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ISBN 978-960-89087-2-7

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Kerameos Paides:

Studies Offered to Professor Michalis iverios by his Students

Edited byEurydice Kefalidou & Despoina siafaki, Tessaloniki 2012

: 20, 11474

:

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www.ziti .gr

1. 2. 3.

4. 5.

1. Greek Pottery 2. Iconography 3. Vase-painting

4. Local pottery of Macedonia 5. rade-amphorae


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Contents

..................................................................................................................................... 12

. .......................................................................................................................................... 16

. ................................................................................................................................................................ 18

..................................................................................................................................... 25 ....................................................................................................................................................... 36

.

:

. ..................................................... 39

Homeric Paralipomena: Te Departureof Hippodamas and Eurylochos

Stamatis A. Fritzilas ........................................................... 47

: ............................................................. 49

Fishermen: Te Ephebes and the SeaVictoria Sabetai .................................................................... 60

:

................................................................ 61

Variations on a Teme: Herakles and Nereuson an Attic Black-gured Amphorafrom Oisymi

Eleni Manakidou ................................................................. 68

:

............................................................. 69

Herakles and Chthonic Poseidon: woAlabastra of the Diosphos Painter

Aggeliki Kokkinou ............................................................... 76

................................................................. 77

Attic Black-gured Lekythoi from theCemetery of Ancient Leas

Georgia Pliakou .................................................................... 84

5 . ..

..................................................... 85

Perfume Vases in Representations of Worshipof the 5th c. BC

Panayota Badinou ............................................................... 91

8


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...................................................................... 93

Visiting a Brothel in a Cupby the Euaion Painter

Eirene Tsakni ....................................................................... 100

;

. ..................................................... 101

From Phlya? Some Toughts on an AtticRed-gured Hydria from Ancient Phlya

George G. Kavvadias ........................................................ 108

....................................................... 109

Eukleia and Eunomia on a Fragmentof a Squat Lekythos from the Circleof the Meidias Painter

Christina Avronidaki ....................................................... 116

.................................................. 117

Red-gured Chous with a Dionysian Scenefrom Argyroupoli, Athens

Athena Chatzidimitriou ................................................. 125

...................................................... 127

Toughts and Remarkson the Organization

of the Jena Painters WorkshopKleopatra Kathariou ........................................................ 134

:

............................................................ 135

Iconographic Observations on a Red-guredKrater from Olynthos:Teatrical Inuences

Amalia Avramidou ........................................................... 142

......................................................... 143

Red-gured Pelike with a Battle Scenefrom Pella

Nikolaos Akamatis ............................................................ 150

. , , ,

.......................................................... 153

An East Greek Fruitstandat Karabournaki

Despoina Tsiafaki .............................................................. 161

-Brogan ........................................ 163

A Corinthian Oinochoe of the ransitionalPeriod from Mochlos in Eastern Crete

Natalia Vogeikoff-Brogan .............................................. 170

9


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. - ;

.............................................................. 171

Zeus against a Dragon.A Different Representationof Zeus Fighting yphon at Corinth?

Anna Arvanitaki ................................................................ 178

........................................................ 179

A Boeotian Komast Cup from Termi near

TessalonikiEurydice Kefalidou ............................................................ 188

:

.......................................................... 189

Image and Word on Feminine Virtue:A Fresh Look at a Boeotian Skyphosin the Canellopoulos Museum

Victoria Tsoukala .............................................................. 197

. M ....................................................... 199

Te Paeonian Warlords Pyraichmesand Asteropaios in the Literary Sourcesand the Pottery of the Archaic Era

Georgios K. Mallios ........................................................... 208

- ............................................... 209

Eros Pursuing a Maiden on an EarlyLucanian Hydria in the Benaki Museum

Maria-Christina Tzannes .............................................. 218

:

............................................................. 219

Te Representations of Chrysipposin Apulian Vase-painting:Remarks on their Iconography

Zapheiria Partheni ............................................................ 228

.

:

........................................................ 231

Protogeometrische und geometrische KeramikNordgriechenlands: Die Forschungsgeschichte

Stefanos Gimatzidis .......................................................... 238

.

