BEA NETTLES

An innovator in photomechanicalprintmaking, Bea Nettles (b. 1946,Gainesville, Florida) uses photographicimagery with a variety of processes,some of which she introduced to thelexicon. She obtained her B.F.A. fromthe University of Florida, Gainesville(1968), and her M.F.A. from the Uni-versity of Illinois, Chicago (1970).Nettles has produced some of the mostvisually exciting work since the early70’s.

582. Nettles, Bea. A IS FOR APPLEBITINGALLIGATORS: AN ALPHABET BOOK. N.p.:Self-published, 1974. First ed. 24mo., (29)pp., b&w photo-illustrations. Stiff wrappers.Fine. Housed in faux alligator skin stitchedslipcase.

Photographs, photomontages anddrawings. $200.00

583. Nettles, Bea. BREAKING THE RULES:A PHOTO MEDIA COOKBOOK. Roches-ter, NY: Inky Press Productions, 1977. Firsted. 4to., 55 pp., b&w and color illustra-tions. Pictorial stiff wrappers. Near fine.

A manual of non-silver processes bythis noted photographer/printmaker. $65.00

584. Nettles, Bea. DREAM PAGES. N.p.:(Bea Nettles), 1975. First ed. Small 4to.,(17) pp., color illustrations. Illustrated stiffwrappers. Fine.

The title page is handwritten in penciland SIGNED “Nettles.” Photographiccollaged images from dreams. Printed us-ing offset lithography with gold or greeninks as a second color. $200.00

585. Nettles, Bea. EVENTS IN THE SKY.N.p.: (Bea Nettles), 1973. First ed. Small4to., (13) pp., 11 b&w photos. Pictorial stiffwrappers. Fine.

Title page is handwritten; limited to100 numbered and SIGNED copies. Bea

Nettles’ first book. A surreal group thatshare a common element - some mysteri-ous event or organic form against a sky withclouds. $300.00

586. Nettles, Bea. FLAMINGO IN THEDARK. Rochester: Inky Press, 1979. Firsted. Square 4to., 66 photographically pro-duced images in color, illustrated endpa-pers. Gilt-embossed cloth, issued withoutdw. Fine. Housed in cloth slipcase.

Limited to 200 SIGNED copies, withan additional portfolio of six prints laid in.Nettles used the Kwik Print method to pro-duce the original multiple negative colorprints, which are reproduced here by offsetscreened lithography. $250.00

587. Nettles, Bea. FLAMINGO IN THEDARK. Rochester: Inky Press, 1979. Firsted. Square 4to., 66 photographically pro-duced images in color, illustrated endpa-pers. Gilt-embossed cloth, issued withoutdw. Slight crease to top corner, else fine.

Limited to 2000 copies. $85.00

588. Nettles, Bea. SWAMP LADY. Roch-ester: Light Impressions, 1974. First ed. 29illustrated cards and one printed cardhoused in a box with an illustrated cardmounted on front, additionally one printedbibliographic page is laid in. Near fine.

Here she has created an artist-bookcard game called the “Swamp Lady” inwhich most of the cards are images derivedfrom swamp land (gators, palms, water,sand, etc.) $300.00

589. Nettles, Bea. KNIGHTS OF ASSISI: AJOURNEY THROUGH THE TAROT. (Urbana,IL: Inky Press Productions, 1990). First ed.Square 8vo., (22) pp., color photos. Plainstiff wrappers in illustrated dw. A fine copy.

INSCRIBED "For Dick (Zakia) from Bea." $85.00

590. Nettles, Bea. KNIGHTS OF ASSISI: AJOURNEY THROUGH THE TAROT. (Urbana,IL: Inky Press Productions, 1990). First ed.Square 8vo., (22) pp., color photos. Plainstiff wrappers in illustrated dw. Fine. $45.00

591. Nettles, Bea. MOUNTAIN DREAMTAROT: A DECK OF 78 PHOTOGRAPHICCARDS. Rochester: Light Impressions,1975. First ed. 5 x 4 inch cards (b&w photo-illustrations printed on colored stock), withone folded page of text. Housed in a paperover boards box, with photo-illustrated cardmounted on top. Box shows slight wear;the cards are in fine condition.

“The Mountain Dream Tarot came tome in a dream in the summer of 1970. Thedecision to assemble a photographic set ofcards was made in my sleep. I began thenext morning at Penland School of Crafts inthe mountains of North Carolina. I chosemodels who suited the cards and after read-ing the card’s description we took a walk tofind the right place to make the picture...The Tarot deck fascinates me as a highlycomplex collection of visual information.” $350.00

592. Nettles, Bea and Connie Nettles. THENYMPH OF THE HIGHLANDS. Printed atthe Visual Studies Workshop, c.1974. Firsted. 24mo., (20) pp., b&w photo-illustra-tions on paper and acetate, with color tis-sue paper inserts. Maroon felt over stiffwraps. A fine copy, housed in a green plas-tic stitched slipcase.

A story written by Connie Nettles atage 13 and illustrated by Bea Nettles.SIGNED by Bea Nettles on the colophon. $250.00

593. Nettles, Bea and Grace Nettles. OFLOSS AND LOVE: POETRY. Rochester: InkyPress, 1975. First ed. Small 4to., (24) pp.,color illustrations. Gilt-illustrated cloth.Lightly rubbed, else near a fine copy.

Limited to 100 numbered and SIGNEDcopies. Poetry by Grace Nettles and imag-ery by Bea. $250.00

594. Nichols, Ruth Alexander. BILLY. NY:MacMillan Company, 1934. First ed. 8vo.,(52 pp.), chiefly b&w photographs. Clothover boards, affixed title label ripped off.There is general wear to the binding, withdarkening and foxing to pages and somepencil marks. In all, a fair copy.

Ruth Alexander Nichols (1893-1970),was known for her realistic depictions ofchildren and nature. Widowed at a youngage, with small children, she turned to themas subjects and developed a repertoire pub-lished in several books on the day-to-dayactivities of children. $45.00

595. Niclas, Yolla. WHITE TAILS ANDGREEN CLOVER. NY: Vantage Press, 1974.First ed. Small 4to., 81 pp., 40 full-pageb&w photos. Faint foxing on the endpa-pers, else a near fine copy in dw.

German photographer Yolla Niclas(1900-1977) was the lifelong friend of theauthor Alfred Döblin. Here she has createda book for a juvenile audience in which thephotographs and text narrate the adventuresof a rabbit and her family, who are residentsof a meadow within a park. SIGNED by thephotographer/author. $45.00

596. Niepce, Janine. CE MONDE QUICHANGE. Paris: Clairefontaine, 1970. Firsted. Small 4to., (72) pp., 45 b&w photo-graphs, 13 in color. A near fine copy in dwwith slight wear to dw and darkening atpage edge.

French photographer Janine Niepce(1921- ) has been making photographs sincethe late 1940s. As a young woman, she wasinvolved with the French resistance of WorldWar II; her own personal spirit of rebellionlends itself to this collection of photos whichportrays the youth movement of the late1960s in its many facets. The photographsare international, taken on at least three con-tinents, yet they all consider the variant andsimilar lives of youth during a time of greatpolitical and social flux. She comes from anillustrious photographic family that startswith Nicéphore Niepce, to whom is cred-ited the first photograph. $45.00

1934); she was included in the originalGroup f/64 exhibition at the M.H. deYoungMuseum in San Francisco in 1932. $30.00

602. [NOSKOWIAK] Johnson, William.SONYA NOSKOWIAK. Tucson: CCP, TheUniversity of Arizona, 1979. First ed. 4to.,40 pp., 18 b&w photos. Pictorial stiff wrap-pers. Near fine.

Born in Leipsig, Germany in 1900, shespent her childhood in Chile before movingto California in 1915. She became EdwardWeston’s darkroom assistant, in 1929. Shebegan her own studio in 1935; producingportraiture, fashion and architectural views.Number 9, The Archive, June 1979. $30.00

DOROTHY NORMAN

(born in Philadelphia in 1905). In 1925she moved to New York and began acareer as editor, publisher, columnist,author and photographer. She had aclose relationship with Alfred Stieglitzfor a number of years and assisted inthe opening of his gallery. She servedas editor and publisher of TWICE A YEARfrom 1938 to 1948. After Stiegliz'sdeath, she published the STIEGLITZ ME-MORIAL PORTFOLIO in 1947. She alsoprepared the biographical work ALFREDSTIEGLITZ: AN AMERICAN SEER.

