At the stoplight waiting for the light nine a.m. downtown San Francisco a bright yellow garbage...
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Transcript of At the stoplight waiting for the light nine a.m. downtown San Francisco a bright yellow garbage...
At the stoplight waiting for the light nine a.m. downtown San Francisco a bright yellow garbage truck with two garbagemen in red plastic blazers standing on the back stoop one on each side hanging on and looking down into an elegant open Mercedes with an elegant couple in it
The man in a hip three-piece linen suit with shoulder-length blond hair & sunglasses The young blond woman so casually coifed with a short skirt and colored stockings on the way to his architect's office
And the two scavengers up since four a.m. grungy from their route on the way homeThe older of the two with grey iron hair and hunched back looking down like some gargoyle QuasimodoAnd the younger of the two also with sunglasses & long hair about the same age as the Mercedes driver
And both scavengers gazing down as from a great distance at the cool couple as if they were watching some odorless TV ad in which everything is always possible
And the very red light for an instant holding all four close together as if anything at all were possible between them across that small gulf in the high seas of this democracy
Two Scavengers in a Truck, Two Beautiful People in a
Mercedes.
By: Lawrence Ferlinghetti
At the stoplight waiting for the light nine a.m. downtown San Francisco
‘Two Scavengers’ describes a
frozen moment in time where
two sets of people from
different backgrounds are held together at a red traffic light in San Francisco.
Two Scavengers in a Truck, Two Beautiful People in a Mercedes.
The contrast between the two sets of people is
shown in the title.
Scavengers is a
derogatory term
for the garbage
men because is
suggests that
they live off the
rubbish of others.
Beautiful people is a
compliment. Ferlinghetti
is creating stereotypes.
a bright yellow garbage truck with two garbagemen in red plastic blazers standing on the back stoop one on each side hanging on and looking down into an elegant open Mercedes
The scavengers are looking down into the Mercedes. This is
because the truck is literally higher up. However, this could be a role reversal – people may ‘look down’ on the scavengers because they are portrayed as being poor and dirty; they are considered to be lower class.
Ferlinghetti subverts this stereotype as the scavengers
are ‘looking down’ on the people in the Mercedes.
with an elegant couple in itThe man in a hip three-piece linen suit with shoulder-length blond hair & sunglasses The young blond woman so casually coifed with a short skirt and colored stockings on the way to his architect's office
Describing the man’s
suit as “hip” implies
the beautiful people
are fashionable and
their lifestyle is
desirable. This is a
contrast to the “red
plastic blazers” worn
by the scavengers.
And the two scavengers up since four a.m. grungy from their route on the way homeThe older of the two with grey iron hair and hunched back looking down like some gargoyle Quasimodo
Quasimodo is the hunchback of Notre Dame.
What do you think Ferlinghetti is
saying about the scavengers here?
And the younger of the two also with sunglasses & long hair about the same age as the Mercedes driver
Ferlinghetti tries to show that all people are equal by presenting similarities between the young man in the Mercedes and the
young scavenger.
Both men are wearing “sunglasses” and have
“long hair”. Ferlinghetti emphasises this by
saying that the young scavenger and the
Mercedes driver are a similar age.
This closes the gap between rich and poor by showing that under the surface, people are the
same.
And both scavengers gazing down as from a great distance at the cool couple as if they were watching some odorless TV ad in which everything is always possible
And the very red light for an instant holding all four close together as if anything at all were possible between them across that small gulf in the high seas of this democracy
“as from a great distance” – What is the distance between these two sets
of people?
“as if anything at all were possible” – What do you think this means?
Why wouldn’t these people normally be held together?