BASS TAB ANTHOLOGY

6
Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1956-3 ISBN-13: 978-1-4706-1956-5 Cover and interior photos used by permission Album art: The Who Sings My Generation © 1965 MCA Records • A Quick One © 1966 MCA Records • Tommy © 1969 MCA Records Live at Leeds © 1970 MCA Records • Who’s Next © 1971 MCA Records • Meaty Beaty Big and Bouncy © 1971 MCA International • Quadrophenia © 1973 MCA Records • Who Are You © 1978 MCA Records • It’s Hard © 1982 MCA Records Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com BASS TAB ANTHOLOGY

Transcript of BASS TAB ANTHOLOGY

Page 1: BASS TAB ANTHOLOGY

Printed in USA.No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system,

or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions.

ISBN-10: 1-4706-1956-3 ISBN-13: 978-1-4706-1956-5

Cover and interior photos used by permission

Album art: The Who Sings My Generation © 1965 MCA Records • A Quick One © 1966 MCA Records • Tommy © 1969 MCA Records • Live at Leeds © 1970 MCA Records • Who’s Next © 1971 MCA Records • Meaty Beaty Big and Bouncy © 1971 MCA International •

Quadrophenia © 1973 MCA Records • Who Are You © 1978 MCA Records • It’s Hard © 1982 MCA Records

Produced byAlfred Music P.O. Box 10003 Van Nuys, CA 91410-0003

alfred.com

BASS TAB ANTHOLOGY

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CONTENTS

Title Release Page

Baba O’Riley . . . . . . . . . . . . . . . . . . . . . . . . . . Who’s Next . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Bargain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Who’s Next . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Behind Blue Eyes . . . . . . . . . . . . . . . . . . . . . . . Who’s Next . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Boris the Spider . . . . . . . . . . . . . . . . . . . . . . . . A Quick One . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Eminence Front . . . . . . . . . . . . . . . . . . . . . . . . It’s Hard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Happy Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1966 single . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Love, Reign O’er Me . . . . . . . . . . . . . . . . . . . . . Quadrophenia . . . . . . . . . . . . . . . . . . . . . . . . . . 40

My Generation . . . . . . . . . . . . . . . . . . . . . . . . . The Who Sings My Generation . . . . . . . . . . . . . . . 45

Pinball Wizard . . . . . . . . . . . . . . . . . . . . . . . . . Tommy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

The Punk and the Godfather . . . . . . . . . . . . . . . Quadrophenia . . . . . . . . . . . . . . . . . . . . . . . . . . 66

The Real Me . . . . . . . . . . . . . . . . . . . . . . . . . . . Quadrophenia . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Substitute . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1966 single . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73

Summertime Blues . . . . . . . . . . . . . . . . . . . . . . Live at Leeds . . . . . . . . . . . . . . . . . . . . . . . . . . . .78

Who Are You . . . . . . . . . . . . . . . . . . . . . . . . . . . Who Are You . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Won’t Get Fooled Again . . . . . . . . . . . . . . . . . . . Who’s Next . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

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& b 44 œ œœ œ œ œ œ œ

œ œœ œ œ œ œ œ

N.C.

Moderately q = 116

Organ

*Recording sounds a half step higher than written.

F

Intro:

œ œœ œ œ œ œ œ

œ œœ œ œ œ œ œ

&

&

b

b

3

‰ ® œ œ œ‰ ® œ œ œ

œœ œ ‰ Jœ œ

œ œ ‰ Jœ

Œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œœ œ œ

œœ œ œ

&

&

b

b ..

..

..

..5

œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œœ œ œ

œœ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œœ œ œ

œœ œ œ

Play 7 times, simile

&

&

b

b

® œ œ œ œ œ œ œ ‰ ® œ œ œ œ œ œ œ

œœ œ œ

œœ œ

œ

‰ ® œ œ œ œ œ œ œ ‰ ® œ œ œ œ œ œ œ

œœ œ œ

œœ œ œ

&

?

b

b ..

..

..

..9

...˙̇̇ œœœ

...˙̇˙ œ

œ

F CPiano

Drums enter 5th time.

1.–7.

www

ww

Bb8.

www

ww

Words and Music byPETER TOWNSHEND

Baba O’Riley - 6 - 1© 1971 (Renewed) FABULOUS MUSIC LTD.