597. Norman, Dorothy. ENCOUNTERS: AMEMOIR. NY: Harcourt Brace Jovanovich,1987. First ed. 4to., x, 319 pp., 59 b&wplates. A fine copy in dw. $45.00

598. [NORMAN / STIEGLITZ] Holborn,Mark, introduction. BEYOND A PORTRAIT:PHOTOGRAPHS. DOROTHY NORMAN,ALFRED STIEGLITZ. An exhibition, AlfredStieglitz Center, Philadelphia Museum of Art.NY: Aperture, 1984. First ed. 4to., xiv, plus38 b&w photos. A fine copy in pictorialdw. $50.00

599. Norman, Dorothy. INTIMATE VI-SIONS: THE PHOTOGRAPHS OF DOROTHYNORMAN. Edited and essay by Miles Barth.Preface by Edward Abrahams. San Fran-cisco: Chronicle Books in association withICP, (1993). First ed. 8vo., 179 pp., numer-ous b&w photos. Illustrated paper overboards. Fine in window-cut printed dw.

This is the first monograph ofNorman's photography, which reveals thesensitivity with which she approached hersubjects, portraits of artists, writers, politi-cal figures, as well as landscape and archi-tectural detail. $35.00

600. Noren, Catherine. THE CAMERA OFMY FAMILY. Introduction by Avram Kampf.NY: Jewish Museum, 1973. First ed. 8vo.,(12) pp., 7 b&w photographic portraits. Il-lustrated stiff wrappers. Small creases, elsevery good.

The photographs in the exhibition, forwhich this is the catalogue, documented sixgenerations of free-lance photographer (andwriter), Catherine Noren’s family. Hergrandfather and aunt were photographers;some of the photos here were made bythem and by Noren, and some were takenin German studios and by friends. A gradu-ate of Bennington College, she studied pho-tography with Garry Winogrand, DianeArbus and Lisette Model. In 1976 AlfredA. Knopf published the book THE CAMERAOF MY FAMILY (240 pp.) $25.00

601. [NOSKOWIAK] Bender, Donna, JanStevenson and Terence R. Pitts, compilers.SONYA NOSKOWIAK ARCHIVE. (Tucson):Center for Creative Photography, The Uni-versity of Arizona, Guide Series NumberFive, 1982. First ed. 4to., 38 pp., 382 smallformat b&w photos. Printed stiff wrappers.A fine copy.

Noskowiak was strongly influenced byEdward Weston and was one of his print-ers, protégées and intimate friends (1929-

603. Ockenga, Starr. DRESSUP: PLAYACTSAND FANTASIES OF CHILDHOOD.Danbury, NH: Addison House, (1978). Firsted. 4to., 86 pp., over 50 full-page b&wphotos. Pictorial stiff wrappers. Near fine.

Author and photographer, StarrOckenga (b. 1938 Boston) studied Englishliterature at Wheaton college and receivedher M.F.A. from Rhode Island School of De-sign, where she studied with Harry Callahanand Aaron Siskind. This is thephotographer’s second book. $150.00

604. Ockenga, Starr. MIRROR AFTER MIR-ROR: REFLECTIONS ON WOMAN. Intro-duction by John Updike. Garden City, NY:Ampnoto, (1976). First ed. Square small4to., (127) pp., 97 b&w photos. Tipsbumped, else very good in dw.

The photographer’s first book. $185.00

605. Olwell, Carol, photographs. A GIFTTO THE STREET. Commentary by JudithLyncy Waldhorn. (San Francisco): AntelopeIsland Press, 1977. Third printing with ad-ditional information. 4to., xvi, 195 (1) pp.,301 b&w photographs and 48 illustrations.Pictorial stiff wrappers. Fine.

Victorian architecture of San Francisco.$40.00

606. [ONODERA, YUKI] Morinaga, Takaaki.YUKI ONODERA. (Paris/Tokyo: KLEE INC.,1999). First ed. Small 4to., (40) pp., 20 b&wphotos, smaller photos in text. Illustratedstiff wrappers. Fine.

Yuki Onodera (b. 1962, Tokyo) is anaward-winning photographer, who lives andworks in Paris. She began her career as afashion designer; and later began makingobjects of art, which she photographed.“Onodera’s photography is rooted in an in-exorable drive to make photos rather thanobjects. This powerful drive has played akey role in her development as a photogra-

pher.” (from the catalogue) Her work hasbeen shown in many solo and group exhi-bitions. Prepared for an exhibition; includesbibliographical references. Essays byTakaaki Morinaga, Philippe Nolde andShinichi Hirasawa; in Japanese and English.No copy listed by OCLC. $45.00

607. Opie, Catherine. CATHERINE OPIE.Los Angeles: The Museum of Contempo-rary Art, 1997. First ed. Oblong 4to., (42)plus 4 gate-fold pages, 44 b&w plates ofwhich 42 are panoramic plates. Fine in stiffwrappers with an illustrated dw.

Catherine Opie (b. 1961, Ohio) re-ceived her B.F.A. from the San FranciscoArt Institute (1985) and her M.F.A. from Cali-fornia Institute of the Arts (1988). She hashad solo exhibitions nationally and abroad;and has been included in group exhibitionssuch as “Rrose is a Rrose is a Rrose: GenderPerformance in Photography” (GuggenheimMuseum, New York); “Feminine-Masculin:The Sex of Art” (Centre Georges Pompidou,Paris). Contains an interview with the artistby Colette Darnall. Opie was the recipientof the first Emerging Artist Award at MOCA.

$75.00

608. Orkin, Ruth. MORE PICTURES FROMMY WINDOW. NY: Rizzoli, (1983). First ed.Oblong small 4to., 144 pp., b&w photos intext, numerous full-page color photo-plates.Illustrated stiff wrappers. A very good copy.

Orkin, the daughter of a silent-film ac-tress, grew up in Hollywood in the 20s and30s and became interested in photographyat an early age. She moved to New York in1944 to begin a career as a photojournalist;her work appeared in many major maga-zines. She was voted in 1959 one of thetop ten women photographers in the U.S.along with Margaret Bourke-White,Berrenice Abbott, Dorothea Lange and oth-ers. These photos were taken from onewindow in the photographer’s home, whichlooks out onto New York’s Central Park West.

$40.00

609. Orkin, Ruth. A PHOTO JOURNAL. NY:Viking Press, 1981. First ed. 4to., 152 pp.,b&w and color photos. A fine copy in pic-torial dw that is missing two tiny chips.

$75.00

610. Orkin, Ruth. A WORLD THROUGH MYWINDOW. Text assembled by Arno Karlen.NY: Harper & Row, (1978). First ed. 4to.,119 pp., over 50 color photos, 22 b&wimages. A slight stain on the hinge, else afine copy in near fine dw.

These photos were taken over a pe-riod of twenty-five years, from one windowin the photographer’s home, which looksout onto New York’s Central Park West.

$65.00

611. Palfi, Marion. INVISIBLE INAMERICA. Foreword by Lee D. Witkin.Catalogue by James L. Enyeart. (Lawrence):University of Kansas Museum of Art, 1973.First ed. Small 4to., (14) pp., plus 74 full-page b&w photos. Blind-embossed stiffwrappers, bound into cloth with the frontwrapper mounted on cover. Fine.

Marion Palfi’s (b. 1907 Berlin) father,Victor Palfi, was an important theatre direc-tor; she appeared in several films whenyoung. She opened a studio in Berlin in1934; moved to the U.S. in 1940. She wasa member of the Photo League; and referredto herself as a “social research” photogra-pher. She used the money from aRosenwald Fellowship - to travel the U.S.photographing examples of racial discrimi-nation. In these photos from 1940-1970,Palfi traveled from coast to coast, throughthe industrial northeast and the rural southto document the poor, the hungry, theabused and neglected of all races. SIGNED.

$100.00

612. Palfi, Marion. INVISIBLE INAMERICA. Foreword by Lee D. Witkin.Catalogue by James L. Enyeart. (Lawrence):University of Kansas Museum of Art, 1973.First ed. Small 4to., (14) pp., plus 74 full-page b&w photos. Blind-embossed stiffwrappers. A fine copy. $65.00

613. [PALFI] MARION PALFI. Tucson: Cen-ter for Creative Photography, The Univer-sity of Arizona, 1983. First ed. 4to., 39 pp.,31 b&w photos. Pictorial stiff wrappers.Near fine.

Published soon after the death ofMarion Palfi, this journal acknowledges thatshe was relatively unknown during her ca-reer. The images however, are very typicalof anyone working within social realism.Contains an essay on Palfi by ElizabethLindquist-Cock, portfolio of photos andstatement of recent acquisitions. Number19, The Archive, Research Series, Septem-ber 1983. $25.00

614. [PALFI] Sorgenfrei, Robert. MARIONPALFI ARCHIVE. Tucson, AZ: Center forCreative Photography, 1985. First ed. 4to.,78 pp., over 200 b&w small format photos.Stiff wrappers, near fine with tiny tear tobottom cover.

