Beadwork_201408-09

INSPIRED DESIGNS FOR THE PASSIONATE BEADER

®

BEADWORKMAGAZINE.COM

plus:- Bead Russian spirals with wire p. 66

- Make beautiful bracelets in under an hour p. 62

- Braid herringbone ropes for a chic necklace p. 22

for managing doubled thread

8 expert tips

FUN WITH SUPERDUOS!Make thesemust-have bracelets

19 A L L- N E W J E W E L RY D E S I G N S FO R S U M M E R

CREATE THESE with shaped beads

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AUGUST/SEPTEMBER 2014 VOLUME 17 NUMBER 5

Designer of the Year Projects22 CAT’S MEOW NECKLACE

Glenda Paunonen and Liisa TurunenUse tubular herringbone to create three long ropes that you’ll then braid, bind, and embellish with crystals

26 AMBASSADOR BRIDGE BRACELET Leslee FruminThe diamond and triangle pattern of this peyote- and brick-stitched bracelet evokes the steel work of the famous suspension bridge

32 SWING-TIME EARRINGS Christina NeitThese lightweight earrings are easy to make and full of possibilities—a fabulous project for using up small quantities of beads

36 PAINTERLY PETALS BRACELET Laura AndrewsForm this floral bracelet by framing pearls with a square stitch variation and fringe, then linking the resulting “blossoms” together

Projects42 ADELAIDE’S SOIREE Christine Wilson

46 VINEYARD TRELLIS BRACELET Pamela Lacasse

50 CORONATION DAY NECKLACE Evelína Palmontová

54 INDIAN SUMMER BRACELET Susan Severs Council

58 SYMÉTRIE BRACELET Lisa Kan

62 ANEMONE BRACELET Elaine Teevens

66 TESSELLATION NECKLACE Sara Oehler

68 MARDI GRAS BANGLE Csilla Csirmaz

72 LUXOR BRACELET Svetlana Chernitsky

Stitch IndexBrick stitch 26Crimping 18, 66Daisy chain 54Fringe 32, 78Herringbone stitch 22Ladder stitch 22, 78Netting 50, 54, 72, 78Peyote stitch 18, 26, 42, 50, 68, 72Picot 32, 46, 50Right-angle weave 22, 32, 42, 46, 50, 58, 62, 68Russian spiral 66Square stitch 22, 26, 36, 42Stringing 18, 50, 66Whipstitch 26 Adelaide’s Soiree

by Christine Wilson

contents

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contentsDepartments

6 Passing Through 8 W.O.R.D. (What Our Readers Did) 10 Contributors 12 The Challenge 14 Stitch Pro: Managing Doubled Thread 16 Cool Stuff 18 Simply Seeds Alice Coelho

78 Custom Cool Tatiana Mueller

93 Bead Buzz 94 Techniques 96 Bead Artist: Tatiana Pagés

On the CoverIndian Summer Braceletby Susan Severs Council, page 54

Project RatingOur three-level project rating system is found on the opening page of each project.

BEGINNER LEVELQuick and easy

INTERMEDIATE LEVEL Moderate time commitment

ADVANCED LEVELLonger time commitment

KITSAVAILABLE

03-04 Contents aug14.indd 4 5/21/14 3:29 PM

Frabels Inc. | 514-842-8561 | www.frabels.comHar-Man Importing Co. | 1-800-232-3769 | www.harmanbeads.comShipwreck Beads | 800-950-4232 | www.shipwreckbeads.comFire Mountain Gems and Beads | 800-355-2137 | www.firemountaingems.comBeadsmith / Helby Import | 732-969-5300 | www.beadsmith.comJohn Bead Corp., Ltd. | 888-755-9055 | www.johnbead.comJohn F. Allen & Son, Inc. | 800-334-9971 | www.jfallen.comYork Novelty Import, Inc. | 800-223-6676 | www.yorkbeads.com

Bead & Trim, Inc. | 212-725-9845 | traditional-czech-beads.comJablonex Canada Inc. | 416-675-1326 | [email protected]

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DESIGN BY KERRIE SLADE

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EDITORIAL DIRECTOR Danielle FoxEDITOR Melinda Barta

SENIOR EDITOR Jean Campbell MANAGING EDITOR Linda Harty

PROJEC T EDITOR Kate WilsonASSISTANT EDITOR Megan Lenhausen

COPY EDITOR Liz McGehee BEADING DAILY EDITOR Jennifer VanBenschoten

SENIOR DESIGNER Connie PooleSENIOR PRODUCTION DESIGNER Mark Dobroth

PROJEC T PHOTOGRAPHY Joe Coca, Ann SwansonILLUSTRATION Bonnie Brooks

ADVERTISING TEAM LEADER, BEAD & JEWELRY Marilyn C. [email protected], (877) 613-4613

ADVERTISING REPRESENTATIVE Jan [email protected], (800) 272-2193, ext. 123

ADVERTISING SALES ASSISTANT Cari UllomCLASSIFIED ADVERTISING Stephanie GriessMARKETING MANAGER Ashley Lauwereins

FOUNDER, CREATIVE DIREC TOR Linda Ligon VICE PRESIDENT, GROUP PUBLISHER Shahla Hebets

VICE PRESIDENT, CONTENT Helen GregoryVICE PRESIDENT, MEDIA SALES Julie MacDonald

BOOK S EDITORIAL DIREC TOR Allison KorleskiDESIGN MANAGER Larissa Davis

SENIOR PRODUC TION MANAGER Nancy PollockECOMMERCE MARKETING DIREC TOR Evelyn Bridge

DIREC TOR, MAGA ZINE MARKETING & FULFILLMENT Mark FleetwoodONLINE CIRCUL ATION SPECIALIST Jodi Smith

F+W MEDIA, INC.CHAIRMAN & CEO David Nussbaum

COO & CFO James OglePRESIDENT Sara Domville

CHIEF DIGITAL OFFICER Chad PhelpsSENIOR VICE PRESIDENT, OPER ATIONS Phil Graham

VICE PRESIDENT, ECOMMERCE Lucas HilbertVICE PRESIDENT, COMMUNIC ATIONS Stacie Berger

Designs in this issue of Beadwork® are for inspiration and personal use only. Beadwork does not recommend, approve, or endorse any of the advertisers, products, services, or views advertised in Beadwork. Nor does Beadwork evaluate the advertisers’ claims in any way. You should, therefore, use your own judgment in evaluating the advertisers, products, services, and views advertised in Beadwork. Exact reproduction for commercial purposes is contrary to the spirit of good craftsmanship.

Beadwork (ISSN 1528-5634) is published bimonthly by Interweave, a division of F+W Media, Inc., 4868 Innovation Dr., Fort Collins, CO 80525-5576. (970) 669-7672. USPS #018-351. Periodicals postage paid at Fort Collins, CO 80525, and additional mailing offices. © 2014 F+W Media, Inc. All rights reserved. Reproduction in whole or in part is prohibited, except by permission of the publisher. Subscription rate is $29.95/one year in the U.S., $34.95/one year (U.S. funds) in Canada and $39.95 (U.S. funds) in other countries (surface delivery). Printed in the U.S.A. POSTMASTER: Please send address changes to Beadwork, PO Box 6338-1838, Harlan, IA 51537.

Retailers: If you are interested in carrying this magazine in your store, please call (866) 949-1646 or email [email protected].

For Beadwork subscription questions or concerns, contact us:Email address: [email protected]. Customer Service: (800) 849-8753Intl. Customer Service: (515) 237-3657Fax number: (712) 733-1277U.S. Mail: PO Box 6338, Harlan, IA 51593-1838

VISIT US ON THE WEB:beadingdaily.com • interweave.com • fwmedia.com

passing through

happenings

Between magazine and book deadlines and a toddler and a baby at home, it’s understandable why I haven’t taught a work-shop in a few years. Yet after a wonderful day spent with the Rocky Mountain Bead Society, I quickly remembered just how much I love teaching. Being able to have one-on-one interac-tion with like-minded crafters always renews my passion for beading and reminds me that our community is full of won-

derful and welcoming people. Regardless of our backgrounds, we can always come together and bond over our common love of beads. You can make these connections through your local bead society, at bead shops and bead shows, and on Facebook. I hope you also feel this sense of belonging while making the projects in our magazine because, via these pages, the designers are sharing their creativity with you.

Here are a few of this issue’s projects that renew my love for beads, and I hope they do the same for you. Take just one look at the multiple colorways Susan Severs Council made of her Indian Summer Bracelet (page 54) and you’ll see how much fun she has with SuperDuos. If you’re like me and appreciate clever closures, you’ll adore Designer of the Year Leslee Frumin’s intriguing way to conceal clasps in her Ambassador Bridge Bracelet (page 26). Christine Wilson’s passion for both seed beads and metal is evident in her Adelaide’s Soiree necklace (page 42), which also features a playful way to embellish rivolis with Rizos. If you’re new to beadweaving or are looking for a design you can make in about an hour, try the easy Anemone Bracelet by Elaine Teevens (page 62).

As always, thank you for joining me on this wonderful journey! Please reach out to me at any time with questions or comments.

Have fun!

Melinda BartaEditor, Beadwork [email protected]

❯ New project video! Bead along with Editor Melinda Barta while she makes Susan Severs Council’s Indian Summer bracelet (page 54) in our newest Beadwork Magazine Project Workshop. Purchase the download at interweavestore.com.

❯ Quick and Easy Is Back! Don’t miss our second supersized collection of all-new, easy-to-bead, and quick-to-make beadwoven designs: Quick + Easy Beadwork. This spe-cial issue will be available on newsstands October 7.

❯ Bead Butterflies, Bees, and More. Get instructions for 10 of our favorite designs from nature in our latest pattern collection, Beadwork Presents Beaded Butterflies and More: 10 Sculptural Projects Inspired by Nature. This collection is available at shop.beading daily.com/BeadedButterflies.

I ♥ Beading

Follow Beadwork on Facebook: facebook.com/BeadingDailyonFB

06 Passing Through aug14.indd 6 5/27/14 2:30 PM

BEADWORK AUGUST/SEPTEMBER 2014 7

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w.o.r.d. WHAT OUR READERS DID

READER’S TIP I USED ONYX FOR THE CEN-TER BEAD AND 4 RED 2MM

SWAROVSKI CRYSTALS AROUND THE ONYX. THE BAND IS MADE WITH HERRINGBONE STITCH.

READER’S TIPINSTEAD OF THE 13MM

ROUND BRIOLETTE, I USED AN 11X10MM FLAT BRIOLETTE TO HELP THE PENDANT LAY FLAT. I ADDED CHAIN TO THE SIDES

TO COMPLEMENT THE BEADED COMPONENTS.

WE WANT TO HEAR FROM YOU! If you’ve been inspired by projects in

our magazine or have tips to share, email us at [email protected].

Check our website, beadworkmagazine.com, for corrections, announce-

ments, and free projects.

LINDSAY TRIMPE of Fairmont, West Virginia, shares her rendition of Carole Horn’s Renaissance Medallion Necklace (Beadwork, October/November 2013).

JULIE SMITH of Christiansburg, Virginia, shows o� her snow� akey take on Jill Wiseman’s Retro Blossom Earrings (Beadwork, October/November 2013).

GRACE SALVANIA of Austin, Texas, says Michelle McEnroe’s Four Corners Earrings (Beadwork, August/September 2013) caught her eye. She made a ring variation of these fun earrings.

KRISTEN HO of Ashburn, Virginia, o� ers a version of Smadar Grossman’s Tibetan Sunset Necklace (Beadwork, June/July 2013).

READER’S TIP I ADDED TWO ROUNDS ON EACH

BEZEL SO THE COMPONENT’S FRONT AND BACK ARE NEARLY IDENTICAL.

I INCORPORATED A SIZE 8° BEAD AND A JUMP RING TO CONNECT THE

SNOWFLAKE AND UPPER BEZEL.

READER’S TIP I USED GOLD LUSTER SIZE 11° AND 15° SEED BEADS, 3MM

ADVENTURINE ROUNDS, AND 4MM EMERALD SWAROVSKI

CRYSTAL BICONES. I USED SIZE 8° WHITE PEARLESCENT JAPANESE

ROUNDS AS WELL.

08 WORD aug14.indd 8 5/21/14 2:28 PM

Discover chevron chain with Beadwork Designer of the Year

MELANIE POTTER!

Join Melanie in 8 watch-and-learn lessons as she shows you step by step how to create flat, circular, and tubular chevron chain. Boost your skills in this fun variation of netting stitch with expert tips and tricks made easy.

Get your copy today to:• Master chevron chain stitch with expert tips for unique beaded projects.

• Take your designs even further and combine chevron chain with other stitches.

• Discover designs from flat simple bands to dimensional forms and tubes.

•And more!

Learn more at shop.beadingdaily.com/Chevron

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When I was learning to make bead-crochet ropes, the process was going so poorly that I missed the most important tenet: relax! And the second-most important tenet: move the bead to the right over the hook. When I suddenly realized these rules, my crocheted ropes began to work.—Svetlana Chernitsky

I made a bracelet once with galvanized matte beads, and my needle kept scratching the surface and leaving marks. It was very frustrating until someone remarked that she loved the finish on the beads and wanted to know where I got them.—Alice Coelho

I chose topaz and brown to make a Kassie Shaw Inman pattern. Part way through, I realized I disliked the colors. I showed Kassie the bracelet, calling it the “snot-way colorway.” Kassie loved the colorway and finished the bracelet. What looks terrible to one person can look beautiful to another.—Susan Severs Council

While designing an earring project for my book Bead Metamorphosis (coming in November from Interweave), I created a component with chain to be oriented one way but had trouble making it hang right. I took a break and came back to simply flip the design 180 degrees. Wow, the new orientation made all the difference.—Lisa Kan

I usually have more beads than necessary on my mat, especially bronze seeds and cubes. For a bracelet, I was making peyote squares, and after making a few squares, I decided to pick up another color and insert a 1.5mm cube along with bronze 15°s, and that changed the look in a nice way.—Pamela Lacasse

While staying on a boat and making a project from Beadwork, I lacked peanut beads and used drops instead. That didn’t work, but before destroying my project, I turned the piece inside out, and that looked interesting. I just needed different finishing. That bracelet was accepted for Beadwork’s February/March 2013 W.O.R.D. page!—Tatiana Mueller

All of the time! Some of my best design ideas have come from making a mistake. I like to look at all mistakes as learning opportunities. It gives you a chance to look at a design from a new and different angle.—Sara Oehler

I wanted to make a bracelet, but I chose the wrong size of beads. Therefore the shape of the component got distorted. It was an interesting shape, so I created a pendant from it.—Evelína Palmontová

I had leftover Czech flower beads and seed bead calyxes. The flower beads seemed perfect for a charm-style bracelet, but the seed beads seemed too small to have any impact. I saw French beaded flowers and was inspired to make drops using the seed beads with wire. Voilà—a lacy but substantial bracelet.—Elaine Teevens

I have a tendency not to preplan my work, which leaves a lot of opportunity for serendipity. The bezel around Bohemian Rhapsody Cuff (Beadwork, June/July 2012) resulted when the initial bead surround was too large. A more interesting pattern, colorway, and texture evolved when I worked to tighten it.—Christine Wilson

contributors THIS ISSUE’S FEATURED ARTISTS

Have you ever had a serendipitous beading mishap?

Want to become a Beadwork contributor?SEE OUR SUBMISSIONS GUIDELINES AT

BEADWORKMAGAZINE.COM/SUBMISSIONS.

10 Contributors aug14.indd 10 5/27/14 2:32 PM

t

Discover the entire 2013 season of Beadwork magazine, exactly as it was printed in this space saving, easily searched CD.

• Get all the projects from the 2013 Designers of the Year Jill Wiseman, Maggie Meister, Sabine Lippert, and Smadar Grossman.

• Be inspired to use shaped beads in your beadwork with 25+ stylish projects.

• Unlock your beading potential with steps for learning the hot bead stitches including peyote stitch, herringbone, square stitch, and more.

• And so much more!

BEADWORK SKILLS with 115+ projects, and all the

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Learn more at: shop.beadingdaily.com/BW2013CDProjects by: Jill Wiseman, Miriam Shimon, Sabine Lippert

• 2013 Designers of the Year 2013 Designers of the Year Sabine Lippert, and Smadar Grossman.

• beads in your beadwork 25+ stylish projects. 25+ stylish projects.

• with steps for learning the hot bead stitches including peyote stitch, herringbone, square stitch, and more.

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1. Melinda Barta (EDITOR)

I had the pleasure of watching Marcia DeCoster film her Right-Angle Weave Fundamentals video workshop in our studio, and I can’t express how much she inspired me! Her thread path for cubic right-angle weave is more fun and straightforward than the one I used to use, and Marcia showed me that it’s a great technique to use with crystal bicones (along with some 3mm fire-polished rounds from my stash). Short fringes decorate one end near a clasp I’ve hoarded for years.

What happens when you give an editor and three lucky readers matching sets of materials to play with? We work with products we might not have considered using, and our creative sides get stretched one more notch.

2. Pam Gordon (READER PARTICIPANT)

The beads in this pack worked together so beautifully that I wanted to use them all. I needed a focal and some seed beads, so I added a polymer clay–face cabochon that I had already made, and I kept to a similar palette using galvanized Miyuki size 11°s and 15°s and more Czech glass flowers and petals. I love the crunchy texture that crystal gives to bead embroidery, and I accentuated this effect with freeform fringes and raised textures.

NAME THIS BRACELETFOR YOUR CHANCE TO WIN A FREE KIT!

VISIT BEADINGDAILY.COM/BEADINGCHALLENGE FOR DETAILS.

ATTENTION BEAD ARTISTS, RETAILERS, AND WHOLESALERS: IF YOU WOULD LIKE TO CONTRIBUTE MATERIALS AND SUPPLIES TO THE CHALLENGE, PLEASE CONTACT LINDA HARTY AT [email protected] OR (970) 613-4650.

THE SOURCEFusionBeads.com(888) 781-3559

the challenge FOUR DESIGNERS, ONE STASH

1

2

12-13 Challenge aug14.indd 12 5/28/14 3:04 PM


3. Karen Laman (READER PARTICIPANT)

I knew immediately that I wanted to do a beaded bead. The shapes and sizes were really nice. The purples and greens spoke most to me, and I added various sizes of seed beads to make this beaded bead tassel, which is based on one I designed for a class. I stitched a long herringbone rope with crystal breaks to give it that 1920s flapper look, so this is my Fancy Flapper Pendant.

4. Deirdre Taylor (READER PARTICIPANT)

The green pressed-glass beads appealed to me the most, so I based my colors on those. I’ve always used crystals as accents, never as main components. So I worked backward, picking my accents first and then finding a focal piece. I was tying the last knot when disaster struck: My dog jarred my arm hard enough that I cut through the knot, which meant I was back to being halfway done. But I met the Challenge and finished on time!

THE RULES: We use our favorites from the materials provided and, where necessary, round out projects with our own supplies.

THE STASH: This sparkling kit included crystal bicones, crystal rounds, and pressed-glass flowers and petals in a pretty pastel palette.

READER PARTICIPANTSFOR YOUR CHANCE

TO PLAY, SEE BEADWORKMAGAZINE.COM/GO/CHALLENGE

ATTENTION BEAD ARTISTS, RETAILERS, AND WHOLESALERS: IF YOU WOULD LIKE TO CONTRIBUTE MATERIALS AND SUPPLIES TO THE CHALLENGE, PLEASE CONTACT LINDA HARTY AT [email protected] OR (970) 613-4650.

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12-13 Challenge aug14.indd 13 5/27/14 2:35 PM

14 BEADWORKMAGAZINE.COM SEE P. 94 FOR HELPFUL TECHNIQUE INFORMATION. SEE P. 4 FOR PROJECT-LEVEL INFORMATION.

In my never-ending effort to achieve perfect right-angle-weave tension, I recently watched Marcia DeCoster’s video, Right-Angle Weave Fundamentals, to see if she had any good pointers. Of course, she did! One of the things that struck me most, how-ever, is that Marcia’s stitching looks so good because she uses doubled thread just about all the time.

Doubled thread isn’t the easiest thing to handle; for example, if it gets tangled you can end up with a big mess. Because of this, Marcia includes many tips in her video for managing doubled thread. This encouraged me to embrace it, too, and got me thinking. I’ve actually learned quite a bit about using doubled thread during my years of beading and teaching, so I have a tip or two to share as well.

Managing Doubled Thread Jean Campbell

stitch proTECHNIQUES YOU CAN'T BEAD WITHOUT

WHEN TO USE DOUBLED THREAD❯ Doubled thread works great for quickly filling the holes of beads, which is an excellent way to tighten and shape your beadwork, especially right-angle weave.

❯ Using doubled thread is a smart way to work with larger beads, such as sizes 8° and 6°, as well as the myriad of new two-hole shaped beads. The thicker thread helps stabilize the stitching.

❯ Doubled thread is a good option when work-ing with beads that have sharp holes, such as bugles and some crystals. The added thread makes a nice buffer to reduce thread abrasion.

❯ Be sure your bead holes are wide enough to use doubled thread! For size 15° seed beads, you’ll be able to make only one, maybe two passes with doubled thread, so plan accordingly.

PREPARING A DOUBLED THREAD1) To double a thread, start with twice the amount you usually use. So, if you usually stitch with 3' of thread, cut a 6' length from the spool.

2) Place the needle on the thread, pair the thread ends, and pinch the ends together while you slide the needle to the center of the thread.

3) Generously wax the doubled thread before you start stitching. Do so by pinching both threads at the needle’s eye and waxing away from the needle. Then smooth out the waxed threads by pulling your fingers down the length of the thread so the threads stick to-gether and it looks like one thick thread. Note: Use beeswax or microcrystalline wax for this; thread conditioner won’t provide the stickiness required to keep the threads together.

DEALING WITH TANGLESPart of the problem with using doubled thread is that if you have a tangle or need to rip out some of your work, you’re dealing with the potential of two threads getting turned into a tangled mess, not just one. Plus, once you start stitching, you can’t just pull your needle off of the thread to deal with knots, since the needle is essentially trapped in place. There are work-arounds, though, including these tips:

❯ If you need to rip out your work, loosen the threads from the last stitch and pull on the thread so that the needle backs through the last bead, eye first. Backing up like this (rather than going pointy-end first) drastically reduces the potential of the threads getting split apart and creating a bigger tangle.

14-15 Stitch Pro aug14.indd 14 5/21/14 2:33 PM

BEADWORK AUGUST/SEPTEMBER 2014 15SEE P. 94 FOR HELPFUL TECHNIQUE INFORMATION. SEE P. 4 FOR PROJECT-LEVEL INFORMATION.

Try This!You can easily start a project with single thread, then switch to double by pulling the loose end of the thread a bit beyond the point where the working thread exits the beadwork and sliding the needle down the thread so it becomes doubled, as shown in Fig. 1. You can also reverse from double to single by cutting one of the threads close to the bead-work and pulling the needle away from the work.

Fig. 1: Moving from single to double thread

❯ If you have such a big tangle that you can’t back up, carefully cut just one of the threads close to the beadwork so that you have one thread again. Remove the needle and untangle the knot. Place the needle back on the thread, double and wax the thread, and continue working. This will, in effect, redouble your thread for you. ●

JEAN CAMPBELL is senior editor of Beadwork magazine and a jewelry-design artist and teacher. She is the author of several beading books and videos, including Jean Campbell’s Best Beading Workshops: Floral Designs and Global Designs, both available at interweavestore.com.

14-15 Stitch Pro aug14.indd 15 5/21/14 2:34 PM

cool stuff MEGAN LENHAUSEN

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16 BEADWORKMAGAZINE.COM BEADWORK AUGUST/SEPTEMBER 2014 17

1. Swarovski Innovations Spring/Summer 2015 line stands out with new colors, effects, and shapes in tangerine, crystal iridescent green, crystal iridescent green pearl, and skull beads. Available at FusionBeads.com.2. Learn skilled kumihimo braiding with Accent Bead Design’s Kumihimo To Go Round Braid Kit, which includes step-by-step instruc-tions, illustrations, and everything

needed to complete a piece of kumihimo jewelry. Available at www.accentbead.com for $29.95.3. Beadwork Editor Melinda Barta includes twenty-one projects in her Mastering Herringbone Stitch: The Complete Guide to teach you all there is to know about herringbone stitch, from beginner to advanced techniques. Interweave, $24.99 4. Two-hole diamond silky beads from Aria Design Studio are the

newest Czech innovation. These beads nestle together perfectly when strung together. Available at www.ariadesignstudio.com.5. These two-hole bi-bo beads from The Beadsmith are comparable in shape and size to SuperDuos and Twins but are slightly pinched in the center and don’t taper near the holes. Visit www.helby.com and your local bead shop.

