Ashley Jackson Selected Works

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Selected Works Jackson Ashley

description

Architectural Portfolio

Transcript of Ashley Jackson Selected Works

Selected WorksJacksonAshley

MASTER OF ARCHITECTURE · BS CIVIL ENGINEERING3805 State St. Dr. New Orleans, LA 70125

[email protected]

843 · 271 · 1926JacksonAshley

Dance Academy

Building Arts Institute

Welcome Center

Design Build Pavilion

Museum of the City

Art Museum

Fabrication and Representation

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A dance performance and learning facility located in the central business district. The formal distribution of spaces was inspired by the construction of a pointe shoe. The covered entrance space contains a staircase that connects the theatrics for the public to the private studios. The façade allows for views of the dancers on this staircase and in the studios. It is constructed of a series of louvers that provide protection from the elements but do not entirely enclose the building, allowing for natural airflow. The centralized courtyard assists to cool the building by enabling the stacked air effect. It also allows for natural lighting into the middle studios and is wrapped by walkways. These walkways provide for a transition space from the more dynamic circulation of the entrance as the dancers prepare to enter the studio spaces. The elements work together to provide visual connections of the dancers as if they are always performing.

Dance Academy

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Cut / Punch the components

Group the forms, Stack the Materials

Arrange, Connect the Wings and Stich together the Layers

Bend, Fold, Connect, Join, Stich

Insert Mold Form, Base Form of Sole

Wrap interior layers, Enclose, Trim and Remove Excess

Layer and Fold structural support around base

Wrap Exterior Envelope

Cap with Final Exterior Sole

Remove Mold, Creating Void, Allow supportive pieces to Harden

School Stair- Connects the Dance studio �oors while also allowing a moment to observe the studios

Performance Stair- Connects performance �oors with support �oors while allowing access to bookstore, café, and theater

ceremonial stair

convenient stair

Lift the site extents to the 65’ zoning limit

Slice

Remove Building Cores

Insert Courtyard Mold

Wrap Courtyad Mold with Circulation

Wrap Building At Edge of Site with bu�er

Remove Bu�er and Courtyard Space Translucency Through Site 1/16th Scale 4th Floor

Thick Mass Walls

Channel Glass Walls

Glass Walls

Channel Glass Railings

Mass

Assemby of Wall Types

Thick Mass Walls with Cut outs

Translucent Channel Glass

Clear Glass

Layers of Enevlope

Mass

Louver Facade and Fire Walls

Circulation Zone

Thick Front Wall

Channel Glass Between Studio

Drying Shed Image by Heike WernerRoman Ruins by Peter Zumthor

Pointe Shoe Ribbon

Louver Facade

Dancer StairNeues Museum by David Chipper�eld Architects

Bentini Headquarters by Piuarch

Thick Envelope Wall

Twisting Facade by Elena Caroline Anker Wong

Facade Concept

NEW ORLEANS, LA | Spring 2014

Cut / Punch the components

Group the forms, Stack the Materials

Arrange, Connect the Wings and Stich together the Layers

Bend, Fold, Connect, Join, Stich

Insert Mold Form, Base Form of Sole

Wrap interior layers, Enclose, Trim and Remove Excess

Layer and Fold structural support around base

Wrap Exterior Envelope

Cap with Final Exterior Sole

Remove Mold, Creating Void, Allow supportive pieces to Harden

School Stair- Connects the Dance studio �oors while also allowing a moment to observe the studios

Performance Stair- Connects performance �oors with support �oors while allowing access to bookstore, café, and theater

ceremonial stair

convenient stair

Lift the site extents to the 65’ zoning limit

Slice

Remove Building Cores

Insert Courtyard Mold

Wrap Courtyad Mold with Circulation

Wrap Building At Edge of Site with bu�er

Remove Bu�er and Courtyard Space Translucency Through Site 1/16th Scale 4th Floor

