ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw...

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ARTISTIC LEARNING ARTISTIC LEARNING FRAME FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso

Transcript of ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw...

Page 1: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

ARTISTIC LEARNING ARTISTIC LEARNING FRAMEFRAME

“I use to draw like Raphael, but it has taken me a whole lifetime to draw like

a child.” Pablo Picasso

Page 2: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Artistic Learning Artistic Learning Belief that children can learn and develop artistic

knowledge, skills and reasoning leading to enhanced visual literacy

Guided art explorations provide interaction with the physical and social aspects of artistic thinking and creating

Utilize Visual Art Standards as a guide for curriculum organization and explorations

Adults provide models, scaffold learning and jointly pose and solve artistic problems

Opportunities are needed to work in depth with media, images and ideas over time within the learning cycle

Utilize a variety of works of art a models, connections, information and inspiration!

PPinciotti Visual Verbal Meaning Making

Page 3: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

How is this memory like learning to How is this memory like learning to teaching?teaching?

I was remembering how she taught me that everything, even ink, had a purpose and a meaning: Good ink cannot be the quick kind, ready to pour out of a bottle. You can never be an artist if your work comes without effort. That is the problem with modern ink from a bottle. You do not have to think. You simply write what is in swimming on the top of your brain. And the top is nothing but pond scum, dead leaves, and mosquito spawn. But when you push an inkstick along an inkstone, you take the first step in cleaning your mind and your heart. You push and you ask yourself, What are my intentions? What is in my hear that matches my mind?

The Bonesetters Daughter by Amy Tan

PPinciotti Visual Verbal Meaning Making

Page 4: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Artistic LearningArtistic Learning

What can young children learn about the visual arts?

What do the visual arts include?

How do you guide learning in and through the visual arts?

What are ways to value and document artistic learning?

PPinciotti Visual Verbal Meaning Making

Page 5: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Learning CycleLearning Cycle

PPinciotti Visual Verbal Meaning Making

Awareness

Exploration

Elaboration

Utilization

Page 6: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Artistic Learning Artistic Learning

Observing, Assessing & Valuing Artistic Learning◦Process and Product Portfolios◦Checklists, Rating Scales, Rubrics◦Documentation Panels◦Individual conferencing◦Student Demonstrations◦Games, quizzes, library research

PPinciotti Visual Verbal Meaning Making

Page 7: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Artistic Learning FrameArtistic Learning FrameArtistic Learning Needs:

◦ Belief in child’s ability to grapple with artistic ideas and processes◦ Opportunities to work in depth with media, images and ideas over

time◦ Perceptual exposure to the visual world and a variety of art models

Artful Dialogue:◦ Engage in joint problem-posing and solvingI’m not sure how to connect these pieces, what could we use?These colors are very bright, how would we make them softer?This idea is taller that our paper, what could we do?◦ STRETCH visual literacy by looking togetherI’m not sure how to draw that either, let’s get a picture of one.Shauna painted one of those last week, let’s ask her how she did it?What lines do you see in the outside edge of the sculpture? On the

surface?

PPinciotti Visual Verbal Meaning Making

Page 8: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

ORGANIZATIONAL IDEAS forORGANIZATIONAL IDEAS for ART EXPLORATIONS & CURRICULUM ART EXPLORATIONS & CURRICULUM DESIGNDESIGN

Elements & Principles . . .

Art Modes and Media . . .

Periods of Western Art . .

Art from Various cultures

Themes in Art . . . . . . . . .

Aesthetic topics . . . . . . .

Landmark Artworks. . . .

Artists & their work . . . . .

Art Styles. . . . . . . . . . . . .

Line, color, texture, shape, form, value, space, unity, rhythm, pattern, movement, contrast, emphasis

Drawing, painting, printmaking, collage, ceramics, weaving, architecture, photography, new media

Prehistoric art, Renaissance, art of the Middle Ages, Baroque art, Modern art, Post-Modern art

Art of China, Native Americans, art of Africa, Egypt, African-American, Hispanic Folk art

The sea, art and nature, Mythology, Animals in art, Landscapes, Portraits, Images of Women, Music

Beauty, Artist’s intent, Creative process, Art vs. Nature

O’Keeffe’s Black Hollyhocks, van Gogh’s Starry Night, Egyptian Pyramids, Hokusai’s The Great Wave

Miro, Mary Cassatt, Romare Bearden, Pablo Picasso, David Hockney, Michelangelo, Goya, Frieda Kahlo

Rococo style, Impressionism, Surrealism, Pop Art, Chinese Ming period, Dadaism, Fauvism

PPinciotti Visual Verbal Meaning Making

Page 9: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

PERSONAL MEANING PERSONAL MEANING MAKING FRAMEMAKING FRAME

“Do not train youth to learn by force or harshness, but direct them to

it by what amuses their minds so that you may be better able to discover with accuracy the peculiar bent of the genius of each.”