6. These jewelry organizers from Lori Leigh Designs protect your jewelry whether you’re traveling or at home. The Vanity (left) holds 75+ pairs of earrings, while the Traveler (right) accommodates all varieties of jewelry. Visit www.lorileighdesigns.com, $24.95–$39.95.7. Starman’s newest addition to its dagger collection is the 2.5×6mm Mini Dagger. Perfect for creating fringe and fan shapes, it is the

THE STAFF OF BEADWORK INVITES YOU TO SEND YOUR NEW BEADWORKING PRODUCTS FOR CONSIDERATION IN COOL STUFF. PLEASE SEND ALL SUBMISSIONS TO [email protected] TOGETHER WITH COMPLETE PRODUCT INFORMATION.

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16 BEADWORKMAGAZINE.COM BEADWORK AUGUST/SEPTEMBER 2014 17

newest alternative to other drop and fringe beads. Retailers include Beadaholique, www.beadaholique.com, and Mountain Shadow Design, www.mountainshadowdesign.etsy.com. 8. Clover’s newest beading loom is adjustable to fit various work-piece lengths and has two warp-thread spacing options to fit size 11° cylinder

beads and round beads. Available for $89.95 at www.clover-usa.com.9. Yazzii craft organizers are perfect for storing beading materials, from the easy accessibility of see-through zipper pockets to handles and shoulder straps for smooth transpor-tation. Visit www.yazzii.com (beads and supplies not included).10. These handpainted beads are original and detailed and come in

many shapes and painted designs, including florals, filigree, swirls, and more. Available from Painted by Hand, they are ideal for focals and pops of color in any project. Visit www.painted-by-hand.com.11. The Celestial Crystal, exclusive to Fire Mountain Gems and Beads, is a must-have crystal alternative. Available in a variety of finishes, these

faceted rondelles come in two sizes at www.firemountaingems.com.12. In Shaped Beadwork & Beyond by Diane Fitzgerald, learn how to form inventive three-dimensional geometric shapes using peyote stitch. Lark Jewelry & Beading, $27.95

THE STAFF OF BEADWORK INVITES YOU TO SEND YOUR NEW BEADWORKING PRODUCTS FOR CONSIDERATION IN COOL STUFF. PLEASE SEND ALL SUBMISSIONS TO [email protected] TOGETHER WITH COMPLETE PRODUCT INFORMATION.

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16-17 Cool Stuff aug14.indd 17 5/21/14 2:48 PM

18 BEADWORKMAGAZINE.COM BEADWORK AUGUST/SEPTEMBER 2014 19SEE P. 94 FOR HELPFUL TECHNIQUE INFORMATION. SEE P. 4 FOR PROJECT-LEVEL INFORMATION.

Made with a simple peyote-stitch core, the beaded beads on this simple everyday necklace are embellished with swirling strands of seed beads.

Teaberry Garland Alice Coelho

TECHNIQUESflat peyote stitchstringingcrimping

PROJECT LEVEL

MATERIALS6 g copper-lined crystal size 15°

seed beads (A)7 g metallic teaberry size 11°

cylinder beads (B)6 g matte galvanized pink blush size 11°

cylinder beads (C)6 g antique beige Ceylon size 11°

cylinder beads (D)6 g matte metallic dark copper size 11°

cylinder beads (E)60 vintage rose 4mm crystal bicones (F)2 antiqued copper 2mm crimp tubes1 antiqued copper 6×12mm lobster

clasp with tabCrystal 6 lb braided beading thread24" of metallic copper .019

beading wire

TOOLSScissorsSize 11 beading needleWire cuttersCrimping pliers

FINISHED SIZE21½"

simply seedsSPOTLIGHT ON SEED BEADS

artist’s tips> Peyote-stitched tubes can be embellished in many different ways! Experiment with colors and bead sizes to come up with your own unique beaded beads.

> It helps to let the whole necklace hang vertically, allowing the bicones to snug into the beaded beads, before adding the clasp.

18-19 Simply Seeds_aug14.indd 18 5/21/14 2:51 PM

18 BEADWORKMAGAZINE.COM BEADWORK AUGUST/SEPTEMBER 2014 19SEE P. 94 FOR HELPFUL TECHNIQUE INFORMATION. SEE P. 4 FOR PROJECT-LEVEL INFORMATION.

1) TUBE. Work flat peyote stitch to form a tube:Strip: Use 2½' of thread to peyote-stitch a

strip 8B wide and 14 rows long, leaving a 1½' tail.

Tube: Fold the beadwork so the first and last rows touch. Weave the beads together to form a seamless tube (Fig. 1, blue thread). Repeat the thread path back to the other side (Fig. 1, red thread). Secure and trim the working thread.

Embellish: Hold the tube vertically with the tail thread exiting the top of the beadwork. Place a needle on the tail thread; pass down through the nearest B. String 4A, 2B, and 4A; find the B opposite the last one exited on the other end of the tube and pass down through the third edge B from that point. Pass up through the next B along the tube’s edge (Fig. 2, blue thread). *String 4A, 2B, and 4A; pass up through the next B on the top edge of the tube and down through the

next B (Fig. 2, red thread). String 4A, 2B, and 4A; pass down through the next B on the bottom edge of the tube and up through the following B. Repeat from * twice. Weave through all of the embellish-ment beads again to reinforce. Secure the thread and trim. Set the beaded bead aside.

Repeat this entire step seven times. Repeat this step again nine times using C instead of B, seven times using D instead of B, and six times using E instead of B for a total of 30 beaded beads.

2) ASSEMBLY. Use the beading wire to string 1 crimp tube and one half of the clasp; pass back through the tube and crimp (Fig. 3, blue wire). String 1F, 1 beaded bead, 1F, and 1B (Fig. 3, red wire); repeat twenty-eight times to add the beaded beads in a pleasing order. String 1F, 1 beaded bead, 1F, 1 crimp tube, and the other half of the clasp; pass back through the tube, snug the beads, and crimp. Trim the wire tails. ●

ALICE COELHO lives in Georgia with her husband and four school-age children. She beads mostly in her spare time but hopes to be able to devote more time to it in the future and to teach some classes locally. Reach her at [email protected].

RESOURCES Check your favorite bead retailer or contact: Delica cylinder beads: On the Rocks, www.ontherocks.biz. Swarovski crystal bicones: Artbeads.com, (866) 715-2323. Toho size 15° seed beads: Artzy Beads, (770) 545-8000, www.artzybeads.com. Accu� ex or Soft Flex beading wire, FireLine braided beading thread, crimp tubes, and clasp: Fire Mountain Gems and Beads, (800) 355-2137, www.� remountaingems.com.

Fig. 3: Stringing the necklace

Fig. 1: Zipping the tube

Fig. 2: Embellishing the tube

18-19 Simply Seeds_aug14.indd 19 5/21/14 2:51 PM


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SILVER * BRONZE * GOLDWholesale : Retail

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Cat’s Meow Necklacedesignerof the year

2014

22-25 Meow Necklace-PaunonenTurunen.indd 22 5/21/14 2:57 PM


1) ROPES. Form a ladder-stitched ring, then work tubular herringbone stitch to form the necklace ropes:Rounds 1 and 2: Use 4' of gold nylon bead-

ing thread to string 4A, leaving an 8" tail. Pass through all 4A again to form a circle, then manipulate to form 2 columns with 2A each (Fig. 1, green thread). String 2A, pass through the last 2A exited and the 2A just added; repeat (Fig. 1, blue thread). Fold the beadwork so the first 2A column and the final 2A column sit side by side; square-stitch the 4A together to form a ring; exit up through the first column (Fig. 1, red thread).

Round 3: String 2A, pass down through the next A of the previous round and up through the following A; repeat. Step up for this and subsequent rounds by passing up through the first bead added in the current round (Fig. 2; shown flat for clarity).

Rounds 4 to end: Repeat Round 3 until the rope is 41" long. Don’t trim the thread; set the gold rope aside.

Jet rope: Use black nylon beading thread and B to repeat Rounds 1 and 2, then repeat Round 3 for 45". Don’t trim the thread; set the jet rope aside.

Bronze rope: Use brown nylon beading thread and C to repeat Rounds 1 and 2, then repeat Round 3 for 48". Don’t trim the thread; set the bronze rope aside.

Use tubular herringbone to create three long chains; then braid, bind, and embellish them with crystals for a dramatic look.

Cat’s Meow Necklace

TECHNIQUESladder stitchsquare stitchtubular herringbone stitchright-angle weave

PROJECT LEVEL

MATERIALS1 g metallic gold size 15° seed beads40 g metallic gold size 11° seed beads (A)42 g shiny black size 11° seed beads (B)45 g metallic bronze size 11° seed

beads (C)180 gold aurum 3mm crystal bicones (D)192 jet 3mm crystal bicones (E)180 Dorado 2X 3mm crystal bicones (F)2 bright gold 4mm crystal pearls2 mystic black 4mm crystal pearls2 bronze 4mm crystal pearls1 gold-filled 20×10mm 3-strand

tube claspBlack, gold, and brown size B nylon

beading threadSmoke 8 lb braided beading thread

TOOLSScissorsSize 10 or 12 beading needles

FINISHED SIZE39¾" (shortest strand)

2) SLIDERS. Work right-angle weave and tubular peyote stitch to form the small, round necklace sliders:Unit 1: Use 2' of braided beading thread to

string 4D, leaving a 6" tail. Pass through all 4D again to form a tight circle; pass through 3 more D (Fig. 3, green thread).

Units 2–5: String 3D, then pass through the last D exited and the first 2D just added; repeat three times (Fig. 3, blue thread).

Unit 6: Fold the strip so the first and last units touch. String 1D; pass up through the end D of Unit 1. String 1D; pass down through the end D of Unit 5, forming a ring. Repeat the thread path to reinforce. Weave through beads to exit from a top D (Fig. 3, red thread).

Top edge: String 1A and pass through the next top D; repeat five times. Weave through beads to exit from a D along the bottom of the ring (Fig. 4, blue thread; shown flat for clarity).

Bottom edge: String 1A and pass through the next bottom D; repeat five times. Secure the thread and trim (Fig. 4, red thread). Set the gold slider aside.

Repeat this entire step seven times for a total of 8 gold sliders. Repeat this entire step eight more times, using B and E instead of A and D, for a total of 8 jet sliders. Repeat this entire step eight more times, using C and F instead of A and D, for a total of 8 bronze sliders.

Fig. 1: Forming Rounds 1 and 2 of the first rope

Fig. 2: Stitching Round 3 of the first rope

Fig. 3: Completing Units 1–6 of the slider Fig. 4: Adding the top and bottom edges of the slider

GLENDA PAUNONEN AND LIISA TURUNEN

artist’s tipKeep the tension slightly loose when braiding.



binders on the gold rope measures 11", the jet rope measures 15", and the bronze rope measures 19". Repeat the Binder 1 connec-tion to secure this binder in place.

Braid 2: Repeat Braid 1.Sliders, Set 3: Repeat Sliders, Set 1, but add

3 sliders to each rope and push the sliders into the braid so they sit on the outside of the first 3 braids.

Binder 4: Repeat Binder 1.End 2: Work more tubular herringbone stitch

as needed to even the rope ends, adding more thread as needed. Square-stitch the 3 rope ends together as with End 1. Secure all the threads and trim.

5) CLASP. Start 12" of new thread that exits out through one end of the gold rope. String 1 gold pearl, 4 size 15° seed beads, the first loop of one half of the clasp, and 3 size 15° seed beads; pass back through the pearl and into the rope. Weave through beads to exit out through the end of the jet rope. Repeat this entire step for the jet rope, using a jet pearl and connecting to the second clasp loop, and for the bronze rope, using a bronze pearl and connecting to the third clasp loop (Fig. 8). Repeat the entire thread path to reinforce; secure the thread and trim.Repeat this entire step at the other end of the necklace using the other half of the clasp. ●

so they sit side by side. Use the existing working threads to square-stitch the last 2 rounds of the gold rope to the jet rope and the jet rope to the bronze rope so the 3 ropes are aligned and flat (Fig. 6). Don’t trim the thread.

Binder 1: Slide 1 binder onto all 3 chains so that it’s 8" from the bound end. Line up the binder so that the color of bicones lines up with the color of the ropes (Fig. 7). Use the working thread of the binder to securely stitch it to the ropes, stitching the ropes together here as well so they are aligned from short to long as with the bound end. Secure this thread and trim. Note: It’s okay if the ropes slightly twist and/or cross over each other.

Braid 1: Use your fingers to braid all 3 ropes five times or for 6", finishing the braid so the ropes are still in order from short to long.

Sliders, Set 1: Use the gold rope to string 2 gold sliders and push the sliders into the braid so they sit on the outside of the final 2 braids; repeat to add 2 jet sliders to the jet rope and 2 bronze sliders to the bronze rope.

Binder 2: Slide 1 binder onto all 3 ropes so it sits at the end of the braid. Repeat the Binder 1 connection to secure this binder in place.

Sliders, Set 2: Use each rope to string 3 sliders in matching colors as before.

Binder 3: Slide 1 binder onto all 3 ropes. Adjust the ropes so the distance between

3) BINDERS. Use right-angle weave and tubular peyote stitch to form the large, oval necklace binders:Units 1 and 2: Use 4' of braided beading

thread to repeat Step 2, Units 1 and 2.Units 3 and 4: Use E to repeat Step 2,

Unit 2 twice.Units 5–7: Use F to repeat Step 2, Unit 2

three times.Units 8 and 9: Use E to repeat Step 2,

Unit 2 twice.Unit 10: String 1D; pass up through the end D

of Unit 1. String 1D; pass down through the end D of Unit 9, forming a ring. Repeat the thread path to reinforce. Weave through beads to exit from the nearest top D (Fig. 5).

Top edge: String 1B and pass through the next top E of the ring; repeat around, add-ing the same color size 11° seed bead as the vertical crystal bicone below. Weave through beads to exit from a D along the bottom of the ring.

Bottom edge: Repeat the top edge, this time connecting the bottom bicones of each unit. Don’t trim the thread. Set aside.

Repeat this entire step three times for a total of 4 binders.

4) ASSEMBLY. Connect the ropes, add the binders and sliders, and braid the ropes:End 1: Align the ends of the 3 ropes in length

order from short to long (gold, jet, bronze)

designerof the year

2014

Fig. 5: Forming the binder Fig. 6: Securing the rope ends


Back of necklace


GLENDA PAUNONEN and LIISA TURUNEN are a mother-daughter beading team special-izing in designing and teaching, utilizing all forms of beadwork. Their home base is Crystal Creations, Beads Gone Wild in Florida, estab-lished in 1990. They travel and teach all over the world. Contact Glenda at www.beadsgonewild.com and Liisa at www.liisaturunendesigns.com.

RESOURCES Check your favorite bead retailer or contact: Seed beads, Swarovski crystal bicones and pearls, clasp, FireLine braided beading thread, and One-G nylon beading thread: Beads Gone Wild, www.beadsgonewild.com, (561) 649-9909.

Fig. 7: Positioning the binder on the ropes Fig. 8: Connecting one half of the clasp

Explore this special issue packed with knock-out necklace

designs, beautiful bracelets, and exceptional earrings.

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the right palette for you.

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Ambassador Bridge Bracelet LESLEE FRUMIN

designerof the year

2014

26-30 Ambassador Bridge Bracelet-Frumin.indd 26 5/21/14 3:00 PM

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1) BASE. Use odd-count flat peyote stitch to form the base of the bracelet:Base Rows 1 and 2: Use 4' of thread to string

3D, 3C, and 3D, leaving a 12" tail (Fig. 1, blue thread).

Base Row 3: String 1D; skip 1D of the previ-ous row and pass through the next D of the previous row. String 1C, skip the next bead of the previous row, and pass through the following bead of the previous row; repeat twice. String 1D and tie a square knot with the working and tail threads to snug the beads; pass back through the last D added (Fig. 1, red thread).

Base Row 4: Work 4 stitches with C (Fig. 2, blue thread).

Base Row 5: Work 1 stitch with 1D and 3 stitches with 1C in each stitch. String 1D; pass under the exposed edge thread between the previous 2 rows and back through the last D added (Fig. 2, red thread). Note: Form the odd-count turn-around in this same manner in every odd row, stepping up for the next row by pass-ing back through the last bead added.

Note: Refer to Fig. 3 while working Base Rows 6–16.

Base Row 6: Work 1 stitch with 1D, 2 stitches with 1C in each stitch, and 1 stitch with 1D.

This art deco–inspired peyote- and brick-stitched bracelet has diamond and triangle patterns resembling the steel work of the international suspension bridge between the United States and Canada that it is named for.

Ambassador Bridge Bracelet LESLEE FRUMIN

TECHNIQUESpeyote stitchbrick stitchsquare stitchwhipstitch edging

PROJECT LEVEL

MATERIALS3 g metallic seafoam green size 15° seed

beads (A)1 g deep purple size 15° seed beads (B)18 g metallic seafoam green size 11° seed

beads (C)18 g deep purple size 11° seed beads (D)46 crystal AB2X 3mm crystal bicones (E)1 silver 15×12mm 2-strand rectangular

sliding tube clasp1 clear 8mm nylon snap setSmoke 6 lb beading thread

TOOLSScissorsSize 12 beading needle

FINISHED SIZE6"

Base Row 7: Work 2 stitches with 1D in each stitch, 1 stitch with 1C, and 2 stitches with 1D in each stitch.

Base Row 8: Work 4 stitches with 1D in each stitch.

Base Row 9: Work 2 stitches with 1D in each stitch, 1 stitch with 1C, and 2 stitches with 1D in each stitch.



Base Row 12: Work 4 stitches with 1C in each stitch.



Base, Row 15: Work 2 stitches with 1D in each stitch, 1 stitch with 1C, and 2 stitches with 1D in each stitch.

Base Row 16: Work 4 stitches with 1D in each stitch.

Repeat Base Rows 9–16 seventeen times or 1¼" longer than the final desired length (see sizing note in Artist's Tips on page 29), then work 3 rows using D. Secure the working thread and trim; don’t trim the tail thread.

Fig. 1: Forming Base Rows 1–3 Fig. 2: Stitching Base Rows 4 and 5 Fig. 3: Base Rows 1–16


Fig. 4: Adding the base point


Point Row 4: Work 1 stitch with 1C, 1 stitch with 1D, and 1 stitch with 1C; pass under threads between beads, then weave through beads to pass back through the last C added (Fig. 4, green thread).

Point Row 5: Work 2 stitches with 1C; pass under threads between beads, then weave through beads to pass back through the last C added (Fig. 4, blue thread).

Point Row 6: Work 1 stitch with 1C; pass under threads between beads, then weave through beads to pass back through the last C added. Work a square-stitched thread path to secure the new C to the C of Point Row 4 below it (Fig. 4, red thread). Secure the thread and trim.

3) FANS. Work brick stitch to form fans along the base edge:Fan 1, Row 1: Start 4' of new thread that exits

from the first edge D near the point end of the base. String 2C ; pass under the next exposed thread loop at the edge of the base and back through the last C just added. Work 1 stitch with 1D and 1 stitch with 1C (Fig. 5, yellow thread).

Fan 1, Row 2: String 1C and 1D; pass under the last exposed thread loop of the previ-ous row and back through the D just added. Work 1 stitch with 1D and 1 stitch with 1C (Fig. 5, pink thread).

Fan 1, Row 3: Work 1 stitch with 1C and 1D and 2 stitches with 1D in each stitch. Work 1 stitch with 1C, passing under the same

2) POINT. Work odd-count peyote stitch to form the pointed end of the base:Point Row 1: Turn the base so Row 1 points

up. Pass the tail thread through the adja-cent D and use it to work 4 stitches with 1D in each stitch (Fig. 4, yellow thread).

designerof the year

2014

Fig. 5: Forming Fan 1 Fig. 6: Stitching Fan 2

Point Row 2: Work 1 stitch with 1C, 3 stitches with 1D in each stitch, and 1 stitch with 1C with an odd-count turnaround (Fig. 4, pink thread).

Point Row 3: Work 1 stitch with 1C, 2 stitches with 1D in each stitch, and 1 stitch with 1C; pass under threads between beads, then weave through beads to pass back through the last C added, toward the center (Fig. 4, orange thread).



thread loop as the previous stitch to form an increase (Fig. 5, orange thread).

Fan 1, Row 4: Work 1 stitch with 1C and 1D and 3 stitches with 1D in each stitch. Work 1 stitch with 1C, passing under the same thread loop as the previous stitch to form an increase (Fig. 5, green thread).

Fan 1, Row 5: Work 1 stitch with 2C. Work 5 stitches with 1C in each stitch, passing the last stitch under the same thread loop as the previous stitch to form an increase (Fig. 5, blue thread).

Fan 1, Row 6: String 1A and pass under the last thread loop of Fan 1, Row 5; repeat five times to add a whipstitch edging to the fan thread loops. String 1A; pass down through the first C of Fan 1, Row 5 and continue down through the remaining edge C, pull-ing tight, and continue through the D below on the same angle. Weave through beads to exit from the first fully exposed D along the edge of the bracelet (Fig. 5, red thread).

Fan 2, Row 1: Work 1 stitch with 1C and 1D, and 1 stitch with 1C (Fig. 6, green thread).

Fan 2, Row 2: String 1C and 1D, and 1 stitch with 1D. Work 1 stitch with 1C, passing under the same thread loop as the previous stitch to form an increase (Fig. 6, blue thread).

Fan 2, Rows 3–6: Repeat Fan 1, Rows 3–6, allowing this fan to overlap the previous fan (Fig. 6, red thread).

Fans 3–23: Repeat Fan 2 twenty-one times, leaving ½" of the edge exposed at the end of the base for the clasp.

Repeat this entire step on the other edge of the base, forming mirror fans.

4) EMBELLISHMENT. Start 18" of new thread that exits up through the first D in Fan 1, Row 3. String 1B, 1E, and 2B, then pass up through the first D of Row 3 in the next fan from back to front; repeat twenty-one times to connect all of the fans (Fig. 7, blue thread; fans spaced out for clarity). For the final fan, string 1B, 1E and 2B; pass down through the third D of Fan 23, Row 3 (Fig. 7, red thread). Secure the thread and trim. Repeat this entire step to connect the fans on the other side of the bracelet.

5) SNAP. Start 16" of new thread that exits from Point Row 4. Securely stitch the male side of the snap to the base over the patterned dia-mond; don’t trim the thread. Start 16" of new thread that exits from the center D of the final row at the other end of the base. Securely stitch the female side of the snap to the other side of the base (Fig. 8, blue thread), check-ing to make sure that when overlapped, the bracelet fits; weave this thread through beads to exit from the first D of the final base row, toward the center.

artist’s tips❯ For sizing, calculate 1¼" beyond your wrist size for overall length of the base (for a 5½" wrist, the overall length is 6¾"). The purpose is to conceal the clasp and make a seamless design.

❯ The first stitch in each row of the brick-stitched fans has 2 beads. Subsequent beads are added 1 by 1.

❯ Choose high-contrast colors to highlight the diamond pattern.

❯ Before embellishing the fans, make sure the second fan overlaps the first fan and all subsequent fans overlap the previous ones.

Fig. 7: Embellishing and connecting the fans



designerof the year

2014

6) SLIDE CLASP. Add extra security by stitching the slide clasp to the inside of the bracelet:Side 1: Use the thread of the female side of

the clasp to string 2B, 1 loop on one half of the clasp, and 3B; pass through the last D exited. Repeat the thread path twice to reinforce. Weave through beads to exit from the end D of the final base row. String 2B, the other loop of the same clasp half, and 3B, then pass through the last D exited; repeat the thread path twice to reinforce (Fig. 8, red thread). Secure this thread and trim.

Side 2: Snap the bracelet together and turn it inside out. Connect the remaining side of the clasp to the half just added. Weave the thread used to stitch the male side of the

snap through beads to exit from the point at which the unconnected clasp loops touch the base. Using the same technique as with Side 1, adding 5B for each loop, securely stitch the second half of the clasp to the inside of the bracelet.

LESLEE FRUMIN loves the colors, textures, and shapes that can be created from beads. Creating sparkle with simple elegance is her design focus. Leslee enjoys teaching her designs around the country. Visit Leslee at www.lesleefrumin.com.

RESOURCES Check your favorite bead retailer or contact: Japanese seed beads, Swarovski Xilion crystal bicones, and FireLine braided beading thread: Studio Beads, (847) 607-8702, www.studiobeads.com.

Fig. 8: Adding the snap and tube clasp

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Join Jean Campbell, senior editor of Beadwork magazine, as she takes you inside four of her most popular beading classes. Enjoy 181 minutes of beading bliss in this 2-disc DVD set you won’t want to be without! Whether you’re new to bead stitching, or a seasoned pro there’s something for you in this dynamic video.

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2014

[email protected]. 845.352.9735

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Swing-Time Earrings CHRISTINA NEIT

designerof the year

2014

Main Colorway

32-34 Swing Time Earrings-Neit.indd 32 5/28/14 3:19 PM


1) SWING. Work right-angle weave to form the earring dangle:Row 1: Use 5' of thread and B to form a strip

of right-angle weave 8 units long. Exit up through the side B at the end of the strip.

Row 2, first pass: String 3B; pass through the top B of the final unit in Row 1 (Fig. 1, blue thread). *String 1A; pass through the bot-tom B of the same Row 1 unit, back through the A just added, and through the top B of the same Row 1 unit. String 1A; pass through the top B of the following Row 1 unit. Repeat from * seven times, omitting the final A (Fig. 1, red thread).

