Barbershop Tags
44
Classic Tags Classic Tags for men’s voices Compiled by David Wright Assisted by Jim Bagby, Kevin Keller, and David Krause
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Transcript of Barbershop Tags
Classic TagsClassic Tagsfor men’s voices
Compiled by David WrightAssisted by Jim Bagby, Kevin Keller, and David Krause
Barbershop tag singing is surely one of the finest traditions arising from vocal harmony. A tag is a shortpassage consisting of an arrangement’s ending, or coda, which is taught and sung in sessions of informal chord-ringing. The tag allows four singers to quickly blend their voices in a few seconds of blissful harmony without theburden of learning an entire song.
This manual is an anthology dedicated to the perpetuation of this practice. We have endeavored to chroniclethe tag-singing of today and yesterday by collecting the “classic” tags—those which have become lore by virtue ofhaving been repeated and passed along from harmonizer to harmonizer.
Most of these tags originated within the barbershop community, but a few from neighboring vocal styleshave been embraced by barbershoppers and are therefore included as well. It should be noted that some of the tagscontain chords which are not accepted in a barbershop contest. We have simply recorded the tags the way they areusually sung, with no editorial “corrections”.
An effort was made to determine the origin of each tag, but this proved to be an impossible task. Thesource of many of these little gems seems lost in the murky past, perhaps never to be ascertained. When possiblewe have identified the tag’s arranger and an approximate date of origin; if the tag was popularized by a particularperformer, we have so indicated.
The tags appear in no particular order, and no consistent method was applied in labeling them. (Sometimesthe tag is identified by its first line, sometimes by the song title, sometimes both, sometimes neither.) The indexwhich appears at the end is hopefully thorough enough to enable the user to locate any particular tag. In somecases there exists more than one common version of a tag, in which case we have attempted to select the one whichis most traditional, occasionally notating alternatives using grace notes. Accordingly, we have generally opted forthe popular version even when it differs from the arranger’s original.
Barbershop harmony is typically sung by singers of the same gender; hence a men’s version and a women’sversion have been created. Often the most appropriate interval of transposition between the men’s key and thewomen’s key is a tritone, so a tag written in B-flat for men transposes to E for women. It is not unusual to find menand women singing tags together, and in this case they may choose to “split the difference” in selecting a suitablekey by singing it approximately a minor third above where it is written for men, or a minor third below where it iswritten for women.
Many of these tags contain recognizable portions of copyrighted songs and arrangements. Therefore thismanual may not be sold for profit. We are advised that, since a tag is not a “performable unit”, the manual may belegally copied and used for educational purposes. Barbershop choruses will find the tags useful in warm-ups andas exercises in vowel matching, tuning, balance, and vocal production. However, anyone wishing to use this orany copyrighted material in public performance must obtain a legally cleared arrangement.
This manual is an ongoing project, to be updated and appended from time to time. The date of the latestrevision appears at the top of page one. Many thanks are due to a number of people who assisted us in trackingdown information. We would appreciate the help of anyone who can provide missing origins and/or dates of thetags in this collection, and we welcome suggestions for tags which should be included in future updates.
I wish to specifically recognize and thank my colleagues Jim Bagby, Kevin Keller, and David Krause forserving as an editorial board for this project.
David [email protected]
PREFACE
i
1. I Love To Sing ’Em p. 12. Lonely For You Am I p. 13. Way Down South (Where The Black-Eyed Susans Grow) p. 14. Danny My Boy p. 25. My Heart Is Free p. 26. Flower From An Old Bouquet p. 27. I’ll Be Seeing You p. 38. Wedding Bells Are Breaking Up p. 39. Lonesome Rose p. 3
10. The Sunshine Of Your Smile p.311. When I Leave The World Behind p. 412. My Dianne p. 413. Smile p. 414. Cry (I’m Sorry I Made You Cry) p. 415. Heart Of A Clown p. 516. Please Don’t Give My Daddy No More Wine p. 517. Oh Lida Rose p. 518. Darkness On The Delta p. 619. Who’ll Take My Place When I’m Gone? p. 620. Sunshine Is Bidding The Day Goodbye p. 621. We’ll Just Be The Same Old Friends p. 622. Nobody’s Waiting There With A Smile (I Hate To Go
Home Alone) p. 723. Foolish Over You (Each Time I Fall In Love) p. 724. Last Night Was The End Of The World p. 725. Back In My Home Town p. 826. Friendship And Love p. 827. Run, Run, Run p. 828. Drink To Me Only With Thine Eyes p. 929. Gone Are The Memories p. 930. Goodbye Forever, It’s Over I Know p. 931. Melancholy Baby p. 1032. Lullabye And Goodnight p. 1033. Sleepy Time Down South p. 1034. Give Me Your Hand To Hold In Mine p. 1035. Don’t Leave Me, Dear Old Mammy p. 1136. Annie Doesn’t Live Here Anymore p. 1137. We’ll Build A Rainbow p. 1138. Roses I Bring To You p. 1239. Snowflakes p. 1240. Who’ll Dry Your Tears When You Cry? p. 1241. So Tired Of Waiting For You p. 1242. Darling, That Someone Is You p. 1343. Ireland, My Ireland p. 1344. Jean p. 1345. Irish Mother p. 1446. Silvery Moonlight p. 1447. Friends p. 1448. Buddy, Can You Spare A Dime p. 1549. All By Myself Alone p. 1550. Back In The Old Routine p. 1551. For Life Is Interwoven p. 1652. Love Letters Straight From Your Heart p. 1653. When I Lost You p. 1654. Autumn Leaves p. 1755. Rhapsody Of New York p. 1756. Lone Prairie p. 1757. Johnny Doughboy Found A Rose p. 1858. I Know We’ll Meet Again p. 5859. Old Bones (I’d Like To Do It Again) p. 1860. Through The Years p. 19
61. I’m So Alone In A Crowd p. 1962. She Stole My Heart Away (An Old Fashioned Girl In A
Gingham Gown) p. 1963. In Dixieland Where I Was Born (On The Mississippi) p. 1964. The Old Dominion Line p. 2065. Spring Brought Me Flowers p. 2066. New York Ain’t New York Anymore p. 2067. Sonny Boy p. 2168. What Miracle Has Made You The Way You Are (Gigi) p. 2169. To Reach The Unreachable Star (The Impossible Dream) p. 2170. My Old Kentucky Home p. 2171 Their Hearts Were Full Of Spring p. 2272. Bye Oh Bye Oh p. 2273. As Time Goes By p. 2274. Pal Of My Dreams p. 2375 I Close My Eyes (I Heard You Singing) p. 2376. For Me And My Gal p. 2377. Please Don’t Leave Me p. 2378. There’s No Place Like Home p. 2479. Mother’s Boy p. 2480. Don’t Be Blue When Raindrops Come Along p. 2481. Midnight Rose p. 2582. Somewhere p. 2583. Bright Was The Night p. 2584. Where Is The Boy p. 2685. My Love Is Your Love p. 2686. And Left Me Lonely Nights (Happy Days And Lonely
Nights) p. 2687. Where Is Love p. 2788. Now There’s No Time For Toys p. 2789. Over Troubled Waters p. 2790. Foggy London Town p. 2791. Little Pal p. 2892. Ev’ry Time I See You I Cry p. 2893. The Shadow Of Your Smile p. 2994. Show Me Where The Good Times Are p. 2995. Tammy p. 2996. Hush, Little Baby (Summertime) p. 2997. Mickey Mouse p. 3098. Lord, You Made The Night Too Long p. 3099. Baby, You’re The One I Love p. 30
100. Sure, They Called It Ireland p. 31101. Till Love Comes My Way p. 31102. You’re The One Who Made Me Cry p. 31103. I’ll Take Care Of Your Cares p. 32104. Drop Me A Line, Say That You’re Fine (Do You Really
Love Me?) p. 32105. While Sweet Dreams Rest You p. 33106. First You Gotta Have Heart p. 33107. Mam’selle p. 33108. Happy Trails p. 34109. Please Don’t Take My Sunshine Away (You Are My
Sunshine) p. 34110. After Today p. 34111. Cheer Up, Charlie p. 34112. Just When I Thought I Was Through p. 35113. No More Hurryin’, Worryin’ (Down Where The South
Begins) p. 35114. For My Beautiful Lifelong Friends p. 35115. My Romance p. 35116. Dixie p. 36
TABLE OF CONTENTS
ii
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1. I Love To Sing ’Em
ŒŒ
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‰
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I love to sing ’em,
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love to sing ’em, I
‰
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I love to ring ’em,
‰
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œ
love to ring ’em, I
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love those bar -ber - shop,
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bar - ber - shop chords.
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Oh,
Œ
œ œn œb
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Give me those
Œ
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give
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˙
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bar - ber -shop
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chords!
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sing- in’, ring - in’
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chords!
Mac Huff
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chords!
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2. Lonely For You Am I
œœ
œ
œ œ œ
Lone- ly, so
œ œ œœ
œœ
œ
œœ
œn œ œ
lone - ly for
œ œ œœ
œœ
˙œ
˙œ
you am
˙œ
˙ œ
.˙
.˙
I
.˙n
.˙
œœ
œ
œ œ œ
lone - ly for
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œœ
˙œ
˙œ
you am
˙œ
˙œ
.˙n
.˙
I.
.˙
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.˙
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.˙
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3. Way Down South (Where The Black-Eyed Susans Grow)
˙ ˙
˙n ˙
,
Way down
˙˙
,
˙ ˙n
w
˙œ œn
south.
˙œ œn
œœb
œ œb
w
œœ
˙
œœ
œœb
œœ
œ œb
Renee CraigSung by the Cracker Jills, 1957
w
˙n ˙b
˙ ˙b
˙ ˙∫
w
w
w
w
- 1 -
CCC lll aaassssssiii ccc TTT aaagggsssCompiled by David Wright
Assisted by Jim Bagby, Kevin Keller, and David Krauselatest revision 2/28/01
for men’s voices
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4. Danny My Boy
œ œ œœ œ œ
Dan - ny my
œ œ œ
œ œ œ
.˙
.˙
boy,
.˙
.˙n
.˙
.˙
.˙
.˙
œ œ œ
œœ
œ
Dan - ny my
œ œ œ
œAœ
œ
.˙
.˙
boy;
.˙
.˙
˙
Œ˙
Œ
˙
Œ˙
Œ
Bob BohnSung by the Easternaires, 1955
.˙
.˙
my
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.˙
boy.
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5. My Heart Is Free
œb
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My
œ
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.œ
J
œ
heart is free, I
œœ .œn
j
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J
œ
œ œ˙
œœb
˙
,
long to be
œœ
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,
œœ
˙
˙˙
˙n ˙b
way down
˙A˙
˙
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Dave Stevens
w
˙n˙
home.
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4
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6. Flower From An Old Bouquet˙ œ œ˙
œœ
There in our
˙ œ œ˙ œ œ
œ œ
œ œœœb
œœ
sweet - heart bow - er,
œbœ
œœ
œ œ
œb œ
Œ
œ œ œ
Œœ
œœ
you’re just my
Œ
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Œ
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œ˙
œnœ
œ˙
,
œnœ
flow - er from an
œn ˙
,
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old
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,
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bou -
œ
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,
œ
œ
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Nancy BergmanSung by the After Five Four, 1968
˙∫˙
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quet.
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˙b˙
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7. I’ll Be Seeing You
Ó
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I’ll be
œœ
Ó
œ œ œœ
œ œ œœ
look- ing at the
œ œ œ œ
œ œ œœ#
œœ
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look- ing at the
w
moon,
w
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look- ing at the
w
moon,
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but I’ll be
œ
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œ
w
moon,
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see - ing
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w
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you
Ó
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I’ll be
Ó
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Ӝ
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see - ing
˙
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Bobby Gray, Jr., 1976
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you.
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8. Wedding Bells Are Breaking Up
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Those
œbœ
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wed - ding bells are
œ œ œ œbœ
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break - ing up that
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˙N˙
˙
wn
old3
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w
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w
3
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˙˙
S. K. Grundy, 1959Sung by the Four PitchikersGrace note version sung by the Gas House Gang, 1993
˙˙
˙Aœb
œ
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gang of
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œ
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w
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mine.
