Back From the Argentine

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On this SlideShare page, you will find several Power Point presentations, one for each of the most popular essays to read aloud from A Sand County Almanac at Aldo Leopold Weekend events. Each presentation has the essay text right on the slides, paired with beautiful images that help add a visual element to public readings. Dave Winefske (Aldo Leopold Weekend event planner from Argyle, Wisconsin) gets credit for putting these together. Thanks Dave! A note on images within the presentations: we have only received permission to use these images within these presentations, as part of this event. You will see a photo credit slide as the last image in every presentation. Please be sure to show that slide to your audience at least once, and if you don't mind leaving it up to show at the end of each essay, that is best. Also please note that we do not have permission to use these images outside of Aldo Leopold Weekend reading event presentations. For example, the images that come from the Aldo Leopold Foundation archive are not “public domain,” yet we see unauthorized uses of them all the time on the internet. So, hopefully that’s enough said on this topic—if you have any questions, just let us know. [email protected]

description

This is the text of Aldo Leopold’s essay "Back From the Argentine" paired with beautiful images. This presentation can be shown on the screen as a backdrop to a public reading of the essay.

Transcript of Back From the Argentine

Page 1: Back From the Argentine

On this SlideShare page, you will find several Power Point presentations, one for each of the most popular essays to read aloud from A Sand County Almanac at Aldo Leopold Weekend events. Each presentation has the essay text right on the slides, paired with beautiful images that help add a visual element to public readings. Dave Winefske (Aldo Leopold Weekend event planner from Argyle, Wisconsin) gets credit for putting these together. Thanks Dave!

A note on images within the presentations: we have only received permission to use these images within these presentations, as part of this event. You will see a photo credit slide as the last image in every presentation. Please be sure to show that slide to your audience at least once, and if you don't mind leaving it up to show at the end of each essay, that is best. Also please note that we do not have permission to use these images outside of Aldo Leopold Weekend reading event presentations. For example, the images that come from the Aldo Leopold Foundation archive are not “public domain,” yet we see unauthorized uses of them all the time on the internet. So, hopefully that’s enough said on this topic—if you have any questions, just let us know. [email protected]

If you download these presentations to use in your event, feel free to delete this intro slide before showing to your audience.

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Back From the Argentine

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When dandelions have set the mark of May on Wisconsin pastures, it is time to listen for the final proof of spring. Sit down on a tussock, cock your ears at the sky, dial out the bedlam of meadowlarks and redwings, and soon you may hear it: the flight-song of the upland plover, just now back from the Argentine.

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If your eyes are strong, you may search the sky and see him, wings aquiver, circling among the woolly clouds. If your eyes are weak, don't try it; just watch the fence posts.

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Soon a flash of silver will tell you on which post the plover has alighted and folded his long wings. Whoever invented the word 'grace' must have seen the wing-folding of the plover.

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There he sits; his whole being says it's your next move to absent yourself from his domain. The county records may allege that you own this pasture, but the plover airily rules out such trivial legalities. He has just flown 4000 miles to reassert the title he got from the Indians, and until the young plovers are a-wing, this pasture is his, and none maytrespass without his protest.

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Somewhere near by, the hen plover is brooding the four large pointed eggs which will shortly hatch four precocial chicks.

From the moment their down is dry, they scamper through the grass like

mice on stilts, quite able to elude your clumsy efforts to catch them.

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At thirty days the chicks are full grown; no other fowl develops with equal speed. By August they have graduated from flying school, and on cool August nights you can hear their whistled signals as they set wing for the pampas, to prove again the age-old unity of the Americas.

Hemisphere solidarity is new among statesmen, but not among the feathered navies of the sky.

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The upland plover fits easily into the agricultural countryside. He follows the black-&-white buffalo, which now pasture his prairies, & finds them an acceptable

substitute for brown ones.

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He nests in hayfields as well as pastures, but, unlike the clumsy pheasant, does not get caught in hay mowers.

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Well before the hay is ready to cut, the young plovers are a-wing & away. In farm country, the plover has only two real enemies: the gully and the drainage ditch. Perhaps we shall one day find that these are our enemies, too.

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There was a time in the early 1900's when Wisconsin farms nearly lost their immemorial timepiece, when May pastures greened in silence, and August nights brought no whistled reminder of impending fall. Universal gunpowder, plus the lure of plover-on-toast for post-Victorian banquets, had taken too great a toll. The belated protection of the federal migratory bird laws came just in time.

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Photo Credits•Historic photographs: Aldo Leopold Foundation archives

•A Sand County Almanac photographs by Michael Sewell

•David Wisnefske, Sugar River Valley Pheasants Forever, Wisconsin Environmental Education Board, Wisconsin Environmental Education Foundation, Argyle Land Ethic Academy (ALEA)

•UW Stevens Point Freckmann Herbarium, R. Freckmann, V.Kline, E. Judziewicz, K. Kohout, D. Lee, K Sytma, R. Kowal, P. Drobot, D. Woodland, A. Meeks, R. Bierman

•Curt Meine, (Aldo Leopold Biographer)

•Wisconsin Department of Natural Resources, Environmental Education for Kids (EEK)

•Hays Cummins, Miami of Ohio University

•Leopold Education Project, Ed Pembleton

•Bird Pictures by Bill Schmoker

•Pheasants Forever, Roger Hill

•Ruffed Grouse Society

•US Fish and Wildlife Service and US Forest Service

•Eric Engbretson

•James Kurz

•Owen Gromme Collection

•John White & Douglas Cooper

•National Oceanic and Atmospheric Administration (NOAA)

•Ohio State University Extension, Buckeye Yard and Garden Online

•New Jersey University, John Muir Society, Artchive.com, and Labor Law Talk