Art December 2015 i i

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Talking Contemporary CuratingIndependent Curators Inc. 2015 ISBN 9780916365905 Acqn 25233Pb 14x20cm 304pp £15

Since the publication ofThinking Contemporary Curating in 2012, art historian Terry Smith hascontinued his travels through the globalizing art world, talking to curators. The dozen searchingconversations in this book--with Carolyn Christov-Bakargiev, Claire Bishop, Zdenka Badovinac,Mami Kataoka, Mari Carmen Ramírez, Okwui Enwezor, Germano Celant, Jens Hoffmann, HansUlrich Obrist, Maria Lind, Zoe Butt and Boris Groys--provide a vivid sense of contemporarycuratorial thought at work. They show curators deeply immersed in thinking about the exigencies

of practice, the contexts of exhibition-making, the platforms through which art may be madepublic, and about what their work can contribute toward understanding what it means to be alivetoday.


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EN MAS'Independent Curators Inc. 2015 ISBN 9780916365899 Acqn 25234Hb 20x26cm 230pp 100col ills £38

EN MAS' is one of the first publications to give serious scholarly attention to contemporary artworks considering carnival in the 21st century, filling a gap in two decades of exhibitions ofcontemporary Caribbean art that did not explicitly address carnival as an artistic practice. A hybridexhibition catalogue and academic reader with a lively carnivalesque feel, it presents nine newlycommissioned artist projects by John Beadle, Charles Campbell, Christophe Chassol, NicolásDumit Estévez, Marlon Griffith, Hew Locke, Ebony G. Patterson, Lorraine O'Grady and Cauleen

Smith. The book also includes a timeline of diasporic pan-Caribbean carnivals, tracing theinfluence of Caribbean carnivals and festivals on the theatre, dance, and Broadway stages inNew York and London, in contemporary art galleries and biennials from São Paulo to Havana toGwangju, at the Olympics as well as in protest and other movements.Edited by Claire Tancons, Krista Thompson. Foreword by Neil Barclay, Renaud Proch. Text by D.Eric Bookhardt, Petrina Dacres, Paul Goodwin, Shannon Jackson, Erica Moiah James, NicholasLaughlin, Thomas J. Lax, Alanna Lockward, Kobena Mercer, Annie Paul, Claire Tancons, KristaThompson, Yolande-Salomé Toumson.


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Flaneur Issue 05 - Fokionos Negri, AthensEditions Messner 2015 ISBN 9783945918005 Acqn 25546Pb 21x34cm 152pp col ills £13.50

Flaneur is a nomadic, independent magazine focussing on one street per issue. Following theoral history of the neighbourhood of Kypseli,the fifth issue of Flaneur Magazine finds itselfentangled in a story-heavy microcosm. Fokionos Negri, once a river, now a broad and green, two-sided boulevard becomes a stage of overlapping narratives where stories are told and retold. Ason every stage, the desire for the story is stronger than the need to subdue it to rigid logic. Themagazine emerses itself in these fragments until they become our very own memory.


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Zingmagazine Issue 24 - 2015 +CDZingmagazine 2015 ISBN 9780974966687 Acqn 25741Pb 22x28cm 362pp 350col ills £25

ingmagazine came out of the idea that within certain disciplines, artistic and otherwise, variouscross-references occur, both with individuals and the material of their particular interest. Theformat of zingmagazine is comprised of rotating curatorial projects. Each curator is invited tocreate a context of their choosing for each issue. A myriad of different disciplines are explored ineach issue from architecture, design, fiction, poetry, drawing, photography, video, music, fashion,as well as a special projects including books, posters, and CDs. Lack of parameters or limits isthe impetus, with the idea that the creative impulse, within each of the curators/disciplines, willproduce individual projects both of the curators and the participants.