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9. Lonesome Roseœ œ œb
œœœ
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Love will come your
œ œ œœb
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w
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way,
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w
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lone - - -
˙b
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lone - some
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lone,
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some
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lone - some
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rose.
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Ed Waesche, 1985
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10. The Sunshine Of Your Smile
Œ
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Your
Œ
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Œ œ
.œ
J
œ
My world for -
Œ
œ.œ
j
œ
˙ .œ
J
œ
smile
œ ˙œ
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,
œ
ev - er: the
œ ˙
,
œœ ˙
œ
œœ
œœ‹
œ œ œ
,
œ
sun - shine of your
œœ œ‹
,
œ
œ œ œ#
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Bill DiekemaSung by the Confederates, 1956
w‹w
smile.
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11. When I Leave The World Behind
Œ
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Be -
Œ
∑w
hind.
∑
œœ
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when I leave the
w
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when I leave the
œœ
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world be -
w
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world be -
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w
hind.
w
w
hind.
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12. My Diane
œœ
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I’m in
œœ#
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œ
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œ
heav-en when I
œ œ œ œœN
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œ
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see you
˙ ˙
˙ ˙
w
w
smile,
w
w
œ
Œ
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œ
Œ
œ œ
smile for
œ
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w
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me,
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my Di -
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ane.
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13. Smile
Œ
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A
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Smile,
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J
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smile is still worth -
w.œb
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darn ya,
.œb
‰
j
œ
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J
œ
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while, Bobby Gray, Jr., 1986Sung by the New Tradition
w
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smile!
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Œ
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14. Cry (I’m Sorry I Made You Cry)
.˙
Cry,
.˙
Cry
.˙
Cry,
.˙
œ˙
,
.˙
œœn œ
,
œœn
œ
œœn
œ
I made you
.˙
œn œ œ
I made you
œœn
œ
Brian Beck, 1983Sung by the Side Street Ramblers
.˙
cry
.˙
.˙
cry
.˙
- 4 -
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15. Heart Of A Clown
Ó
œ œ#
Sure, if
Ó
˙#œ#
œ
˙œ
œ
I had the
˙
œ#œ
˙œ#
œ
˙N œ
Œ
˙ œœ
œ
heartof a
˙œ
Œ
œ œbœ
Œ
Œ
œœ
œ
I had the
w
clown.
Œ
œœ
œb
I had the
Œœ
œœ
Lloyd SteinkampSung by the Western Continentals, 1968
˙bœ
œ
heart of a
w
˙
œb œ
heart of a
˙œ
œ
w
clown.
w
w
clown.
w
ww
w
w
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#
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4
4
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4
16. Please Don’t Give My Daddy No More Wine
œ œ œ œ
œ œ œ œ
Please don’t give my
œ œ œ œ
œ œ œ œ
j
œ# .œ œ œ
J
œ.
œ œ œ
dad - dy no morej
œ .œ œ œ
J
œ .œ œ œ
˙ œ œ
˙ œ œ
wine, no more
˙ œ œ
˙ œ œ
V
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#
#
#
.˙
Œ
.˙
Œ
wine.
.˙#
Œ.
˙Œ
œ# œ œ œ
œ œ œ œ
He may be no
œN œ œ œ
œ œ œ œ
.œN
j
œ œ œ
.œ
J
œœ
œ
good, but he’s all
.œ
j
œœ
œ
.œ
J
œ
œ
œ
˙˙#
mine, all
w
mine.
˙˙
mine, all
˙
3
œœ
œ
w
mine.
w
˙˙
mine.
w
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17. Oh Lida Rose
œ
My
Œ
ŒŒ
w
Rose
Œ
œœ
œb
Oh Li - da
Œ
œœ
œ
Œœ
œœb
œbœ
˙w
Rose,
w
œœ
˙b
Œ
œœ
œb
Œœ œ œ
won’t you be
Œ
œ œ œ
Œ
œbœ
œ
wNw
mine.
w
w
.˙
Œ
.˙
Œ
.˙
Œ
.˙
Œ
- 5 -
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18. Darkness On The Delta≈ Œ
J
œn.
J
œ
J
œ#
Oh, let me
≈ Œ
j
œ.
œ œ.
œ œ
J
œ.
œ œ.
œ œ
lin -ger in the
j
œn .œ œ .œ œ
J
œ .œ œ .œ œ
j
œ .œ
Œ
.œ œ
J
œ .œ
Œ
.œ œ
shel - ter of thej
œ.
œ
Œ
.œ œ
J
œ .œ
Œ
.œ œ
œœ#
œœ
œœ
˙
night.
œ
œ
œœ
œ
œ
œ
œ
Sung by the Bluegrass Student Union, 1978
œœ œn
œ
w
œœb œn
œb
œœ œ#
œ
w
w
˙ ˙bœ
˙bœ
.˙
Œ
.˙
Œ
.˙
Œ
.˙
Œ
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19. Who’ll Take My Place When I’m Gone?
˙n œ œ˙
œ
œ
Who’ll take my
˙ œ œ˙
œ
œ
˙A
j
œ.œ
˙
J
œ
.œ
place when I’m
œœ
j
œ.
œœb
œ
J
œ
.œ
w
gone,
Œ
.˙
gone,
Ó ˙b
gone,
Ó.
œ
gone,
w#
gone,
Œ
.˙
gone,
Ó˙
gone,
Ó. œn
gone,
Sung by the Dealer’s Choice, 1973
wN
gone.
Œ
.˙
gone.
Ó˙b
gone.
Ó. œA
gone.
ww
w
w
V
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b
4
4
4
4
20. Sunshine Is Bidding The Day Goodbye
œ ˙ œœ ˙ œ
Sun - shine is
œ ˙ œ
œ
˙ œ
j
œ# œ
j
œœ œ
J
œ œ
J
œ œ œ
bid - ding the day good -j
œ œ
j
œœ œ
J
œ œ
J
œœ œ
wb
w
bye.
˙˙
w
wnw
w
w
V
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4
4
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4
21. We’ll Just Be The Same Old Friends
˙n
˙
We’ll
˙
˙
˙Aœ
œ
˙œ
œ
just be the
˙n œ œ
˙ œ œ
.˙ œ
˙œ
œ
same old
˙œ
œ
.˙ œ
w
,
friends.
˙
˙
friends, old
œœ
,
˙œ
œ˙
Carl Dahlke, 1965Sung by the Auto Towners
w
w
friends.
w
w
- 6 -
V
?
b
b
4
4
4
4
22. Nobody’s Waiting There With A Smile (I Hate To Go Home Alone)
˙ œ œ˙
œœ
No - bod - y’s
˙ œ œ
˙ œ œ
œœ
˙
œœ
˙
wait - ing there
œ# œ ˙
œ œ ˙
˙˙
˙˙
with a
˙ ˙b
˙ ˙
w
w
smile.
w
w
w
V
?
b
b
b
b
b
b
b
b
4
4
4
4
23. Foolish Over You (Each Time I Fall In Love)
Ó
˙
with
Ó
3
œb œ œ
Ó
3
œ œ œ
Fall-ing in
Ó
3
œ œ œw
you
˙b
3
œœb
œ
˙
3
œ œ œ
love o - ver a -
˙
3
œ œ œ˙
3
œœb
œb
˙
U
˙
˙
"
u
œœb
gain with
˙
U"
˙
˙
u
œbœ
S. K. GrundySung by the Sundowners, 1968
w
you.
˙
"
œœ
œœ
you, fool- ish o - ver
˙
"
œœ
œ
œ
w
you.
w
w
you.
w
w
.˙
Œ.˙
Œ
.˙Œ
.˙
Œ
V
?
b
b
8
12
8
12
24. Last Night Was The End Of The World
‰
J
œ
My
‰
.œ œ
j
œ.œ œ
j
œ
.œ œ
J
œ .œ# œ
J
œ
dream is o’er, to
.œ œ
j
œ.
œ œ
j
œ.
œ œ
J
œ.œ œ
J
œ
.œ .œ
.œ œ ‰
.œ .œ
.œ œ
J
œ
live no more.Last
.œ .œ
.œ œ
j
œ œb
‰
(no more)
.œ#.
œ
.œ œ
‰
Œ.
.œ
.œ#
j
œ
j
œ#
j
œ
.˙ .œ
J
œ
J
œn
J
œ
nightwas the
Œ.
.œ
.œ
j
œ
j
œ#
j
œ
Last night
Œ.
.œ
.œ
J
œ
J
œ#
J
œ
V
?
b
b
.œN
.œ.
œ
j
œ
‰
j
œb
.œ
.œ.
œ
J
œ
‰J
œ
end, the
.˙n .œ
j
œ
‰
j
œ.œ
.œ .œ
J
œ ‰
J
œb
.œ.
œ.œ œ
‰j
œ
.˙ .œ œ
J
œ
end ofthe
.œA.
œ.
œ œ
‰
j
œb
.œ
.œ
.œ œ
‰ J
œb
Bob BrockSung by the Four Renegades, 1962
Œ.
.œ.œ
.œ
end of the
.w
world.
Œ.
.œN .œ .œb
end of the
Œ.
.œ.œ
.œ
.w
world.
.w
.w
world.
.w
- 7 -
V
?
b
b
b
b
4
4
4
4
25. Back In My Home Town
œœ
œœ
œœ
œœ
Back in my
œœ
˙œœ
œ œb
˙˙b
U
˙˙
,u
home
.˙œb
,U
˙˙
u
w˙b
˙
town
˙b ˙n
˙b˙
Val Hicks, 1962Sung by the Dapper Dans of Disneyland
w
wN
w
w
V
?
b
b
b
b
b
b
8
6
8
6
26. Friendship And Love
‰
œ œ
To the
‰
œ œ
To the
Œ.
j
œ
j
œ
j
œ
Friend - ship and
.˙
end
Œ.
j
œ
j
œ
j
œb
Friend - ship and
.˙
end,
.œb œ œ œ
love to the
.˙
.œb
œ œ œ
love to the
.œ œ œ œ
love to the
Don Clause, 1985Sung by the Happiness Emporium
.˙
end
.˙
.˙
end
.˙
end.
.˙
.˙
.˙
.˙
V
?
#
#
4
4
4
4
27. Run, Run, Run
w
Run
œ œ œ œ œ œ
Run to the cit - y of
œ œ œ œ œ œœ œ œ œ œ œ
w˙ œ œ œ œ
ref - uge, you bet - ter
˙b œ œ œ œ
˙ œ œ œ œ
˙
j
œ .œ
˙ ˙
run, run,
˙N˙
˙˙
.˙
Œ
.˙
Œ
run.
.˙Œ
w
run.
V
?
#
#
œ œ œœn œ œ
œ œ œ œ œ œ
Run to the cit - y of
œ œ œ œ œ œw
˙ œ œ œb œ˙ œ œ œ œ
ref - uge, you bet - ter
˙b œ œœ œ
w
˙œ œ#
˙
,
˙
run, run,
˙
,
˙
w
Bob Dowma, 1975Sung by the Happiness Emporium
ww
run.
w
w
- 8 -
V
?
b
b
4
3
4
3
28. Drink To Me Only With Thine Eyes
œ œ œœ œ œ
Drink to me
œ œ œœ œ œ
œœ
œ˙ œ
on - ly
˙ œ˙ œ
Œ
œ œ
Œœ œ
with thine
Œ œ œ
˙ œ
with
œœ
œ˙ œb
eyes, and
˙# œn
˙n œb
œ œ œ
œ œ œ
I will not
œ œœb
œb œ œ
John Hill, 1955
˙œ
˙n œb
ask for
˙ œb
˙ œb
Sung by the Buffalo Bills
.˙
.˙
wine.
.˙
.˙
.˙
.˙
.˙
.˙
V
?
