BEAST06 - {ths} Thomas Schostok -

8/14/2019 BEAST06 - {ths} Thomas Schostok - www.ths.nu.pdf

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{}T H E

B I B L E

O F I N S P I R A


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LEGAL: COPYRIGHTS IN THE WORKS OF ART

COMPILED HEREIN RESIDE WITH THE INDIVI-

DUAL ARTISTS. THE WORKS MAY NOT BE

COPIED, PUBLISHED OR DISTRIBUTED

WITHOUT THE ARTISTS PERMISSION. BEAS

USES PICTURES AN D ILLUSTRATIONS STOLEN

FROM DIFFERENT SOURCES. NO REPRODUCIN

WITHOUT PERMISSION!

N O B A N N

N O S P O N S

N O AN O A W A R

N O

N O D O N

N O C O N T

N O V A G R O U N

N O B E N T R E C T A N G

THE 96 DPI MAGAZINE FORMERLY KNOW AS THE 72 DPI MAGAZINE \ ISSUE 06 of 12 part 1 \ DATE: 28-DECEMBERPUBLISHED+DESIGN+COPYRIGHT 2001 BY {THS} THOMAS SCHOSTOK \ [email protected] \ WWW.THS.NU/B

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NSIDE:THEME:

C O NS U M P T I O N

ARTISTS IN ALPHABETICAL ORDER:06-07 (text), design: {ths}28 52

JOHN BAICHTALWWW.FAMISHED.ORG

53

STEFAN CLAUDIUSWWW.PHANTOMPOWER.DE

19 HEAVEN(tm)30-31 SAnTAN38 *WhatsPopular*55 HR2001 Happy Regurgitating

56-59 A fine Day PAUL DROHANWWW.D5IVE.COM

13 32 33 35 49 60

[email protected]

18 40 51

DREW HEFFRONWWW.CUTTING-GRASS.COM

16-17ANDY POTTSWWW.ANDY-POTTS.COM

26 61

EDUARDO RECIFEHTTP://MISPRINTEDTYPE.CJB.NET

22 26 48 50 62 66BJRN [email protected]

10-12KERRY ROPERWWW.YOUAREBEAUTIFUL.CO.UK

63 Red Wine65 GlasswareNANNETTE [email protected]

20BARD HOLE STANDALWWW.PURIFIED.ORG

23 36 41 43 45ANNA ROSA [email protected]

44 47TIPHANIE TART (ANTIGIRL)WWW.ANTIGIRL.COM

24 Eat Meat! (Consume Animals)

37 InfluenceMICHAEL TUSSEYWWW.SHODOWN.NET

42 64FRANK WERNERWWW.FW27.COM

14MICHELLE WIRTZWWW. DIGITALPIONOESE.DE

27 Totally39 This is good music, it really is.ANTHONY F. YANKOVIC IIIHTTP://JUNKDRAWER.S5.COM

ALL OTHER PAGES BY {THS}


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T H E RT h e

I was sitting in my friends

Jaguar (t h e E m e r a l dH oo p t y ) when I

saw a truck drive by with thecoolest logo imaginable on it. So, what dthis awesome

logo l o o k like?

I d o n t k n o w ,I f o r g o t .

first reaction was one of appreciation, my se

was to curse myself for

forgetting my camera. So, lesson learned: N

always carry a disposable

camera. Thats right, a disposable

-- in my opinion, the biggest adva

in pho t ography nex t t o d

t echno l ogy . Sound s i l l y ?

Maybe . Nevertheless,

these puppies have a lot going f

*Theyre spontaneous. You doneed to plan a photography exp

My


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Justpop one in your backpack or glove box. Theyre light

enough that it wont get

in the way.

*Theyre CHEAP. Keep abunch of them on hand. If you lose one,

curse the lost

pictures but not the lost camera. If youre

concerned about their affect on the

environment, dont fret -- the manufacturers

recycle the plastic.

*Theyre e a s y to use. Forgetabout f-stop, shutter time and exposure. The

only setting on these cameras is flash on and

flash off -- for those models that actually have

a flash. Point and shoot, baby.

*They come in diffe-

rent formats. For instance, you can buy under-

water models for only a little more. My most

recent disposable actually produced 4x7 prints,

rather than 4x6 which are fairly universal (in

the U.S., anyway).

*They take C R A P P Y pic-tures. What, thats good? Sometimes crap-

py is good -- itadds character. Youre not recording ima-

ges for scientific posterity, you wantthat cool graffito or brick wall. A bad

camera has quirks that add a little

unpredictability to your images. Every

camera will be a little different.

Take

them

anywhere. Ta ke them sky-

diving or to a party -- anywhere youd

hesitate bringing your regular camera. Always

keep one in your backpack and you

wont regret it, trust me. Why? Because some

day that t ruck is going to dr ive

by you, and youll be ready.

Words: Jo hn Bai ch tal , ww w. fa mi sh ed .o rgDesign/Photos: { ths}

y


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BUA

V O Y E U RO R

T W O


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ART 3 4 - 6 7

P A G E SB E A S T 6

THE 96 DPI MAGAZINE FORMERLY KNOW AS THE 72 DPI MAGAZI

ISSUE 06 of 12 part 2 \ DATE: 28-DECEMBER-2001

PUBLISHED+DESIGN+COPYRIGHT 2001 BY {THS} THOMAS SCH

[email protected] \ WWW.THS.NU/BEAST/

LEGAL: COPYRIGHTS IN THE WORKS OF ART

COMPILED HEREIN RESIDE WITH THE INDIVI-

DUAL ARTISTS. THE WORKS MAY NOT BE

COPIED, PUBLISHED OR DISTRIBUTED

WITHOUT THE ARTISTS PERMISSION.

BEAST USES P ICTURES AND ILLUSTRATIONS

STOLEN FROM DIFFERENT SOURCES. NO

REPRODUCING WITHOUT PERMISSION!


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HAPPYREGURGITATING

DEC2001

Discussions on the future of the planet are dominated by those who believe that an expanding world economywill use up natural resources and those who see no reasons, environmental or otherwise, to limit economicgrowth. Neither side has it right.In 1994, when delegates from around the world gathered in Cairo for the International Conference on Population and Development, representatives from developingcountries protested that a baby born in the United States will consume during its lifetime twenty times as much of the world's resources as an African or anIndian baby. The problem for the world's environment, they argued, is overconsumption in the North, not overpopulation in the South.

Consumption in industrialized nations "has led to overexploitation of the resources of developing countries," a speaker from Kenya declared. A delegate fromAntigua reproached the wealthiest 20 percent of the world's population for consuming 80 percent of the goods and services produced from the earth's resources.

Do we consume too much? To some, the answer is self-evident. If there is only so much food, timber, petroleum, and other material to go around, the more weconsume, the less must be available for others. The global economy cannot grow indefinitely on a finite planet. As populations increase and economies expand,natural resources must be depleted; prices will rise, and humanity -- especially the poor and future generations at all income levels -- will suffer as a result.

Other reasons to suppose we consume too much are less often stated though also widely believed. Of these the simplest-- a lesson we learn from our parentsand from literature since the Old Testament -- may be the best:although we must satisfy basic needs, a good life is not one devoted to amassing materialpossessions; what we own comes to own us, keeping us from fulfilling commitments that give meaning to life, such as those to family, friends, and faith. Theappreciation of nature also deepens our lives. As we consume more, however, we are more likely to transform the natural world, so that less of it will remainfor us to appreciate.

http://www.theatlantic.com/issues/97jun/consume.htm


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