Thick Mass Walls

Channel Glass Walls

Glass Walls

Channel Glass Railings

Mass

Assemby of Wall Types

Thick Mass Walls with Cut outs

Translucent Channel Glass

Clear Glass

Layers of Enevlope

Mass

Louver Facade and Fire Walls

Circulation Zone

Thick Front Wall

Channel Glass Between Studio

Drying Shed Image by Heike WernerRoman Ruins by Peter Zumthor

Pointe Shoe Ribbon

Louver Facade

Dancer StairNeues Museum by David Chipper�eld Architects

Bentini Headquarters by Piuarch

Thick Envelope Wall

Twisting Facade by Elena Caroline Anker Wong

Facade Concept

Cut / Punch the components

Group the forms, Stack the Materials

Arrange, Connect the Wings and Stich together the Layers

Bend, Fold, Connect, Join, Stich

Insert Mold Form, Base Form of Sole

Wrap interior layers, Enclose, Trim and Remove Excess

Layer and Fold structural support around base

Wrap Exterior Envelope

Cap with Final Exterior Sole

Remove Mold, Creating Void, Allow supportive pieces to Harden

School Stair- Connects the Dance studio �oors while also allowing a moment to observe the studios

Performance Stair- Connects performance �oors with support �oors while allowing access to bookstore, café, and theater

ceremonial stair

convenient stair

Lift the site extents to the 65’ zoning limit

Slice

Remove Building Cores

Insert Courtyard Mold

Wrap Courtyad Mold with Circulation

Wrap Building At Edge of Site with bu�er

Remove Bu�er and Courtyard Space Translucency Through Site 1/16th Scale 4th Floor

Thick Mass Walls

Channel Glass Walls

Glass Walls

Channel Glass Railings

Mass

Assemby of Wall Types

Thick Mass Walls with Cut outs

Translucent Channel Glass

Clear Glass

Layers of Enevlope

Mass

Louver Facade and Fire Walls

Circulation Zone

Thick Front Wall

Channel Glass Between Studio

Drying Shed Image by Heike WernerRoman Ruins by Peter Zumthor

Pointe Shoe Ribbon

Louver Facade

Dancer StairNeues Museum by David Chipper�eld Architects

Bentini Headquarters by Piuarch

Thick Envelope Wall

Twisting Facade by Elena Caroline Anker Wong

Facade Concept

Cut / Punch the components

Group the forms, Stack the Materials

Arrange, Connect the Wings and Stich together the Layers

Bend, Fold, Connect, Join, Stich

Insert Mold Form, Base Form of Sole

Wrap interior layers, Enclose, Trim and Remove Excess

Layer and Fold structural support around base

Wrap Exterior Envelope

Cap with Final Exterior Sole

Remove Mold, Creating Void, Allow supportive pieces to Harden

School Stair- Connects the Dance studio �oors while also allowing a moment to observe the studios

Performance Stair- Connects performance �oors with support �oors while allowing access to bookstore, café, and theater

ceremonial stair

convenient stair

Lift the site extents to the 65’ zoning limit

Slice

Remove Building Cores

Insert Courtyard Mold

Wrap Courtyad Mold with Circulation

Wrap Building At Edge of Site with bu�er

Remove Bu�er and Courtyard Space Translucency Through Site 1/16th Scale 4th Floor