4
4
4
4
29. Gone Are The Memories
˙ œ œ˙
œ œb
Gone are the
˙ œ œ
˙ œ œ
œœ
œ œ
mem - o - ries
˙ œb œ
mem - ’ries of
˙œ œ
˙ œ œ
œ œ œ œbœ
œœ œ
all those gol - den
œ œ#œ# œ
œœ
œ œb
œ
œœ
Œ
gol - den days
.˙ Œ
days
œNœ
œ Œ
gol - den days
.˙
Œ
days
œ œ œ
œ
œœ
œœ
that have gone
œ œ œ œb
œœ
œœb
w
w
bye.
w
w
V
?
#
#
4
3
4
3
30. Goodbye Forever, It’s Over I Know
œ œ œ
œ œ œ
Good -bye for -
œ œ œœ œ œ
œ œ œ
œ œ œ
ev - er, it’s
œ œ œ
œn œ œ
œ œ œ
œœ
œ
o - ver I
œœ
œ
œ œ œ
.˙
.˙
know.
.˙
.˙b
œ œ œ
œ œœ
Love’s warm sweet
œ œ œ
œ œ œ
œ œ œœ œ œ
weath-er has
œb œ œ
œb œ œ
œ œ œœb œ œ
turned in - to
œ œ œ
œ œ œ
V
?
#
#
˙
U
œ
˙
,u
œ
snow. The
œœn
,
U
œ
˙b
u
œ
œœ
œœ# œ œ
love - li - est
œœ
œ
œ œ œ
œœ
œ
œ# œ œ
time of the
œœ
œ
œ œ œ
.˙
.˙
year
.˙
.˙
.˙
.˙b
has
.˙
.˙n
.˙
.˙
gone.
.˙
.˙
.˙
.˙
.˙
.˙
Bill Busby
.˙
.˙
.˙
.˙
.˙
.˙
.˙
.˙
- 9 -
Joe Sullivan, 1962Popular version
V
?
4
4
4
4
31. Melancholy Baby
Œ
œ
Or
Œ
œ# œ œ œœ
œœ
œ
else I shall be
œ œœ
œœ œ
œ œ
œœ
œ œ
œ œ œœ
mel - an chol y
œ œ œ œbœ
œœ œb
.˙œ#
w
too.
Œ œNœ
œ#œ
mel - an - chol - y
.˙
œ
too.
Sung by the Playtonics, mid 1950s
ww
w
too.
w
V
?
4
3
4
3
32. Lullaby And Goodnight
œ œœ œ
Lul - la -
œ œœ œ
˙œ œ
œœ
œœ
by and good -
˙ œ œ
˙ œ œ
˙ œ
U
˙
, 3
œ
u
œ
u
œ
u
night, good -
˙b
,
œ
U
˙b
3
œ
u
J
œb
u
œœ
œ
˙œ
night.
œœ
œ
.˙
Joe Sullivan, late 1970s
.˙
.˙
.˙
.˙
V
?
4
4
4
4
33. Sleepy Time Down South
œœ
œœ
When it’s
œœ
œœ
œ œ œœ
U
œ œ ˙
u
sleep - y time
œ œ ˙
U
œœ
˙#
u
˙b˙
w
down
˙ ˙bwN
wNw
south.
w
w
˙
Ó˙
Ó
˙
Ó˙
Ó
V
?
b
b
4
3
4
3
34. Give Me Your Hand To Hold In Mine
œ œ œœ œ œ
Give me your
œ œ œ
œ
œ
œ
˙# œ˙ œ
hand to
˙ œ˙ œ
˙ œ
˙ œ
hold in
˙ œ˙ œ
˙b œ
˙ œ
mine, and
˙
˙
œ
˙ œ
˙ œ
˙ œ
I will
œœ
œ
œœ
œ
œ œ œ
œœ
œ
give you my
œœ
œ
œ œ œ
.˙
heart.
œœ
,
œ#
heart, my
œbœ
,
œn
.˙b
heart.
Lou Perry, early 1980s
.˙
.˙
heart.
.˙
.˙
- 10 -
V
?
4
4
4
4
35. Don’t Leave Me, Dear Old Mammy
œ
œ
So
œ
œ
˙œ œ
˙œ
œ
don’t leave me,
˙œ œ
˙
œ
œ
œœ#
œ#œ
œœ
œœ
dear old mam-my,
œ œœ
œ
œœ
œ
œ
˙#˙
˙˙
I need
˙˙
˙˙
˙
j
œ .œ
˙J
œ .œ
,
you, mam-my,
˙
j
œ#.
œ
,
˙
J
œ
.œ
˙bœ
œ˙˙
I need
˙N˙b
˙œ
œ
Lloyd SteinkampSung by Most Happy Fellows, 1977
ww
you.
w
w
.˙
Œ.˙
Œ
.˙
Œ.˙
Œ
V
?
#
#
4
4
4
4
36. Annie Doesn’t Live Here Anymore
œ œ œœ
œ œ œ
œ
An - nie’s gone a -
œ œœ
œ
œ œ œ œ
˙˙
w
way,
˙˙b
˙ ˙b
œœn
œœ
œ
œœ#
œ
what more can I
œ
œœ#
œ
œ œœ
œ
˙aœ#
Œ
.˙
Œ
say?
˙œ
Œ˙
œŒ
V
?
#
#
œN œœ
œ
œ œœ
œ
An - nie does - n’t
œ# œ œ œ
œ œ
œ œ
œœb œn œb
œbœ œ
œ
live here an - y -
œ# œ œn
œœb
œbœ
œ
ww
more.
w
w
Burt Szabo, 1982
.˙
Œ
.˙
Œ
.˙
Œ
.˙
Œ
V
?
b
b
4
4
4
4
37. We’ll Build A Rainbow
˙ œ œ
˙œ
œ
We’ll build a
˙œ
œ
˙ œ œb
˙˙
˙
˙
,
rain - bow
˙˙n
,
˙
˙
˙ ˙#˙ ˙
in the
˙A ˙n
˙ ˙b
Earl Moon, early 1970s
ww
sky.
w
w
- 11 -
V
?
b
b
4
3
4
3
38. Roses I Bring To You
œœ
œ
œ œœ
Sweet-heart I
œœ
œ
œœ#
œ
˙
œ
to
.˙
bring,
.˙
.˙
.˙
you.
∑
∑
.˙
œ˙n
ros - es;
œ˙#
œ˙b
.˙
œœ
u
œ
Ros - es I
œ œb
U
œ
œœ
u
œ
Bob Bohn, 1969Sung by the Easternaires
.˙
˙nœb
bring to
˙
œ
˙œ
.˙
.˙
you.
.˙
.˙
.˙
.˙
.˙
.˙
V
?
b
b
4
4
4
4
39. Snowflakes.
œ
j
œ œ œ.
œ
J
œœ
œ
From the dark and
.œ
j
œ œœb
.œ
J
œ œ œ
œœ
œ
Œ
œœ
œŒ
drear - y skies
œ œœ#
Œœ œ
œŒ
œœ
œbœ
œ œ œœ
love - ly snow - flakes
œ#œ
œ œb
œb
œœb
œ
Willie Randel
.˙
Œ
.˙
Œ
fall
.˙
Œ.
˙Œ
V
?
4
3
4
3
40. Who’ll Dry Your Tears When You Cry?
œ œœœ
œ œ#
Who’ll dry your
œœ
œb
œ œœ
˙œ
œ
˙
œœ
tears when you
˙œ œ
˙
œ
œ
.˙b
.˙
cry?
Œœ
œbœb
Who’ll dry your
.˙b
gone?
.˙
.˙
.œb
j
œ œ#
tears when you
.˙
.˙N
.˙
.˙
cry?
.˙
.˙
.˙
.˙
.˙
Burt Szabo, 1978
V
?
#
#
4
4
4
4
41. So Tired Of Waiting For You
œœ
œ
œ œ œ#
So tired of
œœn
œœ
œœ
œ˙
œ
œ ˙#œ
wait - ing for
œ ˙œbœ
˙œ
Sung by the Cracker Jills, 1957Renee Craig
w
w
you.
w
w
w
w
w
w
- 12 -
V
?
b
b
b
b
4
3
4
3
42. Darling, That Someone Is You
œœ
œ
œœ
œ
My heart is
œœ
œ
œœ
œ
œœb
œ
œbœ
œ
long - ing for
œœb
œ
œœb
œ
œœ
œ
œ
œ
œ
some - one to
œ
œ
œ
œœ œb
œœn
U
œ
œn
œ
u
"
œ#
cling to, and
œ œ
U
"
œ
œ
œ
u
œb
.˙
.˙
dar - - - -
.˙
.˙
.˙
.˙
.˙
.˙b
.˙ .˙
ling,
.˙n
.˙
V
?
b
b
b
b
œ
Œ
œœ
Œ
œn
that
œ
Œ
œb
œ Œ œb
.˙
.˙A
some - - -
œ
œœ
dar - ling, that
.˙
some - - -
œœ
Œ
œ
œŒ
one,
œ œŒ
some-one,
œ
œ‰
J
œ
one is
œœ
œœ
œ
œ
dar - ling, that
œb œ œ
.˙
you.
œœ
œœ
œ
œ
some- one is
œ œ œb
.˙
Joe Liles, 1983Sung by the Side Street Ramblers
.˙
.˙
you.
.˙
.˙
œÓœ Ó
œÓ
œÓ
V
?
#
#
4
3
4
3
43. Ireland, My Ireland
œ.œ
j
œ
œ
.œ
J
œ
Ire - land, my
œ.œ
j
œ#
œ .œ
J
œ
œ œœ
œ œb œn
Ire - land, I’m
œœ œ#
œœ œ#
œ œœ
œœ# œn
long - ing for
œ
œœ
œ
œ
œ
œ
.˙
.˙
you.
.˙
.˙
Burt Szabo, 1978
V
?
b
b
b
b
4
3
4
3
44. Jean
œœ
Come
œœ
œ œœb
œœ
œb
in - to my
œ
œ
œ
œœ œb
˙N œœ
˙ œ œ
arms, bon - nie
˙ œœ
˙ œ œ
Sung by the SuntonesGene Cokeroft, 1970
˙bœb
œ
Jean, bon - nie
.˙b
Jean.
˙œb
œb
Jean, bon - nie
.˙b
Jean.
˙
Œ
Jean.
˙Œ
˙Œ
Jean.
˙Œ
- 13 -
V
?
b
b
b
b
4
3
4
3
45. Irish Mother
œ
œn
That
œ
œ
œn œ œ
œAœ
œ
old I - rish
œœ œ
œ œ œ
˙ œ
U
˙œ
"
u
moth - er,
˙ œ
"U
˙œ
u
œœ
œœ œ œ
sweet I - rish
œœb œ
œœ
œ
˙œ
U
˙ œ
"u
moth - er,
˙ œ
"U
˙œ
u
.˙
.˙
of
.˙b
.˙b
.˙
.˙
.˙n
.˙
.˙
.˙
mine.
.˙
.˙
Greg Backwell, 1959Sung by the Nighthawks
˙
Œ˙
Œ
˙Œ
˙Œ
V
?
b
b
4
3
4
3
46. Silvery Moonlight
œœ
œ
Sil - ver - y
.˙
Moon -
œœ
œ
.˙
œœ
œ
moon- light and
˙ œ
light and
˙bœ
˙b œ
.˙
star - - -
œœ œb
star - -
œœ
œb
˙ œb
œœ
œ
light, and
˙ œb
light, and
˙œ
˙ œ
.˙
you.
œœ
œ
all I can
œ œ œ
œœ
œ
.˙
˙n œb
see is
˙ œb
˙ œb
.˙
.˙
you.
.˙
.˙
.˙
.˙
.˙
.˙
V
?
b
b
b
b
4
4
4
4
47. Friends
Ó
œœ
That a
ÓÓ
œ œ œ œbœ œ
œœ
life - time’s not too
œ œ œœ
œ œœ
œ
.œ
j
œ
œœ
long, it’s not too
w
long
˙˙
long,
.œ
J
œœ
œ
long, it’s not too
w
long
w
˙œ
œ
not too
w
long
V
?
b
b
b
b
œ
‰
j
œ .œ
j
œ
œ
‰
J
œ
.œ
J
œ
to live as
œ
‰
j
œ.œ
j
œ
long
œ‰
J
œ .œ
J
œ
w
friends,
w
friends.
w
friends,
w
friends.