....................................................................... 239

Te Presence of Protogeometric andGeometric Atticising Pottery in the NorthernAegean. wo Interesting Examplesfrom Karabournaki

Nikos Chatzis ....................................................................... 246

8 . ..

.................................................. 247

Local Pottery Workshops of the 8th c. BCaround the Termaic Gulf

Konstantoula Havela ....................................................... 256

.......................................................................... 257

New Evidence for the Egg-shelled Pottery

Anna Panti ............................................................................ 264

10


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.

............................................................... 265

Indications for an Earlier Chronologyof the Sanctuary of Dionysosin Kallithea, Chalcidice.wo Older Finds Set New Issues

Dimitris Patis .................................................................... 272

:

............................................................ 273

Bird kotylai: A Pottery Groupfrom Central Macedonian Sites

Fotis Georgiadis .................................................................. 282

................................................................. 283

Te Exaleiptron in the Funerary Customsof Central Macedonia

Vivi Saripanidi .................................................................... 288

. ....................................................... 289

Inscribed Vases from Ancient Stageira

Nikolaos A. Skiadas .......................................................... 296

V.

......................................................... 299

Phoenician rade Amphoraefrom Methoni, Pieria

Alexandra Kasseri ............................................................. 308

...................................................................... 309

rade Amphorae from Karabournaki

Kostas Filis ............................................................................ 320

.

K. ............................................................. 321

Stamped Rhodian Amphorae from a Depositat the Sanctuary of Isis in Rhodes.

A Preliminary PresentationFani K. Seroglou ................................................................. 330

........................................................................................................................................................................................... 331

................................................................................................................................................................................................... 335

. ................................................................................................................................................... 381

11


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2. Akurgal .. 2002, 37-50, 111, . 78, . 47, . 6 ( ). , , - Kalabaktepe. . : von Graeve.. 1987, 24-27, . 54-67, . 15-16. SamosVI.1, . 80.

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, MileA Id, Middle Wild Goat II Middle Wild GoatII20. MileA Id - 610-580/570 .. - , 7 . ..21 , -,

16. . . 5.

17. Cook & Dupont 2003, 42. Samos VI.1, 10. 1963,115-129.

18. Cook 1960, 118-126. Cook 1992, 256-262.

19. - - . , , - (.. Schiering 1957 1963), - (, , - .). : Walter-Karydi 1986. Cook 1997, 295-300. Cook & Du-pont 2003, 5-7. Akurgal .. 2002, 25-36. - : Ker-schner & Schlotzhauer 2005. Schlotshauer 2006, 134-141. MileA Id: Ker-schner & Schlotzhauer 2005, 33-45. -: Akurgal . 2002, 37-50, 111, . 78, . 47, . 6. . M. Kerschner , - .

20. Middle Wild Goat III Cook - Wild Goat - : Cook 1992, 260-262.

21. Ashkelon, 232-242, 330.

-13. -, , - , 14. -

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13. , SOS. - - , 6 . .. - ( - SOS ). - : Manakidou 2003.,

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22. : Kinch 1914,. Clara Rhodos III, . Clara Rhodos IV, -. Clara Rhodos VI-VII, . 1963, 117-124, .9-10 . CVARodi Museo Archeologico dello Spedaledei Cavalieri 1, . 2-3 [G. Jacopi]. Samos VI.1, 10-17, 52, 60-61,. 24-33, 66, 73-75, 79-80, 120-123, 132-140. Pautasso, Kerschner& Mommsen 2009, 68-76. AskelonIII, 232-242, 330. -

: Kinch 1914, 255. 1963, 133-174.

23. Cook & Dupont 2003, 42.

24. , , . 352. : 1963, 118,. 8, . , . . CVAParis, Muse du Louvre 1, . 1.8 ( D c) [E.Pottier].

25. CVAOxford, Ashmolean Museum 2, . 4.16 [J. D. Beazley,H. G. G. Payne & E. R. Price]. Samos VI.1, . 73, . 567 ( , 7 . ..), . 80, . 654 (, ). CVAParis, Muse du Louvre 1, . 1.7,8 ( D c) [E. Pot-tier]. Kinch 1914, . 17, . 3a, 6. Clara Rhodos IV, 386, . 441.Kleine 1979, 150, . 55, . 22, . 40.3 (6 . ..)