Row 2, second pass: Flip the work horizon-tally so the beads added in this pass are on the reverse side of the beadwork. String 3B; pass down through the side B at the end of Row 1, Unit 1, and the bottom B of the same unit (Fig. 2, green thread). String 1A; pass back through the top B of the same Row 1 unit and the A just added. Pass through the bottom B of the first Row 1 unit, back through the A just added, and back through the top B of the first Row 1 unit. Pass through the nearest A of Row 2’s first pass

These lightweight swing-style earrings are easy to make and full of possibilities—a fabulous project for using up small quantities of beads.

TECHNIQUESright-angle weavefringepicot

PROJECT LEVEL

MATERIALS1 g gold Duracoat size 15° seed beads (A)2 g silver-lined rainbow golden bronze

size 11° seed beads (B)1 g gold metallic permanent-finish size 8°

seed beads (C)24 dark red coral 4mm crystal bicones (D)6 gold-plated 4mm jump rings2 gold-plated ¾" ear wires3¼" of gold-plated 1.5×2.5mm curb chainSmoke 6 lb braided beading thread

TOOLSScissorsSize 11 and 12 beading needles2 pairs of chain- or flat-nose pliersWire cutters

FINISHED SIZE2¾"

and the top B of the next unit (Fig. 2, blue thread). String 1A, pass through the bot-tom B of the same Row 1 unit, back through the A just added, through the last top B exited, through the nearest A, and the top B of the following unit; repeat six times to add a second layer of A down the center of Row 1. Note: This pass allows the earring to be reversible. Weave through beads to exit from the bottom B of Row 1, Unit 8 (Fig. 2, red thread).

Row 3: String 2B, 1D, and 1B; pass back through the 1D and second B just added. String 1B; pass through the next bottom B of Row 1; repeat six times (Fig. 3, blue thread). Weave through beads, looping around threads as necessary to turn around, to exit from the bottom B of the final fringe formed in this row, toward the work (Fig. 3, red thread).

Row 4: String 1B, 1C, and 3B; pass through the C just added to form a picot. String 1B; pass through the bottom B of the next fringe in Row 3. Repeat from the beginning of this row five times. Weave through beads to exit from the bottom B of the final picot, toward the center (Fig. 4).

Fig. 1: Forming the first pass of Row 2

Fig. 2: Stitching the second pass of Row 2

Fig. 3: Adding Row 3

Fig. 4: Forming Row 4



2) CHAIN. Use 1 jump ring to connect one ¾" piece of chain to the loop at the upper-left corner of the swing; repeat to connect a chain to the upper-right loop of the swing. Taking care that the chains aren’t twisted, use 1 jump ring to connect the open ends of both chains to 1 ear wire.

3) Repeat Steps 1 and 2 for a second earring. ●

Influenced by Native American beadwork, CHRISTINA NEIT started beading and incorporating porcupine quills in 2004. Since then, her work and teaching have evolved, and she continues to challenge herself. To see Christina’s finished work and tutorials or to contact her, visit www.goodquillhunting.com.

RESOURCES Check your favorite bead retailer or contact: Swarovski crystal bicones, FireLine braided beading thread, and all other materials: Fire Mountain Gems and Beads, (800) 355-2137, www.� remountaingems.com.

Row 5, first pass: String 1A; pass through the C of the nearest picot, pass back through the A just added, and the B originally exited. String 1B, 1D, and 1B; pass through the bot-tom B of the next picot in Row 4. Repeat from the beginning of this row four times. String 1A; pass through the C of the nearest picot, pass back through the A just added, and the B originally exited (Fig. 5).

Row 5, second pass: Flip the work horizon-tally so the beads added in this pass are on the reverse side of the beadwork. Repeat Row 5, first pass, this time only adding the A on the other side of the work and weaving through the sets of 1B/1D/1B. Note: This pass, like the second pass in Row 2, makes the earring reversible. Weave through beads to exit from the end 1B/1D/1B set, toward the center (Fig. 6, blue thread).

Row 6: String 1B and pass through the next 1B/1D/1B set of Row 5; repeat three times (Fig. 6, red thread). Secure the thread and trim.

designerof theyear

2014

Fig. 5: Stitching the first pass of Row 5

Fig. 6: Adding the second pass of Row 5 and working Row 6

artist’s tips❯ If you’d rather, substitute the 3B added at the ends of Row 2 with 1C. Then when it’s time, you can use a jump ring to connect the chain directly to the C.

❯ Change the look of these earrings by replacing the crystal bicones with glass pearls or fire-polished rounds. The bottom row of bicones could be replaced with Rizos, daggers, or long drops.

❯ Substitute the chain with strips of right-angle weave embellished with size 15° seed beads.


Mastering Herringbone Stitch: The Complete GuideBy Melinda Barta168 pages • 8 ½ x 10 ¼$24.99ISBN: 978-1-59668-632-8

HERRINGBONEHeaven

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• Master herringbone stitch and learn all the stitch variations in-depth. • Learn numerous stitch options for starting, joining, embellishing, shaping, and fi nishing your beadwork. • Discover more than 300 all-new, highly detailed illustrations. • Practice your new skills with 21 projects by Melinda and Beadwork Designers of the Year including Jean Campbell, Lisa Kan, Jean Power and Kelly Wiese! • And much, much more!

Find this comprehensive book perfect for expanding your beadwork at:shop.beadingdaily.com/MasterHerringbone

Project byJill Wiseman

035_BWaug14.indd 35 5/21/14 3:06 PM


Painterly Petals Bracelet LAURA ANDREWS

designerof the year

2014

Main Colorway

36-38 Painterly Petals Bracelet-Andrews.indd 36 5/28/14 3:24 PM


1) SMALL BLOSSOMS. Use fairly tight ten-sion to work a square stitch variation, forming the small blossoms:Stitch 1: Use 2' of thread to string 2B, 2A, 1C,

2A, 2B, 2A, 1C, and 2A, leaving a 6" tail; pass through the first 2B added in this stitch (Fig. 1).

Stitch 2: String 2B, 2A, 1C, 2A, and 2B; pass through the 4B of the previous stitch and the first 2B just added (Fig. 2). Note: Keep all of the C on one side of the beadwork.

Stitches 3–7: Repeat Stitch 2 five times.Stitch 8: String 4B; pass through the 4B of the

previous stitch and the first 2B just added (Fig. 3).

Connect: Making sure the beadwork isn’t twisted, and with the C pointing out, fold the strip so that Stitches 1 and 8 touch. Pass through the 4B of Stitch 1 and the 4B of Stitch 8 to form a ring (Fig. 4). Exit toward the center of the ring.

Center: String 1D; pass through the mirror B on the other side of the ring, weave back through beads to exit the last B exited, and pass through the D (Fig. 5, blue thread).

Inspired by the gorgeous Picasso finish on the two-hole beads used to create it, this floral bracelet is formed by framing pearls with a square stitch variation and fringe, then linking the resulting “blossoms” together.

TECHNIQUEsquare stitch variation

PROJECT LEVEL

MATERIALS2 g metallic amethyst size 15° seed

beads (A)5 g bronze size 11° seed beads (B)8 g opaque rose-gold topaz 5×2.5mm

2-hole seed beads (C)5 burgundy 6mm crystal pearls (D)5 dark purple 10mm crystal pearls (E)Smoke 8 lb braided beading thread


FINISHED SIZE6¾"

Weave through the B on the other half of the ring and pass through the D again (Fig. 5, red thread). Secure the working thread and trim. Use the tail thread to pass through all the B on the other side of the ring to reinforce; secure the tail thread and trim. Set aside.

Repeat this entire step four times for a total of 5 small blossoms.

2) LARGE BLOSSOMS. Stitch large blos-soms while connecting them to the small blossoms, forming a chain:Stitches 1 and 2: Repeat Step 1, Stitches 1

and 2.Stitches 3–9: Repeat Step 1, Stitch 2 seven

times.Stitches 10 and 11: Repeat Step 1, Stitch 2

twice, but instead of adding 1C in each stitch, connect to 1C of a small blossom in each stitch instead (Fig. 6, green thread).

Stitch 12: Repeat Step 1, Stitch 8 (Fig. 6, blue thread).

Connect: Repeat Step 1, connect (Fig. 6, red thread).

Fig. 1: Forming Stitch 1 of the small blossom

Fig. 2: Adding Stitch 2 of the small blossom

Fig. 3: Completing Stitch 8 of the small blossom

Fig. 4: Connecting the strip into a ring

Fig. 5: Adding the center of the small blossom

Fig. 6: Forming the large blossom’s Stitches 10–12 and connecting it

editors’ tipFor petals without outside holes, use SuperUno one-hole seed beads in place of the two-hole SuperDuos.



When LAURA ANDREWS was a child, her mother, a very talented artist, taught her beading while sharing the importance of originality. Training in art, color, theatrical costuming, lampworking, metalwork, wireworking, and communication led Laura to teaching. Travels, teaching, and friends from around the globe provide her inspiration. Laura teaches at many bead societies, shows, and shops throughout the United States, the United Kingdom, and Germany. To view Laura’s designs and upcoming classes, visit www.lauraandrews.com.

Center: Repeat Step 1, center, but use 1E instead of 1D.

Repeat this entire step to form a chain that alternates small and large blossoms, starting with 1 small blossom and ending with 1 large blossom.

3) CLASP. Repeat Step 2, this time repeating Step 1, Stitch 2 a total of eight times so the resulting ring contains 13C and connecting to the 2 end C of the final large blossom. Omit the center to form an empty (clasp) ring. ●

designerof theyear

2014

artist’s tips❯ To form a pretty necklace, link even more blossoms together.

❯ You may use even larger pearls for the blossom centers; just adjust the stitch count around the pearl to make up for the bigger size.

❯ Experiment with other beads, such as stones or crystals, for the blossom centers to create a different look.

RESOURCES Check your favorite bead retailer or contact: Seed beads, SuperDuo 2-hole seed beads, and FireLine braided beading thread: Out On A Whim, (800) 232-3111, www.whimbeads.com. Swarovski crystal pearls: Artbeads.com, (866) 715-2323.

Mar

ia T

eres

a M

ora

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039_BWaug14.indd 39 5/21/14 3:12 PM

Discover Elegant Edwardian Jewelry: 12 Designs Inspired by England’s

Gilded Age, a new eBook featuring 12 elegant bracelet, earring, and necklace projects.

Download this must-have resource inspired by the hit PBS Show Downton Abbey today!

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DIVINE DESIGNS from the Abbey

040_BWaug14.indd 40 5/21/14 3:15 PM

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Tiny crystal buttons and antique chain provide a unique connection between crystal rivolis embellished with Rizos.

Adelaide’s Soiree CHRISTINE WILSON

42-45 Adelaide's Soiree Necklace-Wilson.indd 42 5/21/14 3:18 PM


TECHNIQUEScircular square stitch variationcircular right-angle weavetubular peyote stitch

PROJECT LEVEL

MATERIALS3 g transparent cranberry gold luster

size 15° seed beads (A)1 g lime galvanized permanent finish

size 15° seed beads (B)8 g turquoise opal permanent finish

size 11° seed beads (C)8 g lime galvanized permanent finish

size 11° seed beads (D)10 g iris 3×6mm Rizos (E)12 ultra blue 14mm rivolis24 crystal topaz 4mm shank buttons

with gold bezels3' of antiqued brass 4.5mm textured

unsoldered round chain1 antiqued brass 16mm 2-strand filigree box

clasp with clear foil-back rhinestone insetSmoke 6 lb braided beading thread

TOOLSScissorsSize 12 and 13 beading needles2 pairs of smooth-jaw chain-nose pliers

FINISHED SIZE18¾"

1) BUTTON LINKS. Use chain-nose pliers to gently remove 1 chain link from the round chain. Slide the link through 1 button shank and close the link. Note: Open and close all chain links as you would jump rings. Repeat this entire step eleven times to add 1 link to each button. Set the button links aside.

2) BEZELS. Work a circular square stitch vari-ation, circular right-angle weave, and tubular peyote stitch to bezel and embellish each rivoli:Round 1: Use 2' of thread to string 14C; slide

the beads to the center of the thread and tie the working and tail threads together to form a tight circle. Pass through the first C strung (Fig. 1, black thread).

Round 2, Stitch 1: String 5C; pass through the last C exited in Round 1 and the next C of Round 1 (Fig. 1, orange thread).

Round 2, Stitches 2–13: String 3C, then pass back down through the first 2C of the previ-ous stitch, the last C exited in Round 1, and the next C of Round 1 (Fig. 1, green thread); repeat eleven times (Fig. 1, blue thread).

Round 2, Stitch 14: Pass back up through the nearest 2C of Stitch 1. String 1C; pass back through the first 2C of Stitch 13. Weave through beads to exit from the C added in this stitch (Fig. 1, red thread).

Round 3, Unit 1: Working with tight tension, string 5D; pass through the last C exited in Round 2 and up through the first 2D just added (Fig. 2, black thread).

Round 3, Unit 2: String 3D; pass back through the next C of Round 2, up through the nearest side 2D of the previous unit, the 3D just added, and the next C of Round 2 (Fig. 2, orange thread).

Round 3, Unit 3: String 3D; pass down through the nearest side 2D of the previous unit, through the next C of Round 2, and up through the first 2D added in this unit (Fig. 2, green thread).

Round 3, Units 4–13: Repeat Units 2 and 3 five times (Fig. 2, blue thread).

Round 3, Unit 14: String 1D; pass down through the nearest side 2D of Unit 1, back through the next C of Round 2, up through the nearest side 2D of Unit 13, and through the D added in this unit (Fig. 2, red thread). Note: The beadwork should cup at this point.

Round 4: Place 1 rivoli faceup inside the beadwork so the back touches Round 1. String 1A and pass through the top D of the next Round 3 unit; repeat thirteen times (Fig. 3). Repeat the thread path to reinforce; weave through beads to exit from Round 1.

Fig. 1: Forming Rounds 1 and 2 of the bezel

Fig. 2: Adding Round 3 of the bezel

Fig. 3: Stitching Round 4 of the bezel

artist’s tips❯ Experiment with daggers, f lowers, lentils, or other shaped beads for embellishment Round 6.

❯ For a different look, use square 20-gauge jump rings in place of the chain.

❯ If desired, replace the link between bezels with a beaded ring or a chain-maille link for a decorative option.



the second bezel, and connect the other end of the chain to the left button link on the third bezel (Fig. 7, red rings); repeat, adding 18-link chain swags down the length of the necklace, taking care to attach the chains on the bottom side of each but-ton link so the swags all hang correctly and to layer each chain on top of the previous chain. Note: Use a 20-link chain for the final swag and connect it to the right side of the last bezel.

Clasp: Connect one end of an 11-link chain to the button link of the first bezel, above the swag already placed; connect the other end to a ring on one half of the clasp. Connect one end of a 13-link chain to the second link of the first swag; connect the other end to the second ring on the clasp (Fig. 8). Repeat this entire step to connect the other half of the clasp to the last bezel and the final swag. ●

Round 7: **Repeat the thread path of Round 6 until you reach the first C added. String 1B; pass through the button shank. String 1B; pass down through the next C. Repeat from ** (Fig. 5, red thread). Repeat the thread path of this round to reinforce. Secure the thread and trim; set aside.

Repeat this entire step eleven times to embel-lish the remaining bezels.

4) ASSEMBLY. Connect the bezels and add the chain and clasp:Bezels: Remove 1 link from the chain and use

it to connect the button link of 1 bezel to a second bezel (Fig. 6); repeat to connect all of the bezels into a chain, taking care that all of the bezels face up.

Swags: Connect one end of a 20-link chain to the button link on the left side of the first bezel and the other end to the left button link on the second bezel (Fig. 7, blue rings). Connect one end of an 18-link chain to the button link on the right side of the first bezel, skip over the previous chain and

Round 5: String 3A, skip 2C of Round 1, and pass through the next 2C; repeat twice. String 2A; pass back through the first A added in this round. Weave through beads to exit from the last 2A added in this round (Fig. 4, blue thread). Pass through the middle A of each net added in this round to tighten (Fig. 4, red thread). Secure the working thread and trim; don’t trim the tail thread. Set aside.

Repeat this entire step eleven times for a total of 12 bezels.

3) EMBELLISHMENT. Add Rizos and button links to the bezels:Round 6: Add a needle to the tail thread of

1 bezel. With the rivoli facedown, weave through beads to exit from the top C of a Round 2 stitch. *String 1E and pass through the top C of the next Round 2 stitch; repeat five times. String 1C, 1 button link (through the button shank), and 1C; pass through the next top C of Round 2. Repeat from * (Fig. 5, blue thread).

Adelaide’s Soiree

Fig. 5: Adding Rounds 6 and 7 of the bezel

Fig. 6: Connecting 2 bezels

Fig. 4: Covering the back of the bezel with Round 5



Fig. 7: Adding the chain swags

Fig. 8: Attaching the clasp

CHRISTINE WILSON divides her time between beadwork and metalwork and often features bottle caps and vintage objects in her designs. She serves on the programming team for the Great Lakes Beadworkers Guild, and her work is available online and at several Michigan retail stores. Contact Christine at www.brewedadornments.com.

RESOURCES Check your favorite bead retailer or contact: Seed beads: T&T Trading, www.tttbeads.com. Rizos: Pam’s Bead Garden, (248) 471-2323, www.pamsbeadgarden.com. Swarovski crystal rivolis: Dreamtime Creations, (866) 874-6748, www.dreamtimecreations.com. Crystalett buttons: Yadasibeads, www.shop.yadasibeads.etsy.com. Textured chain: Lima Beads, (734) 929-9208, www.limabeads.com. Clasp: A Grain of Sand, (704) 660-3125, www.agrainofsand.com. FireLine braided beading thread: Dick’s Sporting Goods, www.dickssportinggoods.com.



Right-angle-weave a meandering path of peanut, labradorite, and seed beads in this delicate bracelet.

Vineyard Trellis Bracelet PAMELA LACASSE

46-48 Vineyard Trellis Bracelet-Lacasse.indd 46 5/21/14 3:30 PM


TECHNIQUESright-angle weavepicot

PROJECT LEVEL

MATERIALS2 g metallic bronze size 15° seed beads (A)5 g luster opaque rose/gold topaz size 11°

seed beads (B)5 g seafoam green–lined light topaz size 11°

seed beads (C)5 g sage green 4×2mm peanut beads (D)25 labradorite 4×3mm faceted rondelles (E)1 antiqued brass 8×14mm magnetic ball claspSmoke 6 lb braided beading thread


FINISHED SIZE7½"

1) BASE. Use right-angle weave to form the bracelet’s base:Starting unit: Use 3' of thread to string 4D,

leaving a 4" tail; pass through the beads again to form a tight circle, then use the tail and working threads to tie a square knot. Pass through the first D added to hide the knot (Fig. 1, blue thread). String 1B and pass through the next D added in this unit; repeat three times (Fig. 1, red thread). Trim the tail.

Unit 1: String 3D; pass through the last D exited and the first D just added (Fig. 2, blue thread). String 1B and pass through the next D added in this unit; repeat. Weave through beads to exit from the first B added in this unit (Fig. 2, red thread).

Unit 2: String 1C, 1B, and 1C; pass through the last B exited (Fig. 3, green thread). String 1A and pass through the next bead added in this unit; repeat twice. String 1A and pass through the last B exited in Unit 1. Weave through beads to exit from the B added in this unit (Fig. 3, blue thread).

Unit 3: String 4D; pass through the last B exited and the first D just added. String 1B and pass through the next D added in this unit; repeat twice. Weave through beads to exit from the third B added in this unit (Fig. 3, red thread).

Units 4–7: Repeat Units 2 and 3 twice to form a diamond shape.

Unit 8: String 1C; pass through the nearest B at the upper-left corner of Unit 1. String 1C; pass through the last B exited in Unit 7 (Fig. 4, blue thread). String 1A and pass through the next bead in this unit; repeat three times. Weave through beads to exit from the second A added in this unit, toward the center of the work (Fig. 4, red thread).

Center (Component 1): String 1A, 1B, 1E, 1B, and 1A; pass back through the A of Unit 6, opposite the last A exited. Pass through the nearest D and the following A. Pass back through the 1A/1B/1E/1B/1A just added and the lower left A of Unit 2 (Fig. 5, blue thread). Weave through beads to exit from the D at the top of Unit 5, exiting toward the right (Fig. 5, red thread). This com-pletes Component 1.

Components 2–9: Repeat Units 1–8 and Center eight times for a total of 9 components.

Final unit: String 3D; pass through the last D exited and the first D just added (Fig. 6, blue thread). String 1B and pass through the next D of this unit; repeat. Weave through beads to exit from the upper-left B of Component 9, Unit 8 (Fig. 6, red thread). Note: The beadwork should fit around the wrist so the ends touch com-fortably. If needed for fit, stitch another component repeat or form Unit 2 repeats on each end to reach the desired length.

Fig. 1: Forming the starting unit

Fig. 2: Stitching Unit 1

Fig. 3: Adding Units 2 and 3

Fig. 4: Completing Unit 8

Fig. 5: Adding the center of Component 1

Fig. 6: Stitching the final unit and preparing to add the edging



PAMELA LACASSE is a jewelry maker with a focus on beadwork. You can view some of her work at www.shop.pjlacasse.etsy.com. Contact Pamela at [email protected].

RESOURCES Check your favorite bead retailer or contact: Seed beads, peanut beads, labradorite rondelles, clasp, and FireLine braided beading thread: Bead It, (603) 223-0146, www.beadit.biz.

2) EDGING. String 3A; pass through the next B of Component 9, Unit 7 (Fig. 7, blue thread). String 2A, 1C, 1B, 1E, 1B, 1C, and 2A; pass through the upper-left B of Unit 7 on the next component (Fig. 7, red thread). Repeat from the beginning of this step seven times. String 3A; pass through the next B of Component 1, Unit 7 to form a picot. Weave through beads to exit from the B of Unit 3 that mirrors the last one exited. Rotate the work 180 degrees and repeat this entire step to embellish the other edge of the bracelet. Secure the thread and trim.

3) CLASP. Start 12" of new thread that exits from 1B at one end of the bracelet. String 3A, one half of the clasp, and 2A; pass through the next end B of the final unit and weave through beads to exit up through the original B exited in this step (Fig. 8). Repeat the thread path several times to reinforce. Secure the thread and trim. Repeat this entire step on the other end of the bracelet using the other half of the clasp. ●

Vineyard Trellis Bracelet

artist’s tips> Always attach the clasp with a separate thread. This ensures that if the clasp stitching breaks, it won’t affect the bracelet’s body.

> If necessary to accommodate the several thread passes required, enlarge the holes of the labradorite rondelles with a bead reamer.

OPTIONFOR A WIDER BRACELET, USE 3MM BUGLES

IN PLACE OF THE SEAFOAM GREEN

SIZE 11° BEADS. ADJUST THE BEAD SIZES

AND COUNTS USED FOR THE CENTER AND

EDGING, AS NECESSARY, TO KEEP THE

WORK FLAT AND TO AVOID GAPS. PAMELA

FURTHER EMBELLISHED THIS VARIATION

BY USING ADDITIONAL PICOTS, PLUS SHE

OMITTED THE UNIT 1 REPEAT IN COMPO-

NENTS 2–9, WORKING UNIT 2 DIRECTLY

OFF OF UNIT 5 INSTEAD.

Fig. 7: Edging the base Fig. 8: Connecting the clasp


Bends & Bows Bracelet featuring CzechMates™ Bricks & Tiles in Brown Iris French Beige by TrendSe�er Penny Dixon.

BEAD STORES�–�Register as a reseller: 888-683-BEAD [2323] • www.StarmanInc.com • [email protected]

Aura Crystals www.AuraCrystals.comBeadaholique www.Beadaholique.comBead Street www.BeadStreetOnline.comBello Modo www.BelloModo.comBeyond Beadery www.BeyondBeadery.com

Design & Adorn www.DesignAndAdorn.comEclectica www.EclecticaBeads.comEureka Crystal Beads www.EurekaCrystalBeads.comFiber And Beads www.FiberAndBeads.comKnot Just Beads www.KnotJustBeads.com

Midwest Bead & Supply www.CrystalCityBeads.comMountain Shadow Designs www.MountainShadowDesigns.comRings & Things www.Rings-Things.comRuby Tuesday Bead Company www.BeadStrands.com

CzechMates™ 2-Hole Beading System

TileDagger

BrickLentil

Triangle

Consistent hole spacing ensures no warping or bunching.

Ask for CzechMates at your local bead store, or order online from:

049_BWaug14.indd 49 5/21/14 3:39 PM


This regal right-angle-weave pendant is richly embellished to resemble a crown and hangs gracefully from an easy-to-make matching necklace.