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Mike Mandel - Good 70s. Box Set 6 VolsJ&L 2015 ISBN 9780989531146 Acqn 25209Hb 24x33cm 228pp 300ills 50col £107

Mike Mandel is best known for his projectBaseball-Photographer Trading Cards , as well as hiscollaborations with the late Larry Sultan. Mandel employs conceptual structures and socialcommentary underneath a playful presentation. For the Baseball-Photographer Trading Cards ,Mandel travelled across the US in 1974, posing 134 photographers and curators as ball players,and photographing them. Participants included famous figures (Ansel Adams, ImogenCunningham, Harry Callahan, Minor White, Aaron Siskind, William Eggleston, Ed Ruscha, JohnSzarkowski) as well as lesser-known artists. Cards were made of each participant, and included"stats" such as height, weight, home, favourite camera and a personal statement. The originalcards were sold in packs of ten.This boxed collection--published in a limited edition of 1,000 copies--contains facsimiles ofMandel's original publications, long out of print, including theBaseball-Photographer TradingCards , Myself: Timed Exposures , Seven Never Before Seen Portraits of Edward Weston , plus

previously unpublished work such as Motel Postcards, People in Cars and Mrs. Kilpatric, andephemera from the projects, including selected facsimile contact sheets from the baseball photoshoots, a letter to Mandel from Charis Wilson regarding Edward Weston and a pack of ten of theoriginal 1975 baseball cards. Edited by Mike Mandel, Jason Fulford, Sharon Helgason Gallagher.Text by Sandra S. Phillips.


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Emily Jacir - A Star Is As Far As The Eye Can See And As Near As My Eye Is To MeKhalid Shoman Foundation 2015 ISBN 9789082148411 Acqn 25477Hb 21x28cm 176pp 150ills 125col £31

Since the early 1990s, Emily Jacir has created works about transformation, questions oftranslation, resistance, and the logic of the archive. With restrained formal means she makesvisible silenced historical narratives, with a focus on her own political, historical, and socialrelationships. The book presents a fully illustrated survey of her oeuvre, including film and video

works, installations, interventions, audio works, and sculpture. From 'Change/Exchange' (1998) to'Untitled (SOLIDARIDAD)' (2013), the book contains reproductions of key works such as 'ex libris'(2010-2012), commissioned for dOCUMENTA (13), as well as several rarely seen works.


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Kour PourLes Presses Du Reel 2015 ISBN 9788897503545 Acqn 25498Hb 24x30cm 84pp 70col ills £33.95

British-Iranian artist Kour Pour elaborates large-scale paintings of Persian rugs by juxtaposing,with different techniques, sets of imagery, iconic motifs and religious symbols from differentlocations, traditions, and time periods. In his work, Pour explores the way we collect information

in the present day: exploiting Google Images and clip-arts CD-ROMS, he re-contextualizes theimages onto the canvas which act as nets.


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Chris Sharp - The Registry Of PromiseROMA Publications 2015 ISBN 9789491843495 Acqn 25698Pb 22x29cm 204pp 125ills 50col £27

Over the course of approximately one year, ‘The Registry of Promise’ consisted of fourautonomous, interrelated exhibitions, which can be read as individual chapters in a book. In thisseries, Chris Sharp reflects on our increasingly fraught relationship with what the future may ormay not hold, and the work engages with and plays upon the various readings and mutability of“promise”, along with the inevitability of what may come, whether positive or negative. Suchpolyvalence is particularly topical, as we have shifted from the anthropocentric promise ofmodernity to a negative faith in the post-human. Richly illustrated with works and installationviews, texts and considerations.


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Unnoticed ArtJap Sam 2015 ISBN 9789080867505 Acqn 25709Hb 13x20cm 74pp £10.95

In our present time, passing unnoticed is a very recognisable experience. Although the popularityof social media demonstrates our aim for a few minutes of fame, in fact it emphasises theimpossibility of this. We can share an experience with friends, with equal minds, but it will only be

noticed by that limited group, undetected by the rest of the world.To pass unnoticed is the defining notion of the Unnoticed Art Festival. It embraces the fact thatgenuine engagement will be limited to a small group of those involved. I assume that, because ofnot being perceived by others, because of this public privacy, the performer will experience theconnection with the work and with the group more intense.The core of the book is the index and descriptions of 34 performance concepts carried out byvolunteers at the Unnoticed Art Festival in May 2014. Connected to the concepts are theexperiences and comments of the volunteers who have been executing the works. Within theframework of this festival we chose to document in the form of personal notes only. No photos ofvideos were taken, to avoid the special attention of passers-by.