œ‰
j
œœ
œ
to live as
w
œ‰
j
œœ
œ
to live as
w
David Wright, 1987Sung by Ambiance
w
friends.
w
w
friends.
w
ww
w
w
- 14 -
V
?
b
b
b
b
b
b
4
4
4
4
48. Buddy, Can You Spare A Dime
œ œœ œ
œœ
œœ
œœ
œœ
,
Say, don’t you re - mem - ber,
œ œ œ œœn œ
,
œ œ œ œœ œ
œœn
˙
œœ ˙b
I’m your pal.
œœ ˙
œ
œ˙
Greg Backwell 1959Sung by the Nighthawks
œœ œ œ
œnœ
œœ
,
œœ
œ œ
Bud - dy, can you spare a
œœ
,
œnœ
œœ
œœ œ œ
œ œ
w
wn
dime?
w
w
V
?
4
3
4
3
49. All By Myself Alone
œœ œ
œœ
œ
All by my -
œœ
œbœ
œbœb
˙œ
˙œ
self, a - -
˙Nœ
˙ œ
.˙
.˙
lone.
.˙
.˙
˙
Œ˙
Œ
˙
Œ˙
Œ
V
?
4
4
4
4
50. Back In The Old Routine
Œ
œ
œ
Rou - tine
ŒŒ
‰.
j˚
œ .œœ
j
œ.œ
I’d love to be there,
w
‰.
j˚
œ .œœ
j
œb .œ
I'd love to be there,
‰.
J
œ .œœ
J
œ.œ
œ.
œ œ
j
œb .œ
just you and me there,
w
œ.
œ œ
j
œb.
œ
just you and me there,
œ.
œœ
J
œb .œ
V
?
Œ
œN œ œb
Œœ œ œ
back in those
Œ
œ œœb
˙N œ œb
back
j
œ.
œ
j
œ
.œb
J
œ.œ
J
œ.
œ
good old vaude - ville
j
œN
.œ
j
œ
.œ
J
œ.
œ
J
œ
.œ
Greg Backwell, 1961Sung by the Nighthawks
Œœ
j
œb .œ
those good old
w
days.
Œ
œb
j
œ.
œb
those good old
Œœ
J
œb .œ
w
days.
w
w
days.
w
- 15 -
Rex Reeve, 1959Sung by the Playtonics
V
?
b
b
4
4
4
4
51. For Life Is Interwoven
Œ
œ
For
ŒŒ
œ œœ# œ
œ œœ œ
life is in - ter -
œ œœ œœ œ
œ œ
˙œ
œ œ
˙œ œ œ
wo - ven with the
œœ œb œ œ
˙
œ œ œ
œ œœ
œ
œœ
œœ
friends we used to
œ œ œb œ
œ œ œ œ
Mo Rector, 1966
.˙
Œ.˙
Œ
know.
.˙
.˙
Œ
.˙
Œ
V
?
#
#
#
#
#
#
4
4
4
4
52. Love Letters Straight From Your Heart
˙ œ œ
˙ œ œ
Love let - ters
˙ œ œ
˙ œ œ
˙œ
œ˙
œœ
straight from your
˙ œ œ˙
˙
œ œ
w
heart,
w
heart,
˙œ
œ
love let - ters
w
heart.
˙œ
œ
from your
w
˙nœ
œ
straight from your
w
w
heart.
œœ
œœ
love- ly let - ters
w
heart,
w
w
˙ ˙#
from your
˙ ˙n
your
w
w
w
heart.
w
heart.
w
Fred King, 1981Sung by the Pros And Cons
w
w
w
w
V
?
#
#
#
#
4
3
4
3
53. When I Lost You
œ# œ œ
œœ
œ
I lost the
œœ
œ
œ œ œ
œ#.
œ
j
œœn .
œ
,J
œ
glad-ness that
œ.
œ
,j
œœ
.œ
J
œ
˙N œ
œ#
˙#œ
œ
turned in - to
˙œ#
œ
˙
œ œ
œ# .œ
j
œ
œ.œ
,
J
œ
sad - ness when
œ .œ
,j
œœ .œ
J
œ#
œ ˙b.˙
I
.˙
œN˙
œ˙
œ
˙
lost
.˙œ
˙
V
?
#
#
#
#
˙ œnœ.
˙
you,
˙nœ œb
˙œ# œn
˙
U
œ˙
u
œ
,
when
œœ#
,U
œ
œœ
u
œ
˙œ˙œb
I
˙Nœ
.˙b
.˙
.˙b
lost
œn˙
.˙
Nancy Bergman, 1992
.˙
you.
Óœb
lost
Ӝ
Ó
œ
œ
U
Ӝ
u
Ó
you.
œ
U
Ӝ
u
Ó
- 16 -
V
?
#
#
#
#
#
#
4
4
4
4
54. Autumn Leaves
˙̇
When
˙̇
œœ
˙
œœ
˙
au - tumn leaves
œ œ ˙œ
œ˙
œœ# .œ
j
œ
œœ
.œ
J
œ
be - gin to
œœ
.œ
j
œ
œœ
.œn
J
œ#
w
fall.
Œ
œœ
œ
when au - tumn
Œ
œœ
œ
Œœ
œœ
œ
wœ
œ .œ
J
œ
leaves be - gin to
œœ
œ .œ
j
œœ
œ .œ
J
œ
Renee Craig, circa 1960Sung by the Cracker jills
w
w#
fall.
w
w
˙
Ó˙
Ó
˙Ó
˙
Ó
V
?
#
#
#
#
4
4
4
4
55. Rhapsody Of New York
‰
j
œ œ œ.œ œ œ
‰
J
œœ
œ.œn œ œ
It plays a rhap - so -dy,
‰
j
œ œ œ.
œ œ œ
˙ œ ‰.
J
œ
town New
‰
j
œ œ œœ
œœ œ
‰
J
œœ
œœn
œœ
œ
It pounds the heart - beat of New
‰
j
œ œ œœ
œœ œ
w
York
w
w
York.
w
w
David Wright, 1988Sung by Ambiance
w
w
w
w
V
?
b
b
4
4
4
4
56. Lone Prairie
œœ
œ
œ œ œ
And when I
œ œœ
œœ
œ
w
w
die
w
w
œœ œ
œœ
œœ œ œ œœ
you can bur - y
œ œ œ œ œ
œ œ œ œ œ
w
w
me
w
w
V
?
b
b
œ
œ œœ
œ
œ
,
œ œ œ œ
’neath the west - ern
œ
,
œ œ œœ
œ
œ œœ
œ
w
˙˙#
sky,
˙˙
˙˙
œœ
œœ œ
œn œ œœn œb
on the lone prai -
œb œ œœ œb
œb œ œœ œb
w
w
rie.
w
w
Norman Luboff, 1966Sung by the Norman Luboff Choir
œ
Œ Óœ
Œ Ó
œŒ Ó
œ
Œ Ó
- 17 -
V
?
b
b
b
b
4
4
4
4
57. Johnny Doughboy Found A Rose
œ œ
œœ
John-ny
œ œ
œ
œ
j
œ.
œ.œ#
j
œ
J
œ .œ .œn
J
œ
Dough -boy found aj
œ .œ.œ
j
œ
J
œ.
œ.œ
J
œ
œ
œœb
œ#.
˙œ
rose in
œbœ
œœn
.˙
œ
w
w
Ire - - -
˙˙
˙˙b
.˙ œ
.˙
,
œ
land, in
.˙n
,
œ
.˙ œ
w
˙ ˙b
Ire -
˙A˙
˙˙
w
w
land.
w
w
V
?
b
b
4
4
4
4
58. I Know We’ll Meet Again
œœ
I
œœ
œœ
œœ
œœ
œ œ
know we’ll meet a -
œœ
œ œœœ
œœ
.˙ œ
some -
.˙
Œ
gain
.˙
Œ.˙
Œ
w
day.
Óœ œ
meet a -
Ó
œ œb
Ӝ
œb
w
˙˙b
gain some -
˙b ˙n
˙b˙b
w
w
day.
ww
.˙
Œ.˙
Œ
.˙
Œ
.˙
Œ
V
?
b
b
b
b
4
4
4
4
59. Old Bones (I’d Like To Do It Again)
.œ œ
.œ œ
Just to
.œ œ.œ œ
˙ .œ
j
œ
˙ .œ
J
œ
turn back the
˙.
œ
j
œ
˙ .œ
J
œ
œb œ œ œ .œ
j
œ
œœ
œœ .œ
J
œ
pag-es of time and
œœ
œ œ .œ
j
œ
œ œ œ œ .œ
J
œ
j
œœ
j
œ œœ
œ
J
œœ
J
œ œœ
œ
let my life be-gin,j
œœ
j
œ œ œœn
J
œœ
J
œb œ œœ
˙
Ó
˙
Ó
˙Ó
˙ Œ
œ
Oh,
Ó
˙n
Oh,
Ó˙
Oh,
Ó˙
Oh,
w
yeh,
.˙A œœ
yeh, a-gain,
œ œœ
œœ
œœ
œ
yeh, I’d like to do it a-gain,
.˙ œ œb
yeh, a-gain,
.˙ œ
œ
V
?
b
b
b
b
.˙
œbœ
a-gain,
œ œœ
œœ
œœ
œ
I’d like to do it a-gain,
.˙
œœ
a-gain,
.˙ œ
œ
a-gain,
.˙ œ œ
a-gain,
.˙ œ œ
a-gain,
œ œœ
œœ
œœ
œ
I’d like to do it a-gain,
.˙ œœ
a-gain,
œœ
œœ
œœ
œœ
I’dlike to do it a-gain,
.˙ œœ
a-gain.
.˙ œ
œ
.˙ œœ
.˙ œ œ
a-gain,
œœ œ œ
œn œ œbœ
Iwan-na do it a-gain,
œ
œ œ œœ# œ œn
œ
œ
œb œ œœ œ œb
œ
Val Hicks, 1982
œœ
œ ˙
a-gain!
œœ#
œ ˙
a-gain!
œœn
œ ˙
œœ
œ ˙
- 18 -
V
?
b
b
b
b
4
4
4
4
60. Through The Years
Œœ
œœ
Œœ
œœ
œ œb
I’ll come to
Œ œ
œœ
œ
Œ œ œ œb
˙
Œ
œ œ
˙
Œ
œ œ
you smil - ing
˙
Œ
œ œ
˙Œ
œ œ
.˙
œ
œœ
œb œn
through the
œ ˙b œœ
œbœ
œb
w
˙˙
years.
w
w
Gene Puerling, 1954Sung by the Hi-Lo’s
w
w
w
w
V
?
b
b
b
b
4
3
4
3
61. I’m So Alone With The Crowd
Œ
œ
Old
ŒŒ
œ œ œ
œœ
œ
friends seem to
œ œ œ
œ œ œ
˙bŒ
˙ œœ
be to- tal
˙Œ
˙b
Œ
œ œ œ
œœ
œ
strang-ers to
œ œ œ
œ œ œ
˙ œ
˙ œ
me, for
˙n œ
˙ œ
œœ
œ
œ œ œ
I’m so a -
œA œ œ
œœ
œ
œbœ
3
œœ
œ
œ
,
œ
3
œb œn œb
lone with the
œ
,
œ
3
œœ
œ
œœ
œ
.˙
.˙
crowd.
.˙
.˙
Rex Reeve, 1952
V
?
#
#
4
4
4
4
62. She Stole My Heart Away (An Old Fashioned Girl In A Gingham Gown)
œœ
œœ
In a
œœ
œœ
˙ œœn
˙ œœ
ging - ham
˙ œœ
˙ œ
œ
˙
Œ
œ˙
Œœ
gownshe
˙#
Œ
œ
she
˙Œ
œ
she
.˙ œb
.˙ œ
stole
œ œ
œœ
stole, she stolemy
.˙ œ
stole my
˙Œ
œ
a -
˙Œ
œ
a -
˙Œ
œ
heart
˙
Œ
œ
heart a -
w
way.