This work is a guide to the MarionPalfi Archive at Center for Creative Photog-raphy. It contains several sections includ-ing an introduction and biography bySorgenfrei, a chronological list of exhibitions,bibliography, correspondence index, activ-ity files and photographic project files con-taining thumbnail examples of her work.This is number 10 in the Guide Series.

$25.00

615. [PAPAÏOANNOU] Cranaki, Mimica.ILES GRECQUES. Photographs by VoulaPapaïoannou. Lausanne: Éditions Claire-fontaine, 1956. First ed. 4to., xviii, 89 pp.,b&w photogravures. Pictorial paper overplain stiff boards. One short closed tear toone leave, else near fine.

Voula Papaïoannou (1898-1989) be-gan working as a photographer in the 1930s.At first her work concentrated on studies oflandscape, monuments and archaeologicalexhibits. At the outbreak of World War II,her attentions changed to social concern,as she witnessed the suffering of the non-military population of Athens. She beganto document the war effort and the horrors

of war. After the war she became a mem-ber of the photographic unit of UNRRA(United Nations Relief and RehabilitationAdministration); she traveled throughoutthe ravaged Greek countryside, recordingthe stories and conditions of the inhabitants.In this collection of photos, she has capturedthe essence of the historic Greek landscape,the architecture, antiquities of the Greek Is-lands and inhabitants - though not romanti-cally as is often found - but in more realisticlight. $50.00

616. Paradeis, Florence. FLORENCEPARADEIS. (Limoges: Fonds régional d’artcontemporain du Limousin, 1993). First ed.8vo., 44 pp., 19 color photos. Illustratedstiff wrappers. Lamination peeling at tip,near fine.

Florence Paradeis (b. 1964, Antony,France) lives and works in Paris. Here shedoes more than just document her family’severyday life (her mother is waxing a table,her parents playing scrabble, her grand-mother makes a telephone call, etc.); she ismaking a study of her family and self. InFrench and English; includes essay “FlorenceParades, a Certain Idea of Happiness” byRamon Tio Bellido and an interview; biblio-graphical information. Limited to 600 cop-ies; OCLC locates only 2 copies. $40.00

621. [PARKER, ANN] Neal, Avon. SCARE-CROWS. Barre, MA: Barre Publishing, 1978.First ed. Oblong 8vo., 94 pp., 87 colorplates, some full page. Near fine in illus-trated color dw that shows very slight wear.

Ann Parker made photos of scare-crows from her travels with her husband,worldwide. This is an interesting photo es-say depicting one aspect of folk life that iscommon around the world. $30.00

622. [PARKER, ANN] Neal, Avon. SCARE-CROWS. Barre, MA: Barre Publishing,1978. First ed. Square 8vo., 94 pp., 87 colorplates, some full page. Illustrated color stiffwrappers. Very slight wear. Near fine.

$15.00

OLIVIA PARKER

(b. 1941, Boston) received a B.A. in arthistory at Wellesley College. A well-respected photographer, Parker 's pho-tographs are compositions comprisedof still life constructions in which sheincorporates subject matter from differ-ent eras, using existing imagery copiedfrom old books, shadows and otherobjects.

617. Parker, Olivia. SIGNS OF LIFE. Bos-ton: David R. Godine, 1978. First ed. Ob-long 4to., 53 full-page photographic plates,two color. A fine copy in the illustrated dwthat is lightly rubbed at the corners. The photographer’s first book. $200.00

618. Parker, Olivia. UNDER THE LOOKINGGLASS. Introduction by Mark Strand. Bos-ton: NYGS and Little, Brown and Co., 1983.First ed. 4to., (11) pp., 43 full-page colorplates. Fine in near fine dw. $175.00

619. Parker, Olivia. WEIGHING THE PLAN-ETS. Boston: NYGS, Little Brown and Com-pany, (1987). First ed. 4to., (6) pp., plus 40full-page b&w photos. Fine, as new in dw.

$150.00

620. Parker, Olivia. WEIGHING THE PLAN-ETS. Carmel: The Friends of Photography,1987. First ed. 4to., (6) pp., plus 40 full-page b&w photos. Pictorial stiff wrappers.Near fine.

UNTITLED 44. $40.00

623. Pinnell, Miss Pat. VILLAGE CAMERA.Wolfeboro Falls, NH: Alan Sutton Publish-ing, 1990. First ed. Oblong 4to., 124 pp.,heavily illustrated with b&w and color pho-tographs. Illustrated dw, in near fine condi-tion with slight wear to dw and knick tolower edge.

Along with her students, Miss PatPinnell, the headmistress of SappertonSchool, documented the English village’shistory, using old photographs and newones taken of the children by Miss Pinnell.Presented in the form of a photo album withhandwritten texts. The foreword is writtenby Prince Andrew. $ 3 0 . 0 0

624. Plachy, Sylvia. SYLVIA PLACHY’SUNGUIDED TOUR. Afterword by GuyTreday. Music by Tom Waits. NY: Aper-ture, 1990. First ed. 4to., unpaginated, nu-merous full-page b&w photos, music recorddisk in pocket on rear paste-down. Illus-trated stiff wrappers. A fine copy.

INSCRIBED to a noted photographer/educator and printmaker. $100.00

625. [POIRIER, ANNE AND PATRICK]Commellato, Antonella, editor. FRAGILITY.(Milano): Skira, (1997). First ed. Square 4to.,113 pp., profusely illlustrated with colorphotographs. Illustrated stif f wrappers.Lamination beginning to peel at edge,smudge from old sticker on one corner, elsevery good.

French artists Anne and PatrickPoirier’s works including photographs,drawings, objects, installations or monu-mental public sculptures, all deal with timeand memory, or frailty of things; as well asreferences to archaeological ruins. In thiscollection of their work they have madephotographs of flower petals which eachhave a word scratched into the surface; otherimages are more complicated with the useof many objects arranged together; in thespirit of still-life classical paintings. Annewas born in 1942 in Marseilles; Patrick wasborn in 1942 in Nantes. Text in French, En-glish, German and Japanese; includes bib-liographical references. $45.00

HELEN M. POST

(1907-1978) was the older sister ofMarion Post Wolcott; she was born inBloomfield, New Jersey. She receiveda degree in applied arts from AlfredUniversity (1932); she went to Viennain 1933 to study with the photographer,Trude Fleischmann. When Post returnedto the U.S. she worked as a freelancephotographer. She traveled through-out the West with her husband, whowas researching erosion and conserva-tion; from 1936 to 1941 she photo-graphed the American Indians, docu-menting the daily activities of tribes suchas Hopi, Apache, Sioux, Navajo andPueblo Indians. Most of her large col-lection of photographs were never ex-hibited; they are now part of the AmonCarter Museum collection.

626. [POST] Clark,Ann. BRAVEAGAINST THE ENEMY.A STORY OF THREEGENERATIONS-OFTHE DAY BEFOREYESTERDAY, OF YES-TERDAY AND OF TO-MORROW. Edited byWillard W. Beatty.Sioux by Emil Afraid ofHawk - edited by Ed-ward A. Kennard.Photographic illustra-tions by Helen Post.(Washington): Educa-tion Division, UnitedStates Indian Service,

628. Purcell, Rosamond Wolff. A MATTEROF TIME. Boston: David R. Godine, 1975.First ed. Oblong small 8vo., vii, plus 69 full-page b&w photos. Cloth with b&w photomounted on front cover with plain acetatedw. Near fine.

1944. First ed. Small 4to., 215 pp., b&wphoto-illustrations. Pictorial stiff wrappers.Short tear along front joint, corners creased,and a chew mark to the base of the spine.

Text in English and Lakota. $35.00

627. [POST]. La Farge, Oliver. AS LONG ASTHE GRASS SHALL GROW. Photographs byHelen M. Post. New York and Toronto: Alli-ance Book Corporation, 1940. First ed. 4to.,140 pp., numerous b&w photos inter-spersed in text. Owner's name, else verygood copy in an edgeworn and slightlystained dw.

Third volume in a series of books, THEFACE OF AMERICA, edited by EdwinRosskam. $100.00

All images were created with PolaroidLand photographic materials. Part of Con-temporary Photographers Series: 1. $100.00

629. Purcell, Rosamond Wolff. A MATTEROF TIME. Boston: David R. Godine, 1975.First ed. Oblong small 8vo., vii, plus 69 full-page b&w photos. Pictorial stiff wrappers.Near fine. $50.00

630. Purcell, Rosamond Wolff. HALF-LIFE.Boston: David R. Godine, 1980. First ed.Oblong 4to., (x) pp., 47 photographic platesin color and b&w. A fine copy in near finepictorial dw.

