AUDITION PACKET WEDNESDAY ADDAMS · WEDNESDAY ADDAMS. 8 SCENE 2 (MORTICIA'S BOUDOIR) ... SCENE...
Transcript of AUDITION PACKET WEDNESDAY ADDAMS · WEDNESDAY ADDAMS. 8 SCENE 2 (MORTICIA'S BOUDOIR) ... SCENE...
AUDITION PACKET
WEDNESDAY ADDAMS
8
SCENE 2
(MORTICIA'S BOUDOIR) (Revealing GOMEZ, fencing with LURCH, who holds his foil absolutely still while GOMEZ swipes at it extravagantly.)
GOMEZ Fight sir, fight like a man! Feel the kiss of my Spanish steel! Ha! Ha! Ha! Ha! Foiled again!
(GOMEZ strikes LURCH's sword down. LURCH pokes GOMEZ with it.)
Oww! Damn your lightning reflexes!
(GOMEZ retains his sword. MORTICIA enters with a bouquet of yellow flowers.)
MORTICIA
Gomez, look.
GOMEZ Ugh! Flowers! Who would send something so tasteless?
MORTICIA (reads the card)
"The most precious gift there is, More goody-licious than gold, Is that blessing we call friendship, Whether new or very old."
GOMEZ "Goody-licious?" Who talks like this?
(MORTICIA removes the flowers from the stems,During--)
MORTICIA
The Beinekes. Wednesday's friend Lucas and his parents. They're coming for dinner tonight.
GOMEZ Lucas?
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MORTICIA Yes.
GOMEZ But Lucas is a boy's name.
MORTICIA Yes.
GOMEZ Wednesday has a friend who's a boy?
(They both look at Lurch. Finally--)
MORTICIA It's nothing, darling. Puppy love.
(hands Lurch the stems) Put these in water.
(WEDNESDAY enters, carrying her crossbow and a goose with an arrow sticking out of it.)
WEDNESDAY
Mom, Dad, I shot dinner.
MORTICIA (taking it)
Oh, Wednesday, that's lovely. Wherever did you find it?
WEDNESDAY Petting zoo.
MORTICIA Thank you, dear. Come, Lurch - we'll whip up something really special. And this time, we'll actually cook it.
(shares a laugh with Lurch) Oh, Gomez - guests for dinner! Fresh meat!
(They exit. WEDNESDAY looks nervously after them.)
WEDNESDAY Daddy, I have something very important to tell you.
GOMEZ What?
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WEDNESDAY Can you keep a secret?
(WEDNESDAY produces a ring from around her neck.)
GOMEZ Of course.
WEDNESDAY Look.
GOMEZ If I didn't know any better I'd say that looked like an engagement ring.
(she just looks at him) What are you saying?
WEDNESDAY Oh daddy, Lucas wants to marry me!
GOMEZ What?!
WEDNESDAY Lucas Beineke loves me and he wants to marry me.
GOMEZ Do you want to marry him?
WEDNESDAY Yes. I think so.
GOMEZ You think so?
WEDNESDAY Well, I've never even met his parents, and he's never met mine, and - I just need to be sure.
GOMEZ That he's the one?
WEDNESDAY That the families can get along. I mean, he has to know what he's getting into.
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GOMEZ What are you saying?
WEDNESDAY I'm saying we're who we are, and they're from Ohio.
GOMEZ (slicing the air with his sword)
Ohio? A swing state!
WEDNESDAY That's what I mean.
GOMEZ You're right, this is important. Let's go tell your mother.
WEDNESDAY No.
GOMEZ No? But we have to tell your mother –
WEDNESDAY Daddy, please! She'll ask a lot of embarrassing questions and wreck the whole thing.
GOMEZ You don't want me to tell your mother you're getting married?
WEDNESDAY After dinner and we're all friends, then we'll tell her.
GOMEZ But I've never kept anything from your mother.
WEDNESDAY (getting desperate)
Daddy, please!
GOMEZ But—
WEDNESDAY If you love me.
