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    WAITING FOR

    GODOTSamuel BeckettSipra Mukherjee

    Course 202 401

    West Bengal State University

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    Esslinfelt Becketts plays were the

    articulation of Camus concept of theAbsurd

    This led to the belief in Becketts

    (and Camus) existentialism

    Though it appears too simplistic to

    straitjacket Beckett/Camus intoExistentialism only.

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    References in Becketts play to the

    times include allusions to the

    religious,

    philosophical,

    classical,

    historical (e.g. colonisation),

    psychoanalytical and

    biographical (especially wartime )

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    who may tell the tale

    of the old man?weigh absence in a scale?

    mete want with a span?the sum assess

    of the world's woes?

    nothingness

    in words enclose?

    FromWatt (1953)

    http://en.wikipedia.org/wiki/Watthttp://en.wikipedia.org/wiki/Watt
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    The play "exploits several

    archetypal forms andsituations, all of which lendthemselves to both comedyandpathos.

    Tragicomedy appears to be the

    only way to portray thecondition of humanity

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    "Nothing is funnier than

    unhappiness ... it's the most

    comical thing in the world

    Nell, Endgame

    Absurdist dramatists reveal a debt

    to Shakespeare (StoppardsRosencrantz and Guildenstern are

    Dead, Ionescos Macbett)

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    Brooks Atkinson in

    The New York Times

    review aptly calls

    Becketts play an

    acridcartoon of the

    story of mankind.

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    Structural conveniences include: ritualistic aspects,

    elements from broad comedy,similar to vaudeville ,

    Commedia dellarte,

    early film comedians andmusic hall artists

    elements from horrific or tragic images,

    characters caught in hopeless situations forced todo repetitive or meaningless actions;

    dialogue full of clichs, wordplay, and nonsense;

    plots that are cyclical or absurdly expansive.

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    as an experimental form of theatre

    Absurdists used techniques from

    the 19th-century nonsense poets,

    such as Lewis Carroll or Edward Lear andothers;

    Bertolt Brecht's alienation techniques

    in his "Epic theatre" and the

    "dream plays" of August Strindberg

    S l B k tt i i i H

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    Samuel Beckett is sui generis...Hehas given a voice to the decrepitand maimed and inarticulate, men

    and women at the end of theirtether, past pose or pretense, pastclaim of meaningful existence. Heseems to say that only there and

    then, as metabolism lowers, amidGods paucity, not his plenty, canthe core of the human condition beapproached... Yet his musicalcadences, his wrought and precisesentences, cannot help but stave offthe void... Like salamanders wesurvive in his fire. -Richard Ellman

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    The bowler hats and other broadly comicaspects of their personas have reminded

    modern audiences of Laurel and Hardy, who

    occasionally played tramps in their films."The hat-passing game in Waiting For

    Godot and Lucky's inability to think without

    his hat on are two obvious Beckettderivations from Laurel and Hardy - a

    substitution of form for essence, covering for

    reality."

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    LAUREL AND HARDY- with their

    bowler hats

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    Vivian Mercier described the play as

    having "... achieved a theoreticalimpossibilitya play in which

    nothing happens, that yet keeps

    audiences glued to their seats.What's more, since the second act is

    a subtly different reprise of the first,he has written a play in which

    nothing happens, twice." (Irish

    Times, 18 February 1956).

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    GODOT ???

    In Irish Gaelic, "go deo" means both"forever", and "a very long time(Beckett mentions the name of a

    French cyclist, Christian nameuncertain, surname Godeau,)

    Beckett said the word Godot

    suggested itself to him by the slangword for boot in French,godillot, godasse because feet play

    such a prominent role in the play.

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    acknowledgment of deeper meanings

    of GODOT

    "It would be fatuous of me to pretend that Iam not aware of the meanings attached tothe word 'Godot', and the opinion of manythat it means 'God'. But you must rememberI wrote the play in French, and if I did havethat meaning in my mind, it was somewherein my unconscious and I was not overtly awareof it." This is an interesting remark, especially

    considering that "Beckett has often stressedthe strong unconscious impulses that partlycontrol his writing; he has even spoken ofbeing 'in a trance' when he writes.

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    setting of play

    The minimal description calls to mind "the

    idea of the lieu vague, a location which shoulnot be particularised".

    feelGodot needs a very closed box." (when

    a circus-ring was suggested)

    contemplated at one point having a "faint

    shadow of bars on stage floor" but, in the enddecided against this level of what he called

    "explicitation"

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    Accusations of obscurity/difficulty

    minimalism inlanguage, settings,

    experimental use oflanguage, questioningthe very power/role of

    language, Aggravated by thephilosophy which his

    works articulated

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    Obscurity a contentious feature of

    avant garde art and academia

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    waiting for godot

    nothing happens,

    nobody comes,

    nobody goes

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    concept of time cyclical in play

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    Harold Pinter

    Frequently

    commented on theirrelevancy of

    everyday speech.

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    inspiration forwaiting for godot

    'This was the source

    of Waiting for Godot, you

    know. Beckett to Ruby Cohn

    about the paintings by

    Friedrich that inspired him.

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    Two men contemplating the moon

    by Caspar David Friedrich

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    Moonwatchers, by CasparDavid Friedrich

    d ti f l

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    productions of playOne particularly significant staging was inside the

    Lttringhausen Prison near Wuppertal in Germany.

    In October 1954 Beckett received a letter from an

    inmate of the prison :

    "You will be surprised to be receiving a letter about

    your play Waiting for Godot, from a prison where somany thieves, forgers, toughs, homos, crazy

    men and killers spend this bitch of a life waiting ...

    and waiting ... and waiting. Waiting for what?

    Godot? Perhaps."

    An inmate had obtained a copy of the French first

    edition, translated it into German and obtained

    permission to stage the play.

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    2009 set

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    From 'Worstword Ho' by

    Samuel Beckett

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    an anecdoteeckett walking with a friend across asoccer field on a sunny afternoon,heading for a pub:Beckett: "It's a beautiful day, isn't it?The friend: "Yes, it makes one glad tobe alive.Beckett: "Aw now, I wouldn't go thatfar.."

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    http://www.youtube.com/watch?v=QAnixqo-ENc

    http://www.youtube.com/watch?v=QAnixqo-ENchttp://www.youtube.com/watch?v=QAnixqo-ENchttp://www.youtube.com/watch?v=QAnixqo-ENchttp://www.youtube.com/watch?v=QAnixqo-ENc