artnmap_201211
8
Kukje Gallery presents a solo exhibition by Jae-Eun Choi. Primarily based in Japan and Germany, Choi last exhibited in Korea at the Rodin Gallery in 2007. Work- ing with diverse mediums ranging from sculpture, installation and architecture, as well as photography, video and sound, Choi’s practice fuses delicate tech- niques of observation with monumental subjects and scale, in works that evoke subtle and profound curiosity about the natural world. [– verse] is mainly comprised of video and sound pieces that capture the night sky, photographs depicting the sunrise, and drawings with short verses of poetry on antique paper. Throughout her oeuvre, the artist has investigated and reflected on the accumulation of time and the life cycle found in natural rhythms. In this exhibition the art extends her focus to examine the firmament in various times of day, a subject that can be described jeongjoongdong, which translates as “subtle movements in silence”. 11 2012 Vol. 38 l Look at myself_Searching for the forgotten origin of sculpture Sculptor Jinho Choi is definitely one of the distinctive artists in the contemporary art scene where high-tech digital media are predominant. Choi has been firmly establishing his own identity as a ‘sculptor,’ with those who were once referred to as ‘painters’ or ‘sculptors’ now defined into a more comprehensive and ambigu- ous category—‘artists.’ It has been a long time since the boundaries between genres collapsed, leading to the era of combination, competition and conflict of diverse ar- eas including painting, sculpture, design, performance, architecture and technology. Still, his sculptures are eye-catching enough to stand alone, based on his own unique ‘granite sculpture.’ Jinho Choi has been basing his work around ‘stone sculpture’ since the early 1990’s. His most well-known sculptures, ‘Haechi’ and ‘figural stone sculptures’ still underlie much of his work, which have been developed into a variety of forms. This exhibition well shows such propensity of his work. What is particularly remarkable is that with the materi- al ‘iron’ appearing in front, works that harmonize with granite stone are seen. While his previous work involved the study of the basic figure or sculpture of Haechi, Choi presents Haechi and Mulhwak with more contempo- rary style of sculpture in this exhibition. For instance, sculptures with architectural factors are combined on a Haechi flagstone that went through the process of dis- solution and combination. Another example is a Haechi sculpture, for which Choi dualized the basic structure made of iron and added color, resulting in the sense of volume different from that of stone. The sculptures, sit- uated not only inside of the exhibition space but also at the right places of the garden including the gate of the art museum, tone in with nature and give people a sense of natural beauty. Ki-soo Park’s work ‘Sold Out’ at Hongkong Asia Contem- porary Art Show K&P Gallery, which was in charge of entering Ki-soo Park’s works, reported that on the ‘Asia Contemporary Art Show’ held at Grand Hyatt Hotel in Hongkong from October 4th to 7th, a Korean artist Ki-soo Park’s work was critically acclaimed by collectors and gallerists com- ing from all areas of the world and all his works present- ed at the show were sold out. Ki-soo Park has taken his theme only from ‘mountains’ since his early days as a painter. Holding more than twenty private exhibitions exclusively on ‘mountains,’ he seems to think them as the best material for expressing Koreans’ emotions. Feelings of Koreans who live on a land surrounded by numerous mountains are well ex- pressed in thick colors and dynamic use of brushes. The artist who enjoys mountain climbing himself de- picts not a ‘mountain’ seen from a distance but a sense of life that he feels in a ‘mountain.’ His dynamic touch of brushes shows energy indwelled in Korean ‘mountains’ represented as the Baekdudaegan (a main mountain range on the Korean peninsula) instead of appearanc- es of ‘mountains.’ The artist’s energy appears to make a deep impression not only to Koreans’ senses but also to foreigners’. This ‘Asia Contemporary Art Show’ was featured with about seventy leading artists from seven countries in- cluding Korea, Hongkong, China, Taiwan, Australia, Thai- land and Singapore and held over two floors of Grand Hyatt Hotel in Hongkong. It was highly successful with famous American and European collectors other than Asians. It is notable that Ki-soo Parks’ eight works named ‘Stories on Mountains’ were all ‘sold out’ and he was the only artist who sold all the works. Ki-soo Park will have ‘Farewell Exhibition with Leaving for America’ at Hanbyeokwon Gallery (former Woljeon Museum of Art) in Palpan-dong, Jongno-gu from No- vember 1st to 7th and at 31 Gallery in Insa-dong from November 7th to 13th. It is said that even collectors with his works in Hongkong are passionate enough to decide to make a visit to Korea to watch his exhibition so it draws special attention from society of Korean paint- ers as well. Look at myself Jin-ho Choi TITLE Look at myself PLACE Hanbyeokwon Gallery DURATION 10-19 november 2012 ARTIST Jin-ho choi