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Numerics32 bar song form, 9

AAABA, 9accujazz.com, 52Adderly, 53, 54Aeolian mode, 21album

A Love Supreme, 54A Night at Birdland, vol. 1, 53A Tribute to Miles, 53Best of Django Reinhardt, 55Blue Train, 53Bobby Broom Plays for Monk, 53Bossa Nova, 55Consummation, 54Diz & Getz, 53Djangologists, 55Duke Ellington Masterpieces 1926-

1949, 54Getz/Gilberto, 55Gypsy Project, 55Hot Club Records

The Best Of, 55Hot Fives & Sevens, 54Jazz at Massey Hall, 54Jelly Roll Morton

1926-1930, 54Kind of Blue, 54King of Kings

The Very Best, 55King Oliver’s Creole Jazz Band

The Complete Set, 54Les Nuits Manouche

The Best... , 55Live! At the Village Vanguard, 54Maiden Voyage, 54Open Sesame, 53Saxophone Colossus, 53, 56Self Portrait , 54Sing Sing Sing, 54Singin’ the Blues 1, 54Smokin’ at the Half Note, 56Somethin’ Else, 53Speak No Evil, 54Tenor Madness, 54The Complete Decca Recordings, 54The Great Ladies Sing Gershwin, 53The Original James P. Johnson, 54Verve Jazz Masters 44, 53

All Blues, 10All the Things You Are, 10alto sax, 53Antonio C. Jobim, 10Art Tatum, 12

Art ie Shaw, 54Astrid Gilberto, 55augmented triads, 35Autumn Leaves, 10

BBarbados,10baritone sax, 53bass, 53Bebop,52, 54Benny Goodman, 54bent, 45Betty Carter, 53Big Band, 52, 54Billie Holliday, 12Bireli Lagrene,55Birelli Lagrene,10Bitches Brew, 52Bix Beiderbecke, 54Blakey, 53, 55Blue Monk, 10blue note, 12, 47blues scale, 47, 63

minor, 47recipe for one, 48

blues scale recipe, 48blues scales, 69, 70Bobby Broom, 12, 53Brooks, 53Brown, 53Bubber, 54

CCannonball Adderley,10Caravan,10Carter,53, 55Chambers, 53, 54Charlie Christian,56Charlie Haden,10Charlie Parker,10, 12, 56chord, 33Chord Extensions

general info, 39seventh chord,40ninth chord, 41seventh chord

dominant seventh chord,40chord quality,33Chords

general info, 33triads, 34seventh chord

dominant seventh chord,40triads

augmented, 35diminished,35

major, 35minor, 35

using Roman numerals with, 3411th and 13th chords, 41seventh chord, 40ninth chord, 41

Christian McBride, 12Clif ford Brown, 10, 12, 53, 55Cobb, 54Cole Porter, 10Coleman Hawkins, 56Coltrane, 53, 54compoiund interval, 39Cool Jazz, 52Cootie, 54Cootie Williams, 10Count Basie, 12, 54

DD harmonic minor scale, 11Dark Eyes (Les Yeux Noirs), 10Davis, 53Debarre, 55Dennis Carroll, 53Dexter Gordon, 12diatonic scale, 45diminished triads, 35Dinah Washington, 53Dixieland, 52Diz & Getz, 10Dizzy Gillespie, 10, 12, 55Django Reinhardt, 10, 12, 55dominant seventh chord, 40Donaldson, 53Dorian mode, 20Drew, 53drums, 53Duke Ellington, 10, 12, 54

Eear training, 29, 49Ed Thigpen, 12Ella Fitzgerald, 10, 12, 53Ellis, 53enharmonics, 70Evans, 54Extensions

11th and 13th chords, 41Extensions, see Chord Extensions

Ffake book, 7fifth, 34Flanagan, 53flat 5, 47

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Freddie Hubbard, 12Fuller, 53

GGalliano, 55gapped scale, 12, 45Garland, 54Gene Krupa, 54Gerry Mulligan, 10Getz, 53Giant Steps, 7Gillespie, 53, 54Goethe, 51Grapelli, 55Green, 55guitar, 53Gypsy Jazz, 10, 53, 55

HH. Evans, 54H. Jones, 53half step, 14Hammerstein, 10Hancock, 53Hard Bop, 53, 54harmonic

harmonic, 25harmonic interval, 25Harry James, 54Hart, 10Herb Ellis, 56Herbie Hancock, 54Hodges, 54Hubbard, 53