Thick Mass Walls

Channel Glass Walls

Glass Walls

Channel Glass Railings

Mass

Assemby of Wall Types

Thick Mass Walls with Cut outs

Translucent Channel Glass

Clear Glass

Layers of Enevlope

Mass

Louver Facade and Fire Walls

Circulation Zone

Thick Front Wall

Channel Glass Between Studio

Drying Shed Image by Heike WernerRoman Ruins by Peter Zumthor

Pointe Shoe Ribbon

Louver Facade

Dancer StairNeues Museum by David Chipper�eld Architects

Bentini Headquarters by Piuarch

Thick Envelope Wall

Twisting Facade by Elena Caroline Anker Wong

Facade Concept

Cut / Punch the components

Group the forms, Stack the Materi-als

Arrange, Connect the Wings and Stich to-gether the Layers

Bend, Fold, Connect, Join, Stich

Insert Mold Form, Base Form of Sole

Wrap interior layers, Enclose, Trim and Remove Excess

Layer and Fold structural sup-port around base

Wrap Exterior Envelope

Cap with Final Exterior Sole

Remove Mold, Creating Void, Allow sup-portive pieces to Harden

Facade and Circulation Inspiration and Initial Concept Diagrams

Layers of the Building Pointe Shoe Construction and Building Form Development

Interior Courtyard

.03Cut / Punch the components

Group the forms, Stack the Materials

Arrange, Connect the Wings and Stich together the Layers

Bend, Fold, Connect, Join, Stich

Insert Mold Form, Base Form of Sole

Wrap interior layers, Enclose, Trim and Remove Excess

Layer and Fold structural support around base

Wrap Exterior Envelope

Cap with Final Exterior Sole

Remove Mold, Creating Void, Allow supportive pieces to Harden

School Stair- Connects the Dance studio �oors while also allowing a moment to observe the studios

Performance Stair- Connects performance �oors with support �oors while allowing access to bookstore, café, and theater

ceremonial stair

convenient stair

Lift the site extents to the 65’ zoning limit

Slice

Remove Building Cores

Insert Courtyard Mold

Wrap Courtyad Mold with Circulation

Wrap Building At Edge of Site with bu�er

Remove Bu�er and Courtyard Space Translucency Through Site 1/16th Scale 4th Floor

Thick Mass Walls

Channel Glass Walls

Glass Walls

Channel Glass Railings

Mass

Assemby of Wall Types

Thick Mass Walls with Cut outs

Translucent Channel Glass

Clear Glass

Layers of Enevlope

Mass

Louver Facade and Fire Walls

Circulation Zone

Thick Front Wall

Channel Glass Between Studio

Drying Shed Image by Heike WernerRoman Ruins by Peter Zumthor

Pointe Shoe Ribbon

Louver Facade

Dancer StairNeues Museum by David Chipper�eld Architects

Bentini Headquarters by Piuarch

Thick Envelope Wall

Twisting Facade by Elena Caroline Anker Wong

Facade Concept

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The Visual Connections of the Entrance Stair

Entrance Stair Landing

First Floor Plan

Third Floor Plan

Cut / Punch the components

Group the forms, Stack the Materials

Arrange, Connect the Wings and Stich together the Layers

Bend, Fold, Connect, Join, Stich

Insert Mold Form, Base Form of Sole

Wrap interior layers, Enclose, Trim and Remove Excess

Layer and Fold structural support around base

Wrap Exterior Envelope

Cap with Final Exterior Sole

Remove Mold, Creating Void, Allow supportive pieces to Harden

School Stair- Connects the Dance studio �oors while also allowing a moment to observe the studios

Performance Stair- Connects performance �oors with support �oors while allowing access to bookstore, café, and theater

ceremonial stair

convenient stair

Lift the site extents to the 65’ zoning limit

Slice

Remove Building Cores

Insert Courtyard Mold

Wrap Courtyad Mold with Circulation

Wrap Building At Edge of Site with bu�er

Remove Bu�er and Courtyard Space Translucency Through Site 1/16th Scale 4th Floor

Thick Mass Walls

Channel Glass Walls

Glass Walls

Channel Glass Railings

Mass

Assemby of Wall Types

Thick Mass Walls with Cut outs

Translucent Channel Glass

Clear Glass

Layers of Enevlope

Mass

Louver Facade and Fire Walls

Circulation Zone

Thick Front Wall

Channel Glass Between Studio

Drying Shed Image by Heike WernerRoman Ruins by Peter Zumthor

Pointe Shoe Ribbon

Louver Facade

Dancer StairNeues Museum by David Chipper�eld Architects

Bentini Headquarters by Piuarch

Thick Envelope Wall

Twisting Facade by Elena Caroline Anker Wong

Facade Concept

Exterior View

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FULTON STREET S. PETERS STREET