Using Polaroid Land film “Purcell’swork brings to mind... the boxes of JosephCornell, the illustrations of Maurice Sendak,the drawings of Edward Burne-Jones.”(Janet Malcolm). $75.00

631. Radochonska, Lucia. LUCIARADOCHONSKA. Köln: Galerie Wilde,1974. First ed. 4to., 12 loose full-page b&wphoto-plates laid in a three-point printedand illustrated stiff paper folder. Folder tipbumped slightly, light stains on cover, oth-erwise very good.

Lucia Radochonska (b. 1948 Poland)moved when she was a child to Belgium.She studied photography at the Institut desBeaux Art Saint Luc in Liege. She has hadmany exhibitions; her work is held in majorinstitutions internationally. Includes briefbiography and list of exhibitions; text in En-glish and German. $60.00

632. Rao, Shanta. QUEENS OF SABA. Textby Charles-Henri Favrod and Sélim Nassib.Heidelberg: Edition Braus, 1995. First ed.4to., (130) pp., numerous b&w photos. Anear fine copy in dw.

Shanta Rao (b. 1966 France) at firststudied theater, later concentrating on pho-tography. She specializes in photograph-ing women all over the world. Here are herdocumentary photos and portraits of womenin Ethiopia and Mauritania. Winner of Euro-pean Publishers Award for Photography1995. Text in German. Also published un-der the title STORIES OF WOMEN (DewiLewis Publishing, Stockport, UK, 1995).

$75.00

633. Resnick, Marcia. LANDSCAPE. N.p.:Marcia Resnick, 1975. First ed. Oblongsmall 4to., (4) pp., plus 30 full-page photos(2 of which are in color). Pictorial stiff wrap-pers. A very good copy.

A sequence that questions the natureof the landscape. $125.00

634. Resnick, Marcia. RE-VISIONS.Toronto: The Coach House Press, 1978. Firsted. Oblong 4to., (7) pp. plus 47 full-pageb&w photos with text opposite, patternedendpapers. Pictorial stiff wrappers. Rubbedalong the spine. Fine.

“Resnick is a photojournalist and anarrative photographer, she works with se-quenced photographs, incorporates textwith images... she is a punk, a bit of a voy-eur and, most simply, an artist.” KenWinokur. RE-VISIONS is an extended self-portrait. $100.00

635. Resnick, Marcia. SEE. N.p.: MarciaResnick, 1975. First ed. Oblong 8vo., (4)pp., plus 34 full-page b&w photos. Stiffwrappers with photo mounted on front. Afine copy.

Landscapes with a human figure at thesame distance from the camera in eachphoto, each positioned with his/her back tothe camera presenting an oddly intimateview; seeing people seeing. Thephotographer’s first book. SIGNED.

$165.00

636. Resnick, Marcia. SEE. N.p.: MarciaResnick, 1975. First ed. Oblong 8vo., (4)pp., plus 34 full-page b&w photos. Stiffwrappers with photo mounted on front.Near fine. $125.00

637. Resnick, Marcia. TAHITIAN EVE. N.p.:Marcia Resnick, 1975. First ed. Oblong8vo., (2) pp., plus 9 full-page b&w photos.Printed stiff wrappers. A near fine copy.

A flower, a Tahitian girl, a flower, aTahitian girl, night landscape, girl, flower,sky, flower girl.... The photographer’s sec-ond book. $100.00

638. Ravid, Joyce. HERE AND THERE, PHO-TOGRAPHS. NY: Alfred A. Knopf, 1993. Firsted. Square small 4to., (iv), 103 pp., 87 colorphotographs. Fine in pictorial dw.

Ravid's hand-colored photographshave appeared in and as covers for Time,Newsweek, Condé Nast Traveler, Fortune,GQ, and Rolling Stone. $25.00

639. [REECE, JANE] Vasseur, Dominique H.,curator. THE SOUL UNBOUND: THE PHO-TOGRAPHS OF JANE REECE. (Dayton): Day-ton Art Institute, (1997). First ed. 4to., 185pp., illustrations in small format in the text,82 toned and b&w photo-plates. Illustratedstiff wrappers. A fine copy.

An extensive biography of thepictorialist Jane Reece (1868-1961), whowas Dayton, Ohio’s première photographer.She studied with Clarence H. White. In-cludes detailed lists of exhibitions, bibliog-raphy. $30.00

640. Rankaitis, Susan. SUSAN RANKAITIS:DRAWN FROM SCIENCE. San Diego: Mu-seum of Photographic Arts, 2000. First ed.4to., 24 pp., 14 color photo-plates. Printedstiff wrappers. Slight crease, else near fine.

Susan Rankaitis (b. 1949 Cambridge,Mass.) received her B.F.A. in painting fromthe University of Illinois (1971) and M.F.A.from the University of Southern California,Los Angeles (1977). She was greatly influ-enced by American abstract art from the1930s and 40s; and links painting and pho-tography in her work. She uses photo-graphic chemistry to “paint” employingmultiple printing and solarization. Her workis abstract with surfaces that have a metallicappearance. Prepared for an exhibition;essay by Diana Gaston. $15.00

641. Rankaitis, Susan. SUSAN RANKAITIS,JARGOMATIQUE SERIES. Santa Monica:Meyers/Bloom Gallery, 1990. First ed. 4to.,(14) pp., 8 color photo-plates. Printed stiffwrappers. Fine.

This publication was prepared for anexhibition; the essay by Susan Kandel is inEnglish and French. $30.00

642. Rexroth, Nancy. IOWA. (Albany,Ohio): Violet Press, (1977). First ed. Square4to., (xiv), plus 70 b&w and sepia photos.Stiff wrappers. A fine copy.

Rexroth used a Diana camera (plasticlens). “Iowa” for her was a mythical placeof childhood memories. These photos weremade around Athens, Ohio in the foothillsof Appalachia. $100.00

643. Rexroth, Nancy. IOWA. (Albany,Ohio): Violet Press, (1977). First ed. Square4to., (xiv), plus 70 b&w and sepia photos.Printed stiff wrappers. Spine slightly faded;the tips of the wrappers are slightly creased,else a very good copy.

SIGNED by the photographer.$100.00

644. [RHEIMS] Bramly, Serge. CHAMBRECLOSE: FICTION. Munich: Gina Kehayoff,(1992). First ed. 4to., 141 pp., (1), 70 full-page color plates. Fine in dw.

Female erotic portraits in sumptiouscolor. This is the true first edition, with textin German and a moiré patterned dw.Bettina Rheims was born in 1952 in Paris;after working as a journalist, model and artdealer she turned to photography full-time.Her first series of photos were of strip-teaseartists and acrobats; later she turned to por-traiture, fashion and the erotic. $250.00

645. [RHEIMS] Bramly, Serge. CHAMBRECLOSE: FICTION. Munich: Gina Kehayoff,(1992). First edition. 4to., 141 pp., (1), 70full-page color plates. Illustrated stiff wrap-pers. A fine copy.

Text in English; includes French textbooklet. $100.00

646. Rickard, Jolene. CRACKED SHELL.Essay by Amy Hufnagel. Syracuse: RobertB. Menschel Photography Gallery, SyracuseUniversity, 1994. First ed. Oblong 8vo., (22)pp., 18 b&w and color photographs. Illus-trated stiff wrappers. Fine.

Jolene Rickard (b. 1956, Niagara Falls,NY), turtle clan member from the TuscaroraNation territories, works with the conceptof land and earth, which she believes formsour perceptions of reality. Using multipleexposures, triptychs of silver gelatin prints,installations as well as photo-sculpture, shepresents conflicting issues in regards to cul-tural and societal uses of land. She receiveda doctorate and now instructs at SUNY, Buf-falo; other degrees include M.S. from Buf-falo State College and B.F.A. from RIT.

$25.00

LENI RIEFENSTAHL

Leni Riefenstahl (b. 1902 Berlin) had aninfamous career as the filmmaker of theThird Reich and an intimate friend ofHitler. She attended the Fine Arts Acad-emy in Berlin; she became a dancer andan actress - later a photographer, direc-tor and cinematographer.

647. Riefenstahl, Leni. SCHÖNHEIT IMOLYMPISCHEN KAMPF. Berlin: ImDeutschen Verlag, 1937. First ed. Folio, 281pp., fully illustrated with b&w photogra-vures, each captioned in German, French,English, Spanish and Italian. There is a 2inch long tear at the front inner hinge thathas been repaired. A fine and bright copy.

The first edition is often mistakenlycited as 1936, the year of the Olympic andthe date that the photographs and film wereshot, when in actuality it was published in1937 as the copyright page states. In herpreface, Riefenstahl states “The film couldnot be completed until six months after theGames, because of the vast amount of ma-terial that had to be cut and processed forsound...” (Berlin, August 1937). $750.00

648. Riefenstahl, Leni. OLYMPIA. Fore-word by Monique Berlioux. Introduction byKevin Brownlow. NY: St. Martin’s Press,1994. First ed. 4to., 288 pp., numerousb&w photos. A fine copy in dw.