Coronation Day Necklace EVELÍNA PALMONTOVÁ

Main Colorway

50-53 Coronation Day Necklace-Palmontova.indd 50 5/21/14 3:39 PM


TECHNIQUESright-angle weavetubular peyote stitchnettingpicotstringing

PROJECT LEVEL

MATERIALS3 g transparent cranberry luster size 15°

seed beads (A)2 g gold size 15° seed beads (B)1 g metallic bronze size 11° seed beads (C)1 g metallic bronze size 8° seed beads (D)12 crystal aurum 2X 3mm crystal bicones (E)24 sunflower 4mm crystal bicones (F)35 gold bronze 4mm fire-polished rounds (G)54 ivory 4mm pearl rounds (H)46 olivine 6mm pearl rounds (I)1 sterling silver 7×23mm S-hook clasp with

2 soldered 6mm ringsCrystal 6 lb braided beading thread


FINISHED SIZE16½" (with 2" pendant)

1) PENDANT. Use right-angle weave to form the pendant:Round 1, Unit 1: Use 6' of thread to string 1F,

1I, 1C, 1I, 1C, and 1I, leaving a 6" tail; pass through the first 1F/1I just added to form a tight circle (Fig. 1, green thread).

Round 1, Unit 2: String 1C, 1I, 1C, 1I, and 1F; pass through the last I exited in the previ-ous unit and the first 1C/1I/1C/1I added in this unit (Fig. 1, blue thread).

Round 1, Unit 3: String 1F, 1I, 1C, 1I, and 1C; pass through the last I exited in the previ-ous unit and the first 1F/1I just added (Fig. 1, red thread).

Round 1, Units 4–11: Repeat Units 2 and 3 four times.

Round 1, Unit 12: String 1C, 1I, and 1C; pass down through the end I of Unit 1. String 1F; pass up through the end I of Unit 11 (Fig. 2, blue thread). Weave through beads to exit through the F just added (Fig. 2, red thread).

Round 2: String 1D and pass through the next F of Round 1; repeat eleven times. Step up through the first D added in this round (Fig. 3, blue thread).

Round 3: String 5C and pass through the next D of Round 2; repeat eleven times. Step up through the first 3C added in this round (Fig. 3, red thread).

Fig. 1: Forming Round 1, Units 1–3 of the pendant

Fig. 2: Completing Round 1, Unit 12 of the pendant

Fig. 3: Stitching Rounds 2 and 3 of

the pendant

artist’s tipFor added sparkle, use bicone crystals in place of the fire-polished rounds.



2) NECKLACE. Stitch a necklace and attach it to the pendant:Strand: Use 6' of thread to *string 1I, 4A, 1B,

and 4A; pass through the I just added, leav-ing a 6" tail (Fig. 7, green thread). String 4A, 1B, and 4A; pass through the I again. String 1H, 1G, and 1H (Fig. 7, blue thread).

Round 9: String 3B, then pass through the last B exited and the following 3A/1G/3A/1B to form a picot; repeat eleven times. Note: The thread path will change direction. Secure the thread, but don’t trim. Weave through beads to exit from 1G of Round 7 (Fig. 6, red thread). Set the pendant aside.

Round 4: String 1H and 4A; pass through the outer I of Round 1 above the last 5C net just exited (Fig. 4, green thread). String 4A; pass back through the H just added, through the last C exited in Round 3, and the following C. String 1E; pass through the second and third C of the next net in Round 3 (Fig. 4, blue thread). Repeat from the beginning of this round eleven times. Weave through beads to exit from 4A added in this round, toward the center of the work (Fig. 4, red thread).

Round 5: String 1C and pass up through the next 4A added in the previous round, the following 2C, and the next 4A; repeat eleven times. Step up through the first C added in this round (Fig. 5, green thread).

Round 6: String 5B and pass through the next E of Round 4, then string 5B and pass through the next C of Round 5; repeat eleven times (Fig. 5, blue thread).

Round 7: String 2A, 1F, and 2A and pass through the next C of Round 5; repeat eleven times. Weave through beads to exit from an outer I of Round 1 (Fig. 5, red thread).

Round 8: String 3A, 1B, and 3A and pass through the last I exited, then string 1G and pass through the next outer I of Round 1; repeat eleven times. Step up through the first 3A/1B added in this round (Fig. 6,blue thread).

Coronation Day Necklace

Fig. 4: Adding Round 4 of the pendant

Fig. 5: Stitching Rounds 5–7 of the pendant

Fig. 6: Working Rounds 8 and 9 of the pendant



Repeat from * twenty times. String 1I, 4A, 1B, and 4A; pass through the I just added. String 4A, 1B, and 4A; pass through the I again (Fig. 7, red thread).

Clasp: String 5A, one half of the clasp, and 5A; pass back through the last I added, down through the following 1H/1G/1H, then weave through beads to exit from the last I added (Fig. 8). Repeat the thread path to reinforce. Secure the working thread and trim. Repeat with the tail thread to add the

Fig. 7: Forming the strand

Fig. 8: Adding the clasp

Fig. 9: Connecting the pendant

other half of the clasp to the other end of the strand. Set the strand aside.

Connect: Use the working thread of the pen-dant to string 1G; pass through the center G of the strand just formed. String 1G; pass through the last G exited on the pendant (Fig. 9). Repeat the thread path several times to reinforce. Secure the working thread and trim. ●

EVELÍNA PALMONTOVÁ is a proud mother of two children and works as a dental assistant. She did Gobelin embroidery for thirteen years, but now fills her free time with making beaded jewelry. Contact Evelína at www.svetrucnychprac.sk.

RESOURCES Check your favorite bead retailer or contact: FireLine braided beading thread, Swarovski crystal bicones, and all other materials: Fire Mountain Gems and Beads, (800) 355-2137, www.� remountaingems.com.



This delightfully patterned, embellished netting-and–daisy chain bracelet is the perfect evening project for long summer nights.

Indian Summer Bracelet SUSAN SEVERS COUNCIL

Main Colorway

KITS+A HOW-TO VIDEO*

ARE NOW AVAILABLE FOR

THIS PROJECT ATshop.beadingdaily.com/IndianSummerBracelet

* SEE P. 6 FOR MOREINFO ON INSTRUCTIONAL

VIDEO.

54-57 Indian Summer Bracelet-Council.indd 54 5/21/14 3:41 PM


TECHNIQUESnettingdaisy chain variation

PROJECT LEVEL

MATERIALS2 g matte metallic citrine green iris or bronze

size 11° seed beads (A) 5 g metallic bronze size 8° seed beads (B)5 g opaque cream champagne luster 5×2.5mm

2-hole seed beads (C)12 g hematite turquoise luster 5×2.5mm

2-hole seed beads (D)24 cream 2.8mm Japanese drops (E)21 opaque rose-gold luster topaz 6mm

pressed-glass rounds (F)1 antiqued gold 13×26mm magnetic foldover

claspSmoke 8 lb braided beading thread


FINISHED SIZE7½"

1) BODY. Working with tight tension, use a daisy chain variation and netting to form the bracelet’s body:Prepare: Tie a stop bead to 6' of thread, leav-

ing a 12" tail.Row 1, Unit 1: String 1B and 1F. String {1C

and 1A} twice. String 1C; pass through the F just added (Fig. 1, blue thread). String {1C and 1A} twice. String 1C; pass through the F. String 1A and 1F (Fig. 1, red thread).

Row 1, Unit 2: String 1A and 1F. String {1C and 1A} twice. String 1C; pass through the F just added. String {1C and 1A} twice. String 1C; pass through the F. String 1A and 1F (Fig. 2, green thread).

Row 1, Units 3–10: Repeat Row 1, Unit 2 eight times (Fig. 2, blue thread).

Row 1, Unit 11: String 1A and 1F. String {1C and 1A} twice. String 1C; pass through the F just added. String {1C and 1A} twice. String 1C; pass through the F. String 3B; pass through the second hole of the nearest C along the top of the chain (Fig. 2, red thread).

Row 2: String 1D, 1B, and 1D; then pass through the second hole of the next C in Row 1; repeat (Fig. 3, orange thread). *Pass through the nearest F and the second hole of the next C in Row 1; then pass through the second hole of the last D added (Fig. 3, purple thread). String 1B

and 1D; then pass through the second hole of the next C in Row 1. String 1D, 1B, and 1D; pass through the second hole of the fol-lowing C in Row 1. Repeat from * eight times (Fig. 3, green thread). Pass through the nearest F and the second hole of the next C in Row 1; then pass through the sec-ond hole of the last D added. String 1B and 1D; pass through the second hole of the next C in Row 1. String 1D, 1B, and 1D; pass through the second hole of the following C in Row 1 (Fig. 3, blue thread).

Row 2 end: Remove the stop bead. String 2B; pass through the 1B/1F/1A at the begin-ning of Row 1. Loop the thread between beads to form a turnaround; then pass back through the last 1A/1F/1B exited. String 2B; pass through the second hole of the end C on the other side of Row 1 (Fig. 3, red thread).

Fig. 1: Forming Row 1, Unit 1

Fig. 2: Completing Row 1

Fig. 3: Adding Row 2 and the Row 2 end

artist’s tips❯ Use any contrasting size 11° or 8° seed bead as a stop bead.

❯ It’s best to cull your two-hole seed beads before you begin, checking that both holes in each are open.



Row 3: Repeat Row 2 along the bottom of the work.

Row 3 end: String 2B; pass back through the 1B nearest the final F of Row 1. Weave through beads to exit from the 3B added at the end of Row 1 and through the nearest top 1C (second hole)/1D (first hole)/1B/1D (first hole)/1C (second hole)/1D (first hole)/1B (Fig. 4, orange thread).

Row 4: String 1D, 1A, and 1D and pass through the nearest top 1B/1D (first hole)/1C (second hole)/1D (first hole)/1B; repeat nine times. Weave through beads to exit from the first 2B added at the end of Row 2 (Fig. 4, green thread).

Row 4 end: String 1B; pass through the next 2B at the end of Row 2 and through the nearest bottom 1C (second hole)/1D (first hole)/1B/1D (first hole)/1C (second hole)/1D (first hole)/1B.

Row 5: Repeat Row 4, exiting from the 2B added at the end of Row 3.

Row 5 end: String 1B; pass through the next 2B at the end. String 1B; pass through the second hole of the nearest D (Fig. 4, blue thread).

Row 6: String 1B, 1E, and 1B; pass through the second hole of the next D in Row 2. String 1B; pass through the second hole of the fol-lowing D in Row 2 and the second hole of the nearest D in Row 4. **String 1B, 1E, and 1B; pass through the second hole of the next D in Row 4 and the second hole of the next D in Row 2. String 1B; pass through the second hole of the following D in Row 2 and the second hole of the nearest D in Row 4. Repeat from ** nine times. String 1B, 1E, and 1B; pass through the second hole of the next D in Row 2.

Row 6 end: String 1B and pass through the next 2B at the end; repeat. String 1B; pass through the second hole of the nearest D in Row 3.

Row 7: Repeat Row 6, working off of Row 5. String 1B; pass through the nearest B of the Row 3 end (Fig. 4, red thread).

Indian Summer Bracelet

Fig. 4: Completing the Row 3 end through Row 7



SUSAN SEVERS COUNCIL has been beading since 2003. Her beading addiction was brought about by her good friends who encouraged her to new creative heights beyond the simple following of others’ patterns. Owner of the Mid-Southeast Bead Retreat Group, Susan gets together often with her beading friends for great fellowship and sharing of beading secrets.

2) CLASP. String 1B; pass up through one side of one half of the clasp and down through the other side. String 1B; pass through the second B added in the Row 5 end, back through the B just added, and back up through one side of the clasp. Pass down through the other side of the clasp, back through the first B added for the clasp, and through the original B (Fig. 5). Repeat the thread path several times to reinforce. Secure the working thread and trim. Use the tail thread to repeat this step at the other end of the bracelet, using the other half of the clasp. ●


RESOURCES Check your favorite bead retailer or contact: Seed beads, SuperDuo 2-hole seed beads, Miyuki drops, rounds, and FireLine braided beading thread: Cindy’s Crafts, (423) 926-0050, www.beadlady.biz. Clasp: Mobile-Boutique.com, (269) 720-3391. Kits: shop.beadingdaily.com/IndianSummerBracelet.

Midwests Largest Source For BeadsT & T Trading, Inc

35 Years in business • Wholesale / Retail1063 E Grand Ledge Hwy., Grand Ledge, MI

Open 6 days a week

517.627.2333 | www.tttbeads.com

Visit our site & shop to get the beads for Adelaide’s Soiree Necklace on page 42

Bead whatyou love,love what you bead !

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Inspired by art deco designs, this symmetrical bracelet features cubic right-angle-weave strips that hug a series of two-hole triangle beads, lending an edgy but classy three-dimensional look.

Symétrie Bracelet LISA KAN

58-60 Symetrie Bracelet-Kan.indd 58 5/21/14 3:44 PM


TECHNIQUEcubic right-angle weave

PROJECT LEVEL

MATERIALS0.5 g bronze size 15° Japanese seed beads (A)25 g high metallic purple green iris size 11°

Japanese seed beads (B)2 g bronze size 11° Japanese seed beads (C)92 mauve 3mm fire-polished rounds (D)47 topaz champagne luster 6mm flat 2-hole

triangles (E)10 rose-gold 3mm glass pearls (F)1 gold-plated 31×6mm 5-strand tube claspSmoke 6 lb braided beading thread

TOOLSScissorsSize 12 beading needlesNo-tangle bobbin

FINISHED SIZE7¼"

1) CHANNEL 1. Work cubic right-angle weave to form the first channel:Cube 1: Using a 10' long thread, wrap 5' of it

onto the bobbin. String 4B; pass through the first 3B strung to form the first face of the cube. String 3B, pass through the last B exited, and continue through the first 2B just added to form the second face; repeat to form the third face (Fig. 1, blue thread). String 1B; pass through the end B of the first face. String 1B; pass through the last B exited in the third face and the first B added in this fourth face (Fig. 1, red thread). Weave through beads to pass through the bottom 4B and the top 4B of the cube to reinforce, exiting from a top B.

Cube 2, Face 1: String 3B; pass through the last B exited on the previous cube and the first B just added (Fig. 2, orange thread).

Cube 2, Face 2: String 2B; pass back through the next top B of the previous cube and up through the nearest side B of Cube 2, Face 1. Pass through the 2B just added and the next top B of the previous cube (Fig. 2, yellow thread).

Cube 2, Face 3: String 2B; pass down through the nearest side B of Cube 2, Face 2. Pass through the last B exited at the top of the previous cube and up through the first B just added (Fig. 2, green thread).

Cube 2, Face 4: String 1B; pass down through the nearest side B of Cube 1, Face 1. Pass back through the next top B of the previous cube. Pass up through the nearest side 1B of Cube 2, Face 3 and through the B just added (Fig. 2, blue thread).

Cube 2, top: Pass through the top 4B of Faces 1–4 in the current cube to reinforce the top of the cube (Fig. 2, red thread).

Cubes 3–50: Repeat Cube 2 forty-eight times. Secure the working thread and trim.

Cubes 51 and 52: Weave the tail thread through beads to exit from a side face of Cube 1. Repeat Cube 2 twice. Exit from the side face of Cube 52 that points toward the rope formed by Cubes 1–50 (Fig. 3).

Cubes 53–101: Repeat Cube 2 forty-nine times. Exit from the side face of Cube 101 that points toward Cube 1.

Cube 102: Making sure the strands aren’t twisted, repeat Cube 2 to connect Cubes 101 and Cube 1 by using the B of the nearest face in Cube 1 as the top beads of this cube (Fig. 4).

2) CHANNEL 2. Start 6' of new thread that exits from the side face of Cube 101 and points away from Channel 1. Repeat Step 1, Cube 2 three times, exiting from the top of the third cube toward the other end of the bead-work. Repeat Cube 2 forty-nine times, working toward the other end of the beadwork. Exit from the left side face of the final cube toward Channel 1. Repeat Cube 2 again. Repeat Cube 102, connecting to the nearest side face of Channel 1 to close the bracket shape (Fig. 5, green beads; colored for clarity). Note: This channel will have 2 cubes rather than 1 separating the ropes as in Channel 1.

3) CHANNEL 3. Start 6' of new thread that exits from the side face of the bottom-right cube in Channel 2. Repeat Step 1, Cube 2 twice, exiting from the top of the second cube toward the other end of the beadwork. Repeat Step 1, Cube 2 forty-nine times, working toward the other end of the beadwork. Exit from the left side face of the final cube toward Channel 2. Repeat Cube 102, connecting to the nearest side face of Channel 2 to close the bracket shape (Fig. 5, blue beads; colored for clarity). Note: This channel will have 1 cube separating the ropes as in Channel 1.

Fig. 1: Forming Cube 1

Fig. 2: Stitching Cube 2

Fig. 3: Complet-ing Cubes 51 and 52

Fig. 4: Connecting the ropes with Cube 102

Fig. 5: Forming Channels 2 and 3

Channel 1 Channel 2 Channel 3



Pass 2: Pass through the second hole of the nearest E added in Pass 1, then pass through the next top-inner B along the bot-tom edge of the channel; repeat forty-six times. Pass through nearest inside-edge B of the channel. String 1C and pass through the next inside-edge B (Fig. 7, red thread). Weave through beads to exit toward the inside of Channel 3 from the bottom-left inner B, as with the beginning of the Channel 1 embellishment.

6) CHANNEL 3 EMBELLISHMENT. Repeat the Channel 1 embellishment to add 46D and 94C to Channel 3. Secure the thread and trim.

7) CLASP. Start 12" of new thread that exits from the inside vertical 1B of the end face in Cube 1. *String 1F, 2A, the first loop of the clasp, and 3A; pass back through the F and through the last B exited. Weave through beads to exit from the vertical 1B of the end face in Cube 2 at the end of the bracelet that corresponds with the second clasp loop. String 1F, 2A, the second clasp loop, and 3A; pass back through the F and through the ver-tical 1B of the end face in Cube 3 at the end of the bracelet. Pass back through the 1F, 3A, the second clasp loop, and 2A in the last loop formed. Pass back through the F and the verti-cal 1B of the end face in Cube 2. Weave through beads to exit from the vertical 1B of the end face in Cube 4. Repeat from * once. Secure the remaining clasp loop as the first loop connection (Fig. 8). Repeat the entire thread path to reinforce. Secure the thread and trim. Repeat this entire step at the other end of the bracelet to connect the other half of the clasp. ●

LISA KAN is a beadweaver and jewelry designer who focuses on creating elegant, wearable, multipurpose, reversible, and modular compo-nent beadwork designs. She was a Beadwork Designer of the Year in 2009 and is the author of Bead Romantique (2008). Her new book, Bead Metamorphosis, will be released this December. Visit her websites at www.lisakan.com and www.ariadesignstudio.com.

RESOURCES Check your favorite bead retailer or contact: CzechMate triangles and � re-polished rounds: Aria Design Studio, www.ariadesignstudio.com. Swarovski crystal pearls and clasp: Fire Mountain Gems and Beads, (800) 355-2137, www.� remountaingems.com. Toho seed beads: Bobby Bead, www.bobbybead.net. FireLine braided beading thread: Cabela’s, (800) 237-4444, www.cabelas.com.

4) CHANNEL 1 EMBELLISHMENT. Embellish the channel with seed beads and fire-polished rounds:Prepare: Arrange the beadwork so it is hori-

zontal, with Channel 1 on top. Start 6' of new thread that exits toward the inside of the channel from the bottom-left inner B (marked with an orange dot in Fig. 6). Note: Work all of the embellishments for this and the following channels by passing only through the top-layer beads of each cube.

Symétrie Bracelet

Fig. 6: Adding the Channel 1 embellishment

Fig. 7: Embellishing Channel 2 with triangles


Bottom edge, Stitch 1: String 1C; pass through the next top-inner B along the bottom of the channel (Fig. 6, orange thread).

Bottom edge, Stitch 2: String 1D; pass through the B opposite the one just exited, across the channel. Pass back through the D just added and the B originally exited (Fig. 6, green thread).

Bottom edge, Stitches 3–93: Repeat Stitches 1 and 2 forty-five times. Repeat Stitch 1 and pass through the 2 nearest B to exit from the top-right inner B of the chan-nel (Fig. 6, blue thread).

Top edge: String 1C and pass through the next bottom-inner B along the top of Channel 1; repeat forty-six times. Weave through beads to exit toward the center of Channel 2, from the opening’s top-left inner B (Fig. 6, red thread).

5) CHANNEL 2 EMBELLISHMENT. Embellish the channel with triangles:Pass 1: String 1E and pass through the next B

along the top-inner edge of Channel 2; repeat forty-six times, taking care that all of the triangles point up. Pass through the nearest inside-edge B of the channel. String 1C and pass through the next 2 inside-edge B to exit toward the last E added (Fig. 7, blue thread).


CLEARLY KUMIHIMOLearn the ins and outs of this Japanese braiding technique

Start creating beautiful kumihimo jewelry at: shop.beadingdaily.com/KumihimoDVD

Join 2013 Beadwork Designer of the Year Jill Wiseman in her DVD dedicated to teaching you not only the kumihimo braiding technique but how to incorporate beads into the process. Complete with expert instruction, helpful tips, and troubleshooting information, this 86-minute video equips you with all the skills necessary to make beautiful kumihimo jewelry.

Order your copy of this DVD today to:

• Pump up your beadwork with tips for mixing bead colors and shapes to create kumihimo braiding patterns, and add texture with Jill’s additional tips. • Learn three ways to fi nish your kumihimo jewelry beautifully and effi ciently. • Skip the frustration–Jill details common problems you may encounter and the solutions you’ll need to know for troubleshooting. • And much more!

061_BWaug14.indd 61 5/22/14 8:43 AM


This quick-to-stitch right-angle-weave bracelet, with its wavy spine and spikes, is reminiscent of its prickly underwater namesake.

Anemone Bracelet ELAINE TEEVENS

Main Colorway

62-64 Anemone Bracelet-Teevens.indd 62 5/21/14 3:48 PM


TECHNIQUEright-angle weave

PROJECT LEVEL

MATERIALS2 g rainbow iris bronze size 11° seed

beads (A)9 g magic orchid 3×6mm Rizos (B)45 burgundy 4mm glass pearls (C)22 burgundy 6mm glass pearls (D)1 gunmetal 6×12mm lobster clasp1 gunmetal 6mm split ringSmoke 6 lb braided beading thread


FINISHED SIZE7¼"

1) BASE. Work right-angle weave to form the bracelet’s base:Unit 1: Use 5' of thread to string 3C, 1A, 1D,

and 1A, leaving a 4" tail; pass through the beads again to form a tight circle, then use the tail and working threads to tie a square knot. Pass through the first C added (Fig. 1, blue thread).

Unit 2: String 1A, 1D, 1A, and 2C; pass through the last C exited in the previous unit and through the 1A/1D/1A/1C just added (Fig. 1, red thread).

Units 3–22: Repeat Unit 2 twenty times.

Fig. 1: Forming Units 1 and 2 of the base

Fig. 2: Connecting the clasp

OPTIONSMAKE A NECKLACE BY WORKING A LONGER BASE

AND EDGING ONLY ONE SIDE IN THE CENTER.

ELAINE USED LARGER GLASS PEARLS IN PLACE

OF D TOWARD THE CENTER OF THE BASE AND

DECREASED THE NUMBER OF RIZOS USED IN

EACH STITCH TOWARD THE STRAP ENDS.

2) CLASP. String 4A and the clasp; pass back through the fourth A added. String 3A; pass through the last C exited in Unit 22 (Fig. 2, blue thread). Repeat the thread path to rein-force, then weave through beads to exit down through the nearest A of Unit 22 toward the final D (Fig. 2, red thread).

artist’s tipFire-polished rounds can be used in place of the glass pearls.



4) RING. Repeat Step 2, this time adding the split ring to the other end of the base. Secure the thread and trim. ●

ELAINE TEEVENS has been an avid crafter since childhood and took metalsmithing classes in college. She discovered beading in 2000 and explored all its facets. Elaine teaches in a variety of venues and enjoys developing new projects as well as helping and supporting others in their own beading endeavors.

3) EDGES. String 1A, 5B, and 1A; skip over the nearest D, pass through the next A along the base, pass back through the nearest 1D/1A (toward the clasp), through the 1A/5B/1A just added, and through the nearest 1A/1C/1A to exit from the other side of the base (Fig. 3). Repeat from the beginning of this step twenty-one times. Exit from the end C.

Anemone Bracelet

Fig. 3: Adding the edging

RESOURCES Check your favorite bead retailer or contact: Rizos and glass pearls: FusionBeads.com, (888) 781-3559. Seed beads, clasp, split ring, and FireLine braided beading thread: Fire Mountain Gems and Beads, (800) 355-2137, www.� remountaingems.com.

Take your beadwork skills to the next level with gorgeous geometric shapes. Join Beadwork Designer of the Year Jean Power as she shows you how to create flat and 3-D beaded pentagons. Boost your skills in peyote stitch with expert tips and tricks made easy.

Get geometric with your beadwork at shop.beadingdaily.com/PJP

Enhance your beadwork as you:• Master peyote stitch with expert tips for start-to-finish beaded pentagons.