SECTION A-A’ 1/8 SCALE

FULTON STREET S. PETERS STREET

SECTION B-B’ 1/8 SCALE

FULTON STREET S. PETERS STREET

SECTION C-C’ 1/8 SCALE

SOUTHFULTON STREET S. PETERS STREET

SECTION A-A’ 1/8 SCALE

FULTON STREET S. PETERS STREET

SECTION A-A’ 1/8 SCALE SECTION D-D’ 1/8 SCALE

NORTH

FULTON STREET S. PETERS STREET

SECTION A-A’ 1/8 SCALE

FULTON STREET S. PETERS STREET

SECTION B-B’ 1/8 SCALE

FULTON STREET S. PETERS STREET

SECTION C-C’ 1/8 SCALE

SOUTHFULTON STREET S. PETERS STREET

SECTION A-A’ 1/8 SCALE

FULTON STREET S. PETERS STREET

SECTION A-A’ 1/8 SCALE SECTION D-D’ 1/8 SCALE

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Cross Section Through the Dance Spaces

Longitudinal Section Through the Entrance Stair and Interior Courtyard Study Parti Models

Detail A

Detail B

Detail C

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25’ 5”

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14’ 7”

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1’ 10‘’

1 Concrete Piles2 Concrete Footings3 Concrete Slab4 Vinyl Proctective Dance Surface; Plywood Sub Floor; Floor Supports; HVAC System5 Gypsum Board; Furring Strips; Concrete RIgid Insulation Composite Boards6 Double Glazed Glass; Aluminium Millions7 Wide Module Joist Concrete8 Weather Proo�ng; Insulation9 Insulation; Water Proo�ng; Cap10 Double Glazing; Wooden Louvers; Louver Frame; Glulam Beam11 Wooden Louver; Louver Fram; Glulam Colun

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FULTON STREET VIEW FULTON STREET ELEVATION 1/8 SCALE S PETERS STREET ELEVATION 1/8 SCALEFULTON STREET NIGHT ELEVATION 1/8 SCALE

Detail A

Detail A

Detail B

Detail B

Detail C

at 3” scale

at 3” scaleat 3” scale

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Detail A

Detail B

Detail B

Detail C

at 3” scale

at 3” scaleat 3” scale

Detail A

Detail A

Detail B

Detail B

Detail C

at 3” scale

at 3” scaleat 3” scale

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Detail B

Detail C

Detail Facade Wall SectionDetail Facade Wall Elevation

Detail Facade Wall Plan Facade Elevation Thumbnail

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Location of secondary columns

Location of beams and columns

Primary Beams

Primary Columns

Relective 4th Floor Ceiling Plan 1/16 scale

1 st Floor Plan 1/16 scale

This is a concrete wide module joist system. The moment frame connections resist the lateral forces.

The beams are 1’ by14” and run perpendicular to the joists for the length of span.The columns are underneath the beam spaced withen the span length. The y are 1’ x1.5’ and are the height of the �oor. They sit on top of the column on the �oor below it. There are a coupld of columns that are 2’x1.5’ where the span is larger than typical.

JoistsSecondary Columns

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30’

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Poured in Place Wide- Module Joist System

14”

5’6”

4.5”

The joist in this system actas aparallel beams. They are designed as T-beams.

Allowable width (clear distance between two consecutive joists, measured at bottom of joists is up to 53’; However typically are formed with premade forms in segmenets of 20’ or 30’.

DIstribution ribs are formed perpendicular to joists at 15’ intervals fr spans over 30’.

This is an example of a precast joist system by Pujol. It is at a much larger scale than what is needed for this project. However it gvies

a good example of the aesthics of this concrete system.

