Galician Women

ART GALLERY

GALICIAN WOMEN through the eyes of Issac Díaz Pardo, Roberto González del Blanco, Carlos Maside García

and Manuel Torres Martínez

ISAAC DIAZ PARDO ARTIST and TEACHER

There are three places in Isaac Díaz Pardo’spictorial line. Madrid, where he attends the Fine Arts Academy and starts his painting career. Castro de Samoedo, the second and the most fertile period, which drives him to his maturity and here he produces his big oil paintings. Magdalena (near Buenos Aires) in his exile, far from the gloomy, oppressive and constricted Galicia of the 1950s.

FAREWELL IN BOISACA

Unfortunately, when we were doing this project, he died in January 2012. He was buried in Boisaca cemetery, Santiago de Compostela

(Santiago de Compostela 1920- A Coruña 2012)

http://www.youtube.com/watch?v=FlwzkXX4Aow

 FROM MAGDALENA TO SARGADELOS

http://www.almargen.com.ar/?p=660

In 1955, the interest shown in the ceramics made at O Castro led Isaac Díaz Pardo to the creation of a project in Argentina. The “Magdalena” Porcelain Factory near Buenos Aires, where production continued for over thirty years. This trans-oceanic project also awoke the interest of Galician intellectuals, who had been in exile in Argentina since the end of the Spanish Civil War. There they tried to recover the economic and cultural situation of Galicia and in 1963 they created the "Laboratorio de Formas" (Laboratory of Forms).

http://www.sargadelos.com/sargadelos/?txt=historia&lg=cas    

THE GROUP OF WOMEN by ISAAC DIAZ PARDO

This is the group of nine porcelain women designed by Isaac. They are a numbered series of 2000 pieces altogether of approximately 13 cm. They have rosy skin and Isaac’s characteristic designed hairstyle.

We have tried to trace the idea of the ideal woman’s proportion canon through their corporal expressiveness. For that purpose we took the most iconographic figurative examples of the Galician plastic arts from last century.

THE FRUIT SELLER by ROBERTO GONZALEZ del BLANCO

TERESA by ISAAC DIAZ PARDO THE FRUIT SELLER by ROBERTO GONZALEZ del BLANCO

http://maestrosdelretrato.blogspot.com.es/es/2009/01/timoteo-perez-rubio/htmlhttp://www.gonzalezdelblanco.com/

WASHERWOMEN by CARLOS MASIDE GARCIA

MARIA by ISAAC DIAZ PARDO WASHERWOMEN by CARLOS MASIDE GARCIA

http://www.youtube.com/watch?v=XZbPBxUldGU

PEASANT WOMEN RESTING by MANUEL TORRES MARTINEZ

http://www.youtube.com/watch?v=4N2aZc_xddY

MARIÑA and ANA by ISAAC DIAZ PARDOPEASANT WOMEN by MANUEL TORRES MARTINEZ

From the 20s onwards, the Galician artists, heirs of the preclassic transition, made their work using idealistic identity Models (the Mater Gallaeciae), following Manoel Antonio and Alvaro Cebreiro’s “Máis alá”. Which led to the so called “granite aesthetics”.

SCHOOL ACTIVITY. VISIT TO THE ART GALLERY“quiñones de leon”, vigo

     

In the new section of the ”Quiñones de León” museum, Pinacoteca Francisco Fernández del Riego, we can see a wide variety of the best Galician paintings from the 19th and 20th centuries, more than 150 works of art, by the well-known Galician artists like: Serafin Avendaño, Castelao, Lugrís, Maside, Colmeiro and Menchu Lamas among others. In the opening exhibition “The Beautiful Face of our Country”, its curator Carlos L. Bernárdez has presented these works ordered so as to show the development of a really Galician pictorial image, from the first half of the 19th century to the end of the 20th century. Although the origin of this pictorial image in our community keepsin line with the Spanish one, it also has to do with the European culture produced in a country with a distinctive historical singularity, in which the great art movements of Western Europe are projected.

http://www.youtube.com/watch?v=4N2aZc_xddY

ROBERTO GONZALEZ del BLANCO(León 1887-Santiago de Compostela 1959)

He started his Medicine studies in Santiago,which continued in Madrid, where hecombined them with Fine Arts, his realvocation. In 1916 he got his degree in Santiago afterreturning from a trip to Italy, Greece andTurkey to broaden his artistic education.He got a professorship in Pictorical Anatomyin Cádiz and became member of the Fine ArtsAcademy. After, he was appointed director ofThe School of Fine Arts in Santiago. His paintings depict strict realism in folksubjects : Life in the country, Fairs… He shows them accurately, with elegance,emotivity and tenderness.

CARLOS MASIDE GARCÍA(Pontecesures, Pontevedra 1897-Santiago de Compostela 1958)

He had to work hard since he was a child, buthe attended drawing lessons. In 1917 he didmilitary service in Madrid, where he met differentartists. He won a scholarship in Paris and got intouch with the European avant-garde. Being a republican,he had a harsh time duringthe Spanish Civil War. After the war, he settled in Santiago wherehe had a great influence on young intellectuals. Issac Díaz Pardo and Luis Seoane foundedMaside’s museum in Sada, to recognise hisimportance in the new Galician pictorial trends,which before him were only figurative andtraditionalist.

MANUEL TORRES MARTÍNEZ(Marín , Pontevedra 1901-1995)

A self-taught artist, whose work was intenseand prolific. Working as a school teacher he metCarlos Maside. He got scholarships to go toMadrid and Paris, he visited their museums,where he learnt a lot. During the Civil War he went back to MarínAnd painted all the time. After the war heexhibited his works again. His firm drawing shows his greatexpressiveness in his round and simplifiedmodels. In his oil paintings, he shows the sameEnergy. An ironic world, sometimes dream-like,fills his work halfway between the postimpressionist and fauve tendencies. Occasionally, he approached cubism, but hewas closer to Braque than to Picasso or JuanGris.

CREDITS

THE HISTORY DEPARTMENT TEACHERS

ANTONIO J. BLANCO DOPICO EDUARDO BRAGADO RODRÍGUEZ

AND THEIR STUDENTS

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