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32. CVAParis, Muse du Louvre 1, . 1.7 ( D c) [E. Pottier].

33. . CVAMuse Scheurleer (La Haye) 1, . 1, . 2 [C. W.Lunsingh Scheurleer]. Clara RhodosVI-VII, 94, . 106. CVA Ber-lin Antiquarium 4, . 161.3, 163.3 [N. Kunisch].

34. Samos VI.1, . 73. Clara Rhodos III, 84, . 74, - .

35. Kerschner & Schlotzhauer 2005, 45. Von Graeve .. 1987, .15.

36. Schiering 1957, Beil. 5. - - Schiering(1957, 148) . . : Clara RhodosIII, 84, .74. CVA Berlin Antiquarium 4, . 161.3, 163.3 [N. Kunisch] (6 ...). CVAMnchen Antikensammlungen 6, . 276.1,2 [E. Walter-Karydi] ( 6 . ..). Samos VI.1, . 80, . 654 (-, ).

(. 3). - - , 28. - ,

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28. . . .22 Cook & Dupont 2003, 42.

29. , , . -: CVAParis, Muse du Louvre 1, . 1.7, 8 ( D c) [E. Pottier].Blikenberg & Kinch 1931, . 44, . 975. Samos VI.1, . 27 (201),28 (211), 73 (567), 74 (568), 80 (654).

30. (. 97.129 & 95.446), -. . 97.129 , , - -. . 95.446 , .

31. . . 22. -: Samos VI.1, 13, . 26, 27, 73, 80. . Kinch 1914,. 3, 4, 17.

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38. Samos VI.1, 60, . 651, . 127, . 77 . 62, . 659,. 129, . 79. - . : Samos VI.1, 85, . 981, . 156.

39. Samos VI.1, 62, .659, . 129, . 79.

40. Samos VI.1, 60, . 651, . 127, . 77.

41. . : SamosVI.1, . 80, . 657, 667. CVAMuse Scheurleer (La Haye) 1, . 1, . 2 [C. W. Lunsingh Scheur-leer]. Clara Rhodos IV, 387, 391, . 15, . 441. Kinch 1914, . 17.CVAParis, Muse du Louvre 1, . 1.5, 1.8 ( D c) [E. Pottier].

42. Samos VI.1, . 31, . 223-225.

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Despoina Tsiafaki

An East Greek Fruitstand

at Karabournaki

SUMMARY. Subject of this paper is the publicaon of an East Greek fruitstand found at the sele-

ment located on the low mound of Karabournaki, in the area of Thermaic gulf at Thessaloniki. The

site is recognized as a part (kome) of the ancient Thermi, and in parcular as its harbor. The lat-

ter, located by the selement, was the only harbor at the center of the Thermaic gulf and it was

related with the trading acvies of the region. The presented vessel is preserved in a fragmentary condion and it is recognized as a product

of the Milesian workshop. It belongs to the tradionally called Middle Wild Goat II category or

according to the most recent system, to MileA Id, and it is dated at the end of the 7th c. BC. Al-

though the profile of the vase does not differ from the well-known standard types of the stemmed

dishes, the preserved part of the decoraon holds some interesng combinaon of mofs. In par-

cular, the volute paern found at the center of the fruitstand to surround the tondo, is not com-

mon at this secon of the vase. A 3D reconstrucon of the vessel has been done, in order to make

it widely accessible, and to facilitate its study.

The fragment was found within one of the semi-subterranean beehive shaped pits (yposkap-

ton) in the trench 27/89d, a common aribute of the site at Karabournaki. East Greek and Corin-

thian poery are the primary categories of imported ceramics found among the filling, along with

the Ac SOS type and Chian trade amphorae. The local poery was also disncve with the so-

called egg-shelled(ookelyphi) and silverish(asimizousa) to be characterisc. Most of the vesselsfound here appear to be related to symposion acvies, and they belong to the Archaic period.

The studied stemmed dish belongs to a group of vases made by the Milesian workshop that

have been imported to Karabournaki. They can also be related to the Milesian trade amphorae

found at the selement. It seems that all the products of Miletus (fine poery and trade amphorae)

were imported at the site during the 7th c. BC and the first part of the 6th c. BC. Consequently,

they can be part of the trading routes followed at that me.