CONTACT +82.2.732.3777 Jae-Eun Choi solo exhibition Yoo yong-sang Ki-soo Park The artist’s gaze to modern society expressed with wine Artist Yong-sang Yoo’s recent work seems to have some changes in its scale and his way of thinking on materials which he is handling. In his early days, he mainly used metaphorical expressions for various circumstances where a human being exists with symbolical images such as foam of drinks in a paper cup or an empty or a half-full glass of wine. He made momentary love ex- pressed by a paper cup in a context of their disposabili- ty and an empty or a half-full glass of wine was used to draw meditative stories on human’s possession. In recent work, however, he sometimes draws a wine cellar in a winery or a collection of wine bottles with vivid labels of premium wine and he also presents an unusually small wine bottle compared to size of a wine glass. He already clarifies that he makes such choices to reflect a critical view on modern society where one’s class or position is determined by superficial markers like size or labels of wine, for example. It can reveal structural contradictions in human society that modern society which is believed to be fully civi- lized still has hierarchical aspects just like feudal soci- ety. However, it is very interesting to make antithetical elements collide and to intensify the precariousness in that he selects images like appearances or labels which baldly indicate the modern capitalist world and over- laps them with wine of sweet scent and flavor in which one would be willing to be lost. TITLE -verse PLACE Kukje Gallery K2 DURATION October 25 November 22, 2012 ARTIST Jae-Eun Choi CONTACT +82.2.3210.9885 Jae-Eun Choi (1953-) 1. Verse_Puglia, Italy, 2012 Ink jet lamination82.5(W) x 62(H) cm 2. Verse_Puglia, Italy, 2012 2012C-print (ea.) 43 x 33.3 cm, total 50 works Image provided by Kukje Gallery PLACE Georg Muller Stiftung DURATION 4 November 2012 3 February 2013 ARTIST Yoo Yong sang CONTACT 82.10.5625.6298 PLACE Hanbyeokwon Gallery , 31 Gallery DURATION 1-7 November (Hanbyeokwon) 7-13 November (31 Gallery) ARTIST Ki-soo Park CONTACT +82.2.732.3777, +82.2.732.1290 미술세계 기획 초대전 박 기 수 도미 고별전 Park Ki-Soo solo Exhibition 天水畓(천수답) oil on canvas, 90.9x72.7, 2012
description
The Monthly Art Magazine Artnmap
Transcript of artnmap_201211
Kukje Gallery presents a solo exhibition by Jae-Eun Choi. Primarily based in Japan and Germany, Choi last exhibited in Korea at the Rodin Gallery in 2007. Work-ing with diverse mediums ranging from sculpture, installation and architecture, as well as photography, video and sound, Choi’s practice fuses delicate tech-niques of observation with monumental subjects and scale, in works that evoke subtle and profound curiosity about the natural world. [– verse] is mainly comprised of video and sound pieces that capture the night sky, photographs depicting the sunrise, and drawings with short verses of poetry on antique paper. Throughout her oeuvre, the artist has investigated and reflected
on the accumulation of time and the life cycle found in natural rhythms. In this exhibition the art extends her focus to examine the firmament in various times of day, a subject that can be described jeongjoongdong, which translates as “subtle movements in silence”.
11 2012 Vol. 38l
Look at myself_Searching for the forgotten origin of sculptureSculptor Jinho Choi is definitely one of the distinctive artists in the contemporary art scene where high-tech digital media are predominant. Choi has been firmly establishing his own identity as a ‘sculptor,’ with those who were once referred to as ‘painters’ or ‘sculptors’ now defined into a more comprehensive and ambigu-ous category—‘artists.’ It has been a long time since the boundaries between genres collapsed, leading to the era of combination, competition and conflict of diverse ar-eas including painting, sculpture, design, performance, architecture and technology. Still, his sculptures are eye-catching enough to stand alone, based on his own unique ‘granite sculpture.’ Jinho Choi has been basing his work around ‘stone sculpture’ since the early 1990’s. His most well-known sculptures, ‘Haechi’ and ‘figural stone sculptures’ still underlie much of his work, which have been developed into a variety of forms. This exhibition well shows such propensity of his work. What is particularly remarkable is that with the materi-al ‘iron’ appearing in front, works that harmonize with granite stone are seen. While his previous work involved the study of the basic figure or sculpture of Haechi, Choi presents Haechi and Mulhwak with more contempo-rary style of sculpture in this exhibition. For instance, sculptures with architectural factors are combined on a Haechi flagstone that went through the process of dis-solution and combination. Another example is a Haechi sculpture, for which Choi dualized the basic structure made of iron and added color, resulting in the sense of volume different from that of stone. The sculptures, sit-uated not only inside of the exhibition space but also at the right places of the garden including the gate of the art museum, tone in with nature and give people a sense of natural beauty.