Reprint of Riefenstahl’s SCHÖNHEITIM OLYMPISCHEN KAMPF, with new text.

$125.00

649. Riefenstahl, Leni. THE PEOPLE OFKAU. Translated from the German byKatherine Talbot. NY: Harper & Row, 1976.First U.S. ed. 4to., 224 pp., fully illustratedwith color photographs. Fine in dw.

THE PEOPLE OF KAU, is the succes-sor to THE LAST OF THE NUBA, which dealswith the Mesakin Nuba. This book docu-ments the Nuba of Kau, who live only about100 miles from the Mesakin Nuba. The Nubaof Kau speak a different language, observedifferent customs and are wild and passion-ate, the opposite of the peace-lovingMesakin. “Their knife-fights, dances of loveand elaborately painted faces and bodies,which resemble ‘living Picassos,’ are un-equalled by any surviving primitive race onearth.” (-the jacket) $125.00

650. Riefenstahl, Leni. THE LAST OF THENUBA. NY: Harper & Row, 1974. First U.S.ed. 4to., 208 pp., over 100 plates in color.A fine copy in color illustrated dw.

Here Leni Riefenstahl “presents herremarkable record of the everyday rhythmsof life; of eating, sleeping, building, gather-ing food and taking their leisure; of the greatcycles of birth, marriage and death; and ofthe remarkable central factor of their cultureand religion: the wrestling contest.” (-fromthe dustjacket text) $125.00

651. [RIEFENSTAHL] Infield, Glenn B. LENIRIEFENSTAHL: THE FALLEN FILM GOD-DESS. NY: Thomas Y. Crowell Company,(1976). First ed. 8vo., 278 pp., 26 b&wphotos, numerous facsimiles. A near finecopy in dw.

Includes nude photos of various ac-tresses by Willy Zielke. $35.00

659. Rosenthal, Barbara. OUTLINE OF THEARTIST’S OWN NOTES ON THE STRUC-TURE AND MEANING OF CLUES TO MY-SELF. N.p.: Barbara Rosenthal, 1982. Firsted. 8vo., 11 pp., 1 b&w illustration. Stiffwrappers, near fine.

The pamphlet was published after art-ist Barbara Rosenthal’s work CLUES TO MY-SELF to reinvestigate and better interpretthe work. Characteristic of Rosenthal’s selfreflexivity, this is a self-published pamphletoutlining the autobiographical work. Over-all, Rosenthal continues to work in a largearray of media, from video to photographyand artist book work. $40.00

660. Rosler, Martha. 3 WORKS. The NovaScotia Pamphlets1. (Halifax): Press of theNova Scotia College of Art and Design,1981). First ed. Oblong small 4to., (ii), 89pp., numerous photos, 21 full-page b&wplates. Spiral bound printed stiff wrappers;rubbed at the ends else very good.

The three works are entitled: The res-toration of high culture in Chile; The Bow-ery in two inadequate descriptive systems;In, around, and afterthoughts (on documen-tary photography). Martha Rosler was bornin Brooklyn; received a B.A. Brooklyn Col-lege and M.F.A. University of California, SanDiego. She works in video, installation, per-formance, and is a writer of criticism. Shehas published several books and teaches atMason Gross School of Arts, Rutgers Uni-versity. $300.00

661. Ross, Judith Joy. JUDITH JOY ROSS.Essay by Susan Kismaric. NY: Museum ofModern Art, (1995). First ed. Small 4to.,80 pp., 54 b&w photographs. Illustratedstiff wrappers. Fine.

Ross used a 8 by 10 view camera tocreate these portraits; her subjects aremostly children in Hazelton, Pennsylvania,where she was born in 1946. This collec-tion of her work also includes portraits ofvisitors to the Vietnam Veterans Memorialand members of the U.S. Congress. Exhibi-tions, books, catalogues and articles arelisted. $25.00

652. [RIWKIN-BRICK] Brick, Daniel, text.ISRAEL: THE LAND OF YESTERDAY ANDTOMORROW. Stockholm: Rabén & Sjögren,(1958). First ed. Small 4to., unpaged, nu-merous b&w and color photos. Cloth-backed paper over boards. Rubbed atedges, else very good in tattered dw.

Photographer Anna Riwkin-Brick hasillustrated a number of travel and children’sbooks. $30.00

653. [RIWKIN-BRICK] Meyerson, Åke andBarbro Alving. MEDMÄNNISKOR.Stockholm: Rabén & Sjögren, (1962). Firsted. Small 4to., unpaged, 92 b&w photos.Corners lightly bumped, else very good inedgeworn dw.

Photographs of gypsies, dancers andtravel photos - Korea, Lappland, Israel, Paris;as well as straight portraiture. Swedish text.

$40.00

654. [RIWKIN-BRICK] Soderberg, Eugénie,text. HAWAII, A WAY OF LIFE. NY:Macmillan Company, (1962). First ed. Small4to., unpaged, numerous b&w and colorphotos with informative captions. A verygood copy in torn and chipped dw.

$25.00

655. [ROBERTS] Featherstone, David, in-troduction. HOLLY ROBERTS. San Fran-cisco: The Friends of Photography, (1989).First ed. Small 4to., 15 pp., plus 37 full-page color photo-images. Illustrated stiffwrappers. A fine copy.

UNTITLED 50. Roberts uses photog-raphy as a base for her intriguing paintings.

$30.00

656. Robbins, Andrea, et al. ANDREAROBBINS AND MAX BECHER. Wetteren,Belgium: Cultura, 1994. First ed. Oblongsmall 4to., 84 pp., illustrated with 21 full-page color photographs. Illustrated stiffwrappers. A fine copy.

In this 1994 exhibition, creative part-ners, Andrea Robbins and Max Becher dis-play a series of photographs with architec-tural subject matter. Embedded in thesescenes however, are an unexpected deepsocial commentary. Decaying buildings ofa long deserted mining village in Namibiacontrast a reconstructed Dutch village inMichigan. Texts by additional authors inFlemish, French and English. Edition lim-ited to 1600 copies. $45.00

657. Rosen, Ann. FOG AND ICE. (Buffalo,NY: Hard Press, 1979). First ed. 8vo., (16)pp., b&w and color illustrations and pho-tos. Illustrated stiff wrappers. Near fine.

Ann Rosen - photographer/educator/curator, - received her B.F.A., State Univer-sity of New York at Buffalo, and her M.F.A.,Visual Studies Workshop, State Universityof New York at Buffalo. Originally she stud-ied painting; in this collection of images shehas enhanced double-exposed photographswith hand-coloring, drawing and a fictionalnarrative. $ 5 0 . 0 0

658. Rosenthal, Barbara. SENSATIONS.Rochester: Visual Studies Workshop Press,1984. First ed. Small 8vo., 48 pp., b&wphoto-illustrations. Pictorial stiff wrappers.Cover slightly rubbed, else a fine copy.

INSCRIBED. The second in a series ofthree books, which began with CLUES TOMYSELF. "... Rosenthal uses photographs ina dreamlike, associative way. This autobio-graphical journal of black and white photo-graphs and texts, dealing primarily with theinternal life of the artist, dispenses com-pletely with unified narratives and directword/picture relationships." - from ART-ISTS' BOOKS: A CRITICAL ANTHOLOGYAND SOURCEBOOK, edited by Joan Lyons.

$60.00

662. Rubinstein, Eva. EVA RUBINSTEIN.Preface by Sean Kernan. Dobbs Ferry: Mor-gan & Morgan, 1974. Square 8vo., 67 b&wphotographic plates. Pictorial stiff wrappers.Near fine.

World-renowned photographer, EvaRubinstein (b. 1933, Buenos Aires) is thedaughter of the pianist Artur Rubinstein, andAniela Mlynarska. This is the photographer’sfirst monograph. $40.00

663. Rubenstein, Raeanne and PeterMcCabe. HONKY-TONK HEROES. NY:Harper and Row, 1975. First ed. 4to., 154pp., heavily illustrated with b&w photo-graphs. Near fine in an illustrated dw.

Raeanne Rubenstein has been photo-graphing country stars since the 1970s. InHonky-Tonk Heroes, she captures them ina very photojournalistic style, outside thecontext of Nashville. Portraits are off-cen-ter, and revealing of personalities beyondthe personas. $45.00

665. Rydet, Zofia. SWIAT WYOBRAZNIZOFII RYDET [WORLD OF IMAGINATION].(Warszawa: Krajowa Agencja Wydawnicza,ZWkleslodr., 1979). First ed. Oblong 8vo.,(108) pp., numerous b&w photos. Illus-trated paper over boards. Rubbed at ex-tremities, else very good.