Veritaical Chase

HVAC Distrubutation

HVAC System Diagram

Conditioned Space

Veritaical Chase / Mech Housing

HVAC Distrubutation

3rd Floor HVAC System Diagram

Conditioned Space

Detail of the in �oor system

Permable Facade

Permable Facade allows for air to move through the building and helps move hot air out through courtyard by stack e�ect.

The Project uses �oor distrubution system. This allows for the conrete joists to be exposed. The �oor already has tobe thick for the accomindation of the dance �oor.

The building has an open (non enclosed facade) on both sides, allowing for the air to move more freely through builidng it is through this that the air will be intook and exhausted.

Veritaical Chase

HVAC Distrubutation

HVAC System Diagram

Conditioned Space

Veritaical Chase / Mech Housing

HVAC Distrubutation

3rd Floor HVAC System Diagram

Conditioned Space

Detail of the in �oor system

Permable Facade

Permable Facade allows for air to move through the building and helps move hot air out through courtyard by stack e�ect.

The Project uses �oor distrubution system. This allows for the conrete joists to be exposed. The �oor already has tobe thick for the accomindation of the dance �oor.

The building has an open (non enclosed facade) on both sides, allowing for the air to move more freely through builidng it is through this that the air will be intook and exhausted.

Location of secondary columns

Location of beams and columns

Primary Beams

Primary Columns

Relective 4th Floor Ceiling Plan 1/16 scale

1 st Floor Plan 1/16 scale

This is a concrete wide module joist system. The moment frame connections resist the lateral forces.

The beams are 1’ by14” and run perpendicular to the joists for the length of span.The columns are underneath the beam spaced withen the span length. The y are 1’ x1.5’ and are the height of the �oor. They sit on top of the column on the �oor below it. There are a coupld of columns that are 2’x1.5’ where the span is larger than typical.

JoistsSecondary Columns

FIXT_CODE

FU_TOTAL

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FU_COLD

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FU_TOTAL

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FU_HOT

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FU_TOTAL

FU_WASTE

FU_HOT

FU_COLD

Poured in Place Wide- Module Joist System

14”

5’6”

4.5”

The joist in this system actas aparallel beams. They are designed as T-beams.

Allowable width (clear distance between two consecutive joists, measured at bottom of joists is up to 53’; However typically are formed with premade forms in segmenets of 20’ or 30’.

DIstribution ribs are formed perpendicular to joists at 15’ intervals fr spans over 30’.

This is an example of a precast joist system by Pujol. It is at a much larger scale than what is needed for this project. However it gvies

a good example of the aesthics of this concrete system.

Location of secondary columns

Location of beams and columns

Primary Beams

Primary Columns

Relective 4th Floor Ceiling Plan 1/16 scale

1 st Floor Plan 1/16 scale

This is a concrete wide module joist system. The moment frame connections resist the lateral forces.

The beams are 1’ by14” and run perpendicular to the joists for the length of span.The columns are underneath the beam spaced withen the span length. The y are 1’ x1.5’ and are the height of the �oor. They sit on top of the column on the �oor below it. There are a coupld of columns that are 2’x1.5’ where the span is larger than typical.

JoistsSecondary Columns

FIXT_CODE

FU_TOTAL

FU_WASTE

FU_HOT

FU_COLD

FIXT_CODE

FU_TOTAL

FU_WASTE

FU_HOT

FU_COLD

FIXT_CODE

FU_TOTAL

FU_WASTE

FU_HOT

FU_COLD

FIXT_CODE

FU_TOTAL

FU_WASTE

FU_HOT

FU_COLD

30’

16.5’16.5’

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FU_COLD

FIXT_CODE

FU_TOTAL

FU_WASTE

FU_HOT

FU_COLD

Poured in Place Wide- Module Joist System

14”

5’6”

4.5”

The joist in this system actas aparallel beams. They are designed as T-beams.

Allowable width (clear distance between two consecutive joists, measured at bottom of joists is up to 53’; However typically are formed with premade forms in segmenets of 20’ or 30’.

DIstribution ribs are formed perpendicular to joists at 15’ intervals fr spans over 30’.