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Andrea Antinori - Is This A MooseCorraini Editore 2015 ISBN 9788875705237 Acqn 25691Pb 22x22cm 32pp 19ills £9

It’s not every day that you see a moose, so how can we draw one if we can’t really rememberwhat it looks like? Well, that’s easy, we just use our imagination. Throughout the pages ofIs thisa moose? , you can see many different interpretations of the animal: large and small, realistic orstylised, with lots of horns or many legs. Some are invisible and some are chubby, others canswim and some can even fly. Andrea Antinori’s book lets the imagination run wild with thisstrange animal, with the aim of helping both adults and youngsters understand how we can havefun by changing the appearance of things in a million different ways using just our imagination.


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Harriet Russell - Eleanor And The EagleCorraini Editore 2015 ISBN 9788875704803 Acqn 25692Pb 22x22cm 32pp 32col ills £9

To take in some air away from a noisy and polluted city, Eleanor flies away on the wings of abeautiful eagle friend to Merano. Here she finds the meadows in bloom, many different varietiesof trees along the Tappeiner promenade, the smell of fresh herbs, beautiful buildings and thegunpowder tower that stands out on the lush green surroundings of the city. She discovers thelocal food and animals of the forest, local traditions and language on a journey that will allow herto go back home with a different, greener and more Merano-like conscience.The book is part of the larger “Primavera Meranese” project, a multi-faceted festival and one ofthe many initiative focused on the dialogue between art and nature in order to discover – orrediscover – Merano in a new and exciting way. Harriet Russell reinterprets the city’sextraordinary landscape and heritage in an illustrated story.The project draws inspiration from the

Ópla collection, the archive of artists’ books for children at the Biblioteca Civile in Merano, and itis the first of a series of books to be known as “Primavera Meranese”.


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Levi Pata - From A Small RoomHe He 2015 ISBN 9784908062063 Acqn 25694Pb 15x21cm 82pp 100col ills £27.95


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James Hugonin - Binary Rhythm. Paintings 2010-2015Ingleby Gallery 2015 ISBN 9780993155130 Acqn 25710Hb 22x27cm 88pp 37col ills £26

This beautifully illustrated publication includes essays by Professor Michael Tooby and Iris Priestwhich explore Hugonin’s unique way of working and, in particular, his use of handwrittennotebooks; plotting the course of each painting, much like a musical score.James Hugonin’s exhibition at Ingleby Gallery will celebrate the completion of his Binary Rhythmsequence. Seven of the nine large paintings that Hugonin has made over the past six years willbe exhibited, all identically sized and each continuing the artist’s unique exploration of thedualities of order and chance within a very personal approach to abstract painting.Hugonin has been working in this way for the last thirty years and each new painting employs hisnow familiar language of tiny rectangular marks, applied in their thousands, colour by colour,within a grid onto a gessoed ground. Each work is painted over many months and evolvesgradually from the last with increasingly complex and surprising results.They are unlike any other paintings being made in the world today: owing something perhaps toSeurat’s pointillism or the early works of Agnes Martin, but with an optical charge that is entirelyindividual and an internally generated sense of pace that invites the eye gently into and acrossthe surface of the paint.


