Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.
Art renaixement
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Renaissance architecture
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Semicircular arch, ( Arc de mig punt)Classical columns and pillars (Doric, Ionic and Corinthian orders), Barrel ( volta de canó)
Human figures are very important at this moment
Rediscovery of the power plants in search of light.
The Quattrocento
Return to classical decorative and building elements
Florence
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The Quattrocento
The dome of the Cathedral of Florence (Santa Maria de Fiore)
Brunelleschi
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Brunelleschi was the outstanding architect of the Quattrocento
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The Dome (1420-1436)
Inside: hemispherical dome Outside: pointed dome
DOUBLE DOME
Final Judgement. Vasari And Zuccari. 1579
Example of mathematical and geometric calculations
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San Lorenzo Brunelleschi (1422)
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Médici Chapel
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San Andrea de Mantua Leon Battista Alberti
based on mathematical proportions
facade inspired by Roman triumphal arches
plant a barrel vaulted nave
two side chapels.
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It has been constructed between 1446 and the 1451 by Bernardo Rossellino on design of the Alberti on order of Giovanni il Magnifico, member of the illustrious Rucellai family
Rucellai Palace of Florence
The first Renaissance building using a system of Classical pilasters
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Santa María Novella
Alberti
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Facade of Pitti Palace
Brunelleschi
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Palazzo Vecchio
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Santa Croce Church
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Buildings were smaller , and not as tall as Gothic constructions. This was because architects wanted to adapt them to the
proportions of the human body.
Ornamentation was simple and austere.
Architetcs tried to create a sense of order and harmony.
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Magnificient buildings were built under the patronage of Popes Alexander VI, Julius II, Leo X
and Clement VII.
THE CINQUECENTORome.
Bramante did the first projectMichelangelo changed the domeMaderno completed the rest.
Saint Peter’s Basilica
3 architects
Tendency to monumentality Lose of interest in decoration.
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Michelangelo Basilica of Saint Peter. Dome
Gives a higher profile and delete the towers to give more importance to the dome
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Donato Bramante
Inspired by the Roman temple of Vesta
The Temple of San Pietro in Montorio
Round, simple decoration but an original structure.
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http://www.youtube.com/watch?v=X7I3IbrSmFk&feature=related
RENAISSANCE PAINTING
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Renaissance painters used colour, composition and background scenes, such as buildings and landscapes, to create an impression of space and depth.
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Inspired by classical Antiquity, their figures had harmonious proportions and aimed for beauty by idealising faces, bodies and movements.
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Although artists still painted religious subjects, they also did mythological scenes, nudes and portraits.
Portrait of a Praying Man, ca. 1480-1485Oil on wood
Sammlung Thyssen-Bornemisza, Schloss RohonczCastagnola, Spain
Handmade oil painting reproduction of The Fall and Expulsion from Garden of Eden (detail-7) 1509-10, a painting by Michelangelo Buonarroti .
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They discovered perspective.
Pictures before perspective
RAPHAEL: School of Athens
"View of an Ideal City", a painting by Piero della Francesca.
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Botticelli. His idealised figures convey a sense of movement.
THE QUATTROCENTO.
Masaccio
Pioneers in their use of perspective
Piero della Francesca
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His idealised figures convey a sense of movement.
THE QUATTROCENTO.
Botticelli.
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Brilliantly represented nature. He was a master of sfumato, a techhique which involved blurring outlines to create a sense of depht.
THE CINQUECENTO Leonardo da Vinci
His masterpieces are The Gioconda or Mona Lisa, and The Last Supper
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painted the frescoes in the Sistine Chapel in Rome, scenes full of movement and expression.
Michelangelo Buonarroti
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Titian, as a Venetian painter created highly colourful works of art. He is famous for his portraits, and paintings of religious and mythological themes.
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Raphael achieved perfection in his use of colour, drawing and composition. His works include frescos for the Vatican palace and his madonnas or virgins
Raphael, 'The small Cowper Madonna' 1505Titian. Woman with mirror
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RENAISSANCE SCULPTURE
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Sculpture also followed the models of classical Antiquity
Great importance was given to proportions and anatomical studies of figures, and this was reflected in the great number of sculptures of nudes. Other types of sculpture which became popular were portrait sculptures, or busts and equestrian statues
most sculptures were madeof bronze or marbleThe first Renaissance sculptor was Ghiberti.
the Gates of Paradise, for the Baptistery of the Cathedral in Florence.
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The greatest sculptor of the Quattrocento was Donatello
He captured the Renaissance ideal of sculpture in works like David.
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Benvenuto Cellini (Florencia, Italia: 1500-1571)
Perseo
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Michelangelo was the most important sculptor of the Cinquecento, and was considered to be the master of Renaissance sculpture.
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