromabeautifulsite0667

    0667Lessonsfroma

    beautifulsite

    Mainstage

    Betweenheaderan

    dfooter,awhitemainstageisthefocalpointofthesite.

    Oneachpage,one

    short,book-likearticleissetinwidelyspacedlinesofseriftype,

    whichconveysanairy,literarylookthatsv

    erypleasanttoread.

    Agradientaslightaschiff

    onTheletcolumnis

    denedbyanincrediblysubtle

    gradientthatadesrom

    lessthantwopercentcolorto

    white.Whatsinteresting

    ishowslighttheedgehastob

    e,notmerelytobevis-

    iblebutclearlypresent.Beautiul.

    ComfortablereadingwidthBook-widthcolumnso

    type45to6

    5charactersorsoareidealorc

    omort-

    ablereading;

    thewideleading(spacing)isvisua

    lsilence

    betweenlinesthatrelaxesthemessage.Thelon

    geryour

    lines,themor

    espaceyoushouldputbetweent

    hem.

    Sametypestyleand

    sizeFooter

    Acorrectlydesigne

    dfooterconveysrealau

    thority;itshouldbethoughtof

    notasthetailbutthefoundationthatsupp

    ortseverythin

    gelse.Thefooterholds

    permanentinformationkeylinks,contac

    tinformation,logo.

    Livematterisalignedfush.

    Backgroundcolorsextendoutward.

    Samesize,differentcolor

    Identicaltypographystyle,

    case,sizeandspacin

    gbut

    reversedcolorsconn

    ectooter

    toheaderanduniythepage.

    Smalllogo,bigimpression

    Lower-rightcorneris

    thenatu-

    ralexitpointoapageandthe

    correctplaceoralo

    go,which

    servesasaullstopandmakes

    animpressionmuch

    bigger

    thanitssmallsize.Ecient.

    HierarchyisimportantAbove,let,aheaderand

    ooteroequalweightresultinanOreocookie

    thatdividesthere

    adersattentionandweakensthe

    presentation.Instead,three-stagehierarchygives

    eachsectionappr

    opriateweight.Keepinmindthat

    thereaderseyew

    illalwaysgravitatetowardthe

    center.Saveitor

    yourmostimportantmaterial,and

    putsupportingmaterialaroundit.

    ALUMNI

    MYUM

  • 7/29/2019 Before and After 0667

    18/19

    Beore&Ater|www.ba

    magazine.com

    5o6

    Lessonsrom

    abeautiulsite0667

    0667Lessonsrom

    a

    beautiulsite

    Academics

    TheUniversityofMiamisColle

    geofArtsandSciencesisthelargest

    academicunitwithintheUnive

    rsityofMiami,hometoover4,000

    studentsand400distinguished

    full-timefaculty,workingatthecutting

    edgeofknowledgeintheireld

    s.LocatedinthebeautifulcityofCor

    al

    Gables,Florida,weareapremi

    ercollegewithinaCarnegieResearch

    I

    privateuniversity.

    StudentswhoentertheCollege

    ofArtsandScienceshavethe

    opportunitytoexperiencetheb

    readthanddepthoftheintellectuall

    ife

    oftheUniversityofMiami.The

    CollegeofArtsandSciencesoffers3

    9

    majorareasofstudyandmorethan45minorconcentrations--from

    actingtoanalyticgeometry,fro

    mphilosophytophysics.

    Academics

    TheUniversityofMiamisCollegeofArtsandSciencesisthelargest

    academicunitwithintheUn

    iversityofMiami,hometoover4,000

    studentsand400distinguish

    edfull-timefaculty,workingatthecu

    tting

    edgeofknowledgeintheirelds.LocatedinthebeautifulcityofCoral

    Gables,Florida,weareapremiercollegewithinaCarnegieResea

    rchI

    privateuniversity.

    StudentswhoentertheColl

    egeofArtsandScienceshavethe

    opportunitytoexperienceth

    ebreadthanddepthoftheintellectuallifeof

    theUniversityofMiami.Th

    eCollegeofArtsandSciencesoffers

    39

    majorareasofstudyandmo

    rethan45minorconcentrations--fro

    m

    actingtoanalyticgeometry,

    fromphilosophytophysics.

    Type

    Word-andlettersp

    acingisasimportantas

    lettershapes,andhereGeorgia

    alsoexcels.Attextsizesitissmooth,repetitiveandrhythmic.