˙ ˙
way, a -
Earl MoonPopular version
˙ ˙b
w
way.
w
w
way.
w
w
V
?
b
b
b
b
b
b
4
4
4
4
63. In Dixieland Where I Was Born (On The Mississippi)
œ
In
œ
œœ
œœ
œœ
Dix - ie - land where
œœ
œœ
œœ
œœ
œœ
œœ
˙˙
I was
˙ ˙
˙ ˙b˙ ˙
w
born.
w
w
w
ww
w
w
Burt Szabo, 1980
- 19 -
V
?
b
b
4
4
4
4
64. The Old Dominion Line
œ œœ œ
Lis - ten to the
œ œœ œ
œ œ œ œœ œ œ œ
œ œ
œ œ
whis - tle blow - in’
œ œ œ œ
œ œ œ œœ œ œ œ
œ œ œ œ
ev - ’ry - thing is
œ œœ œ
œ œ œ# œ
œ œœ œ
w
fine.
w#
˙˙
w
V
?
b
b
œ œœ# œ
Ev - ’ry - one is
œN œœ œ
œ œ œ œœ œ œn œ
œ œœ œn
sail - in’ on the
œœ
œœ
œ œ œœb
œ œœ œ#
˙ ˙b
old Do -
˙ ˙
˙ ˙#˙ ˙b
œ .˙
min - ion
œ.˙
œ .˙b
œ .˙b
Earl MoonSung by the Sidewinders
w
Line.
w
w
w
V
?
b
b
4
4
4
4
65. Spring Brought Me Flowers
˙ œ œ
˙ œ œ
Spring brought me
˙ œ œ
˙œ
œ
˙˙
˙ ˙
flow - ers,
˙˙
˙˙b
˙ œ œ˙b
œb œ
you brought me
˙œ œ
˙œ œ
w
love.
˙˙
love, sweet
˙
˙
w
love.
Lee Plaskoff, mid 1990s
w
w
love.
w
w
V
?
b
b
b
b
4
3
4
3
66. New York Ain’t New York Anymore
œ œ#œ
œ
an - y -
œ œœ
œ
˙œb
.˙
more,
.˙
˙œ
˙ œb
˙œ
New
˙bœ
˙n œb
œœ
œœ
œœ
York ain’t New
œœ œb
.˙
York
œ
U
œœ
œ
,u
œœ
York an - y -
œ
,
U
œ œb
œ
u
œn œb
.˙
.˙
more.
.˙
.˙
Jay Giallombardo, 1978
.˙
.˙
.˙
.˙
- 20 -
V
?
b
b
4
4
4
4
67. Sonny Boy
œœ
œ
œœ
œ
I love you
œ œœ
œ œ œ
.˙œ œ
.˙ œ
œ
so, son - ny
.˙nœ œb
.˙
œ œb
œ.
˙œœb
œ œb
boy,
œœ
œœ
œ
œ˙
œœb œn
œœ œb
œ œ
son - - - ny
.˙
œb
œ œbœ œb
w
w
boy.
w
w
V
?
b
b
b
b
b
b
4
4
4
4
68. What Miracle Has Made You The Way You Are (Gigi)
œœ
œœ
Oh, what
œ œ
œ œb
œ œ œ œœ
œœ
œn
mir - a - cle has
œ œ œ œ
œ
œœb
œ
œœ
œœ œ
œAœ
œ# œn œœ
made you the way you
œbœ
œn œb
œ
œbœ
œn œbœ
.˙ œ
are,
‰J
œ œ œ œ œ
what mir - a-cle has
‰
j
œ œ œœ
œ
‰J
œ œ œœ
œ
œ#œ
œ œ#
œœ
"
œœ
madeyou what you
œ œn
"
œb œœb
œœ
œA
Bob BohnSung by the Easternaires
w
w
are.
w
w
V
?
#
#
#
#
#
#
8
6
8
6
69. To Reach The Unreachable Star (The Impossible Dream)
j
œ
J
œ
To
j
œ
J
œ
.œ .œ
.œ .œ
reach
.œ
.œ
.œ.œ
j
œ
U
j
œ
j
œ
j
œ
j
œ
j
œ
J
œ
uJ
œ
J
œ
J
œ
J
œ
J
œ
the un - reach - a - ble
j
œ
Uj
œ
j
œ
j
œ
j
œ
j
œ
J
œ
u
J
œ
J
œ
J
œ
J
œ
J
œ
.œ
.œ
.œ.
œn
star.
.œ
.œn
.œ
.œn
Burt Staffen, 1970
.œ
.œ
.œ
.œ
.œ.
œ
.œ
.œ
V
?
b
b
4
4
4
4
70. My Old Kentucky Home
œ œb
œœ
For my
Ó
.œ
j
œ
œœ
.œ
J
œ
œœ
old Ken- tuck - y
.œ
j
œ
œ œ#
.œ
J
œ
œœ
˙.œ
j
œ
a -
˙.œ
J
œ
home fara -
˙n .œb
j
œ
a -
˙
.œ
J
œ
˙b.œ
j
œ
way, far a -
w
way.
˙b.œ
j
œ
way, far a -
˙b.œb
J
œ
Doug Harrington, 1990Sung by Second Edition
w
way.
w
w
way.
w
- 21 -
V
?
b
b
b
b
4
4
4
4
71. Their Hearts Were Full Of Spring
œœ
For their
Œ
ŒŒ
w˙
œ# œn
hearts
˙œ œb
˙œn œb
.˙
œ.
˙n œb
were
.˙œ
.˙
œ
.˙
œ
˙œ
,
œ
full of
˙œ
,
œ˙
œ
œ
wœ
œœ
œœ
œœ
œœ
spring.
œœ
œœ
œœ
œœ
œ
w
Sung by the Four Freshmen
w
w
ww
V
?
b
b
b
b
b
b
b
b
4
4
4
4
72. Bye Oh Bye Oh
œ œ œ œ œ œ œ
Bye oh bye oh bye oh
œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
bye oh bye oh bye oh
œ œ œ œ œ œ œ
œb œ œ œ œ œ œœ œ œ œ œ œ œ
œ œ œ œ œ œ œ
bye oh bye oh bye oh
œ œ œ œ œ œ œ
œ œ œ œ œ œ œœ œ œ œ œ œ œ
V
?
b
b
b
b
b
b
b
b
.˙n
Œ
bye.
.˙n Œ
.˙
Œ
.˙b
Œ
˙˙b
Good - bye
˙˙∫
˙ ˙
˙˙b
j
œN.œ
U
œœ
œœ
Dix - ie, Dix - ie good-bye,
J
œ.
œ
u
œ œ œœ
j
œ .œ
U
œ œ œœ
J
œ.
œ
u
œœ
œ
œ
good-bye.
˙˙n
good -
˙˙
˙˙
w
Gene Morford, circa 1960
w
bye.
w
w
w
V
?
#
#
#
#
4
4
4
4
73. As Time Goes By
œ
Œ
The
ŒŒ
œ œ œ œœn
œœ œ œ œ œœn
world will al - ways wel - come
œ# œ œ œ œ œ
œ œ œ œ œb œ
˙ œ
U
œ
œœ œ#
u
œ
lov - ers as
˙ œ
U
œ
˙œ
u
œ
˙ œœ
˙Nœ
œ#
time goes
˙nœ
œ˙b
œœ
Walter Latzko, late 1950sSung by the Buffalo Bills
w
w
bye.
w
w
- 22 -
V
?
b
b
4
3
4
3
74. Pal Of My DreamsÓ
.
œœ
œ
Oh how I
Ó.
Ó.
.˙
.˙
miss
.˙
.˙
.˙#
.˙
you,
.˙
.˙#
.˙
pal
œœ
œ
pal of my
œœ
œ
.˙
pal,
.˙
dreams
œœ
œ
pal of my,
.˙
dreams.
œœ
œ
pal of my
œœ
œ
pal of my
œœ
œ
pal of my
.˙
.˙
dreams.
Kirk Roose, late 1970s
.˙
dreams.
.˙
dreams.
.˙
.˙
V
?
4
4
4
4
75. I Close My Eyes (I Heard You Singing)
ŒŒ
œ
my
Œ
œœ
œ
Œœ
œœ
doo doo doo
Œœ œ œ
w
eyes
.œœ
œœ
œ.œœ
œœ
œ
doo doo doo doo doo
.œ œ œ œ œ
w
.œœ
œœ
œ.
œœ
œœ
œ
doo doo doo doo I
.œb œ œ œ œ
w
˙˙
˙
˙
close my
˙ ˙b
w
Jay Giallombardo, 1971Sung by Grandma's Boys
w
w
eyes.
w
w
V
?
#
#
4
4
4
4
76. For Me And My GalŒ
œ
In
ŒŒ
œ ˙ œœ ˙ œ
love - land for
œ# ˙ œœ ˙ œ
œœ
œœb
œœ
œœ
œœ
œœ
me and my
œN œ#œ
œœ#
œ
œ œ˙
Sung by the Sidewinders
wNw
gal.
w
w
V
?
b
b
b
b
4
4
4
4
77. Please Don’t Leave Me, Never Go Away
Œ
œ
a -
œ
a -
œœ
œœ
œœ
œœ
Please don’t leave me,
w
way,
w
way.
œœ
œbœ
œœ œ
œ
nev - er go a -
œbœ
œœb
w
w
w
way.
w
w
w
w
w
w
Joe Liles, 1968- 23 -
V
?
4
4
4
4
78. There’s No Place Like Home
œœ
œœ
Be it
œœ
œœ
˙œ
œ
˙œ œ#
ev - er so
˙ œ œœœ
œœ
˙œ
U
œœ
œœ#
u ,
œ
hum - ble, there’s
˙ œb
U ,
œ
œœ
œ
u
œ
.œ
j
œœ
œ˙N œ
3
œœb
œb
no place like
˙ œ
3
œbœ
œ.
œ
J
œœ
œb
Carl Dahlke, 1969
ww
home.
w
w
V
?
#
#
4
4
4
4
79. Mother’s Boy
œ œ œœ
œœ
In dreams I’ll
œ œœ
œœ œ
˙œ œ
˙#œ
œn
be moth - er’s
˙#œ
œn
˙bœ œ
˙ œœ
˙
,
œ
œb
boy, moth - er’s
˙b
,
œœ
˙ œ œ
Earl Moon
w
ww
boy.
w
w
w
V
?
b
b
b
b
4
4
4
4
80. Don’t Be Blue When Raindrops Come Along
œœ
œ œn
œœ
œ œ#
Don’t be blue when
œ œ œ œœœb
œ œb
œœb œn
œ
a -
œ œbœ
œ
rain - drops come a -
œ œ œœb
œ œbœ
œb
w
long.
œ œ œ œœ œ œ œ
lis - ten to the pat - ter ’cause it
œ œ œ œœ œ œ œ
œ œ œ œœb œ œ œ
V
?
b
b
b
b
w
œ œ œ œœ œ œ œ
real - ly does - n’t mat - ter when the
œ œ œ œœb œ œ œ
œ œ œ œœb œ œ œ
w
œn œ œb œ
rain - drops come a -
œ œ œb œ
œ œ œb œ
w
w
long.
w
w
- 24 -
V
?
b
b
b
b
4
4
4
4
81. Midnight Rose
œœ
œœ
Change your
œn œœ œ
˙n œ œ˙
œœ
ways lit - tle
˙A œœ
˙ œ œ
˙A˙
˙˙
Mid - night,
˙˙
˙b˙
Œœ œ
œ œ
Œ œ œ œœ
lit - tle Mid - night
Œœ œ#
œ œb
w
Rose.Ed Waesche, 1975Sung by the Bluegrass Student Union
ww
Rose.
w
w
V
?
#
#
#
#
4
4
4
4
82. Somewhere
œ
Some -
œ
Some -
œ
Some -
œ
˙
˙
how,
.˙
œ
how, some -
˙
˙
how,
˙
˙
œœ
œ#
,
œœ
day, some - day, some -
w
day - - - - - -
œ œ œ
,
œ
day, some - day, some -
œ#œ
œœ
œ
Sung by the Interstate Rivals, 1988
w#
where.
w
ere.
w
where.
w
ww
w
w
V
?
4
4
4
4
83. Bright Was The NightŒ
.