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Allan Sekula - Facing The MusicEast Of Borneo Books 2015 ISBN 9780692312445 Acqn 24601Hb 27x26cm 204pp 150ills 75col £42.95

Allan Sekula (1951–2013), photographer, artist, filmmaker, scholar, teacher and activist, devotedmuch of his life to the theory and practice of social documentary. This posthumous volumepresents a collaborative exploration he initiated to examine downtown Los Angeles as itsredevelopment peaked with the construction of Frank Gehry's cultural icon. Designed as anexploration of the impact of Gehry's building, the book challenges civic complacency by engaginga vital counter-tradition of social documentary investigation. Including a previously unpublished

essay by Sekula on the challenges of representing the city, an interview with him about the 2005exhibitionFacing the Music which he curated for the gallery at REDCAT, and an overview of thebuilding's history and the continuing urban transformations it has catalysed, this publication is aunique record of social and artistic engagement in a metropolis often thought to inhibit suchefforts.


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Frank AuerbachMarlborough Fine Art 2015 ISBN 9781909707221 Acqn 25697Pb 24x30cm 44pp 50col ills £12.50

One of Britain's pre-eminent post-war painters, Frank Auerbach, was born in Berlin, Germany in1931. Arriving in England in 1939, he studied at the Royal College of Art and has remained inLondon ever since. His first exhibition was held at London's Beaux Arts Gallery in 1956; sincethen his works have become some of the most internationally collected of living artists.Marlborough Fine Art is pleased to announce a solo exhibition of Frank Auerbach (b. 1931) thatwill include paintings and drawings spanning the artist’s entire career, from the 1950s to thepresent day. Some 25 works will be on display, including new works that have never beenexhibited. The exhibition will include both the portraits and urban landscapes for which the artist isso well known and a new self-portrait in graphite and pastel on paper.


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Alberto BurriMazzoleni Gallery 2015 ISBN 9780993374500 Acqn 25754Hb 25x30cm 136pp 72ills 60col £35

Burri was an undisputed master of twentieth-century art; his oeuvre brought a new language toPost-War art and his use of unconventional materials created a new aesthetic that paved the wayfor many younger artists. This extensive solo exhibition at Mazzoleni London brings togetherworks from several important stages in the artist’s life, many of them from private collections andrarely shown publicly. The majority of the works exhibited come from the Mazzoleni family’spersonal collection – a prominent collection of works built up over several decades. Includes anessay written in 1963 by Cesare Brandi (1906-1988), photographs by Aurelio Amendola and anintroduction by Vittorio Brandi Rubiu.


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Visual Cultures as OpportunitySternberg Press 2015 ISBN 9783956791000 Acqn 25757Pb 15x20cm 88pp 5ills £8.50

Edited by Jorella Andrews

Assemblies, gathering places, and agora-like situations have become popular sites forcontemporary art. At the heart of these arenas is the search for new ways to counter the crisis-ridden experience of homo economicus —the pervasive and alienating marketization of allaspects of our lives. A great deal of hope is being placed on the potential of social formationsenabled by new technologies of connectivity and exchange. Artists and cultural producers are atthe forefront of testing the viability of transgressive actions such as coworking, crowdfunding, and

open-source provisions. At the same time, it is apparent that global capitalism is expanding intomultipolar constellations of top-down and bottom-up economic governance.

In this volume, the fourth in the series Visual Cultures as..., Helge Mooshammer and PeterMörtenböck analyze the networked spaces of global informal markets, the cultural frontiers ofspeculative investments, and recent urban protests, and discuss crucial shifts in the process ofcollective articulation within today’s “crowd economy.”


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Dexter Sinister - On A Universal Serial Bus. Memory Stick.Sternberg Press 2015 ISBN 9783956792120 Acqn 25758USB £12.95 +VAT

What’s on a Universal Serial Bus? A collection of electronic works by Dexter Sinister producedfrom 2008 to 2015. Dexter Sinister is the compound name of Stuart Bailey and David Reinfurt,who operate at the intersection of graphic design, publishing, and contemporary art. This memorystick is released parallel to the exhibition at Kunstverein München, “On a Universal Serial Bus.*”

The four projects on this drive each play in one of the Kunstverein’s four main spaces surroundedby a number of related objects. The four projects are:

(1) “Identity” —An MP4 of a three-screen projection from 2011 that lasts for 22 minutes.(2) True Mirror Microfiche Video —An MP4 of a single-channel video from 2009 that lasts for 12minutes and 17 seconds.(3) Work-in-Progress —A software application of a strange clock that turns on a 16-second loop,together with Theme from the Last ShOt Clock , an MP3 that lasts for 17 minutes.(4) Letter & Spirit —An MP4 of a single-channel animation from 2014 that lasts for 18 minutes and30 seconds.