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SCENE 6
(SOMEWHERE ELSE IN THE HOUSE) (WEDNESDAY enters, pursued by LUCAS.)
LUCAS
You realize they're gonna freak when we tell them?
WEDNESDAY My father won't.
LUCAS Why not?
WEDNESDAY I already told him.
LUCAS What? You told your father? Your father, with the sword? You told him we were getting married, just like that?
WEDNESDAY He's totally cool with it. Mostly.
LUCAS I thought we were gonna tell them all together!
WEDNESDAY We need his help. You don't know my mother. She could really screw it up.
LUCAS
I'm not marrying your mother.
WEDNESDAY I know. Look - it might seem old fashioned, but I want their blessing.
LUCAS You're right, it is old fashioned.
WEDNESDAY Lucas, do you love me?
LUCAS Of course.
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WEDNESDAY Then leave it to me. It's all going according to plan.
LUCAS What plan? There's no plan!
WEDNESDAY That's the plan. Improvise. Keep 'em guessing.
LUCAS You're really crazy.
WEDNESDAY You say that like it's a bad thing. It's just a simple dinner. What could go wrong? Come on.
(She leads him off. FESTER and ANCESTORS appear again. The kids' love has won over the ANCESTORS.)
FESTER Aww.
#8A BUT LOVE REPRISE 2
BE PATIENT AND SOON THE WAY WILL BE CLEAR FOCUS YOUR FEAR AND TROUBLES ALL WILL DISAPPEAR LET'S NOT TALK ABOUT ANYTHING OLD
ANCESTORS PLEASE DON'T LEAVE US OUT IN THE COLD
FESTER LET'S NOT TALK ABOUT ANYTHING ELSE BUT LOVE
ANCESTORS BUT LOVE
FESTER BUT LOVE
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ACT TWO SCENE 1
(OUTSIDE THE HOUSE)
#15 OPENING ACT II
(TASSEL and IT have a flirtation and run off. FESTER opens the curtain and closes the gate. WEDNESDAY enters, with suitcase and crossbow, pursued by LUCAS. The ANCESTORS observe this.) [MUSIC STOPS]
LUCAS Wait, wait! We have to talk this over for a minute.
WEDNESDAY Talk what over?
LUCAS We can't just run away and get married. You said it was important that everyone got along.
WEDNESDAY And you said it didn't matter!
LUCAS Yeah, but they wanna kill each other! You want that hanging over our heads?
WEDNESDAY Boy, you sound just like your father. The root doesn't fall far from the tree, does it?
LUCAS What?
WEDNESDAY Forget it.
LUCAS The apple. The apple doesn't fall far from the tree.
WEDNESDAY God, you're annoying.
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LUCAS You know what I think? You don't really wanna get married. You just said that to stick it to your mother.
WEDNESDAY Don't psychoanalyze me, Lucas. It's a deep dark hole and you don't wanna go there. Come on.
LUCAS What'll we do for money?
WEDNESDAY Stop being so scared of everything.
ANCESTORS Yeah.
LUCAS Right, like you're not scared.
WEDNESDAY I eat scared for breakfast, honey.
ANCESTORS Yeah.
LUCAS Let's go back in the house and make some rational decisions.
ANCESTORS No.
WEDNESDAY I don't want rational decisions! I want dangerous, impulsive, crazy decisions!
ANCESTORS Yeah.
WEDNESDAY Are you coming or not?
LUCAS Look - I - I can't run away like this. It's too crazy. I'm sorry.
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WEDNESDAY Not as sorry as you're gonna be when you wake up and you're forty-six and working for your father!
(ANCESTORS gesture to respond, but WEDNESDAY cuts them off. She storms away. LUCAS calls after her.)
LUCAS
I can be impulsive! I just need to think about it first!
[MUSIC IN]
(LUCAS, all indecision, exits back to the house. FESTER enters.)
ANCESTORS
AH, AH, AH, AH, AH!
FESTER There you are: Secrets exposed. Marriages threatened. Delicious anarchy. What happens now? Can this be repaired? Or do you all leave in an hour feeling vaguely depressed? Let's find out, shall we?
