BAUHAUS SIMPLICITY , FUNCTIONALISM , ANONYMOUS AND ITS EMPHASIS ON THE HARDCRAFT ETHIC.

DEFINITION

BAUHAUSBauhaus is a school in Germany that combined crafts and the fine arts. It operated from 1919 to 1933, and for the approach to design that it publicized and taught. The Bauhaus school was founded by Walter Gropius. The name Bauhaus stems from the German words for "to build" and "house." Ironically, despite its name and the fact its founder was an architect, the Bauhaus did not have an architecture department for the first several years of its existence. Bauhaus style became one of the most influential currents in Modernist architecture and modern design

The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design and typography.

The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932, Berlin from 1932 to 1933), under three different architect-directors (Walter Gropius from 1919 to 1927, Hannes Meyer from 1928 to 1930, Ludwig Mies van der Rohe from 1930 to 1933).

In 1920 two important artistic events help to change the Bauhaus. One was as international conference of the awant-grad that the idea on purity of form and honesty of construction to establish a new constructivist international. The other was the major exhibition of Soviet design arranged interest not only in constructivism but also the social aims which informed it.

LUDWİG MİES VAN DER ROHE, ALONG WİTH WALTER GROPİUS AND LE CORBUSİER, İS WİDELY REGARDED AS ONE OF THE PİONEERİNG MASTERS OF MODERN ARCHİTECTURE.

WALTER ADOLPH GEORG GROPİUS (MAY 18, 1883 – JULY 5, 1969) WAS A GERMAN ARCHİTECT AND FOUNDER OF BAUHAUS. ALONG WİTH LUDWİG MİES VAN DER ROHE AND LE CORBUSİER, HE İS WİDELY REGARDED AS ONE OF THE PİONEERİNG MASTERS OF "MODERN" ARCHİTECTURE.

INTERIOR

STAİRCAİSE İN PAUL KLEE'S HOUSE İN DESSAU. WASSİLY KANDİNSKY WAS HİS FAMOUS NEİGHBOUR DURİNG THAT TİME

DRAWİNGS BY HERBERT BAYER İN THE STAİRWAY OF THE MAİN BUİLDİNG OF THE BAUHAUS WEİMAR. MADE FOR THE FİRST BAUHAUS EXHİBİTİON İN 1923. 

DRAWİNGS BY HERBERT BAYER İN THE STAİRWAY OF THE MAİN BUİLDİNG OF THE BAUHAUS WEİMAR. MADE FOR THE FİRST BAUHAUS EXHİBİTİON İN 1923. 

RANDOM BİT OF CEİLİNG THAT I THİNK MAKES QUİTE CLEAR THE SYMPATHY BETWEEN THE BAUHAUS AND OTHER AVANTE-GARDES OF THE EARLY 20TH CENTURY, PARTİCULARLY MY BELOVED DE STİJL GUYS AND THE RUSSİAN SUPREMATİSTS.... 

DESİGNED BY KANNER ARCHİTECTS AND BUİLT İN 2004, THE METRO HOLLYWOOD APARTMENT COMPLEX İS A THREE-DİMENSİONAL MONDRİAN PAİNTİNG, BUT WİTH PEOPLE LİVİNG İN İT. THE COLOR SCHEME AND GEOMETRY WERE JUST AS MUCH İNSPİRED BY THE PRE-EXİSTİNG TİLE DESİGN OF THE METRO STATİON THAT İT SİTS ON TOP OF,

PAINT AND INDUSTRIAL OBJECTS

CARTAZ İNSPİRADO NO PERÍODO

PAUL KLEE SENECIO

A 1927 TEA İNFUSER BY MARİANNE BRANDT HAS SOLD AT AUCTİON FOR $361,000, BREAKİNG THE SALE RECORD FOR BAUHAUS DESİGN.

GROPIUS CHAIR MARCEL BEUER CHAIR

THE BAUHAUS BECAME THE CENTRE FOR THE NEW CREATİVE FORCES IN DESİGN, WHICH ACCEPTED THE CHALLENGES OF TECHNICAL PROGRESS

MARCEL BREUER CHAİR, ONE OF THE VERY FİRST TUBULAR STEEL CHAİRS, DESİGNED İN 1925. BAUHAUS ARCHİVES.

MARİANNE BRANDT DESKLAMP

PETER BEHRENS 1910 CLOCK

NEUM SLUTZKY TEAPOT

MIES VAN DER ROHE CANTILEVERED CHAIR

WALTER TEAGUE RADIO

HE SOUGHT PERFECTION IN THE RELATIONSHIP OF FORMS AND SYMMETRY IN ITS DETAILING, BUT THE GEOMETRIC LINES AND DIVISIONS BECAME SOMETHING ORHER THAN A RADIO.

LEICA CAMERA

ARCHITECTURE

BÜROHAUS İM BAUHAUSSTİL CİTY WEST FRANKFURT AM MAİN

GROPIUS DIRECTORS HOUSE

GROPIUS’ ARCHITECTURAL DESIGNS EXPRESSED HIS THEME OF A UNITY BETWEEN WORK AND BUILDING.

THİS İS THE BACK COVER OF THE FAMOUS MIT PRESS BAUHAUS PUBLİCATİON, ORİGİNALLY DESİGNED BY MURİEL COOPER İN 1969, WİTH ADDİTİONS İN A REPRİNTİNG İN 1976. THİS PUBLİCATİON WENT ON THROUGH A FOURTH PRİNTİNG İN 1980.