• Skip the guesswork with easy-to-see up-close shots and large color-coded beads.

• Add dimension to your pieces with instructions for herringbone and square-stitch increases.

• Create individual beaded pentagons or connect several 3-D shapes.

•And more!


embrace free-formbeadweaving with thismust-have guide!

Join skilled bead artist and teacher Kelly Angeley for a must-have beading book that walks you through all the steps and techniques you need to master off-loom and free-form beading patterns.

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Explorations in Beadweaving: Techniques for an Improvisational Approach

shop.beadingdaily.com/ExplorationsBeadweaving

065_BWaug14.indd 65 5/21/14 3:49 PM


Use beading wire and Russian spiral stitch to form firm beaded beads that, when interspersed with a few large crystals, make for a striking, yet understated necklace.

Tessellation Necklace SARA OEHLER

Main Colorway

66-67 Tessellation Necklace-Oehler.indd 66 5/21/14 3:52 PM


TECHNIQUESRussian spiralstringingcrimping

PROJECT LEVEL

MATERIALS3 g matte dark chocolate size 8° Japanese

seed beads (A)5 g metallic bronze 6mm Japanese bugle

beads (B)4 golden shadow 14mm crystal rounds1 antiqued brass 13×27mm toggle

leaf clasp4 gold-filled 2mm crimp tubes4 gold-filled 3mm crimp covers9' of antique brass .014 beading wire2' of antique brass .019 beading wireCyanoacrylate adhesive instant glue

TOOLSCrimping pliersChain-nose pliersWire cutters4 bead stops

FINISHED SIZE19¾"

1) BEADED BEADS. Work Russian spiral to form 3 beaded beads:Round 1: Add 1 bead stop to 3' of .014 bead-

ing wire, leaving a 3" tail. String {2A and 1B} three times. String 1A; pass through the first A added to form a tight circle (Fig. 1).

Round 2: String 1B and 1A, skip 1A and 1B, and pass through the next A (Fig. 2); repeat (Fig. 3, blue thread). String 1B and 1A; skip 1A/1B/1A and pass through the next A. String 1B and 1A; skip 1A and 1B and pass through the next A (Fig. 3, red thread).

Round 3: String 1B and 1A, skip 1B of the pre-vious round, and pass through the next A; repeat twice (Fig. 4).

Rounds 4–12: Repeat Round 3 until there are 12A and 12B that spiral up the side of the beaded bead. Note: Because the work spi-rals, no step-up is required. Secure the wire by weaving it through several beads and knotting it around previous wires between beads; repeat. For added security, use a droplet of glue on each knot. Remove the bead stop; end the tail wire the same way as with the working wire. Set the beaded bead aside.

Repeat this entire step twice for a total of 3 beaded beads.

2) NECKLACE. Attach 1 bead stop to one end of the .019 beading wire. String 1 crimp tube. String {1 crystal round and 1 beaded bead} three times. String 1 crystal round and 1 crimp tube. Add 1 bead stop to the other end of the wire and slide the beads to the cen-ter of the wire. Add 1 bead stop to the wire at each end of the center bead strand to hold the beads in place. Crimp the tubes on each side of the beads. Cover each crimp with a crimp cover. Remove all of the bead stops.

3) CLASP. Use one wire end to string 1 crimp tube and one half of the clasp; pass back through the tube and crimp. Cover the crimp with a crimp cover. Repeat from the beginning of this step to add the other half of the clasp to the other end of the wire. ●

SARA OEHLER is a jewelry designer residing in sunny Phoenix, Arizona. She coauthored the book Show Your Colors, published in January 2012. Sara is the sales and marketing manager for Soft Flex Company.

RESOURCES Check your favorite bead retailer or contact: Seed beads, bugle beads, and toggle clasp: FusionBeads.com, (888) 781-3559. Crimp tubes and covers, beading wire, and Special T cyanoacrylate adhesive instant glue: Soft Flex Company, (866) 925-3539, www.soft� excompany.com.

Fig. 1: Forming Round 1

Fig. 2: Working the first stitch of Round 2

Fig. 3: Completing Round 2

Fig. 4: Stitching Round 3

artist’s tips❯ Replace bugle beads with either 3 size 11° seed beads or 5 size 15° seed beads in various colors.

❯ Create more beaded beads and string an entire necklace or bracelet.

OPTIONCONTINUE REPEATING ROUND 3

TO CREATE A LONG TUBE. ATTACH

THE TWO ENDS LIKE A ZIPPER TO

CREATE A BANGLE BRACELET.

66-67 Tessellation Necklace-Oehler.indd 67 5/21/14 3:52 PM


Combine right-angle weave, tubular peyote stitch, and embellishment techniques to form a whole armful of these fun, sculptural bangles.

Mardi Gras Bangle CSILLA CSIRMAZ

Main Colorway

68-70 Mardi Gras Bangles-Csirmaz.indd 68 5/21/14 3:53 PM


TECHNIQUESright-angle weavetubular peyote stitch

PROJECT LEVEL

MATERIALS5 g Capri blue–lined aqua size 15° seed

beads (A)10 g brushed copper metallic size 9° seed

beads (B)5 g blue-lined aqua AB size 8° seed beads (C)5 g transparent dark topaz AB 5mm flat

2-hole squares (D)27 aquamarine 4mm crystal bicones (E)27 gold copper 6mm potato pearls (F)Crystal 6 lb braided beading thread


FINISHED SIZE2½" (diameter)

1) RING. Use right-angle weave to form the bangle’s base ring:Strip: Use 6' of thread and B to stitch a strip

of right-angle weave 53 units long and 2 rows wide or long enough to just about fit snugly around the widest point of your hand. Note: Make sure you end with an odd number of units.

Connecting units: String 1B; pass up through the end B of Row 2, Unit 1. String 1B; pass down through the end B of Row 2, Unit 53. Pass through the first B added in this unit and down through the end B of Row 1, Unit 53 (Fig. 1, blue thread). String 1B; pass up through the end B of Row 1, Unit 1 and through the first B added in the previous unit. Pass down through the end B of Row 1, Unit 3 and through the last B added. If necessary, repeat the entire thread path to reinforce. Weave through beads to exit down through a side B of a Row 2 unit (Fig. 1, red thread).

2) INNER EMBELLISHMENT. Embellish the ring with seed beads:Center: String 1B; pass down through the

side B of the adjacent Row 1 unit, through the bottom B of the same unit, and up through the side B of the next unit (Fig. 2, blue thread). String 1B; pass up through the side B of the adjacent Row 2 unit, through the top B of the same unit, and down through the side B of the next unit (Fig. 2, red thread). Repeat from the beginning of this step around the ring. Weave through beads to exit from a top B of Row 2.

Edges: String 1C and pass through the next top B of Row 2; repeat around the ring. Weave through beads to exit from a bottom B of Row 1 (Fig. 3, blue thread). String 1C and pass through the next bottom B of Row 1; repeat around the ring (Fig. 3, red thread).

3) OUTER EMBELLISHMENT. Add the outer sculptural embellishment:Pass 1: String 1A, 1D, 2A, 1E, and 2A; pass

down through the second hole of the E just added. String 1A, then pass through the last B exited, and weave through the next 1C/1B/1C/1B along the edge of the ring. Repeat from the beginning of this pass twenty-six times (Fig. 4). Weave through beads to exit from 1B on the other edge, opposite the first B exited in this pass.

Pass 2: String 1A, 1D, and 2A; pass through the nearest E of Pass 1. String 2A; pass down through the second hole of the E just added. String 1A, then pass through the last B exited and the next 1C/1B/1C/1B along the edge of the ring (Fig. 5, green thread). Repeat from the beginning of this pass twenty-six times. Weave through beads to exit from 1E (Fig. 5, red thread).

Fig. 1: Connecting the strip into a ring Fig. 2: Stitching the center embellishment Fig. 3: Adding the edges

Fig. 4: Forming Pass 1 of the outer embellishment Fig. 5: Working Pass 2 of the outer embellishment

EDITORS’ NOTESIZE 9° SEED BEADS ARE EASIER TO FIND IN

THE UNITED KINGDOM THAN THEY ARE IN

THE UNITED STATES. YOU CAN ORDER THEM

ONLINE, BUT IF YOU HAVE TROUBLE FIND-

ING THEM AT YOUR LOCAL BEAD SHOP, TRY

SUBSTITUTING SIZE 10°S INSTEAD; SOME U.S.

BEAD STORES CARRY SIZE 10° CZECH SEED

BEADS. IF YOU ARE TOTALLY DESPERATE, A

CHUNKY SIZE 11° MIGHT WORK, TOO.



RESOURCES Check your favorite bead retailer or contact: Size 15° and size 8° seed beads, Swarovski crystal bicones, Tila 2-hole squares, potato pearls, and FireLine braided beading thread: FusionBeads.com, (888) 781-3559. Size 9° seed beads: Boundless Beads, www.boundlessbeads.com.

Pass 3: String 1F and pass through the next E of Pass 1; repeat twenty-six times (Fig. 6). Secure the thread and trim. ●

CSILLA CSIRMAZ has been making beaded jewelry since 2009. Her favorite beads include Japanese seed beads and crystals, but she hopes to learn to make her own lampwork beads one day. By nationality Hungarian, she now lives in London. Visit her website, www.beadtimes.co.uk, and email her at [email protected].

Mardi Gras Bangle

Fig. 6: Adding Pass 3 of the outer embellishment

Art of Forgotten Things: Creating Jewelry from Objects with A Past

Melanie Doerman160 pages, 8½ × 9, $24.95ISBN: 978-1-59668-548-2

from theTalesAttic

E X PLOR E A TR E A SU R E TROV E

of vintage objects in this exquisite mixed-media jewelry

book by Melanie Doerman. Remake your personal

treasures into 15 beautifully detailed pieces that tell

their own story.


37 favorite projects, 32 different techniques!

Discover all of the projects at shop.beadingdaily.com/FBS2014

From crystal elegance to casual chic, don’t miss out on the 37 featured beading projects in the 2014 issue of Favorite Bead Stitches. This super-sized special issue is dripping with decadence and allure. Bonus! This year get even more stitch techniques! With 32 different bead stitches, you’ll be sure to fi nd a project that’s right for you.

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Combine two-hole seed beads and studs with drops and crystal bicones to form this super-easy, very chic bracelet.

Luxor Bracelet SVETLANA CHERNITSKY

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TECHNIQUESpeyote stitchnetting

PROJECT LEVEL

MATERIALS10 metallic hematite size 15° seed beads4 g galvanized silver size 11° seed beads (A)4 metallic gunmetal size 11° seed beads (B)15 g metallic hematite 5×2.5mm 2-hole seed

beads (C)3 g galvanized silver 3.4mm Japanese

drops (D)7 gunmetal 10mm 2-hole stud beads (E)32 medium vitrail 3mm crystal bicones (F)1 silver-plated 13mm spring-ring clasp

with tab2 sterling silver 5mm jump ringsSmoke 6 lb braided beading thread

TOOLSScissorsSize 12 beading needle2 pairs of chain- or flat-nose pliers

FINISHED SIZE7"

1) BASE. Work odd-count peyote stitch and netting to form the bracelet base:Row 1: Add a stop bead to 6' of thread, leav-

ing an 8" tail. String 1C, 1B, 1C, 1A, 1F, 1A, 1C, 1A, 1F, 1A, 1C, 1B, 1C, 1A, 1D, and 1A; pass through the second hole of the last C added (Fig. 1, green thread).

Row 2: String 1C; pass through the second hole of the nearest C in the previous row. String 1A, 1F, and 1A and pass through the second hole of the next C in the previous row; repeat. String 1C; pass through the sec-ond hole of the next C in the previous row. String 1A, 1D, 1A, and 1C; pass through the second hole of the second C added in this row (Fig. 1, blue thread).

Row 3: String 1C, 1A, 1E, 1A, and 1C; pass through the second hole of the next C in the previous row. String 1C, 1A, 1D, and 1A; pass through the second hole of the last C added (Fig. 1, red thread).

Row 4: String 1C; pass through the second hole of the nearest C in the previous row. String 1A; pass through the first hole of the E in the previous row. String 1A; pass through the second hole of the following C in the previous row. String 1C; pass through the second hole of the next C in the

previous row. String 1A, 1D, 1A, and 1C; pass through the second hole of second C added in this row (Fig. 2, orange thread).

Row 5: String 1C and 1A; pass through the second hole of the nearest E. String 1A and 1C; pass through the second hole of the fol-lowing C in the previous row. String 1C, 1A, 1D, and 1A; pass through the second hole of the last C added (Fig. 2, green thread).

Row 6: String 1C; pass through the second hole of the nearest C in the previous row. String 1A; pass through the second hole of the nearest E. String 1A; pass through the second hole of the next C in the previous row. String 1C; pass through the second hole of the following C in the previous row. String 1A, 1D, 1A, and 1C; pass through the second hole of the second C added in this row (Fig. 2, blue thread).

Row 7: String 1C, 1A, 1F, 1A, 1C, 1A, 1F, 1A, and 1C; pass through the second hole of the next C in the previous row. String 1C, 1A, 1D, and 1A; pass through the second hole of the last C added (Fig. 2, red thread).

Repeat Rows 2–7 six times or to the desired length minus 1½" for the clasp.Final row: String 1B; pass through the second

hole of the nearest C in the previous row. String 1A, 1F, and 1A and pass through the second hole of the next C in the previous row; repeat. String 1B; pass through the sec-ond hole of the next C in the previous row (Fig. 3, blue thread). Weave through beads to exit from the second hole of the center C added in the previous row.

Loop: String 5 size 15° seed beads and pass through the last C exited to form a loop (Fig. 3, red thread); repeat the thread path several times to reinforce. Secure the work-ing thread and trim. Remove the stop bead from the tail thread. Weave through beads to exit from the center C of Row 1 at the other end of the base. Repeat to form a sec-ond loop. Secure the tail thread and trim.

Fig. 1: Forming Rows 1–3 of the base

Fig. 2: Stitching Rows 4–7 of the base Fig. 3: Finishing the base and adding a clasp loop



2) CLASP. Use the jump rings to connect one half of the clasp to each loop. ●

Beading is SVETLANA CHERNITSKY’s favorite hobby, and she devotes almost all of her free time to it. She loves to learn and try new techniques, but her favorites are peyote stitch, netting, bead embroidery, and bead crochet. Reach Svetlana at www.lirigal.com.

Luxor Bracelet

artist’s tipFor a sparkly look, replace the stud beads with crystal two-hole flat squares.

RESOURCES Check your favorite bead retailer or contact: Stud beads: MiniatureSweet, www.miniaturesweet.etsy.com, or Hoopalicious Supply Co., www.hoopalicioussupplyco.etsy.com. Seed beads and SuperDuo 2-hole seed beads: FusionBeads.com, (888) 781-3559. Swarovski crystal bicones, FireLine braided beading thread, and all other materials: Artbeads.com, (866) 715-2323.

CLEARLY KUMIHIMOLearn the ins and outs of this Japanese braiding technique

Start creating beautiful kumihimo jewelry at: shop.beadingdaily.com/KumihimoDVD

Join 2013 Beadwork Designer of the Year Jill Wiseman in her DVD dedicated to teaching you not only the kumihimo braiding technique but how to incorporate beads into the process. Complete with expert instruction, helpful tips, and troubleshooting information, this 86-minute video equips you with all the skills necessary to make beautiful kumihimo jewelry.


NOWAVAILABLE!

075_BWaug14.indd 75 5/21/14 4:07 PM

Your must-have guide for all things right-angle weave

Join past Beadwork magazine Designer of the Year Marcia DeCoster as you discover the fundamentals of right-angle weave. Begin by learning the all-important thread path for right-angle weave, plus how to successfully work increases and decreases. Then, build on your skills and explore how to stitch bezels, add embellishments, work with armatures, tackle cubic right-angle weave, and more!

Begin beading with confi dence at: shop.beadingdaily.com/RAW

FINALLY MASTER ALL THE VARIATIONS OF THIS VERSATILE STITCH

076_BWaug14.indd 76 5/22/14 8:43 AM

077_BWaug14.indd 77 5/21/14 4:08 PM

Back of pendant


Tip-Top Pendants Guest contributor Tatiana Mueller

1) BEZEL. Use ladder and netting stitches to form the bezel:Round 1: Use 6' of doubled thread to ladder-

stitch a strip 46E long. Stitch the first and last E together to form a ring. Exit from the bottom of the ring (Fig. 1).

Round 2: String 1C, 3D, and 1C; pass through the next E. String 1F and 1C; pass back through the F and the next E to form a fringe. Repeat from the beginning of the round twenty-two times. Pass through the first 1C/2D added in this round (Fig. 2, purple thread).

Round 3: String 2D and pass through the middle D of the next Round 2 net; repeat twenty-two times. Pull the thread tightly to make the beadwork cup. Repeat the thread path to reinforce. Weave through beads to exit from 1C above 1F of Round 2 (Fig. 2, green thread).

Frame your cabochon with seed beads and discs for a simple but very intriguing look using ladder, fringe, and netting stitches.

custom coolPERSONALIZE YOUR JEWELRY COMPONENTS

artist’s tips> Alter the look by using size 8° cylinder beads instead of crimp tubes. Because they are wider than crimp tubes, the discs will be spaced farther apart. Note: If you use some-thing other than 2.5×3mm tubes for E, you may need to alter the number of beads used in each round to achieve a tight-fitting bezel.

> Use smaller discs that sit side by side instead of the overlapping 6mm discs, but keep in mind the thread that connects the E beads/tubes may show.

Round 4: String 3B, 1A, and 3B and pass through the next C above 1F of Round 2; repeat twenty-two times. Pass through the first 3B/1A (Fig. 2, blue thread).

Round 5: Check to make sure the F are lay-ered, one on top of the next. Place the cab-ochon in the beadwork faceup so the back touches Round 3. Working with tight ten-sion, string 2A and pass through the next A of Round 4; repeat twenty-two times (Fig. 2, red thread). Repeat the thread path to reinforce. Weave through beads to exit from 1E of Round 1 at the top point of the bezel.

2) BAIL. Connect the bail to 1E (Fig. 3). String the E just used; pass through the last E exited at the top of the bail, the E just added, the next E of Round 1 at the top of the bail, and the E just added to center the bail (Fig. 4). Repeat the thread path several times to reinforce. ●

TECHNIQUESladder stitchfringetubular netting

PROJECT LEVEL

MATERIALS1 g silver-lined light topaz size 15°

Japanese seed beads (A)1 g metallic brown size 15° Japanese seed

beads (B)1 g white-lined gold size 11° Japanese

seed beads (C)1 g gold-lined topaz AB size 11° cylinder

beads (D)47 gold 2.5×3mm crimp tubes (E)23 gold-filled 6×0.5mm brushed metal

discs (F)1 gold-filled 4×10mm snap-on bail1 jasper 30×40mm cabochonWhite 0.006" thermally bonded beading

thread

TOOLSScissorsSize 12 or 14 beading needle

FINISHED SIZE1½ × 33⁄16"

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TATIANA MUELLER is a self-taught beader who lives in Montreal, Canada, and comes from a very crafty Russian family. You can contact her at [email protected]. Visit Tatiana’s Etsy shop at www.coppermistress.etsy.com.

RESOURCES Check your favorite bead retailer or contact: Japanese seed beads: NLM Glass Arts, nlmglassarts.com, (866) 311-1104. Delica cylinder beads and similar cabochon: Fire Mountain Gems and Beads, (800) 355-2137, www.� remountaingems.com. Metal discs: Canada Beading Supply, (800) 291-6668, www.canbead.com, and Judith Poe Jewelry, www.judithpoejewelry.etsy.com. Wild� re thermally bonded beading thread: Michaels, (800) 642-4235, www.michaels.com.

editor’s takeExperiment with different materials to customize this framed component to your liking. Here are two variations Beadwork Editor Melinda Barta stumbled upon:

> Purple/pink round bezel. Using size 10° cylinder beads for Round 1 created the need for more beads in this round and also more nets/sequins in Round 2. The additional nets created a raised texture along the top; don’t expect these additional nets to sit perfectly flat as in Tatiana’s sample. Textured 6mm plastic sequins were used in place of the metal discs.

> Bronze/green oval bezel. As with the purple/pink round bezel, using size 10° cylinder beads for Round 1 resulted in additional nets that sit somewhat raised above the surface of the cabochon. Each fringe was created with one 4mm plastic sequin and one 4mm O bead, and because they are smaller than Tatiana’s 6mm discs, these fringes sit side by side instead of overlapping.

Fig. 1: Turning Round 1 into a ring Fig. 2: Stitching

Rounds 2–5

Fig. 4: Attaching the bail to the bezel

Fig. 3: Connecting the bail to a crimp tube

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Sparkle-liciousKieu Pham Gray

Spider Set PendantKim St. Jean

3 Ring Circus Richard SalleyPHILADELPHIA

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ADVERTISERS’ INDEX

Accent Bead Design/Kumihimo To Go . . . . . . . . . . . . . . . . . . . . . . . . . . . .85AD Adornments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86Allene's Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Antelope Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31Artbeads.com . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C2Bead Goes On, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82Bead On It Boards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85Beadaholique . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20Beadalon/Wire & Cable Specialties. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83BeadFX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20Beadies Beadwork. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Beading-with-Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81BeadsRfun.Com/Odyssey Beads. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85Best Bead Show . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20Best Craft Organizer/First Choice Products . . . . . . . . . . . . . . . . . . . . . . .39Cindy's Crafts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Craftoptics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82Crystal Creations-Beads Gone Wild. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Crystal Creations-Beads Gone Wild. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84Crystaletts/Horsman Ltd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C3Cynthia Rutledge. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86Dragon's Odyssey, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Fire Mountain Gems. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C4Fusion Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Gem & Lapidary Wholesalers INC. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86Glassy Jewels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Grace Lampwork Beads & Jewelry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82Green Girl Studios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84Helby Import/Beadsmith . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39HMB Studios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84Idyllworks of Maine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Innovative Beads Expo, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31Interweave 9, 11, 20, 25, 30, 31, 35, 38, 40, 41, 57, 61, 64, 65, 70, 71, 74,

75, 76, 77, 80, 86, 87Jean Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81John Bead Corp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Kandras Beads. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86LanaiKinsky.com . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Leslee Frumin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Leslee Frumin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86Lillypilly Designs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85Lumina Inspirations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84Manek-Manek Beads. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Marcia Belonis/Baubles by Balonis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Melinda Barta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Merchants Overseas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20Multi Creations NJ Inc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31Nealay's Designs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Need for Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Nina Designs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21Now That's a Jig Brenda Schweder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81PJ Tool Jewelry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84, 85Preciosa Ornela. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Quest Bead & Cast, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21Quilt-Pro Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86Red Panda Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Rings & Things. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39Rio Grande. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Royalwood LTD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86School Of Beadwork . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86Shipwreck Beads, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21Skunk Hill Studio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81Soft Flex Co. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15Star's Clasps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84Starman, Inc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49SueBeads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84Swarovski North America . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2T & T Trading Inc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57TierraCast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Universal Synergetics/Beadcats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85Venetian Bead Shop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85

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Find what inspires you at shop.beadingdaily.com/QuickEasy2013

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To be listed in “Stop to Shop” please contact Stephanie Griess at (877) 613-4630 or [email protected]. The cost is $65 per issue with a 6 issue minimum.