J
œ
J
œ
J
œ
She prom - isedj
œ
j
œ
j
œ
Œ.
œœ œ
œ
œœ
œ
œ
she would be my
œœ#
œœ#
œ œ
œ
œ
˙# œnœ
œœb
œœn
bride
˙N˙
œ œbœ
œ
œ˙ œb
w
w
.˙
œ#
V
?
.œ
‰
œbœ
.œ
‰
˙
some
.œ
‰
œœb
.œ ‰ œb
œb
w
day.
.˙
Œ
day,
.˙N
Œ
.˙b
Œ
w
œ.
˙#
some fine
œ .˙#
œb.
˙
w
w
day.
ww
David Wright, 1991Sung by the Gas House Gang
w
w
ww
- 25 -
V
?
#
#
4
3
4
3
84. Where Is The Boy
œœ œn
œ œ œ
Where is the
œ œ œ
œ œ œ
.˙
œ œbœ
boy,
boy,
.˙
.˙
.˙œ œ œ
where is the
œœ# œn
œ œ œ
.˙
.˙
boy,
.˙
.˙
œ œ œœ
œ# œn
the boy I
œb
œœ
œœb
œn
œœ œb
˙œ
˙# œn
used to
˙œ
˙
œ
œ
Fred King, 1964
.˙
.˙
be?
.˙
.˙
.˙
.˙
.˙
.˙
V
?
b
b
b
b
b
b
4
3
4
3
85. My Love Is Your Love
œœ œ#
œ œ œ
My love is
œœn œb
œœ œb
œ ˙∫
œ ˙
your love
œ œb
œb
œœb
œb
œœ
œœ œ œ
un - til I
œN œ œb
œœ
œ
Brent Graham and Dave LaBar, 1982
.˙
.˙
die.
.˙
.˙
V
?
b
b
b
b
b
b
4
4
4
4
86. And Left Me Lonely Nights (Happy Days And Lonely Nights)
‰
‰
J
œ
And
‰
j
œn œ œ œb œ
‰J
œ œœ œ
œ
And left me lone - ly
‰
j
œ œœ
œ œ
.œ
J
œ œ œ
left me lone - ly
œœn ˙b
nights,
œ œœ œ
œ ˙
oh, so lone - ly nights,
œ
œ˙n
nights.
œœ .œ
œœ
œn
nights, and then you
V
?
b
b
b
b
b
b
‰
j
œn œ œ œb œ
‰J
œ œœ œ
œ
and left me lone - ly
‰
j
œ œœ
œ œ
.œ
J
œ œ œ
left
j
œ œ
j
œ
j
œ∫ œ
j
œ
I’m lone - ly, you on - ly
w
nights.
j
œœ
j
œ
j
œbœb
j
œ
I’m lone - ly, you on - ly
J
œ œ
J
œ
J
œb œ
J
œ
œ œœ œ
œ ˙
left me lone - ly nights.
w
œN œ œb œœ ˙
left me lone - ly nights.
œ œœ œ
œ ˙
Earl Moon
- 26 -
V
?
b
b
4
4
4
4
87. Where Is Love
œœ
œœ
w
Where
œœ
œ œn
˙bœ œb
œœ
œœ
œ˙ œ
is
œœ
œ œ
œœn
œ œ
w
love.
‰
J
œœ
œ.œ
J
œ
where is love, oh
‰
j
œœ
œ .œ
j
œ
w
love.
w
˙ ˙
where is
˙ ˙b
w
Frank BloebaumSung by the Vocal Majority
w
w
love.
w
w
V
?
b
b
b
b
8
6
8
6
88. Now There’s No Time For Toys (All The Little Toy Soldiers)
‰
‰
J
œ
and
Œ.
.œ
Œ.
.œ
Now
Œ.
.œb
.˙
boys.
j
œ
j
œ
j
œ
j
œœ
J
œ
J
œ
J
œ
J
œœ
there's no time for
j
œ
j
œ
j
œ
j
œ œb
.˙
.˙
.˙
toys.
.˙
.˙
Jay Giallombardo, 1978Sung by Grandma’s Boys
.˙
.˙
.˙
.˙
V
?
#
#
4
4
4
4
89. Over Troubled Waters
œœ
œœ
œœ
œœ
O - ver trou - bled
œœ
œ œœœ
œ œb
œœ
œœ
œœ
œ œ
wat - ers I will
œ œœ
œ
œœ œ
œ
˙˙
˙ ˙b
ease your
˙˙
˙
˙n
w
w
mind.
w
w
Fraser Brown, early 1970s
V
?
b
b
4
4
4
4
90. Foggy London Town
Œ
œœ
And in
ŒŒ
œœ
œ
j
œ‰ œ
œ
ooh
œ
œœ
œœ
œœ
œ
fog - gy Lon - don town thesun was
œœ
œ
j
œ‰
œœ
ooh
œœ
J
œ
‰œ
œb
œ˙
Œœ
˙
Œ
shin - ing
œ˙n
Œœ
˙
Œ
˙˙
ev - ’ry,
˙˙
ev - ’ry -
˙A ˙
ev - ’ry,
˙
˙
ev - ’ry -
œœ
œœ
shin - ing ev - ’ry -
w
where.
œœ
œ
œ
shin - ing ev - ’ry -
w
where.Brent Graham, 1981Popular version
w
where.
w
w
where.
w
- 27 -
V
?
b
b
b
b
b
b
b
b
4
3
4
3
91. Little PalŒ
œœ
So ’til
ŒŒ
œb œ œœ œ œ
we meet a -
œ œ œ
œ œ œ
˙ œœ˙
œœ
again, heav-en
˙n œ œ
˙
œ œ
œ.
œ
j
œœ
.œ
J
œ
knows where or
œA.
œn
j
œ
œ.œ
J
œ
œ œb œn œb
œœ œ
œ
when, don’t for -
œAœ œ
œ
˙ œ œ
.œ
j
œœ
.œ
J
œnœ
get a - bout
.œ
j
œœ
.œ
J
œnœ
V
?
b
b
b
b
b
b
b
b
˙n œ œbœ
œ œœ
me, lit - tle
œœ œ œbœ
œ œ œ∫
˙Œ
˙Œ
pal.
˙Œ
.˙
pal.
œ˙
œ˙
Bless you,
œ
˙
.˙
œ˙
œ˙
lit - tle
œ
˙
.˙
Lou Perry, 1961Sung by the Four Rascals
.˙
.˙
pal.
.˙
.˙
V
?
b
b
b
b
4
3
4
3
92. Ev’ry Time I See You I Cry
œ œ œ œœ œ œ œ
Ev - ’ry time I
œ œœn œb
œ œ œ œ
œœ
œœ
œœ
see you I
œ œ œ
œ
œ œ
˙œ
˙ œ
cry a -
˙b œ˙
œ
˙
Œ˙n Œ
gain.
˙
Œ˙ Œ
V
?
b
b
b
b
œ œ œ œœ œ œ œ
Ev - ’ry time I
œ œœn œb
œ œ
œ
œ
œœ
œœ
œœ
see you I
œ œ œ
œ
œ œ
.˙
cry.
˙
œ
cry,
˙œb
.˙
cry.
.˙
œb
Œ
œ
I
œŒ
œb
.˙
.˙
.˙N
cry.
.˙
.˙
.˙
.˙
.˙
.˙
Mac Huff
- 28 -
V
?
b
b
b
b
b
b
b
b
4
4
4
4
93. The Shadow Of Your Smilej
œ
œœ
œ
œ
J
œ
œœ
œœ
The shad - ow of your
j
œ
œœ
œ œ
J
œ
œœ
œœ
w
w
smile
˙œ
œ
smile, of your
w
smile
œnœ
œœ
œœ
œœn
when you are
œœ
œ
œ
smile,
œœ
œ
œ
.˙
œ
gone, are
w
gone.
œœ
œn œb
gone, when you are
.˙
œ
gone, are
wn
gone.
w
w
gone.
w
gone.
V
?
#
#
#
#
4
4
4
4
94. Show Me Where The Good Times Are
œ œ œ œ
œ œœ œ#
Show me where the
œœ œ œ
œœ
œ œb
œœ ˙
œœ
œœ
good times
œœ ˙
œœ
œœ
Œ
œ œ œ œœb œ
Œ
œ œ œ œ œn œ
show me where the good times
Œœ œ œ œ œ œ
w
are.
Gene Cokeroft, 1973Sung by the Suntones
wwa
are.
w
w
V
?
b
b
4
3
4
3
95. Tammy
œœ
œ
œ
Tam - my, oh,
œœ
˙
Tam - my,
œœ
œœ#
Tam - my, oh,
œ œ œn
œœ
˙#
œœ
˙
Tam - my,
œœ ˙
œœb
˙
œNœ œ
œœ
œ
Tam - my’s in
œ
œœ
œ œbœ œ
.˙
love
œœ
œ
I hope that
œ œœ
.˙
love.
.˙
œ
œœ
he knows that
œ
œ œ
.˙
œœ
œ
œ
œœ
Tam - my’s in
œ œ
œb
.˙
Brent Graham, 1990
.˙
.˙
love.
.˙
.˙
V
?
4
4
4
4
96. Hush, Little Baby (Summertime)
Œ
œ
So
ŒŒ
˙œ
œ
˙œ
œ
hush, lit - tle
˙ œœ
˙ œœ
˙˙#
˙˙
ba - by,
˙˙
˙˙
wœ
œœ
œ
don’t
w#
œœ
œœ
.˙ œœ
œœb
œ
you
.˙ œ#
œbœ
œœ
ww#
cry.
Œ œœ#
œ#
don’t you
w
cry.
Sung by the Confederates
w#
w
w
cry.
w
- 29 -
V
?
4
4
4
4
97. Mickey Mouse
œ œ ˙œ œ ˙
M - I - C -
œ œ˙b
œ œ
˙
œ œ ˙#
œ œ ˙
K - E - Y
œ œœb
œbœ œ
˙b
œœ
œœ
œœ
œœ œ
M - O - U - S -
œœ
œœ œ œ
œ
œœ
œœ
œœ
œ
œ
˙#˙
w
E!
˙˙
œœ
œ
œ
˙
M - O - U - S - E!
(one of several popular versions)
V
?
b
b
b
b
b
b
4
4
4
4
98. Lord, You Made The Night Too Long
œœ
So
œœ
œ œ œ œ œ œœ œ
œ œœ œ
who am I to say you’re
œ œ œ œ œ œœ œ
œ œœ œ
.˙
Œ
.˙ œ
wrong?But
.˙
Œœ
œœ Œ
wrong, all wrong?
Œ
œœ
Œ
But Lord,
˙ œœ
œnœ
Lord, you made the
Œ
œœn
Œ
But Lord,
Œœ
œ Œ
V
?
b
b
b
b
b
b
Œ.
j
œb œœ
the night too
.˙œ
night too
Œ.
j
œ œœn
the night too
Œ.
J
œ œœ
Œœ œ
œ
you made
.˙ œ
long,the
Œ
œ œ
œ
you made
Œœ œ œ
œœ
œœn
.˙
,
œ
night too
.˙
,
œ
œœ
œœ
w
wn
long.
w
w
V
?
#
#
4
4
4
4
99. Baby, You’re The One I Love
œœ
œœ
œœ œ œ
Ba - by, you’re the
œ œ œ œœ
œ
œ
œb
˙ ˙#
˙œ
œ
one I
˙œ
œ
˙œ
œ
ww
love.
w
w
ww
w
w
Renee Craig, 1975
- 30 -
V
?
4
4
4
4
100. Sure, They Called It Ireland
œœ
And
∑
œ œœ#
œ
œ œœ#
œ
when they had it
œ œœ
œ
œ œœ
œ
œœ#
œ œb
œœ
œœ
fin - ished, sure, they
œœ
œ
œ
œœ
œ œ
˙˙#
˙˙
called it
˙˙
˙
˙
.˙n
œ#.
˙œ
Ire - - -
œœb œn
œœ œbœ
œ
ww
land.
w
w
Dave LaBar, 1978
ww
w
w
V
?
b
b
b
b
b
b
4
4
4
4
101. Till Love Comes My Way
œœ
œœ
œ
œ
œœ
Till love comes my
œœ
œ œ
œ œœ
œ
w
way.