Zofia Rydet (1911-1997) was a re-nowned Polish art photographer; a mem-ber of the Photographic Society of Poland.She traveled extensively (Yugoslavia,Greece, Egypt, Lebanon, France) and wonmany prizes and medals throughout hercareer. In this collection of her work onesees a psychological narrative unfolding indream-like surrealistic photomontages. Textin Polish with afterword in Polish and En-glish. OCLC lists only 4 copies. $150.00

666. Safdie, Michal Ronnen. MICHALRONNEN SAFDIE. Essay by Joseph LeoKoerner. NY: Salander-O’Reilly Galleries,2001. First ed. 8vo., 23 pp., 8 b&w andcolor photos. Printed stiff wrappers. Fine.

Michal Ronnen Safdie (b. 1951, Jerusa-lem) studied at the Hebrew University andreceived a B.A. in sociology and anthropol-ogy. In 1978 she became a resident of Cam-bridge, Mass. and received her M.A. in so-ciology from Brandeis University. Here shehas made a study of trees from an anthro-pomorphic perspective. $20.00

667. Saf ford, Nancy. TIME’S ISLAND.PORTRAITS OF THE VINEYARD. Cam-bridge, Mass., and London, England: MITPress, (1973). First ed. 8vo., (v) pp., plus103 b&w photo-plates. Faint foxing on thehalf-title page, else a very good copy inslightly edge-rubbed, pictorial dw.

Nancy Saf ford’s photographs ofMartha’s Vineyard and the native islandersshow the architecture, sea, people at workas fishermen, farmers, lobstermen, etc. Textby various islanders. $35.00

668. Sanders, Helen Fitzgerald. TRAILSTHROUGH WESTERN WOODS. London:Everett & Co., n.d. (ca. 1910). 8vo., x, 310pp., frontispiece with tissue guard, 7 photo-plates. Illustrated cloth. A good copy.

Photo-illustrations by the author,Helen Fitzgerald Sanders, who is mainlyknown for being historian of the state ofMontana. In 1913 she wrote A HISTORYOF MONTANA. The photographs show thelandscape and native Indians of the state.

$35.00

664. Savage, Naomi. COLOR ME.(Princeton: Naomi Savage, 2002). First ed.4to., (19) loose sheets with b&w images;with color printed front and rear covers andcolophon sheet; all 8 1/2 x 11 inches. Theillustrated covers and internal sheets are all

printed by Xerography on glossy stock; thecolophon is handwritten. These sheets areenclosed in a clear acetate folder. In a sepa-rate string-tied acetate folder are eightSharpie Fine Point Permanent Markers in avariety of colors. These two componentsare then housed in a larger clear acetatefolder that is string-tied. Fine.

An Artist’s Book, limited to 30 SIGNEDcopies. Naomi Savage is a photographerwho works in a variety of experimental pro-cesses, some of her own invention. She wasborn in Princeton in 1927; as a teenager,she studied with Berenice Abbott at the NewSchool. After college she assisted and stud-ied with her uncle, Man Ray. She has workedas a freelance photographer, and has exhib-ited widely with commissions and purchasesby numerous museums and private collec-tions. This is her first Artist’s Book. Of thiswork she has stated “this is a coloring bookfor adults, a collaboration between us.” Theplates are a series of female nudes thatstarted as b&w photographs, and were al-tered and reduced by a variety of hand-worked processes to make these surrealis-tic images. $175.00

669. Sandrow, Hope. HOPE SANDROW:WATER LIFE. NY: Whitney Museum ofAmerican Art, 1998. First ed. Narrow 8vo.,16 pp., b&w and color photos. The illus-trated stiff wrappers have a couple of smallstains. Very good.

Hope Sandrow (b. 1951, Philadelphia)is known both for her work with homelesswomen and her pictures of water. She alsointerprets space, time, and motion in herphotography and installations, using rawmaterials from the places she photographs.Prepared for an exhibition. $15.00

670. Schaewen, Deidi von. WALLS. NY:Pantheon, (1977?). First American ed. 4to.,xvi, 142 pp., profusely illustrated with b&wand color photographs, some folding. Anear fine copy in dw.

Photographer / film-maker Deidi vonSchaewen (b. 1941, Berlin) studied paint-ing, graphic design and photography at theHochschule für Bildende Künste in Berlin.She has published a number of books of herwork. Deidi von Schaewen has photo-graphed walls wherever she has lived andtraveled - in many countries in Europe, NorthAmerica, Jamaica. She photographs wallsthat carry a history - for instance, most wereused for commercial information or public-ity campaigns - but time and weather havetransformed their original messages intotextures and abstractions. Other walls arewhat she calls “destruction walls” - and wallsthat are about to be totally demolished.

$25.00

678. [SCHÜTZE, EVA WATSON] Block, JeanF. EVA WATSON SCHÜTZE: CHICAGOPHOTO-SECESSIONIST. (Chicago): The Uni-versity of Chicago Library, 1985. First ed.4to., (vi) pp., 39 pp., 19 full-page b&w pho-tos. Pictorial stiff wrappers. Near fine.

Schütze was born in Jersey City, NewJersey, in 1867; she studied art with Tho-mas Eakins and Thomas Anshutz at thePennsylvania Academy of Fine Arts. She be-came interested in the camera and openedher own studio in Philadelphia in 1897; shehelped obtain recognition of photographyas a fine art in the first Photographic Salonat Philadelphia Academy of Fine Arts. Shewas a founding member of the Photo-Se-cession; her work and articles appeared inAmerican Amateur Photography, CameraNotes, and Camera Work. $50.00

679. Semchuk, Sandra. SANDRASEMCHUK: EXCERPTS FROM A DIARY.Saskatoon: The Mendel Art Gallery, 1982.First ed. Oblong 4to., 28 pp., chiefly illus-trated with b&w photographs. Illustratedstiff wrappers. One corner bumped; Notespage laid in, else very good.

Sandra Semchuk (b. 1948, MeadowLake, Saskatchewan) earned her B.F.A. Uni-versity of Saskatchewan and an M.F.A. fromUniversity of New Mexico. As the title im-plies this is an autobiographical series, witha basis in psychology and biology, as it per-tains to women and nature. Prepared foran exhibition; includes bibliography, awards,exhibitions and short biography. Text byPenny Cousineau and Stephen Cummings.

$40.00

671. Schlapper, Fee. GEGENÜBER-STELLUNG: PORTRÄTS ÜBER DIE ZEIT.Schaffhausen: Edition Stemmle, (1988). Firsted. 4to., 103 pp., 68 b&w photos. Nearfine in illustrated dw.

Intense portraits made by FeeSchlapper of thirty-four subjects in the1950's and 60's and again eight to twentyyears later, reproduced in this volume side-by-side for comparison. In German. $65.00

672. Schlegel, Eva. EVA SCHLEGEL. Graz:Neue Galerie Graz; Wien: Galerie Krinzinger,(1989). First ed. 4to., unpaged, about 20images in color. Illustrated stiff wrappers.Near fine.

Eva Schlegel (b. 1960, Tirol) lives andworks in Vienna. She works in various me-dia, but photographic in origin, - photogra-phy, Xerox, painting, and enlargement; sheinstalls the images on panels, glass,plexiglass or lead sheet. Her work becomesmore painting or object with a faint refer-ence to the original photo-process. Pre-pared in conjunction with an exhibition; textin German and English. $40.00

673. Schmidt, Bastienne. AMERICANDREAMS. Edited by Hans-Georg Pospischil;texts by Vicki Goldberg and BastienneSchmidt. (Kilchberg/Zurich): Stemmle,(1997). First ed. Oblong small 4to., 144 pp.,72 full-page b&w photos. Fine in dw.

With obeisance to Robert Frank andhis The Americans, Schmidt traveled the U.S.and documented Americans during the1990s; includes chronology, exhibitions,awards, collections. $45.00

674. Schmidt, Bastienne. VIVIR LAMUERTE: LIVING WITH DEATH IN LATINAMERICA. Texts by Karl Steinorth, EdwardJ. Sullivan and Bastienne Schmidt.(Kilchberg/Zurich): Edition Stemmle, (1996).First ed. Oblong small 4to., 144 pp., 60full-page b&w photos. A fine copy in dw.

Document of Latin American funeralrites and ceremonies, postmortem photos,cemetaries, gestures of grief, the day of thedead. $45.00

675. Schneider, Florence and RolandSchneider. MEMORIES: SAN DIEGO, 1920-1932. Introduction by Tom Jacobson. (SanDiego: Little Desert Graphics, 1976). Firsted. Oblong small 4to., (iv) pp., plus 17 b&wphoto-plates. Illustrated stiff wrappers.Slightly discolored along edges, else a verygood copy.