ArizonaThe Beaderie—Chandler

www.thebeaderie.comKNOWN FOR THE LARGEST SEED-BEAD COLLECTION IN AZ! Great prices, new items every week, huge selection of seed beads, crystals, glass, unique items, Tierra cast silver, and other metals. Our store is customer run—let us know what products you want. Special requests and large orders are no problem. Check out our new location inside the Merchant Square Mall, which is on Arizona Ave. between Ray and War-ner Rd. Many other shops in the mall specialize in vintage, high-end and trendy jewels, gifts, and many hard-to-find items. We are open 7 days a week 9–5 and open late Wed until 8 pm.1509 North Arizona Ave. ( 480) 899-7555

Thunderbird Supply Company—Flagstaffwww.thunderbirdsupply.com

More than just another bead store, an inspiration store! Filled with findings, metal beads, strands, seed beads, stringing and wire wrapping supplies. We carry a complete line of fabricated sheet and wire in silver, nickel, and copper product. Mon-Sat 9am-6pm.2227 E 7th Ave. (928) 526-2439

Creative Destination—Mesa www.2-old-beadies.com

See our beautiful showroom on our website. We specialize in Swarovski crystals, Delica beads, seed beads, interesting lampwork, creative classes—and much, much more! Join us for our monthly Beadathon. We’re worth a visit! 1660 S. Alma School Rd., #108 (480) 755-4367

Bead World Inc.—Phoenix and Scottsdale www.beadworldinc.com

Best selection of quality gemstones, Tierra Cast, seed beads, chain, met-als, SS, GF, Swarovski, pearls, leather, jewelry making kits, and more. Classes daily.6068 N. 16th St., Phoenix (602) 240-BEAD8764 E. Shea Blvd., Scottsdale (480) 948-2323

The Bead Garden of Sedona—Sedona www.Sedonabeadgarden.com

Tools and supplies for the bead artist! Northern Arizona’s largest selec-tion of beads, tools, and supplies. We offer classes and private lessons. Mon–Sat 10–5, Closed Sunday.3150 W. State Rt.. 89A, Ste. 1 (928) 282-7334

Cocopah & Cocopah North—Sedonawww.beadofthemonthclub.com

Both stores open daily 10 to 6. Featuring natural Arizona turquoise, Zuni Indian stringing fetishes, Navajo hand-made sterling beads, Amer-ican designer beads, rare jaspers, Tibetan, Moroccan, Afghan, Czech & Italian beads. Unusual assortment of antique components. See us on Facebook or visit our web store for new offerings every month.Tlaquepaque, Ste. C-101 and Creekside Plaza, Ste. A-4 (928) 282-6404

ArkansasBeaded Lady—Benton

Scrumptious beads! Knowledgeable staff. Large selection of beads, tools, findings, ss wire, and chain. Stop and browse. Classiest parties. We repair, re-string, knot, and restore costume jewelry. Thu– Sat 1–6. [email protected] Samples Rd. (501) 794-2647

CaliforniaBead Inspirations—Alameda

www.beadinspirations.comBest selection & prices of Vintaj brass. Gorgeous, quality beads, findings, & unique kits. Focal gems & gem strands. Metal stamping. Picture frame pendants by Nunn Designs & Tierracast. Czech glass, Swarovski crystals & pearls. Ranger Inks. Metalsmithing. Inspiring Classes. Friendly, knowledgeable staff. Shop online too.1544 Park St. (510) 337-1203

San Gabriel Bead Co.—Arcadia www.beadcompany.com

Beads, books, gourds, tools, workshops, metals, and friendly advice. Beginning and Advanced workshops. Tue–Wed 11–7; Thur 11–9; Fri 11–6; Sat 10–6; Sun 12–5. 325 E. Live Oak Ave. (626) 447-7753

The Joy of Beading—Arroyo Grandewww.joyofbeading.net

Large selection of seed beads, Swarovski Japanese pearls and crystals, books, Vintaj™, Findings and tools, classes Closed Sunday & Monday. Tues., Wed., Fri., Sat. 10 – 5, Thurs. 10-7.1054 E. Grand Ave. Ste. A. (805) 489-6544

Just Bead It!—Concordwww.justbeaditconcord.com

Beads to thread, wire and just admire. All for beading to your heart’s desire. Family owned since 2003. Open Mon, Wed, Thu, and Fri 11–7, Sat 11–6, Sun 12–5.2051 Harrison St., Ste C (925) 682-6493

Beadtopia—El Segundo (S. of LAX)www.bead-topia.com

We are a full-service bead store with knowledgeable staff and friendly service. Find all the newest beading and jewelry trends, plus a large selec-tion of glass, semiprecious, pearls, Delicas, seed beads, and findings. See our website for our ever-changing, exciting classes and party details. Mon, Tue, Fri 11–5, Wed, Thu 11–7, Sat 10–4. Closed Sun.319 Richmond St. (310) 322-0077

Bunches of Beads—Lodiwww.bunchesofbeads.com

Beading experience in the heart of Lodi. Only 5 minutes from Hwy. 99. Vast assortment of beads, stringing supplies, findings, and more. Classes, parties, repairs, and fun! Family owned, offering a bead-friendly atmosphere.100 W. Pine St. (209) 367-1207

Creative Castle—Newbury Park www.creativecastle.com

Ventura County’s largest selection of beads. Seed, Delica, Czech glass, and vintage glass beads; freshwater pearls; gemstones; Swarovski crys-tals; charms; findings; sterling; and gold-filled. Over 450 book titles and visiting guest teachers. Please visit our website for complete class listings or call and current newsletter will be mailed.2321 Michael Dr. (805) 499-1377

South Sun Products—San Diegowww.SouthSunProducts.com

Beads, silver, and jewelry superstore! You’ll find the largest selection of beads and jewelry in the United States. Huge selection of semiprecious beads, pearls, Swarovski, sterling silver pendants, findings, chain, rings, earrings, classes and more! Mon–Fri 8:30–7, Sat–Sun 10–5. (Enter at Sandrock Rd.)8601 Aero Dr. (858) 309-5045

Beadahs—Santa Monicawww.beadahs.com

Bead inspired in a 2,000 sq. ft. world of rare beads, unique findings and exotic treasures. Just steps from the famous 3rd Street Promenade. Open 7 days a week; call for hours.203 Arizona Ave. (310) 395-0033

Bead Dreams—Stocktonwww.beaddreams.biz

You will love our huge Swarovski selection, stones, pearls, pressed glass, and seed beads of all sizes and varieties. We have a wall of Czech hanks, tubes of Japanese seed beads, as well as all Delicas. Private and group instruction available. Check us out at www.beaddreams.biz. On the Miracle Mile, between I–5 and Hwy. 99.2103 Pacific Ave. at Dorris Pl. (209) 464-BEAD

Beads on Main—Vacavillewww.beadsonmain.com

We specialize in unique quality beads and components. Extensive selection of Swarovski, semiprecious, and silver. We also have many gorgeous fresh-water pearls and funky glass beads. Come check out our inspiring classes or come and have a beading party. Tue–Thu 10–6, Fri 10–5, and Sat 11–5.313 Main St. (707) 446-1014

ColoradoBreckenridge Bead Gallery—Breckenridge The best bead selection in the High Country! We carry a wide variety of beads, including Delicas, bone, sterling, wood, semiprecious, and glass. We also carry buttons and fine-art supplies. Open 7 days a week. 224 S. Main St. (970) 453-1964

South Park Pottery & Back Room Beads —Fairplay

www.backroombeads.com Bunches of beads—lampwork, raku, Czech, Delica, gemstones, and more. Seven days 9–5. Don’t miss the Fairplay Bead & Fiber Show. August 10–11, 2013417 Front St. (719) 836-2698

Alley Cat Beads—Northglenn www.alleycatbeads.com

Exciting inventory of gemstones, Czech glass, seed beads, pearls, lamp-work, tools, Swarovski crystals, Bali silver, findings, dichroic glass, handmade clay, and one of the largest selections around of different pendants/focal beads. We have wonderful bead-stringing and -weaving supplies at great prices, plus we’re adding new items all the time! Classes and parties available.11928 N. Washington (303) 451-1900

Beadsong—Salida10–5 Mon–Sat. Czech glass, gemstones, Bali, seed beads, Delicas, bugles, charms, sterling and gold-filled findings and beads, books, tools, sup-plies, and much more. Email: [email protected] F St. (719) 530-0110

ConnecticutThe Bead Hive—Guilford

www.thebeadhivect.com Exceptional, ever-changing selection of semiprecious and glass beads, silver, findings, seed beads, Delicas, pendants, charms, pearls. Classes and individualized lessons. Daily 10–6, Sun 12–5. beadhive@thebead hivect.com (Strawberry Hill)1310 Boston Post Rd. (203) 453-6681

Thistle Beads—Nianticwww.thistlebeads.com

Family owned and operated bead store right near the shore with jewelry and gifts too. Come in and enjoy the casual atmosphere and make a necklace or bracelet. We also offer classes, private parties, and custom work. We offer a large variety of beads including seed beads, Swarovski’s, fire polish, Czech glass and rare finds. Hours: Mon-Fri 10-6pm, Thurs-days 10-8pm, Sundays 11-5pm.55 Pennsylvania Ave. (860) 739-6552

KanduBeads—Wallingfordwww.KanduBeads.com

We specialize in hard to find gemstones in their natural state. Druzy beads, crystal points, agate beads, gemstone nuggets, geodes, African trade beads, Tibetan & Indian Mala. Classes, open studio, Coupon “BW10”346 Quinnipiac St., Bldg. 1 (203) 793-7348

FloridaThe Beading Boutique —Altamonte Springs

3,100 sq. ft. of fabulous beading magic. Largest collection of Toho and Delica seed beads in Central Florida. Extensive selection of beads, find-ings, pearls, crystals, etc. A beader’s dream come true. Must see to believe. Instruction offered daily. Parties, Girls’ Night Out, and so much more. Come in and relax at gourmet coffee bar while choosing a new creation to make and take. Spend the morning, afternoon, or entire day. Open 7 days/week.224 W. Central Parkway, Suite 1018 (407) 574-7164

Beaded Envisions—Cape Coralwww.beadedenvisions.com

Beads & handcrafted creations that embrace your soul. A unique Bead Store offering not only an array of beads but a place that’s also warm, inviting and nurturing to your creativity. Come spend a day with us and enjoy complimentary coffee & soothing music while you shop. Browse through our selection of Miyuki Seed beads, Swarovski crystals, Czech glass, Semi-Precious Stones, Tagua Beads, Greek Leather, tools, findings as well as unique handcrafted jewelry & gifts from our local artists and much more. We offer daily classes, beading & birthday parties. See our website for a list of classes and upcoming events and join us the second Friday of each month fr our “GNO”~”Girls Night Out” and bead the night away with us! STORE HOURS: Sunday & Monday CLOSED, Tuesday-Friday 10am-7pm, Saturday 10am-4pm Seasonal Hours: November- March, Monday 10am-2pm, Tuesday-Friday 10am-7pm, Saturday 10am-4pm, Sunday CLOSED.130 Del Prado Blvd. S., Ste.7 (239) 673-6096

Laura’s Beads—Hudsonwww.laurasbeads.com

Laura’s Beads is more than just a bead shop, it is a place to gather, to learn, and to create. With a warm and inviting atmosphere, we’re here to assist you in finding what you need for your latest project. Specializing in bead-weaving, we offer a range of classes for both beginners and expe-rienced beaders. Best of all, we are stocked with a gorgeous selection of beads, findings, and supplies at great prices.8143 State Rd. 52 (727) 495-0803

Bead & Art—Lighthouse Point (Pompano)www.beadandart.com

South Florida’s friendliest bead store. Tons of semiprecious, pearls, Czech, Swarovski, sterling, tools, supplies. Original lampwork beads. Classes and kits. Check out our website for store location and class schedules.5034 N. Federal Hwy. (954) 418-3390

Beads Etc.—Maitland www.beadstoreorlando.com

Orlando’s finest full service bead store is now offering wholesale prices on selected strands of gemstones. Large selection of seed beads, sterling, G-F, base metal, Swarovski,pearls, Czech, etc. Classes all levels. Cus-tomer service #1!110 N. Orlando Ave. (New location) (407) 339-2323

The Bead Strand—Ocalawww.thebeadstrand.com

Come visit Ocala’s hidden treasure! Offering a wide selection of gem-stones, Swarovski crystals, seed beads, and now featuring a huge selec-tion of findings, Czech glass, and lampwork beads. Also newly added is our accessory boutique offering unique gifts and jewelry. Visit our web-site for more information or to see our class schedules.6140 SW Hwy. 200 (352) 620-2323

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Bead Bar Full Service Bead Store —Orlando

www.beadbar.comCentral Florida’s Favorite Bead Store since 1992. Featuring the area most complete inventory of the latest greatest Seed Beads, Crystals, Gem-stones, Pearls, Tools, and Supplies. Rare and unusual beads and baubles and lots more. Retail & wholesale. Friendly Talented Staff of expert Bead-ers ready to help you.1319 Edgewater Dr {College Park area} (407) 426 8826

Donna’s Beads—Sarasotawww.donnasbeads.com

Are you a beginner or advance bead weaver, come in for inspiration or classes. Great selection of Swarovski crystals/pearls, japanese seed beads, fire polish, preciosa and finds. Great prices and the friendliest gals in town. come in and bead with us.2717 Beneva Road (941) 444-7457

AA Beads & More—Sebastian Certified PMC studio; large selection of pearls, stones, and glass beads; findings; sterling and gold-filled wire; PMC; tools; jewelry-making sup-plies; books; and dichroic glass. Classes in PMC, fusing, chain maille, wire wrapping, and beading. Wabasso Plaza. We’re worth the drive!8802 U.S. Hwy. 1 (772) 581-0515

BEADS!—Tampawww.eBeads.com

KNOWN FOR THE LARGEST SEED BEAD COLLECTION IN THE TAMPA BAY AREA! Over 950 Delica colors, 91 Tila colors, SuperDuos and more! Huge selection of gemstones, freshwater pearls, base metal findings, Swarovski Crystals, and lampwork beads. Amazing classes including Bead Weaving, Copper Etching, Dichroic Glass, Enameling, and more! Visit our website for hours and class schedule. [email protected] W. Hillsborough Ave. Ste. H (813) 258-3900

Tampa Bead Café—Tampa www.tampabeadcafe.com

Largest selection of Delicas and seed beads in Tampa; wide variety of semiprecious stones and Czech glass; the only shop in Tampa for PMC classes and supplies. Enjoy a cup of java while you bead!320 W. Fletcher #107 (813) 374-9099

Raintree Craft and Design Corp. —Titusville

Complete bead shop. Large selection of beads—glass, porcelain, crystals, turquoise, sterling, novelty, charms, findings, wire, and books. Classes and workshops daily, including crocheting and knitting with wire and beads. Sears Town Mall. 3550 S. Washington Ave., Ste. 15 (321) 383-1556

Beads Gone Wild/Crystal Creations —West Palm Beachwww.beadsgonewild.com

Capture the complete beading experience at Florida’s largest most COM-PLETE bead shop since 1990. Meet Glenda, Beadwork’s 2014 Designer of the year! Go wild in 2300 Sq. feet of beads and everything bead related including original design kits. Over 100 Original Classes not taught elsewhere. Email: [email protected] Forest Hill Blvd. (561) 649-9909

GeorgiaBeadjoux—Braselton

www.beadjoux.comNew bead store northeast of Atlanta! Great products including Swarovski, Czech fire polish, seed beads, a great selection of clasps and featuring a full line of vintage W. German and Japanese glass beads, lucite beads and crystals! Check our website for class schedule, national instructor calendar, directions and hours.6750 HWY 53, Suite 103 (770) 283-4411

A Bead Garden —Clarkesville on the Square

www.abeadgarden.comWe have over 1100 seed beads in different colors and sizes for you to choose from as well as hundreds of Gemstones, Leather, Kumihimo Sup-plies, Swarovski Crystals, Czech Glass, Charms and a huge wall of Find-ing. Hours are Wed - Sat 10:00 to 6:00 and Tuesdays late. Classes to fit your Schedule.1442 Washington St. (706) 499-5336

Artzy Beads LLC—Gwinnett www.artzybeads.com

The artsy jewelry design center for NE Georgia. Offering basic to advanced classes, specializing on bridal and birthday parties. Large selection of Swarovski crystal, Toho beads, gem stones, hemp, metal findings, java beads, hand crafted jewelry gifts and more!178 E Crogan St., Ste #250 (770) 545-8000

Gone With The Bead —Watkinsville (Athens)www.gonewiththebead.com

Come and see our unique and exciting shop. We have 2,400 sq. ft. featur-ing artisan beads and focals, Czech beads and buttons, Kumihimo, vin-tage beads and stampings, Miyuki, Swarovski, Venetian beads, TierraCast, Wire Lace and Wire Knitz, Hill Tribe Silver, Kazuri, African metal and trade beads, pearls, stone, wood, and horn. See our gallery tour at www.gonewiththebead.com. Hours: Wed-Fri 10 a.m-6 p.m., Sat 10 a.m.- 5 p.m.16 N. Main St., Ste. D (Entrance at the back) (706) 769-2012

IdahoPandora’s Baubles and Beads—Idaho Falls

pandorasbaublesandbeads.comThe area’s best and largest selection of high quality gemstones, German vintage beads, Tibetan, Bali, Thai, and Turkish silver beads and findings, Czech glass, Japanese and Czech seed beads, trade beads and much more. We also specialize in extraordinary pearls, all of which are hand-picked from all over the globe. Classes from beginner to advanced. Monday thru Friday 11:00-5:30 and Saturday 12:00-5:30.Check out our Facebook, Twitter and LinkedIn440 Park Ave (208) 529-3696

IllinoisCity Beads—Chicagowww.citybeadschicago.com

Seed Bead and AIKO Specialists! Nationally renowned teachers, Gary Wilson cabochons, Kathy Hoope lampwork, Czech glass, pearls, and semiprecious stones. DISCOUNT PRICES! Showroom hours by appoint-ment. For class schedules and more information, visit our website or call to be added to our mailing list. 3928 N. Rockwell St. (312) 316-1910

Studio Beads—Deerfieldwww.studiobeads.com

We carry a great assortment of all sizes of seed beads, freshwater pearls, “BASHA” and other nationally known lampwork beads, semiprecious beads, and finished jewelry from artists across the country. We have a great assortment of vintage purses and jewelry. We offer classes and workshops with nationally recognized teachers. Visit us online for more information. Mon, Tue, Wed, Fri 10–5, Thu 10–8, Sat 10–4. 816 Waukegan Rd. (847) 607-8702

bodacious beads—Des Plaines bodaciousbeadschicago.com

Best selection and lowest prices! 260 colors of Swarovski, Japanese, and Czech seed beads. Pearls and stone. Vintage, tribal, and Bali. Chain, find-ings, and tools. Books. Mon–Sat 10–6. Tue till 8. Near O’Hare airport. 1942 River Rd. (847) 699-7959

Chelsea’s Beads—Highland Parkwww.chelseasbeads.com

Largest bead store on the North Shore. Parties, classes, and everything to make jewelry. Bali, sterling, and gold-filled parts, seed beads, Swarovski crystals, pearls, semiprecious beads, fancy glass beads, tools, and stringing supplies. eBay store. Mon–Fri 10–5:30, Sat 11–5, Sun 12–4. Fax: (847) 681-0681. Email: [email protected] St. Johns Ave. (847) 433-3451

Pumpkin Glass—Mortonwww.pumpkinglass.com

Dazzling original lampwork, crystals, Bali Silver, seed beads, wire and findings. Lampwork glass rods, tools and supplies for beadmakers. Fin-ished Art Jewelry. Lots of Classes!2059 S. Main St. (309) 266-7884

Facets of Isis—Palatinewww.facetsofisis.com

Beautiful selection of Sterling Silver Findings, Swarovski Crystals, Czech Fire Polish, German Vintage & natural Gemstone beads. BeadSmith authorized dist. Classes, Artist Demos, Trunk Shows.225 N. Northwest Hwy (847) 705-6614

Bead World—Palatine www.beadworldbeads.com

Jewelry and gift items from around the world, specializing in ancient and new Indonesian glass beads, (Indonesian glass beads available wholesale) and recycled glass beads. Jewelry repair—books—findings—body jewelry—piercings.8 S. Brockway (847) 776-BEAD (2323)

Free to Bead—Peoria www.freetobead.com

The only full-service bead store in the Peoria area. We have silver, Bali, semiprecious, crystals, pearls, glass, seed beads, supplies, tools, and classes. Everything you need and more. Come bead with us. 3301 N. Prospect Rd. (309) 682-2323

Beads N Botanicals—Urbanawww.beadsnbotanicals.com

Beginner or seasoned pro, you will find inspiration & help from our small but friendly staff. Check out our ever-changing assortment of findings, seed beads, freshwater pearls, Swarovski Crystals ™, Semiprecious beads, and finished jewelry from local artists. Classes from beginner to advanced: wire wrapping, Kumihimo, loomwork & more. Classes—Par-ties—Repairs—Custom designs—Trunk Shows. Check out our Face-book, Twitter and website online for more information. HOURS: Tue 11-4:30, Wed- Fri 11–6, Sat 10–5, Sun 12-5.117 N Broadway Ave. (217) 365-9355

IndianaBead Palace—Indianapolis (Greenwood)

www.beadpalaceinc.comLargest selection (5,000 sq ft) of Gemstone & Diamond Beads, Swarovski, Sterling Silver beads & findings in the country. Direct manu-facturer from India & China means lowestprices. Beadalon distributor. Mon–Sat 10:30–6. sales@beadpalace inc.com163 S. Madison Ave. (7 m. S. of Indy) (317) 882-5522

Imagine Beads—Valparaisowww.labeadalocabeads.com

Largest seed bead and Swarovski dealer in the area. Classes available. Large selections of books, findings, and stones, from the rare to the unique. Hours: Mon & Wed 10-6, Tues, Thurs, Fri 10-5; Sat 10-6; Sun 10-4.103 East Morthland Dr, Ste 1 (219) 299-2270

KansasHeartland Bead Market—Lenexa

www.heartlandbeadmarket.comCome to browse. Stay to bead. Awesome selection. Friendly service. Swarovski, Czech glass, semiprecious, seed beads, Bali silver, hill tribe silver, and more. We love to help you create. Classes—Parties—Repairs—Custom designs. Open beading always. Visit our other loca-tion, The Bead Shop in Overland Park 13964 Santa Fe Trail Dr. (913) 888-02319009 Metcalf (Overland Park) (913) 642-3131

LouisianaA Bead Boutique—Alexandria

www.abeadboutique.com A beading paradise! Multiple rooms for classes, parties, and get-togeth-ers. Great selection of beads, tools, books, and supplies. Tue–Fri 11–5; Sat 11–4. Located on the edge of the Garden District, near Hill St. traffic light. 2924 Jackson St. (318) 442-2575

MaineBEADS ON THE KENNEBEC— AUGUSTA

www.beadsonthekennebec.comOur customers say we are the “Best Little Bead Shop in ME”. Friendly, helpful atmosphere. Large selection of sterling, Swarovski, glass, stone, bone, and seed beads. Precious metal and Artistic Wire. Tools and Sup-plies for all your beading needs. Classes and Repairs. Tue–Fri 10–5, Sat 10–3. 333 Water St. (207) 622-1666

MarylandEast Street Beads—Frederick

www.eaststreetbeads.comGrowing Selection of Miyuki & Metal Seed Beads, Swarovski Crys-tals & Pearls, Czech Glass & Pearls, Lampwork, Tools, Semi-precious, Findings, Wire, Chain Mail, Books, Kumihimo, Fresh-water Pearls, Tools & More! Classes 7 Days a week!922 N. East St. (301) 624-2323

BEAD BOUTIQUE—Prince Frederickwww.mdbeadboutique.com

FREE classes every week! Chain Maille kits, Jump Rings, Colored Wire. Large variety of unique and quality semi-precious beads, freshwater pearls, seed beads, Swarovski & Czech. Precious metals, PMC, Metal-smithing, Findings, Charms, Tools & eclectic fun stuff at great prices! Free work space. Classes. Parties. Experienced instructors! Share our synergy!28 Solomons Island Rd. South (410) 535-6337

Accents Beads—Rockville (White Flint area)

www.accentsbeads.com New 5,000 sq. ft. showroom. Awesome selection of semiprecious, Bali, Swarovski crystals, pearls, seed beads including Delicas, 14k, gold-filled, sterling silver beads—findings—chain, lots of classes. Wholesale to public. 12112 Nebel St. (877) 262-9245

Marvin Schwab/The Bead Warehouse —Silver Spring

www.thebeadwarehouse.com Wholesale and mail order. Huge selection of semiprecious beads, fresh-water pearls, tools, and supplies. Findings in sterling silver, gold-filled, 14k, and plated. Showroom by appointment and special open hours. Fax (301) 565-0489; Email [email protected] Garfield Ave. (301) 565-0487

MassachusettsBEAD + FIBER: gallery . classes . materials

—Bostonwww.beadandfiber.net

A new concept. In the lively SOWA neighborhood. Unique bead and fiber artwork, materials, exciting day and evening classes. Revolving gallery features contemporary and traditional work. Unusual beads and supplies from around the world. Repairs. Parties. Free parking at 500 Harrison Ave.460 Harrison Ave. (617) 426-2323

Bead Addiction—Walpolewww.bead-addiction.com

2000 sq ft of fabulous beads and beading supplies. We carry many name brands, including Czech glass, Kazuri, Lillypilly, Miyuki, Thunderpolish crystal, Swarovski, Fuseworks, TierraCast, Artistic wire. Huge tool selec-tion and tons of wire choices. We also offer classes, Ladies Night Out, birthday parties, or any event you can think of. We are open Tue–Sun, closed on Monday. Check our website for hours and directions or call or email us at [email protected] . 2000 Main St. (508) 660-7984



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Munro Crafts—Berkley www.munrocrafts.com

Great prices and discounts. Swarovski, Czech, Bali, Polymer Clay, Art Clay, pearls, wood, bone, glass, metal, acrylics, and more. Sterling silver and gold-filled beads and findings. Craft supplies, charms, books, tools, beading supplies, and classes. 3954 12 Mile Rd. (248) 544-1590

Raisin River Beads—Dundee www.raisinriverbeads.com

An ever-growing selection of Delicas, charms, Japanese seed beads, but-tons, Czech, Bali silver, Swarovski, semiprecious, and findings. Classes and birthday parties. Mon–Sat 11–5, Sun 12–5. 141 Riley St. (734) 529-3322

Bead Bohemia—Farmington www.facebook.com/beadbohemia

Low prices *friendly service.* Unique selection. A wide variety of beads and components including semi-precious gems and Czech glass to artist pieces, seed beads, designer brass lines, and more. Ask for your free “Bead Addiction” card! 33321 Grand River Ave. (248) 474-9264

