Art exhibition Ways of Seeing - saxinstitute.org.au · Art exhibition Ways of Seeing Hosted by the...

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Art exhibition Ways of Seeing Hosted by the Macquarie Group Foundation on behalf of the Sax Institute Space gallery, Sydney Thursday 16 April – Wednesday 2 May 2018

Transcript of Art exhibition Ways of Seeing - saxinstitute.org.au · Art exhibition Ways of Seeing Hosted by the...

Art exhibition

Ways of Seeing

Hosted by the Macquarie Group Foundation on behalf of the Sax Institute Space gallery, Sydney Thursday 16 April – Wednesday 2 May 2018

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Artists and artworks Fred Cress ..................................................................................................................................................................................................... 3

Aspirations (7), 1999 ........................................................................................................................................................................ 3 Honoré Daumier........................................................................................................................................................................................ 4

[Wine Shop], 1858 ............................................................................................................................................................................. 4 Emotions Champêtres (Rustic Feelings), 1855 ........................................................................................................................ 5 Impressions de Vendanges (Scenes From Harvest Time), 1857 ....................................................................................... 6

Janet Dawson.............................................................................................................................................................................................. 7 Bonnie and Dusty (@ Scribble Rock), 2011 ............................................................................................................................. 7

Anne Ferguson ........................................................................................................................................................................................... 8 Drift, 2012 ............................................................................................................................................................................................ 8

Merrick Fry ................................................................................................................................................................................................... 9 Jewellery Box, 2015 .......................................................................................................................................................................... 9 Girls Jumping, 1990 ....................................................................................................................................................................... 10 Quinces with Bonsai (Chinese figure), 1997 ......................................................................................................................... 11

Rod Holdaway ......................................................................................................................................................................................... 12 Sydney Symphony Orchestra Rehearse Alan Holley’s 'A Shaft of Light’, 2017 ........................................................ 12

Peter Jones ................................................................................................................................................................................................ 13 Mount Ku Ring Gai, from the 'Interrrupted View' series, 2012 ....................................................................................... 13

Jan King ...................................................................................................................................................................................................... 14 Cave of Forgotten Dreams, 2015.............................................................................................................................................. 14 Trommel, 2015 ................................................................................................................................................................................ 15 Triad, 2012 ........................................................................................................................................................................................ 16

Tim Kyle ...................................................................................................................................................................................................... 17 Excess Baggage, 2011 ................................................................................................................................................................... 17

Frank Littler............................................................................................................................................................................................... 18 Semaphore Octopus, 2017 .......................................................................................................................................................... 18

Peter Powditch AM ............................................................................................................................................................................... 19 The Blue Chenille, 1966 ............................................................................................................................................................... 19

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Fred Cress Aspirations (7), 1999 Fred Cress

Ink on paper, 35 x 26cm

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Honoré Daumier French, 1808–1879

The “Michelangelo of caricature,” Honoré Daumier famously satirized France’s bourgeoisie and justice system, and masterfully exposed the misery of the masses through the emerging medium of lithography. Daumier often published his caricatures in newspapers and magazines of the period.

A series of Daumier lithographs have been donated by Virginia Spate (art historian).

[Wine Shop], 1858 Honoré Daumier

Caption: “This year the wine is actually wine... Hurry up and buy some – I can’t guarantee that will always be the case.”

Lithograph from Le Charivari (581:3088), 28x23cm

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Emotions Champêtres (Rustic Feelings), 1855 Honoré Daumier

Caption: “I have to watch how the grapes ripen... I haven’t seen this for donkey’s years.”

Lithograph from Le Charivari (436:2824), 28x23cm

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Impressions de Vendanges (Scenes From Harvest Time), 1857 Honoré Daumier

Caption: “What – you’re going in there with bare feet?! “ “Well, we mustn’t use our patent leather shoes!”

Lithograph from Le Charivari (581:2820), 28x23cm

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Janet Dawson Janet Dawson is one of Australia’s most accomplished living artists. In 1973, she became the third woman to win the Archibald Prize for her piece Michael Boddy Reading, a portrait of her husband, the actor and playwright Michael Boddy. Dawson was the subject of a survey exhibition at the National Gallery of Victoria in 1979 and a retrospective of her work, The Drawings of Janet Dawson, 1956 to the Present, was presented by the National Gallery of Australia in 1996. A major survey of her work, Janet Dawson Survey 1953–2006, was presented by Bathurst Regional Gallery and toured widely. Janet Dawson is represented in all major public collections in Australia. Her Red Cabbage series of charcoal and pastel drawings was purchased by the National Gallery of Australia in 1996.

