ArtandHumanRights: Photography&Los Desaparecidos
Transcript of ArtandHumanRights: Photography&Los Desaparecidos
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Art and Human Rights: Photography & Los Desaparecidos
Stephanie Wood Center at Oregon for Research in Educa>on
University of Oregon
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( art: decep>vely simple ? )
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Albuquerque: University of New Mexico, 2006
Mary Beth Tierney-‐Tello
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• make the absent present, represent the missing • whether specific individuals or generic/symbolic • e.g. repurposing the ID photo (from social control to poli>cal protest)
• “defiant ‘memory work’” • a witnessing, a tes3monial of a life • a guardian of memory • an an>dote to erasure • photos can also mediate the memory
Mary Beth Tierney-‐Tello: On Photography about the Disappeared
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Gustavo Germano “Ausenc’as” (Absences)
• making the absent present • a witnessing, a tes>monial • a defiant guardian of memory
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Gustavo Germano “Ausenc’as” (Absences)
• making the absent felt/missed/humanized • making them family members • presen>ng them as innocent?
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“Ausenc’as” by Gustavo Germano (applying some of the interpreta>ons of Tierney-‐Tello to the work of Germano)
• Construc>ons to emphasize the person’s absence • Exaggera>ng the family’s loss (unique/personal) • Making explicit the missing persons’ humanity • Ignoring ques>on of guilt/implying innocence? • Repea>ng the theme over and over (quan>ty) • Homogenizing the experience (symbolism) • To infuse us/society with a conscience
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Graciela Sacco, “Between Us,” 2010 Museum of Memory, Rosario, Argen>na
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(why eyes? inten>onal: viewer’s reflec>on superimposed?)
Graciela Sacco, “Between Us,” 2010 Museum of Memory, Rosario, Argen>na
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Empty Chairs and a Cueca Sola (a couples dance where partner is missing; Iquique, Chile)
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Stenciling the Faces (Mexico, Ayotzinapa Solidarity March, Oct. 2014)
(repurposing the ID card photo; from social control to poli>cal protest)
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Candles for the Ayotzinapa 43: solidarity installa>on in Oaxaca in front of a church
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Merging Ayotzinapa with Tlatelolco 2 Oct. 1968, Mexico
(by Yescka)
black & white = historicity, grihy documenta>on
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“Silence will never have the last word.”
Ariel Dorfman, Speak Truth to Power
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Lead ar>st: Naomi Natale, Italian-‐born, lives in Santa Fe, New Mexico
Highligh>ng genocide in Sudan, Burma, and the Congo.
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One Million Bones, D.C. June 2013
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K-‐12 Classroom Ac>vity Okay for all ages? Is humor okay?
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Iris Brosch & Fiora Gandolfi Herrera Italian Ar>sts’ Tableau Art (Theatre) against Femicide
(Italy, Jan.–Aug. 2012, 90 Deaths)
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Iris Brosch & Fiora Gandolfi Herrera, Italian Ar>sts’ Tableau Art against Femicide
(Tierney-‐Tello: beware of sensa>onalizing, beware of “voyeuris>c looking”)
images: too objec>onable? age appropriate?