Published by FABULOUS MUSIC LTD. Administered in the U.S. and Canada by SPIRIT ONE MUSIC (BMI) o/b/o SPIRIT SERVICES HOLDINGS, S.à.r.l.,

SUOLUBAF MUSIC and ABKCO MUSIC INC., 85 5th Avenue, New York, NY 10003International Copyright Secured

All Rights Reserved

BABA O’RILEY

4

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?

TAB

bb 44 ..

.

.

..

.

.

P.M.

œ œb œ œn

5 4 3 2

D5 Db5 C5 B5

Fast Π= 204Intro:

Bass Gtr.

fw/pick

˙A ˙

11

Bb5 F5

œ. œ œ œ

3 3 3 3

G5

œ œ œ œ

3 3 3 3

&

?

TAB

bb

bb

..

..

.

.

P.M.

5

œ œ œ œ1.�Look,2.�Now3.�There

he’she’she

crawldropped

is

ingon

wrapped

œ œ œ œ

5 5

3 3

D5 Bb5Verses 1–3:%

Bass Fig. 1

œ œ ˙uptoin

mythea

wall.floor.ball.

œ œ jœ œ œ

3 3 3 5 5

F5 G5

w

œ. œ œ œ

3 3 3 3

C5

.˙ Œ

œ œ œ œ

3 3 3 3

--

&

?

TAB

bb

bbP.M.

9

œ œ œ œBlackEdgDoes

andingn’t

tifor

seem

ny,thetoœ œ œ œ

5 55 5

C5/G

œ œ ˙verbed

move

yroom

at

small.door.all.œ œ œ œ œ

8 8 3 3 3

Bb5 F5

w

œ. œ œ œ

5 5 5 5

G5

.˙ Œ

Per

œ œ œ œ

5 5 5 5

--

- --

-

TRO-© 1965 (Renewed) FABULOUS MUSIC LTD., London, England TRO-ESSEX MUSIC, INC., New York Controls all Publication Rights for the U.S. and Canada

All Rights Reserved Used by Permission

BORIS THE SPIDERComposed by

JOHN ENTWISTLE

Boris the Spider - 4 - 1

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&#

44 ∑Esus

Moderately slow q = 60Intro:

(Acous. Gtr.)

∑ œ œ œ œ œ œ œ œ ≈ œ œ œNo one knows what it’s like to be the

Em GVerse 1:

&#4

.œ œ œ Œ ≈ œ œ œ

bad man, to be the

D Dsus D

.œ œ œ Œ ‰ œœœ œœœ#

sad man be hind

C(9)

œœœ œœœ# œœœ œœœ Ó

blue eyes.

Asus2

-

&#7

œ œ œ œ œ œ œ œ ≈ œ œ

No one knows what it’s like to be

Em G

.œ œ œ Œ ≈ œ œ

hat ed, to be

D Dsus D

.œ œ œ ‰ . rœ

œœœœœœ# œœœ

fat ed to tell ing on

C(9)

- - - -

&

?

TAB

#

#

10

œœœ œœœ# œœœ ‰ Œ œ œ

ly lies. But my

Ó Œ œ œ œ œ

7 57 5

Asus2

F

Bass

.œ œ œ œ .œ œ œ œ œ

dreams, they are n’t as

œ œ œ .œ ≈ Rœ

35

3 54

C D

œ œ Œ Œ œ œ

emp ty as my

œ .œ œ .œ Jœ

5 0 5 5

G C/G G

- - -

&

?

TAB

#

#

13

œ œ œ .œ œ œ œcon science seems to be.

œ œ œ œ œ œ

35

3 57

5

C D

jœ ‰ Œ Œ œ œ

I have

.œœ

œ .œœ

œ

70

70

7

E Asus2/E E

œ ˙ œ œ œhours on ly lone

œ .œ œ ˙

24

2

Bm

œ œ œ Œ ‰ . rœ œ œ œ

ly, my love is ven

˙œ œ œ œ œ œ œ#

3

5 25 2

3 4

C

- - - -

Words and Music byPETER TOWNSHEND

Behind Blue Eyes - 5 - 1© 1971 (Renewed) FABULOUS MUSIC LTD.

Published by FABULOUS MUSIC LTD. Administered in the U.S. and Canada by SPIRIT ONE MUSIC (BMI) o/b/o SPIRIT SERVICES HOLDINGS, S.à.r.l.,

SUOLUBAF MUSIC and ABKCO MUSIC INC., 85 5th Avenue, New York, NY 10003International Copyright Secured

All Rights Reserved

BEHIND BLUE EYES

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