.˙b
Œ
way,
.˙
Œ.
˙Œ
wœb
œbœ œ œ
till love comes my
œb œœ
œœ
œbœ
œ œœb
œ
David Wright, 1980
w
w
way.
wN
w
V
?
b
b
4
4
4
4
102. You’re The One Who Made Me Cry
Œ
œœ
But of
ŒŒ
œ œ .œ#
j
œ
œ œ .œ
J
œ
all the girls, the
œ œ
.œ
j
œ
œb œ .œ
J
œ
œ œœ# œ
œ œœ
œ
man - y girls I’ve
œ œ
œœ
œb œœ œ
œN œ ˙
œœ
˙
ev - er loved,
œœ
˙b
œbœ
˙
V
?
b
b
.˙
Œ.
˙ Œ
.˙
Œ
.˙
Œ
w
you
œ œœ
œ
you’re the one who
œN œœ
œ
w
you
˙˙
˙˙
made me
˙ ˙
˙ ˙
wb
w
cry.
œ œœ œb
œ
cry, you made me
w
cry.
Ed Waesche, 1986Sung by the Basin Street Quartet
w
w
w
cry.
w
- 31 -
V
?
b
b
b
b
4
3
4
3
103. I’ll Take Care Of Your Cares
œœ
Al -
œbœ
œ œ œ
œœ
œ
though you’re not
œ œ œ
œœ
œ
˙b œ
˙ œ
mine, for
˙ œ
˙ œ
.œb
j
œ œ.
œ
J
œœ
now and all
.œ
j
œ œ
.œ
J
œœ
˙ œœ˙
œœ
time, I’ll take
˙n
Œ˙ Œ
.˙n
.˙
care
Œ
œAœ
I’ll take
Œ
œœ
V
?
b
b
b
b
œA œ œœ
œœ
of your
œœ
œ
care
œ
œ œ
œœ
œ
cares,
.˙
cares.
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of your
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cares.
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b
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b
b
4
3
4
3
104. Drop Me A Line, Say That You’re Fine (Do You Really Love Me?)
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Ó.
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mine.
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Drop me a
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œ
.˙
line,
.˙
.˙
line,
.˙
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say that you’re
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say that you’re
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fine.
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,
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fine.
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Ruby Rhea, 1963(popular version)
.˙
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mine.
.˙
.˙
- 32 -
V
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b
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4
4
4
4
105. While Sweet Dreams Rest You
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While
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sweet dreams rest
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you, dear old
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pal,
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b
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4
4
4
4
106. First You Gotta Have Heart
œœ
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First you
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got - ta have, got - ta have,
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œ
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heart.
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107. Mam’selle
œœ
œ
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œ
Then vi - o -
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j
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lins will cry, and
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j
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so will I, mam’ -
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j
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vi - o - lins
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#
.˙b œ
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cry, and
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˙ ˙
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so will
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I, mam’ - - -
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w
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selle.
w
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- 33 -
V
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b
b
4
4
4
4
108. Happy Trails To You
Œ
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Hap - py
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˙˙
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trails to
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Œ
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you ’til we
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Œ.
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’til we
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’til we
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meet a -
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a -
wbw
gain.
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gain.
Bobby Gray, Jr., late 1970s
wNw
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gain.
w
V
?
b
b
4
4
4
4
109. Please Don’t Take My Sunshine Away (You Are My Sunshine)
œœ
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Please don’t
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take my
.˙
œ
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sun - shine a -
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w
way.
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way, a -
œ
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œ
w
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way.
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V
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b
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4
4
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110. After Today3
œ œ œ
3
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Af - ter to -
3
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3
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.˙
3
œ œ œ.˙
3
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day, af - ter to -
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3
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3
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3
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3
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day, af - terto -
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3
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day, af - ter to -
w
day.
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day, af - ter to -
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Jay Giallombardo, 1971Sung by the Acoustix
w
day.
w
w
day.
w
V
?
#
#
#
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#
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4
4
4
4
111. Cheer Up, Charlie
˙ ˙˙
˙
Just be
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glad you’re
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Cheer up, Char - lie!
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you,
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I love
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w
Brent Graham, 1986
ww
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w
- 34 -
V
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b
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4
3
4
3
112. Just When I Thought I Was Through
.˙
I
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Just when I
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I
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was
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thought I was
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was
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through with
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fal - ling in
œ œ œ
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œ
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love, I
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œ
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you.
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V
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4
4
4
4
113. No More Hurryin’, Worryin’ (Down Where The South Begins)
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œ
be -
Œ
Ó
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no more
w
gins,
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Ӝ
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no more
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hur - ry - in’,
w
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œ œ .˙
hur - ry - in’,
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wor - ry - in’,
.˙Œ
œ œ ˙b
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œb
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œ
I’m go - in’
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j
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œ
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Renee Craig, 1956Sung by the Confederates
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south.
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V
?
b
b
b
b
b
b
b
b
4
4
4
4
114. For My Beautiful Lifelong Friends
Ó
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For my
Ó
˙ œ œ˙
œœ
beau - ti-ful
˙ œ œ
˙ œ
œ
˙˙
˙
˙
life - long
˙ œœ
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˙
.˙ Œ
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œ
friends, hey,
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Œ.
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œ œœ œb
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Mom and Dad-dy,
œœ
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œ
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w˙
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thanks
w
w
.˙ œ
a -
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a -
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a -
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˙ œœ
gain,thanks a -
w
gain.
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gain,thanks a -
˙ œ œ
w
gain.
w
w
gain.
w
V
?
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#
4
4
4
4
115. My Romance
œœ
œn œ
My ro -
œ œ
œ œ
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˙ œœ
.˙ œ œ
mance does - n’t
.˙ œœ
.˙# œn œ
œœ
˙œ œ
˙
need athing
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thing,
œ œ˙
thing
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,
œ
but
j
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œœ
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does - n’t need a thing
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,
œ
Gene PuerlingSung by the Singers Unlimited
w
w
you.
w
w
- 35 -
V
?
4
4
4
4
116. Dixie
Œ
Œ
œ
A -
Œ
œœ
ŒŒœ
œŒ
A - way,
Œ œ œ Œ
.˙œ
way, a -
Œ
œ œ œ
Œœ
œ
,
œ
a - way, a -
Œ œœ
,
œ
.˙ œ
way,
œœ
œœ#
œœ
œœ
way down south
œ
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œ
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œ
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Œ
œ#˙#
Œœ
in
˙
Œ
œ
˙ Œ œ
V
?
˙N˙#˙
˙
Dix - - -
˙˙
˙˙
.˙
Œ.˙
Œ
ie,
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˙
Œ
œ
.˙
œ.
˙#
way down
œ.
˙œ
.˙
w
w
south.
w
w
Mo Rector, 1963Sung by the Imposters
w
w
w
w
- 36 -
After Today, #110, p. 34All By Myself Alone, #49, p. 15All Mine (Drop Me A Line, Say That You’re Fine), #104, p. 32All The Little Tin Soldiers (Now There’s No Time For Toys), #88, p. 27Although You’re Not Mine, For Now And All Time (I’ll Take Care Of Your Cares), #103, p. 32And Boys (Now There’s No Time For Toys), #88, p. 27And In Foggy London Town The Sun Was Shining (Foggy London Town), #90, p. 27And Left Me Lonely Nights, #86, p. 26And When I Die You Can Bury Me (Lone Prairie), #56, p. 17And When They Had It Finished (Sure, They Called It Ireland), #100, p. 31Annie Doesn’t Live Here Anymore, #36, p. 11Annie’s Gone Away (Annie Doesn’t Live Here Anymore), #36, p. 11Anymore (New York Ain’t New York Anymore), #66, p. 20As Time Goes By, #73, p. 22Autumn Leaves, #54, p. 17Away, Away, Away Down South (Dixie), #116, p. 36