And then I am the one driving this bus. My file name isReadMe —an MP4 of a voice-synthesizedtext that lasts for 4 minutes and 22 seconds.


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Kandinsky - Monographies et MouvementsCentre Georges Pompidou 2015 ISBN 9782844267023 Acqn 24796Pb 19x19cm 96pp 55ills 38col £9.95Text in French

This series of books help the general reader discover the world of one of the greatest artists ofthe twentieth and twenty-first centuries based on a selection of iconic works taken mainly from theprestigious collection of the Musée national d'art moderne, Centre Pompidou.


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Chefs-d'Oeuvre De L'art Contemporain A ColorierCentre Georges Pompidou 2015 ISBN 9782844267054 Acqn 25052Pb 22x29cm 25ills 9col £9.50Text in French

An art sketchbook that both parents and kids will appreciate!Including creative and attractive drawings, this colouring book introduces would-be artists of allages to contemporary art. This sketchbook encourages kids to give colour to the most famous artpieces of modern art while taking inspiration from copies. Murakami, Warhol, Lichtenstein: worksof the most famous artists of the 20th century are explained to children in a smooth and funny

way so they can discover what contemporary art is about!


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Anselm Kiefer - Exhibition CatalogueCentre Georges Pompidou 2015 ISBN 9782844267184 Acqn 25358Hb 23x30cm 288pp 250ills 200col £33.50Text in French

The first retrospective on Anselm Kiefer held in Paris since 1984!This catalogue offers a thematic overview of the work of this German painter and sculptor, whose

identity is deeply enshrined in his home country's history and characterized by a post-warbackground. Since his first provocative series Occupation, Kiefer has widened the nature andthemes of his compositions, while still alluding to Germany's past. Not only does the cataloguefeature all the works exhibited at the Centre Pompidou retrospective, but it also includes in-depthcontributions by prominent authors, as well as an exclusive diary-like section going over theartist's life, from his childhood to present times.


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Anselm Kiefer - Exhibition AlbumCentre Georges Pompidou 2015 ISBN 9782844267191 Acqn 25360Pb 27x27cm 60pp 59ills 54col £7.95


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Les Plus Grands Chefs-d'Oeuvre De L'Art ModerneCentre Georges Pompidou 2015 ISBN 9782844267283 Acqn 25747Pb 27x27cm 60pp 50col ills £9.95


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Jos De Gruyter And Harald Thys - Fine ArtsSternberg Press 2015 ISBN 9783956792090 Acqn 25752Pb 22x28cm 100pp 93col ills £21

Jos de Gruyter (b. 1965, Geel, Belgium) and Harald Thys (b. 1966, Wilrijk, Belgium) have beenworking together since the 1980s. They first became video-makers and performers of playful,dystopian narratives. Now they work in various media, including sculpture and drawing, todescribe a feebly sensitised world where contemporary ideas of freedom and subjectivity arechimera, and objects often have as much life as humans.

For their exhibition at Raven Row the artists have become watercolourists, assuming themuddled and suspect obsessions of imaginary weekend painters to make a vast series ofpictures. Numerous depictions of history culled from the internet stare blankly into a past which

might now be useless. Deadpan images of the banal and fanciful hang evenly alongside thegrievous and tragic without expression, critique or apparent irony. In some, nostalgia orinnocence are dimly stirred and questioned. Cartoonish sculptural figures, weighty but thin likecardboard, stand alongside the watercolours as mute witnesses.