A nostalgic look at the people of SanDiego through the photographs of Dr.Roland Schneider (1884-1934) and his wife,Florence Kemmler Schneider (1900-1972).They were the leading amateur photogra-phers of their time in San Diego. $25.00

676. Schneiders, Toni and Inga Aistrup.DANMARK. Copenhagen: Host and SonsForlag, (1957). First ed. 4to., unpaginated,1 color and 84 b&w photographs. Illustratedpaper over boards, with wear to edges. Avery good copy.

Almost entirely comprised of photo-graphs, this publication encompasses thepeople, customs, architecture and land-scape of Denmark. Photographer IngaAistrup completed several other photo es-says on Denmark, including COPENHAGEN-PRAISE AND PROTEST and COPENHAGEN.

$30.00

677. [SCHULZ-DORNBURG, URSULA]Haenlein, Carl Albrecht. DER TIGRIS DESALTEN MESOPOTAMIEN, IRAK 1980.Hannover: Kestner-Gesellschaft, 1981. Firsted. Square 8vo., (86) pp., 64 b&w photo-graphs, maps, text illustrations. Pictorial stiffwrappers. Near fine.

Ursula Schulz-Dornburg (b. 1938 Ber-lin) studied photography at the Institut fürBildjournalismus in München. She and pho-tographer, F. Rudolf Knubel (b. 1938Münster, Westfalen) photographed thegraceful landscape along the Tigris; a land-scape that at that time (1980) had almostremained unchanged for many centuries.

$45.00

680. Seniuk, Laurie. SMALL COLLECTIONSPHOTOGRAPHED BY LAURIE SENIUK.Philadelphia: Printed at Tyler School of Art,1977. First ed. 12mo., (2) pp., 20 b&wphoto-plates. Illustrated stiff wrappers.Wrappers are lightly foxed and worn alongspine, else a very good copy.

Composed groupings of stockings ona line, moustaches, coat hangers, rubberbands, eggs, roots, and other objects com-monly found in the environment. $40.00

681. Shaderowfsky, Eva. SUBURBANPORTRAITS. Chicago: Academy Press,1977. First ed. 4to., (108) pp., b&w photo-graphs. Illustrated stiff wrappers. Slightbrowning at edges, else very good.

Eva Shaderowfsky is a New York art-ist, photographer, writer and women’s ad-vocate; she is also an online communitybuilder (“Evenings with Eva” - where sheserved as chat host and moderator from1994-2000). Here are her portraits ofwomen - with their comments. Eva has herB.A. from Barnard, with a major in experi-mental psychology. $35.00

682. Shanks, Ann Zane. OLD IS WHATYOU GET: DIALOGUES ON AGING BY THEOLD AND THE YOUNG. NY: Viking Press,(1976). First ed. 4to., xiii, 110 pp., b&wphotos. A fine copy in dw.

Ann Zane Shanks is an award-winningfilm-maker, author and photographer; sheis the winner of three CINE Golden Eagles,and seven major film festival awards for filmshorts and television documentaries. Shehas exhibited her photography in majormuseums and her work has appeared inmany magazines. In this book, she has pho-tographed and recorded the interviews withthe old, while the young express their con-cerns about aging and the end of life.

$25.00

685. Sherman, Cindy. CINDY SHERMAN.Introduction by Els Barents. Munich:Schirmer/Mosel, 1982. First German ed.4to., 175 pp., 39 b&w plates and 38 colorplates. Fine in illustrated stiff wrappers.

This is the catalogue for the first Euro-pean exhibition of the internationally re-nowned photographer Cindy Sherman (b.1954, Glen Ridge, NJ). It was organized bythe Stedelijk Museum in Amsterdam andtraveled extensively. This copy bears theimprint of the Haus Am Wildsee in Berlin.Text in Dutch, German and English.

$100.00

686. Sherman, Cindy. CINDY SHERMAN.With an introduction by Peter Schjeldahl.NY: Pantheon Books, 1984. First ed. 4to.,197 pp., 89 b&w and color photos. Picto-rial stiff wrappers. Very good. $85.00

687. Sherman, Cindy. FITCHER’S BIRD.NY: Rizzoli, (1992). First ed. as such. Smallsquare 4to., (32) pp., 15 color photo-illus-trations. A fine copy in dw.

Based on a tale by Brothers Grimm.$25.00

688. [SHERMAN] Schjeldahl, Peter andLisa Phillips, essays. CINDY SHERMAN. NY:Whitney Museum of American Art, (1987).First ed. 4to., 20 pp., plus 129 b&w andcolor photo-plates. Illustrated stiff wrappers.Previous owner's name, else a fine copy.

$135.00

683. Sheridan, Sonia Landy. ENERGIZEDARTSCIENCE. Chicago: The Museum ofScience and Industry, 1978. First ed. 4to.,66 pp., b&w images (facsimile, Xerography,electrostatic), sketches on opaque and trans-lucent paper. Illustrated spiral bound stiffwrappers. Near fine.

Sheridan (b. 1925 Newark, Ohio) is aninnovator of non-silver processes. Shetaught at the School of the Art Institute ofChicago and is the founder of the Genera-tive Systems art program; a pioneer of mak-

ing art which crossesmany boundaries. Pro-duced to accompany anexhibition which wascreated to show howSheridan integrated artand science experiences. $50.00

684. Sheridan, SoniaLandy. THE INNERLANDSCAPE AND THEMACHINE. A VISUALSTUDIES WORKSHOPTRAVELING EXHIBITION

689. [SHERMAN/HOLZER] Rogers-Lafferty, Sarah. JENNY HOLZER & CINDYSHERMAN: PERSONAE. (Cincinnati: TheContemporary Arts Center, 1986). First ed.Small 4to., (ii), 29 pp., 10 illustrations.Printed stiff wrappers. Fine.

Contains elucidating essay by Rogers-Lafferty; exhibition checklist. $50.00

690. [SHERMAN] Thompson, Thom.CINDY SHERMAN. (Stony Brook: Art Gal-lery, Fine Arts Center, SUNY at Stony Brook,1983). First ed. 8vo., 14 pp., 5 full-pageb&w photos, one folding leaf. Illustratedstiff wrappers. Fine.

A catalogue for an exhibition, whichwas curated by Thom Thompson; he con-ducted and wrote the interview with thephotographer. $45.00

OF THE WORK OF SONIA LANDYSHERIDAN. Rochester: Visual StudiesWorkshop, 1974. First ed. 4to., (20) pp.,color frontis self-portrait, several b&w illus-trations. Color-illustrated stiff wrappers.Near fine.

The artist’s images in this exhibitionwere produced by thermography, Xerog-raphy, videography, teleography, acousti-cal imaging and 3M’s Color-in-Color system,which is an electrostatic-thermographic pro-cess. With chronology and exhibition check-list. $50.00

691. Shinoda, Miho. HOME: SHINJUKU,ROKUGO DOTE. (Tokyo: Unaito ShashinKobo, 1996). First ed. Folio, 64 pp., 56 full-page b&w photos. Illustrated paper overboards. Fine.

Japanese photographer Miho Shinodashows her poignant portraits of the dis-placed peoples of Tokyo. She has photo-graphed them in their make-shift dwellings.Prepared for an exhibition. With the excep-tion of the title, the text is in Japanese.OCLC list only one holding. $65.00

692. Shook, Melissa. “STREETS ARE FORNOBODY”: HOMELESS WOMEN SPEAK.(Boston: Boston Center for the Arts, 1991).First ed. 4to., (xvii), 65 pp., 43 b&w pho-tos. Illustrated stiff wrapper. Fine.

The photographs and interviews areby Melissa Shook. She calls her approach“the extended documentary project withtext.” Shook has exhibited widely andtaught at the New School for Social Re-search, the ICP, and the MIT Creative Pho-tography Lab. $45.00

693. [SIMPSON] Willis, Deborah. LORNASIMPSON. With an Afterword by AndyGrundberg. San Francisco: Friends of Pho-tography, 1992. First ed. Oblong small 4to.,72 pp., 33 b&w and color photo-plates. Il-lustrated stiff wrappers. Fine.

African-American photographer, (b.1960) Lorna Simpson, trained in traditionalphotography techniques at the School ofVisual Arts in New York; her work is bothconceptual and narrative with an interest inwomen and the overall experience of beingAfrican-American. UNTITLED 54. $30.00

697. Sipprell, Clara. MOMENT OF LIGHT.Captions by the photographer, with an ap-preciation by Elizabeth Gray Vining. NY:John Day, 1966. First ed. 4to., unpaginated,photo-illustrated. Fine in a rubbed dw.

Clara Sipprell was born in Canada in1885; she died in Bennington, Vermont in1975. She assisted her brother in his pho-tography studio; later became his partner.Her work was shown in exhibitions and fea-tured in numerous magazines. INSCRIBEDby the photographer to Beatrice C. Gordon-Smith on the half-title. Laid in are two plainpostal cards in holograph and a holographletter, all from Clara Sipprell. Also, laid in isan announcement about the book whichbears the signature of Edwin Markham, whois pictured on the dw. Additionally, en-closed is a silver gelatin photographic cardentitled “The White Birch - Vermont,”SIGNED AND PRESENTED by the photogra-pher with Christmas sentiments on verso.