Plato

Page 10: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Personal Meaning Making Personal Meaning Making Understanding and Understanding and

ImaginationImagination

Child makes visual language work for herself, to construct and make meaning, to solve a problem, or share imaginative ideas

Demonstrates creative thinking and problem posing/solving

Spark! Ideas for exploration by connecting visual/verbal languages, challenge aesthetic judgments and imaginative ideas

Encourage intersubjectivity - the coming together of teacher and child knowing

Take time for reflection, self-discovery, and re-representation

Discover what and how children “know” - Share with parents!

PPinciotti Visual Verbal Meaning Making

Page 11: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Personal Meaning Making Personal Meaning Making Understanding and Understanding and

ImaginationImagination

Observe, Assess & Value Personal Meaning Making◦ Process/Product Portfolio◦ Story making to accompany work◦ Interpretive responses/ open-ended

questions◦ Pair-share dialogues◦ Celebrations/Art Show

PPinciotti Visual Verbal Meaning Making

Page 12: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Personal Meaning Making Personal Meaning Making Understanding and Understanding and

ImaginationImaginationMeaning Making Needs

◦ Look for “grappling”, frustration, processing through◦ Encourage co-mingling of ideas between child and

teacher, child and child◦ Talk through problem posing and solving aloud, take

pictures throughout the process, record comments, feelings

Artful Dialogue◦ Spark! Ideas for exploration by connecting visual/verbal

languages“Tell me why you created this work”“It looks like there is a story in this painting”◦ Validate the powerful images and ideas “This work has some important feelings in it”◦ Challenge aesthetic judgments and imaginative ideas

PPinciotti Visual Verbal Meaning Making

Page 13: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

MODIFICATIONS IN MODIFICATIONS IN THE VISUAL ARTSTHE VISUAL ARTS

“A difference unaddressed becomes a disability.”

James Collins

Page 14: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Modifications for ArtModifications for ArtThe more you know about the individual child the better you

will be able to assist him or her in learning. Strategies to accommodate diverse student needs:

◦ Curricular or Goal Modifications where assignment is simplified or modified for some students, enriched or enhanced for others providing differing outcomes to the same basic assignment

◦ Same assignments, same goal with modifications of techniques tool and/or media to meet a specific need

◦ Alternative goals, same materials and techniques will be explored, but final product is altered for student success

Benefits of the arts : Social-emotional, Motor, Sensory Awareness, and Cognitive development◦ The arts nurture a sense of inquiry, discovery, delight and build

feelings of awareness, independence, and success as a creator!

Central Instructional Support Center - http://www.cisc.k12.pa.us

PPinciotti Visual Verbal Meaning Making

Page 15: ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

The Hundred Languages of Children

by Loris MalaguzziNo way.

The hundred is there.

The child is made of one hundred.

The child has a hundred languages

a hundred hands

a hundred thoughts

a hundred ways of thinking

of playing, of speaking.

A hundred always a hundred

ways of listening of marveling of loving

a hundred joys for singing and understanding

a hundred worlds to discover

a hundred worlds to invent

a hundred worlds to dream.

The child has a hundred languages

(and a hundred hundred hundred more)

But they steal ninety-nine.

The school and the culture

Separate the head from the body.

They tell the child:

to think without hands

to do without head

to listen and not to speak

to understand without joy

to love and to marvel

only at Easter and Christmas.

They tell the child:

to discover the world already there

and of the hundred they steal ninety-nine.

They tell the child: that work and play

reality and fantasy

science and imagination

sky and earth

reason and dream

are things that do not belong together.

And thus they tell the child

that the hundred is not there.

The child says:

No way. The hundred is there.

PPinciotti Visual Verbal Meaning Making