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how to appliqué: quilt designs for creating appliqué quilts 8 Q u i lt i n g A rt s . c o m
©interweave
how to AppliQué creAting AppliQué Quilts
thread ChoiCesYour choice of threads can greatly
enhance organic imagery. translucent
or transparent images — such as
water, air, mist, fire, bubbles, and
shadows — are best served by
soft-edge appliqué and invisible
monofilament thread. use smoke
color for mid-range to dark shades
and use clear for pastels and white. all
you will see is the edge of the fabric
itself.
solid images such as branches, leaves,
ground, and vines have hard edges
that look best when emphasized.
metallic, polyester, rayon, and cotton
embroidery threads can all be used to
achieve a number of effects. polyester
and rayon threads have a soft sheen
to them. while polyester will break
less easily, rayon tends to blend better.
metallic threads will create a crusty,
hard edge, while cotton will create a
soft, satiny finish.
shadingonce your appliqué is anchored to
the background, you can use a free-
motion zigzag stitch to shade and
shadow your work. although many
images from nature may appear as
a solid color, they are comprised of
many shades;
by adding hues
of a color your
images will
appear three-
dimensional
and realistic.
remember your
light source —
the areas that the
sunlight reaches
will be lighter
than those it
does not. do
not be afraid
to use a range
of colors —
complementary
colors will shade
dramatically
while analogous
colors gently
blend into each
other. use your
color wheel if
you’re unsure
what to pick,
and don’t forget to select colors that
are much darker as well as much
lighter than your desired result.
Ellen Anne Eddy has spent most of
her life teaching, writing or working
with fabric. She teaches for quilt guilds
and conferences across the country a
series of fiber art courses called Thread
Magic, covering all kinds of machine
embroidery techniques for quilters. Learn
more about her at ellenanneeddy.com.
“Drawn to the Sun”
Sunflower: various shades of gold metallic threads, as well as copper and teal, are used to shade and shadow. Leaf and stem were created using cut-away applique techniques and then zigzag stitched onto the background fabric.
adding dimension
similar to a calligraphy pen, keeping the angle of your zigzag stitch consistent while turning your piece will result in variations in the width that add dimension and texture.