(FESTER parts the gates, revealing--)
WEDNESDAY 3
SCENE FIVE: UNDER THE ADDAMS FAMILY TREE
GOMEZ sits on the swing. He listens to the sounds of the city and park - culminating in a scream and two
gunshots, which relaxes him.
WEDNESDAY crosses furiously, with suitcase and crossbow.
GOMEZ Wednesday!
WEDNESDAY Don't even!
GOMEZ Where do you think you're going, young lady?
WEDNESDAY Away.
GOMEZ Elopement??
WEDNESDAY Daddy, would you just please let me -
GOMEZ No! This is what comes from keeping secrets! If the two of you wanted to get married, you should've -
WEDNESDAY (cutting him off)
There's not gonna be any marriage!
GOMEZ No? Why?
WEDNESDAY He bailed!
GOMEZ What? A breach of promise? An outrage!
WEDNESDAY He thought running away was a bad idea.
GOMEZ On the other hand, he does have a point.
WEDNESDAY I hate him!
GOMEZ Well, it's a beginning. Something to build on.
WEDNESDAY He says he can't live without me, and then he lets me
go. I love him. Why doesn't he love me?
GOMEZ You just said you hated him. Which is it?
WEDNESDAY Both.
GOMEZ Now you've got it.
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WEDNESDAY: "This dinner has to go OK.PUGSLEY: "It will if you let me blow up this Lucas guy!"WEDNESDAY: “Oh, Pugsley - ever since I met him, I wanna laugh and cry and everything seems right and wrong at the same time and then sometimes I just want to rip his flesh..." [MUSIC](cont.) "...off and eat him up until there's nothing left.”
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06PULLED
[Rev. 1/3/12]Music and Lyrics byANDREW LIPPA
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Piano/Vocal – 3 – 06. Pulled [Rev. 1/3/12]
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44 Ó ‰ jœ œ œHas got me
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Piano/Vocal – 4 – 06. Pulled [Rev. 1/3/12]
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55 3œ œ œ ˙gus ting ly true,
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œ œ œ œ œ œ œu ni corns with danc ing mice.
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œ œ œ œ œ œ œ œSun rise in wide o pen spa ces,
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œ œ œ œ œ œ œDis ney world? I'll go there twice!
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œ œ œ œ œ œ œ œBut ter flies at pic nic lun ches,
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72 œ œ œ œ œ œ œ œAn gels watch ing as I sleep and
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Piano/Vocal – 6 – 06. Pulled [Rev. 1/3/12]
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77 œ Œ " œ œ œ œ œtion, if they keepin sis
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81 œ Œ Œ œ œtion! I should
Jœœœœ>
‰ Jœœœœ>
‰ Jœœœœ>
‰ œœ œœŒ Œ jœœœ>
‰ œ œsub. P
82 œ œ œ œ œ œ œ œstay in the dark, not o bey
œœœ œ œœœ œ œœœ œ œœœ œjœœ‰ Œ œœ œ œ œœnn
cresc. poco a poco
no ped.
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83 œ œ œ œ œ œ œ œev' ry spark, but the boy
œœœn œ œœœ œ œœœ œ œœœ œÓ ‰ jœ œn œœbbsimile
84 œ œ œ œ œ œ œ œhas a bite bet ter far
œœœb œ œœœ œ œœœ œœœ œœœœ œœœœn>Ó ‰
œ œ œœnn>
85 œ œ œ œ œ œ œthan his bark. And you
Œ . jœœœœn œœœœ œœœ œœœŒ . jœœnn
jœœ ..œœ
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Piano/Vocal – 7 – 06. Pulled [Rev. 1/3/12]
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3œ œ œ ˙bet I'll bite, too.
˙̇̇ ˙̇̇
..œœjœœ œœ œœ
f
con ped.