$350.00

698. Sipprell, Clara. MOMENT OF LIGHT.Captions by the photographer, with an ap-preciation by Elizabeth Gray Vining. NY: JohnDay, 1966. First ed. 4to., unpaginated,photo-illustrated. Light foxing on the cloth,else a very good copy in a rubbed and lightlyedgeworn pictorial dw. $50.00

699. [SIPPRELL] McCabe, Mary Kennedy.CLARA SIPPRELL: PICTORIAL PHOTOG-RAPHER. Ft. Worth: Amon Carter Museum,1990. First ed. 4to., 149 pp., frontis, 4 colorand 50 b&w plates and 46 illustrations intext. A fine, as new copy in illustrated dw.

The first comprehensive study of thisnoted pictorialist photographer. Notewor-thy are the extensive exhibition chronologyand bibliography. $50.00

694. Sirkis, Nancy. MASSACHUSETTS:FROM THE BERKSHIRES TO THE CAPE. NY:Viking Press, 1977. First ed. Oblong small4to., 136 pp., heavily illustrated with b&wphotos. Very good in dw.

Nancy Sirkis, long time photographyinstructor at ICP, created a photographic textof Massachusetts, not simply depicting thearchitecture, but the nature and people ofthe region. $30.00

695. Sirkis, Nancy. ONE FAMILY. Boston:Little, Brown and Company, 1970. First ed.Small 4to., 123pp., illustrated with b&wphotographs. Illustrated dw with sometears, slight wear and mark at upper rightcorner. Overall, very good with mark onlast page.

This photographic essay was createdearly in the career of Nancy Sirkis. Her pho-tographic work has evolved from aphotodocumentary style to her most recentexhibited work, large digital color prints ofunderground transportation systems in sev-eral large cities of the world. A graduate ofRISD, she has also been an instructor at ICPfor at least 10 years. ONE FAMILY docu-ments the struggle of a welfare mother and

her children in New York in the late 1960s.It conveys the horrific nature of their struggleto survive juxtasposed with the strength offamily bonds. $30.00

696. Skeel, Adelaide. MY THREE LEGGEDSTORY TELLER. Philadelphia: Rufus C.Hartranft, 1892. First ed. 8vo., 203 pp., il-lustrated. Titled paper over boards. A verygood copy.

A 19th-century woman photographerwho wrote both photo-fiction and technicalphotographic essays for a number of pho-tographic magazines (Anthony’s Bulletin,The Photographic Times, The AmericanAmateur Photographer, etc.). She also ed-ited a monthly gossip column “Our WomenFriends” in the Photo-American for a num-ber of years. Here is a collection of her es-says. (Peter Palmquist lists some of thesein his BIBLIOGRAPHY OF WRITINGS BY ANDABOUT WOMEN IN PHOTOGRAPHY, 1850-1990). Her chatty writing style is full ofphotographic information and reveals muchconcerning the interests of women photog-raphers in the 19th-century. Wright AMERI-CAN FICTION, Vol 3, # 3063. $275.00

700. [SKOGLUND] Picazo, Gloria andRoegiers, Patrick, essays. SANDYSKOGLUND. Barcelona: Sala Catalunya dela Fundació “la Caixa,“ 1992. First ed. Small4to., 99 pp., with 5 color images, in text,24 full-page color plates, and 2 gate-foldswhich contain 24 small color images, cata-log of the exhibition, biography, and list ofexpositions. Fine in color illustrated selfwrappers.

Fine arts photographer and educator,Sandy Skoglund (b. 1946, Boston) receivedher B.A. from Smith College; an M.A. andM.F.A. from the University of Iowa. Herwork is a confrontation between painting,sculpture and photography; highly colorfuland humorous. Text in Spanish and English.

$100.00

701. Snyder, Wendy. HAYMARKET. (Cam-bridge, Mass. and London: MIT Press, 1970).First ed. Oblong 8vo., unpaged, approx.60 b&w photos. Illustrated stiff wrappers.Lightly rubbed, very good.

Photographs of Boston’s producemarket, with selections from tape-recordedstories of its citizens. Wendy SnyderMacNeil, also produces and directs docu-mentary films. Before turning to filmmak-ing she was an award-winning photogra-pher; she has exhibited her photographs atthe Museum of Modern Art and the Metro-politan Museum of Art. She received NEAand Guggenheim Fellowships. $35.00

702. Solomon, Rosalind. ROSALINDSOLOMON: WASHINGTON. Essay by JaneLivingston. Washington: The Corcoran Gal-lery of Art, 1980. First ed. Square 8vo., (20)pp., 11 full-page b&w photos. Printed stiffwrappers. Near fine.

Rosalind Solomon (b. 1930, HighlandPark, Illinois) began photographic studieswith Lisette Model in New York City. Hereshe has made casual portraits of Washing-ton political figures and others. Preparedin conjunction with an exhibition; includesbibliographical references. Limited to 1500copies. $40.00

703. Stern, Jane. TRUCKER: A PORTRAITOF THE LAST AMERICAN COWBOY. NY:McGraw-Hill, (1975). First ed. 4to., 163 pp.,profusely illustrated with b&w photographs.Edges foxed, a very good copy in dw.

Jane Stern (b. 1946, NYC) received aB.F.A. from Pratt Institute in 1968; and anM.F.A. in 1971 from Yale. While primarily awriter, she produced the photographs andwrote the text for this book, which docu-ments the life of American truck drivers.Besides collaborating with her husband, thewriter Michael Stern on numerous books;she also has made documentary films.

$30.00

704. Stern, Lynn. UNVEILINGS. Forewordby Paul Caponigro. Essay by Diane Wakoski.NY: Hudson Hills Press, (1988). First ed.Small 4to., 63 pp., 40 b&w photos. Illus-trated stiff wrappers. Near fine.

Simple meditations on light. “In theworld of photography today, where intel-lectual complexity and conceptual art holdsway, it is refreshing to encounter work thatspeaks simply, directly, and to the heart.Lynn Stern works from her inner promptingsand avoids pandering to the ongoing clamorfor overwrought or shocking images.” (fromthe introduction by Paul Caponigro). Sternworked as Caponigro’s darkroom assistant.

$35.00

705. [SNEAD] Reed, Gwendolyn E. THETALKATIVE BEASTS: MYTHS, FABLES, ANDPOEMS OF INDIA. NY: Lothrop, Lee &Shepard Co., (1969). First ed. 4to., 94 pp.,numerous b&w photo-illustrations. A verygood copy in moderately worn dw.

Stella Snead traveled extensively; herinterest in the animal sculpture of India, ledher to travel through mountains and junglesseeking out ancient temples and ruins.

$15.00

706. Snead, Stella. BEACH PATTERNS: THEWORLD OF SEA AND SAND. Introductionby Gyorgy Kepes. Barre, MA: Barre Pub-

709. Stetser, Carol. CONTINUUM: ANAUTOBIOGRAPHY AT THIRTY. Oatman,AZ: Padma Press, (1979). First ed. Small4to., (60) pp., over 50 full-page b&w pho-tos. Illustrated stiff wrappers. Light bumpto spine. Very good. $30.00

710. Stetser, Carol. CHOPPING WOOD,CARRYING WATER. Oatman, AZ: PadmaPress, 1978. First ed. Small 4to., (55) pp.,47 full-page b&w photos. Decorative stiffwrappers. Very good. $35.00

708. Stetser, Carol. BLACK AND WHITE.Oatman, AZ: (Padma Press, 1977). First ed.Small 4to., (56) pp., approx. 45 b&w pho-tos. Illustrated stiff wrappers. Very good.

Carol Stetser (b. 1948 Syracuse, NewYork) studied theater and film; she alsoworked with collage, Mail-Art, and visualpoetry. In 1976 she founded Padma Press,Oatman, Arizona, which publishes “one-of-a-kind & multiples of xerography & pho-tography.” This apparently is her first bookof photography. $40.00

lishing, 1975. First ed. 4to., (96) pp., nu-merous b&w and color photographs. Oc-casional light foxing, else very good in dw.

Stella Snead (b. 1910) was born andeducated in England; she is known for hersurrealistic paintings. In 1956 she took upphotography and published a number ofbooks. This is her seventh book. $30.00

707. Snead, Stella. BEACH PATTERNS: THEWORLD OF SEA AND SAND. Barre, MA:Barre Publishing, 1975. First ed. 4to., (96)pp., numerous b&w and color photographs.Illustrated stiff wrappers. Occasional lightfoxing, else near fine. $15.00