This is an example of a precast joist system by Pujol. It is at a much larger scale than what is needed for this project. However it gvies

a good example of the aesthics of this concrete system.

Poured in Place Wide - Module Joist System

Reflected Ceiling Plan

Floor Air Distribution System DetailStructural Basswood Model Detail

The structural system was based on a module concrete joist system. The cross beams running through the studios allows for placement of lights and a sense continuity through the spaces. The floor air distribution system would allow for joists to be exposed while accommodating the special dance flooring needs in dance studios.

Structural System Axonometric Diagram

Nighttime Elevation Rendering

Library

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Auditorium

GalleryCommon Work

Homes

O�ces

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Auditorium

GalleryCommon Work

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GalleryCommon Work

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GalleryCommon Work

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Library

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Auditorium

GalleryCommon Work

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GalleryCommon Work

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A live and work community located in the central city neighborhood for artists of the various building arts including brick masonry, carpentry, and plastering. The rhythm of scale created by the various vacant lots, homes, and cemeteries in the surrounding area directed the relationship of the program. A material study of bricks inspired an undulating wall that wraps the entrance and brackets the gallery. The wall is designed to celebrate the many characteristics and capabilities of brick, including the various arrangement patterns in relationship to itself.

Building Arts InstituteNEW ORLEANS, LA | Fall 2014

Location of Site in the City Site Neighborhood

Site Parti Model

Lot Divisions

Built Density

Vacant Lots and Buildings

Continuity of Block

Public and Private Spaces

Relationship of Site to Surroundings

Circulation Hierarchy

Rendering of Entrance

first floor plan

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Section through Residence, Work Studio, and Gallery

First Floor Plan

Front of Model

Side of Model

Detail Section and Elevation of Brick Wall

Side Elevation

Front Elevation

Approach Gallery with Views to Work Studios

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A welcome center for the Igualada Cemetery by Enric Miralles and Carme Pinos, designed in the architectural language expressed by Adolf Loos in the Tzara House. The concepts of the Tzara House were explored through comparison to a walnut. Diagraming and modeling were used to explore these relationships and ordering of the spaces. The design of the welcome center incorporates terracing, embedding into the ground, multiple levels, and privileged views. The concepts of the Igualada Cemetery were used in comparison to the Tzara House to locate and contextualize the welcome center in the cemetery.

Welcome CenterIGUALADA, SPAIN | Spring 2013

Drafted Elevations, Sections and Plans of a walnut and the Tzara House

Model of the Welcome Center

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Spatial Sequence Public and Private Sets and Subsets Spatial Density Owner and Renter

Walnut Shell and Nut Diagrams

Spatial Sequence Public and Private Sets and Subsets Spatial Density Owner and Renter