Bonnie and Dusty (@ Scribble Rock), 2011 Janet Dawson

Pastel on paper, 68 x 97cm

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Anne Ferguson Anne Ferguson, sculptor, ‘one of Australia’s finest living sculptors’, is represented in many collections in Australia and the US. Her commissions include those for St Peters Church Cremorne; Parliament House, Canberra; the Australian Women’s Service Memorial, Australian War Memorial; St Patrick’s Cathedral Parramatta; Peter Baume Medical School, ANU; and the Sandakan Memorial at the Australian War Memorial in Canberra. She received the Art Gallery Society of NSW Sculpture Prize in 2007.

Drift, 2012 Anne Ferguson

Mixed media, 17 x 48 x 29cm

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Merrick Fry Merrick Fry is a painter and sculptor. He won the Jackson Smith Sculpture Prize and is a recipient of the Visual Arts Board Grant New York Studio residency. He was selected for the George's Art Prize, Melbourne and received the National Art School Drawing award in 1972. His work can be found in many institutions in Australia, including the Australian National Gallery Canberra.

Jewellery Box, 2015 Merrick Fry

Mixed media,18 x 14 x 28cm

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Girls Jumping, 1990 Merrick Fry

Acrylic on cotton duck, 33 x 45cm

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Quinces with Bonsai (Chinese figure), 1997 Merrick Fry

Charcoal on Kent, 56 x 76 cm

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Rod Holdaway Rod Holdaway has exhibited in several solo exhibitions and numerous group exhibitions, including three years consecutively in the Dobell Prize for Drawing (2007, 2008, 2009). In 2010, Holdaway was a finalist in the Kedumba Drawing Award and previously he has had work selected for the Redlands Westpac Art Prize, Mosman Art Prize and the Waverly Art Prize. His work is represented in corporate and private collections in Australia, New Zealand, Germany and Ireland.

Sydney Symphony Orchestra Rehearse Alan Holley’s 'A Shaft of Light’, 2017 Rod Holdaway

Oil on polyester, 95.1 x 137cm

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Peter Jones Peter Jones was born in New Zealand and has been resident in Australia since 1977. He has been exhibiting since 1981 in Australia, Indonesia, France and the USA. He works in painting, photography, video and sculpture, often combining properties of different media in one work. He has been a finalist in the Wynne Prize (Art Gallery of NSW), the NSW Parliament Plein Air Painting Prize, and the Paddington Art Prize for painting inspired by the Australian landscape,, and he was selected for 'International Painting NYC' at the Jeffrey Leder Gallery in New York in 2012.

Mount Ku Ring Gai, from the 'Interrupted View' series, 2012 Peter Jones

Giclee print, 60 x 90 cm

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Jan King Jan King is a sculptor who is represented in many collections across Australia including Macquarie Bank, Clayton Utz, Art Bank, a number of universities and Liverpool and Woollahra Councils. She is the winner of the Woollahra Sculpture Prize, the Art Omi Creative Grant, New York, USA, and the Australia Council- Visual Arts Board Studio Grant, New York.

Cave of Forgotten Dreams, 2015 Jan King

Waxed steel and bone,14.5 x 13 x 5.5 cms

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Trommel, 2015 Jan King

Waxed steel, 30.5 x 37 x 15.5 cms

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Triad, 2012 Jan King

Waxed steel and slate, 41 x 19 x 30 cm

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Tim Kyle Tim Kyle is a Sydney based sculptor whose monumental treatment of the human figure is at once psychological and laconic. To Kyle, the human condition "is what concerns me most: response to the inane but trying to remain humane, when people say ‘No’, but you want to hear ‘Yes’, underdogs who fail again and again, war and pieces of peace." Worked in clay then cast in epoxy resin, Kyle’s robust grey figures are regular finalists in Sculpture by the Sea and the Wynne Prize, which he won in 2003. Large-scale public works can be seen in New Acton, ACT, and his work is held in many important public and private collections.

Excess Baggage, 2011 Tim Kyle

Polyester resin and timber, 2.77m x 1.9m x 1.3m

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Frank Littler

Semaphore Octopus, 2017 Frank Littler

Oil on board, 76 x 60cm

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Peter Powditch AM Peter Powditch is a renowned painter and a leader in Australian pop art. He was the winner of the 1972 Sulman Prize and his work can be found in the collections of most state-run institutions in Australia, including the Australian National Gallery Canberra, the Parliament House Collection and the Art Gallery of NSW. He is a recipient of the Georges Invitation Art Prize and many other prestigious prizes; he was awarded an honorary fellowship by the National Art School.

The Blue Chenille, 1966Peter Powditch AM

Mixed media (paint and various timbers), 33 x 37 x 10 cm.