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    AUGUSTE PERRET

    History of architecture

    S5 batch

    Holy crescent college of

    architecture

    Submitted by,

    Sree Parvathy

    Siva Prasad

    BRUTALISM

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    INTRODUCTION

    French architect.

    1874-1958.

    Educated from Paris.

    Specialist in reinforced

    concrete constructions.

    Created a style that

    blended modern

    theories with classic

    architecture.

    PHILOSOPHY

    Merging modern achievement

    with classical principles.

    Concern towards details and

    textures.

    connection between natural

    forms, classical symmetry and

    order, and the structuralsystem of concrete.

    Museum of Public Works - heavily influenced

    by theAncient Greek architecture.

    WORK CHARECTOR

    use of classical

    proportion andsymmetry.

    His functionalapproach to design.

    construction in

    reinforced concrete.

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    TIMELINE

    1874 birth.

    education(arts) in Paris.

    1897 terminates career at Ecole des Beaux.

    Starts to work with his father(stone mason)

    1899 casino, st Malo.

    1900 started using advanced building technologies.

    1902 Avenue Wagram apartment building.

    1903 Rue Franklin apartment building.

    1922 started proposing massive skyscrapers.

    1954 - Death

    Casa Berneval-Sur-Mer,1891

    Avenue Niel,1903

    Taller De Confeccion

    Esders,1919

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    .

    Up till 1908 the young Le Corbusier worked in Perretsarchitectural practice. From him Le Corbusier learned

    about:using reinforced concrete to create skeletal

    structures for building

    using classical proportions and composition inmodern designusing standardised components in design and

    constructiona geometric approach to design and the flat

    roof as living space.

    Hennebiquessystem, developed in 1892,

    for structural continuity in reinforcing

    concrete posts, beams and slabs.

    Perretsbuildings have a rationalfunctionalism. Concrete is left raw, though

    sometimes with coloured or patterned

    elementsto them. His designs arose out of

    modernfunctional considerationsrather

    than aesthetic ones.

    Theatre des

    champselysees

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    Styles followed...

    Neo-classical.

    Neoclassicismis the name

    given to

    Western movements in the

    decorative, literature, theat

    re, music, and architecture

    that draw inspiration from

    the "classical" art and

    culture of Ancient Greece

    or Ancient Rome.

    National romantic.

    Late 19thearly 20th century.

    reaction to industrialism .

    Expression of nationalism.

    expressed progressive social andpolitical ideals, through reformed

    domestic architecture.

    Casino st.malo

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    CONCRETE CONSTRUCTION

    Pioneer in concrete construction.

    Perret viewed concrete as a superior form of

    construction to masonry.

    He did not use concrete to form a structural

    whole in the way suggested by Le Corbusier and

    Walter Gropius.

    Started to use concrete from 1900.

    Tried to link modern achievements and classicist

    principles.

    Theatre des champs

    Rue Franklin Apartments.

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    St li ti f t f P t R F kli

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    Stylistic features of Perrets Rue Franklin

    Apartments

    The non-weight-bearing walls are ex-

    pressed as slightly-recessed infill panelsof floral-patterned ceramic tile.

    At street level the Perrets had their architecture studio. This

    large, open space exposed the uprights of the concrete

    frame and became forerunners of Le Corbusiers pilotis.

    U-shaped front faade inspired by statutory

    light courts at the rear of Parisian

    apartment buildings.

    The trabeated, rectangular concreteframe throughout building is not

    exposed directly, but is expressed by

    the plain tiles on the faade.

    The rectangular frame allows for roof

    terraces on setbacks of upper apartments.

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    features of Perrets Rue Franklin Apartments

    At the sixth storey apartment a reinforced concrete

    frame breaks free of the wall surface. This looks forwardto the airy, transparent effects of the International Style.

    Glazed openings are as large as zoning laws allowed.

    The concrete frame allows for thin wall partitions and

    maximum interior space.

    A full appreciation of the buildings form can be gained

    only by moving across its entire faade. This experiential

    dimension to architectural form and space is modernist.

    Dining room Drawing room Bedroom

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    The rectangular frames

    were not exposed, tiles were

    used instead.

    Wall tile

    Lowest storey

    is emphasised

    as separate

    unit.

    Rear wall of the building: glass walls Art nouveau

    resemblance

    http://3.bp.blogspot.com/-GJTWwUKKu3k/TnjqKKbsrmI/AAAAAAAADCU/4fsP330nzpQ/s1600/Perret_montage2.jpghttp://3.bp.blogspot.com/-GJTWwUKKu3k/TnjqKKbsrmI/AAAAAAAADCU/4fsP330nzpQ/s1600/Perret_montage2.jpg
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    Perret deliberately made the apartment partition walls nonstructural throughout and

    their partial removal would have yielded an open space, punctuated only by a series of

    free-standing columns.

    Lower portion of Faade with entrancesUpper portion of Faade showing

    projecting wings

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    Rebuilding city of Le Havre

    The city was severely bombed during world war

    2.

    Destroyed area reconstructed during 1945 -1964.The site forms the administrative, commercial

    and cultural centre of Le Havre.

    an outstanding post-war example of urban

    planning and architecture.

    the systematic utilization of a modular grid.

    the innovative exploitation of the potential of

    concrete.

    BEFORE AFTER

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    The project was based on a

    basic grid module of 6.24 m2 .

    The lots were laid out on a 100

    m grid, although some were

    combined to make larger lots.

    THE URBAN DESIGN

    City centre

    Port Sea

    The Golden triangle of Le

    Havre city plan.

    Spirit of thetown-

    NEOCLASSICAL.

    The idea of the structure is to make it modular and completely transparent so that no

    structural elements remain hidden.

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    Use of reinforced concrete

    Concrete- the modern material at that time was extensively used.

    { traditional materials were not readily available}

    Offered technical and economic features.

    Construction framework

    Invisible grid Consistency in volume.

    Maximum

    standardisation of

    architectural features.

    Planning based on grid system

    Classicism

    Columns,capitals,

    entablature &

    cornice followed

    classical style.

    Flat roof was included

    symmetrically in all

    construction.

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    Brutalism

    A style of architecture from 1950s to mid 1970. Characteristics

    Strong bold shapes.

    Expressed reinforced concrete

    structures.

    Largeness of scale,strong,muscularcharacter.

    Large areas of blank walls.

    Brick work & stones.

    Diagonal, sloping or curved elements

    contrasting with vertical & horizontal

    members.

    Boston City Hall,1969

    Top heavy massing ,use of slender base

    supports & the use of raw concrete.

    The interior of

    Philips Exeter

    Academylibrary,1967

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    New Brutalism was one aspect ofinternational style of architecture ,created

    by Le Corbusier followed by Ludwig Mies

    Van Der Rohe & F.L Wright.They demanded functional approach to

    design.

    The use of glass & steel by Mies Van

    Der Rohe represented New Brutalism.

    Le Corbusiers expressionist

    interpretation of the

    International Style involved

    the use of monumental

    sculptural shapes and of raw,

    unfinished moulded concrete.

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    Brutalism, as a reform movement, advocated the return to functionalist principlesin

    services, materials, and structure.

    characterised by angular

    forms and rough materials

    (glass, brick, concrete).

    Short lived fashion.

    Many buildings in UK (1950-1960) are constructed in this

    style.

    The Get Carter car park.

    BRUTALISMRAW CONCRETE