Ki-soo Park’s work ‘Sold Out’ at Hongkong Asia Contem-porary Art ShowK&P Gallery, which was in charge of entering Ki-soo Park’s works, reported that on the ‘Asia Contemporary Art Show’ held at Grand Hyatt Hotel in Hongkong from October 4th to 7th, a Korean artist Ki-soo Park’s work was critically acclaimed by collectors and gallerists com-ing from all areas of the world and all his works present-ed at the show were sold out. Ki-soo Park has taken his theme only from ‘mountains’ since his early days as a painter. Holding more than twenty private exhibitions exclusively on ‘mountains,’ he seems to think them as the best material for expressing Koreans’ emotions. Feelings of Koreans who live on a land surrounded by numerous mountains are well ex-pressed in thick colors and dynamic use of brushes. The artist who enjoys mountain climbing himself de-picts not a ‘mountain’ seen from a distance but a sense of life that he feels in a ‘mountain.’ His dynamic touch of brushes shows energy indwelled in Korean ‘mountains’ represented as the Baekdudaegan (a main mountain range on the Korean peninsula) instead of appearanc-es of ‘mountains.’ The artist’s energy appears to make a deep impression not only to Koreans’ senses but also to foreigners’. This ‘Asia Contemporary Art Show’ was featured with about seventy leading artists from seven countries in-cluding Korea, Hongkong, China, Taiwan, Australia, Thai-land and Singapore and held over two floors of Grand Hyatt Hotel in Hongkong. It was highly successful with famous American and European collectors other than Asians. It is notable that Ki-soo Parks’ eight works named ‘Stories on Mountains’ were all ‘sold out’ and he was the only artist who sold all the works. Ki-soo Park will have ‘Farewell Exhibition with Leaving for America’ at Hanbyeokwon Gallery (former Woljeon Museum of Art) in Palpan-dong, Jongno-gu from No-vember 1st to 7th and at 31 Gallery in Insa-dong from November 7th to 13th. It is said that even collectors with his works in Hongkong are passionate enough to decide to make a visit to Korea to watch his exhibition so it draws special attention from society of Korean paint-ers as well.
Look at myself Jin-ho Choi
TITLE Look at myselfPLACE Hanbyeokwon GalleryDURATION 10-19 november 2012 ARTIST Jin-ho choi CONTACT +82.2.732.3777
Jae-Eun Choisolo exhibition
Yoo yong-sang
Ki-soo Park
The artist’s gaze to modern society expressed with wineArtist Yong-sang Yoo’s recent work seems to have some changes in its scale and his way of thinking on materials which he is handling. In his early days, he mainly used metaphorical expressions for various circumstances where a human being exists with symbolical images
such as foam of drinks in a paper cup or an empty or a half-full glass of wine. He made momentary love ex-pressed by a paper cup in a context of their disposabili-ty and an empty or a half-full glass of wine was used to draw meditative stories on human’s possession. In recent work, however, he sometimes draws a wine cellar in a winery or a collection of wine bottles with vivid labels of premium wine and he also presents an unusually small wine bottle compared to size of a wine glass. He already clarifies that he makes such choices to reflect a critical view on modern society where one’s class or position is determined by superficial markers like size or labels of wine, for example.It can reveal structural contradictions in human society that modern society which is believed to be fully civi-lized still has hierarchical aspects just like feudal soci-ety. However, it is very interesting to make antithetical elements collide and to intensify the precariousness in that he selects images like appearances or labels which baldly indicate the modern capitalist world and over-laps them with wine of sweet scent and flavor in which one would be willing to be lost.