161


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1. . H. Brijder, - . . . , .

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3. 1981.

1960, 3042 (.1-3). - ( ), .

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, 19396,

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( ). - 500 -, 4 ( : 1937). . 14-12-1938, - ( , ). . (14-12-1938) , , . , , - . . - ( ,17-2-1939: -). - . .

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180


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11. , , , - -, -, 12. - - -

11. , . - : Payne 1931, 118-124. Seeberg 1971. Pipili 1987,71-75. Amyx 1988, 650 . F, 651-652, 653-657 (). Vier-neisel & Kaeser 1992, 283-302 [B. Kaeser & B. Gossel-Raeck]. CVATebes, Archaeological Museum 1, 16-17, . 2 [V. Sabetai]. Car-penter 2007. Green 2007. Isler-Kernyi 2007, 17-59. Isler-Kernyi2007. Smith 2007. Smith, . J. 2010.

12. : Brijder1983, 25-26, 30-32, 44-48, 50-52, - . , Beazley (1993, 26) , . (1981, 153, 158) Amyx (1988, 462-464 . 76).

, - , 10. - (Komast Cup), - , - .

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18. - : Brijder 1983, 26-27.

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20. (. ).

13. , - , - , - (Pre-Komast Cup),

14

. , - ( 6 . ..) - , 15. (Boeotian Dancers Group, 570-550 ..), - ,

, 16. -

13. - :Brijder 1983, 25 . 22, 31-32, 59-67, 88-94 (Plain Cups of Pre-ko-mast shape, Plain Komast Cups). Brijder 1991, 474, 476-478. - -

Beazley (1993, 26) . Amyx (1988, 463, . 76) . - , :ABV 23-28, 31-37, 680-681, 714. Paralipomena14-17. Beazley Addenda27-9. Brijder 1983, 25-27, 30-32, 34-52, 57-105. Brijder 1991, 472-478.

14. Beazley 1993, 25-27. Brijder 1983, 50-52, 63-65, 67-72. Brijder1991, 472, 475-476. , . : Kreuzer1997. Kreuzer 2009.

15. , - , ( ): Sparkes 1967, 119-120. Kilin-ski 1990, 2-3, 34-40, 63-67. Kreuzer 2009. - 6 . ..: Kreuzer 2009. , - , . .

16. :ABV 29-31, 680 ( , ). Paralipomena 15. Beazley Adden-da28. Kilinski 1978. Kilinski 1990, 14-19, 36, 41 . 5, 61. Isler-Kernyi 2007, 34-40. CVATebes, Archaeological Museum 1, 18-19, . 4-5 21-22, . 7-8 [V. Sabetai]. Kreuzer 2009. Smith, .J. 2010, 150-175 ().

182


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24. : Smith, . J. 2010, 152-158.

25. -: Sparkes 1967, 119-121. Kilinski 1990, 2-3. Smith, . J. 2010,150-175 ().

26. :Smith, . J. 2010, 161-167 ().

27. : Kilinski 1978, 188, . 5-10, . 16-17, . 20. Ki-linski 1990, 14-19, . Smith, . J. 2010, 162-164.

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-, 23.

21. , - . , : Bri-jder 1983, 52. - , ...: Kilinski 1978, 188 . 7, 9-10, 13, 16-17. Kilinski 1990, .16.3-4, 17.2, 18.1-2, 23.3, 25.1, 28.2, 29.4. CVA Tebes, Archaeologi-cal Museum 1, 18-19, . 4 [V. Sabetai].

22. , , - , :Brijder 1983, 52, 85 (). : Kilinski 1978, 188. Kilinski 1990, 36, . 23.3,. 25.1.

23. - (rijder 1983, 51-52), -, (Smith, . J. 2010,163-164). - - (.. - , , , ..), , , - : Smith, . J. 2010, 158-175.

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33. , , - - / 34.

- -, - 3042. . 3042 - , -, , - 35. (Chiusi), - - -

36. , , - . - , - , - . - 3042, . -, .., -, - . ,

33. Brijder 1983, 51, . 242, 63-65, 222 . P 9.

34. : Amyx 1988, 681-682, . 127.1-2 ( Horse-Bird Painter Istanbul Painter, Kilin-ski [1990, 4-5, 7-13, 34-35] ).

