February 4, 2014

Lewis Center for the Arts presents annual Spring Dance FestivalExciting program of dances by Jodie Gates, Zvi Gotheiner, Susan Marshall, and Stephen

Petronio, and new works by Marjani Forté and David Neumann

Photo caption: Students in Princeton’s Program in Dance rehearse for the 2015 Spring Dance Festival.Photo credit: Photos by M. Teresa Simao

What: Annual Spring Dance Festival presented by the Lewis Center for the Arts’ Program in DanceWho: Student dancers perform works by Jodie Gates, Zvi Gotheiner, Susan Marshall and Stephen Petronio, and new dances by Marjani Forté and David Neumann When: Friday, February 20 at 8:00 p.m.; Saturday, February 21 at 2:00 p.m. and 8:00 p.m.; and Sunday, February 22 at 1:00 p.m. Where: Berlind Theatre at McCarter Theatre Center in PrincetonTickets: Reserved seating $15, $10 for students and seniors, available in advance through the McCarter box office at 609-258-2787 and at the door.

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(Princeton, NJ) The Lewis Center for the Arts’ Program in Dance presents the 2015 Spring Dance

Festival, a dance concert showcasing more than 50 students performing repertory by

distinguished, internationally renowned choreographers Jodie Gates, Zvi Gotheiner, Susan

Marshall, and Stephen Petronio, and premieres of new works by Marjani Forté and David

Neumann. The Festival will be presented on Friday, February 20, at 8:00 p.m., Saturday,

February 21, at 2:00 p.m. and 8:00 p.m., and Sunday, February 22, at 1:00 p.m. at the Berlind

Theatre at McCarter Theatre Center in Princeton.

Excerpts from Angle of Incidence choreographed by Jodie Gates have been staged by Jennifer

Lott. Gates describes the piece as inspired by the circular momentum and looping motions

within the traditional balletic vocabulary. In scientific terms, “angle of incidence” relates to

angles made by the reflection of light on a surface. This ballet often deviates from straight

angles in a thoughtful yet playful way.

Gates is director and vice dean of University of Southern California’s Glorya Kaufman School of

Dance and director and founder of the Laguna Dance Festival. Her work is influenced by the

endless possibilities of deconstructing the classical ballet form and utilizing musical

counterpoint. She has had a 25-year career as a featured versatile performer, dancing as a

principal ballerina with the Joffrey Ballet, Frankfurt Ballet, Pennsylvania Ballet and as an

international guest artist.

Lott has assisted Gates with the creation of new works for Tulsa Ballet and Kansas City Ballet

and will stage Gate’s Keep Me Wishing in the Dark at Sacramento Ballet this spring. She is a

member of Gibney Dance Company in New York City.

Excerpts from Dabke by Israeli chorographer Zvi Gotheiner is a contemporary interpretation of a

traditional Middle Eastern folk dance. Dabke, translated from Arabic as “stomping of the feet,”

is now the national dance of Lebanon, Jordan, Syria, and Palestine, and Israelis have their own

version. It is a line dance, traditionally only danced by men, often performed at weddings,

holidays and community celebrations.

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Gotheiner is the director of New York–based ZviDance, which has performed at The Joyce

Theater, Dance Theater Workshop, New York Live Arts, and Lincoln Center Out-of-Doors, as well

as toured across North America to festivals such as Jacob's Pillow Dance Festival and The

American Dance Festival, and abroad to Germany, Poland, Russia, Israel, Colombia, Brazil,

Ecuador and Japan. He is a recipient of two New York Foundation for the Arts Choreography

Fellowships and The National Arts Club Weiselberg Award. He has received commissions from

Zurich Tanz Theater, Utah's Repertory Dance Theater, Colloquium Contemporary Dance

Exchange, the American Dance Festival, and The Joyce Theater's Altogether Different series.

Luke Miller will stage excerpts from Susan Marshall’s Name by Name, a work commissioned in

2007 by The Juilliard School specifically to fill its need for a dance for a large cast of women

students. Marshall dedicates the work to her mother, the noted feminist Beverly Jones. It will

be performed by a cast of 15 women.

Marshall is director of the Program in Dance at Princeton and has created the vast majority of

her dances for and with her dance group Susan Marshall & Company. The nationally and

internationally touring company also performs in its home city of New York City, most

frequently at the Brooklyn Academy of Music, but also at Dance Theater Workshop (now New

York Live Arts), The Kitchen, the Baryshnikov Art Center, and The Joyce Theater. Marshall, her

artistic partners, and her company members have received ten New York Dance and

Performance Awards (BESSIES) for their work together. Outside the company, Marshall

has created works for the Lyon Opera Ballet, Frankfurt Ballet, and Mikhail Baryshnikov.

Marshall's work with Philip Glass includes the stage direction of Book of Longing, and the

choreography and direction of Les Enfants Terribles, a dance opera. A 2000 recipient of a

MacArthur fellowship, Marshall has received numerous other awards, including three of the

above mentioned BESSIES for Outstanding Choreographic Achievement, a Dance Magazine

Award, a Guggenheim Fellowship, and an American Choreographer Award.