86
87 œ Œ œ œDo what's
˙̇̇̇n ˙̇̇̇
..œœjœœ œœ œœ
88 3œ œ œ ˙tru ly tab oo,
˙̇̇b ˙̇̇
..œœjœœ œœ œœ
89 œ Œ œ œas I'm
˙̇˙˙n ˙̇˙˙
..œœjœœ œœ œœ
90 œ œ œ ˙pulled in a new
˙̇̇̇b ˙̇̇̇
..œœjœœ œœ œœ
91 ˙ Œ œdi
œœœ œœ œœ œœœ œœœœn Œ
œœ œœ œœ œœbb>Œ
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œ .˙rec tion.œ œ œ œ œ œ
Jœœœ>‰ Jœœœ>‰ Jœœœ>‰ Jœœœ>‰
œœœ>Œ ‰ jœœ>
‰ jœœbb>
f
98
99 wœ œ .˙
Jœœœœ>‰ Jœœœœ>‰ Jœœœœ>‰ Jœœœœœ>‰
Œ ‰ jœœ>Ó
100w
!3
œœ œœ œœ œœœ̂ œœœ^
˙̇ œœ^
œœ^ &
rit.
rit.
101 w
!wwwwæU
wwwæU ?
102 !
!
œŒ Ó
œœflŒ Óß
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Piano/Vocal – 8 – 06. Pulled [Rev. 1/3/12]
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44
44
44....
..
..
..
..1 !
œ. œ- œn . " œ. " œ. " œ. " œ. "rœ. ‰
LUCAS: “No, but see--the lover always comes back. Ulysses. Tristan. Romeo.”WEDNESDAY: "Listen, I'm home-schooled. What's your point?"LUCAS: "I'd rather die than live without you."WEDNESDAY: “Ok. Prove it!”LUCAS: "What."WENDESDAY: "Prove it." [MUSIC]"Here."
! ?P
Bright 4 q»118œ ‰ . rœ œ " œ œ
Once, I was hope
œ. œ- œn . " œ. " œ. " œ. " œ. "rœ. ‰
!
LUCAS: "Where'd you--"WEDNESDAY: “Put this apple on your head and go stand against the tree.”LUCAS: “Wait - you're gonna--?”WEDNESDAY: “Uh-huh.”LUCAS: “You're crazy.”WEDNESDAY: “And you're not crazy enough. That's the problem.” [GO ON]
Vamp (vocal last time)
WEDNESDAY:2
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3 œ .œ Œ Óful.
œ œ œn " œ " œ " œ " œ " rœ ‰
!simile
4 œ ‰ . rœ œ " œ œ œThought we were one.
œ œ œn " œ " œ " œ " œ " rœ ‰
!
5
œ Œ Ó
œ œ œn " œ " œ " œ " œ " rœ ‰
!
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6 œ Œ œ œ œ œLife, less than per
œ œ œn " œ " œ " œ " œ " rœ ‰
!
7 œ .œ Œ Ófect
œ œ œn " œ " œ " œ " œ " rœ ‰
!
8 ˙ œ œ œ œ œfin' ly be gun.
œ œ œn " œ " œ " œ " œ " rœ ‰
!
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19CRAZIER THAN YOU
[Rev. 1/14/12]Music and Lyrics byANDREW LIPPA
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9
œ Œ Ó
œ œ œn " œ " œ " œ " œ " rœ ‰
Ó Œ "œ# œ œn
10 œn Œ œ œ œ œBut, now I won
œ œ œn " œ " œ " œ " œ " rœ ‰
w
11œ .œ œ Óder
œ œ œn " œ " œ " œ " œ " rœ ‰
.˙ œ œ œ# œ
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12œ Œ œ œ œ œare we un done?
œ œ œn " œ " œ " œ " œ " rœ ‰
w
13 .˙ œ œ œ œI wan na
œ œ œ " œ " œ# " œ " œ Œ
˙ œ œ œŒ
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œ œ œ œ œ œ œ œ œ œ œ œtrea sure you in death as well as life.
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœw. .. .˙̇ œ œ
14
F
15
.˙ " œ œ œI wan na
œœ œœ œœ " œœ " œœ " œœ œœ œœ œœ
. .˙ jœ
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16œ œ œ œ œ œ œ œ œ œ œ œcut you with my love and with my knife.