Tzara House Diagrams

Owner and Renter

Sets and Subsets

Spatial Sequence

Floor Slabs and Split Levels

Sky, Ground, and Building Materiality

GROUND FLOOR 1/8 SCALE

SECOND FLOOR 1/8 SCALE

TOP FLOOR 1/8 SCALE

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ROOF DIAGRAM 1/32 SCALE

GROUND FLOOR 1/8 SCALE

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TOP FLOOR 1/8 SCALE

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ROOF DIAGRAM 1/32 SCALE

SLIDING FACE SLABS

EMBEDDED VOLUMES

INTERSECTING AXIES

TERRACE PROCESSION

CONNECTING PATHS

B SECTION 1/8 SCALE

ELEVATION 1/16 SCALE

C SECTION 1/16 SCALE

SLIDING FACE SLABS

EMBEDDED VOLUMES

INTERSECTING AXIES

TERRACE PROCESSION

CONNECTING PATHS

B SECTION 1/8 SCALE

ELEVATION 1/16 SCALE

C SECTION 1/16 SCALE

.17

Elevation

Diagrams of the Site

Terrace Procession

Intersecting Axis

Embedded Volumes

Sliding Face Slabs

Section through Building and Site

Building in Site Model Section through Terrace

GROUND FLOOR 1/8 SCALE

SECOND FLOOR 1/8 SCALE

TOP FLOOR 1/8 SCALE

A

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A SECTION 1/8 SCALE

A SECTION 1/16 SCALE

C SECTION 1/8 SCALE

ROOF DIAGRAM 1/32 SCALE

GROUND FLOOR 1/8 SCALE

SECOND FLOOR 1/8 SCALE

TOP FLOOR 1/8 SCALE

A

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A SECTION 1/16 SCALE

C SECTION 1/8 SCALE

ROOF DIAGRAM 1/32 SCALE

GROUND FLOOR 1/8 SCALE

SECOND FLOOR 1/8 SCALE

TOP FLOOR 1/8 SCALE

A

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A SECTION 1/16 SCALE

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ROOF DIAGRAM 1/32 SCALE

First, Second, and Third Floor Plans Gallery Space with Views to Terrace and Cemetery

.19

The Alpine Meadows Park Pavilion was designed and built for the community of Alpine Meadows. The design was inspired by the landscape of the surrounding wilderness which was explored through various hikes and camping excursions. The steep pitch of the roof reflects the mountains, and the shape is indicative of the vernacular hay barns. It was constructed with the use of local materials of reclaimed douglas fir and steel. Special attention was given to the high west and east winds and to the high snow loads. Sun and wind screens were developed for the east and west side of the pavilion. A custom scupper was designed to shield the entrance to the pavilion from sun and rain.

Design Build PavilionLINCOLN COUNTY, WY | Summer 2014

Rain and Snow Guard Detail Reclaimed Wood and Steel Wall Detail

Team of International StudentsTeam Photographer: Eugene B.

Pavilion From Street Approach

Roof Pitch and Steel Column Detail

Pavilion from Field with Fire Pit and Reclaimed Lumber Bench

3'

11'-0

5 16"

7'-9

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.21

East Elevation

West Elevation West Elevation Construction Drawing

East Elevation Construction Drawing

578"

258"

1'-5"

112"

514"

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1. STEEL COLUMN BASE PLATE

4. STEEL COLUMN BASE PLATE

2. WOOD COLUMN BASE PLATE

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3. STEEL COLUMN BASE PLATE

6. WOOD COLUMN BASE PLATE

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HHS 4" X 8"

4" X 4" TUBE STEEL

WELD

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WELD

STEEL SHOULDER

STEEL COLUMN

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4. LADDER DETAIL

2. SHOULDER DETAIL 3. GLULAM WITHOUT COLUMNSCALE: 3/4"=1'-0" SCALE: 3/4"=1'-0"

SCALE: 1/2"=1'-0"

SCALE: 1/2"=1'-0"

5. CLEVIS CONNECTIONSCALE: 1/2"=1'-0"

6. LATERAL BRACING CONNECTIONSCALE: 1/2"=1'-0"

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STEEL COLUMN

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2. SHOULDER DETAIL 3. GLULAM WITHOUT COLUMNSCALE: 3/4"=1'-0" SCALE: 3/4"=1'-0"

SCALE: 1/2"=1'-0"

SCALE: 1/2"=1'-0"

5. CLEVIS CONNECTIONSCALE: 1/2"=1'-0"

6. LATERAL BRACING CONNECTIONSCALE: 1/2"=1'-0"

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578"

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112"

514"

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1 716" 25

8"

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2"

2"4"

2"

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1. STEEL COLUMN BASE PLATE

4. STEEL COLUMN BASE PLATE

2. WOOD COLUMN BASE PLATE

5. WOOD COLUMN BASE PLATE

3. STEEL COLUMN BASE PLATE

6. WOOD COLUMN BASE PLATE

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Detail of Steel Columns, Glulams and Roof