Pam’s Bead Garden—Farmingtonwww.pamsbeadgarden.com

We specialize in Japanese seed beads. Full-service bead store featuring Czech glass, pearls, Swarovski crystal, Delicas, silver, and tools. Free classes, visiting artists, and lots more. Open six days, closed Sunday. Call for more information. 22836 Orchard Lake Rd.. (248) 471-2323

Too Cute Beads—Farmingtonwww.toocutebeads.com

Our business is based on one principle—giving everyone the opportu-nity to create beautiful and unique jewelry at a reasonable price. We carry Swarovski crystal, pendants, pearls, gold-filled beads, chain, sterling silver beads, cultured pearls, Murano glass, artist glass, tools and wire, kits, and much more. Visit our website for class schedule and for our sale of the week.31711 Grandriver (866) 342-3237

Bead Haven—Frankenmuth www.beadhaven.com

Come shop 5,000 sq. ft. of Michigan’s largest bead store! Filled with the best selection of beads from around the world, no matter what type of beading you’re doing. Free classes, open 7 days, and now shop online! We carry everything!925 S. Main St., E-1 (989) 652-3566

The Creative Fringe LLC—Grand Haven www.thecreativefringe.com

We’re a full-service bead shop offering an extensive collection of beads, findings, wire, tools, books, lampworking, silver, clay, and metalsmith-ing supplies. Cultivate your creative side with classes and parties. Open workstations available. Come to the Fringe! Your creativity awaits you. Open 7 days a week. 210 Washington (616) 296-0020

Wicks and Stones - Downtown Wyandottewww.wicksandstones.com/ - Find us on Facebook

Everything for your beading needs! Celebrating 10 years in business!Seed beads, Swarovski, Czech glass, semi-prescious, tools, Sterling Silver, artistic wire, kits, PMC Certified. Let us answer all of your questions!! Monthly stitch and wire groups, individual classes, birthday parties, ladies nights, open studio time, free classes. Call for more information or come in to show off your creation!3138 Biddle Ave. (734) 759-0112

Stony Creek Bead & Gallery —Ypsilanti Twp.

www.stonycreekbead.blogspot.comSupporting the artist inside of you! Huge collection of Seed & Czech Beads. Bali, pearls, and stones. Lampwork & Polymer Clay by MI artists. Classes, kits, books & so much more! I-94 to exit 183. South 1 mile. Closed Mondays. Tue–Fri 10– 6, Sat 10– 4, Sun 10– 2. www.StonyCreek-Bead.blogspot.com2060 Whittaker Rd. (734) 544-0904

MinnesotaStormcloud Trading Co. (Beadstorm)

—St. Paul www.beadstorm.com

20+ years of experience shows in our vast selection of seed beads, pressed glass, Swarovski crystals, Bali silver, sterling, and gold-filled beads. Shop in-store or online. Mon–Fri 10–6, Sat 10–5. No print catalog. 725 Snelling Ave. N. (651) 645-0343

MissouriLady Bug Beads—St. Louis

www.ladybugbeads.net Midwest’s premier bead shop. 3,000+ seed beads including Toho, Aiko, Czech, and Delicas. Full selection of Swarovski and semiprecious stones. Pearls always on special. U.S. distributor for the Craft Kit Company and Toho Treasure Kits. We are a teaching store. Mon, Wed, Fri 10–6, Tue and Thu 10–8, Sat 9–4, Sun 12–4. 7616 Big Bend Blvd. (314) 644-6140

NevadaBead Jungle—Henderson (Las Vegas area)

www.beadjungle.com Most complete bead shop in the Las Vegas area with the largest variety of beads and findings. Classes, silversmithing, parties, workshops, and volume discounts. Minutes from the Strip. Open 7 days a week 10–6. Extended hours Tue, Wed, and Thu 10–8.1590 W. Horizon Ridge Pkwy., Ste.160 (702) 432-2323

Bead Haven—Las Vegas www.beadhavenlasvegas.com

Nevada’s most comprehensive bead store, catering to all bead enthusi-asts. Huge selection of findings, pressed glass, seed beads. Full line of Swarovski. Free classes daily. Mon–Sat 10–6. Closed Sun.7575 W. Washington Ave., Ste. 131 (702) 233-2450

New HampshireBead It!—Concord

www.beadit.biz Worth the trip? You bet! Fabulous shop, chock-full of semiprecious, freshwater pearls, Swarovski crystal, Venetian and lampwork glass, Czech fire-polished, and hanks, sterling, gold-filled, vermeil. Gorgeous clasps. Mon Closed, Tue–Wed 10–6, Thu–Fri 10–8, Sat 10–6, Sun 12–5.146 N. Main St. (603) 223-0146

Just Beading Around—Eppingwww.justbeadingaround.com

We carry a huge selection of high quality beads, findings and beading supplies. Miyuki and Toho seed beads, Swarovski, Preciosa, Pearls, Kazuri, Czech, Lampwork, Gemstones & more. Classes and Parties. Plenty of parking. Handicap accessible. Awesome staff!!285 Calef Highway, Rte 125 (603) 734-4322

Santerre’s Stones ‘N Stuff—Exeterwww.santerresstones.com

Looking for the real thing? We have a huge selection of semi-precious & precious gemstone beads, Miyuki seed beads, Delicas, Swarovski, Kazuri, Czech & more. Custom cutting & drilling. Classes/parties. Easy to locate. Helpful, friendly staff.42 Water St. (603) 733-9393

Bella Beads—Meredithwww.bellabeadsnh.com

“The Chic Boutique on the Bay” Bella’s features and takes pride in the finest beads, findings, and tools from around the world. We’ve expanded our seed bead collection. Come by car or by boat, we’d love to meet you! 48 Main St. (603) 279-0122

Bead With Style—Salemwww.beadwithstyle.com

We offer a large selection of bead weaving, stringing and wirework classes. We carry a large selection of seed beads, precious stones, crys-tals, stringing supplies, findings & more. Located close to the MA border in southern NH exit 2 off 93.22 Stiles Rd., Unit 104 (603) 458-2730

Ladybead and Rook—Wiltonwww.ladybeadandrook.com

Beautiful, quality beads to inspire your creativity and accentuate your style. Emphasis on European beads: Czech crystals, pressed glass, seed beads, pearls, and semiprecious. Artisan-created jewelry for fine gift giving. Ample parking. Thu–Sat 9–5:30, Sun 11–4. At the Riverview Mill Artist Shops.29 Howard St. (603) 654-2805

New JerseyBeads by Blanche—Bergenfield

www.beadsbyblanche.com (Only miles from NYC.) Visit East Coast’s premier bead shop. 3,000+ colors/styles of Japanese seed beads, glass, crystal, semiprecious, lampwork, and more! Classes by local and nationally known artists. Extensive inventory for unlimited possibilities!106 N. Washington Ave. (201) 385-6225

Jubili Beads & Yarns®—Collingswoodwww.jubilibeadsandyarns.com

Everything you need under one roof! Fabulous full-service source for beads, classic and novelty yarns. Eight-torch lampworking stu-dio, spinning, weaving, knitting, crocheting, PMC, and more! Repairs, custom jewelry, and parties. Contact us via email at [email protected] Haddon Ave. (856) 858-7844

Sojourner—Lambertvillewww.sojourner.biz

Sojourner stocks freshwater pearls, semiprecious stones, Swarovski crystals, Czech glass and seed beads, sterling beads, Chinese enamel beads, castings, charms, ethnic beads, findings—including our own design sterling silver box clasps bezel set with vintage and semi-precious elements. Open daily 11—6. 26 Bridge St. (609) 397-8849

The Birds and the Beads—Morganvillewww.thebirdsand thebeads.com

Surround yourself in beads! Incredible collection of hand-selected stone, pearl, glass and shell beads. Plus, all the best seed beads, tools, books, findings, and Swarovski crystals. Please call or stop by for further infor-mation and our extensive class schedule. 411 Rt. 79 (732) 591-8233

Multi Creations (NJ) Inc.—Old Bridgewww.MultiCreationsNJ.com

All kinds of silver, gold-filled, and 14/18k gold findings, chains by foot, Bali silver beads, hill tribe silver, gemstone and glass beads, pearls and Swarovski crystals, beading accessories, tools, and much more at whole-sale prices. Tue–Sat 10–6, Sun 11–3. Closed Mon. [email protected]; mobile (732) 642-2260; fax (732) 607-6416.1405 Rt. 18 S., Unit #102 (732) 607-6422

Bazaar Star Beadery—Ridgewoodwww.bazaarstarbeadery.com

Take a journey into the colorful wonderland of beads galore. Eclectic collection gathered from around the world awaits you! Come one, come all, sit and stay, we’ll help you create it all. Ladies’ parties/birthdays/original kits and instructions.216 E. Ridgewood Ave. (201) 444-5144

New MexicoThunderbird Supply Company

—Albuquerquewww.thunderbirdsupply.com

A beader’s candy store! Albuquerque’s largest and must complete bead store! Filled with findings, metal beads, strands, seed beads, stringing and wire wrapping supplies. We carry a complete line of fabricated metal sheet and wire in silver, nickel, and copper product. Mon-Fri 9am-6pm, Sat 10am-5pm MST2311 Vassar NE (505) 884-7770

The Beaded Iris—Albuquerque Specializing in Japanese seed beads, Delicas, rare vintage beads, and handmade beads, just to name a few. A relaxed atmosphere with cheerful gals to help you! 1512 F Wyoming Blvd. NE (505) 299-1856

Thunderbird Supply Company —Gallup

www.thunderbirdsupply.comOur main showroom store is just off I-40, located just minutes from the Navajo and Zuni Nation, is filled with over 13,000 items; fabricated metal sheet and wire (silver, nickel, and copper), findings, metal beads, metalsmithing tools, beading supplies, natural and man-made strands.Mon-Sat 8:30am-6pm MST1907 W Highway 66 (800) 545-7968

New YorkLet’s Bead!—East Rochester

www.letsbead.com3,200 sq. ft. bright full-service bead shop. Ever-growing selection of tools, books, beads, stringing materials, findings, wire, chain mail, kumihimo, Swarovski crystals, classes, and more! Relax, use our tools, and get friendly help at our in-store design station. 349 W. Commercial St. (585) 586-6550

Beads Mosaic—Nanuetwww.BeadsMosaic.com

Exclusive beads boutique! Huge selection of quality semiprecious, pre-cious and gem stones, sterling silver beads, charms and findings, copper and brass beads/findings, seed beads, pearls, shell pearls, raku, Swarovski, Kazuri, artist lampwork, beading supplies, tools, and more! Open 7 days/week. Exit 14 off I-87/NY Thruway, 40 minutes north of NYC. Beading classes and store hours at www.BeadsMosaic.com.78 S. Middletown Rd.. (845) 501-8295

Beads World Inc.—New York www.beadsworldusa.com

From beads to crystals to leather cords and more. Beads World is your one-stop shop. Quality selections in the heart of NYC’s fashion district. Mon-Fri 9-7, Sat-Sun 10-5.1384 Broadway (between 37th & 38th St. on Broadway)

(212) 302-1199

Toho Shoji (NY) Inc.—New Yorkwww.tohoshoji-ny.com

Exclusive selection of findings, chain, and beads. Swarovski, Japa-nese seed beads (Miyuki, Delica, Matsuno), glass, fire-polished, and more! Mass-production price available. Mon–Fri 9–7, Sat 10–6, Sun 10–5.990 6th Ave. (212) 868-7465

I Dream of Beading—Poughkeepsie www.idreamofbeading.com

Hudson Valley’s premier source for beads and more. Stop by for the selec-tion and inspiration to fulfill your wildest beading dreams! Classes/workshops. Kit selection available online. Tue–Fri 10–6, Wed till 8, Sat 10–4. (in Freedom Executive Park).Rt. 55, Ste. 107 (845) 452-7611

BEAD SHOP at Lady Jane Craft Center —Queens (Ozone Park)www.ladyjanecraftcenter.com

Largest selection outside Manhattan, Classes, Swarovski, Preciosa, Pearls, Fire polish, Hanks, Myuki, TOHO, Glass beads, Leather, Semi-precious Strands, Pendants, Cabachons, Findings, Chains, Metal, Stamps, Tools, Books. Open 7 days. Off Belt Parkway, Exit 17.137-20 Crossbay Blvd. (718) 835-7651



the market { stop to shop}

Park Ave Beads—Wantaghwww.ParkAveBeads.com

Long Island bead store with friendly, experienced staff with over 30 years of experience, carrying gemstones, freshwater pearls, seed beads, Swarovski, Thunder Polish, Czech, findings, sterling silver, gold filled, threads, tools, leather and chain at the lowest prices. Classes, parties, and groups. [email protected] Park Ave. (516) 221-7167

North CarolinaChevron Trading Post & Bead Co.

—Ashevillewww.chevronbeads.com

Asheville’s premier full-service bead store of 25+ years. Largest selec-tion of seed beads, Old World Trade Beads and Vintage glass in the SE Region. Huge selection of pearls, gemstones, crystals, Czech, ceramic & natural beads, including all the supplies you need. WireLace® Distribu-tor – Open 7 day a week. Importer/Classes/Parties/Workspace – www .chevronbeads.com40 N. Lexington Ave. (Downtown) (828) 236-2323

Ain’t Miss Bead Haven—Mooresville www.aintmissbeadhaven.com

We are a full-service bead store offering classes, handmade jewelry, and beading supplies. Birthday and private parties, Wine & Bead Night, BYOB Socials (bring your own beads), and Girls Night Out. We offer a large variety of Vintage jewelry and components, Seed beads, Swarovski Crystals, Precious and Semi-precious gemstones, Crystals strands, Ster-ling Silver, Silver filled, Gold filled, and Vermeil findings. Hours: Mon-day–Saturday 10–6; Email: [email protected] N. Main St. (704) 746-9278

Ornamentea—Raleighwww.ornamentea.com

Our cheery store carries tools, torches, bench supplies, enamels, metal, stones, beads of all kinds and unusual fibers and ribbon. We offer classes and have an in-store work table where you can sit and finish a project. Located in downtown Raleigh. We will be your favorite bead store!509 N. West St. (919) 834-6260

OhioBeaded Bliss Designs

—Cincinnati (Harrison)www.followyourbeadedbliss.com

The tri-state’s best bead shop: create your own jewelry from our ever-growing selection of Swarovski crystal, semiprecious, glass, metals, pendants, lampwork, clay beads, books, tools, and much more! Project assistance, classes & parties, too. Always follow your bliss!1151 Stone Dr., Ste. E (513) 202-1706

BEAD PARADISE—Cleveland (Oberlin)www.beadparadise.com

Truly amazing selection! New and vintage glass, gemstones, Swarovski, metal beads and findings. African Trade Beads, ancient , antique and collectible beads in store and online. Just off the Ohio turnpike. Open every day.29 West College St. (440) 775-2233

1 Stop Bead Shop—Columbuswww.1stopbeadshop.com

Columbus’ premier bead store – over 3000 sq feet of beads & Studio tables. 90+ classes per quarter – beadweaving, wire, metals, Kumihimo, Soutache & more. Czech Glass, 2000+ seed beads – Japanese & Czech. Swarovski, Semi-precious & more. Online sales welcome.6347 Sawmill Rd., Dublin, OH (614) 573-6452

Bloomin’ Beads, Etc.—Columbus (Powell)Bloomin’ Beads Etc is a full service bead store and more! Everything from crystals to tierra cast to yarn and knitting classes. 4040 Presidential Parkway (740) 917-9008

Gahanna Bead Shop—Gahanna www.gahannabeadstudio.com

Vast selection of glass and semiprecious beads, crystals, and Miyuki seed beads. Sterling, pewter, and gold-filled findings for all your beading needs! Distributor of UnicorneTM and KazuriTM beads. Open studio area with friendly, knowledgeable staff. 1024 N. Hamilton Rd. (614) 933-8948

OklahomaBeadles—Broken Arrow

www.beadlesbeadshop.comBeads to beat the band! Beads take center stage in our showroom and classroom. Whether you are looking for a rock-star centerpiece or some great back-up beads, our selection and service are sure to make you twist and shout. 114 W. Dallas St. (918) 806-8945

Alouette-a unique bead shoppe —Oklahoma City Metro

www.alouettebeadsok.comThe area’s largest collection of beads & findings—2,400 sq. ft. of stock, featuring Japanese Seed Beads & a full selection of Czech Hanks. Swarovski, Tierra Cast, Natural Stones, Czech Glass Beads, and Tools. Full service from a Professional Staff in a Creative Environment.2150 S. Douglas Blvd., Ste H (405) 733-5300

OregonAzillion Beads—Bend

www.azillionbeads.net“More beads than you can imagine!” NEW LOCATION IN BEND. Over 2,000 sp. Ft. of beads. Call for directions. Email [email protected] Harriman St., #100 (541) 617-8854

Beads At Dusti Creek—Portlandwww.beadsatdusticreek.com

Portland’s Premier Bead Shop. High quality Unique & Unusual products, as well as the basics. Friendly, Helpful, Experienced Staff & Outstanding Instructors. Everything you expect a Quality bead store to be! Mon–Fri 10–6; Sat 10–5; Sun 12–44848 SE Division Ave. (503) 235-4800

PennsylvaniaKAT‘S BEAD BOUTIQUE—Allentown

www.katsbeadboutique.comBiggest Little Bead Shop in PA. Full selection of crystals, seed beads, findings, books, tools, unusual items, and one-of-a-kind jewelry. Classes by local and nationally known teachers. Once a month stitch-for-free day.725 N. 19th St. (610) 432-7545

Buttercup Beads—Audubonwww.buttercupbeads.com

Let your creativity blossom in our cozy country setting. Classes, Parties, oh-so-pretty sparkly things, and most of all, fun! One-stop shopping in an open workshop environment. Artisan/bead-addict owned and oper-ated. 1123 Pawlings Rd. (484) 524-8231

The Bead Garden—Havertown www.thebeadgarden.com

Friendly, full-service bead store for all of your jewelry-making needs. Classes for all levels of experience, including beginners. Birthday parties and group outings. Knowledgeable staff that is delighted to help. 2122 Darby Rd. (610) 449-2699

Blue Santa Beads—Mediawww.bluesantabeads.net

A newly located artistic venue. Classes available. Customers always come first and always return.1165 W. Baltimore Pike (610) 892-2740

Crystal Bead Bazaar—Pittsburgh www.crystalbeadbazaar.com

A world bazaar of beads. Swarovski, Czech, Venetian, lampwork, sterling and gold-filled, freshwater pearls, and semiprecious. Largest selection of seed beads in area. Classes and custom designs. Mon–Sat 10–6, Thu 10–9, Sun 12–5.4521 Butler St. (412) 687-1513

South CarolinaYour Place to Bead–Horse Feathers

—Campobello www.horsefeathers1.com

South’s best source for the best selection of Delicas, trim beads, gold and silver findings, Swarovski, semiprecious beads, cabochons, dichroic glass and wire. We offer classes daily or by your schedule. Mon–Fri 11–5, Sat 10–2:00. 18845 Asheville Hwy. (866) 228-7600 (864) 457-2422

South DakotaMoonshadow BEAD Studio—Rapid City

Handmade lampwork beads • semiprecious • sterling silver and gold-filled beads and findings • Swarovski crystals • Delicas • triangle, hex, square, faceted beads • books and patterns • one-on-one CLASSES • fin-ished, exclusive, beaded art to wear • Come sit and bead with us! Contact us via Email at [email protected]. 318 Mt. Rushmore Rd., Ste. B (605) 348-2510

TennesseeWhite Fox Beads—Knoxville

whitefoxbeads.comWe have the jewelry-making supplies you need for your next project and those “must haves” for your stash! Visit us in our new Knoxville (Bearden) store or online. Seed Beads! Vintage! Czech Glass! Soutache! Come in today and discover why our awesome classes, expert staff and superb service are well known throughout the region. 5111 Homberg Dr. (865) 980-0237

TexasLapis Lane Beads—Austin

www.lapislanebeads.comShare your passion with our friendly, professional staff. We are West-lake’s premier Bead Boutique, minutes away from downtown Austin. Our showroom is bursting with gemstone and glass beads, tools, supplies, and ideas. Our vast seed bead collection includes new 2-hole shapes. We offer classes, parties, repairs, and finished jewelry from 15+ local artists. All ages and skill levels are welcome. 10-6 Mon-Sat.3654-D Bee Caves Rd. (512) 458-3141

Beads Unlimited Inc.—Dallas Your one stop bead shop in Dallas: Huge collection of Gemstones, agates, pewter, findings, chain, Chinese crystal, pave beads, rhinestone find-ings, wood beads, tools, ceramics and sterling silver jewelry studded with semi-precious gemstones. Spend over $300 or more (wholesale) and receive 50% off on selected items. Call us to be included for weekly sales at the shop. Email: [email protected]. Fax: (214) 749-04462454 Royal Ln. (214) 749-0444

Spring Beads—Houston/Springwww.springbeads.com

Best full-service bead store in Texas where we feed your need to bead! Great selection of Swarovski crystals, pearls, gemstones, Czech glass, lampwork, sterling silver, gold-filled, pewter, and copper findings, tools, leather, books, Kazuri and Tagua beads, wire, and so much more! Classes, parties, jewelry design, and repair services offered. Outstanding cus-tomer service with friendly faces and bead smart! Old Town Spring.421 Gentry, #202 (281) 288-9116

Nova Beads and Creations—Houston www.novabeads.net

A happy, cozy bead shop tucked in beautiful historic Heights, filled with a wide variety of beads and findings. Check out our website for a schedule of fun classes and shop online for stylish kits. 3518 White Oak Dr. (713) 868-1310

VermontBead Crazy LLC—Williston

www.beadcrazyvt.com Northern Vermont’s only full-service bead store. Beads of all types, shapes, and sizes—tubes, strands, singles. Stringing materials, books, tools, containers, charms, watches, findings. Birthday and adult parties. Evening classes. Instruction always available.21 Tafts Corners Shopping Center (802) 288-9666

VirginiaSTUDIO BABOO® “A Big Little™ Bead

Store”—Charlottesvillewww.studiobaboo.com

Full service bead store w/a huge selection of Delicas, seed beads, glass, semi-precious, pearls, polymer and more. Friendly, knowledgeable staff. Visit website for class schedule and hours.1933 Commonwealth Dr. (434) 244-2905

Gu’s Haus of Beads—Chesapeakewww.hausofbeads.com

Huge selection of Miyuki Seed Beads, Czech glass, Swarovski crystals and pearls. Classes in bead weaving, ladies night. Our motto is “You can do it”. Swing by and bead happy.501 Kempsville Road, Suite H. (757) 549-BEAD (2323)

Beads on Parade—Fredericksburgwww.beadparade.com

Just getting started or a pro, come be inspired by our huge selection of Czech glass, seed beads, silver, pewter, pearls, semiprecious stone, and Swarovski. Great prices and the friendliest staff in town. Classes ongoing.10013 Jefferson Davis Hwy., Ste. 105 (540) 710-0705

Off the Beading Path—Historic Occoquanwww.offthebeadingpath.biz

Located within a mile of I-95 (exit 160) in a historic river town. Browse an eclectic array of beads (Toho, Delica, Shaped, Art, Fair Trade, Kazuri, Vintage, Gemstone, Swarovski, and Pearls), Findings, Chain Maille Sup-plies, Tools, and Wire. Our full-service shop offers classes, repairs, and parties. Open Tues-Sat. 11am-6pm, Sun 12-5pm. Bring this ad for 10% off regular priced merchandise.310 Mill Street, Suite E (703) 492-BEAD (2323)

A Bead Abode—Lynchburgwww.abeadabode.com

We welcome you to our full service bead shop. You’ll find an ever expand-ing selection of Japanese and Czech seed beads, Czech pearls, pressed glass and fire polish, Swarovski crystals, semi-precious stones, findings, books, magazines and tools. We have classes suited for everyone. Open Mon-Sat 10am-5pm, Thursdays until 7.Open studio (“Beading Social”) on Thursdays from 12-7.101 Hexham Drive, just off Enterprise Drive (434) 237-1261

The Bead Cottage—Virginia Beach www.thebeadcottage.com

“A Beading Paradise”—1,000s of beads, Swarovski crystals, Bali, sterling silver, gold-filled, seed beads, Delica beads, magnetic hema-tite, semiprecious stones, findings, beading supplies, tools, classes, and more—all in a “paradise-like setting.” 5350 Kempsriver Dr., Ste. 106 (757) 495-5400

WashingtonBeads and Beyond—Bellevue

www.quiltworksnw.comNow partnered with QuiltWorks NorthwestFull range of seed beads, charms, sterling, vintage, books, Swarovski, tools, trade beads along with unique fabrics and patterns for the quilter and sewer. This is your shop for creative inspiration. Great local and national instructors. Mon, Wed, Fri, Sat 10–6; Tue, Thu 10–9; Sun 12–5.121A 107th Ave NE (425) 453-6005



the

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}Wynwoods Gallery & Studio

—Port Townsend www.wynwoods.com

A beautiful and unique bead shop that has everything the beader could need or want. Also, a line of sterling charms and components designed by the shop’s owner, Lois. Daily 10–7. 940 Water St. (360) 385-6131