œœ " œœœ " œœœ " œœœ " œœœ " œœœ " rœœœ ‰
. .. .˙̇ œ œ
17
.˙ " œ œ œBut can I
œœœb œ œœœ " œ " œœœ " œ " œœœ " œœœ œœœ
˙n œ œ " œ " œ œ
Piano/Vocal – 2 – 19. Crazier Than You TOUR [1/14/12]
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18œ œ œ œ œ œ œ œ œ œ œ œlive as your tor men tor and your wife?
œœœ œœœ œœœ " œœœ " œœœ œœœ œœœ œœœ œœœ....œœœœ
˙ œ œ œ œ .œw
19 ˙ ‰ Jœ œ œWhen I am
...œœœ œœœ " œœœ " œœœ " œœœ œœœ Jœœœ ‰
.œ œ"œ " œ
"œ œ jœ
‰˙ œ œ œ Jœ
‰
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bb
b b
b b
œ œ œ œ œ œ œ " .Jœcra zi er than you! I'm
Œ ...œœœ œœœ" rœœœ
‰ œœœ ...œœœœ œ
Œ ‰ jœ œ œ œnf
2021œ œ œ œ œ œ œ " .Jœcra zi er than you. And
Œ ...œœœ œœœ" œœ œ œœœ œœœ
‰
œœ œœŒ " .jœ œ œ œ
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22 œ œ œ œ œb œ œ œ œ œ .œbnoth ing up 'til now has proved me
Œ ...œœœb œœœ" œœ œ œœœb œœœ
‰
œœbb œœ‰ rœœ
" ‰ . rœœ‰ œ# œ
23œ œ œ œwro o ong. I'm
œœœ œœœ œœœ œœœ
.œ œ‰ jœ "
œ œ" œ œ# œ
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b b
24œ œ œ œ œ œ œ " .Jœcra zi er than you! That's
Œ ...œœœ œœœ" rœœœ
‰ œœœ ...œœœœ œ
Œ ‰ jœ œ œ œn
25œ œ œ œ œ œ œ " .Jœjust the o ver view. So,
Œ ...œœœ œœœ" œœ œ œœœ œœœ
‰
œœ œœŒ " .jœ œ œ œ
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Piano/Vocal – 3 – 19. Crazier Than You TOUR [1/14/12]
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26 œ œ œ œ œb œ œ œ œ œ .œbget on board or sim ply move a
Œ ...œœœb œœœ" œœ œ œœœb œœœ
‰
œœbb œœ‰ rœœ
" ‰ . rœœ‰ œ# œ
27œ œ œ œlo o o ong.
œœœ œœœ œœœ œœœ
.œ œ‰ jœ "
œ œ" œ œ# œ
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!
œ ‰ . rœ œ œ œ œI'm not im pul
œœ œœ œœn " œœ " œœ " œœ " œœ "rœœ ‰
œœ" œœ
Œ ÓP
LUCAS:
WEDNESDAY:2829‰ œ œn œ œ œ œ œ œ œ .œ
And yet I tru ly love you.
œ .œ Œ Ósive.
œœ œœ œœn " œœ " œœ " œœ " œœ " rœœ ‰
œœ" œœ
Œ Ó
30 !
œ ‰ . rœ œ œ œ œI'm not de ranged.
œœ œœ œœn " œœ " œœ " œœ " œœ "rœœ ‰
œœ" œœ
Œ Ó
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31‰ œ œ œ œn œ œ œ œ œ .œI'd ne ver ask that of you.
œ Œ Ó
œœ œœ œœn " œœ " œœ " œœ " œœ " rœœ ‰
œœ" œœ
Œ Œ "œ# œ œ#
32 !
œn Œ œ œ œ œBut in this mo
œœ œœ œœn " œœ " œœ " œœ " œœ "rœœ ‰
œœ" œœ
Œ Œ "œ# œ œ#
33 !