Baby, You’re The One I Love, #99, p. 30Back In My Home Town, # 25, p. 8Back In The Old Routine, #50, p. 15Be It Ever So Humble (There’s No Place Like Home), #78, p. 24Begins (No More Hurryin’, Worryin’), #113, p. 35Behind (When I Leave The World Behind), #11, p. 4Bless You, Little Pal (Little Pal), #91, p. 28Boy I Used To Be, The (Where Is The Boy), #84, p. 26Brahms’ Lullabye (Lullabye And Goodnight), #32, p. 10Bright Was The Night, #83, p. 25Buddy, Can You Spare A Dime, #48, p. 15Bury Me Out On The Lone Prairie (Lone Prairie), #56, p. 17But Of All The Girls, The Many Girls (You’re The One Who Made Me Cry), #102, p. 31Bye Oh Bye Oh, #72, p. 22
Change Your Ways, Little Midnight Rose (Midnight Rose), #81, p. 25Cheer Up, Charlie, #111, p. 34Come Into My Arms, Bonnie Jean (Jean), #44, p. 13Cry, #14, p. 4
Danny Boy (Danny My Boy), #4, p. 2Danny My Boy, #4, p. 2Darkness On The Delta, #18, p. 6Darling, That Someone Is You, #42, p. 13Dear Old Pal, Pal Of Mine (While Sweet Dreams Rest You), #105, p. 33Diane (My Diane), #13, p. 4Dixie, #116, p. 36Do You Really Love Me (Drop Me A Line, Say That You’re Fine), #104, p. 32Don’t Be Blue When Raindrops Come Along, #80, p. 24Don’t Leave Me, Dear Old Mammy, #35, p. 11Down Where The South Begins (No More Hurryin’, Worryin’), #113, p. 35Drink To Me Only With Thine Eyes, #28, p. 9Drop Me A Line, Say That You’re Fine, #104, p. 32
Each Time I Fall In Love (Foolish Over You), #23, p. 7Ev’ry Time I See You I Cry, #92, p. 28Ev’ryone Is Sailin’ On The Old Dominion Line (Old Dominion Line), #64, p. 20
Falling In Love Over Again (Foolish Over You), #23, p. 7First You Gotta Have Heart, #106, p. 33
INDEX OF TAGSby Title, First Line, and Common Reference
-37-
Flower From An Old Bouquet, #6, p. 2Foggy London Town, #90, p. 27Foolish Over You, #23, p. 7For I’m So Alone With The Crowd (I’m So Alone With The Crowd), #61, p. 19For Life Is Interwoven, #51, p. 16For Me And My Gal, #76, p. 23For My Beautiful Lifelong Friends, #114, p. 35For My Old Kentucky Home Far Away (My Old Kentucky Home), #70, p. 21For Their Hearts Were Full Of Spring (Their Hearts Were Full Of Spring), #71, p. 22Friends, #47, p. 14Friendship And Love, #26, p. 8From The Dark And Dreary Skies (Snowflakes), #39, p. 12
Garland Of Old Fashioned Roses, A (Roses I Bring To You), #38, p. 12Gigi (What Miracle Has Made You The Way You Are), #68, p. 21Give Me Your Hand To Hold In Mine, #34, p. 10Goodbye Dixie, Dixie Goodbye (Bye Oh Bye Oh), #72, p. 22Goodbye Forever, It’s Over I Know, #30, p. 9Gone Are The Memories, #29, p. 9
Happy Days And Lonely Nights (And Left Me Lonely Nights), #86, p. 26Happy Trails To You, #108, p. 34Heart Of A Clown, #15, p. 5Hey, Mom And Daddy, Thanks Again (For My Beautiful Lifelong Friends), #114, p. 35Hush, Little Baby, #96, p. 29
I Close My Eyes, #75, p. 23I Hate To Go Home Alone (Nobody’s Waiting There With A Smile), #23, p. 7I Heard You Singing (I Close My Eyes), #75, p. 23I Know We’ll Meet Again Someday, #58, p. 18I Lost The Gladness That Turned Into Sadness (When I Lost You), #16, p. 16I Love To Sing ’Em, #1, p. 1I Love You So, Sonny Boy (Sonny Boy), #67, p. 21I Made You Cry (Cry), #14, p. 4I Wanna Do It Again (Old Bones), #59, p. 18I’d Like To Do It Again (Old Bones), #59, p. 18I’d Love To Be There, Just You And Me There (Back In The Old Routine), #50, p. 15If We Can’t Be The Same Old Sweethearts (We’ll Just Be The Same Old Friends), #21, p. 6I’ll Be Looking At The Moon (I’ll Be Seeing You), #7, p. 3I’ll Be Seeing You, #7, p. 3I’ll Come To You Smiling Through The Years (Through The Years), #60, p. 19I’ll Take Care Of Your Cares, #103, p. 32I’m So Alone With The Crowd, #61, p. 19I’m Sorry I Made You Cry (Cry), #14, p. 4Impossible Dream, The (To Reach The Unreachable Star), #69, p. 21In A Gingham Gown (She Stole My Heart Away), #62, p. 19In Dixieland Where I Was Born, #63, p. 19In Dreams I’ll Be Mother’s Boy (Mother’s Boy), # 79, p. 24In Loveland For Me And My Gal (For Me And My Gal), #76, p. 23Ireland, My Ireland, #43, p. 13Irish Mother, #45, p. 14It Plays A Rhapsody (Rhapsody Of New York), #55, p. 17
Jean, #44, p. 13Johnny Doughboy Found A Rose, #57, p. 18Just Be Glad You’re You (Cheer Up, Charlie), #111, p. 34Just To Turn Back The Pages Of Time (Old Bones), #59, p. 18Just When I Thought I Was Through, #112, p. 35
Landmarks (I’m So Alone With The Crowd), #61, p. 19Last Night Was The End Of The World, #24, p. 7Let Me Linger In Shelter (Darkness On The Delta), #18, p. 6Lida Rose (Oh Lida Rose), #17, p. 5Life Is Interwoven (For Life Is Interwoven), #51, p. 16Lifetime’s Not Too Long, A (Friends), #47, p. 14Listen To The Patter (Don’t Be Blue When Raindrops Come Along), #80, p. 24
-38-
Listen To The Whistle Blowin’, Ev’rything Is Fine (Old Dominion Line), #64, p. 20Little Boy, The (Where Is The Boy), #84, p. 26Little Midnight Rose (Midnight Rose), #81, p. 25Little Pal, #91, p. 28Lone Prairie, #56, p. 17Lonely For You Am I, #2 p. 1Lonely, So Lonely For You Am I, #2, p.1Lonesome Rose, #9, p. 3Lord, You Made The Night Too Long, #98, p. 30Love Letters Straight From Your Heart, #52, p. 16Love Will Come Your Way (Lonesome Rose), #9, p. 3Lullabye And Goodnight, #32, p. 10
Mam’selle, #107, p. 33Melancholy Baby, #31, p. 10Mickey Mouse, #97, p. 30Midnight Rose, #81, p. 25Mom And Daddy, Thanks Again (For My Beautiful Lifelong Friends), #114, p. 35Mother’s Boy, # 79, p. 24My Diane, #13, p. 4My Dream Is O’er (Last Night Was The End Of The World), #24, p. 7My Eyes (I Close My Eyes), #75, p. 23My Heart Is Free, #5, p. 2My Heart Is Longing For Someone To Cling To (Darling, That Someone Is You), #42, p. 13My Love Is Your Love, #85, p. 26My Old Kentucky Home, #70, p. 21My Romance, #115, p. 35My World Forever (The Sunshine Of Your Smile), #10, p. 3
New York Ain’t New York Anymore, #66, p. 20No More Hurryin’, Worryin’, #113, p. 35Nobody’s Waiting There With A Smile, #23, p. 7Now There’s No Time For Toys, #88, p. 27
Of All The Girls, The Many Girls (You’re The One Who Made Me Cry), #102, p. 31Oh, Bury Me Out On The Lone Prairie (Lone Prairie), #56, p. 17Oh, How I Miss You, Pal Of My Dreams (Pal Of My Dreams), #74, p. 23Oh Lida Rose, #17, p. 5Oh, Let Me Linger In Shelter (Darkness On The Delta), #18, p. 6Oh, What Miracle (What Miracle Has Made You The Way You Are), #68, p. 21Old Bones, #59, p. 18Old Dominion Line, #64, p. 20Old Fashioned Girl In A Gingham Gown, An (She Stole My Heart Away), #62, p. 19Old Friends Seem To Be Total Strangers To Me (I’m So Alone With The Crowd), #61, p. 19On The Mississippi (In Dixieland Where I Was Born), #63, p. 19On The Old Dominion Line (Old Dominion Line), #64, p. 20Or Else I Shall Be Melancholy Too (Melancholy Baby), #31, p. 10Over Troubled Waters, #89, p. 27
Pal Of My Dreams, #74, p. 23Please Don’t Give My Daddy No More Wine, #16, p. 5Please Don’t Leave Me, Never Go Away, #77, p. 23Please Don’t Take My Sunshine Away, #109, p. 34
Rhapsody Of New York, #55, p. 17Roses I Bring To You, #38, p. 12Routine (Back In The Old Routine), #50, p. 15Run, Run, Run, #27, p. 8Run To The City Of Refuge (Run, Run, Run), #27, p. 8
Say, Don’t You Remember, I’m Your Pal (Buddy, Can You Spare A Dime), #48, p. 15Shadow Of Your Smile, #93, p. 29She Primised She Would Be My Bride (Bright Was The Night), #83, p. 25She Stole My Heart Away, #62, p. 19Show Me Where The Good Times Are, #94, p. 29Silvery Moonlight, #46, p. 14
-39-
Sleepy Time Down South, #33, p. 10Smile, #13, p. 4Snowflakes, #39, p. 12So Don’t Leave Me, Dear Old Mammy (Don’t Leave Me, Dear Old Mammy), #35, p. 11So ’Til We Meet Again, Heaven Knows Where Or When (Little Pal), #91, p. 28So Tired Of Waiting For You, #41, p. 12So Who Am I To Say You’re Wrong (Lord, You Made The Night Too Long), #98, p. 30Somehow, Someday, Somewhere (Somewhere), #82, p. 25Somewhere, #82, p. 25Sonny Boy, #67, p. 21Spring Brought Me Flowers, #65, p. 20Summertime (Hush, Little Baby), #96, p. 29Sunshine Is Bidding The Day Goodbye, #21, p. 6Sunshine Of Your Smile, The, #10, p. 3Sure, If I Had The Heart Of A Clown (Heart Of A Clown), #15, p. 5Sure, They Called It Ireland, #100, p. 31Sweetheart I Bring To You (Roses I Bring To You), #38, p. 12
Tammy, #95, p. 29That Old Irish Mother Of Mine (Irish Mother), #45, p. 14That A Lifetime’s Not Too Long (Friends), #47, p. 14Their Hearts Were Full Of Spring, #71, p. 22Then Violins Will Cry And So Will I (Mam’selle), #107, p. 33There In Our Sweetheart Bower (Flower From An Old Bouquet), #6, p.2There’s No Place Like Home, #78, p. 24They Called It Ireland (Sure, They Called It Ireland), #100, p. 31Those Wedding Bells Are Breaking Up (Wedding Bells Are Breaking Up), #8, p. 3Through The Years, #60, p. 19Till Love Comes My Way, #101, p. 31To Reach The Unreachable Star, #69, p. 21To The End (Friendship And Love), #26, p. 8Town, It Plays A Rhapsody (Rhapsody Of New York), #55, p. 17
Violins Will Cry And So Will I (Mam’selle), #107, p. 33
Way Down Home (My Heart Is Free), #5, p. 2Way Down South, #3 p. 1Wedding Bells Are Breaking Up, #8, p. 3We’ll Build A Rainbow, #37, p. 11We’ll Just Be The Same Old Friends, #21, p. 6What Miracle Has Made You The Way You Are, #68, p. 21When Autumn Leaves Begin To Fall (Autumn Leaves), #54, p. 17When I Leave The World Behind, #11, p. 4When I Lost You, #16, p. 16When It’s Darkness On The Delta (Darkness On The Delta), #18, p. 6When It’s Sleepy Time Down South (Sleepy Time Down South), #33, p. 10Where Is Love, #87, p. 27Where Is The Boy, #84, p. 26Where The Black-Eyed Susans Grow (Way Down South), #3 p. 1When The Raindrops Come Along (Don’t Be Blue When Raindrops Come Along), #80, p. 24When They Had It Finished (Sure, They Called It Ireland), #100, p. 31While Sweet Dreams Rest You, #105, p. 33Who’ll Dry Your Tears When You Cry, #40, p. 12Who’ll Take My Place When I’m Gone, #19, p. 6With you, Falling In Love Over Again (Foolish Over You), #23, p. 7World Will Always Welcome Lovers, The (As Time Goes By), #73, p. 22
You Are My Sunshine (Please Don’t Take My Sunshine Away), #109, p. 34You Gotta Have Heart (First You Gotta Have Heart), #106, p. 33Your Smile, My World Forever (The Sunshine Of Your Smile), #10, p. 3You’re The One Who Made Me Cry, #102, p. 31
-40-
Acoustix, p. 34After Five Four, p, 2Ambiance, pp. 14, 17Auto Towners, p. 6
Backwell, Greg, pp. 14, 15, 15Basin Street Quartet, p. 31Beck, Brian, p. 4Bergman, Nancy, pp. 2, 16Bloebaum, Frank, p. 27Bluegrass Student Union, pp. 6, 25Bohn, Bob, pp. 2, 12, 21Brock, Bob, p. 7Brown, Fraser, p. 27Buffalo Bills, pp. 9, 22Busby, Bill, p. 9
Clause, Don, p. 8Cokeroft, Gene, pp. 13, 29Confederates, pp. 3, 29, 35Cracker Jills, pp. 1, 12, 17Craig, Renee, pp. 1, 12, 17, 30, 35
Dahlke, Carl, pp. 6, 24Dapper Dans of Disneyland, p. 8Dealer’s choice, p. 6Diekema, Bill, p. 3Dowma, Bb, p. 8
Easternaires, pp. 2, 12, 21
Four Freshmen, p. 22Four Pitchikers, p. 3
Four Rascals, p. 28Four Renegades, p. 7
Gas House Gang, p. 3, 25Giallombardo, Jay, pp. 20, 23, 27, 34Graham, Brent, pp. 27, 29, 34Grandma’s Boys, pp. 23, 27Gray, Bobby, Jr., pp. 3, 4, 34Grundy, S. K., pp. 4, 7
Happiness Emporium, p. 8Harrington, Doug, p. 21Hi-Lo’s, p. 19Hicks, Val, pp. 8, 18Hill, John, p. 9Huff, Mac, pp. 1, 28
Imposters, p. 36Interstate Rivals, p. 25
King, Fred, pp. 16, 26
LaBar, Dave, p. 31Latzko, Walter, p. 22Liles, Joe, pp. 13, 23Luboff, Norman, p. 17
Moon, Earl, pp. 11, 19, 20, 24, 26Morford, Gene, p. 22Most Happy Fellows, p. 11
New Tradition, p. 4Nighthawks, pp. 14, 15, 15
Norman Luboff Choir, p. 17
Perry, Lou, pp. 10, 28Plaskoff, Lee, p. 20Playtonics, p. 10, 15Pros and Cons, p. 16Puerling, Gene, pp. 19, 35
Randel, Willie, p. 12Rector, Mo, pp. 16, 36Reeve, Rex, pp. 15, 19Rhea, Ruby, p. 32Roose, Kirk, p. 23
Second Edition, p. 21Side Street Ramblers, pp. 4, 13Sidewinders, pp. 20, 23Singers Unlimited, p. 35Staffen, Burt, p. 21Steinkamp, Lloyd, pp. 5, 11Stevens, Dave, p. 2Sullivan, Joe, pp. 9, 10Sundowners, p. 7Suntones, pp. 13, 29Szabo, Burt, pp. 11, 12, 13, 19
Vocal Majority, p. 27
Waesche, Ed, pp. 3, 25, 31Western Continentals, p. 5Wright, David, pp. 14, 17, 25, 31
INDEX OF ARRANGERS and PERFORMERS
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