TITLE -verse PLACE Kukje Gallery K2 DURATION October 25 November 22, 2012 ARTIST Jae-Eun Choi CONTACT +82.2.3210.9885
Jae-Eun Choi (1953-) 1. Verse_Puglia, Italy, 2012 Ink jet lamination82.5(W) x 62(H) cm2. Verse_Puglia, Italy, 2012 2012C-print (ea.) 43 x 33.3 cm, total 50 works Image provided by Kukje Gallery
PLACE Georg Muller Stiftung DURATION 4 November 2012 3 February 2013 ARTIST Yoo Yong sang CONTACT 82.10.5625.6298
PLACE Hanbyeokwon Gallery , 31 GalleryDURATION 1-7 November (Hanbyeokwon) 7-13 November (31 Gallery)ARTIST Ki-soo Park CONTACT +82.2.732.3777, +82.2.732.1290
미술세계 기획 초대전
박 기 수 도미 고별전
Park Ki-Soo solo Exhibition
天水畓(천수답) oil on canvas, 90.9x72.7, 2012
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10 31 - 11 06 20121) 이승원의 주전자2) 홍선기 개인전<숨 그리고 결>3) 서칠교 불교 조각전 11 07 - 11 13 20121) 동국대시각디자인과 졸업전(1,2관) 2) 이정이 개인전(3관) <소나무가 되어 떠나는 여행> 11 14 - 11 20 20121) 강동 텍스타일코디과 졸업작품전2) 이재연 개인전3) 강필석 개인전<The Guardian> 11 21 - 11 27 20121) 박주호 개인전 <살>2) 최정임 개인전 <방어와 위장 그리고 안식에 관하여> 3) 안은정 개인전
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Verse_Puglia, Italy, 2012
Ink jet lamination82.5(W)x62(H) cm
이미지제공. 국제갤러리
김미라,먼곳의 안쪽,162_130cm,Acrylic on canvas,2010
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공존 100x60, oil on canvas 2012
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1) Beyond the world 10 24 - 11 11 20122) Fi Lee 11 14 - 12 09 2012
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하용주 개인전<어느 연약한 짐승의 죽음>11 01 - 11 15 2012
Fi Lee리미희
몰입Flow2012.11.13(TUE)-11.26(MON)
Flow, 단채널 영상, 가변설치, 2012
서울시 종로구 인사동 181-1 T.725-3546 [email protected] www.gagagallery.com
유수종
“홀로 떠나는 그림속의 뱃사공”
YOOSOOJONG
11.7(Wed)-11.13(Tue) 2012
독일 퀼른 ART. FAIR Booth No. J 05
우창훈 고영일 박주경 박미서 백향기 정지은 강원석 강정진 노춘석 오은주 전만성 정성희 앙드레조
SINGAPORE
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15-18 November 2012, F1 Pit Bullding
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MOONfiNEARTs 문화랑 +82.2.554.6106
김경화개인전│10 17 - 11 10 2012
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10 31 - 11 05 2012남서울대 애니메이션학과 졸업전시회11 07 - 11 12 2012남서울대 멀티미디어학과 졸업전시회11 14 - 11 19 2012세명대 광고홍보학과 광고전시회명지대학교 산업디자인과 졸업전시회11 21 - 11 26 2012계원예술대 공간연출과 졸업전시회11 28 - 12 03 2012경원대학교 조소과 졸업전시회
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박제성 이상은
노르스름한 digital print 2012
French Horns, Unwound and Entwined, 2005. 350 x 140 x 170 cm. Edition of 3, 1 A.P. © 2005 Claes Oldenburg and Coosje van Bruggen Photo courtesy the Oldenburg van Bruggen studio and Pace Gallery
낯선 휴식 acrylic, oil, silk screen, sticker on canvas
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이상은 개인전11 06 - 11 15 2012
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ART SPACE GALLERY JUNGmiSO갤러리 정미소+82.2.734.5378
박제성 개인전10 25 - 11 22 2012
서울 종로구 안국동63-1 │ Tel. 02.3141.8842 │ www.cyartgallery.com
이한희 개인전
voice within 74 acrylic, 91.0 X 91.0
사이아트 갤러리
2012.11.27 -12.10
Shinsa, Seocho, Itaewon, Yeoksam- dong / Exhibition Info Korea
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itae-wonsEMA 서울시립미술관(남서울미술관)+82.2.2124.8938
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장재록 개인전 <Memento of Momentum>11 08 - 11 29 2012
먀튜게일
KUNST DOC 갤러리 쿤스트독 +82.2.3210.4555
물밑대화 Cross the Border10 26 - 11 08 2012
윤수연, oldiers 1_ Seoul , Archival Pigment Print, 100 x 80cm, Lightbox, 2005Soldiers 1_ Seoul
백팔염Mixed media19 x 12 x 10 cm (108parts) 2012
iNTERALiA GALLERY 인터알리아+82.2.3479.0199
미래는 오래 지속된다 : The Future Lasts Forever11 16 - 12 13 2012
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이형구 전 │10 11 - 11 23 2012
GANA ART 가나아트센터+82.2.720.1020
어느 소장가의 특별한 이야기, 일상의 매혹10 30 - 11 25 2012
MANOGALLERY갤러리 마노+82.2.741.6030
민성홍<Compression>11 15 - 11 26 2012
리미희 개인전 2012.11.13-11.26 Cyart Gallery 서울 종로구 안국동63-1 │ Tel. 02.3141.8842 │ www.cyartgallery.com
Flow, 단채널 영상, 가변설치, 2012
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