    GeorgiareadsbetteronlineUnlikeTimes,whichisaprinttypeaceadaptedorthescreen,Georgia

    wasdesigned

    specifcallyoronscreenuse.Asa

    result,itsletter-andwordspacing

    atlowresolution

    issmooth,rep

    etitiveandrhythmic,whileTimes

    isotenchoppyandftul,aneectnotvisibleinprint

    (above).Eveninprint,however,Timesthinnerst

    emsandserisyieldanedgier,less

    coherentlook.

    Georgia

    Times

    Type

    ThehtmltextoftheentiresiteissetinGeorgia,thebestonscreens

    erif

    typefaceuniversall

    yavailable.Georgiahas

    thelookofbooktypographyplusthe

    mediumphysicaltraitsthatmakeitespeciallyreadableatlowresolution...

    Bo

    lderserisGeorgiasserisare

    boldandeasytosee,anditscurves

    are

    simpleandopen.Timesthin,

    pointyserisarehandsomeinprintbut

    we

    akonscreen,wheretoo-ewpixels

    are

    availabletorenderthemclearly.

    WidercountersTheopen

    shapesin

    sidethecharacters,

    calledcou

    nters,areasimpor-

    tantasth

    eoutside.Georgia

    hasbig,roundcountersthat

    remainop

    enatlowres.

    Georgia

    isbiggerTheperceivedsizeoa

    typeaceis

    notitspointsizebutitsx-height,thatis,the

    sizeoits

    lowercasecharacters;Georgiasare68%

    o

    thecapheight,

    quiteaverage.Timesistoosmalloronscreenclarity.

    Georgia

    hastextfguresGeorgiasold-

    stylenum

    erals,ortextfgures,haveascend-

    ersandd

    escenderslikelowercaseletters.

    Thesearemoredistinctiveand

    thereore

    easiertoreadthanordinary,all-capsnumerals.Beautiul,too.

    c

    Ge

    orgiaTim

    es

    Compar

    edtoTimes,theuniversaldeault...

    Georgia

    Times

    Open

    Constr

    icted

  • 7/29/2019 Before and After 0667

    19/19

    Before&After|www.ba

    magazine.com

    6of6

    Lessonsfrom

    abeauti

    fulsite0667

    0667Lessonsfrom

    a

    beautifulsite

    3100%

    0%

    Before&Aftermagazine

    Before&Afterhasbee

    nsharingitspracticalapproach

    tographicdesignsince1990.Becauseourmodernworld

    hasmadedesignersofusall(readyornot),Before&

    Afterisdedicatedtom

    akinggraphicdesignunderstand-

    able,usefulandevenf

    unforeveryone.

    JohnMcWadePublisherandcreativedirector

    GayeMcWadeAssoc

    iatepublisher

    DexterMarkAbelle

    raStaffdesigner

    Before&Aftermagazine

    323LincolnStreet,Ros

    eville,CA95678

    Telephone916-784-38

    80

    Fax916-784-3995

    E-mailmailbox@bama

    gazine.com

    wwwhttp://www.bam

    agazine.com

    Copyright2008Be

    fore&Aftermagazine

    ISSN1049-0035.Allrightsreserved

    Youmaypassalongafreecopyofthisarticletoothers

    byclickinghere.Youm

    aynotalterthisarticle,andyou

    maynotchargeforit.Youmayquotebriefsections

    forreview;pleasecred

    itBefore&Aftermagazine,and

    letusknow.TolinkBefore&Aftermagazinetoyour

    Website,usethisURL:http://www.bamagazine.com.

    Forallotherpermissio

    ns,pleasecontactus.

    SubscribetoBefore

    &After

    SubscribetoBeore&A

    ter,andbecomea

    morecapable,confdentdesignerorpennies

    perarticle.Tolearnmo

    re,goto

    http://www.bamagazin

    e.com/Subscribe

    E-mailthisarticle

    Topassalongareecopyothisarticleto

    others,clickhere.

    Joinoure-list

    Tobenotifedbye-mailonewarticlesas

    theybecomeavailable,goto

    http://www.bamagazin

    e.com/email

    Colors

    456788

    Articleresources

    R245G245B245

    R215G209B202

    R151G83B10

    R118G63B6

    R75G55B31

    R75G82B26

    R103G107B30

    R140G70B6

    4

    5

    6

    7

    89

    5

    10

    89

    HOME

    ABOUTTHEC

    OLLEGE

    ACADEMICS

    12

    10 3

    Typefaces

    1A

    dobeCaslonBoldOsF

    (w

    ww.adobe.com)

    2G

    eorgia(www.fonts.com)

    De

    sign

    JodyFerry(www.jodyferry.com)

    WebLinc,LLC(www.weblinc.com)