Steel Shoulder Detail

Steel Column Detail Wood Column Base Detail

Wood Column Base Detail

.23

North Elevation of Model

South Elevation of Model

North Elevation

South Elevation

North Elevation

South Elevation

.25

An educational museum about the city of New Orleans located in the Marigny neighborhood. The city and neighborhood were analyzed through a series of diagrams and models. Partners teamed up to produce a wall of the surveyor, which is the product of the combination of the individual analysis. The wall of the surveyor is a model of the rhythm of New Orleans and the Marigny. The characteristics of the historic plantations lots, growth of the city, the negative elevation, depth of flood waters, the switching grid of the Marigny, and the traditional shotgun style home were embodied in the model. The museum was designed in the same partners to embody the wall of the surveyor, while providing gallery spaces.

Museum of the CityNEW ORLEANS, LA | Fall 2012

Building Design Partner: Claire L.B.

Fabric and Rhythm of New Orleans

Population Density, Rural and Urban Land Forms

Gallery Space Rendering

.27Wall of the Surveyor Model Wall of the Surveyor Model Side Detail

Open Green Spaces in the MarignyWall of the Surveyor Model Top Detail

Traffic Flow, Building Uses, and Site Location

Study Models

Final Model

.29

An art museum with apartments and a learning center located along the Tiber River. The site is located on top of the ruins of ancient Roman horse stables of the Circus Maximus. This site is politically charged and is one of the few vacant sites in Rome, due to the many iterations the city has gone through in the past years in attempt to develop it. The art museum engages with the rich context of Rome, while being bracketed between Lungotevere and Corso Vittorio which is lined with churches and paths the way to the Vatican. The building negotiates the elevation difference of Lungotevere along the river and Via Giulia by providing a connection through the galleries and courtyard. A piazza extends from across Via Giulia and along the building and provides views to the ruins and an interactive archeology lab.

Art MuseumROME, ITALY | Fall 2014

Diagram of Main Axis and Super Block Structures

Site Plan Density and Main Pathways

Main Entrance and Approach from Lungotevere

.31

Watercolor Study of the Campidoglio Watercolor Study of the Gesuati Material Study of the Courtyard and Wall System

View from Classroom to Learning Center and Side Courtyard

Elevation of Main Entrance on Lungotevere Street

Section through Piazza and Side Elevation of Art Museum

Elevation Study of Piazza Side of Via Giulia

Elevation Study of Museum and Via Giulia

Elevation Study of Museum and Section through Courtyard

Elevation Study of Museum and Lungotevere

.33

Second Floor Plan

First Floor Plan

Section through Galleries and Courtyard

Section through Gallery on Lungotevere Side and Residences

Elevation on Via Giulia Side

Section through Gallery on Via Giulia Side

View up into Gallery on Via Giulia Side from Cafe and Bookstore

.35

Acrylic model designed in Rhino as a play between a regular cube and a continuous hollow tube. The computer was used to create the fabrication file of the model using the laser cutter. The file was further manipulated to remove layers and emphasis the hollow tube, before it was assembled.

The concrete coffee table was digitally designed with similar concepts as the acrylic model. The construction of it consisted of creating molds for the concrete. The molds were made using a cnc mill. The table itself is made of stacked layers which are spaced apart by the outer edge of the void that carves through the table.

Fabrication and RepresentationDigital Fabrication and Drawing

Top of Model

Back of Model

Side of ModelFront of Acrylic Model

The Concrete Table was designed and constructed in a team of five.

Top of Model

Back of Model

Side of Model

Top and Side of Concrete Table

Side Detail of Concrete Table

Front of Concrete Table with View of Top Concrete Coffee Table

.37

Pears on Window Sill | Pencil Still Life

Adaptation of Pears on Window Sill | Pastels and Pencil

Drawings from European Sketchbook | Marker and Ink

Breaking the Mold| Marker

Self Portrait Still Life | Charcoal and Pencil

MASTER OF ARCHITECTURE · BS CIVIL ENGINEERING3805 State St. Dr. New Orleans, LA 70125

[email protected]

843 · 271 · 1926JacksonAshley