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Miller is also a BESSIE Award-winning artist and a member of Susan Marshall & Company since

2003. He collaborated with Marshall on the creation of seven works including the recent

Play/Pause and has set the company’s repertory on numerous universities and professional

companies. He is also a choreographer.

Students will also perform excerpts from Stephen Petronio’s 1996 work, Lareigne, staged by Ori

Flomin. The title, Lareigne, is a play on the French word for “The Queen” and on Petronio’s

mother’s name, Lorraine.

Petronio’s career as a choreographer and dancer spans 30 years. He was the first male dancer

of the Trisha Brown Company (1979 to 1986) before forming his own company in 1984.

Stephen Petronio Dance Company has performed in 26 countries throughout the world,

including over 35 New York City engagements with 18 seasons at The Joyce Theater. Petronio

has created over 35 works for his company and has been commissioned by some of the world’s

most prestigious modern and ballet companies. He has received numerous accolades, including

a John Simon Guggenheim Fellowship, awards from the Foundation for Contemporary

Performance Arts, New York Foundation for the Arts, an American Choreographer Award, and a

New York Dance and Performance (BESSIE) Award. Petronio has recently published a memoir,

Confessions of a Motion Addict.

Flomin danced for Stephen Petronio Dance Company from 1991 to 1999 and served as assistant

to the artistic director from 2005 to 2009. He continues to stage Petronio’s work internationally

on companies and schools.

Marjani Forté has created CUSP, a dance in collaboration with her diverse cast of student

dancers that draws on the students' own personal experiences. “We’ve spent the past semester

investigating some of the most personal, dissonant, fissures of ourselves, with the hope that

where we find brokenness, there might also lie opportunities to simply go beyond the surface,”

notes Forté.

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Forté toured as a performer with Urban Bush Women Dance Company for five years and is co-

founder with Nia Love of Love/Forté, A Collective. She received a 2014 Princess Grace

Choreography Fellowship Award for new work commissioned by Los Angeles-based dance

company Contra Tiempo. Forté’s work has been presented by Danspace Project, the Kelly

Strayhorn Theatre in Pittsburgh, Movement Research at Judson Church, McKenna Museum of

African American Arts in New Orleans, Harlem Stage, Dance New Amsterdam, The Pillsbury

Theatre in Minneapolis, Spelman College, Pomona College, and Hunter College City University

of New York. Forté has worked in residence at Dance Theatre Workshop, Movement Research,

Brooklyn Arts Exchange, and Dance Place and will begin a New York Live Arts Studio Series

Residency in 2015.

Knee Play, created by David Neumann in collaboration with student dancers, is an

interdisciplinary work inspired in part by Einstein on the Beach, the opera created by Philip

Glass and Robert Wilson. Knee Play is a re-imagining and re-arranging of the source materials

used for the opera.

Neumann is artistic director of Advanced Beginner Group and has presented his work in New

York City at Baryshnikov Art Center, P.S. 122, The Kitchen, Central Park Summerstage and New

York Live Arts, among others. His collaborations include a duet created with Mikhail

Baryshnikov and a work created with composer Laurie Anderson. He has been a member of

Doug Varone and Dancers, a founding member of the Doug Elkins Dance Company, and a

featured dancer in the works of Susan Marshall, Jane Comfort, Sally Silvers, Annie-B Parson &

Paul Lazar’s Big Dance Theatre, and club legend Willi Ninja. Straddling the worlds of theater and

dance, he recently choreographed An Octoroon at Soho Rep and directed Geoff Sobelle's Object

Lesson at BAM's Fisher Space. Neumann and Advanced Beginner Group will be premiering a

new work, I Understand Everything Better, at the Abrons Arts Center in New York City this

coming April.

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“This year's program presents an extremely diverse range of choreographic styles. It's thrilling

to see our students meet the great variety of technical and dramatic challenges presented by

this rich collection of work,” states Susan Marshall, Director of the Program in Dance.

The student dancers have been learning, rehearsing and creating these works with the

choreographers and stagers since September, following a rigorous audition and placement

process.

The Berlind Theatre is an accessible venue. Assistive listening devices are available upon

request when attending a performance, and large print programs may be requested in advance.

Patrons in need of other access accommodations are invited to contact the Lewis Center at

609.258.5262 or LewisCtr-Comm@princeton.edu for assistance at least two weeks prior to the

selected performance.

Reserved seating tickets for the Spring Dance Festival are $15, $10 for students and seniors, and

are available through the McCarter box office at 609.258.2787 or on-line at

www.mccarter.org/TicketOffice/buytickets.aspx?page_id=22, through Princeton University

Ticketing by calling 609.258.9220 or on-line at www.princeton.edu/utickets/ , or at the Frist

Campus Center Ticket Office. Tickets will also be available at the Berlind Theatre box office prior

to each performance.

To learn more about this event, the Program in Dance, and the more than 100 other events

presented each year by the Lewis Center for the Arts visit: arts.princeton.edu.

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