œ .œ œ Óment
œœ œœ œœn " œœ " œœ " œœ " œœ "rœœ ‰
œœ" œœ
Œ Œ "œ# œ œ#
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Piano/Vocal – 4 – 19. Crazier Than You TOUR [1/14/12]
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œ Œ œ œ œOne nor mal night?
Œ œœœ ‰ jœœœ Œ
œŒ Œ ‰ jœ
MORTICIA:32
33 Œ œ œ œ œ œ œTo be po lite,
Œ œœœ ‰ jœœœ Œ
œn ^ Œ Œ ‰ jœ
WEDNESDAY:34 Œ œ œ œ œ œ œ
to do the least
Œ œœœ ‰ jœœœ Œ
œA^ Œ Œ ‰ jœ
35
œ œ œ œ œ Œyou can.
Œ œœœ ‰ jœœœ Œ
œn^ Œ ‰ jœ œ œn
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36
¿ Œ ¿ ¿ ¿One nor mal eve?
Œ œœœ ‰ jœœœ Œ
œ Œ Œ ‰ jœ
GOMEZ:37 Œ œ œ œ œ œ œ
Can you a chieve
Œ œœœ ‰ jœœœ Œ
œn ^ Œ Œ ‰ jœ
WEDNESDAY:38
œ œ œ œ œ œa kind of
Œ œœœ ‰ jœœœ Œ
œA^ Œ Œ ‰ jœ
39 œ œ œ œ ˙com mon man?
Œ œœœ ‰ jœœœ Œ
œn^ Œ Œ ‰ jœ
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b b b b b
Œ œ œ œYou have to
Œ œœœ ‰ jœœœŒ
œb^ Œ Œ ‰ jœ
4041 œ œ œ œ œswear to me, yes,
Œ œœœœ ‰ jœœœ Œ
œ^ Œ Œ ‰ jœ
42 jœ .œ œ œprom ise to the
˙̇̇> ˙̇̇>
˙̇>
˙̇>
43
˙ Ócore.
˙̇̇̇> œœœœ^
Œ
˙̇nn>
œœœœn ^ Œ
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Piano/Vocal – 4 – 07. One Normal Night [Rev. 1/12/12]
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44 Œ œ œ œIt's al most
œœœ^œœœ.‰ jœœœ. œœœ
^ œœœ.‰ jœœœ.
œœ^ œœ. ‰
jœœ. œœ^ œœ. ‰
jœœ.F cresc.
45 œ œ œ œ œsix o' clock they're
œœœ^ œœœ.
‰ jœœœ.œœœœ^ œœœœ.
‰ jœœœœ.œœ^ œœ. ‰
jœœ. œœ^ œœ. ‰
jœœ.
46
œ œ œ œn œnal most at the door!
œœœœ^ œœœœ.
‰ jœœœœ.œœœœ^ œœœœ. ‰
jœœœœ.œœ^ œœ. ‰
jœœ.œœ^ œœ. ‰
jœœ.
47 ˙ Œ œOn
œœœœn^ œœœœ. ‰
jœœœœ.œœœœ^
Œ
œœ^ œœ. ‰
jœœ. œœ^ Œ
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œ œ œ œall the Ad dams
Œ œœœ œœœ œœœŒ œœœ œœœ œœœwwwww
Broadening - In 4
f
4849 œ œ œ œ
an ces tors who've
œœœ œœœ œœœ œœœœœœ œœœ œœœ œœœwwwww
50 jœ .œ œ œev er walked a
˙̇̇ ˙̇̇̇
˙̇ ˙̇
51 ˙ Óright,
˙̇˙˙̇nnœœœœœnn Œ
˙̇nnœœœn Œ
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52 wOne
œœœœ œœ œœœ œœœ
ww
Molto Rit.53 ˙ ˙
Nor mal
˙˙˙̇n ˙̇̇b
˙̇nn ˙̇bb
54 wnight!
˙̇̇̇ ˙̇
ww
A Tempo - In 255 .˙ Œ
˙̇̇̇ ˙̇̇˙
ww
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Piano/Vocal – 5 – 07. One Normal Night [Rev. 1/12/12]