35. Smith(Smith, . J. 2010, 151, . 10) - (. .38).

36. . 18807: ABV35/8 (Komast Group: VII, Unalloted). Par-alipomena17. Beazley Addenda29. CVABucarest 2, Collection Dr.Georges et Maria Severeanu (Muse de la Ville de Bucarest) et Col-lections Prives, 16, . 14 ( ) [P.Alexandrescu & S. Dimitriu]. Brijder 1983, 72 ( , ). Kilinski (1990) . : 8,9 . . 20,9 . . - 27,8 . . 6,2 .

, .. (BirdCups), , -28. -

, , (. 4)29. - , - , 30. - , - , , (

, ).

- 31: - , , ( - ), , . , ( -). - 32 - ,

,

28. : Kilinski 1990, 58-59.

29. . Brijder.

30. Brijder 1983, 24 . 8-11.

31. .

32. . : Amyx 1988, . 79, 80, 93, 116-117, 120 ( ). , . ..: CVAMnchen 3, Museum Antiker Kleinkunst,. 146.5-7 [R. Lullies]. Kilinski 1990, . 29.3.

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.

. , - 39. ( , , ) - -. - , -, -

. , , - , . , .40

, , , - - 41

39. : Kilin-ski 1990, 44-45. Smith, . J. 2010, 157. CVA Tebes, ArchaeologicalMuseum 1, 17-18, . 3 23-24, . 10-11 [V. Sabetai].

40. . . 22.

41. - .

, -

- . - -. - , - ( ). -, , .

, , , 37.

-38. , - , - , ,

37. : Smith, . J. 2010,152-158.

38. Staatliche Antikensammlungen und Glyptothek, . SH 426( . 2267). 1898: Payne 1931, 194,. 2 (etween the Komast and the Polos Groups).ABV36 (- , , ). Brijder 1983, 72, . 79, . 103b ( ). Kilinski 1990, 58-59,. 6.2. Vierneisel & Kaeser 1992, 289, . 47.2a-b [B. Gossel-Rae-ck]. Smith, . J. 2010, 151, . 10, 162, . 28c. : 7,5 . . - 15,3 . J. Gebauer - F. Knauss .

. 4. ,

(: H. Brijder).

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- - 44.

- , -

-, - . . Sparkes - - - , ,

. , - , , 45. - 46,

44. , , : 1981, 151, 166. Maffre 1990, 410-411. Maffre 2009, -.

45. Gimatzidis 2010, 96 ( 8), 451, . . 333, . .659, . 40(333): , , . . .

46. , . , . - . , . - , - . . - .

- , o : 2009, - ( ). , - Ure (Group A shallow-bottomedtype: Ure 1913, 5-6), -. - (. .. Ure 1913, 12, 16, 31, .354, . VIII), - (. .. Ure 1913, 11, 14, - 49, . 276, . VII -). ,

. , , , . 570-550 .., -

, - 3042 . - - , Chiusi , - - 42. , ,

, -: , , -, , , , -, Berezan - 43. ,

42. ( ): Sparkes 1967, 116. Kilinski 1990, 2. 2007,141-142 ( , 6-4 . ..).

43. : 1981, 151-153, 165-167. Brijder1983, 70-84 . Brijder 1991, 472-474, 476-478. I - (Vienna KomastPainter), -: , - (Brijder 1983, 84,230 . 98-102. Brijder 1991, 474, . 2, . 4). - (Brijder 1983,226 . 45, 229-230 . 83-85 . 93-97, 235 . 213. Bri-jder 1991, 474, 478). , . : Maffre 1990,411-413. Maffre 2009, . Smith, . J. 2010, 36 . 17, 47,65 (. 85.670 ). - () Brijder (1983 1991): Paralipomena17 (Komast Group, Unalloted, . 987). (Plain Komast Cups: . . 13), - , . .. : , . 418 [. ]. Brijder1991, 474, ype B . 1. 2012, 52-53, . . 104. -, . - : 2009, 46-47 ( -). 2012, 49-50. , .

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- ( - ) ( - 8 7 . ..,

)52

. , , - , 53. - - - 315 ..54

55, - , -, 6 . .. , , . , - .