Fusion Beads—Seattlewww.fusionbeads.com

Visit the largest bead store in Seattle! Stop in & take one of over 70 classes taught by local & nationally known instructors. Shop our extensive line of Swarovski Elements Crystals, Japanese seed beads, gemstones, glass beads, handmade beads & findings, & so much more. Our friendly & knowledgeable staff will help get you started! Mon-Sun 10-6, Tues 10-7 3830 Stone Way N. (206) 782-4595

Rings & Things Wholesale—SpokaneVisit our Spokane, WA, warehouse for hands-on access to our entire line of cataloged items (everything in our print catalog and online store) plus spe-cial cash and carry gemstones, red-tagged sale items, African art, and more! Reseller Permit or $50 minimum purchase required Mon–Fri 10–6 (except first Tue of each month). First Tuesday of each month noon–6, Sat 11–4.304 E. 2nd Ave. (509) 252-2900

Wonders of the World Beadshop —Spokane

www.wondersoftheworldinc.comBest little bead shop in Spokane. Incredible gemstones, crystals, charms, seed beads, chain, findings, and books for your creative needs. Friendly staff and great prices. Make us your first stop! In the historic Flour Mill.621 W. Mallon, Ste. 412 (509) 325-2867

WisconsinMadison Bead Company—Madison

www.madisonbead.comMadison’s favorite bead store! Our friendly staff focuses on providing excellent customer service. Beautiful, bright west-side location with on and off street parking. Great selection of Czech and Japanese seed beads, gemstones, Czech glass, tons of findings, Vintaj brass, and more! A wide array of classes for adults and kids ages 5 and up. Mon-Fri 11-7 Sat 11-5 Sun 11-3515 S. Midvale Blvd. (608) 274-0104

Prairie Flower Beads—Portagewww.prairieflowerbeads.com

Friendly store that offers classes, birthday/wedding parties, and open beading. Great selection of seed beads (Czech and Japanese), stone strands, pearl strands, Czech glass embellishment strands, focal pieces, Swarovski Crystals and findings. Our staff has combined experience of 50 years of beading. Magazines, books, tool, cords, leather cords and lots more. See website for hours.210 W. Cook St. (608) 742-5900

JSM Bead Coop—Sheboygan www.jsmbeadcoop.com

Sheboygan County’s bead store! Offering a wide variety of beads, find-ings, tools, books, and more. Workspace, tools, and a friendly, knowl-edgeable staff available—create right in the store! Classes and special events. Tue–Sat 10–7. 931 N. 8th St. (920) 208-BEAD (2323)

Meant to Bead—Sun Prairie www.Meant-to-Bead.com

Full-service bead shop. Featuring classes, large selection of beads, books, tools, etc. Specializing in PMC, semiprecious stone and vintage beads. Mon–Fri 10–8, Sat 10–5, Sun 12–4. 1264 W. Main St. (608) 837-5900

CanadaSTUDIO BBG—Montreal, QC

www.studiobbg.comCome check out our therapeutic bead pit! We carry a wide range of beads, tools & findings…Swarovski Element Components, Semiprecious, Fresh-water Pearls, Seedbeads, Chain by the foot, Sterling Silver findings, Pandora like beads, Beadalon, Bead Smith, Books, and more… We offer Birthday parties, Courses/Workshops for Children & Adults, Fundrais-ers & Ladies Fun Nights, Jewelry Restoration & Custom Design Cre-ations. Please call to confirm hours and courses available. Store hours for Pointe Claire: Tues-Fri 10-6pm, Sat 10-5pm, Sun 11-5pm. Be sure to follow us on Facebook at BBG Studio & sign up for our monthly newslet-ter at www.studiobbg.com.46 Ste-Anne, Pointe-Claire, QC H9S 4P8 (514) 674-3481

Capilano Rock & Gem —North Vancouver, BC

www.capilanorock.caStone beads, pearls, Swarovski, Czech glass, sterling silver/gold-filled findings and chains. Distributors for Grobet, EuroTool, Pepe Tools, Soft Flex, Beadalon, Lortone. Wholesale/retail. We are known for our great prices and friendly staff! Close to downtown Vancouver.1406 Pemberton Ave. (604) 987-5311

4 Sirius Beaders—Paris, ONwww.4siriusbeaders.com

Over 400 colors of delicas; Miyuki seeds in size 15, 11, 8, 6; crystals; fringe & decorative beads; wire; tools; pattern books; needles; thread; Swarovski; classes & findings. Central to London, Hamilton, Kitchener. Call for store hours.51 Ball St. (519) 442-7454

Country Beads—Vancouver, BC www.countrybeads.com

Semiprecious stones, freshwater pearls, sterling silver and gold find-ings, and beads. Chain by the foot, Swarovski crystals, Delicas, Czech fire-polished, and more. Books, tools, and classes. Wholesale prices to public. A unique shopping experience! Now you can conveniently shop online at our new updated website www.countrybeads.com.2015 W. 4th Ave. (604) 730-8056

POCO Creations & Beads—Winnipeg, MBwww.pocobeads.com

Your full-service bead store. Freshwater pearls, gemstones, porcelain, metal, wood, Swarovski, glass, and shell; sold by strand or individually. Findings, wire, tools, books, Jewelry Workshop Kits, magazines, and displays. Workshops, private parties, custom design, repairs, and hand-made consignment jewelry.575 Archibald St. (204) 219-2528

Fabucraft—Woodbridge, ONwww.fabucraft.com

www.etsy.com/shop/BeadsFABUCRAFTFull-service bead store. Direct importer. Swarovski, Miyuki, Czech seed beads Beadalon, Sterling Silver and much more. Open 7 days a week. 5731 Highway 7 (905) 266-0704

CLASSIFIED WORD

SCHOOLS & EDUCATIONWILLIAM HOLLAND LAPIDARY SCHOOL of Arts. PO Box 980, Young Harris, GA 30582. Call for information (706) 379-2126; [email protected]; www.lapidaryschool .org. Week-long classes from April–October.

SHOW ANNOUNCEMENTAYLA’S WONDERFUL WORLD OF BEADS Sunday, Sep-tember 21, 2014 10am–4pm. The Arts Center, 1957 Sheridan Road, Highland Park, IL. $4 ($1 off coupon available at www .aylasoriginals.com/shows).

BEAD SOCIETIES

MichiganGreat Lakes Beadworkers GuildPO Box 1639Royal Oak, MI 48068Web address: www.greatlakesbeadworkersguild.orgSponsors numerous workshops and programs during year BEAD BONANZA SALE with 80 vendors twice annu-ally. Meets 6:30 on 3rd Tuesdays January–November First Presbyterian Church, 1669 W. Maple, Birmingham, MI.

New JerseySouth Jersey Bead SocietyP.O. Box 1242Bellmawr, NJ 08099-5242Email: [email protected] address: www.southjerseybeadsociety.orgMeetings are held the 1st Thursday of the month Sep-tember–June, at Mount Laurel Fire House, 69 Elbo Ln., from 7–9. SJBS also offers workshops taught by local and national teachers.For more info see the web site.

TexasDallas Bead SocietyEmail: [email protected] address: www.dallasbeadsociety.org Yahoo Group: http://groups.yahoo.com/group/dallas beadsociety/Join DBS for camaraderie, learning and sharing the love of beads. Meetings are the first Saturday of the month, subject to holidays. We gather at 10 and have a short meeting at 10:30 followed by a program. Bring your lunch and stay after the program for open beading un-til 4 Check out our website or Yahoo group for specifics on meeting dates, location and programs. DBS brings in national teachers twice a year and regional teachers more frequently. We can’t wait to meet you.

InternationalToronto Bead SocietySte. 43, 155 Tycos Dr. (mail only)Toronto, ON, Canada M6B 1W6Email: [email protected] address: www.torontobeadsociety.orgMeetings 2nd Wednesday 7 p.m., September–June. Ryerson University, 380 Victoria St. (East of Yonge, be-tween College and Dundas), Toronto Bead Society has a fair twice a year, 1st weekend in May and 2nd weekend in November. All info on our website, under Fairs.

BEAD BROWSER www.abosbeads.etsy.comAt A Bit of Stone Beads, you will find a wide selection of gem-stone beads for your jewelry making projects. New beads are added weekly, so please check back often. We strive to offer com-petitive prices and fast delivery!

www.FusionBeads.comFusion Beads is where your jewelry begins. We offer over 45,000 beads & supplies, hundreds of step-by-step techniques & over 1700 FREE Inspiration project designs. Unleash your creativity & come bead with us! FREE US SHIPPING!

www.jubilibeadsandyarns.comDon’t miss our easy-to-use e-commerce website with ever-expanding inventory! Seed beads coming soon! Check out our beautiful focal beads, vintage treasures, finished jewelry, and mixed media kits. Come back often as we’re growing fast!

www.thebeadcagebeads.comThe Beadcage. Large selection of seed beads, Crystalized Ele-ments recommended store, large classroom with national instructors often, large gemstone strand selection, and most available with designer discounts. Freshwater-pearl importer. Mon–Sat 10–7.

www.thebeadingladies.comWe have a huge selection of seed beads! Czech, Miyuki, Super-duos & more. We have the largest selection of sea glass, delicas, Preciosa crystals, glass pearls. Also the newest leather, tools, Vintaj embossing system, Kumihimo, Ceylon, Macramé and Kits. Free shipping in the U.S. (941) 735-1054

www.toocutebeads.comWe carry Swarovski crystal, pendants, pearls, gold-filled beads, chain, sterling silver beads, cultured pearls, Murano glass, artist glass, tools and wire, kits, and much more. Visit our website for class schedule and for our sale of the week.

www.wynwoods.comOriginal cast and hand fabricated charms, findings, resin frames and components. Unique selection of rosary parts & religious medals. Beads, chain and other found treasures. Plus new Czech two hole beads for your new design work. Whimsical charms all designed by Lois Venarchick. (Wynwoods Gallery & Bead Studio, Port Townsend, WA)

CLASSESNew JerseyJubili Beads & Yarns®713 Haddon Ave.Collingswood, NJ 08108Ph. (856) 858-7844Email: [email protected]: www.jubilibeadsandyarns.comCrafter’s ecstasy! Great classes in all levels of beaded jewelry making, bead weaving. Featuring state-of-the-art, 8–torch flame-work studio. Open studio rental available. Mixed-me-dia specialists offering classes and supplies in knitting, cro-cheting, loom weaving, PMC, wirework, and more! Vintage attic now open!

To be listed in the classified section, contact Stephanie Griess at

(877) 613-4630 [email protected].




Bead Society Victoria Celebrates 20 Years

The Bead Society Victoria, the only bead-related organization in Australia, will host Beadwork Designer of the Year Cynthia Rutledge as the society celebrates its twentieth anniversary. As part of its annual Bead Expo in Melbourne, the society will offer workshops by the guest instructor, exhibits, and an annual bead challenge. Both a guest judge and the general public will award monetary prizes to the best designs at the November event. Entries are open to all beaders and must be submitted by October 10, 2014. To purchase this year’s bead challenge kit of pearls, dyed jade, and glass cubes or to see entries by past winners, visit www.beadsociety.com.au.

Judges awarded Catriona Starpins first place in the 2013 bead challenge.

CH

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The public awarded Regina Krawets first place in the 2013 bead challenge.

PAM

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bead buzz BEAD ALL ABOUT IT

Michelle Mach

BEADS & FINDINGSA Grain of Sand

www.agrainofsand.com(704) 660-3125

Unique collection of beads & findings

Artbeads.comwww.artbeads.com

(866) 715-2323Bead Paradise

[email protected]

(440) 775-2233Bead World (IL)

www.beadworldbeads.comShop online! All new Website!

(847) 766-2323Charm Factory

www.charmfactory.com(866) 867-5266

Custom charms and jewelry tagsDesigner’s Findings

www.designersfindings.net262-574-1324

Your bead embroidery headquar-ters for blank cuffs, collars, find-ings, stampings, vintage items,

and more!

Fire Mountain Gems www.firemountaingems.com

(800) 355-2137Fusion Beads

www.fusionbeads.com (888) 781-3559Land of Odds

www.landofodds.comRetail/Discounts/Wholesale

Lima Beads www.limabeads.com

(734) 929-9208Merchants Overseas Inc.

[email protected]

(800)333-4144Red Panda Beads

www.redpandabeads.comMiyuki Japanese Seed Beads

& More10% Disc—use Promo code:

BWAUG14

Rings & Thingswww.rings-things.com

(800) 366-2156Rio Grande

www.riogrande.com (800) 545-6566

Stormcloud Trading (Beadstorm)

www.beadstorm.com (651) 645-0343

Toho Shoji (NY) [email protected]

(212) 868-7465Too Cute Beads

[email protected]

U Bead It www.ubeaditsacramento.com

(916) 488-2323

KITS & MOREJubili Beads & Yarns

www.jubilibeadsandyarns.com (856) 858-7844

SHOWSBead Fest

www.beadfest.com

Philadelphia, PALearn: August 20-24Shop: August 22-24

Santa Fe, NMMarch 2015

Bead Mercantile Shows www.beadmercantile.com

(423) 639-7919

SUPPLIESJewelrySupply.Com

www.jewelrysupply.com(866) 499-4227Soft Flex Co.

www.softflexcompany.com (866) 925-3539

The Beading Connection To advertise here call Stephanie Griess at (877) 613-4630 or e-mail at [email protected]

93 Bead Buzz aug14.indd 93 5/22/14 1:41 PM


techniques

PASS THROUGH VS PASS BACK THROUGHPass through means to move the needle in the same direction that the beads have been strung. Pass back through means to move the needle in the opposite direction.

FINISHING AND STARTING NEW THREADSTie off the old thread when it’s about 4" long by making an overhand knot around previ-ous threads between beads. Weave through a few beads to hide the knot, and trim the thread close to the work. Start the new thread by tying an overhand knot around previous threads between beads. Weave through several beads to hide the knot and to reach the place to resume beading.

STOP BEADA stop bead (or tension bead) holds your work in place. To make one, string a bead larger than those you are working with, then pass through the bead one or more times, making sure not to split the thread.

STRINGINGStringing is a technique that uses beading wire, needle and thread, or other material to gather beads into a strand.

CRIMPINGCrimp tubes are seamless metal tubes used to secure the end of a beading wire. To use, string a crimp tube and the connection finding (i.e., the loop of the clasp). Pass back through the tube, leaving a short tail. Use the front notch of the crimping pliers to gently press the length of the tube, causing the tube to form into an oval and the wire ends to line each side of the tube. Move the tube to the back notch of the crimping pli-ers and firmly press the tube down, enclos-ing the wire ends in separate chambers of the crescent shape. Rotate the tube 90° and use the front notch to fold the two cham-bers onto themselves, forming a clean cyl-inder. Trim the excess wire.

WIREWORKINGTo open a jump ring, grasp each side of its opening with a pair of pliers. Don’t pull apart. Instead, twist in opposite directions so that you can open and close it without distorting the ring’s shape.

BRICK STITCHStitch a foundation row in one- or two-needle ladder stitch. String 2 beads and pass under the closest exposed loop of the foundation row and back through the sec-ond bead. String 1 bead and pass under the next exposed loop and back through the bead just strung; repeat.

To decrease within a row, string 1 bead and skip a loop of thread on the previous row, passing under the second loop and back through the bead.

To increase within a row, work 2 stitches in the same loop on the previous row.

DAISY CHAINString a small number of beads and pass back through the first bead strung to form a circle. String 1 bead and pass through the bead oppo-site the first bead of the circle, forming the “daisy.”

LADDER STITCHFor one-needle ladder stitch, string 2 beads and pass through them again. Manipulate the beads so their sides touch. String 1 bead. Pass through the last stitched bead and the one just strung. Repeat, add-ing 1 bead at a time and working in a figure-eight pattern.

HERRINGBONE STITCHForm a foundation row of one- or two-needle even-count ladder stitch and exit up through the final bead. String 2 beads, pass down through next bead in the ladder, and up through the following bead; repeat to the end of the row. Step up for the next row by wrapping the thread around previous threads to exit up through the last bead strung. To form the next row, string 2 beads and pass down through the second-to-last bead of the previous row and up through the following bead. Repeat, stringing 2 beads per stitch, passing down then up through 2 beads of the previous row, and stepping up as before. The 2-bead stitch will cause the beads to angle in each col-umn, like a herringbone fabric.

Begin tubular herringbone stitch with a foundation ring of one- or two-needle even-count ladder stitch. String 2 beads. Pass down through the next bead and up through the following bead. Repeat around the ring. At the end of the round, pass through the first beads of the previous and current rounds to step up to the new round.

FRINGEExit from the foundation row of beads or fabric. String a length of beads plus 1 bead. Skipping the last bead, pass back through all the beads just strung to form a fringe leg. Pass back into the foundation row or fabric.

NETTINGString a base row of 13 beads. String 5 beads and pass back through the fifth bead from the end of the base row. String another 5 beads, skip 3 beads of the base row, and pass back through the next; repeat to the end of the row. To turn, pass back through the last 3 beads (one leg of the last net). String 5 beads, pass back through the center bead of the next net, and continue.

For tubular netting, string {1A and 1B} six times; pass through them again to form the foundation round. *String 1A, 1B, and 1A; skip 1B and pass through the following 1B in the previous round to form a “net.” Repeat from * twice, then step up for the next round by passing through the first 2 beads of this round. **String 1A, 1B, and 1A; pass through the middle bead of the nearest net in the previous round. Repeat from ** twice, then step up as before. Work each round the same way.

94-95 Techniques aug14.indd 94 5/21/14 4:23 PM


For circular netting, string {1A and 1B} six times; pass through them again to form a circle for the foundation round and pass through the next 1B. *String 1A, 1B, and 1A; skip 3 beads and pass through the follow-ing bead in the previous round to form a “net.” Repeat from * twice, then step up for the next round by passing through the first 2 beads of the first net. String 2A, 1B, and 2A; pass through the middle bead of the nearest net in the previous round. Repeat twice, then step up for the next round by passing through the first 3 beads of this round. Work each round the same way, increasing the number of A beads as nec-essary to keep the work flat, and stepping up by passing through the first half of the first net.

PEYOTE STITCHFor one-drop even-count flat peyote stitch, string an even number of beads to create the first two rows. Begin the third row by stringing 1 bead and passing back through the second-to-last bead of the pre-vious row. String another bead and pass back through the fourth-to-last bead of the previous row. Continue adding 1 bead at a time, passing over every other bead of the previous row.

Two-drop peyote stitch is worked the same as one-drop peyote stitch, but with 2 beads at a time instead of 1 bead.

For odd-count flat peyote stitch, string an uneven number of beads to create Rows 1 and 2. String 1 bead, skip the last bead strung, and pass through the next bead. Repeat across the row (this is Row 3). To add the last bead, string 1 bead and knot the tail and working threads, clicking all beads into place. Start the next row (Row 4) by passing back through the last bead added. Continue in peyote stitch, turning as for even-count, shown above, at the end of this

and all even-numbered rows. At the end of all odd-numbered rows, add the last bead, string 1 bead, pass under the thread loop at the edge of the previous rows, and pass back through the last bead added.

Begin a midproject peyote-stitch increase by working a stitch with 2 beads in one row. In the next row, work 1 bead in each stitch, splitting the pair of beads in the previous row. For a smooth increase, use very narrow beads for both the two-drop and the one-drop between.

To make a midproject peyote-stitch decrease, simply pass the thread through 2 beads without adding a bead in the “gap.” In the next row, work a regular one-drop peyote stitch over the decrease. Work with tight tension to avoid holes.

For circular peyote stitch, string 3 beads and knot the tail and working threads to form the first round; pass through the first bead strung. For the second round, string 2 beads and pass through the next bead of the previous round; repeat twice. To step up to the third round, pass through the first bead of the current round. For the third round, string 1 bead and pass through the next bead of the previous round; repeat around, then step up at the end of the round. Continue in this manner, alternating the two previous rounds. It may be neces-sary to adjust the bead count, depending on the relative size of the beads, to keep the circle flat.

For even-count tubular peyote stitch, string an even number of beads and knot the tail and working threads to form the first 2 rounds; pass through the first 2 beads strung. To work Round 3, string 1 bead, skip 1 bead, and pass through the next; repeat around until you have added half the num-ber of beads in the first round. Step up through the first bead added in this round. For the following rounds, work 1 bead in each stitch and continue to step up at the end of each round.

Work odd-count tubular peyote stitch the same as even-count tubular peyote stitch, but it isn’t necessary to step up at the end of each round.

SQUARE STITCHString a row of beads. For the second row, string 2 beads; pass through the second-to-last bead of the first row and through the second bead just strung. Continue by stringing 1 bead, passing through the third-to-last bead of the first row, and through the bead just strung. Repeat this looping technique to the end of the row.

For circular square stitch, string the first round of beads and pass through them again to form a circle. Start a new round by stringing 2 beads; pass through the last bead of the first round and through the 2 beads just strung. Repeat around, passing through the next bead of the previous round for each 2 new beads strung. At the end of the round, pass through the whole round again to tighten the beads. Start a new round by stringing 2 beads; pass through the last bead of the previous round and through the 2 beads just strung. String 1 bead and pass through the next bead of the previous round and the bead just strung. Repeat around, stitching 1 or 2 beads to each bead of the previous round, adjusting the count as necessary to keep the work flat.

PICOTA picot is a decorative net, most often made with 3 beads, used to embellish a beadwork surface.

RIGHT-ANGLE WEAVEFor one-needle right-angle weave, string 4 beads and pass through the first 3 beads again to form the first unit. For the rest of the row, string 3 beads and pass through the last bead exited in the previous unit and the first 2 just strung; the thread path will resemble a series of figure eights, alter-nating directions with each unit. To begin the next row, pass through beads to exit the top bead of the last unit. String 3 beads and pass through the last bead exited and the first bead just strung. *String 2 beads, pass back through the next top bead of the previous row, the last bead exited in the previous unit, and the 2 beads just strung. Pass through the next top bead of the pre-vious row, string 2 beads, pass through the last bead of the previous unit, the top bead just exited, and the first bead just strung. Repeat from * to complete the row, then begin a new row as before.

MORE STITCHES & TIPS!Watch free videos at beadingdaily.com to learn valuable beading tips and techniques.

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Q: Tell me about the evolution of your design style.A: My design style for the past 14 years has always been the same. My pieces are big because I am tall—runway pieces for sure. They are very contemporary and monochro-matic, and they have a lot of character since you need a statement to make people think about beauty and the planet. My pieces make people stop and look. They are definitely con-versation starters!

Q: What inspired ORIGOMU?A: I found plastic six-pack rings on my street, and it made me think of the damage trash does to wildlife and the environment. I specifi-cally thought of how birds’ necks get caught in the rings, killing millions each year! I started the ORIGOMU necklaces collection to inspire peo-ple to reuse a material many think of as trash and turn it into something beautiful. The name ORIGOMU was inspired by the Japanese word for “folding rubber,” a play on the process by which these necklaces are created. These neck-laces symbolize how the rings get caught around the birds’ necks, reiterating the point of the damage that can be prevented by taking action and recycling.

Tatiana Pagés has an eye for opportunity and a heart for helping. A passion for objet trouvé ( found object) inspired her career and her recycled jewelry collections. Tatiana started the ORIGOMU Project, in which plastic six-pack rings are transformed into wearable art, and she teaches workshops to inspire ex-convicts and vulnerable women. Her jewelry is not only one of a kind—it is positively affecting the world.

Tatiana Pagés

bead artist BY MEGAN LENHAUSEN

Q: What do you find beneficial about using recycled materials?A: Tying together environmental stewardship with jewelry design is something I find interest-ing. I can use my passions for design and envi-ronmental conservation to create something unique, beautiful, and powerful. ORIGOMU is more than jewelry design, and it is more than environmental action. It is a way to create beauty out of trash and to inspire others to do the same. On a deeper level, it inspires people to look within themselves and to reinvent themselves. It provides hope for a positive future. It is a second chance.

Q: Explain your other eco-friendly jewelry collections.A: LAIONESPRESSO is a collection made from recycled Nespresso coffee pods. The aluminum material they are made from is perfect for bending and molding into various shapes, and the colors are so vibrant! THE ILLITERATE PAPER COLLECTION makes use of paper from wrap-ping, packing, and carrying. These collections inspire innate creativity. Each piece becomes a constant reminder to reduce unnecessary waste. What one person considers ugly or trash, I consider an opportunity for creativity, art, and beauty. ●

MIK

EY K

AYORIGOMU necklace

TOM

AS

REYE

S

LAIONESPRESSO necklace

LAIO

ART

ORIGOMU necklace

TOM

AS

REYE

S

THE ILLITERATE PAPER COLLECTION necklace

LAIO

ART

For more information about Tatiana's collections, visit www.laioart.com.

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