II Got Rhythm, 8improvise now, 49interval, 25

finding an interval, 26augmented, 27, 28diminished, 27, 28finding, 28harmonic, 25major, 27, 28melodic, 25minor, 28perfect, 26, 27

Ionian mode, 20It Don’t Mean a Thing (If it Ain’t Got That

Swing), 10

JJ.J. Johnson, 12James P. Johnson, 54

Jao Gilberto, 55Jarvis, 53Jazz Fusion, 53Jazz Guitar, 56Jazz Saxophone, 56Jazz Trumpet, 55Jelly Roll Morton, 54Jerome Kern, 10Jimmy Rosenberg, 55Jobim, 55Joe “King” Oliver, 54Joe Pass, 12, 56John Coltrane, 10, 54, 56Johnson, 55Juan Tizol, 10

KKeith Jarrett, 55Kelly, 54Kenny Burrell, 12, 56Kenny Dorham, 55Kind of Blue, 10Kobie Watkins, 53Kosma, 10

LL. Young, 54Lagrene, 10, 55Latin Jazz, 53, 55Latin Soul, 55Lee Morgan, 12, 55Les Yeux Noirs, 10Les Yeux Noirs (Dark Eyes), 10Lester Young, 12, 56listening, 51Locrian, 21Louis Armstrong, 10, 12, 54Lydian mode, 21

MMack the Knife, 10major intervals, 27major pentatonic, 63major pentatonic scale, 46major scale, 13, 20, 63Major Scales, 65major triads, 35Marvin “Smitty” Smith, 10Max Roach, 53McCoy Tyner, 55Mel Lewis, 54melodic interval, 25melody, 7memorization, 64Memorizing, 9

Mercer, 10Miles Davis, 10, 12, 52, 54, 55Mingus, 54minor blues scale, 47minor pentatonic, 12, 63minor pentatonic scale, 46minor triads, 35Mixolydian mode, 21Modal Jazz, 52, 54Modes

general info, 19finding or creating, 22Aeolian, 21Dorian, 20Ionian, 20Locrian, 21Lydian, 21Mixolydian, 21Phrygian, 20

Moreira, 55Morgan, 53My Funny Valentine, 10

NNat Adderley, 10natural minor, 63natural minor scale, 21natural minor scales, 67, 68Niculescu, 55Nina Simone, 53ninth chords, 41

Ooctave, 14Old-School Jazz, 54Oscar Peterson, 12, 55

PP.J. Jones, 53, 54Pandora.com, 12pandora.com, 52Parker, 54Patato, 55pentatonic, 45pentatonics, 64perfect fifth, 26perfect fourth, 26perfect intervals

fifth, 26fourth, 26octave, 26prime, 26unison, 26

perfect octave, 26perfect prime, 26

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Peterson, 53Phil Woods, 10Phrygian mode, 20piano, 53Piano Jazz, 55Poncho Sanchez, 55Powell, 54

RR. Brown, 53Ray Barretto, 12Ray Brown, 12Rhythm-ning, 10Rhythmstick, 10Roach, 53, 54Rogers, 10Rollins, 53, 54Roney, 53root, 34Rosenberg, 10Roy Eldridge, 12Russel, 53

SS. Jones, 53Sarah Vaughan, 53scale patterns, 64Scales

major, 13, 20natural minor, 21

seventh chord, 40Shirley Horn, 53Shmitt , 10Shorter, 53Silver, 53Smooth Jazz, 53Softly as In a Morning Sunrise, 10Somethin’ Else, 10Sonny Rollins, 10, 12, 56soprano sax, 53Stan Getz, 10, 55standard, 7, 10, 51

super-standard, 7standard blues scale, 47standards, 7Stephane Grapelli, 55Stochello Rosenberg, 10, 55Stone Flower, 55super-standard, 7super-standards, 7Sweets Edison, 54

Ttenor sax, 53Thad Jones, 54

The Blues Walk, 10The Girl from Ipanema, 10Thelonius Monk, 10, 12third, 34Tito Puente, 12, 55triad, 34Tricky Sam, 54trombone, 53trumpet,53Tyner, 53

Uunison, 26

Vvocalist, 53

WWatkins, 53Wayne Shorter,54Wes Montgomery, 12, 56What is This Thing Called Love, 10whole step,14Williams, 53Work Song, 10

Yyoutube.com, 52

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