52. : iverios 2008,26-28. 2009.

53. - , , : iverios 2008, 25-26. - : , & 2005,239. & 2009. 2011. : Gimatzidis 2011, 102-104.

54. 2009, 329.

55. .. 2011.

- 47, - 4 . .., 48.

- - (.. ), , -, - 49. - , , ,

50. , , - , , - , , 51 , , - . - , - ,

, . -: CVA Tebes, Archaeological Museum 1, 15-17, . 1 . 2 [V. Sabetai].

47. (. 2). - (1999, 1203, . 7) - , , . - . .

48. 1991-92, 218, . 8-9. 1993, 559, . 9. 1996, 419, . 9. Gimatzidis 2010, 294-295, . 104, .122p(738).

49. Gimatzidis 2011.

50. ( ) (3.2, 7.57.5, 8.100.3). - : Vanschoonwinkel 2006, 130-133, 136. -, 7 . ..: iverios 2008, 118-121 , .

51. . : 2007. , & 2007. 2009.

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Eurydice Kefalidou

A Boeoan Komast

Cup from Thermi near

Thessaloniki

SUMMARY. The Boeoan Komast cup presented here (Figs 1-3) is an old find, stored at the Archaeo-

logical Museum of Thessaloniki (inv. no. 3042). The vessels only record menons that it derives fromThermi, near Thessaloniki. The ancient name of the site located in the vicinity of the modern Thermi

sll eludes us, but it must have been prosperous and populous as the thousands of burials excavated

so far indicate. Since the cup survives intact (only one handle missing) it is believed to have comefrom the Thermi cemetery, probably found in the 1930s according to Museum archives.

It is one of the very few known Komast Cups manufactured in Boeoan poery workshops. The

komasts first appeared on Corinthian vessels of the Transional period although the shape of the Ko-

mast cup is an Ac creaon, which incorporated elements from similarly shaped Middle-Corinthian

cups. The combinaon of cups of this shape with the convenonalized depicon of two or three ko-

masts on each side is also an Ac creaon, associated with the painters who worked in the manner

of the KX Painter. The shape and proporons of the Thermi cup are very close to the Ac Komast

cups produced in the workshop of the Painter, but influenced from the slightly later cups of the

Painter and his circle. Its decoraon is clearly differenated from the Ac examples: Their main

differences are the rims decoraon with a series of small diagonal lines, the absence of the radialmof on the lower part of the body, the rough and stylized rendering of the palmees and lotus

flowers below the handles, while minimal incision is used on the two komasts and one of them hasthe characterisc boeoan kicking leg.

It is parcularly important that another Komast cup can be aributed to the same painter. It

appeared in the Art Market and has unknown provenance (Fig. 4). We are thus dealing with a new

Boeoan painter, who is here convenonally named Painter of Thermi 3042. The two cups of thePainter of Thermi 3042 join the other two known Boeoan Komast cups: One found at Chiusi in Etru-

ria and kept at the Muse de la Ville de Bucarest (inv. no. 18807), and another, of unknown prove-

nance, now in Munich (Ankensammlungen, inv. no. SH 426 [2267]). These four Boeoan Komast

cups appear to have been produced by at least two poers and painted by three different painters

in 570-550 BC. The fact that at least two of them have been found far away from Boeoa is very sig-

nificant, as research has noted the very scarce distribuon of Boeoan poery outside its region,

especially at such an early age. During the same period, cups, skyphoi and other vessels by the KX

Painter and the Komast Group reached all ports of the Mediterranean and are among the earliest

Ac vessels to be imported in Macedonia.

Apparently, the few Boeoan Komast cups were not produced to compete Ac exports across

the Mediterranean, but as a reply to the growing demand on similar vessels. It is not easy to detect

how they reached Etruria and the Thermaic Gulf. They may not have been commercial products

but transported by individuals, as it has already been proposed for other early black-figured Boeo-

an vessels found away from Boeoa. It should be noted though that individual Boeoan vessels

had probably reached the Thermaic Gulf (Sindos) already since the Early Iron Age. Nonetheless, our

knowledge of the distribuon of painted Archaic and Classical Boeoan poery in Macedonia is sll

limited.

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, 20 (: . , , 1984, . 531).


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