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Jos De Gruyter And Harald Thys - Die Schmutzingen Von PuppenSternberg Press 2015 ISBN 9783956792083 Acqn 25753Pb 20x28cm 40pp 38col ills £13.50

Die Schmutzigen Puppen von Pommern (The Dirty Puppets of Pomerania) are the descendantsof an executioner family from Greifswald in the historical province of Pomerania. In the twelfthcentury, this family had monopolized the execution of death sentences against payment and themaintenance of the gallows fields located outside cities and villages. They amassed a fortune thatway. At the height of their power, the empire covered the whole region of Pomerania extendingfrom Greifswald to Stettin in present-day Poland. Given their strong hold on the judiciary, it oftenoccurred that corrupt judges who were under the influence of the family handed down deathsentences.

After three generations, the empire suddenly and inexplicably collapsed. It is said that a frenziedexecutioner brought it to rack and ruin. The descendants went on to roam Pomerania and weremocked and taunted.Hundreds of years later, they are still around, resigned to their fate.


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Annette Weisser - Make Yourself AvailableThe Green Box 2015 ISBN 9783941644717 Acqn 24112Pb 22x29cm 57ills 24col £17.50

The artist book Make Yourself Available is published on occasion of the solo exhibition of thesame title at Kunstverein Heidelberg (2013) and the solo exhibitionHe had a killer body and hewas an awesome dad but she was like I can’t do this at Kunstverein Langenhagen (2015).Each exhibition took a sculptural-installative approach to the space, in which the works – chiefly

large-scale woodcuts – were presented as though in a stage set. Both exhibitions were based onthe artist’s self-inquiry regarding her political socialization in the 1980s in the rural south ofGermany, as well as the enduring influence of National Socialism on German society. Thequestion here concerns an individual psychological experience in the context of a historicalcoming to terms.Make Yourself Available , understood here as a call to get involved, to „make a difference“, is putin relation with the problem of the so called „Kriegsenkel“, the grandchildren of the WW2generation. In an interview with Berlin based psychotherapist and author Gabriele Baring Weisserasks about possible underlying causes for self-harming behaviour, as Baring suggests, in theform of unknown traumas of previous generations within the family system.The book design takes up the gesture of making oneself available inasmuch the dust jacket isthat of another book, borrowed from the private library of Weisser’s aunt Anneliese Weisser. Aspart of her exhibition at Kunstverein Heidelberg the artist included the entire library. A selection ofthese books, chosen to represent a moral-intellectual milieu the artist grew up with, frame theactual content of Make Yourself Available . In a similar gesture, the font is criss-crossed byanother font, taken from the dust jacket of an anniversary publication in honor of Willy Brandt’s75th birthday.Essays by Ilka Becker and Maria Muhle. Interview with Annette Weisser by Chris Kraus. Interviewwith Gabriele Baring by Annette Weisser. Introduction by Susanne Weiß (director HeidelbergerKunstverein) and Ursula Schöndeling (director Kunstverein Langenhagen).


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Jytte Hoy - Hello Everybody!The Green Box 2015 ISBN 9783941644809 Acqn 25619Pb 18x27cm 96pp 42ills 25col £21

Hello Everybody! gets its title from a text piece by Jytte Høy. The book presents Høy’s latestworks from 2010 onward. During this time literature has played an increasingly prominent role inher sculpturally founded production. Høy’s sculptural approach to language is matched by herlinguistic approach to sculpture and the artists’ solidly sensual relationship with language and thebook format is expressed through different types of paper and printing techniques. Colour insertscontribute an extra dimension.8 text pieces from the series Words Found More Added have been separately printed and

featured in the book as individual works: one page of the book, for each work.Høy works with connections in the world as well as in language. Her works often display a longaesthetic genealogy, in which an object or concept gives birth to the next. This book emphasizesHøy’s working methods by juxtaposing new sculptural works with older “reference”-works:Conceptual flashbacks to provide the viewer with a broader context for individual works and aninsight into the artists’ thought processes. The text pieces and the accompanying documentationof sculptural works and relevant exhibition contexts are supplemented by a text by Lotte Møller,investigating the special relationship between words and objects in Høy’s oeuvre for the first time.


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